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Even Birth of a Nation, to my understanding, was treated as a cinematic
accomplishment. Maybe both should be studied in film classes but they need
not be treated as normal/socially acceptable films to be screened just for
entertainment.

On Fri, Jun 26, 2020, 12:34 PM John A Imani via Marxism <
marxism@lists.csbs.utah.edu> wrote:

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>
> Comrades,
>
> I am black.  72 years old.  An anarcho-Marxian.  And, as an adult, have
> logged 50+ years of participation in many many movements always to be found
> in the same place: on the front line.  I make those statements because I
> have never sought nor accepted the privileges of race, age, my grasp of
> politico-economics and/or the braggadocio resulting from  "Jaws"-like
> comparisons of battle scars.
>
> And because of these experiences and this disposition I invite criticism as
> I have never feared being wrong only of being incorrect.  And, on this,
> especially at this special time.
>
> "GWTW" is beautifully filmed, finely acted, magnificently scored, if
> historically inaccurate, depiction of the ante-, inter- and post-bellum
> South.  It is a work of art even if also an agent of racism.  It--like
> statues and monuments klan outfittings and speeches--belongs with those
> brethren in a museum.  And alongside these mementos explanations and
> criticisms giving these their proper contexts.  In this case that museum's
> name is TCM.
>
> I recently saw for the first time Hattie McDaniels' acceptance speech
> <https://www.youtube.com/watch?v=e7t4pTNZshA> for winning the Acad Award
> for Best Supporting Actor.  It was as magnificent as it was short,
> emotional and uplifting.  It was as grand as her portrayal of 'Mammy' in
> the film wherein I have never seen an actor so embody the conscious as well
> as the subconsciousness of the character portrayed.  Do we burn that film
> as some have burned books?
>
> JAI
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