an
A : lute@cs.dartmouth.edu
Envoye le : Mer 17 novembre 2010, 10h 00min 08s
Objet : [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
After the Modern Jazz Quartet retired, Milt Jackson was interviewed.
During
the interview he complained that "some kid who only know
Hear hear!
Mathias
-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von G. Crona
Gesendet: Mittwoch, 17. November 2010 14:25
An: lutelist
Betreff: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
Vanitas vanitatum omnia
Vanitas vanitatum omnia vanitas
:)
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
light years ahead of Benise.
>>>
>>> Eugene
>>>
>>>
>>>
>>>> -Original Message-
>>>> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
>>>> Behalf Of David Tayler
>>>>
ber 14, 2010 6:52 PM
To: lute-cs.dartmouth.edu
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love it.
dt
At 12:16 PM 11/12/2010, you wrote:
On 12
edu'"
Sent: Monday, November 15, 2010 7:24 AM
Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
It's even worse than you've all imagined. This guy is popular!
http://www.youtube.com/watch?v=VCage-_yz7A
http://www.youtube.com/watch?v=bCCE-oTwRfY
Frankly, I actuall
Benise.
Eugene
> -Original Message-
> From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
> Behalf Of David Tayler
> Sent: Sunday, November 14, 2010 6:52 PM
> To: lute-cs.dartmouth.edu
> Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
>
I think they should have a museum where all the
paintings have been digitized and had the colors
turned all the way up, ppl would love it.
dt
At 12:16 PM 11/12/2010, you wrote:
On 12 November 2010 20:29, Bruno Fournier wrote:
> I personnally am getting tired of all this theatrical way of do
I agree with Wikla,
long live variety and strumming.
I was at the Kozena concert in Hamburg, and it was a great experience.
What I liked was, that the instrumentalists had their own pieces and
were not
hired mercenaries. And hey, whenever did people outside our
esoteric circle got to hear a co
..@gmail.com; lute@cs.dartmouth.edu
> From: nedma...@aol.com
> Subject: [LUTE] Re: Kozena and guitars, theorbo, colascione etc..
>
> And she does a fine job singing three Handel Italian Cantatas - with
Les Musiciens du Louvre - on an Archiv recording.
> On Nov 13,
And she does a fine job singing three Handel Italian Cantatas - with Les
Musiciens du Louvre - on an Archiv recording.
On Nov 13, 2010, at 5:23 PM, Daniel Shoskes wrote:
> And I heard the same singer perform Mahler live last year with the
> Cleveland Orchestra. Quite versatile.
>
> On Fri,
And I heard the same singer perform Mahler live last year with the
Cleveland Orchestra. Quite versatile.
On Fri, Nov 12, 2010 at 3:16 PM, David van Ooijen
<[1]davidvanooi...@gmail.com> wrote:
On 12 November 2010 20:29, Bruno Fournier <[2]br...@estavel.org> wrote:
> I personnal
On 12/11/2010 20:55, wikla wrote:
I personally would allow all the flowers blossom. Variety is the strength
of our music. And so it used to be.
Well.. maybe. Might those instruments have been used together for that
music at that time? If not, and if the musicians want to perform the
music in
I personally would allow all the flowers blossom. Variety is the strength
of our music. And so it used to be. And so it is also in the music we hear
every day! I wouldn't like - perhaps even wouldn't tolerate - any
"besserwisser" to tell us the _one and only_ "right" way of doing anything
. (Btw:
r in public like that.
Monica
- Original Message - From: "Bernd Haegemann" <[2...@symbol4.de>
To: <[3]l...@cs.dartmouth.edu>
Sent: Friday, November 12, 2010 7:00 PM
Subject: [LUTE] Kozena and guitars, theorbo, colascione etc..
Yesterday we watched a very nice
.
Monica
- Original Message -
From: "Bernd Haegemann"
To:
Sent: Friday, November 12, 2010 7:00 PM
Subject: [LUTE] Kozena and guitars, theorbo, colascione etc..
Yesterday we watched a very nice concert.
As it seems it also on youtube:
http://www.youtube.com/watch?v=W
On 12 November 2010 20:29, Bruno Fournier wrote:
> I personnally am getting tired of all this theatrical way of doing
> baroque music, and the Latin american style of strumming used.A Don't
It's fashion, it'll pass. In the mean time we can enjoy it (and get
paid for doing it ... :-)
> th
I personnally am getting tired of all this theatrical way of doing
baroque music, and the Latin american style of strumming used.A Don't
get me wrong, I love strumming, but I prefer to hear it in Latin
american music.
A
Bruno Cognyl-Fournier
A
On Fri, Nov 12, 2010 at
ok, in our concert there was a theorbo, played by Senor Baena.
On the video is a wooden box instead , for sure one of the devices with which
the CIA influence the weather.
B
- Original Message -
From: "Bernd Haegemann"
To:
Sent: Friday, November 12, 2010 8:00 PM
Subj
Yesterday we watched a very nice concert.
As it seems it also on youtube:
http://www.youtube.com/watch?v=Wk4j_WRqd68&feature=related
then you can continue with the vids on the righ side of the page.
best wishes
Bernd
To get on or off this list see list information at
http://www.cs.dartmo
On 11/01/2010 04:44 PM, Sam Chapman wrote:
Hi, perhaps a more interesting book is delair's treatise of 1690:
accompaniment on theorbo and harpsichord. I have a pdf of the english
version which is not longer available. Grenerin and fleury contain
several mistakes.
Taco
Dear
1716 treatise (in which he talks about
harmony and accompaniment in general) or the "Addition au traite
d'accompaniment" from 1730 (which is much larger, and contains more
specific info about theorbo, lute and guitar)? If the latter, there is
an article by Kevin Mason
Dear All,
Does anyone happen to know if there are English translations of the
following treatises and if they are available (either original or
translation) online?
Angelo Michele Bartolotti: Table pour apprendre facilement `a toucher
le theorbe sur la basse-continue (Paris, 1669)
Dear Luteplayers!
Are You looking for something special? For some years I've played a
14-course Theorbo.
Several photos here: http://www.luteonline.se/theorbo_for_sale_2010.htm
It has the body of the instrument in the Germanisches Museum in Nürnberg
(MIR 903) by Lepold Widhalm in 1755 an
On Tue, Aug 3, 2010 at 5:08 PM, "Mathias Rösel"
wrote:
> There is another, anonymous, on p. 308. Furthermore, there are two by de
> Visee in Paris, Bibiliotheque National, R 1575, p. 93v and 94.
Danke!
David
--
***
David van Ooijen
davidvanooi...@gmail.com
www.david
There is another, anonymous, on p. 308. Furthermore, there are two by de
Visee in Paris, Bibiliotheque National, R 1575, p. 93v and 94.
Mathias
"David van Ooijen" schrieb:
> Suggestions, anyone? Saizenay p. 306 is all I can come up with.
>
> David
>
> --
> ***
> Da
Thanks to all for sharing your thoughts and experiences, on- and
off-list. There's even a d-minor theorbo living just across the road,
it turned out! Interesting.
I have a follow-up question for continuo players.
How easy is it to play compound, complicated figures on a d-minor
theorbo? Or
These transcriptions are not for theorbo per se, but should be of use.
http://www.clivetitmuss.com/lutebooks.asp
Robert.
On Mar 18, 2010, at 6:59 AM, Graham Freeman wrote:
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recor
On Thu, Mar 18, 2010 at 2:09 PM, Miles Dempster
wrote:
> Does anyone know of a good edition of the Bach Cello Suites for
> theorbo? They've been recorded a number of times. Ideally, I'd make
BWV 1007, 1008 and 1009
transcribed by Juan Carlos Rivera (also on CD by h
of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make
my
own, but I'd like to see a good transcription of them first.
With thanks,
Graham Freeman
--
Dr. Graham Freeman
Ph. D Musicology
University of
n/bach_cello.htm
>
> Val.
>
>
> - Original Message -
> From: "Graham Freeman"
> To: "Lutelist"
> Sent: Thursday, March 18, 2010 12:59 PM
> Subject: [LUTE] Bach on Theorbo
>
>
> >
> > Wise Luters,
> > Does anyone k
There is the edition by Stefan Lundgren (you can order on his website)
http://www.luteonline.se/lundgren-edition/bach_cello.htm
Val.
- Original Message -
From: "Graham Freeman"
To: "Lutelist"
Sent: Thursday, March 18, 2010 12:59 PM
Subject: [LUTE] Bach on Theor
Wise Luters,
Does anyone know of a good edition of the Bach Cello Suites for
theorbo? They've been recorded a number of times. Ideally, I'd make my
own, but I'd like to see a good transcription of them first.
With thanks,
Graham Freeman
--
Dr. Graham F
All,
Thank you very much for all of your assistance. I'm glad to hear that
I'm not alone with my hefty instrument.
As always, I'm grateful for the assistance of the community.
Best,
Graham Freeman
On Thu, Mar 11, 2010 at 3:33 AM, Peter Martin <[1]peter.l...@gmail.com>
wrote
I do that too, using a short strap connected to the button on the body
by the bridge. And a footstool. It's an absolute liberation: no more
weight on the shoulders.
P
On 11 March 2010 08:49, David van Ooijen <[1]davidvanooi...@gmail.com>
wrote:
On Thu, Mar 11, 2010 at 1:43
On Thu, Mar 11, 2010 at 1:43 AM, Graham Freeman
wrote:
> All,
> I wonder if anyone can offer some helpful suggestions. I have a very
Drastic solution a friend of mine opted for:
1. remove the veneer/top layer/panles on back and/or front of the extension
2. drill holes
3. put panels back
But
u are ever in California I hope you will feel free to drop by
and try out instruments here.
Best of luck,
dt
At 04:43 PM 3/10/2010, you wrote:
>All,
>I wonder if anyone can offer some helpful suggestions. I have a very
> nice theorbo of medium size with which I'm very happ
On Mar 10, 2010, at 4:43 PM, Graham Freeman wrote:
> I wonder if anyone can offer some helpful suggestions. I have a very
> nice theorbo of medium size with which I'm very happy. The only problem
> is that the neck extension is quite heavy, so much so that it
> interferes
All,
I wonder if anyone can offer some helpful suggestions. I have a very
nice theorbo of medium size with which I'm very happy. The only problem
is that the neck extension is quite heavy, so much so that it
interferes with the balance of the instrument. This isn't a b
For your perusal and delectation:
a Passacaglia in e-minor for theorbo -
http://torban.org/swv/passau992tiorba.pdf
Enjoy,
RT
http://www.polyhymnion.org/swv/ostinato/992/pass992sau.mp3
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
;
<[2]vidan...@sbcglobal.net>
To: "[3]lute-cs.dartmouth.edu" <[4]l...@cs.dartmouth.edu>
Sent: Saturday, March 06, 2010 7:03 PM
Subject: [LUTE] Re: Caccini's theorbo
I think the original article by Harwood, et al., is a pretty
thorough
stu
Thankfully we have Renato Meucci to have sorted out the HArwood mess.
RT
- Original Message -
From: "David Tayler"
To: "lute-cs.dartmouth.edu"
Sent: Saturday, March 06, 2010 7:03 PM
Subject: [LUTE] Re: Caccini's theorbo
I think the original article by Har
I think the original article by Harwood, et al., is a pretty thorough
study, it just draws the wrong conclusion from its own research by
conflating theorbo and chitarrone. Conflating the terms is
understandable, because many of the terms were used interchangeably.
The big mistake they made was
On Sat, Mar 6, 2010 at 8:59 PM, David Tayler wrote:
> I have a Caccini instrument which was made for me made for me which
> is exactly as Chris describes, a large bodied bass lute. I opted for
> seven courses, although eight or nine seemed like a good idea.
Same story here. I have a 78cm 10-cours
Also, for those who wish to use a theorbo or archlute, when you have
your instrument made, always ask the maker to build it so that it can
be 6+8, 7+7 or 8+6. This is very easy to do, and allows you to fret
the F sharp in any number of ways.
I have the archlute in that configuration, and the
, but whether one
uses ths term or not it seems like a basic, practical solution.
The instrument is definetely louder than a theorbo, for reasons that
are somewhat puzzling, but loud it is.
I expected to corner the early 17th century market, but of course 99
percent of the clients have no idea
lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of John Lenti
Sent: Friday, March 05, 2010 1:26 PM
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Re: Caccini's theorbo
Whenever I decide to play Caccini on 7-course lute or on my
(essentially French kind-of) theorbo
Whenever I decide to play Caccini on 7-course lute or on my
(essentially French kind-of) theorbo, I ponder the matter of Caccini's
theorbo and things like the fingered g#. First, I really wish I could
justify the expense of a bass lute with theorbo tuning. It would make
me whol
David,
My guess is that is not what we would call a theorbo at all, but rather a
bass lute probably tuned theorbo-like. All the strings would therefore be on
one neck and those chromatic basses could be fingered. Whether the tuning was
in A, G or something else and whether one or both of
Do we know anything about the instrument(s) Caccini played? His bass
lines sometimes need G as well as G#, (and I believe F as well as F#)
in one piece, which is impossible on a 'standard' (...) theorbo in a
with 6 strings/courses on the fingerboard. If Caccini were just
another compose
ly little used even
on the lute these days (despite being well documented in early
sources)... Does she mention this technique?
rgds
Martyn
--- On Sun, 28/2/10, Martin Eastwell wrote:
From: Martin Eastwell
Subject: [LUTE] Theorbo arpeggiation
To: "Lu
hese types of chords "in one stroke, as on the lute," but HK allows for
no shortcuts.)
Chris
--- On Sun, 2/28/10, Martin Eastwell wrote:
> From: Martin Eastwell
> Subject: [LUTE] Theorbo arpeggiation
> To: "Lute Net"
> Date: Sunday, February 28, 2010, 4:
as already commonplace in 17th century French lute playing;
specialists can confirm or correct me on this one.
Perhaps getting a little OT from your specific theorbo concerns, I
think many of us who came to lutes in general from modern guitar have
a tendency to overuse the a finger, often to the de
Sorry-just noticed an error in my post (near the end)!
"The result is that the melodic move Bb-A is reversed."
For "Bb-A", please read "C-B"!
Unless, of course, you play a theorbo in G!
Martin
On 28/2/10 21:38, "Martin Eastwell" wrote:
> H
artin Eastwell <[1]eastwe...@mac.com>
wrote:
Hi!
Looking through Francesca Torelli's excellent theorbo tutor
(published by Ut
Orpheus Edizioni), I was a little surprised by two of her
recommendations
for right hand arpeggiation. She explains (p 23)the
Hi!
Looking through Francesca Torelli's excellent theorbo tutor (published by Ut
Orpheus Edizioni), I was a little surprised by two of her recommendations
for right hand arpeggiation. She explains (p 23)the technique in which 4
note arpeggios, for example, are played p i m i, with the
Nice instrument! And unbelievable that you can manage with it only in a
couple of days!
Arto
On Thu, 14 Jan 2010 10:14:36 +0100, "Sauvage Valéry"
wrote:
> Let me introduce my new theorbo made by Didier Jarny.
> I got it on last sunday, and I'm really happy with it ;-)
>
Thanks for the introduction - have you named him/her? A lovely
sounding instrument, but as Heifetz said to a listener who complimented
him on the sound of his instrument; (holding it to his ear) "I don't
hear anything".
Ned
--
To get on or off this list see list informatio
2010/1/14 Sauvage Valéry :
> Let me introduce my new theorbo made by Didier Jarny.
> I got it on last sunday, and I'm really happy with it ;-)
Congratulations with your new instrument!
And so brave to bring it to YouTube immediately ...
David
--
**
Let me introduce my new theorbo made by Didier Jarny.
I got it on last sunday, and I'm really happy with it ;-)
Here it is :
http://www.youtube.com/watch?v=h-X_chDkDos
Val
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Thanks and most impressive, Chris. While my ear has yet to be seduced
by the sound of the theorbo as it has been by the lute, your
arrangements and playing are wonderful. May all your strings resonant
with wonderful harmonies in the new year.
Ned
--
To get on or off this
, theorbo music!
Here are two clips of (just in time) seasonal theorbo offerings:
My arrangement of "It Came Upon a Midnight Clear" con variazione
http://www.youtube.com/watch?v=tDg56TnhdV4
Robert de Visee's setting of the French Noel, "Je me suis leve par
un martinet"
htt
Hi all,
Its that time again - time for eggnog, fruitcake, extended time with extended
family, desperate last minute trips to the mall... and of course, theorbo music!
Here are two clips of (just in time) seasonal theorbo offerings:
My arrangement of "It Came Upon a Midnight Clear
> Date: Thu, 29 Oct 2009 20:15:00 +1100
> To: lute@cs.dartmouth.edu; baroque-lute-requ...@cs.dartmouth.edu;
vihu...@cs.dartmouth.edu
> From: oskar_demari_jo...@hotmail.com
> Subject: [VIHUELA] theorbo for sale
>
> Anyone looking for a theorbo?
> I
On Mon, Oct 5, 2009 at 2:14 PM, wrote:
> After reviewing some lute iconography, it seems that the renaissance lute was
> played by more men than women (especially inebriated-looking Dutch guys), but
> it seems that the majority of theorbo players are women. Possible reasons?
Wome
27;m sure, but the principal reason is
that theorbos are spectacular-looking things.
Years ago, a group I was with played what might loosely be called a
"concert" because that we thought we would be professionally
videotaped. Two thirds of the video turned out to consist of panning
arou
Dutch guys), but it seems that the majority of theorbo
players are women. Possible reasons?
*Women are just prettier to paint?
*My statistical sampling is biased?
*Theorbo was considered a 'woman's instrument' and not popular among
'real men'?
*Theorbo was p
All:
After reviewing some lute iconography, it seems that the renaissance lute was
played by more men than women (especially inebriated-looking Dutch guys), but
it seems that the majority of theorbo players are women. Possible reasons?
*Women are just prettier to paint?
*My statistical
I wholeheartedly second Stephen's opinion.
All the best
Thomas
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear Stephen (and all),
thanks! I understand, and I think you are right.
I just had a little bit too much wine, and a temporary Net depression...
Now I am a little ashamed... And everything is ok again... :-)
All the best,
Arto
On Sat, 12 Sep 2009 09:59:23 -0500, "Stephen Arndt"
wrote:
> Ar
Arto wrote: "Yes, I do know this is an "ad" in vain..., no interest in the
List -- as usual."
Dear Arto,
Please do not assume that lack of response equals lack of interest or
appreciation. I, for one, greatly admire your work and have enjoyed your
videos over and over, and I am quite conf
Congratulations on your research, Aro. I am impressed that - given
the challenges of the Renaissance lute - there are players that master
that and also go on to master (or at least play very well) the Baroque
lute and/or the Theorbo, and others of the family. Different tunings
Dear lutenists, especially the theorbo oriented of us,
my tiny research -- which still continues! -- of the theorbo solo arrs made
of Lully's songs and pieces, has really convinced me of the quality of the
music by Lully, and _also_ the quality of the theorbo players of his time!
Str
hem.
That said, what makes a ren viol renaissance? shape and color, mostly.
For that matter, few can tell the difference between a german ren viol
and a french 6-string baroque bass.
That said, the whole of basso continuo is open to your bass violist,
and any viol solo with a BC part that the t
r renaissance viol and theorbo...
>
>
>A theorbo being a baroque instrument and a renaissance viol a, well,
>renaissance instrument, you'll have to compromise somewhere, but this
>should not distract you in any way from playing beautiful music
>together.
>16th century music
Hille Perl and Lee Santana recenty put out a duo cd of music for viol
and lute/theorbo etc.
--- On Wed, 7/15/09, Eleanor Smith wrote:
From: Eleanor Smith
Subject: [LUTE] Re: viol and theorbo
To: "David van Ooijen"
Cc: lute@cs.dartmouth.edu
Date:
, Jul 15, 2009 at 10:19 AM, hera caius wrote:
I am searching for some music for renaissance viol and theorbo...
A theorbo being a baroque instrument and a renaissance viol a, well,
renaissance instrument, you'll have to compromise somewhere, but this
should not distract you in any way fr
On Wed, Jul 15, 2009 at 10:19 AM, hera caius wrote:
> I am searching for some music for renaissance viol and theorbo...
A theorbo being a baroque instrument and a renaissance viol a, well,
renaissance instrument, you'll have to compromise somewhere, but this
should not distract you in
Hello lute players,
I am searching for some music for renaissance viol and theorbo...
Can anyone point some sources on the net?
Or if somebody have some files to share I would be gratefull.
Many thanks.
--
To get on or off this list see list information at
http
Dear theorbo players,
I have a problem in finding the model of one part of an anonymous therobo
arr in Res-1106 made of Lully's music.
In page
http://www.cs.helsinki.fi/u/wikla/mus/Tiorba/deVisee/Res1106/EntreeDeProserpine_f98v.pdf
you can find the theorbo arr. made of the materi
Hi lutenists,
as far as I know/guess, there has been some research on the
arrangements/transcriptions of the pieces by Lully to theorbo solo.
As some of you may know, I have found some of the models in the
operas/ballets by Lully - that were arranged by the anon. or de Visee to
theorbo in the
On Jun 7, 2009, at 1:24 AM, Drew Villeneuve wrote:
>Hello everybody,
> I am a high school student interested in purchasing a used/new
> theorbo or 13 course lute with music scholarship money I won.
> ... I have to limit instruments to +/- 3500 US dollars.
A theorbo fo
Hello everybody,
I am a high school student interested in purchasing a used/new
theorbo or 13 course lute with music scholarship money I won. I am
particularly interested in any small french and large Italian Theorbos.
Due to the unfortunate lack of funds provided to me by the
Is it possible some of these left-handed designs derive from [a] the
artist knowing nothing of the lute, and working from their
imagination
In relation to the "Dutch theorbo painting online", the painting
does appear to carefully represent the broken strings, and I would
Check the web for Hans Holbein's The Ambassadors. There is much
information about the symbols in the painting, among which is a lute
with a broken string (disharmony). A rather different time than the
Dutch theorbo, of course.
On May 9, 2009, at 5:06 AM, theoj89...@aol.com wrote:
> Doe
llop
To: Anthony Hind
Cc: lute List
Sent: Friday, May 8, 2009 4:31:21 PM
Subject: [LUTE] Re: Dutch theorbo painting online
Broken strings was a typical way for the artist to show 'discord'
between the subjects. The Amabassadors is another example.
Rob
-
Dear list,
there certainly are a number of possible interpretations of such paintings. We
can be sure that most of the details of
such a painting have a symbolic meaning which was clear to the viewer of that
time but is more obscure to a
contemporary ditto. I would advise a very humble attitud
Le 8 mai 09 à 16:31, Rob MacKillop a écrit :
Broken strings was a typical way for the artist to show 'discord'
between the subjects. The Amabassadors is another example.
I thought that broken strings symbilized the danger of general
dischord, rather than dischord between the two subjec
Dear Rob, dear all,
sometimes a broken string hinted at the vanity of all things, too (the
portrait of Ochsenkhun in his tablature book comes to my mind). And
doesn't the women hold the instrument the wrong way round, so that she
must reach around the bass strings? Strange couple, indeed!
All bes
Broken strings was a typical way for the artist to show 'discord'
between the subjects. The Amabassadors is another example.
Rob
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ngs. She's not just holding the lute the wrong way
round, but the
lute itself is unplayable!
Martin
On 8/5/09 13:55, "David van Ooijen" wrote:
On Fri, May 8, 2009 at 2:20 PM, wrote:
Sotheby's New York will be auctioning a Dutch painting of a
theorbo & gamba
On May 8, 2009, at 9:55 PM, David van Ooijen wrote:
>> Sotheby's New York will be auctioning a Dutch painting of a
>> theorbo & gamba
>>
>>
>> (the woman doesn't appear to know how to hold a theorbo
Judging from the broken strings she must be playin
I meant to ask: Is Dominic Robillard making any recordings besides those on
You Tube?
Leonard
On 4/11/09 1:01 AM, "Sauvage Valéry" wrote:
> Some De Visee on YT :
>
> [1]http://www.youtube.com/user/R0billard
>
>
>
> V.
>
> --
>
> References
>
> 1. http://www.youtube.com/user/R0billa
I love his Sanz Canarios on Baroque guitar. Is this recording anywhere but
YouTube??
Leonard Williams
On 4/11/09 1:01 AM, "Sauvage Valéry" wrote:
> Some De Visee on YT :
>
> [1]http://www.youtube.com/user/R0billard
>
>
>
> V.
>
> --
>
> References
>
> 1. http://www.youtube.com/user
That was great!
On Apr 11, 2009, at 2:01 PM, Sauvage Valéry wrote:
>Some De Visee on YT :
>
>[1]http://www.youtube.com/user/R0billard
Ed Durbrow
Saitama, Japan
edurb...@sea.plala.or.jp
http://www9.plala.or.jp/edurbrow/luteinfo.html
--
To get on or off this list see list information
Some De Visee on YT :
[1]http://www.youtube.com/user/R0billard
V.
--
References
1. http://www.youtube.com/user/R0billard
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hi lutenists and hang around gang,
I've played to the YouTube and Vimeo some arrangements of pieces by
Lully. The arranger of these pieces is no less than Robert de Visee
himself. You'll find the links, and also the music by de Visee, and
_also_ most of the models, the original versions by Lul
, by definition, the maximum for
a double-re-entrant theorbo in G, and thus a theorbo in A has to be
smaller. Drop the assumption and the whole "toy theorbo" debate
vanishes in a puff of logic.
> It was precisely the unecessary stringing of small theorboes (say,
> fingered string lengths
Howard,
Praetorius does indeed give a G theorbo tuning and depicts two
theorboes: one with a fingered string length of around 89cm ('Lang:
Romanische Theorba: Chitarron') and the other of 97cm ('Paduanische
Theorba'). But to suppose he would have expected
> the size of car boots.
well, if one strips out the uneeded seats, A toyota echo sedan can take a
modest amount of lumber 3m long with the 'boot' closed; should have no
trouble with most long-necked beasties.
--
Dana Emery
To get on or off this list see list information at
http://www.cs.d
501 - 600 of 1201 matches
Mail list logo
