Maybe just ‘adjust' the nails. Nails have a range where they work OK on
   either instrument. In my experience, the center of the range for lute
   is shorter than the range for guitar, but there is some overlap. It is
   not necessary to give up one instrument for the other, just find the
   length that works acceptably for each.

   A. John Mardinly, Ph.D., P.E.

   On Mar 6, 2019, at 12:30 PM, Ron Andrico <[1][email protected]>
   wrote:

     Thank you Martyn.  It's about time we all sorted out this popular
     misconception.  I have encountered several classical guitarists who
     still think their right hand position must be completely altered to
     play lute, and it's a surprise to them when I say that their hand
     position is probably optimal for baroque lute and theorbo - perhaps
     minus the nails.
     RA
       __________________________________________________________________
     From: [2][email protected] <[3][email protected]> on
   behalf
     of Martyn Hodgson <[4][email protected]>
     Sent: Wednesday, March 6, 2019 3:55 PM
     To: Lute List; Ron Andrico
     Subject: [LUTE] Re: right hand technique -- bending the pinky
        Indeed.  I well recall Eph Segerman remarking several years ago
   that
        the obsession with thumb-under was, and for many remains, an
   attempt
     by
        some modern lutenists to distance themselves from the hated
     classical
        guitar which, ironically, many had started out on!
        As you say Ron, the evidence is very clear
        MH
        On Wednesday, 6 March 2019, 13:08:10 GMT, Ron Andrico
        <[5][email protected]> wrote:
          Perhaps the mis-remembered quotation is a conflation of Besard
   and
          Vallet, who recommended thumb-index for fast passages.
     Nevertheless,
          music from around 1600 forward in time should be played with the
        thumb
          out if we are to follow the written advice and the iconography.
    I
          still see far too may baroque lute and theorbo players using
          thumb-under, which is patently absurd given both the historical
          precedent and the physical layout of extended bass instruments.
        Isn't
          it about time lute players moved forward from the guitarist
   versus
          lutenist nonsense from the 1970s and played according to actual
          historical examples?
     __________________________________________________________________
          From: [1][6][email protected]
   <[2][7][email protected]>
     on
        behalf
          of Martin Shepherd <[3][8][email protected]>
          Sent: Wednesday, March 6, 2019 8:23 AM
          To: Lute List
          Subject: [LUTE] Re: right hand technique -- bending the pinky
          Dear All,
          Just from memory - Besard insists on thumb-out technique as
   being
     the
          best, but allows that people with short thumbs may find
     thumb-inside
          easier.  I find it inconceivable that he would change hand
     position
          during a piece, and see no reason why you should not use
     thumb-index
          alternation in fast runs with thumb out - flamenco guitarists do
     it
        all
          the time.
          The fingering dots in the ML lute book (c.1640) give an
     interesting
          indication of this.  In Dowland's fantasia (Poulton 1, ML
     ff.14v-15r)
          all runs are marked to be played middle-index, except where a
     running
          passage has infrequent bass notes (f.15, second system) which
   have
     no
          double dots (meaning middle), so presumably to be be played
          thumb-index.  Once the bass notes become more frequent (and the
     speed
          of the treble movement stays the same, 3rd and 4th systems) the
          middle-index alternation returns.  Then a fast cadential formula
     (end
          of
          system 5) lacks any double dots and is therefore thumb-index.
          I'm sure there are many other examples like this.  Nigel North's
        recent
          talk at the Lute Society gave many interesting examples of RH
          fingerings.
          Martin
          On 06/03/2019 08:06, [4][9][email protected] wrote:

     Sorry: 'original', naturally!
     Gesendet von meinem BlackBerry 10-Smartphone.
       Originalnachricht
     Von: [5][10][email protected]
     Gesendet: Mittwoch, 6. März 2019 07:49
     An: Lute net
     Antwort an: [6][11][email protected]
     Betreff: [LUTE] Re: right hand technique -- bending the pinky
     Dear Alan, dear Jurgen,
     There is something to that effect in all 'oroginal' versions of

          Besard's instructions, that is: 1603 and 1617. I do not remember
     if
        ye
          text englished contains the passage...

     Best
     Joachim
       Originalnachricht
     Von: Alain Veylit
     Gesendet: Mittwoch, 6. März 2019 04:32
     Antwort an: [7][12][email protected]
     Cc: Lute net
     Betreff: [LUTE] Re: right hand technique -- bending the pinky
     Jurgen,
     It's been a while and I was quoting from memory... but I am sure

     I
          saw

     it somewhere - perhaps the instructions translated in English in

        the

     Varietie of Lute Lessons?
     Or maybe the use of dots in Thesaurus Harmonicus ...
     Alain
     On 3/4/19 11:11 PM, Jurgen Frenz wrote:

     It would be totally excellent if you'd find out where Besard

     made
          that suggestion.

     Thanks,
     jurgen
     ----------------------------------
     "There is a voice that doesn't use words. Listen."
     JalÄl ad-DÄ«n Muhammad Rumi
     âââââââ Original Message âââââââ.
     On Tuesday, March 5, 2019 10:40 AM, Alain Veylit

          <[8][13][email protected]> wrote:

     That's odd because I remember O'Dette's advice for the

     left-hand
          pinky:

     plant it vertically on the string instead of laying it flat -

        which

     requires more effort. That should mean his left-hand little

        finger
          can

     bend... Not a conclusive proof for the right hand little

     finger
        but
          ...

     For Renaissance lute, if I am not mistaken, the right-hand

     little
          finger

     is supposed to be parallel to the sound board, just lightly

          brushing on

     it, and it should remain extended.
     Anybody with a good explanation as to how additional basses

     would
          alter

     the right hand position? If I recall, Besard still argued for

     a
          mixed

     technique, thumb-under for fast runs and thumb over for

     whatever
          else

     (chords). I think it is logical that increasing dedication of

     the
          thumb

     to the bass strings does account for the shift in right-hand

          position,

     and when you think about it, it is not a small revolution in

        music

     history...
     On 3/4/19 7:12 PM, Richard Brook wrote:

     Heard via the late great Pat OBrien Paul O'Dette couldn't

     bend
          that finger down by itself. Though I think Pat said in my case
   the
          fault was in my head, not in the stars.

     D ick Brook

     On Mar 4, 2019, at 6:58 PM, Alain Veylit

          [9][14][email protected] wrote:

     Good one Rainer - Anybody remembers the title of that

     American
          series from the 60s-70s where aliens live among us in disguise,
     and
        the
          only sure way to identify them is that they cannot bend their
     little
          finger?

     Worth mentioning also about right-hand technique, Jimmy

     Hendrix
          playing with his teeth - frustrated leftie, you think?

     On 3/4/19 12:19 PM, Rainer wrote:

     On 04.03.2019 17:11, Alain Veylit wrote:

     And then, there is Django Reinhardt... one big exception

     to
        the
          rules of guitar playing. Experimenting with various techniques
   has
          probably always been a popular habit among musicians, whether by
        choice
          or force.

     And Aguado used the 4th finger of the right hand. Perhaps

     he
        was
          an alien :)

     Rainer
     To get on or off this list see list information at

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        References
          1.
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   mouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DwIFaQ&c=l45AxH-kUV29SRQusp9
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          2.
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        --
     References
        1. [1][19]mailto:[email protected]
        2. [2][20]mailto:[email protected]
        3. [3][21]mailto:[email protected]
        4. [4][22]mailto:[email protected]
        5. [5][23]mailto:[email protected]
        6. [6][24]mailto:[email protected]
        7. [7][25]mailto:[email protected]
        8. [8][26]mailto:[email protected]
        9. [9][27]mailto:[email protected]
       10.
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   mouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DwIFaQ&c=l45AxH-kUV29SRQusp9
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   PstT_yjMaanMZxBFAQwE&e=
       11.
   [11][29]https://urldefense.proofpoint.com/v2/url?u=https-3A__www.avast.
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       12.
   [12][30]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dart
   mouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=DwIFaQ&c=l45AxH-kUV29SRQusp9
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       13.
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   com_antivirus&d=DwIFaQ&c=l45AxH-kUV29SRQusp9vYR0n1GycN4_2jInuKy6zbqQ&r=
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   dcSST5ETqw37szHTrE&s=RFJHW6YQ4AEqgAksJ9TY2n3-zFA-s1xGbPPxmE9imC4&e=
     --
   References
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    10.
   [41]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmout
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    11.
   [42]https://urldefense.proofpoint.com/v2/url?u=https-3A__www.avast.com_
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    12.
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    13.
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   T5ETqw37szHTrE&s=RFJHW6YQ4AEqgAksJ9TY2n3-zFA-s1xGbPPxmE9imC4&e=

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