Actually, I think the quote is:

   "We got both kinds [of music]: Country AND Western" - the bartender in
   The Blues Brothers. ;-)

   Speaking personally, I see myself as an artist first, a musician second
   and an instrumentalist (on various instruments including lute) third.
   There's a Composer and improviser in the mix somewhere as well. I'm
   happy to play any kind of music on any instrument. On the lute, I do my
   best not to let my knowledge of HIP get in the way of making music.
   That's a challenge sometimes!

   Chris

   [1]Sent from Yahoo Mail for iPhone

   On Friday, March 16, 2018, 4:11 PM, guy_and_liz Smith
   <[email protected]> wrote:

   This, perhaps:

   Louis Armstrong - "There is two kinds of music, the good & the bad. I
   play the good kind."

   --

   Personally, I'm a purist to the extent that I play only Ren music on
   the lute or sackbut. I play modern music (symphonic band and jazz) on a
   modern trombone. Works for me, but one of these days I might try jazz
   with the sackbut. Some pieces might work nicely with a lutenist that
   can read a jazz chart, and maybe a shawm or dulcian or cornetto...

   Guy

   -----Original Message-----

   From: [2][email protected]
   [mailto:[3][email protected]] On Behalf Of Alain Veylit

   Sent: Friday, March 16, 2018 12:28 PM

   To: lute net

   Subject: [LUTE] Re: Some questions

   Trick question: When Paul O'Dette plays an arrangement of a ragtime on
   lutes, it that early music or modern music?

   I am reminded of a quote by a jazz player (whose name escapes me now):

   there are only two kinds of music, the good one and the other one.
   Which one should we play on which instrument?

   Whatever gets in the way of having fun with the music gets in the way
   of good music. Whether arthritis or prejudices (that could be defined
   as arthritis of the mind). Should playing the lute prevent us from
   having fun with the music?

   It is illogical in this space-time continuum to insist that
   improvisation is a necessary skill for early music and refuse to play
   contemporary music, don't you think?

   Given the fact that there was a large amount of bad music published in
   the 16th and 17th century, should not we be allowed to play bad
   contemporary music?

   Just sticking to the label of this thread...

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