I'm with Larry. When I had a working studio I used White Lightnings.
Now I have a set of Alien Bees for the occasions when I need studio
lighting. They're relatively inexpensive, provide consistent light
output and are adjustable over seven stops.
Paired with an incident light meter they're all you need with today's
DSLRs. I have a Shepherd Polaris meter - cheap but works well - though
it's not available new anymore. The Sekonic L-3085-U looks so
surprisingly like the Polaris that I wonder if Sekonic bought out
Polaris. It measures both incident and reflected light for strobe and
On 6/10/2018 7:48 PM, John wrote:
I'm taking a class on lighting this week with Tony Corbell. He's using
Profoto Air TTL and the Profoto strobes (A1, B1, B1X & D1). Great if
you're a Nikon or Canon shooter.
But what options are there if you're a Pentax shooter like me?
Sooner or later "different" scares people.
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