John said to Marsha:
suppose an infinite continuum spewed forth energy into a cosmos, some of the 
energy would be chaotic and some would fall into patterns just out of the 
random chance  produced in such an infinite continuum and thus some patterns 
would crystalize and evolve and others would be undifferentiated blobs.  In 
such a cosmos, differentiated and undifferentiated would arise as you describe, 
but the differentiated would at heart be nothing significant beyond what random 
chance produces and thus the best description of the whole would be 
"undifferentiated" with illusory aspects of differentiation apparent to 
consciousness (which is itself one of those crystalized, patterned energy 
blobs).


dmb says:Let me butt in here, eh? In this context, differentiated and 
undifferentiated do not refer to physical states or any kind of thing. They 
refer to modes of consciousness or categories of experience. In other words, 
they're epistemological terms, not ontological terms. It seems a bit weird at 
first but the MOQ doesn't really have a foundation like that. The idea of a 
physical universe is not a bad idea, but the MOQ will insist that it's just an 
idea. Like subjects and objects, this concept is derived from experience. The 
modern materialist mythos makes it seem downright crazy at first. But that's 
exactly the problem. Radical empiricism rejects an assumed premise that's so 
basic and common sensical in our culture that it's hard to even see it AS an 
assumption. This was exactly the mistake that the positivists made. They're the 
most pristine example of a traditional empiricist. Their main goal was to seek 
objective truth free of any such and yet they were rejecting whole categories 
of human experience for metaphysical reasons, not for empirical reasons. 

Anyway, the undifferentiated aesthetic continuum, DQ, the primary empirical 
reality, or whatever terms suits your fancy, is not about energy blobs or 
chaotic spews. It's direct experience, pure experience. In that sense, it 
refers to something you already know. Artists are usually especially attuned to 
this cutting edge of experience. Otherwise, you're just painting by numbers. 
You know?


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