Shangara, I absolutely agree, with a proviso: if shooting professional jpegs a 
photographer should be capable of shooting saleable transparencies.
I fear that many are used only to colour neg these days or have relied on 
camera auto for a long time and perhaps may not naturally think about 
white balance or luminance range.

 In the right hands therefore jpeg=ok.
 For most though I will still maintain that raws ( with the right software 
system) are safer and less time consuming.
I am sure this does not apply to most prodigi subscribers!


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