On 07/04/2016 21:15, Silas Mortimer wrote:
> I should start doing that.
>
> Anyway, as I said before, I had to make the time signature 2/4, which
> would make a whole note of four beats span two measures. I know it's
> weird, but I started composing the piece on guitar and wound up having
> trouble finding the right signature before finding that 2/4 worked
> really well. Though now that I have a good portion of it down, I
> should be able to come up with a better signature.

Obviously I don't know the piece, but if you are using whole (semibreve 
- 4/4) notes, why not switch to 4/4? While there *is* a difference 
between 2/4 and 4/4 the fact you are using whole notes makes me guess 
you are actually "thinking in fours".

Anyway, as David says notation-wise if are in 2/4 and want a note to 
last 4/4 what you write is two tied minim notes (2/4).

>
> On Thu, Apr 7, 2016 at 1:31 PM, David Jones <gn...@hawaii.rr.com> wrote:
>> Hmmm, I use only the notation editor. My understanding of notation is that a 
>> whole note is a whole measure. So if I have a note to be held longer than a 
>> measure (say 3), I put a whole note in each measure and tie them together. 
>> Not make a dotted whole note to get a note that runs longer than a measure.
>>
>> Just my free contribution.
>>
>> David W. Jones
>> gn...@hawaii.rr.com
>> authenticity, honesty, community
>> http://dancingtreefrog.comOn Apr 7, 2016 02:37, Lorenzo Sutton 
>> <lorenzofsut...@gmail.com> wrote:
>>>
>>> Hi!
>>>
>>> On 07/04/2016 00:27, Silas Mortimer wrote:
>>>
>>> [...]
>>>
>>>> One example is at one point I wanted to make a chord ring out
>>>> longer than I'd originally put it and had already added notes after
>>>> it. I searched for what I should do there, and from what I gather, I
>>>> could only do that in the matrix editor. Is that the case? Anyway, I
>>>> did it there, and the notation not only looks bad, it no longer makes
>>>> sense. I think there might be a whole note listed in one bar (again,
>>>> it's in 2/4), and there's something that should be tied, plays like
>>>> it's tied, but it's not shown that way.
>>>
>>> I think that's expected and software can't really help you there.
>>>
>>> I guess this is the basic concept and conundrum of sequencer which (like
>>> rosegarden) also support notation: if the notation is 'perfect' from a
>>> visual/typesetting point of view it will sound mechanical from a
>>> performance point of view. The matrix editor (aka Piano Roll in some
>>> software) enables you to tweak notes so that e.g. they result more
>>> realistic but that will inevitably screw notation.
>>>
>>> Really, it's a conundrum in music itself. No one performs exactly what
>>> is written on a score (some contemporary music can be an exception), so
>>> imagine writing down on a score *exactly* what a performer is playing...
>>>
>>> Rosegarden actually does have some 'intelligence' when it comes to
>>> interpreting notation (e.g. dynamics), but it cannot 'imagine' what you
>>> would like especially in terms of note onsets and lengths.
>>>
>>> My recommendation would be to:
>>> a.) use notation for:
>>> 1. Inputting notes when you are familiar or more comfortable with
>>> traditional notation.
>>> 2. Want to concentrate on the notation aspects of your piece, e.g.
>>> because you want to eventually publish it.
>>>
>>> b.) Use the matrix editor when:
>>> 1. You want to concentrate on how your piece actually sounds.
>>> 2. You become familiar enough with the matrix paradigm to be able to
>>> input notes directly there.
>>> 3. Adjust at the fine level not onsets, durations, velocities etc.
>>>
>>> To conclude, take into account that some sequencers simply do not
>>> provide notation, so think of Rosegarden as a sequencer with a (very
>>> advanced compared to many sequencers) support for notation  ;)
>>>
>>> Hope this helps.
>>> Lorenzo.
>>>
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