That's a good point Simon. I had not thought of this before.
Op 2 sep 2009, om 21:54 heeft Simon Oram het volgende geschreven:
If I was a linen backer/restorer I would not want to sign my work on
the back, one reason only: my signature could be forged and used on
fake material to signify the work had been done ethically. What
would happen if someone like Dario's signature was used to endorse a
fake piece of work? Maybe as we have seen on here the shouting and
accusing would begin straight away.
Simon
----- Original Message -----
From: Susan Poole
To: [email protected]
Sent: Wednesday, September 02, 2009 7:42 PM
Subject: Re: [MOPO] Should restorers sign their work?
This discussion comes up every few years and after all the ranting
and raving nothing gets done. Case in point -- this discussion
occurred right here on MOPO in March of 2005. Here's the link to
the discussion. It even mentions the infamous Frankenstein half
sheet which apparently spurred this particular discussion.
http://www.mail-archive.com/[email protected]/msg04720.html
And yet, nothing has been done.
Sue
LearnAboutMoviePosters.com
From: MoPo List [mailto:[email protected]] On Behalf Of
Glenn Taranto
Sent: Wednesday, September 02, 2009 01:07
To: [email protected]
Subject: Re: [MOPO] Should restorers sign their work?
So why isn't there a hobby standard at this point?
GT
----- Original Message -----
From: bqjansen
To: [email protected]
Sent: Wednesday, September 02, 2009 11:03 AM
Subject: Re: [MOPO] Should restorers sign their work?
Dario already does something like this, since I asked him for it.
Next to a stamp of vintagemovieart and the date on the back, he will
provide a record of the works that have been restored and the date.
Op 2 sep 2009, om 19:53 heeft Susan Heim het volgende geschreven:
I've been saying this for a long time. So has Ed and Sue Poole at
Learnaboutmovieposters.com. You know when you receive a
linenbacked poster from a Heritage auction and there is a clear
label on the back of it? Well, assuming you can get a acid free
clear label, I think that would be great and it could remain on the
poster forever for provenance.
Sue
Date: Wed, 2 Sep 2009 10:48:27 -0700
From: [email protected]
Subject: Re: [MOPO] Should restorers sign their work?
To: [email protected]
glenn,
i was right with you on this... whether it was signed, or a
certificate was issued and signed by the restorer, stating what
work and repairs were done, restore, paper repalcement or fills,
etc. . this document, like an appraisal, would go with the piece,
were it ever sold, like one includes when selling a work of fine art.
i do recall you had a number of silly replies in the negative. one
dealer even talked of the difficulty of SEWING on a tag to the
linen.. who ever talked about that kind of method?
i still think this is a sound and logical idea. makes total sense.
jeff
On Sep 2, 2009, at 10:40 AM, Glenn Taranto wrote:
I would like to offer my post of June 15, 2009...
If anyone would care to re-read it....
It seemed to me most people were against the idea...
Not that I'm a genius or anything but it's interesting to see what
a difference 2 months can make...
Glenn T.
-----Original Message-----
From: MoPo List [mailto:[email protected]] On Behalf Of
Glenn Taranto
Sent: Monday, June 15, 2009 12:09 AM
To: [email protected]
Subject: [MOPO] Should restorers sign their work?
What are the pros and cons of restorers signing their work?
Would it add or subtract from the value of a piece?
It would be easier to do with paper items, a simple rubber stamp of
some kind. I suppose it could be done the same on linen.
Years go by and you wonder, who did the work on this piece.
Your thoughts?
Glenn T.
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