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---- James Enterline <[email protected]> wrote: 
> Even though I admire British 
> cleverness , doesn't David Bradbury's description sound a bit 
> paranoid: "If the British Museum investigators were right in 
> observing that the finest writing tended to lack the black crust, and 
> McCrone was right about most of the black crust from the main lines 
> being removed deliberately, then the "painful" retracing could be a 
> much more casual process, applying the carbon fairly rapidly to the 
> major lines and to random points in the fine writing, then scraping 
> most of it away, particularly where it was badly matched with the 
> underlying yellow."  Talk about painful!  This is even more 
> self-serving to the forgery conclusion than my scenario is to authenticity.

The catch is- there is evidence (staring you in the face from Cahil's 1987 
report, if you know what you're really seeing) to suggest that the lines have 
been selectively abraded.

David Bradbury


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