Yes, it's in 1562[10] and - yes - there are tone colour echoes.
This is remarkable since it requires to go up to "l" (at least) on the second
course or lower courses.
Very interesting.
Rainer
On 30.01.2018 15:46, Joachim Lüdtke wrote:
Nor do I, but Brown records two later editions. It may be interesting (at least
for someone who is fascinated by the music and the history of its editions) to
compare the texts. Years ago I copied the piece from the CNRS edition, which
should be based on the earliest known publication, that is on 1554[6]. If I
wasn't out of my mind while copying the music, there are several measures where
you would have to pick the final note in cadences from the octave string of the
third course. Later I saw the piece in one of the later prints, and all this
fine play with octave strings and resulting sonorities, which to me seemed so
perfectly matched the way De Rippe intavolated the echos of the chanson, was
edited out ... I have however never investigated much time into this, and it
may even be that the piece is full of errors in 1554[6] or the copy the CNRS
editors where working from, and that all ideas of mine about fine play, octave
strings and sonorities are nonsense ...
Best
Joachim
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-----Original-Nachricht-----
Betreff: [LUTE] Re: tone colour echo
Datum: 2018-01-30T14:00:09+0100
Von: "Rainer" <[email protected]>
An: "[email protected]" <[email protected]>
Looks like I don't have that book (Brown 1554[6]) - grrrrrrrrrrrrrrrr
Rainer
On 30.01.2018 11:58, Joachim Lüdtke wrote:
Dear Rainer,
De Rippe's intavolation of Gentian's "Dieu qui conduit" ("L'Eccho").
Best
Joachim
-----Original-Nachricht-----
Betreff: [LUTE] tone colour echo
Datum: 2018-01-30T11:45:30+0100
Von: "Rainer" <[email protected]>
An: "Lute net" <[email protected]>
Dear lute netters,
I may have posted this may years ago already - I don't remember.
In the duet treble "Sellinger's Round" (Marsh, p. 182 and Dd.3.18, f. 5r) there
is a tone colour echo in bars 57 and 58 - the same notes on different courses.
I wonder if anybody knows of any other such echo in Renaissance lute music.
By the way, it is tempting to play a similar echo on bars 53 and 54.
Rainer
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