Is there anything (affordable) on the market that would allow both?
That is allow for accurate colors and give good quality details so that there 
are no surprises when the card you purchase shows up with a 1" tear?

But certainly lighting plays a huge part in photographing any posters, I know 
we have taken photos here where the poster can look brighter or darker than the 
actual paper without manipulating the image.

Bruce - are you saying that you use the same camera that Heritage uses (since 
you put I was incorrect about two cameras)?  Or are you saying I'm incorrect 
because they might have used a scanner and you used a camera(which is still two 
different imaging processes)?


  ----- Original Message ----- 
  From: Bruce Hershenson 
  To: Sean Linkenback 
  Cc: [email protected] 
  Sent: Thursday, March 18, 2010 6:04 PM
  Subject: Re: [MOPO] FA: Mother of mercy, are many fine lobby cards going to 
sell at under wholesale? They WILL, if in 13 hours they are where they are now!


  I put "two different cameras" because that is what Sean put (apparently 
incorrectly). I am looking at the actual card, and the image we have accurately 
depicts the coloring, while the other image completely distorts the coloring, 
making it appear somewhat white.

  Given the choice of my "lesser quality" camera which accurately depicts the 
coloring, and a scanner which gets better image detail quality but which 
greatly distorts the coloring, I know what I choose, but each seller has to go 
with what they prefer.

  I also wonder if it is the scanner which distorts the coloring, or if the 
image was brightened after the fact. One would have to see their original 
unrestored scan to know for certain, and I doubt I will ever see that.

  Another possibility is that the card WAS originally white a couple of years 
ago, but that it has undergone huge darkening in the intervening two years!

  Bruce


  On Thu, Mar 18, 2010 at 4:03 PM, Sean Linkenback <[email protected]> 
wrote:

    There is a definitely a quality of detail in Heritage's image that is 
lacking in the Emovieposter image.  Just look at the detail in Muni's hair to 
see what I am talking about.

    And while it isn't possible to do so over the internet, I prefer to use as 
bright a light as possible when inspecting cards for purchase.  I would much 
rather see the large tear in a card before I purchase it than be surprised when 
it arrives thinking "yeah, I guess that could have been a tear and not a 
crease, wish the photo had been clearer."

    Full Disclosure - if the card remains at present bid levels, I will 
certainly be making a bid (and placing it knowing there is a large not 
noticeable tear in it).

      ----- Original Message ----- 
      From: Bruce Hershenson 
      To: Sean Linkenback 
      Cc: [email protected] 
      Sent: Thursday, March 18, 2010 4:10 PM
      Subject: Re: [MOPO] FA: Mother of mercy, are many fine lobby cards going 
to sell at under wholesale? They WILL, if in 13 hours they are where they are 
now!


      What you are seeing is that they "brightened" the image artificially, 
making the card look far more "white" than it actually is in "real life". That 
had the unintended side effect of also brightening the tear, making it far more 
noticeable than it is in "real life".

      Two different cameras actually view the same card the same way, but it 
takes a human being to manipulate the image so that it appears other than it 
actually is in "real life".

      Bruce



      On Thu, Mar 18, 2010 at 1:58 PM, Sean Linkenback 
<[email protected]> wrote:

        As a lover of fine lobby cards and inspired by Bruce's sales pitch I 
decided to check out his great offering of lobbies.
        I was intrigued by the Scarface card as it looked somewhat familiar to 
me and a quick search of the Heritage archives shows that this exact card was 
auctioned two years ago this month, so it will be interesting to see how it 
performs in a different venue now.

        Also interesting to me was a comparison of the large scan of the card 
from Emovieposter as to the one Heritage made.
        Many times we hear vague references to "some" auction houses and how 
"they even trick you with the images, using "stock images" or "enhanced 
images"" and now at least for one item we can see how they compare against each 
other.  I certainly found it strange that a large tear in the top border of the 
card is clearly visible in the Heritage scan, but is nearly invisible in the 
Emovieposter scan.  
        I think both companies grade the card about the same, but it is hard to 
tell as Heritage uses a 10-point grading system (giving this one a 7 out of 
10), while Emovieposter uses a Fair to Fine scale, which I think translates to 
a 7-point scale making comparisons much more difficult but makes this a 5 out 
of 7.  I certainly don't think Emovieposter is enhancing or softening their 
image, but it does show how two different cameras can view the same card.

        Here is Bruce's large image:  
http://www.emovieposter.com/gallery/inc/giant_size.php?lot=1z528

        and here is the one from Heritage: 
http://movieposters.ha.com/common/view_image_only.php?img=http%3A%2F%2Fimages.ha.com%2Flf%3Fsource%3Durl[file%3Aimages%2Finetpub%2Fnewnames%2F300%2F3%2F3%2F8%2F4%2F3384599.jpg]%2Ccontinueonerror[true]%26source%3Durl[file%3Aimages%2Finetpub%2Fwebuse%2Fno_image_available.gif]%2Cif[%28%27global.source.error%27%29]%26sink%3Dpreservemd[true]


          ----- Original Message ----- 
          From: Bruce Hershenson 
          To: [email protected] 
          Sent: Thursday, March 18, 2010 7:50 AM
          Subject: [MOPO] FA: Mother of mercy, are many fine lobby cards going 
to sell at under wholesale? They WILL, if in 13 hours they are where they are 
now!


          Usually I use these last day "reminder e-mails" to point out the many 
items closing in a few hours that are still at just a few dollars each. But 
Thursday night's 666 single lobby cards (including 121 title cards and 41 
signed cards), closing tonight, on the 18th of March, starting in just 13 
hours,  currently includes lots of REALLY incredible values on items that 
usually sell for between $25 dollars to two hundred dollars, and currently many 
of these are languishing at low, low, prices, quite a few at "under wholesale"! 
I certainly hope the savvy dealers like John Hazelton, Morrie Everett, Joe 
Burtis, Marty Davis, Rich Halegua, and many others are all over these like a 
cheap suit, because there is money to be made! 

          With just 13 hours to go, there ARE still over 100 of these cards 
that are $3 or under, but I want you to go right now to the gallery of ALL the 
cards and see just how many wonderful buys there currently are!

          Here are some of the very best single lobby cards closing tonight:
          1z528 SCARFACE LC '32 Howard Hawks, Howard Hughes, great c/u of Paul 
Muni as Tony Camonte!
          1z312 FLASH GORDON Chap6 LC '36 Buster Crabbe at controls w/Priscilla 
Lawson, best serial ever!
          1z081 SABOTAGE TC '36 directed by Alfred Hitchcock, Sylvia Sidney, 
Oscar Homolka, The Woman Alone!
          1z107 TOUCH OF EVIL TC '58 art of Orson Welles, c/u of Charlton 
Heston & sexy Janet Leigh!
          1z465 NORTH BY NORTHWEST LC #2 '59 Alfred Hitchcock, classic image of 
Cary Grant chased by plane!
          1z660 WRONG MAN LC #6 '57 Alfred Hitchcock shown reading newspaper 
behind smoking Henry Fonda!
          1z621 TO CATCH A THIEF LC #5 '55 best close up art of Grace Kelly & 
Cary Grant, Alfred Hitchcock
          1z151 STRATTON STORY signed LC #7 '49 by BOTH James Stewart & June 
Allyson, who are about to kiss!
          1z496 PSYCHO LC #3 '60 Alfred Hitchcock, most classic long shot of 
Anthony Perkins by house!
          1z486 PHANTOM EMPIRE Chap4 LC '35 wonderful image of cowboy Gene 
Autry playing guitar on the radio!
          1z092 SONG OF THE THIN MAN TC '47 William Powell, Myrna Loy, and Asta 
the dog too!
          1z091 SOMEWHERE IN THE NIGHT TC '46 John Hodiak, Nancy Guild, cool 
film noir montage!
          1z524 SAFE AT HOME LC '62 c/u of Bryan Russell lifted by Yankees 
Mickey Mantle & Roger Maris!
          1z518 ROPE LC #3 '48 c/u of James Stewart with Farley Granger & John 
Dall, Alfred Hitchcock
          1z172 A-HAUNTING WE WILL GO LC '42 Laurel & Hardy in wacky turbans 
holding ducks!
          1z639 VERTIGO LC #2 '58 Alfred Hitchcock, super c/u of James Stewart 
kissing blonde Kim Novak!
          1z490 PRINCE & THE SHOWGIRL LC #1 '57 Laurence Olivier w/sexy Marilyn 
Monroe by champagne bucket!
          1z492 PRINCE & THE SHOWGIRL LC #6 '57 sexy Marilyn Monroe smiling on 
red couch in feathers!
          1z001 AFRICAN QUEEN TC '52 colorful artwork of missionary Katharine 
Hepburn in native uprising!
          1z453 NIAGARA LC #7 '53 sexy Marilyn Monroe & Jean Peters learn the 
shocking news!
          1z545 SHADOW OF A DOUBT LC '43 Alfred Hitchcock,Teresa Wright serving 
Joseph Cotten breakfast!
          1z199 ARSENIC & OLD LACE LC '44 c/u of scared Cary Grant carrying 
Priscilla Lane, Frank Capra
          1z011 BRUTE FORCE TC '47 art of tough Burt Lancaster & sexy 
full-length Yvonne DeCarlo!
          1z441 MIRACLE ON 34th STREET LC #5 '47 Maureen O'Hara whispers to 
John Payne by Edmund Gwenn!
          1z452 NIAGARA LC #5 '53 Joseph Cotten on ground next to unconscious 
Marilyn Monroe!
          1z604 TERROR TRAIL LC '33 great close up of Tom Mix standing before 
bad guy in jail cell!
          1z299 EX-MRS. BRADFORD LC '36 William Powell, Jean Arthur & James 
Gleason in convertible car!
          1z638 VERTIGO LC #1 '58 Alfred Hitchcock, James Stewart berates sad 
blonde Kim Novak!
          1z546 SHADOW OF THE THIN MAN LC '41 c/u William Powell sick after 
merry-go-round ride & Myrna Loy!
          1z357 HIS KIND OF WOMAN LC #6 '51 Robert Mitchum smiling at sexy Jane 
Russel in swimsuitl
          1z218 BIG STORE LC '41 detective Groucho with Harpo & Chico Marx 
fighting with men!
          1z112 WAGONS ROLL AT NIGHT style A TC '41 Humphrey Bogart, Joan 
Leslie, Eddie Albert, Sylvia Sidney
          1z497 PSYCHO LC #4 '60 Alfred Hitchcock, Vera Miles & John Gavin at 
motel with Anthony Perkins!
          1z643 VERTIGO LC #7 '58 Alfred Hitchcock, James Stewart holds 
unconscious Kim Novak under bridge!
          1z219 BIG STORE LC '41 Margaret Dumont tries to pull Groucho Marx 
away from sexy girls!
          1z491 PRINCE & THE SHOWGIRL LC #5 '57 sexy Marilyn Monroe pours 
refreshment for Laurence Olivier!
          1z498 PSYCHO LC #6 '60 Alfred Hitchcock, great 2-shot of Anthony 
Perkins and Janet Leigh!
          1z264 DEAD RECKONING LC #7 '47 close up of Humphrey Bogart grabbing 
Lizabeth Scott's gun in car!
          1z641 VERTIGO LC #4 '58 Alfred Hitchcock, close up of James Stewart 
choking brunette Kim Novak!
          1z255 CROSSFIRE LC #5 '47 close up of sexy Gloria Grahame having 
drinks w/G.I. George Cooper!
          and on and on and on and on!

              Don't forget to check out our 666 single lobby cards (including 
121 title cards and 41 signed cards) sometime BEFORE they end TONIGHT Thursday, 
March 18th, (but you only have 13 hours left to do so, because they start 
ending at 7 PM CST TONIGHT, so hustle over there right now!) by going to 
http://www.emovieposter.com/agallery/14.html


          And now you can browse the items in ALL of galleries at one time in 
our All Auctions gallery at http://www.emovieposter.com/agallery/all.html!


          Bruce Hershenson and the 25 other members of the eMoviePoster.com team


          P.O. Box 874
          West Plains, MO 65775
          Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when 
we take lunch)

          website: http://www.emovieposter.com    e-mail: [email protected]
          our auctions: http://auctions.emovieposter.com 
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