I am a young amateur lute player (just 21), so I guess I am a part of
   the next generation of players. I think the lute will continue to be
   played for the foreseeable future, since there's always someone strange
   enough to fall in love with the lute's music and sound, but it's sad to
   see little to no young people in ancient music and classical music
   concerts in general. Perhaps it has to do with the distance that has
   grown between contemporary composers and the general population, the
   former usually earning their bread through the academia. Perhaps when
   the older generation is gone, and large portions of the classical world
   wouldn't be able to sustain themselves on concerts anymore we would see
   some renaissance, but that's just speculation.
   On Thu, 27 Aug 2020, 08:44 Jurgen Frenz,
   <[1]eye-and-ear-cont...@protonmail.com> wrote:

     It is my impression that there are quite a few outstanding young
     players who will continue the tradition of great lute playing. Names
     that immediately come to mind are Lukas Henning and Bor Zuljan. We
     should ask the teachers at the Schola in Basels what they think of
     young players. - Further, when you look at the "new members" section
     in the latest Lute News magazine by the British Lute Society there
     are quite a few Japanese sounding names - that indicates to my
     opinion a growing interest in lute music outside of Europe which is
     very encouraging.
     Another thing is that amateurs who spend a lot of time and effort in
     transcribing lute music from manuscripts and hard-to-find prints
     into a modern typeset and put it for free online - Sarge Gerbode is
     doing outstanding work in this respect (and if you doubt his
     competency he also puts the faksimiles online so that everybody can
     individually verify).
     Those 3 ingredients (well trained young players, growing interest
     outside of Europe and a large stock of available music without cost)
     are an indication that we don't have to be concerned for the future
     of lute playing. My opinion, that is.
     âââââââ Original Message âââââââ
     On Thursday, August 27, 2020 5:53 AM, howard posner
     <[2]howardpos...@ca.rr.com> wrote:
     > > On Aug 26, 2020, at 6:38 PM, Richard Brook
     [3]richa...@mail.cs.dartmouth.edu wrote:
     >
     > > I note Henry VIII (source: Hilary Mantel) executed a lute player
     for sleeping (so Henry claimed) with Anne Boleyn.
     >
     > That would be Mark Smeaton; hence Theodore's foreboding about a
     Smeaton-themed movie. But it has more or less happened already.
     Smeaton was a significant character in The Tudors, a Netflix series
     that seems (as far as I could see from dropping in while my wife
     binge-watched it), to combine insight and outrageous nonsense in
     roughly equal measure.
     >
     > Addressing the larger question, assuming the world rebounds well
     from Covid shutdown (a dicey proposition in the USA, I know) the
     lute should do just fine because ensembles and orchestras should be
     a steady source of professional gigs, and that area still seems to
     be growing. Some responses here treat the lute as if it were just a
     vehicle for solo lute music, which was never the case except in the
     early days of the lute revival.
     >
     > > So things are looking up.
     > > Dick Brook
     > >
     > > > On Aug 26, 2020, at 8:13 PM,
     [4]theoj89...@new-old-mail.cs.dartmouth.edu wrote:
     > > > Dear luters:
     > > > What does the future hold the lute?
     > > > In the waning days of this wonderful email list (Thanks
     Wayne!!), I
     > > > thought I would invite thoughts regarding the future of the
     lute and
     > > > the lute community. As I muse, it seems that this present lute
     revival
     > > > started in 1960's - 70's largely out of the folk music revival
     and
     > > > early music revival. I notice that many of our fellow lute
     enthusiasts
     > > > are growing older (as am I). And with the recent passing of
     Julian
     > > > Bream, I thought it prescient to reflect:
     > > > What will the next 10, 20, or 50 years look like for the lute
     and lute
     > > > community?
     > > > Is interest in the lute on the decline, ascendency, or moving
     in some
     > > > other direction?
     > > > Is this trajectory different in different countries?
     > > > The internet has revolutionized access to manuscripts,
     publishers, and
     > > > recordings. Will the internet ultimately drive interest to
     diversions
     > > > other than the lute?
     > > > And when will Hollywood finally make a sizzling historical
     romance
     > > > about a lute player and bring the lute back to be a symbol of
     > > > seduction, as it should be? (Hopefully the movie won't be
     about Mark
     > > > Smeaton.)
     > > > Thoughts?
     > > > theodore jordan
     > > > --
     > > > To get on or off this list see list information at
     > > > [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. mailto:eye-and-ear-cont...@protonmail.com
   2. mailto:howardpos...@ca.rr.com
   3. mailto:richa...@mail.cs.dartmouth.edu
   4. mailto:theoj89...@new-old-mail.cs.dartmouth.edu
   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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