Check the EXIF on the scans, if it says Fujifilm or Noritsu, the "Pro"
Lab just ran them through the same machine as the cheap lab, at 3
times the cost. A proper scan from a "Pro" lab should come from an
Imacon/Hasselblad or similar scanner, or at least a high-end Nikon.

-Adam

On Fri, Mar 19, 2010 at 1:55 PM, Nick Wright <[email protected]> wrote:
> G,
>
> This is why I am so upset. I went to a "pro" lab and had expensive
> "high quality" scans done. And I am just not happy with the quality.
>
> On Fri, Mar 19, 2010 at 11:36 AM, Godfrey DiGiorgi <[email protected]> 
> wrote:
>> On Fri, Mar 19, 2010 at 7:54 AM, Nick Wright <[email protected]> 
>> wrote:
>>> The bottom line is that I really truly prefer film. I prefer the look.
>>> I prefer the process.
>>>
>>> Thanks for the input.
>>
>> If you prefer the look and the process of working with film, I'd
>> recommend either buying a top-notch film scanner and learning to do
>> that yourself or incorporating in your process having professional
>> quality scans done by either a local pro service that you build a
>> relationship with or using ScanCafe.com on their quick turnaround, pro
>> service.
>>
>> I see nothing wrong with someone preferring film capture and wanting
>> to work with it digitally post-capture. For me, it's a slow, difficult
>> and expensive process ... I find it gets in my way ... but I also love
>> the look of film combined with the ease and quality of digital image
>> management and processing.
>>
>> If that's what you prefer to do, you simply have to find the way to do
>> it that satisfies your quality and workflow desires. Your expectations
>> of quality, cost and convenience should also be metered by the
>> limitations of the medium... both that of film itself and of the
>> scanning process ... of course.
>> --
>> Godfrey
>>  godfreydigiorgi.posterous.com
>>
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-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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