glenn,
i was right with you on this... whether it was signed, or a
certificate was issued and signed by the restorer, stating what work
and repairs were done, restore, paper repalcement or fills, etc. .
this document, like an appraisal, would go with the piece, were it
ever sold, like one includes when selling a work of fine art.
i do recall you had a number of silly replies in the negative. one
dealer even talked of the difficulty of SEWING on a tag to the
linen.. who ever talked about that kind of method?
i still think this is a sound and logical idea. makes total sense.
jeff
On Sep 2, 2009, at 10:40 AM, Glenn Taranto wrote:
I would like to offer my post of June 15, 2009...
If anyone would care to re-read it....
It seemed to me most people were against the idea...
Not that I'm a genius or anything but it's interesting to see what
a difference 2 months can make...
Glenn T.
-----Original Message-----
From: MoPo List [mailto:[email protected]] On Behalf Of
Glenn Taranto
Sent: Monday, June 15, 2009 12:09 AM
To: [email protected]
Subject: [MOPO] Should restorers sign their work?
What are the pros and cons of restorers signing their work?
Would it add or subtract from the value of a piece?
It would be easier to do with paper items, a simple rubber stamp of
some kind. I suppose it could be done the same on linen.
Years go by and you wonder, who did the work on this piece.
Your thoughts?
Glenn T.
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