You can get a sharp image AND also accurate color saturation... just increase 
the image color saturation level in Photoshop or any image editing program. 
Also, if too bright, with same software, darken to the point closest to 
actuality while leaving the tear still visible. It is all very easy and the 
technology has been around decades. There is no reason to blame a 
camera/scanner when common software is available to make an image look more 
realistic. Nothing wrong also for a second image to show closer up detail, I 
reckon anyway! That's where eBay has it up on emovieposter ;-)

Steve (50s)  

--- On Thu, 18/3/10, Bruce Hershenson <[email protected]> wrote:

From: Bruce Hershenson <[email protected]>
Subject: Re: [MOPO] FA: Mother of mercy, are many fine lobby cards going to 
sell at under wholesale? They WILL, if in 13 hours they are where they are now!
To: [email protected]
Date: Thursday, 18 March, 2010, 22:04

I put "two different cameras" because that is what Sean put (apparently 
incorrectly). I am looking at the actual card, and the image we have accurately 
depicts the coloring, while the other image completely distorts the coloring, 
making it appear somewhat white.


Given the choice of my "lesser quality" camera which accurately depicts the 
coloring, and a scanner which gets better image detail quality but which 
greatly distorts the coloring, I know what I choose, but each seller has to go 
with what they prefer.


I also wonder if it is the scanner which distorts the coloring, or if the image 
was brightened after the fact. One would have to see their original unrestored 
scan to know for certain, and I doubt I will ever see that.


Another possibility is that the card WAS originally white a couple of years 
ago, but that it has undergone huge darkening in the intervening two years!

Bruce

On Thu, Mar 18, 2010 at 4:03 PM, Sean Linkenback <[email protected]> 
wrote:








There is a definitely a quality of detail in 
Heritage's image that is lacking in the Emovieposter image.  Just look at 
the detail in Muni's hair to see what I am talking about.
 
And while it isn't possible to do so over the 
internet, I prefer to use as bright a light as possible when inspecting cards 
for purchase.  I would much rather see the large tear in a card before I 
purchase it than be surprised when it arrives thinking "yeah, I guess that 
could 
have been a tear and not a crease, wish the photo had been 
clearer."
 
Full Disclosure - if the card remains at present 
bid levels, I will certainly be making a bid (and placing it knowing there is a 
large not noticeable tear in it).
 

  ----- Original Message ----- 
  
From: 
  Bruce Hershenson 
  
To: Sean Linkenback 
  Cc: [email protected] 
  
  Sent: Thursday, March 18, 2010 4:10 
  PM
  Subject: Re: [MOPO] FA: Mother of mercy, 
  are many fine lobby cards going to sell at under wholesale? They WILL, if in 
  13 hours they are where they are now!
  
What you are seeing is that they "brightened" the image 
  artificially, making the card look far more "white" than it actually is in 
  "real life". That had the unintended side effect of also brightening the 
tear, 
  making it far more noticeable than it is in "real life".

Two different cameras actually view the same card the 
  same way, but it takes a human being to manipulate the image so that it 
  appears other than it actually is in "real life".

Bruce



  On Thu, Mar 18, 2010 at 1:58 PM, Sean Linkenback <[email protected]> 
  wrote:

  
    
    As a lover of fine lobby cards and inspired by 
    Bruce's sales pitch I decided to check out his great offering of 
    lobbies.
    I was intrigued by the Scarface card as it 
    looked somewhat familiar to me and a quick search of the Heritage archives 
    shows that this exact card was auctioned two years ago this month, so it 
    will be interesting to see how it performs in a different venue 
    now.
     
    Also interesting to me was a comparison of the 
    large scan of the card from Emovieposter as to the one Heritage 
    made.
    Many times we hear vague references to "some" 
    auction houses and how "they even trick you with the images, using "stock 
    images" or "enhanced images"" and now at least for one item we can see how 
    they compare against each other.  I certainly found it strange 
    that a large tear in the top border of the card is clearly visible in the 
    Heritage scan, but is nearly invisible in the Emovieposter scan.  
    
    I think both companies grade the card about the 
    same, but it is hard to tell as Heritage uses a 10-point grading system 
    (giving this one a 7 out of 10), while Emovieposter uses a Fair to Fine 
    scale, which I think translates to a 7-point scale making comparisons much 
    more difficult but makes this a 5 out of 7.  I certainly don't think 
    Emovieposter is enhancing or softening their image, but it does show how 
two 
    different cameras can view the same card.
     
    Here is Bruce's large image:  
http://www.emovieposter.com/gallery/inc/giant_size.php?lot=1z528

     
    and here is the one from Heritage: 
http://movieposters.ha.com/common/view_image_only.php?img=http%3A%2F%2Fimages.ha.com%2Flf%3Fsource%3Durl[file%3Aimages%2Finetpub%2Fnewnames%2F300%2F3%2F3%2F8%2F4%2F3384599.jpg]%2Ccontinueonerror[true]%26source%3Durl[file%3Aimages%2Finetpub%2Fwebuse%2Fno_image_available.gif]%2Cif[%28%27global.source.error%27%29]%26sink%3Dpreservemd[true]

     
     
    
      
      ----- 
      Original Message ----- 
      
From: 
      Bruce Hershenson 
      To: 
      [email protected] 
      
      
      
      Sent: 
      Thursday, March 18, 2010 7:50 AM
      Subject: 
      [MOPO] FA: Mother of mercy, are many fine lobby cards going to sell at 
      under wholesale? They WILL, if in 13 hours they are where they are 
      now!
      

      Usually I use 
      these last day "reminder e-mails" to point out the many items closing in 
a 
      few hours that are still at just a few dollars each. But Thursday night's 
      666 single lobby cards (including 
      121 title cards and 41 signed cards), closing tonight, on the 18th of 
March, starting in just 13 
      hours,  currently includes lots of REALLY 
      incredible values on items that usually sell for between $25 dollars to 
      two hundred dollars, and currently many of these are languishing at low, 
      low, prices, quite a few at "under wholesale"! I certainly hope the savvy 
      dealers like John Hazelton, Morrie Everett, Joe Burtis, Marty Davis, Rich 
      Halegua, and many others are all over these like a cheap suit, because 
      there is money to be made! 
      With just 13 hours 
      to go, there ARE still over 100 of these cards that are $3 or under, but 
I 
      want you to go right now to the gallery of ALL the cards and see 
      just how many wonderful buys there currently are!
      Here are some of 
      the very best single lobby cards closing tonight:
1z528 SCARFACE 
      LC '32 Howard Hawks, Howard Hughes, great c/u of Paul Muni as Tony 
      Camonte!
1z312 FLASH GORDON Chap6 LC '36 Buster Crabbe at controls 
      w/Priscilla Lawson, best serial ever!
1z081 SABOTAGE TC '36 directed by 
      Alfred Hitchcock, Sylvia Sidney, Oscar Homolka, The Woman Alone!
1z107 
      TOUCH OF EVIL TC '58 art of Orson Welles, c/u of Charlton Heston & 
      sexy Janet Leigh!
1z465 NORTH BY NORTHWEST LC #2 '59 Alfred Hitchcock, 
      classic image of Cary Grant chased by plane!
1z660 WRONG MAN LC #6 '57 
      Alfred Hitchcock shown reading newspaper behind smoking Henry 
      Fonda!
1z621 TO CATCH A THIEF LC #5 '55 best close up art of Grace 
      Kelly & Cary Grant, Alfred Hitchcock
1z151 STRATTON STORY signed LC 
      #7 '49 by BOTH James Stewart & June Allyson, who are about to 
      kiss!
1z496 PSYCHO LC #3 '60 Alfred Hitchcock, most classic long shot 
      of Anthony Perkins by house!
1z486 PHANTOM EMPIRE Chap4 LC '35 
      wonderful image of cowboy Gene Autry playing guitar on the radio!
1z092 
      SONG OF THE THIN MAN TC '47 William Powell, Myrna Loy, and Asta the dog 
      too!
1z091 SOMEWHERE IN THE NIGHT TC '46 John Hodiak, Nancy Guild, cool 
      film noir montage!
1z524 SAFE AT HOME LC '62 c/u of Bryan Russell 
      lifted by Yankees Mickey Mantle & Roger Maris!
1z518 ROPE LC #3 '48 
      c/u of James Stewart with Farley Granger & John Dall, Alfred 
      Hitchcock
1z172 A-HAUNTING WE WILL GO LC '42 Laurel & Hardy in 
      wacky turbans holding ducks!
1z639 VERTIGO LC #2 '58 Alfred Hitchcock, 
      super c/u of James Stewart kissing blonde Kim Novak!
1z490 PRINCE & 
      THE SHOWGIRL LC #1 '57 Laurence Olivier w/sexy Marilyn Monroe by 
champagne 
      bucket!
1z492 PRINCE & THE SHOWGIRL LC #6 '57 sexy Marilyn Monroe 
      smiling on red couch in feathers!
1z001 AFRICAN QUEEN TC '52 colorful 
      artwork of missionary Katharine Hepburn in native uprising!
1z453 
      NIAGARA LC #7 '53 sexy Marilyn Monroe & Jean Peters learn the shocking 
      news!
1z545 SHADOW OF A DOUBT LC '43 Alfred Hitchcock,Teresa Wright 
      serving Joseph Cotten breakfast!
1z199 ARSENIC & OLD LACE LC '44 
      c/u of scared Cary Grant carrying Priscilla Lane, Frank Capra
1z011 
      BRUTE FORCE TC '47 art of tough Burt Lancaster & sexy full-length 
      Yvonne DeCarlo!
1z441 MIRACLE ON 34th STREET LC #5 '47 Maureen O'Hara 
      whispers to John Payne by Edmund Gwenn!
1z452 NIAGARA LC #5 '53 Joseph 
      Cotten on ground next to unconscious Marilyn Monroe!
1z604 TERROR TRAIL 
      LC '33 great close up of Tom Mix standing before bad guy in jail 
      cell!
1z299 EX-MRS. BRADFORD LC '36 William Powell, Jean Arthur & 
      James Gleason in convertible car!
1z638 VERTIGO LC #1 '58 Alfred 
      Hitchcock, James Stewart berates sad blonde Kim Novak!
1z546 SHADOW OF 
      THE THIN MAN LC '41 c/u William Powell sick after merry-go-round ride 
      & Myrna Loy!
1z357 HIS KIND OF WOMAN LC #6 '51 Robert Mitchum 
      smiling at sexy Jane Russel in swimsuitl
1z218 BIG STORE LC '41 
      detective Groucho with Harpo & Chico Marx fighting with men!
1z112 
      WAGONS ROLL AT NIGHT style A TC '41 Humphrey Bogart, Joan Leslie, Eddie 
      Albert, Sylvia Sidney
1z497 PSYCHO LC #4 '60 Alfred Hitchcock, Vera 
      Miles & John Gavin at motel with Anthony Perkins!
1z643 VERTIGO LC 
      #7 '58 Alfred Hitchcock, James Stewart holds unconscious Kim Novak under 
      bridge!
1z219 BIG STORE LC '41 Margaret Dumont tries to pull Groucho 
      Marx away from sexy girls!
1z491 PRINCE & THE SHOWGIRL LC #5 '57 
      sexy Marilyn Monroe pours refreshment for Laurence Olivier!
1z498 
      PSYCHO LC #6 '60 Alfred Hitchcock, great 2-shot of Anthony Perkins and 
      Janet Leigh!
1z264 DEAD RECKONING LC #7 '47 close up of Humphrey Bogart 
      grabbing Lizabeth Scott's gun in car!
1z641 VERTIGO LC #4 '58 Alfred 
      Hitchcock, close up of James Stewart choking brunette Kim Novak!
1z255 
      CROSSFIRE LC #5 '47 close up of sexy Gloria Grahame having drinks w/G.I. 
      George Cooper!
and on and on and on 
      and on!
          
      Don't forget to check out our 666 
      single lobby cards (including 121 title cards and 41 signed 
      cards) sometime BEFORE they 
      end TONIGHT Thursday, March 18th, (but 
      you only have 13 hours left to do so, because they start ending at 7 PM 
      CST TONIGHT, so hustle over there right now!) by going to 
      http://www.emovieposter.com/agallery/14.html

      And now you can 
      browse the items in ALL of galleries at one time in our All 
      Auctions gallery at http://www.emovieposter.com/agallery/all.html!

      Bruce Hershenson and the 25 
      other members of the eMoviePoster.com team
      
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 
      (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take 
      lunch)
website: http://www.emovieposter.com    e-mail: [email protected]

our auctions: http://auctions.emovieposter.com 
      
      
      Visit the MoPo Mailing List Web Site at www.filmfan.com
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