steven _ your posts are interesteing however... hers the important thing to understand.......

the entire Movie poster buiness is based on a simple fact... It was never cleared in past to be sold, leased or given away as indicated on bottom of most posters.. so in effect its all stolen materials that were to be returned
to the studios and thetre poster depots....
that said.... most people would not disclose the oriigin of where they received it as it might be a studio employee or excecutive that slipped it out the backdoor of the office... Otherwise how did any get out? Ive bought from people that worked in theatres and most would not want there names told as it could jeprodise there jobs.... I even bought from people in chains that handle the advertising..... However in vinatge material even if I bought from the cousin of the theatre owner what does that have to do with the origin of the poster itself?? even people in the biz received bootlegs.... and all you have stated is that someone made you feel comfortable withe the buy because they verbal told you they attested its source- Correct? so In the final chapter .. two or three dealers could argue as to the MINTY whites origin unless there was Bonifide evidence as to where they wer printed.. and where the originals with printer afadavits and witnesses and bonifide proof... Otherwise its he said/she said and speculation as to the source. Unless you were there in 1931 to see it printed and had documents the only way to athenticate posters would be to have a special scientific test done.... Otherwise the authenticating will come from Professioanl Poster dealers OPINIONs as to its originality based on experiance, and knowledge over years. In about every area professionals have been fooled like currency and any sector , as forgers are keen observers and can copy almost anything because of new technology. and old school treatments. In the case of Movie posters the probvenance has been distrupted by many people who dont wish disclosure most times or also because no one ever thought a 1.00 piece of throw away advertising would be worth 200K because when they do.. eeryone hordes the items as " Investmensts" as is seen with the glut of collectables that consumers feated on like cababge patch, beanie babies , and even comics and posters,,, playing on greed of people that wanted to Invest in something long term with modest cash outlay... Ive always maintained... Buy it for the value of seeing incredible art,, enjoy it.. dont buy for condition,, buy for the experiance of the artist, author, or medium of art..... and then pass it on and allow others to experiance it and see it , hear it , because life is so damn short.. buy the time you accumulate , then you need to store.. and if you leave in a box.. then it might get pitched by someone like a relative that sees no value anyway., and as far as investments.. sure you can make lots of money if you bough back in pre- 80s and even now there are probably deals,,, however until the hobby aggree on standards and a authority to monitor whats being sold and can respect that judgement ,, Its all wild west and everything and anything gos until they get popped. Thankfully there are some honest people out there to help keep things honest, as for the auction house that told you it was a legitaimate card , I would think you could read terms of the sale and see if they offer money back warranty if found to be bogus goods.. If so if you have several dealers of old paper concur its not real then ask them to give you a letter offering refund if found bogus down the road and perhaps that would help if you ever need to sell the item. There may also be legal remidies I suggest you seek legal council if you suspect you need more relief. However I think people are not logically looking at the entire scope of the Movie poster hobby clearly. It was never menat to be a titled industry like cars or items sold to a group as a collectable.. the NSS numbers where just to organize release dates and the posters in the NSS system and for thetares The structure or infrastructure was never in place to do what you would like done... Its basically word of mouth, and the trail will stop or get cloudy at many points.. especially on older titles sice most of the players are dead and theatres goone and industry peopel dead and gone.... so that leaves dealers like me and others who are soon to be senile and forget thier names so you better hope you have a original Bubba! just hoep fishler Frietag Bruce and Morrie and the others live to be 129 years old then youll be ok.. Or all hell well break loose and the world will be taken over by the minty white guys...
best, Tom
old poster dealer that is getting old. and cranky

Steven F. Poole wrote:

Bruce and all-
When its all said and done, I guess the bottom line of the whole auction format does not allow for ME the buyer to know who YOU the consignor are (unless explicitely stated in the auction description who the consignor is). Here was my scenaro in a nutshell: I made a purchase of a Universal lobby card in a major auction at about a high bid of $1000 last spring ('09). I know that that dollar amount in value is peanuts compared to some other Universal pieces but after the fake Universal scandal broke, I got a little bit concerned about the card I had from the auction from just a few months ago and called the auction house to ask where it came from. I was simply told it was from a "reputable collector" and nothing more would be revealed by the auction house rep. in the conversation. So, I have no knowledge of where this card came from except the auction house sold it to me. For those who might be proactive in the fallout of this whole fake issue, this is a real dead end in trying to maintain as certain as humanly possible authenticity of an item purchased. Another example.....Recently I had a call from an individual with whom I had been involved in a trade for some material. The piece that this individual had was a horror piece that they had a question about concerning authenticity. We went back to the person that I had received it from and they were able to verify where they had purchased it from earlier which satisfied my trading partner who is the current owner of the piece. Total disclosure and following the links of the chain of ownership helped to calm the concerns of the person who currently owns the piece. I guess that is what I was seeking in my concerns regarding the item that I had "won" from the auction house. Steve
    ----- Original Message -----
    From: Bruce Hershenson <mailto:[email protected]>
    To: Steven F. Poole <mailto:[email protected]>
    Cc: [email protected]
    <mailto:[email protected]>
    Sent: Monday, October 12, 2009 5:23 AM
    Subject: Re: [MOPO] Fw: [MOPO] Provenance...............

    Steven
You have asked this in kind of a confusing way, but I think I am
    getting your point.
1) Even though they won't implicitly admit it (for unfathomable
    reasons) it is clear that several leading auctions and dealers
    sold these fakes (presumedly unknowing) as originals, and at least
    one indirectly states they have refunded the buyers they
    inadvertantly duped.
2) They surely have a record of who consigned what, so they know
    exactly who consigned each and every fake they have refunded.
    3) Therefore, they really absolutely SHOULD contact the buyers of
    any pieces that were also consigned by those same individuals, to
    alert the buyers that they MAY have purchased a fake, and that
    they should have their purchased checked by a talented
    professional, especially if they have any doubts themselves.
Could some of the consignors of the fakes have acquired them
    second hand or third hand and have only consigned the one fake,
    and all other items from that consignor were real? Sure, but until
    the fakes consigned by those individuals are identified, extra
    precautions must be taken, or this disease will continue to plague
    our hobby for years to come, as these so-called "buried" fakes
    keep re-surfacing.
I take Steven's point to be that the auctions should be studying
    their consignment records and notifiying buyers of items consigned
    by those who also consigned fakes, or at least letting them know
    that the item came from a consignor who also consigned one or more
    known fakes if the purchaser inquires, as Steven did (of course,
    they don't have to name the consignor, just reveal the vital info
    that they also consigned one or more known fakes).
Do I think the auction houses and dealers who sold fakes will do
    this? I don't know, but I do know that this is a great opportunity
    for them to step up to the plate and show exactl why they deserve
    those hefty 20% buyers premiums all these years, and to take a
    real leadership role in removing this awful taint from our hobby.
Bruce
    On Mon, Oct 12, 2009 at 3:13 AM, Steven F. Poole <[email protected]
    <mailto:[email protected]>> wrote:

        James-
           Its not that I would want to go to the consignor to ask for
        money back.....what I really would like to know on a
        questionable item is the "chain" that it came from.   If one
        of the "alleged masterminds" of the Universal Horror Scandal
was the consignor, I would think that is cause for alarm. Also, if it came from someone who is reputable, that would be
        a reassurance (unless, of course, the donsignor obtained it
from one of the "alleged masterminds"). Guess there really is no way to be assured on this issue
        except having someone you trust examine it.    It just seems
        the auction houses / dealers have the upper hand in this as
        they hold the key to at least begin a provenance check and the
        buyer does not have the key to fit that lock.

            ----- Original Message -----
            From: James Richard <mailto:[email protected]>
            To: Steven F. Poole <mailto:[email protected]>
            Cc: [email protected]
            <mailto:[email protected]>
            Sent: Monday, October 12, 2009 2:52 AM
            Subject: Re: [MOPO] Fw: [MOPO] Provenance...............

            Steven,

            Yes. But even if the seller/auction house did reveal the
            consigner or name-provenance of the item you purchased,
            for practical purposes your only recourse if you are
            unhappy with the item is to return it to the
            seller/auction house you bought it from and get your money
            back from them. The fact that the seller/auction house
            said they had the item on consignment from say, Brad Pitt,
            does not really entitle you to go to directly to Brad Pitt
            and ask for your money back. Brad did not sell the item to
            you -- the seller/auction house did. That's the whole
            point of consigning something to a seller or auction house.

            Sure, if you wanted to pay for it, a lawyer could probably
            make the argument that by consigning the item to the
            seller/auction house that Brad Pitt was somehow
            responsible in a vague kind of "implied warranty" fashion
            -- some lawyers will argue any position no matter how
            tenuous -- but I wouldn't count on winning that one in
            court. Selling individual used collectible items "as is"
            (which is essentially what we doing here) is not the same
            thing as the Ford Motor Company manufacturing millions of
            automobiles and selling them through a network on
            independent franchised dealerships.

            In lieu of some kind of convincing third-party
            authentication opinion certificate, I think you will start
            seeing sellers and auction houses putting aside this
            traditional "confidentiality" business and clearly stating
            provenances and consigners on the higher-priced items. In
            other fields of collecting, such as comic books, if an
            item is from a well-known collector's horde, that
            provenance is almost always mentioned by the seller -- it
            adds cachet to the item and will often significantly
            increase its selling price.

            Personally, I never really did understand why "consigner
            confidentiality" was such a big deal in the movie poster
            field, but Bruce probably has a viable theory that ties in
            with the push 'em ups concept... :)

            -- JR

            Steven F. Poole wrote:

----- Original Message -----
            From: Steven F. Poole <mailto:[email protected]>
            To: Richard Halegua Comic Art & Movie Posters
            <mailto:[email protected]>
            Sent: Monday, October 12, 2009 12:06 AM
            Subject: Re: [MOPO] Provenance...............

               Actually, I don't own a SON OF DRACULA, just using
            that as an illustration........in my case its another
            card from another Universal film and Heritage is not the
            auction house/dealer in my case.
              So, if provenance would not / cannot be disclosed, a
            dealer or auction house seems to be putting themselves in
            the position of taking in back in a No Questions Asked
            policy if I happen to suspect it. I would not be able to
            go any further back than where I got it from and they
would have to honor my feeling about it?
            
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