Re: [Finale] MIDI Clean-Up (j...@thomastudios.com)

2019-03-28 Thread Whittall, Geoff
Following up on the recent list discussion about third party plugins, you could 
use Jari Williamson's free/excellent/friendly "Change Pitches" plugin to make 
multiple enharmonic adjustments across multiple measures in an imported midi 
score.
Cheers,
Geoff
---

Message: 3
Date: Wed, 27 Mar 2019 16:25:45 -0400
From: Neal Gittleman 
To: "finale@shsu.edu" 
    Subject: [Finale] MIDI Clean-Up
Message-ID: <6e85cc85-d747-4b76-b741-b965f018b...@mac.com>
Content-Type: text/plain;   charset=utf-8

Greetings?

FinMac 26.0.1...

I?m a little out over my skis here, but I imagine there are folks out there 
in Finale-List land who?ve had experience with this kind of things?  I?m doing 
a project for a friend where I?ve been given .mid ?String? tracks that I?m 
going to turn into parts that can be played by real human beings.  The 
MIDI-to-Finale dump was pretty seamless, but now I need to wrangle the staves 
that the MIDI conversion process gave me into a real score with real, playable 
parts.

One of the biggest issues, of course, is the note spelling.  The piece is 
more or less in A Major and related keys, but every note that should be a G# 
came out of the MIDI as an Ab.  Ditto for Db/C#.  I can see that alone wasting 
lots of time, so here?s my question?

Is there a way I can globally change every Ab to a G# and every Db to a C#? 
 I?m hoping the answer is yes!

Thanks!

Neal Gittleman





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Re: [Finale] MIDI Clean-Up

2019-03-28 Thread GERALD BERG
There use to be a search and replace function. Have no idea where that went. I 
suppose select all and respell notes is no good?
GJB 

On Wednesday, March 27, 2019, 4:26:21 PM EDT, Neal Gittleman 
 wrote:  
 
 Greetings…

FinMac 26.0.1...

I’m a little out over my skis here, but I imagine there are folks out there in 
Finale-List land who’ve had experience with this kind of things…  I’m doing a 
project for a friend where I’ve been given .mid “String” tracks that I’m going 
to turn into parts that can be played by real human beings.  The MIDI-to-Finale 
dump was pretty seamless, but now I need to wrangle the staves that the MIDI 
conversion process gave me into a real score with real, playable parts.  

One of the biggest issues, of course, is the note spelling.  The piece is more 
or less in A Major and related keys, but every note that should be a G# came 
out of the MIDI as an Ab.  Ditto for Db/C#.  I can see that alone wasting lots 
of time, so here’s my question…

Is there a way I can globally change every Ab to a G# and every Db to a C#?  
I’m hoping the answer is yes!

Thanks!

Neal Gittleman
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Re: [Finale] MIDI Clean-Up

2019-03-27 Thread j...@thomastudios.com
First, make sure to Favor Sharps.  Then, using the Selection Tool, select the 
measures you wish to change, and then Respell Note…

Should do it.

Do the opposite if you need flats.


***
J D Thomas
ThomaStudios



> On Mar 27, 2019, at 1:25 PM, Neal Gittleman  wrote:
> 
> Greetings…
> 
> FinMac 26.0.1...
> 
> I’m a little out over my skis here, but I imagine there are folks out there 
> in Finale-List land who’ve had experience with this kind of things…  I’m 
> doing a project for a friend where I’ve been given .mid “String” tracks that 
> I’m going to turn into parts that can be played by real human beings.  The 
> MIDI-to-Finale dump was pretty seamless, but now I need to wrangle the staves 
> that the MIDI conversion process gave me into a real score with real, 
> playable parts.  
> 
> One of the biggest issues, of course, is the note spelling.  The piece is 
> more or less in A Major and related keys, but every note that should be a G# 
> came out of the MIDI as an Ab.  Ditto for Db/C#.  I can see that alone 
> wasting lots of time, so here’s my question…
> 
> Is there a way I can globally change every Ab to a G# and every Db to a C#?  
> I’m hoping the answer is yes!
> 
> Thanks!
> 
> Neal Gittleman
> ___
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> Finale@shsu.edu
> https://lists.shsu.edu/mailman/listinfo/finale
> 
> To unsubscribe from finale send a message to:
> finale-unsubscr...@shsu.edu


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[Finale] MIDI Clean-Up

2019-03-27 Thread Neal Gittleman
Greetings…

FinMac 26.0.1...

I’m a little out over my skis here, but I imagine there are folks out there in 
Finale-List land who’ve had experience with this kind of things…  I’m doing a 
project for a friend where I’ve been given .mid “String” tracks that I’m going 
to turn into parts that can be played by real human beings.  The MIDI-to-Finale 
dump was pretty seamless, but now I need to wrangle the staves that the MIDI 
conversion process gave me into a real score with real, playable parts.  

One of the biggest issues, of course, is the note spelling.  The piece is more 
or less in A Major and related keys, but every note that should be a G# came 
out of the MIDI as an Ab.  Ditto for Db/C#.  I can see that alone wasting lots 
of time, so here’s my question…

Is there a way I can globally change every Ab to a G# and every Db to a C#?  
I’m hoping the answer is yes!

Thanks!

Neal Gittleman
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Re: [Finale] MIDI

2018-06-21 Thread Girard Bowe
I've experienced the 1/2 step discrepancy recently, but haven't nailed down the 
circumstances or the cure. I thought it was just me or my setup. I haven't been 
using Finale much lately, spending most of my music time practicing instead of 
transcribing or arranging. I'll pay better attention when this occurs, and will 
try Larry's fix then report.

-Original Message-
From: Finale [mailto:finale-boun...@shsu.edu] On Behalf Of Lawrence David Eden
Sent: Thursday, June 21, 2018 7:17 AM
To: FinaleList 
Subject: [Finale] MIDI

I have a question about MIDI with FinaleMac 25/OS 10.13.5.

I am working on a transposed score that includes trumpets in Bb and horn in F.  
When I display the score in concert pitch the notes I enter return a single 
note sound, but if I display my score in transposed pitch (score showing 
different key signatures) Finale and my MIDI plays 2 notes at a time that are a 
minor second apart.  Most annoying!  I prefer to have Finale handle the 
transposition, so want to use Speedy to enter the notes in transposed 
pitch….one pitch only. 


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Re: [Finale] MIDI

2018-06-21 Thread David H. Bailey

On 6/21/2018 7:17 AM, Lawrence David Eden wrote:

I have a question about MIDI with FinaleMac 25/OS 10.13.5.

I am working on a transposed score that includes trumpets in Bb and horn in F.  
When I display the score in concert pitch the notes I enter return a single 
note sound, but if I display my score in transposed pitch (score showing 
different key signatures) Finale and my MIDI plays 2 notes at a time that are a 
minor second apart.  Most annoying!  I prefer to have Finale handle the 
transposition, so want to use Speedy to enter the notes in transposed 
pitch….one pitch only.

Have I missed something in my MIDI setup or is this something that can’t be 
fixed?  I used SCORE MANAGER to create my score.  My previous version of Finale 
was Finale 2K11 and it did not behave this way.

Thanks for any advice that my colleagues on the List are able to provide.




That is truly mystifying!  If anything, the notes should be either a 
whole step apart (Bb trumpets) or a fifth apart (horn in F).  But to 
have all your sounds be a half-step apart makes no sense at all.


Where are the sounds coming from?  your computer or from your midi 
device?  If from your midi device, pull out the manual and see if there 
is a setting for "local off."  That would mean that keypresses on the 
device would not generate their own sound in addition to whatever 
midi-out data Finale is sending to it.


Under the MIDI/Audio menu in Finale is a listing for Device Setup -- if 
you click on that a submenu opens up which has a "Midi Thru" option 
which has a checkmark next to it when it's enabled.  What happens if you 
uncheck that?


Good luck in finding the problem -- please let us know how you resolve 
the issue.



--
*
David H. Bailey
dhbaile...@comcast.net
http://www.davidbaileymusicstudio.com
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[Finale] MIDI

2018-06-21 Thread Lawrence David Eden
I have a question about MIDI with FinaleMac 25/OS 10.13.5.

I am working on a transposed score that includes trumpets in Bb and horn in F.  
When I display the score in concert pitch the notes I enter return a single 
note sound, but if I display my score in transposed pitch (score showing 
different key signatures) Finale and my MIDI plays 2 notes at a time that are a 
minor second apart.  Most annoying!  I prefer to have Finale handle the 
transposition, so want to use Speedy to enter the notes in transposed 
pitch….one pitch only.

Have I missed something in my MIDI setup or is this something that can’t be 
fixed?  I used SCORE MANAGER to create my score.  My previous version of Finale 
was Finale 2K11 and it did not behave this way.

Thanks for any advice that my colleagues on the List are able to provide.

Larry Eden
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[Finale] MIDI sound problem

2017-12-01 Thread Barbara Touburg
Thanks to two David and David for offering me the solution to my MIDI 
problem.
This list is just the best and very special. I am very grateful to be a 
part of it.

The first pianolesson went very well. THANKS!
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[Finale] MIDI controller

2017-11-27 Thread Barbara Touburg
A whle ago I was looking for software that would produce sound when a 
MIDI keyboard was played. I know that Finale can produce a piano sound, 
but what if I don't have Finale or the likes?
Someone (can't remember who) gave me the solution, but I can't find that 
e-mail anymore.

Thanks!
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Re: [Finale] MIDI/jazz changes

2017-05-11 Thread Chris Bell
I never use a midi keyboard (if I was it would be for, lets say a piano part in 
a concerto), I use only an extended keyboard on my laptop.
Best
/ Chris
 
On May 9, 2017, at 9:56 PM, Martin Nickless wrote:

> Hi Chris thanks would you mind sending the library 
> Do you enter on your midi keyboard ?
> Best
> Martin
> 
> Sent from my iPhone
> 
>> On 9 May 2017, at 19:03, Chris Bell  wrote:
>> 
>> I write a lot of Big-Band charts, I've created my own library, its well 
>> worth the effort.
>> 
>> / Chris 
>> 
>> 
>>> On May 7, 2017, at 9:27 PM, Martin Nickless wrote:
>>> 
>>> Hi there was wondering if anybody that predominately writes big-band charts 
>>> Do they enter the changes by playing the cord on a midi keyboard ?
>>> May I ask if they have built up a library of the complex chords e.g. flat 
>>> 13 sharp 11s etc
>>> Thanks
>> 
>> 
>> 
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Re: [Finale] MIDI/jazz changes

2017-05-09 Thread Martin Nickless
Hi Chris thanks would you mind sending the library 
Do you enter on your midi keyboard ?
Best
Martin

Sent from my iPhone

> On 9 May 2017, at 19:03, Chris Bell  wrote:
> 
> I write a lot of Big-Band charts, I've created my own library, its well worth 
> the effort.
> 
> / Chris 
> 
> 
>> On May 7, 2017, at 9:27 PM, Martin Nickless wrote:
>> 
>> Hi there was wondering if anybody that predominately writes big-band charts 
>> Do they enter the changes by playing the cord on a midi keyboard ?
>> May I ask if they have built up a library of the complex chords e.g. flat 13 
>> sharp 11s etc
>> Thanks
> 
> 
> 
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Re: [Finale] MIDI/jazz changes

2017-05-09 Thread Chris Bell
I write a lot of Big-Band charts, I've created my own library, its well worth 
the effort.

/ Chris 


On May 7, 2017, at 9:27 PM, Martin Nickless wrote:

> Hi there was wondering if anybody that predominately writes big-band charts 
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13 
> sharp 11s etc
> Thanks



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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread martin nickless
Hi chuck I think I need to look at this in the book on line
Not sure about the filters also
Best
Martin

On Sun, 7 May 2017 at 21:23, Chuck Israels  wrote:

> I use Keyboard Maestro to set up macros and shortcuts. They take time to
> assemble (not too daunting) but save menu diving time. You do know there
> are filters in the Selection Tool that allow choices of what it will do - ?
> All my shortcuts do is eliminate mousing around to get to them.
>
> Chuck
>
>
> > On May 7, 2017, at 1:12 PM, Martin Nickless 
> wrote:
> >
> > Thanks chuck
> > Maybe I could ask how your keyboard short cuts work
> > Thanks
> >
> > Sent from my iPhone
> >
> >> On 7 May 2017, at 20:46, Chuck Israels  wrote:
> >>
> >> No experience with Sibelius, but I find my method (much the same as
> Christopher’s) pretty damn quick. It takes me far longer to think of what I
> want than to enter it in Finale, but maybe I’m a slow thinker.
> >>
> >> I also have keyboard shortcuts to toggle between coping everything and
> copying only chords, and that is invaluable.
> >>
> >>
> >>> On May 7, 2017, at 12:41 PM, Martin Nickless 
> wrote:
> >>>
> >>> Thanks
> >>> Shame finale can't be like Sibelius when it comes to entering changes
> quickly
> >>>
> >>> Sent from my iPhone
> >>>
>  On 7 May 2017, at 20:34, Christopher Smith <
> christopher.sm...@videotron.ca> wrote:
> 
>  I write a lot of jazz, and I never was able to get that to work
> properly. I would have to play the chord in the exact same voicing every
> time for it to work, and it’s hard to remember (and finger!) all those
> extensions. Plus, there are always chords that I don’t use very often and
> would have to stop and figure out a never-before-played voicing for them. I
> only have five fingers! Your method works okay up to 7th chords.
> 
>  I generally type into score. When I have a chord suffix with stacked
> extensions, I have a Postit on my monitor with all my most-used suffixes
> and their numbers. Say 7(#11b13) is suffix number 103, then I type C:103
> and get the proper suffix on a C. If I ever forget (or don’t know) a suffix
> number, I type C:0 (zero) and the suffix selector box pops up, where I
> choose my suffix. The suffix number is right there in the niche.
> 
>  Christopher
> 
> 
> > On May 7, 2017, at 3:27 PM, Martin Nickless 
> wrote:
> >
> > Hi there was wondering if anybody that predominately writes big-band
> charts
> > Do they enter the changes by playing the cord on a midi keyboard ?
> > May I ask if they have built up a library of the complex chords e.g.
> flat 13 sharp 11s etc
> > Thanks
> >
> > Sent from my iPhone
> > ___
> > Finale mailing list
> > Finale@shsu.edu
> > https://lists.shsu.edu/mailman/listinfo/finale
> >
> > To unsubscribe from finale send a message to:
> > finale-unsubscr...@shsu.edu
> 
> 
>  ___
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> >>>
> >>> ___
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> >>>
> >>> To unsubscribe from finale send a message to:
> >>> finale-unsubscr...@shsu.edu
> >>
> >> Chuck Israels
> >> cisra...@comcast.net
> >> (360) 201-3434
> >>
> >> 8831 SE 12th Ave.
> >> Portland OR 97202
> >>
> >> 
> >>
> >>
> >>
> >>
> >> ___
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>
> Chuck Israels
> cisra...@comcast.net
> (360) 201-3434
>
> 8831 SE 12th Ave.
> Portland OR 97202
>
> 
>
>
>
>
> ___
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Chuck Israels
I use Keyboard Maestro to set up macros and shortcuts. They take time to 
assemble (not too daunting) but save menu diving time. You do know there are 
filters in the Selection Tool that allow choices of what it will do - ? All my 
shortcuts do is eliminate mousing around to get to them.

Chuck


> On May 7, 2017, at 1:12 PM, Martin Nickless  wrote:
> 
> Thanks chuck 
> Maybe I could ask how your keyboard short cuts work
> Thanks
> 
> Sent from my iPhone
> 
>> On 7 May 2017, at 20:46, Chuck Israels  wrote:
>> 
>> No experience with Sibelius, but I find my method (much the same as 
>> Christopher’s) pretty damn quick. It takes me far longer to think of what I 
>> want than to enter it in Finale, but maybe I’m a slow thinker.
>> 
>> I also have keyboard shortcuts to toggle between coping everything and 
>> copying only chords, and that is invaluable.
>> 
>> 
>>> On May 7, 2017, at 12:41 PM, Martin Nickless  wrote:
>>> 
>>> Thanks 
>>> Shame finale can't be like Sibelius when it comes to entering changes 
>>> quickly
>>> 
>>> Sent from my iPhone
>>> 
 On 7 May 2017, at 20:34, Christopher Smith 
  wrote:
 
 I write a lot of jazz, and I never was able to get that to work properly. 
 I would have to play the chord in the exact same voicing every time for it 
 to work, and it’s hard to remember (and finger!) all those extensions. 
 Plus, there are always chords that I don’t use very often and would have 
 to stop and figure out a never-before-played voicing for them. I only have 
 five fingers! Your method works okay up to 7th chords.
 
 I generally type into score. When I have a chord suffix with stacked 
 extensions, I have a Postit on my monitor with all my most-used suffixes 
 and their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 
 and get the proper suffix on a C. If I ever forget (or don’t know) a 
 suffix number, I type C:0 (zero) and the suffix selector box pops up, 
 where I choose my suffix. The suffix number is right there in the niche.
 
 Christopher
 
 
> On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
> 
> Hi there was wondering if anybody that predominately writes big-band 
> charts 
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 
> 13 sharp 11s etc
> Thanks
> 
> Sent from my iPhone
> ___
> Finale mailing list
> Finale@shsu.edu
> https://lists.shsu.edu/mailman/listinfo/finale
> 
> To unsubscribe from finale send a message to:
> finale-unsubscr...@shsu.edu
 
 
 ___
 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu
>>> 
>>> ___
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>>> https://lists.shsu.edu/mailman/listinfo/finale
>>> 
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>>> finale-unsubscr...@shsu.edu
>> 
>> Chuck Israels
>> cisra...@comcast.net
>> (360) 201-3434
>> 
>> 8831 SE 12th Ave.
>> Portland OR 97202
>> 
>> 
>> 
>> 
>> 
>> 
>> ___
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Chuck Israels
cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202






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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Martin Nickless
Thanks chuck 
Maybe I could ask how your keyboard short cuts work
Thanks

Sent from my iPhone

> On 7 May 2017, at 20:46, Chuck Israels  wrote:
> 
> No experience with Sibelius, but I find my method (much the same as 
> Christopher’s) pretty damn quick. It takes me far longer to think of what I 
> want than to enter it in Finale, but maybe I’m a slow thinker.
> 
> I also have keyboard shortcuts to toggle between coping everything and 
> copying only chords, and that is invaluable.
> 
> 
>> On May 7, 2017, at 12:41 PM, Martin Nickless  wrote:
>> 
>> Thanks 
>> Shame finale can't be like Sibelius when it comes to entering changes quickly
>> 
>> Sent from my iPhone
>> 
>>> On 7 May 2017, at 20:34, Christopher Smith  
>>> wrote:
>>> 
>>> I write a lot of jazz, and I never was able to get that to work properly. I 
>>> would have to play the chord in the exact same voicing every time for it to 
>>> work, and it’s hard to remember (and finger!) all those extensions. Plus, 
>>> there are always chords that I don’t use very often and would have to stop 
>>> and figure out a never-before-played voicing for them. I only have five 
>>> fingers! Your method works okay up to 7th chords.
>>> 
>>> I generally type into score. When I have a chord suffix with stacked 
>>> extensions, I have a Postit on my monitor with all my most-used suffixes 
>>> and their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 
>>> and get the proper suffix on a C. If I ever forget (or don’t know) a suffix 
>>> number, I type C:0 (zero) and the suffix selector box pops up, where I 
>>> choose my suffix. The suffix number is right there in the niche.
>>> 
>>> Christopher
>>> 
>>> 
 On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
 
 Hi there was wondering if anybody that predominately writes big-band 
 charts 
 Do they enter the changes by playing the cord on a midi keyboard ?
 May I ask if they have built up a library of the complex chords e.g. flat 
 13 sharp 11s etc
 Thanks
 
 Sent from my iPhone
 ___
 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu
>>> 
>>> 
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> Chuck Israels
> cisra...@comcast.net
> (360) 201-3434
> 
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> Portland OR 97202
> 
> 
> 
> 
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> 
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Martin Nickless
Thanks for that any chance you could send your library 
Martin

Sent from my iPhone

> On 7 May 2017, at 20:35, Skjalg Bjørstad  wrote:
> 
> I use complex chords a lot andI have made my own suffix libraries.  MIDI 
> input of chords with 5 or more notes is far too unreliable, so I use the 
> Mac's keyboard to type chords with my suffix libraries' shortcuts.  Much 
> faster and more accurate.
> 
> Skjalg - for anledningen på nett med iPhone.
> 
>> Den 7. mai 2017 kl. 21.27 skrev Martin Nickless :
>> 
>> Hi there was wondering if anybody that predominately writes big-band charts 
>> Do they enter the changes by playing the cord on a midi keyboard ?
>> May I ask if they have built up a library of the complex chords e.g. flat 13 
>> sharp 11s etc
>> Thanks
>> 
>> Sent from my iPhone
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread craig






I agree with the idea of simplification, but jazz pianists tend to prefer 
certain spellings even if they may appear more complex.  E.g. #11 is almost 
always used instead of #4 these days. That is just how pianists think of that 
extension.
Likewise C13 is very meaningful and almost always used in modern jazz instead 
of C6 or C69, which was common in the swing era. Many pianists will play the C 
13 as Bb, E, A, which gives a very desirable maj7 internal tension.
So "simplification" is hard to pinpoint.



-- Original message--From: Chuck IsraelsDate: Sun, May 7, 2017 3:35 
PMTo: finale@shsu.edu;Subject:Re: [Finale] MIDI/jazz changes
Martin,I type in chord changes from a custom library of suffixes.  I have 
complex ones when they are needed, but I have learned to use more basic symbols 
where possible. Flat 13 is, more often than not, really #5 . If #11 is in the 
melody, it’s often superfluous to spell it in the chord. And if it’s not, it’s 
more often a choice than a necessity. I use these extensions only when I need 
them and hardly ever in bass parts. Hope this helps,Chuck> On May 7, 2017, at 
12:27 PM, Martin Nickless  wrote:> > Hi there was wondering if anybody that 
predominately writes big-band charts > Do they enter the changes by playing the 
cord on a midi keyboard ?> May I ask if they have built up a library of the 
complex chords e.g. flat 13 sharp 11s etc> Thanks> > Sent from my iPhone> 
___> Finale mailing list> 
Finale@shsu.edu> https://lists.shsu.edu/mailman/listinfo/finale> > To 
unsubscribe from finale send a message to:> finale-unsubscribe@shsu.eduChuck 
israelscisra...@comcast.net(360) 201-34348831 SE 12th Ave.Portland OR 
97202___Finale mailing 
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Chuck Israels
No experience with Sibelius, but I find my method (much the same as 
Christopher’s) pretty damn quick. It takes me far longer to think of what I 
want than to enter it in Finale, but maybe I’m a slow thinker.

I also have keyboard shortcuts to toggle between coping everything and copying 
only chords, and that is invaluable.


> On May 7, 2017, at 12:41 PM, Martin Nickless  wrote:
> 
> Thanks 
> Shame finale can't be like Sibelius when it comes to entering changes quickly
> 
> Sent from my iPhone
> 
>> On 7 May 2017, at 20:34, Christopher Smith  
>> wrote:
>> 
>> I write a lot of jazz, and I never was able to get that to work properly. I 
>> would have to play the chord in the exact same voicing every time for it to 
>> work, and it’s hard to remember (and finger!) all those extensions. Plus, 
>> there are always chords that I don’t use very often and would have to stop 
>> and figure out a never-before-played voicing for them. I only have five 
>> fingers! Your method works okay up to 7th chords.
>> 
>> I generally type into score. When I have a chord suffix with stacked 
>> extensions, I have a Postit on my monitor with all my most-used suffixes and 
>> their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 and get 
>> the proper suffix on a C. If I ever forget (or don’t know) a suffix number, 
>> I type C:0 (zero) and the suffix selector box pops up, where I choose my 
>> suffix. The suffix number is right there in the niche.
>> 
>> Christopher
>> 
>> 
>>> On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
>>> 
>>> Hi there was wondering if anybody that predominately writes big-band charts 
>>> Do they enter the changes by playing the cord on a midi keyboard ?
>>> May I ask if they have built up a library of the complex chords e.g. flat 
>>> 13 sharp 11s etc
>>> Thanks
>>> 
>>> Sent from my iPhone
>>> ___
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>> 
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cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202






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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Skjalg Bjørstad
If you use shortcuts, you can enter/edit chords very fast.  In my suffix 
library, just type [C:8] to get [Cmin11(b5)] etc

Skjalg - for anledningen på nett med iPhone.

> Den 7. mai 2017 kl. 21.41 skrev Martin Nickless :
> 
> Thanks 
> Shame finale can't be like Sibelius when it comes to entering changes quickly
> 
> Sent from my iPhone
> 
>> On 7 May 2017, at 20:34, Christopher Smith  
>> wrote:
>> 
>> I write a lot of jazz, and I never was able to get that to work properly. I 
>> would have to play the chord in the exact same voicing every time for it to 
>> work, and it’s hard to remember (and finger!) all those extensions. Plus, 
>> there are always chords that I don’t use very often and would have to stop 
>> and figure out a never-before-played voicing for them. I only have five 
>> fingers! Your method works okay up to 7th chords.
>> 
>> I generally type into score. When I have a chord suffix with stacked 
>> extensions, I have a Postit on my monitor with all my most-used suffixes and 
>> their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 and get 
>> the proper suffix on a C. If I ever forget (or don’t know) a suffix number, 
>> I type C:0 (zero) and the suffix selector box pops up, where I choose my 
>> suffix. The suffix number is right there in the niche.
>> 
>> Christopher
>> 
>> 
>>> On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
>>> 
>>> Hi there was wondering if anybody that predominately writes big-band charts 
>>> Do they enter the changes by playing the cord on a midi keyboard ?
>>> May I ask if they have built up a library of the complex chords e.g. flat 
>>> 13 sharp 11s etc
>>> Thanks
>>> 
>>> Sent from my iPhone
>>> ___
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>>> https://lists.shsu.edu/mailman/listinfo/finale
>>> 
>>> To unsubscribe from finale send a message to:
>>> finale-unsubscr...@shsu.edu
>> 
>> 
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Martin Nickless
Thanks 
Shame finale can't be like Sibelius when it comes to entering changes quickly

Sent from my iPhone

> On 7 May 2017, at 20:34, Christopher Smith  
> wrote:
> 
> I write a lot of jazz, and I never was able to get that to work properly. I 
> would have to play the chord in the exact same voicing every time for it to 
> work, and it’s hard to remember (and finger!) all those extensions. Plus, 
> there are always chords that I don’t use very often and would have to stop 
> and figure out a never-before-played voicing for them. I only have five 
> fingers! Your method works okay up to 7th chords.
> 
> I generally type into score. When I have a chord suffix with stacked 
> extensions, I have a Postit on my monitor with all my most-used suffixes and 
> their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 and get 
> the proper suffix on a C. If I ever forget (or don’t know) a suffix number, I 
> type C:0 (zero) and the suffix selector box pops up, where I choose my 
> suffix. The suffix number is right there in the niche.
> 
> Christopher
> 
> 
>> On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
>> 
>> Hi there was wondering if anybody that predominately writes big-band charts 
>> Do they enter the changes by playing the cord on a midi keyboard ?
>> May I ask if they have built up a library of the complex chords e.g. flat 13 
>> sharp 11s etc
>> Thanks
>> 
>> Sent from my iPhone
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>> https://lists.shsu.edu/mailman/listinfo/finale
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>> finale-unsubscr...@shsu.edu
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Skjalg Bjørstad
I use complex chords a lot andI have made my own suffix libraries.  MIDI input 
of chords with 5 or more notes is far too unreliable, so I use the Mac's 
keyboard to type chords with my suffix libraries' shortcuts.  Much faster and 
more accurate.

Skjalg - for anledningen på nett med iPhone.

> Den 7. mai 2017 kl. 21.27 skrev Martin Nickless :
> 
> Hi there was wondering if anybody that predominately writes big-band charts 
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13 
> sharp 11s etc
> Thanks
> 
> Sent from my iPhone
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> https://lists.shsu.edu/mailman/listinfo/finale
> 
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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Chuck Israels
Martin,

I type in chord changes from a custom library of suffixes.  I have complex ones 
when they are needed, but I have learned to use more basic symbols where 
possible. Flat 13 is, more often than not, really #5 . If #11 is in the melody, 
it’s often superfluous to spell it in the chord. And if it’s not, it’s more 
often a choice than a necessity. I use these extensions only when I need them 
and hardly ever in bass parts. 

Hope this helps,

Chuck


> On May 7, 2017, at 12:27 PM, Martin Nickless  wrote:
> 
> Hi there was wondering if anybody that predominately writes big-band charts 
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13 
> sharp 11s etc
> Thanks
> 
> Sent from my iPhone
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> https://lists.shsu.edu/mailman/listinfo/finale
> 
> To unsubscribe from finale send a message to:
> finale-unsubscr...@shsu.edu

Chuck Israels
cisra...@comcast.net
(360) 201-3434

8831 SE 12th Ave.
Portland OR 97202






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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread Christopher Smith
I write a lot of jazz, and I never was able to get that to work properly. I 
would have to play the chord in the exact same voicing every time for it to 
work, and it’s hard to remember (and finger!) all those extensions. Plus, there 
are always chords that I don’t use very often and would have to stop and figure 
out a never-before-played voicing for them. I only have five fingers! Your 
method works okay up to 7th chords.

I generally type into score. When I have a chord suffix with stacked 
extensions, I have a Postit on my monitor with all my most-used suffixes and 
their numbers. Say 7(#11b13) is suffix number 103, then I type C:103 and get 
the proper suffix on a C. If I ever forget (or don’t know) a suffix number, I 
type C:0 (zero) and the suffix selector box pops up, where I choose my suffix. 
The suffix number is right there in the niche.

Christopher


> On May 7, 2017, at 3:27 PM, Martin Nickless  wrote:
> 
> Hi there was wondering if anybody that predominately writes big-band charts 
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13 
> sharp 11s etc
> Thanks
> 
> Sent from my iPhone
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> https://lists.shsu.edu/mailman/listinfo/finale
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> finale-unsubscr...@shsu.edu


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Re: [Finale] MIDI/jazz changes

2017-05-07 Thread dershem
On 5/7/2017 12:27 PM, Martin Nickless wrote:
> Hi there was wondering if anybody that predominately writes big-band charts
> Do they enter the changes by playing the cord on a midi keyboard ?
> May I ask if they have built up a library of the complex chords e.g. flat 13 
> sharp 11s etc
> Thanks
I have an extensive library, but I type faster and more accurately than 
I play piano.  :)

cd

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[Finale] MIDI/jazz changes

2017-05-07 Thread Martin Nickless
Hi there was wondering if anybody that predominately writes big-band charts 
Do they enter the changes by playing the cord on a midi keyboard ?
May I ask if they have built up a library of the complex chords e.g. flat 13 
sharp 11s etc
Thanks

Sent from my iPhone
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[Finale] midi velocity issue

2016-10-02 Thread Haroldo Mauro
Changing the “Set To” value under the MIDI Tool menu has no effect on Garritan 
instruments. For that matter, neither do Scale, Percent Alter etc. Any 
suggestions? Works with SmartMusic SoftSynth only.

Finale 2014 Mac Marvericks

Harold
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Re: [Finale] MIDI keyboard Trust 49 keys

2016-07-26 Thread timothy rice

Well, maybe your best bet is a business trip for a week in Paris.

Other than that, here is a reprint of past emails on small keyboards.



> I have used the Korg MicroKey and the Korg NanoKey at different times.
> 
> The NanoKey is only 2 octaves so depending on the part you're entering,
> you'll need to use the octave shift keys frequently.
> 
> The MicroKey37 is a 3 octave keyboard so there's much less need for the
> octave shift.
> 
> The NanoKey has very small keys, very nice for single-note entry and simply
> chords, not at all close to a normal keyboard action.  Excellent for Speedy
> Entry, in my opinion.
> 
> The MicroKey37 has small keys but they're much more like a normal piano
> keyboard, just a bit narrower and shorter.
> 
> They both respond quickly.
> 
> I also have the iRig Keys mini but find that it's much more finicky than
> either of the Korgs.  I bought the iRig Keys mini because it comes with a
> cable with the lightning connector for use with my iPad, but I don't like
> the keyboard so I don't use it much.
> 
> Sweetwater.com is a great place to learn more about these keyboards.
> 
> Good luck!
> David H. Bailey





On Jul 26, 2016, at 4:36 PM, Barbara Touburg wrote:
>> 
> 
> Thank you. I'm specifically looking for a keyboard with narrow keys to 
> fit the available space at my desk. :)
> 
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Re: [Finale] MIDI keyboard Trust 49 keys

2016-07-26 Thread Barbara Touburg
On 26-7-2016 22:18, timothy rice wrote:
> Sorry, I have not found a source for this particular controller.
> Here is an article that rates the top 49 key controllers that are available 
> here.
>
> http://www.wirerealm.com/guides/best-49-key-midi-keyboard-controller
>
> Perhaps this will have something you can use as well.
>
> tim

Thank you. I'm specifically looking for a keyboard with narrow keys to 
fit the available space at my desk. :)

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Re: [Finale] MIDI keyboard Trust 49 keys

2016-07-26 Thread timothy rice
Sorry, I have not found a source for this particular controller.
Here is an article that rates the top 49 key controllers that are available 
here.

http://www.wirerealm.com/guides/best-49-key-midi-keyboard-controller

Perhaps this will have something you can use as well.

tim


On Jul 26, 2016, at 3:56 PM, Barbara Touburg wrote:

> Does anyone know where I can buy thus keyboard?
> 
> 
> 
> (page is in French, sorry)
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[Finale] MIDI keyboard Trust 49 keys

2016-07-26 Thread Barbara Touburg
Does anyone know where I can buy thus keyboard?



(page is in French, sorry)
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Re: [Finale] midi keyboard for college lab

2016-02-21 Thread David H. Bailey

On 2/21/2016 8:18 AM, David Froom wrote:
> Hello collective wisdom,
>
> I am looking into purchasing replacement keyboards for my small college's 
> shared "arts" lab (iMac computers). This is not for piano practice, nor for 
> basic theory learning, but rather, for use with programs like Finale and 
> Logic Pro. The shared nature of the lab and the configuration of the 
> workstations means that the keyboards need to be checked out to students, 
> stored in their lockers.
>
> I've been using Garage Key 37 key keyboards. The benefit of those is 
> full-sized keys, plus the plastic risers that attach to the sides to raise 
> the keyboard a few inches. The keyboard then sits above and behind the 
> computer keyboard, between the computer keyboard and the monitor. This means 
> it does not need to be to the right or to the left. I use one myself, 
> primarily and nearly exclusively for Finale note entry. The disadvantages of 
> the Garage Key are that it has no mod/pitch wheels, and is a bit flimsy (keys 
> get knocked out of alignment and stop working, the octave change keys go bad, 
> the plastic risers break). The problems don't occur with my own Garage Key 
> because I don't move it around. The students wrap usb cords around the 
> keyboard and put it in their backpacks to carry to a locker.
>
> I'd like 37 keys and the mod/pitch wheels. I want something that takes a 
> minimum of space (so no big space behind the keys with knobs the students 
> won't use -- these are not for live performing). Most important, though, is 
> sturdiness for keyboards that might get bumped around a bit.
>
> The budget is sort-of in the $100 per keyboard range.
>
> I'm looking at the Korg 37 microKEY. Does anyone use this? If so, can you 
> vouch for its playability and sturdiness?
>
> Or does anyone have any suggestions for other keyboards I should be 
> considering?
>

It's interesting that you should ask about the Korg 37 microKEY -- I
just purchased one.

I bought the $90 version through Sweetwater, hoping to use it with my
iPad as well as with my notebook computer.  But the current version of
the keyboard includes a 2-port USB hub so that other input gear can be
used at the same time, so the iPad gave me an error message when I tried
to attach the keyboard using the Camera Connection Kit from Apple --
This device uses too much power.  So I returned it to Sweetwater and
spent the extra money for the bluetooth version, the microKEY AIR, which
can also be attached by USB cable instead of bluetooth.  The bluetooth
version works with my iPad both with the USB attachment since it's not a
hub and doesn't require extra power and it also works well with bluetooth.

When I first got the USB-only version, I tested it with my notebook
computer (HP running Win10) and it worked very nicely.  The keys have a
solid feel to them, the case is well built and it feels rugged enough to
stand up to normal use.  It's hard to say whether any keyboard will
stand up if it's just something the students sign out from the music
department and don't have an actual investment in.  But at $89.99 it's
cheaper than many college textbooks so asking the students to buy their
own shouldn't be a problem.




-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com


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Re: [Finale] midi keyboard for college lab

2016-02-21 Thread David H. Bailey
On 2/21/2016 8:18 AM, David Froom wrote:
> Hello collective wisdom,
>
> I am looking into purchasing replacement keyboards for my small college's 
> shared "arts" lab (iMac computers). This is not for piano practice, nor for 
> basic theory learning, but rather, for use with programs like Finale and 
> Logic Pro. The shared nature of the lab and the configuration of the 
> workstations means that the keyboards need to be checked out to students, 
> stored in their lockers.
>
> I've been using Garage Key 37 key keyboards. The benefit of those is 
> full-sized keys, plus the plastic risers that attach to the sides to raise 
> the keyboard a few inches. The keyboard then sits above and behind the 
> computer keyboard, between the computer keyboard and the monitor. This means 
> it does not need to be to the right or to the left. I use one myself, 
> primarily and nearly exclusively for Finale note entry. The disadvantages of 
> the Garage Key are that it has no mod/pitch wheels, and is a bit flimsy (keys 
> get knocked out of alignment and stop working, the octave change keys go bad, 
> the plastic risers break). The problems don't occur with my own Garage Key 
> because I don't move it around. The students wrap usb cords around the 
> keyboard and put it in their backpacks to carry to a locker.
>
> I'd like 37 keys and the mod/pitch wheels. I want something that takes a 
> minimum of space (so no big space behind the keys with knobs the students 
> won't use -- these are not for live performing). Most important, though, is 
> sturdiness for keyboards that might get bumped around a bit.
>
> The budget is sort-of in the $100 per keyboard range.
>
> I'm looking at the Korg 37 microKEY. Does anyone use this? If so, can you 
> vouch for its playability and sturdiness?
>
> Or does anyone have any suggestions for other keyboards I should be 
> considering?
>

It's interesting that you should ask about the Korg 37 microKEY -- I 
just purchased one.

I bought the $90 version through Sweetwater, hoping to use it with my 
iPad as well as with my notebook computer.  But the current version of 
the keyboard includes a 2-port USB hub so that other input gear can be 
used at the same time, so the iPad gave me an error message when I tried 
to attach the keyboard using the Camera Connection Kit from Apple -- 
This device uses too much power.  So I returned it to Sweetwater and 
spent the extra money for the bluetooth version, the microKEY AIR, which 
can also be attached by USB cable instead of bluetooth.  The bluetooth 
version works with my iPad both with the USB attachment since it's not a 
hub and doesn't require extra power and it also works well with bluetooth.

When I first got the USB-only version, I tested it with my notebook 
computer (HP running Win10) and it worked very nicely.  The keys have a 
solid feel to them, the case is well built and it feels rugged enough to 
stand up to normal use.  It's hard to say whether any keyboard will 
stand up if it's just something the students sign out from the music 
department and don't have an actual investment in.  But at $89.99 it's 
cheaper than many college textbooks so asking the students to buy their 
own shouldn't be a problem.




-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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[Finale] midi keyboard for college lab

2016-02-21 Thread David Froom
Hello collective wisdom,

I am looking into purchasing replacement keyboards for my small college's 
shared "arts" lab (iMac computers). This is not for piano practice, nor for 
basic theory learning, but rather, for use with programs like Finale and Logic 
Pro. The shared nature of the lab and the configuration of the workstations 
means that the keyboards need to be checked out to students, stored in their 
lockers.

I've been using Garage Key 37 key keyboards. The benefit of those is full-sized 
keys, plus the plastic risers that attach to the sides to raise the keyboard a 
few inches. The keyboard then sits above and behind the computer keyboard, 
between the computer keyboard and the monitor. This means it does not need to 
be to the right or to the left. I use one myself, primarily and nearly 
exclusively for Finale note entry. The disadvantages of the Garage Key are that 
it has no mod/pitch wheels, and is a bit flimsy (keys get knocked out of 
alignment and stop working, the octave change keys go bad, the plastic risers 
break). The problems don't occur with my own Garage Key because I don't move it 
around. The students wrap usb cords around the keyboard and put it in their 
backpacks to carry to a locker. 

I'd like 37 keys and the mod/pitch wheels. I want something that takes a 
minimum of space (so no big space behind the keys with knobs the students won't 
use -- these are not for live performing). Most important, though, is 
sturdiness for keyboards that might get bumped around a bit. 

The budget is sort-of in the $100 per keyboard range.

I'm looking at the Korg 37 microKEY. Does anyone use this? If so, can you vouch 
for its playability and sturdiness?

Or does anyone have any suggestions for other keyboards I should be considering?

Thank's in advance,
David Froom 
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Re: [Finale] MIDI (free piano)

2016-01-26 Thread David Froom

On 26 Jan 2016, at 1:00 PM,  wrote:

> On 1/25/2016 12:06 PM, Nick Raspa wrote:
>> Many have mentioned Garage Band which is a good basic program, but there is 
>> also another (free) program called Audacity.  Although I generally use 
>> Garage Band for recording, I usually finish it up in Audacity.  You can also 
>> record directly into Audacity just as you can with Garage Band and Audacity 
>> is available for both Mac and PC.
>> 
> 
> Audacity is an audio recording program -- it doesn't have any midi sound 
> built into it.
> 
> The original question was about a piece of software that would be free 
> that would produce sounds when the student hooked the midi keyboard up 
> to the computer.  The keyboard is simply a controller with no built-in 
> sounds at all.

Already recommended is the combination of sforzando 
(https://www.plogue.com/products/sforzando/) and Ivy Audio's Piano-in-162 patch 
in sfz format (http://ivyaudio.com/Piano-in-162).

sforzando is a vst/au plugin, which needs a host to run it. It will run in 
Finale, or in DAW programs. For mac, anyway, the smallest free application I 
could find is "Hosting AU." That works fine as a tiny "stand alone" application 
to act as the host for audio units. 

I tried downloading sforzando, piano-in-162, and hosting au. This combination 
does a good job of turning a midi keyboard controller into a pretty decent 
piano. piano-in-162 has two choices, one with ambience, one without (you get 
both). It is quite a good sound font, especially because when the sustain pedal 
is depressed it changes the tone to have a full open-string resonance (a 
subtlety that is missing from many otherwise-pretty-good stand-alone electronic 
pianos). 

The download of piano-in-162 will take a while, and, unless you pay for it, it 
will have to come through a bit-torrent program. It is all clearly explained on 
their download page.

For windows computers, you'll need to find a small vst hosting stand-alone 
application.

David Froom
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Re: [Finale] MIDI (free piano)

2016-01-26 Thread Michael

> On 26 Jan 2016, at 19:26, David Froom  wrote:
> 
> sforzando is a vst/au plugin, which needs a host to run it. It will run in 
> Finale, or in DAW programs. For mac, anyway, the smallest free application I 
> could find is "Hosting AU." That works fine as a tiny "stand alone" 
> application to act as the host for audio units. 

Sforzando will run on its own without a host. I can control it directly from my 
MIDI keyboard.
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Re: [Finale] MIDI

2016-01-25 Thread David H. Bailey
On 1/25/2016 12:06 PM, Nick Raspa wrote:
> Many have mentioned Garage Band which is a good basic program, but there is 
> also another (free) program called Audacity.  Although I generally use Garage 
> Band for recording, I usually finish it up in Audacity.  You can also record 
> directly into Audacity just as you can with Garage Band and Audacity is 
> available for both Mac and PC.
>

Audacity is an audio recording program -- it doesn't have any midi sound 
built into it.

The original question was about a piece of software that would be free 
that would produce sounds when the student hooked the midi keyboard up 
to the computer.  The keyboard is simply a controller with no built-in 
sounds at all.




-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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Re: [Finale] MIDI

2016-01-25 Thread Nick Raspa
Many have mentioned Garage Band which is a good basic program, but there is 
also another (free) program called Audacity.  Although I generally use Garage 
Band for recording, I usually finish it up in Audacity.  You can also record 
directly into Audacity just as you can with Garage Band and Audacity is 
available for both Mac and PC.

Nick Raspa

> On Jan 25, 2016, at 11:55 AM, Dick Hauser  wrote:
> 
> 
 
> On 23 Jan 2016, at 21:54, Barbara Touburg  wrote:
> 
> Hi Chuck,
> 
> I need this for a piano pupil. They don't have a piano at home, so I 
> thought I could lend her my spare MIDI keyboard, but tonight i realised 
> that she may need some software as MIDI interface. To that end I'm using 
> Finale, of course, but I was wondering if there is other (preferably 
> free) that acts as an interface.
> 
> Barbara
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> finale-unsubscr...@shsu.edu
> 
> I don’t know the PC world, but the Mac OS includes Garageband (of course) 
> which would provide the sound.  I bet there is a similar thing in the PC 
> world (some simple music play program included with the OS).  The interface 
> is hard to answer without knowledge of your students gear.  I suppose the 
> best world would be a USB keyboard.  Well, let us know what you wind up with.
> 
> 
> Dick H
> OlyWa
> 
> 
> 
> 
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Re: [Finale] MIDI

2016-01-25 Thread Dick Hauser

>>> 
 On 23 Jan 2016, at 21:54, Barbara Touburg  wrote:
 
 Hi Chuck,
 
 I need this for a piano pupil. They don't have a piano at home, so I 
 thought I could lend her my spare MIDI keyboard, but tonight i realised 
 that she may need some software as MIDI interface. To that end I'm using 
 Finale, of course, but I was wondering if there is other (preferably 
 free) that acts as an interface.
 
 Barbara
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I don’t know the PC world, but the Mac OS includes Garageband (of course) which 
would provide the sound.  I bet there is a similar thing in the PC world (some 
simple music play program included with the OS).  The interface is hard to 
answer without knowledge of your students gear.  I suppose the best world would 
be a USB keyboard.  Well, let us know what you wind up with.


Dick H
OlyWa




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Re: [Finale] MIDI

2016-01-25 Thread Nick Raspa
Whoops - you’re right.  Sorry about that!

Nick Raspa

> On Jan 25, 2016, at 1:36 PM, David H. Bailey 
>  wrote:
> 
> On 1/25/2016 12:06 PM, Nick Raspa wrote:
>> Many have mentioned Garage Band which is a good basic program, but there is 
>> also another (free) program called Audacity.  Although I generally use 
>> Garage Band for recording, I usually finish it up in Audacity.  You can also 
>> record directly into Audacity just as you can with Garage Band and Audacity 
>> is available for both Mac and PC.
>> 
> 
> Audacity is an audio recording program -- it doesn't have any midi sound 
> built into it.
> 
> The original question was about a piece of software that would be free 
> that would produce sounds when the student hooked the midi keyboard up 
> to the computer.  The keyboard is simply a controller with no built-in 
> sounds at all.
> 
> 
> 
> 
> -- 
> David H. Bailey
> dhbai...@davidbaileymusicstudio.com
> http://www.davidbaileymusicstudio.com
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Re: [Finale] MIDI

2016-01-25 Thread David H. Bailey
On 1/24/2016 2:51 PM, Barbara Touburg wrote:
> On 24-1-2016 18:20, Michael wrote:
>> It’s not just a question of an interface: you also need something that 
>> creates the piano sound. Here is a good free piano 
>> sample:http://www.ivyaudio.com/Piano-in-162
>>
>> As explained on the page, if you want to run it for free you need to 
>> download the SFZ version and load it into a free SFZ player such as Plogue 
>> sforzando, to be found here:http://www.plogue.com/products/sforzando/
>>
>> Best wishes,
>> Michael
>
>
> Thannk you very much, Michael.
> I'll forward your message to the pupil's father.
> ___

MuseScore is a free notation program which accepts midi input and will 
produce a sound.




-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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Re: [Finale] MIDI

2016-01-25 Thread Michael
Sorry, I don’t know.  The Ivy audio piano sample should download as a zip file 
from which you extract the sfz file. It’s pretty big, around 4.5 GB, and may be 
too much for some systems. For something a bit smaller and probably more 
manageable, there’s the Salamander grand piano, to be found here: 
http://freepats.zenvoid.org/Piano/ I just tried the first version in the list: 
seems to work OK.


> On 24 Jan 2016, at 20:49, Chuck Israels  wrote:
> 
> Michael,
> 
> I tried this - hoping it might be useful to me too.  I downloaded and opened 
> sforzando, but the piano sample does not download and open.  Can you suggest 
> what I might be doing wrong?
> 
> Thanks,
> 
> Chuck
> 
> 
>> On Jan 24, 2016, at 9:20 AM, Michael  wrote:
>> 
>> It’s not just a question of an interface: you also need something that 
>> creates the piano sound. Here is a good free piano sample: 
>> http://www.ivyaudio.com/Piano-in-162
>> 
>> As explained on the page, if you want to run it for free you need to 
>> download the SFZ version and load it into a free SFZ player such as Plogue 
>> sforzando, to be found here: http://www.plogue.com/products/sforzando/
>> 
>> Best wishes,
>> Michael
>> 
>>> On 23 Jan 2016, at 21:54, Barbara Touburg  wrote:
>>> 
>>> Hi Chuck,
>>> 
>>> I need this for a piano pupil. They don't have a piano at home, so I 
>>> thought I could lend her my spare MIDI keyboard, but tonight i realised 
>>> that she may need some software as MIDI interface. To that end I'm using 
>>> Finale, of course, but I was wondering if there is other (preferably 
>>> free) that acts as an interface.
>>> 
>>> Barbara
>>> ___
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>>> finale-unsubscr...@shsu.edu
>> 
>> 
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Re: [Finale] MIDI

2016-01-24 Thread Michael
It’s not just a question of an interface: you also need something that creates 
the piano sound. Here is a good free piano sample: 
http://www.ivyaudio.com/Piano-in-162

As explained on the page, if you want to run it for free you need to download 
the SFZ version and load it into a free SFZ player such as Plogue sforzando, to 
be found here: http://www.plogue.com/products/sforzando/

Best wishes,
Michael

> On 23 Jan 2016, at 21:54, Barbara Touburg  wrote:
> 
> Hi Chuck,
> 
> I need this for a piano pupil. They don't have a piano at home, so I 
> thought I could lend her my spare MIDI keyboard, but tonight i realised 
> that she may need some software as MIDI interface. To that end I'm using 
> Finale, of course, but I was wondering if there is other (preferably 
> free) that acts as an interface.
> 
> Barbara
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Re: [Finale] MIDI

2016-01-24 Thread Barbara Touburg
On 24-1-2016 18:20, Michael wrote:
> It’s not just a question of an interface: you also need something that 
> creates the piano sound. Here is a good free piano 
> sample:http://www.ivyaudio.com/Piano-in-162
>
> As explained on the page, if you want to run it for free you need to download 
> the SFZ version and load it into a free SFZ player such as Plogue sforzando, 
> to be found here:http://www.plogue.com/products/sforzando/
>
> Best wishes,
> Michael


Thannk you very much, Michael.
I'll forward your message to the pupil's father.
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Re: [Finale] MIDI

2016-01-24 Thread Chuck Israels
Michael,

I tried this - hoping it might be useful to me too.  I downloaded and opened 
sforzando, but the piano sample does not download and open.  Can you suggest 
what I might be doing wrong?

Thanks,

Chuck


> On Jan 24, 2016, at 9:20 AM, Michael  wrote:
> 
> It’s not just a question of an interface: you also need something that 
> creates the piano sound. Here is a good free piano sample: 
> http://www.ivyaudio.com/Piano-in-162
> 
> As explained on the page, if you want to run it for free you need to download 
> the SFZ version and load it into a free SFZ player such as Plogue sforzando, 
> to be found here: http://www.plogue.com/products/sforzando/
> 
> Best wishes,
> Michael
> 
>> On 23 Jan 2016, at 21:54, Barbara Touburg  wrote:
>> 
>> Hi Chuck,
>> 
>> I need this for a piano pupil. They don't have a piano at home, so I 
>> thought I could lend her my spare MIDI keyboard, but tonight i realised 
>> that she may need some software as MIDI interface. To that end I'm using 
>> Finale, of course, but I was wondering if there is other (preferably 
>> free) that acts as an interface.
>> 
>> Barbara
>> ___
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>> finale-unsubscr...@shsu.edu
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Re: [Finale] MIDI

2016-01-23 Thread Chuck Israels
Hi Barbara,

Yes, there is software that contains sound samples (I guess a piano sound is 
what you’d like - it’s what I always want).  Garage Band does this on Mac, and 
I’m sure there are others.  Whether or not they are free, I don’t know, but you 
can surely find something that will work.

Chuck




> On Jan 23, 2016, at 12:54 PM, Barbara Touburg  wrote:
> 
> Hi Chuck,
> 
> I need this for a piano pupil. They don't have a piano at home, so I 
> thought I could lend her my spare MIDI keyboard, but tonight i realised 
> that she may need some software as MIDI interface. To that end I'm using 
> Finale, of course, but I was wondering if there is other (preferably 
> free) that acts as an interface.
> 
> Barbara
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Re: [Finale] MIDI

2016-01-23 Thread Gippo Mercoli

Mainstage too on Mac 
I use komplete that contains kontact and several virtual pianos and organs 

--

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www.clubgippo.com
www.ga-music.com

> On 23 Jan 2016, at 21:44, Chuck Israels  wrote:
> 
> Hi Barbara,
> 
> On a Mac, you can use Garage Band, and there’s something called Ableton that 
> is also available.  It’s generally clumsy to have to use sound samples on the 
> computer.  I wish I could find a 61 key MIDI controller keyboard with good 
> piano sound and speakers so I wouldn’t have to do what you are describing.
> 
> Chuck
> 
> 
>> On Jan 23, 2016, at 12:32 PM, Barbara Touburg  wrote:
>> 
>> Is it possible to connect a MIDI keyboard to the computer (without 
>> notation software) and have sound?
>> 
>> Barbara
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Re: [Finale] MIDI

2016-01-23 Thread Barbara Touburg
Hi Chuck,

I need this for a piano pupil. They don't have a piano at home, so I 
thought I could lend her my spare MIDI keyboard, but tonight i realised 
that she may need some software as MIDI interface. To that end I'm using 
Finale, of course, but I was wondering if there is other (preferably 
free) that acts as an interface.

Barbara
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Re: [Finale] MIDI

2016-01-23 Thread Dennis Bathory-Kitsz
On Sat, January 23, 2016 3:32 pm, Barbara Touburg wrote:
> Is it possible to connect a MIDI keyboard to the computer (without
> notation software) and have sound?

Yes, as others have said -- but you can also run the Aria player separately
from Finale and use all the Finale sounds or any soundbank. When I did my
opera, I bought a custom set of cimbalom samples (from Boulder Sounds in
Colorado). They were played live in performance using a Kurzweil MIDI
keyboard, the Aria player (on a Dell netbook), and output to a pair of
speakers below the keyboard. Very effective.

Dennis


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Re: [Finale] MIDI

2016-01-23 Thread Chuck Israels
Hi Barbara,

On a Mac, you can use Garage Band, and there’s something called Ableton that is 
also available.  It’s generally clumsy to have to use sound samples on the 
computer.  I wish I could find a 61 key MIDI controller keyboard with good 
piano sound and speakers so I wouldn’t have to do what you are describing.

Chuck


> On Jan 23, 2016, at 12:32 PM, Barbara Touburg  wrote:
> 
> Is it possible to connect a MIDI keyboard to the computer (without 
> notation software) and have sound?
> 
> Barbara
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[Finale] MIDI

2016-01-23 Thread Barbara Touburg
Is it possible to connect a MIDI keyboard to the computer (without 
notation software) and have sound?

Barbara
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Re: [Finale] MIDI

2015-07-31 Thread David H. Bailey
I'm glad these messages are getting through finally -- if I had known 
the files had 88 channels I would have told you right away that the 
problem is that midi files can only have 16 channels, which explains why 
neither of us can import the midi data properly.

So one solution would be to have your client export all the midi data in 
groups of 16 channels, from the top down.  Then you can import each 
separate file (by my guess that would make 6 different midi files) into 
its own Finale file and then work from there to combine the data into a 
single file.

I think -- this is a totally strange situation in my experience and it 
sure would be better if the person who is sending you the midi files 
understood notation and could write down what he's playing.  :-)

Good luck!
David



On 7/30/2015 10:28 AM, Barbara Touburg wrote:
 On 30-7-2015 15:37, David H. Bailey wrote:
 There are two possibilities:

 1) Finale will place all the notes which are on the same channel into a
 single staff when it imports MIDI files, to the best of my knowledge.
 So even though the original file may have had each of those chord-tones
 on different staves, Finale will put those notes on a single staff as a
 chord;

 There are (don't laugh) 88 channels, one for each key on the piano.
 This is minimal music, but not the kind that makes your ears go numb. It
 is actually very pleasing.

 2) the quantization settings in Finale are moving those notes forward
 and backwards to fit its timing grid -- try changing the quantization
 settings in Finale by telling it that the shortest note in the MIDI file
 is a 32nd note or even a 64th note.  WARNING -- while this may fix your
 chord problem, it can also result in a lot of extra weird rests and note
 values.  What you could try is importing the file as you have done, then
 selecting a measure with a chord and then have Finale quantize the
 underlying midi data with shorter note values to see if that will fix
 just that measure.  Then do the same with the next measure which has a
 chord.  This way your whole file won't have a lot of weird rests and
 note values.

 There are NO chords, since there are 88 separate channels.
 All right, there are chords, but not on one channel.
 I don't know towhat I have to change the quantization settings. I've
 tried all I know. Hence my request for help. :)
 I think it has something to do with the tempo and the note durations,
 but I dont know what. Slowing the music down or doubling the note values
 might help.

 If you want to send me the midi file off-list I'll be happy to see what
 I can come up with to help you out, although I may not have a chance to
 play around with it until this evening.

 The piece is called The first hour. It lasts for an hour! I'll send you
 the different versions. Please let me know what you think. THANKS A LOT
 for trying!



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Re: [Finale] MIDI

2015-07-31 Thread Barbara Touburg
On 31-7-2015 16:13, David H. Bailey wrote:
 I'm glad these messages are getting through finally -- if I had known
 the files had 88 channels I would have told you right away that the
 problem is that midi files can only have 16 channels, which explains why
 neither of us can import the midi data properly.

David, I'm slapping myself. Of course I knew that. It just didn't occur 
to me that that was the problem!

 So one solution would be to have your client export all the midi data in
 groups of 16 channels, from the top down.  Then you can import each
 separate file (by my guess that would make 6 different midi files) into
 its own Finale file and then work from there to combine the data into a
 single file.

I've forwarderd your solution to him. I think he'll understand.

 I think -- this is a totally strange situation in my experience and it
 sure would be better if the person who is sending you the midi files
 understood notation and could write down what he's playing.  :-)

O, o, o! He has studied composition with Klaas de Vries

https://en.wikipedia.org/wiki/Klaas_de_Vries_%28composer%29

and knows perfectly well what he's doing. He just hasn't much experience 
with notation software (he uses Sib.!).

Thank you very much for your trouble! We'll work it out. I always win, 
as Dennis B.-K. knows. :)

 Good luck!
 David
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Re: [Finale] MIDI

2015-07-30 Thread David H. Bailey
On 7/29/2015 11:03 AM, Barbara Touburg wrote:
 Hello all,

 A composer has sent me a MIDI file he wishes me to notate.
 Instead of separate notes, Finale creates chords in some places.
 I'm not so familiar with the MIDI format. Would someone like to take a
 look at the file and tell me what I'm doing wrong?
 Thanks!

There are two possibilities:

1) Finale will place all the notes which are on the same channel into a 
single staff when it imports MIDI files, to the best of my knowledge. 
So even though the original file may have had each of those chord-tones 
on different staves, Finale will put those notes on a single staff as a 
chord;

2) the quantization settings in Finale are moving those notes forward 
and backwards to fit its timing grid -- try changing the quantization 
settings in Finale by telling it that the shortest note in the MIDI file 
is a 32nd note or even a 64th note.  WARNING -- while this may fix your 
chord problem, it can also result in a lot of extra weird rests and note 
values.  What you could try is importing the file as you have done, then 
selecting a measure with a chord and then have Finale quantize the 
underlying midi data with shorter note values to see if that will fix 
just that measure.  Then do the same with the next measure which has a 
chord.  This way your whole file won't have a lot of weird rests and 
note values.

If you want to send me the midi file off-list I'll be happy to see what 
I can come up with to help you out, although I may not have a chance to 
play around with it until this evening.


-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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[Finale] MIDI

2015-07-30 Thread Barbara Touburg
Hello all,

A composer has sent me a MIDI file he wishes me to notate.
Instead of separate notes, Finale creates chords in some places.
I'm not so familiar with the MIDI format. Would someone like to take a 
look at the file and tell me what I'm doing wrong?
Thanks!

Barbara
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[Finale] Midi problem mit OS 10.10.4 redux

2015-07-27 Thread Eric Fiedler
David and friends,
Sorry to belabor the list with our problems, but time is running out …
We now have a new MIDI interface and the computer is once again talking to the 
MIDI keyboard. Note entry is fine, but playback is very strange – possible due 
to too much fiddling around trying to fix the old system. When I enter a series 
of four-voice chords on one staff, for example, only the lowest note in each 
chord plays back! What have we messed up and/or what are we missing and how can 
we fix it?
Thanks for any and all ideas.
Eric
*
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www.habsburgerverlag.de
webmas...@habsburgerverlag.de
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Re: [Finale] Midi problems with OS 10.10.4

2015-07-27 Thread Eric Fiedler
Thanks David, I had suspected something like this. Looks like a trip to our 
local music-tech shop is the only way to go.
Eric
*
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
webmas...@habsburgerverlag.de
*

 Am 27.07.2015 um 11:32 schrieb David H. Bailey dhbaile...@comcast.net:
 
 On 7/27/2015 4:54 AM, Eric Fiedler wrote:
 Friends, Fin Mac 2012c.r13, iMac late 2009. After more or less having
 to upgrade to OS 10.10.4, our MIDI interface (Midiman Midisport 2x2)
 has stopped working. Seems to have completely lost contactwith the
 computer’s USB, as no lights are lighted in the box. Are there known
 problems with this (rather old) interface? This is a major problem
 for us and has to be solved PDQ. Thanks for any suggestion pr
 thoughts you may have! Eric
 
 I'm not sure about OSx but when Windows moved to class-compliant 
 devices, many makers of older devices which required specific drivers 
 simply stopped writing updates for them.  The Midiman Midisport 2x2 was 
 one of them -- instead the manufacturers brought out new versions of the 
 devices which are class-compliant which in the Windows world at least 
 means that specific drivers are not necessary because the operating 
 system has all the necessary hooks in it for those devices to work.
 
 So I ended up having to throw my Midisport 2x2 out and buy a different 
 interface.
 
 My advice is to contact Sweetwater or a local music store which 
 understands these things and ask them for more details on the situation 
 as well as for a recommendation of a midi interface to fill your needs.
 
 
 
 -- 
 David H. Bailey
 dhbai...@davidbaileymusicstudio.com
 http://www.davidbaileymusicstudio.com
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Re: [Finale] Midi problems with OS 10.10.4

2015-07-27 Thread David H. Bailey
On 7/27/2015 4:54 AM, Eric Fiedler wrote:
 Friends, Fin Mac 2012c.r13, iMac late 2009. After more or less having
 to upgrade to OS 10.10.4, our MIDI interface (Midiman Midisport 2x2)
 has stopped working. Seems to have completely lost contactwith the
 computer’s USB, as no lights are lighted in the box. Are there known
 problems with this (rather old) interface? This is a major problem
 for us and has to be solved PDQ. Thanks for any suggestion pr
 thoughts you may have! Eric

I'm not sure about OSx but when Windows moved to class-compliant 
devices, many makers of older devices which required specific drivers 
simply stopped writing updates for them.  The Midiman Midisport 2x2 was 
one of them -- instead the manufacturers brought out new versions of the 
devices which are class-compliant which in the Windows world at least 
means that specific drivers are not necessary because the operating 
system has all the necessary hooks in it for those devices to work.

So I ended up having to throw my Midisport 2x2 out and buy a different 
interface.

My advice is to contact Sweetwater or a local music store which 
understands these things and ask them for more details on the situation 
as well as for a recommendation of a midi interface to fill your needs.



-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com
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[Finale] Midi problems with OS 10.10.4

2015-07-27 Thread Eric Fiedler
Friends,
Fin Mac 2012c.r13, iMac late 2009. After more or less having to upgrade to OS 
10.10.4, our MIDI interface (Midiman Midisport 2x2) has stopped working. Seems 
to have completely lost contactwith the computer’s USB, as no lights are 
lighted in the box. Are there known problems with this (rather old) interface? 
This is a major problem for us and has to be solved PDQ. Thanks for any 
suggestion pr thoughts you may have!
Eric
*
Habsburger Verlag Frankfurt (Dr. Fiedler)
www.habsburgerverlag.de
webmas...@habsburgerverlag.de
*


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[Finale] MIDI controllers

2015-01-22 Thread Kenneth Moore
Playback of Finale 2014 on Windows 8.1 seems to have its own ideas as to 
the relative dynamic of notes on different layers of the same stave.  I 
use non-printing expressions with MIDI controllers as the defined 
playback.  In F2004 this applied to the whole stave.  In F2014, a right 
click on an expression gives me the option to display on all layers or 
any one of them, but playback can be set to apply only to Current 
layer or any one; all layers is not offered.  I presume current 
layer means the one open for input at present, rather than anything to 
do with playback time (the documentation is unforthcoming).  How can one 
most easily apply the main volume controller to a whole stave?

TIA

Ken Moore
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[Finale] MIDI controllers

2015-01-22 Thread Kenneth Moore
Stranger and stranger: in my Finale 2014, as far as I can tell, any 
application of CC7, the Main Volume controller, reduces the volume of 
the layer to zero, whatever value you set.
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[Finale] MIDI interface question

2014-11-01 Thread Martin Banner
Has anyone use the MOTU Micro Lite midi interface to run Finale 2012 on an iMac 
(OS 10.9.5)? Any reviews on this product would be greatly appreciated.

Thanks,
Martin
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[Finale] Midi interface

2014-10-30 Thread Martin Banner
Can someone recommend a midi interface to use with Finale 2012 on an iMac 
running OS 10.9.5?

Sent from my iPhone
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[Finale] MIDI note numbers for percussion?

2014-01-26 Thread Klaus Smedegaard Bjerre
Sorry for asking basic questions, but I must do some misreading of the FM2014 
percussion map in the online manual.

From Garritan I have the personal orchestra as well as the marching band sound 
libraries. I prefer the quality of the GPO sounds, but will accept the band 
sounds if nothing else will work.

I have managed to make a very well sounding bass drum line. But I cannot make 
the cymbal line work at all. I want the sound of handheld orchestral cymbals 
with a long decay, if the note value tells so. Which MIDI note number should I 
go for? 

Next problem will be tenor drum.  Which MIDI note number should I go for? 

The is a tenor drum sound in the band library, but a GPO sound of a side drum 
with no snares might be the best. Which MIDI note number should I go for in 
this case?

Timpanies and Glockenspiel are so much easier to handle!

Thanks!

Klaus  
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[Finale] Midi input doesn't change to patch sounds assigned to the staves

2013-11-24 Thread Jim Fischer
It worked a few days ago. 
When i recorded w Hyperscribe the midi triggered the different sounds.
Now it stays on a human voice sound regardless od which staff i'm recording. 
Any ideas on how to get this working again?

thx, 
Jim

:: j i m  f i s c h e r
:: p r o d u c e r ♫ ♪ ♫
:: m u s i c  b o x
:: p r o d u c t i o n s
:: v a n c o u v e r,  w a,  u s a
:: www.jimfischer.net



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Re: [Finale] Midi input doesn't change to patch sounds assigned to the staves

2013-11-24 Thread David H. Bailey
On 11/24/2013 3:47 AM, Jim Fischer wrote:
 It worked a few days ago.
 When i recorded w Hyperscribe the midi triggered the different sounds.
 Now it stays on a human voice sound regardless od which staff i'm recording.
 Any ideas on how to get this working again?


Save your work, quit Finale and reboot your computer, then restart 
Finale, open the file and see if that changes things.


-- 
David H. Bailey
dhbai...@davidbaileymusicstudio.com
http://www.davidbaileymusicstudio.com

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Re: [Finale] MIDI woes

2013-03-28 Thread Raymond Horton
Sorry!

I'll try it some, see how it goes and report back.

RBH


On Wed, Mar 27, 2013 at 10:18 PM, Phil Buglass bloke...@comcast.net wrote:
 I was *trying* to play in real time...

 At 04:31 PM 3/27/2013, you wrote:
It sounded like Phil was likely not playing in in real time.  I have
had a USB Akai LPK25 for a couple of weeks, and the setup is
instantaneous.  I also have used an old Casio, with a midi-to-usb
adapter, and that often would take jumping through hoops to get the
computer or Finale to recognize.  Are you able to use the Casio with a
non-usb input of some sort?  I thought midi input cards had gone out
with Culture Club?

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 3:26 PM, Richard Yates
rich...@yatesguitar.com wrote:
  I have also found the latency in USB controllers to be too difficult to get
  used to. I tried two controllers over the years on a couple different
  machines and operating systems. For me it does not take much latency to be
  really annoying and throw off efficiency of
 note entry. (I have never played
  the tuba either!).
 
  So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
  scratched in the bottom by some vandal) that has its own small amp and
  speakers built in.
 
  Richard Yates
 
  Chuck Israels:
  I don't believe that latency is a built in problem with either Finale's
  MIDI
  communication pipeline or with most conventional MIDI controller
  keyboards, so I am
  inclined to think there is something amiss in the way the software is set
  up (though I
  don't pretend to know what that might be).  It's been a long time since I
  have had
  similar difficulties, but in the past, a call to MM support has quickly
  solved the
  problem.
 
  Perhaps a 25 key keyboard will be sufficient for your needs.  You may find
  it
  annoying to have to switch octaves, so that's something to consider before
  saving a
  little money on something that may prove less than ideal after more use.
  I use an M-
  Audio Keystation 61 - reliable and efficient, but even that runs out of
  range every now
  and then.  Of course, space and portability may also be an issue.
 
  Chuck
 
 
  On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:
 
   I *think* that was what I tried before.  The
   latency made it unusable.   Maybe I didn't have
   it set up right, but there were no instructions with it - and I didn't
   have access to this fount of knowledge!
  
   I had a scan through amazon this morning, and have saved 4 or 5
   different ones in my wish list.  They are all under $100, and  most
   are
   around the $60-70 mark.   I just don't want to
   get one until I know how it is that the system should be set up to  use
  it.
  
   Phil.
  
   At 12:18 PM 3/27/2013, you wrote:
   You sound like a perfect candidate for the Akai LPK25.  $43 and
   change at Musicians Friend.  If you have a Guitar Center in town they
   should match that price if you show them the site:
  
  
 http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk2
   5-laptop-performance-keyboard?src=3WWRWXGP
  
  
   Raymond Horton
   Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville
   (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
  
  
   On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net
  wrote:
   Hi,
  
   I have one of those cheapo roll-up
   keyboards.  I've had it for quite a while, but never tried it out.
   It's a bit too long, and
   droops off my desk, for one thing.   I have been
   thinking of getting a small keyboard for inputting to Finale.  I
   don't play piano, but I can play one line at a time.  Anyway, before
   spending any more money, I decided to try out the rubber one.
   It works, or at least it plays by itself.  Finale refuses to
   recognise it, though.  Windows recognises it as a generic usb midi
   controller, but for some reason the signal isn't being taken by
   Finale.
  
   One thing is, the usb/midi cable I have has a fork with in and out
   midi connectors on it.  The keyboard only has a single midi port.
   If I plug one end of the Y in, the led on the doodad
   flashes, but it flashes as input.   I assume that
   it is talking about input into the keyboard, but I could be wrong.
   It has happened once or twice before!  If I plug the other end in, I
   don't get either light flashing.  In both cases, it is playing the
   notes itself, but the program isn't interested.
  
   Like I said, I don't really care if this one works or not, but I
   don't want to spend money on a better one, if I can't get it to
   work.
  
   In the audio setup dialogue, I have input set to directsound - if I
   use ASIO, I don't get any output from the program at all.  For mike
   source, I have it set to primary sound capture driver - the only
   option.  When I come back into it, this field 

[Finale] MIDI woes

2013-03-27 Thread Phil Buglass
Hi,

I have one of those cheapo roll-up 
keyboards.  I've had it for quite a while, but 
never tried it out.  It's a bit too long, and 
droops off my desk, for one thing.   I have been 
thinking of getting a small keyboard for 
inputting to Finale.  I don't play piano, but I 
can play one line at a time.  Anyway, before 
spending any more money, I decided to try out the rubber one.
It works, or at least it plays by itself.  Finale 
refuses to recognise it, though.  Windows 
recognises it as a generic usb midi controller, 
but for some reason the signal isn't being taken by Finale.

One thing is, the usb/midi cable I have has a 
fork with in and out midi connectors on it.  The 
keyboard only has a single midi port.  If I plug 
one end of the Y in, the led on the doodad 
flashes, but it flashes as input.   I assume that 
it is talking about input into the keyboard, but 
I could be wrong.  It has happened once or twice 
before!  If I plug the other end in, I don't get 
either light flashing.  In both cases, it is 
playing the notes itself, but the program isn't interested.

Like I said, I don't really care if this one 
works or not, but I don't want to spend money on 
a better one, if I can't get it to work.

In the audio setup dialogue, I have input set to 
directsound - if I use ASIO, I don't get any 
output from the program at all.  For mike source, 
I have it set to primary sound capture driver - 
the only option.  When I come back into it, this 
field has usually set itself to blank.

Is there some esoteric setting somewhere that I 
am missing?   The user guide is not a lot of help on this subject.
I tried a midi controller some years back, and 
returned it because my cakewalk would not 
recognise it.  Oh, and it also had about 2 seconds of latency!

Any advice welcome...

Phil.



“Outside of a dog, a book is a man’s best friend. 
Inside of a dog it’s too dark to read.” ­ Groucho Marx
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Re: [Finale] MIDI woes

2013-03-27 Thread Raymond Horton
You sound like a perfect candidate for the Akai LPK25.  $43 and change
at Musicians Friend.  If you have a Guitar Center in town they should
match that price if you show them the site:

http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk25-laptop-performance-keyboard?src=3WWRWXGP


Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net wrote:
 Hi,

 I have one of those cheapo roll-up
 keyboards.  I've had it for quite a while, but
 never tried it out.  It's a bit too long, and
 droops off my desk, for one thing.   I have been
 thinking of getting a small keyboard for
 inputting to Finale.  I don't play piano, but I
 can play one line at a time.  Anyway, before
 spending any more money, I decided to try out the rubber one.
 It works, or at least it plays by itself.  Finale
 refuses to recognise it, though.  Windows
 recognises it as a generic usb midi controller,
 but for some reason the signal isn't being taken by Finale.

 One thing is, the usb/midi cable I have has a
 fork with in and out midi connectors on it.  The
 keyboard only has a single midi port.  If I plug
 one end of the Y in, the led on the doodad
 flashes, but it flashes as input.   I assume that
 it is talking about input into the keyboard, but
 I could be wrong.  It has happened once or twice
 before!  If I plug the other end in, I don't get
 either light flashing.  In both cases, it is
 playing the notes itself, but the program isn't interested.

 Like I said, I don't really care if this one
 works or not, but I don't want to spend money on
 a better one, if I can't get it to work.

 In the audio setup dialogue, I have input set to
 directsound - if I use ASIO, I don't get any
 output from the program at all.  For mike source,
 I have it set to primary sound capture driver -
 the only option.  When I come back into it, this
 field has usually set itself to blank.

 Is there some esoteric setting somewhere that I
 am missing?   The user guide is not a lot of help on this subject.
 I tried a midi controller some years back, and
 returned it because my cakewalk would not
 recognise it.  Oh, and it also had about 2 seconds of latency!

 Any advice welcome...

 Phil.



 “Outside of a dog, a book is a man’s best friend.
 Inside of a dog it’s too dark to read.” ­ Groucho Marx
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Re: [Finale] MIDI woes

2013-03-27 Thread Phil Buglass
I *think* that was what I tried before.  The 
latency made it unusable.   Maybe I didn't have 
it set up right, but there were no instructions 
with it - and I didn't have access to this fount of knowledge!

I had a scan through amazon this morning, and 
have saved 4 or 5 different ones in my wish 
list.  They are all under $100, and  most are 
around the $60-70 mark.   I just don't want to 
get one until I know how it is that the system should be set up to  use it.

Phil.

At 12:18 PM 3/27/2013, you wrote:
You sound like a perfect candidate for the Akai LPK25.  $43 and change
at Musicians Friend.  If you have a Guitar Center in town they should
match that price if you show them the site:

http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk25-laptop-performance-keyboard?src=3WWRWXGP


Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net wrote:
  Hi,
 
  I have one of those cheapo roll-up
  keyboards.  I've had it for quite a while, but
  never tried it out.  It's a bit too long, and
  droops off my desk, for one thing.   I have been
  thinking of getting a small keyboard for
  inputting to Finale.  I don't play piano, but I
  can play one line at a time.  Anyway, before
  spending any more money, I decided to try out the rubber one.
  It works, or at least it plays by itself.  Finale
  refuses to recognise it, though.  Windows
  recognises it as a generic usb midi controller,
  but for some reason the signal isn't being taken by Finale.
 
  One thing is, the usb/midi cable I have has a
  fork with in and out midi connectors on it.  The
  keyboard only has a single midi port.  If I plug
  one end of the Y in, the led on the doodad
  flashes, but it flashes as input.   I assume that
  it is talking about input into the keyboard, but
  I could be wrong.  It has happened once or twice
  before!  If I plug the other end in, I don't get
  either light flashing.  In both cases, it is
  playing the notes itself, but the program isn't interested.
 
  Like I said, I don't really care if this one
  works or not, but I don't want to spend money on
  a better one, if I can't get it to work.
 
  In the audio setup dialogue, I have input set to
  directsound - if I use ASIO, I don't get any
  output from the program at all.  For mike source,
  I have it set to primary sound capture driver -
  the only option.  When I come back into it, this
  field has usually set itself to blank.
 
  Is there some esoteric setting somewhere that I
  am missing?   The user guide is not a lot of help on this subject.
  I tried a midi controller some years back, and
  returned it because my cakewalk would not
  recognise it.  Oh, and it also had about 2 seconds of latency!
 
  Any advice welcome...
 
  Phil.
 
 
 
  “Outside of a dog, a book is a man’s best friend.
  Inside of a dog it’s too dark to read.” ­ Groucho Marx
  ___
  Finale mailing list
  Finale@shsu.edu
  http://lists.shsu.edu/mailman/listinfo/finale
 


___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale


“Outside of a dog, a book is a man’s best friend. 
Inside of a dog it’s too dark to read.” ­ Groucho Marx
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale



Re: [Finale] MIDI woes

2013-03-27 Thread Chuck Israels
I don't believe that latency is a built in problem with either Finale's MIDI 
communication pipeline or with most conventional MIDI controller keyboards, so 
I am inclined to think there is something amiss in the way the software is set 
up (though I don't pretend to know what that might be).  It's been a long time 
since I have had similar difficulties, but in the past, a call to MM support 
has quickly solved the problem.

Perhaps a 25 key keyboard will be sufficient for your needs.  You may find it 
annoying to have to switch octaves, so that's something to consider before 
saving a little money on something that may prove less than ideal after more 
use.  I use an M-Audio Keystation 61 - reliable and efficient, but even that 
runs out of range every now and then.  Of course, space and portability may 
also be an issue.

Chuck


On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:

 I *think* that was what I tried before.  The 
 latency made it unusable.   Maybe I didn't have 
 it set up right, but there were no instructions 
 with it - and I didn't have access to this fount of knowledge!
 
 I had a scan through amazon this morning, and 
 have saved 4 or 5 different ones in my wish 
 list.  They are all under $100, and  most are 
 around the $60-70 mark.   I just don't want to 
 get one until I know how it is that the system should be set up to  use it.
 
 Phil.
 
 At 12:18 PM 3/27/2013, you wrote:
 You sound like a perfect candidate for the Akai LPK25.  $43 and change
 at Musicians Friend.  If you have a Guitar Center in town they should
 match that price if you show them the site:
 
 http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk25-laptop-performance-keyboard?src=3WWRWXGP
 
 
 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC
 Composer, Arranger
 VISIT US AT rayhortonmusic.com
 
 
 On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net wrote:
 Hi,
 
 I have one of those cheapo roll-up
 keyboards.  I've had it for quite a while, but
 never tried it out.  It's a bit too long, and
 droops off my desk, for one thing.   I have been
 thinking of getting a small keyboard for
 inputting to Finale.  I don't play piano, but I
 can play one line at a time.  Anyway, before
 spending any more money, I decided to try out the rubber one.
 It works, or at least it plays by itself.  Finale
 refuses to recognise it, though.  Windows
 recognises it as a generic usb midi controller,
 but for some reason the signal isn't being taken by Finale.
 
 One thing is, the usb/midi cable I have has a
 fork with in and out midi connectors on it.  The
 keyboard only has a single midi port.  If I plug
 one end of the Y in, the led on the doodad
 flashes, but it flashes as input.   I assume that
 it is talking about input into the keyboard, but
 I could be wrong.  It has happened once or twice
 before!  If I plug the other end in, I don't get
 either light flashing.  In both cases, it is
 playing the notes itself, but the program isn't interested.
 
 Like I said, I don't really care if this one
 works or not, but I don't want to spend money on
 a better one, if I can't get it to work.
 
 In the audio setup dialogue, I have input set to
 directsound - if I use ASIO, I don't get any
 output from the program at all.  For mike source,
 I have it set to primary sound capture driver -
 the only option.  When I come back into it, this
 field has usually set itself to blank.
 
 Is there some esoteric setting somewhere that I
 am missing?   The user guide is not a lot of help on this subject.
 I tried a midi controller some years back, and
 returned it because my cakewalk would not
 recognise it.  Oh, and it also had about 2 seconds of latency!
 
 Any advice welcome...
 
 Phil.
 
 
 
 “Outside of a dog, a book is a man’s best friend.
 Inside of a dog it’s too dark to read.” ­ Groucho Marx
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 
 “Outside of a dog, a book is a man’s best friend. 
 Inside of a dog it’s too dark to read.” ­ Groucho Marx
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 

Chuck Israels
8831 SE 12th Ave.
Portland, OR 97202-7097

land line: (503) 954-2107
cell phone: (360) 201-3434

www.chuckisraelsjazz.com

___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale



Re: [Finale] MIDI woes

2013-03-27 Thread Richard Yates
I have also found the latency in USB controllers to be too difficult to get
used to. I tried two controllers over the years on a couple different
machines and operating systems. For me it does not take much latency to be
really annoying and throw off efficiency of note entry. (I have never played
the tuba either!). 

So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
scratched in the bottom by some vandal) that has its own small amp and
speakers built in. 

Richard Yates

 Chuck Israels:
 I don't believe that latency is a built in problem with either Finale's
MIDI
 communication pipeline or with most conventional MIDI controller
keyboards, so I am
 inclined to think there is something amiss in the way the software is set
up (though I
 don't pretend to know what that might be).  It's been a long time since I
have had
 similar difficulties, but in the past, a call to MM support has quickly
solved the
 problem.
 
 Perhaps a 25 key keyboard will be sufficient for your needs.  You may find
it
 annoying to have to switch octaves, so that's something to consider before
saving a
 little money on something that may prove less than ideal after more use.
I use an M-
 Audio Keystation 61 - reliable and efficient, but even that runs out of
range every now
 and then.  Of course, space and portability may also be an issue.
 
 Chuck
 
 
 On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:
 
  I *think* that was what I tried before.  The
  latency made it unusable.   Maybe I didn't have
  it set up right, but there were no instructions with it - and I didn't
  have access to this fount of knowledge!
 
  I had a scan through amazon this morning, and have saved 4 or 5
  different ones in my wish list.  They are all under $100, and  most
  are
  around the $60-70 mark.   I just don't want to
  get one until I know how it is that the system should be set up to  use
it.
 
  Phil.
 
  At 12:18 PM 3/27/2013, you wrote:
  You sound like a perfect candidate for the Akai LPK25.  $43 and
  change at Musicians Friend.  If you have a Guitar Center in town they
  should match that price if you show them the site:
 
  http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk2
  5-laptop-performance-keyboard?src=3WWRWXGP
 
 
  Raymond Horton
  Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville
  (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
 
 
  On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net
 wrote:
  Hi,
 
  I have one of those cheapo roll-up
  keyboards.  I've had it for quite a while, but never tried it out.
  It's a bit too long, and
  droops off my desk, for one thing.   I have been
  thinking of getting a small keyboard for inputting to Finale.  I
  don't play piano, but I can play one line at a time.  Anyway, before
  spending any more money, I decided to try out the rubber one.
  It works, or at least it plays by itself.  Finale refuses to
  recognise it, though.  Windows recognises it as a generic usb midi
  controller, but for some reason the signal isn't being taken by
  Finale.
 
  One thing is, the usb/midi cable I have has a fork with in and out
  midi connectors on it.  The keyboard only has a single midi port.
  If I plug one end of the Y in, the led on the doodad
  flashes, but it flashes as input.   I assume that
  it is talking about input into the keyboard, but I could be wrong.
  It has happened once or twice before!  If I plug the other end in, I
  don't get either light flashing.  In both cases, it is playing the
  notes itself, but the program isn't interested.
 
  Like I said, I don't really care if this one works or not, but I
  don't want to spend money on a better one, if I can't get it to
  work.
 
  In the audio setup dialogue, I have input set to directsound - if I
  use ASIO, I don't get any output from the program at all.  For mike
  source, I have it set to primary sound capture driver - the only
  option.  When I come back into it, this field has usually set itself
  to blank.
 
  Is there some esoteric setting somewhere that I
  am missing?   The user guide is not a lot of help on this subject.
  I tried a midi controller some years back, and returned it because
  my cakewalk would not recognise it.  Oh, and it also had about 2
  seconds of latency!
 
  Any advice welcome...
 
  Phil.
 
 
 
  Outside of a dog, a book is a man's best friend.
  Inside of a dog it's too dark to read. - Groucho Marx
  ___
  Finale mailing list
  Finale@shsu.edu
  http://lists.shsu.edu/mailman/listinfo/finale
 
 
 
  ___
  Finale mailing list
  Finale@shsu.edu
  http://lists.shsu.edu/mailman/listinfo/finale
 
 
  Outside of a dog, a book is a man's best friend.
  Inside of a dog it's too dark to read. - Groucho Marx
  ___
  Finale mailing list
  Finale@shsu.edu
  

Re: [Finale] MIDI woes

2013-03-27 Thread Raymond Horton
It sounded like Phil was likely not playing in in real time.  I have
had a USB Akai LPK25 for a couple of weeks, and the setup is
instantaneous.  I also have used an old Casio, with a midi-to-usb
adapter, and that often would take jumping through hoops to get the
computer or Finale to recognize.  Are you able to use the Casio with a
non-usb input of some sort?  I thought midi input cards had gone out
with Culture Club?

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 3:26 PM, Richard Yates rich...@yatesguitar.com wrote:
 I have also found the latency in USB controllers to be too difficult to get
 used to. I tried two controllers over the years on a couple different
 machines and operating systems. For me it does not take much latency to be
 really annoying and throw off efficiency of note entry. (I have never played
 the tuba either!).

 So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
 scratched in the bottom by some vandal) that has its own small amp and
 speakers built in.

 Richard Yates

 Chuck Israels:
 I don't believe that latency is a built in problem with either Finale's
 MIDI
 communication pipeline or with most conventional MIDI controller
 keyboards, so I am
 inclined to think there is something amiss in the way the software is set
 up (though I
 don't pretend to know what that might be).  It's been a long time since I
 have had
 similar difficulties, but in the past, a call to MM support has quickly
 solved the
 problem.

 Perhaps a 25 key keyboard will be sufficient for your needs.  You may find
 it
 annoying to have to switch octaves, so that's something to consider before
 saving a
 little money on something that may prove less than ideal after more use.
 I use an M-
 Audio Keystation 61 - reliable and efficient, but even that runs out of
 range every now
 and then.  Of course, space and portability may also be an issue.

 Chuck


 On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:

  I *think* that was what I tried before.  The
  latency made it unusable.   Maybe I didn't have
  it set up right, but there were no instructions with it - and I didn't
  have access to this fount of knowledge!
 
  I had a scan through amazon this morning, and have saved 4 or 5
  different ones in my wish list.  They are all under $100, and  most
  are
  around the $60-70 mark.   I just don't want to
  get one until I know how it is that the system should be set up to  use
 it.
 
  Phil.
 
  At 12:18 PM 3/27/2013, you wrote:
  You sound like a perfect candidate for the Akai LPK25.  $43 and
  change at Musicians Friend.  If you have a Guitar Center in town they
  should match that price if you show them the site:
 
  http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk2
  5-laptop-performance-keyboard?src=3WWRWXGP
 
 
  Raymond Horton
  Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville
  (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
 
 
  On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net
 wrote:
  Hi,
 
  I have one of those cheapo roll-up
  keyboards.  I've had it for quite a while, but never tried it out.
  It's a bit too long, and
  droops off my desk, for one thing.   I have been
  thinking of getting a small keyboard for inputting to Finale.  I
  don't play piano, but I can play one line at a time.  Anyway, before
  spending any more money, I decided to try out the rubber one.
  It works, or at least it plays by itself.  Finale refuses to
  recognise it, though.  Windows recognises it as a generic usb midi
  controller, but for some reason the signal isn't being taken by
  Finale.
 
  One thing is, the usb/midi cable I have has a fork with in and out
  midi connectors on it.  The keyboard only has a single midi port.
  If I plug one end of the Y in, the led on the doodad
  flashes, but it flashes as input.   I assume that
  it is talking about input into the keyboard, but I could be wrong.
  It has happened once or twice before!  If I plug the other end in, I
  don't get either light flashing.  In both cases, it is playing the
  notes itself, but the program isn't interested.
 
  Like I said, I don't really care if this one works or not, but I
  don't want to spend money on a better one, if I can't get it to
  work.
 
  In the audio setup dialogue, I have input set to directsound - if I
  use ASIO, I don't get any output from the program at all.  For mike
  source, I have it set to primary sound capture driver - the only
  option.  When I come back into it, this field has usually set itself
  to blank.
 
  Is there some esoteric setting somewhere that I
  am missing?   The user guide is not a lot of help on this subject.
  I tried a midi controller some years back, and returned it because
  my cakewalk would not recognise it.  Oh, and it also had about 2
  seconds of latency!
 
  

Re: [Finale] MIDI woes

2013-03-27 Thread Richard Yates
I use the Casio with a MIDI to USB cable. There is latency before I hear it
through the computer so I turn that down and listen to the Casio directly
while doing input. I also had some kind of Korg that was not amplified and
could not tolerate the latency.

 -Original Message-
 From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
Of
 Raymond Horton
 Sent: Wednesday, March 27, 2013 1:32 PM
 To: finale@shsu.edu
 Subject: Re: [Finale] MIDI woes
 
 It sounded like Phil was likely not playing in in real time.  I have had a
USB Akai
 LPK25 for a couple of weeks, and the setup is instantaneous.  I also have
used an
 old Casio, with a midi-to-usb adapter, and that often would take jumping
through
 hoops to get the computer or Finale to recognize.  Are you able to use the
Casio with
 a non-usb input of some sort?  I thought midi input cards had gone out
with Culture
 Club?
 
 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US AT
 rayhortonmusic.com
 
 
 On Wed, Mar 27, 2013 at 3:26 PM, Richard Yates rich...@yatesguitar.com
 wrote:
  I have also found the latency in USB controllers to be too difficult
  to get used to. I tried two controllers over the years on a couple
  different machines and operating systems. For me it does not take much
  latency to be really annoying and throw off efficiency of note entry.
  (I have never played the tuba either!).
 
  So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
  scratched in the bottom by some vandal) that has its own small amp and
  speakers built in.
 
  Richard Yates
 
  Chuck Israels:
  I don't believe that latency is a built in problem with either
  Finale's
  MIDI
  communication pipeline or with most conventional MIDI controller
  keyboards, so I am
  inclined to think there is something amiss in the way the software is
  set
  up (though I
  don't pretend to know what that might be).  It's been a long time
  since I
  have had
  similar difficulties, but in the past, a call to MM support has
  quickly
  solved the
  problem.
 
  Perhaps a 25 key keyboard will be sufficient for your needs.  You may
  find
  it
  annoying to have to switch octaves, so that's something to consider
  before
  saving a
  little money on something that may prove less than ideal after more
use.
  I use an M-
  Audio Keystation 61 - reliable and efficient, but even that runs out
  of
  range every now
  and then.  Of course, space and portability may also be an issue.
 
  Chuck
 
 
  On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net
wrote:
 
   I *think* that was what I tried before.  The
   latency made it unusable.   Maybe I didn't have
   it set up right, but there were no instructions with it - and I
   didn't have access to this fount of knowledge!
  
   I had a scan through amazon this morning, and have saved 4 or 5
   different ones in my wish list.  They are all under $100, and  most
   are
   around the $60-70 mark.   I just don't want to
   get one until I know how it is that the system should be set up to
   use
  it.
  
   Phil.
  
   At 12:18 PM 3/27/2013, you wrote:
   You sound like a perfect candidate for the Akai LPK25.  $43 and
   change at Musicians Friend.  If you have a Guitar Center in town
   they should match that price if you show them the site:
  
   http://www.musiciansfriend.com/keyboards-midi/akai-professional-l
   pk2 5-laptop-performance-keyboard?src=3WWRWXGP
  
  
   Raymond Horton
   Bass Trombonist, Louisville Orchestra Minister of Music,
   Edwardsville
   (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
  
  
   On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass
   bloke...@comcast.net
  wrote:
   Hi,
  
   I have one of those cheapo roll-up keyboards.  I've had it for
   quite a while, but never tried it out.
   It's a bit too long, and
   droops off my desk, for one thing.   I have been
   thinking of getting a small keyboard for inputting to Finale.  I
   don't play piano, but I can play one line at a time.  Anyway,
   before spending any more money, I decided to try out the rubber
one.
   It works, or at least it plays by itself.  Finale refuses to
   recognise it, though.  Windows recognises it as a generic usb
   midi controller, but for some reason the signal isn't being taken
   by Finale.
  
   One thing is, the usb/midi cable I have has a fork with in and
   out midi connectors on it.  The keyboard only has a single midi
port.
   If I plug one end of the Y in, the led on the doodad
   flashes, but it flashes as input.   I assume that
   it is talking about input into the keyboard, but I could be wrong.
   It has happened once or twice before!  If I plug the other end
   in, I don't get either light flashing.  In both cases, it is
   playing the notes itself, but the program isn't interested.
  
   Like I said, I don't really care if this one works or not, but I
   don't want to spend money on a better

Re: [Finale] MIDI woes

2013-03-27 Thread Phil Buglass
I really don't know if it *is* the software at 
fault.  Everyone seems to think that we all know 
how to set this stuff up.  The controller I had 
before came with no instructions at all.   The 
Finale manual seems to think the same.  It goes 
on about making sure that the midi in and midi 
out connections go to the right place.  This 
keyboard only has a single midi socket... Then it 
refers you to the keyboard manual...  The manual 
for this keyboard is a little pamphlet which 
doesn't even *mention* the word midi.   The midi 
port is not even labelled in the diagram!   About 
90% of it consists of a list of what 'voice' is 
assigned to what number on the display.

When I go into device setup-midi setup, the 
autodetect option has found my usb controller, so 
the program knows it is there.  So how do I tell 
it to accept the input?   I just followed through 
all the suggested steps, but it made no difference.

I guess because this keyboard only has the single 
port, it is impossible to be sure just whether it 
is trying to send the data or not.   I was just 
able to get the keyboard sounding (more or less) 
through my PC.  I say more or less, because I had 
to hit the keys really hard to get any 
effect.   This still wasn't detected in Finale...

Oh, and it plays through the speakers when the 
cat walks along the keyboard too!
Phil.

At 01:41 PM 3/27/2013, you wrote:
I don't believe that latency is a built in 
problem with either Finale's MIDI communication 
pipeline or with most conventional MIDI 
controller keyboards, so I am inclined to think 
there is something amiss in the way the software 
is set up (though I don't pretend to know what 
that might be).  It's been a long time since I 
have had similar difficulties, but in the past, 
a call to MM support has quickly solved the problem.

Perhaps a 25 key keyboard will be sufficient for 
your needs.  You may find it annoying to have to 
switch octaves, so that's something to consider 
before saving a little money on something that 
may prove less than ideal after more use.  I use 
an M-Audio Keystation 61 - reliable and 
efficient, but even that runs out of range every 
now and then.  Of course, space and portability may also be an issue.

Chuck


On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:

  I *think* that was what I tried before.  The
  latency made it unusable.   Maybe I didn't have
  it set up right, but there were no instructions
  with it - and I didn't have access to this fount of knowledge!
 
  I had a scan through amazon this morning, and
  have saved 4 or 5 different ones in my wish
  list.  They are all under $100, and  most are
  around the $60-70 mark.   I just don't want to
  get one until I know how it is that the system should be set up to  use it.
 
  Phil.
 
  At 12:18 PM 3/27/2013, you wrote:
  You sound like a perfect candidate for the Akai LPK25.  $43 and change
  at Musicians Friend.  If you have a Guitar Center in town they should
  match that price if you show them the site:
 
  
 http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk25-laptop-performance-keyboard?src=3WWRWXGP
 
 
  Raymond Horton
  Bass Trombonist, Louisville Orchestra
  Minister of Music, Edwardsville (IN) UMC
  Composer, Arranger
  VISIT US AT rayhortonmusic.com
 
 
  On Wed, Mar 27, 2013 at 11:52 AM, Phil 
 Buglass bloke...@comcast.net wrote:
  Hi,
 
  I have one of those cheapo roll-up
  keyboards.  I've had it for quite a while, but
  never tried it out.  It's a bit too long, and
  droops off my desk, for one thing.   I have been
  thinking of getting a small keyboard for
  inputting to Finale.  I don't play piano, but I
  can play one line at a time.  Anyway, before
  spending any more money, I decided to try out the rubber one.
  It works, or at least it plays by itself.  Finale
  refuses to recognise it, though.  Windows
  recognises it as a generic usb midi controller,
  but for some reason the signal isn't being taken by Finale.
 
  One thing is, the usb/midi cable I have has a
  fork with in and out midi connectors on it.  The
  keyboard only has a single midi port.  If I plug
  one end of the Y in, the led on the doodad
  flashes, but it flashes as input.   I assume that
  it is talking about input into the keyboard, but
  I could be wrong.  It has happened once or twice
  before!  If I plug the other end in, I don't get
  either light flashing.  In both cases, it is
  playing the notes itself, but the program isn't interested.
 
  Like I said, I don't really care if this one
  works or not, but I don't want to spend money on
  a better one, if I can't get it to work.
 
  In the audio setup dialogue, I have input set to
  directsound - if I use ASIO, I don't get any
  output from the program at all.  For mike source,
  I have it set to primary sound capture driver -
  the only option.  When I come back into it, this
  field has usually set itself to blank.
 
  Is there some esoteric setting somewhere that I
 

Re: [Finale] MIDI woes

2013-03-27 Thread Raymond Horton
Hmm - I don't have that latency problem with the Casio, using the midi
to USB cable.


Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 5:18 PM, Richard Yates rich...@yatesguitar.com wrote:
 I use the Casio with a MIDI to USB cable. There is latency before I hear it
 through the computer so I turn that down and listen to the Casio directly
 while doing input. I also had some kind of Korg that was not amplified and
 could not tolerate the latency.

 -Original Message-
 From: finale-boun...@shsu.edu [mailto:finale-boun...@shsu.edu] On Behalf
 Of
 Raymond Horton
 Sent: Wednesday, March 27, 2013 1:32 PM
 To: finale@shsu.edu
 Subject: Re: [Finale] MIDI woes

 It sounded like Phil was likely not playing in in real time.  I have had a
 USB Akai
 LPK25 for a couple of weeks, and the setup is instantaneous.  I also have
 used an
 old Casio, with a midi-to-usb adapter, and that often would take jumping
 through
 hoops to get the computer or Finale to recognize.  Are you able to use the
 Casio with
 a non-usb input of some sort?  I thought midi input cards had gone out
 with Culture
 Club?

 Raymond Horton
 Bass Trombonist, Louisville Orchestra
 Minister of Music, Edwardsville (IN) UMC Composer, Arranger VISIT US AT
 rayhortonmusic.com


 On Wed, Mar 27, 2013 at 3:26 PM, Richard Yates rich...@yatesguitar.com
 wrote:
  I have also found the latency in USB controllers to be too difficult
  to get used to. I tried two controllers over the years on a couple
  different machines and operating systems. For me it does not take much
  latency to be really annoying and throw off efficiency of note entry.
  (I have never played the tuba either!).
 
  So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
  scratched in the bottom by some vandal) that has its own small amp and
  speakers built in.
 
  Richard Yates
 
  Chuck Israels:
  I don't believe that latency is a built in problem with either
  Finale's
  MIDI
  communication pipeline or with most conventional MIDI controller
  keyboards, so I am
  inclined to think there is something amiss in the way the software is
  set
  up (though I
  don't pretend to know what that might be).  It's been a long time
  since I
  have had
  similar difficulties, but in the past, a call to MM support has
  quickly
  solved the
  problem.
 
  Perhaps a 25 key keyboard will be sufficient for your needs.  You may
  find
  it
  annoying to have to switch octaves, so that's something to consider
  before
  saving a
  little money on something that may prove less than ideal after more
 use.
  I use an M-
  Audio Keystation 61 - reliable and efficient, but even that runs out
  of
  range every now
  and then.  Of course, space and portability may also be an issue.
 
  Chuck
 
 
  On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net
 wrote:
 
   I *think* that was what I tried before.  The
   latency made it unusable.   Maybe I didn't have
   it set up right, but there were no instructions with it - and I
   didn't have access to this fount of knowledge!
  
   I had a scan through amazon this morning, and have saved 4 or 5
   different ones in my wish list.  They are all under $100, and  most
   are
   around the $60-70 mark.   I just don't want to
   get one until I know how it is that the system should be set up to
   use
  it.
  
   Phil.
  
   At 12:18 PM 3/27/2013, you wrote:
   You sound like a perfect candidate for the Akai LPK25.  $43 and
   change at Musicians Friend.  If you have a Guitar Center in town
   they should match that price if you show them the site:
  
   http://www.musiciansfriend.com/keyboards-midi/akai-professional-l
   pk2 5-laptop-performance-keyboard?src=3WWRWXGP
  
  
   Raymond Horton
   Bass Trombonist, Louisville Orchestra Minister of Music,
   Edwardsville
   (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
  
  
   On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass
   bloke...@comcast.net
  wrote:
   Hi,
  
   I have one of those cheapo roll-up keyboards.  I've had it for
   quite a while, but never tried it out.
   It's a bit too long, and
   droops off my desk, for one thing.   I have been
   thinking of getting a small keyboard for inputting to Finale.  I
   don't play piano, but I can play one line at a time.  Anyway,
   before spending any more money, I decided to try out the rubber
 one.
   It works, or at least it plays by itself.  Finale refuses to
   recognise it, though.  Windows recognises it as a generic usb
   midi controller, but for some reason the signal isn't being taken
   by Finale.
  
   One thing is, the usb/midi cable I have has a fork with in and
   out midi connectors on it.  The keyboard only has a single midi
 port.
   If I plug one end of the Y in, the led on the doodad
   flashes, but it flashes as input.   I assume that
   it is talking about input into the keyboard, but I

Re: [Finale] MIDI woes

2013-03-27 Thread Phil Buglass
I was *trying* to play in real time...

At 04:31 PM 3/27/2013, you wrote:
It sounded like Phil was likely not playing in in real time.  I have
had a USB Akai LPK25 for a couple of weeks, and the setup is
instantaneous.  I also have used an old Casio, with a midi-to-usb
adapter, and that often would take jumping through hoops to get the
computer or Finale to recognize.  Are you able to use the Casio with a
non-usb input of some sort?  I thought midi input cards had gone out
with Culture Club?

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Wed, Mar 27, 2013 at 3:26 PM, Richard Yates 
rich...@yatesguitar.com wrote:
  I have also found the latency in USB controllers to be too difficult to get
  used to. I tried two controllers over the years on a couple different
  machines and operating systems. For me it does not take much latency to be
  really annoying and throw off efficiency of 
 note entry. (I have never played
  the tuba either!).
 
  So, I continue to use an ancient Casio (I found the initials 'W.A.M.'
  scratched in the bottom by some vandal) that has its own small amp and
  speakers built in.
 
  Richard Yates
 
  Chuck Israels:
  I don't believe that latency is a built in problem with either Finale's
  MIDI
  communication pipeline or with most conventional MIDI controller
  keyboards, so I am
  inclined to think there is something amiss in the way the software is set
  up (though I
  don't pretend to know what that might be).  It's been a long time since I
  have had
  similar difficulties, but in the past, a call to MM support has quickly
  solved the
  problem.
 
  Perhaps a 25 key keyboard will be sufficient for your needs.  You may find
  it
  annoying to have to switch octaves, so that's something to consider before
  saving a
  little money on something that may prove less than ideal after more use.
  I use an M-
  Audio Keystation 61 - reliable and efficient, but even that runs out of
  range every now
  and then.  Of course, space and portability may also be an issue.
 
  Chuck
 
 
  On Mar 27, 2013, at 10:20 AM, Phil Buglass bloke...@comcast.net wrote:
 
   I *think* that was what I tried before.  The
   latency made it unusable.   Maybe I didn't have
   it set up right, but there were no instructions with it - and I didn't
   have access to this fount of knowledge!
  
   I had a scan through amazon this morning, and have saved 4 or 5
   different ones in my wish list.  They are all under $100, and  most
   are
   around the $60-70 mark.   I just don't want to
   get one until I know how it is that the system should be set up to  use
  it.
  
   Phil.
  
   At 12:18 PM 3/27/2013, you wrote:
   You sound like a perfect candidate for the Akai LPK25.  $43 and
   change at Musicians Friend.  If you have a Guitar Center in town they
   should match that price if you show them the site:
  
   
 http://www.musiciansfriend.com/keyboards-midi/akai-professional-lpk2  
   5-laptop-performance-keyboard?src=3WWRWXGP
  
  
   Raymond Horton
   Bass Trombonist, Louisville Orchestra Minister of Music, Edwardsville
   (IN) UMC Composer, Arranger VISIT US AT rayhortonmusic.com
  
  
   On Wed, Mar 27, 2013 at 11:52 AM, Phil Buglass bloke...@comcast.net
  wrote:
   Hi,
  
   I have one of those cheapo roll-up
   keyboards.  I've had it for quite a while, but never tried it out.
   It's a bit too long, and
   droops off my desk, for one thing.   I have been
   thinking of getting a small keyboard for inputting to Finale.  I
   don't play piano, but I can play one line at a time.  Anyway, before
   spending any more money, I decided to try out the rubber one.
   It works, or at least it plays by itself.  Finale refuses to
   recognise it, though.  Windows recognises it as a generic usb midi
   controller, but for some reason the signal isn't being taken by
   Finale.
  
   One thing is, the usb/midi cable I have has a fork with in and out
   midi connectors on it.  The keyboard only has a single midi port.
   If I plug one end of the Y in, the led on the doodad
   flashes, but it flashes as input.   I assume that
   it is talking about input into the keyboard, but I could be wrong.
   It has happened once or twice before!  If I plug the other end in, I
   don't get either light flashing.  In both cases, it is playing the
   notes itself, but the program isn't interested.
  
   Like I said, I don't really care if this one works or not, but I
   don't want to spend money on a better one, if I can't get it to
   work.
  
   In the audio setup dialogue, I have input set to directsound - if I
   use ASIO, I don't get any output from the program at all.  For mike
   source, I have it set to primary sound capture driver - the only
   option.  When I come back into it, this field has usually set itself
   to blank.
  
   Is there some esoteric setting somewhere that I
   am missing?   The user guide is not a lot of 

[Finale] Midi export with lyrics

2013-02-08 Thread Jan Angermüller
Is MIDI export with lyrics still not possible in Finale 2012 ?
At least I didn't get it to work...

If so, do you have a workaround via MusicXML export and
a freeware notation/midi software that can read the
MusicXML file and export to midi with lyrics ?

I tried it with Harmony Assistant but it changed the original
midi channel settings from Finale and required a lot of tweaking.

Thanks a lot,
Jan Angermueller

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Re: [Finale] MIDI to Audio tip

2012-05-15 Thread Richard Huggins
Sometimes it has seemed to me that the quality of the audio file under the 
Export Audio feature is not as good as if I use something like Wiretap to 
capture it as it plays live. Is that even technically possible, i.e. am I 
imagining that there's a difference? 

RH

On May 14, 2012, at 10:09 AM, Randolph Peters wrote:

 Hi Finale Listers,
 
 This is an old capability, but I just learned about it now.
 
 An easy way to convert MIDI files to audio is to drag the MIDI file to iTunes 
 and then convert to audio using the audio format of your choice.
 
 There's no editing, but sometimes you just want something quick. (I know you 
 can also do this within Finale as well.)
 
 -Randolph Peters
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Re: [Finale] MIDI to Audio tip

2012-05-15 Thread Raymond Horton
I get uneven results from Export to Audio on WinFin 2011 and GPO.
Sometimes fine, sometimes awful.  I usually try it first, because it
is faster than real time - then if it is less than successful I record
real time to Audacity.

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Tue, May 15, 2012 at 6:08 PM, Richard Huggins huggin...@yahoo.com wrote:
 Sometimes it has seemed to me that the quality of the audio file under the 
 Export Audio feature is not as good as if I use something like Wiretap to 
 capture it as it plays live. Is that even technically possible, i.e. am I 
 imagining that there's a difference?

 RH

 On May 14, 2012, at 10:09 AM, Randolph Peters wrote:

 Hi Finale Listers,

 This is an old capability, but I just learned about it now.

 An easy way to convert MIDI files to audio is to drag the MIDI file to 
 iTunes and then convert to audio using the audio format of your choice.

 There's no editing, but sometimes you just want something quick. (I know you 
 can also do this within Finale as well.)

 -Randolph Peters
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 http://lists.shsu.edu/mailman/listinfo/finale

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Re: [Finale] MIDI to Audio tip

2012-05-15 Thread Eric Dannewitz
The only way I get something that sounds acceptable is to export a song out of 
Finale via Midi file and then use something like Digital Performer or Logic. I 
have spent way too much time trying to get Finale to generate my arrangements 
correctly (which it never really does) and it is 5 times faster to use a tool 
like Digital Performer to quickly fix the Midi from Finale. 

-- 
On Tuesday, May 15, 2012 at 3:28 PM, Raymond Horton wrote:


 I get uneven results from Export to Audio on WinFin 2011 and GPO.
 Sometimes fine, sometimes awful. I usually try it first, because it
 is faster than real time - then if it is less than successful I record
 real time to Audacity.
 

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Re: [Finale] Finale Midi to Encore

2011-12-02 Thread John Hinchey
Hi Linda,

The latest version of Encore does import musicXML files.  It's not as developed 
as the MusicXML built into
Finale and Sibelius.  It will not import lyrics, chords symbols and many other 
elements.  But it will give you
notes and I believe articulations and some text much better than a MIDI file. 

I've had some Encore files come through with rhythmic problems  

Best,
John

John Hinchey
Nashville Tennessee
Phone: 615-397-3675
Website: Hinchey Music Services
http://www.hincheymusic.com/
Blog: Notes On Notes
http://johnhinchey.com/
Twitter: @hincheymusic
http://twitter.com/hincheymusic






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[Finale] Finale MIDI to Encore

2011-12-01 Thread Linda Worsley
I have a client who is, unfortunately, an Encore user.  I have sent him
some Standard MIDI files I made with Finale.  He has tried to open them in
Encore, so that he can see the notes  (I easily open his Encore-generated
MIDI files in Finale and see the notes just fine.)  Is there something I
am not doing right?  Or is Encore hopeless?

Thanks for any clues.

Linda Worsley
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Re: [Finale] Finale MIDI to Encore

2011-12-01 Thread Michael Mathew
Linda,

I just went to the support area for finale and posed the question about encore 
file format and they provide some answers about supported file formats at 
Finalemusic.com, support, knowledge base, and search for encore file format and 
see if their suggestions solve the problem.

Can you save as an encore file?

Makemusic just purchase the Dolet company and their xml translator engines for 
saving in the xml format so that all the notation applications can share .xml 
files.

Michael
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/



 From: Linda Worsley li...@ganymuse.com
To: finale@shsu.edu 
Sent: Thursday, December 1, 2011 1:51 PM
Subject: [Finale] Finale MIDI to Encore
 
I have a client who is, unfortunately, an Encore user.  I have sent him
some Standard MIDI files I made with Finale.  He has tried to open them in
Encore, so that he can see the notes  (I easily open his Encore-generated
MIDI files in Finale and see the notes just fine.)  Is there something I
am not doing right?  Or is Encore hopeless?

Thanks for any clues.

Linda Worsley
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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Chuck Israels
Experts:

I just had to trash and rebuild my preferences in order to get Finale to 
respond to Undo commands (first time that has ever stopped working for me), and 
in getting my midi Keystation 61es to reconnect fo Finale - something annoying 
has started.  When I release any key on the keyboard, a faint percussion sound 
(like a temple block tuned to C5).  I doesn't interfere with anything (except 
what remains of my sanity) - it's just annoying.  anyone have any ideas?

Thanks,

Chuck





Chuck Israels
1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Darcy James Argue
Hi Chuck,

Do you have the Audio MIDI Setup window open, by any chance? Does it go away if 
you close it or deselect Test Setup?

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org



On 5 Oct 2011, at 7:58 PM, Chuck Israels wrote:

 Experts:
 
 I just had to trash and rebuild my preferences in order to get Finale to 
 respond to Undo commands (first time that has ever stopped working for me), 
 and in getting my midi Keystation 61es to reconnect fo Finale - something 
 annoying has started.  When I release any key on the keyboard, a faint 
 percussion sound (like a temple block tuned to C5).  I doesn't interfere with 
 anything (except what remains of my sanity) - it's just annoying.  anyone 
 have any ideas?
 
 Thanks,
 
 Chuck
 
 
 
 
 
 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Chuck Israels
Hi Darcy,

I think it started when I was messing with this and opened that window, and 
clicked Test Setup.  Now I can't seem to get rid of it.

I opened that window again - selected and the deselected Test Setup, and it 
still does it.

Obviously - something I've done, but I don't know what.

Chuck




On Oct 5, 2011, at 5:15 PM, Darcy James Argue wrote:

 Hi Chuck,
 
 Do you have the Audio MIDI Setup window open, by any chance? Does it go away 
 if you close it or deselect Test Setup?
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 
 
 On 5 Oct 2011, at 7:58 PM, Chuck Israels wrote:
 
 Experts:
 
 I just had to trash and rebuild my preferences in order to get Finale to 
 respond to Undo commands (first time that has ever stopped working for me), 
 and in getting my midi Keystation 61es to reconnect fo Finale - something 
 annoying has started.  When I release any key on the keyboard, a faint 
 percussion sound (like a temple block tuned to C5).  I doesn't interfere 
 with anything (except what remains of my sanity) - it's just annoying.  
 anyone have any ideas?
 
 Thanks,
 
 Chuck
 
 
 
 
 
 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
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 http://lists.shsu.edu/mailman/listinfo/finale
 
 
 ___
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Chuck Israels
1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Darcy James Argue
Hi Chuck,

When it's on (i.e., the button is solid blue instead of gray) Test Setup 
makes a noise somewhat like what you describe. 

If you turn it on, do you hear two separate chimes, or just the one?

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org



On 5 Oct 2011, at 9:01 PM, Chuck Israels wrote:

 Hi Darcy,
 
 I think it started when I was messing with this and opened that window, and 
 clicked Test Setup.  Now I can't seem to get rid of it.
 
 I opened that window again - selected and the deselected Test Setup, and it 
 still does it.
 
 Obviously - something I've done, but I don't know what.
 
 Chuck
 
 
 
 
 On Oct 5, 2011, at 5:15 PM, Darcy James Argue wrote:
 
 Hi Chuck,
 
 Do you have the Audio MIDI Setup window open, by any chance? Does it go away 
 if you close it or deselect Test Setup?
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 
 
 On 5 Oct 2011, at 7:58 PM, Chuck Israels wrote:
 
 Experts:
 
 I just had to trash and rebuild my preferences in order to get Finale to 
 respond to Undo commands (first time that has ever stopped working for me), 
 and in getting my midi Keystation 61es to reconnect fo Finale - something 
 annoying has started.  When I release any key on the keyboard, a faint 
 percussion sound (like a temple block tuned to C5).  I doesn't interfere 
 with anything (except what remains of my sanity) - it's just annoying.  
 anyone have any ideas?
 
 Thanks,
 
 Chuck
 
 
 
 
 
 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
 ___
 Finale mailing list
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 http://lists.shsu.edu/mailman/listinfo/finale
 
 
 ___
 Finale mailing list
 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale
 
 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
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Re: [Finale] midi keyboard noise question

2011-10-05 Thread mjolnir
 Experts:

 ... my midi Keystation 61es to reconnect fo Finale - ...
 When I release any key on the keyboard, a
 faint percussion sound (like a temple block tuned to C5).  I doesn't
 interfere with anything (except what remains of my sanity) - it's just
 annoying.  anyone have any ideas?

First thing I'd try is to turn the MIDI device off and back ion.

BS



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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Chuck Israels
Thanks - tried unplugging and re-plugging, no change.

Maybe I'll restart the whole computer - sometimes that's all it takes.

Chuck


On Oct 5, 2011, at 6:24 PM, mjol...@ticnet.com mjol...@ticnet.com wrote:

 Experts:
 
 ... my midi Keystation 61es to reconnect fo Finale - ...
 When I release any key on the keyboard, a
 faint percussion sound (like a temple block tuned to C5).  I doesn't
 interfere with anything (except what remains of my sanity) - it's just
 annoying.  anyone have any ideas?
 
 First thing I'd try is to turn the MIDI device off and back ion.
 
 BS
 
 
 
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1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Chuck Israels

On Oct 5, 2011, at 6:18 PM, Darcy James Argue wrote:

 Hi Chuck,
 
 When it's on (i.e., the button is solid blue instead of gray) Test Setup 
 makes a noise somewhat like what you describe. 
 
 If you turn it on, do you hear two separate chimes, or just the one?


Test Setup - off (gray). One bonk - and yes, it is the same sound, on release 
of the key - not on pressing it.

- a few degrees less than cheerful,

Chuck









 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 
 
 On 5 Oct 2011, at 9:01 PM, Chuck Israels wrote:
 
 Hi Darcy,
 
 I think it started when I was messing with this and opened that window, and 
 clicked Test Setup.  Now I can't seem to get rid of it.
 
 I opened that window again - selected and the deselected Test Setup, and 
 it still does it.
 
 Obviously - something I've done, but I don't know what.
 
 Chuck
 
 
 
 
 On Oct 5, 2011, at 5:15 PM, Darcy James Argue wrote:
 
 Hi Chuck,
 
 Do you have the Audio MIDI Setup window open, by any chance? Does it go 
 away if you close it or deselect Test Setup?
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
 
 
 
 On 5 Oct 2011, at 7:58 PM, Chuck Israels wrote:
 
 Experts:
 
 I just had to trash and rebuild my preferences in order to get Finale to 
 respond to Undo commands (first time that has ever stopped working for 
 me), and in getting my midi Keystation 61es to reconnect fo Finale - 
 something annoying has started.  When I release any key on the keyboard, a 
 faint percussion sound (like a temple block tuned to C5).  I doesn't 
 interfere with anything (except what remains of my sanity) - it's just 
 annoying.  anyone have any ideas?
 
 Thanks,
 
 Chuck
 
 
 
 
 
 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
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 Chuck Israels
 1310 NW Naito Parkway #807
 Portland, OR 97209-316
 
 land line: (971) 255-1167
 cell phone: (360) 201-3434
 
 www.chuckisraels.com
 www.chuckisraelsjazz.com
 
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Chuck Israels
1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] midi keyboard noise question

2011-10-05 Thread Chuck Israels
Never mind!  It was that the Audio MIDI setup wouldn't quit.  As soon as I got 
that to quit, the sound disappeared.

Now cheerful,

Thanks to BS and Darcy.


On Oct 5, 2011, at 6:24 PM, mjol...@ticnet.com mjol...@ticnet.com wrote:

 Experts:
 
 ... my midi Keystation 61es to reconnect fo Finale - ...
 When I release any key on the keyboard, a
 faint percussion sound (like a temple block tuned to C5).  I doesn't
 interfere with anything (except what remains of my sanity) - it's just
 annoying.  anyone have any ideas?
 
 First thing I'd try is to turn the MIDI device off and back ion.
 
 BS
 
 
 
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1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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[Finale] Midi controller

2011-09-25 Thread Klaus Smedegaard Bjerre
A few days ago I asked about the M-Audio Keystation Mini 32 and got good 
replies.

I used to be good at skimming manuals for the important stuff, but I lost some 
of the necessary control of my eye movements while having cataract problems. 
Not whining, only realising that I m less good a reading texts than I used to 
be. So I wanted to be sure I could find out about making a keyboard controller 
work with Finale before I invested ever so small a sum.

Hence I dusted off my old controller which appeared to be an Oxygen8. Also 
found an old online manual, which scared me, as the driver should be placed in 
an OMS folder, which I remember about, but haven’t seen for years.  However I 
also found a newer driver in form of an installer application. Which worked 
with current software and also found out about opening a port into Finale. 
Hurrah!

So why asking again? Even if the 25 keys of the Oxygen8 lead to better 
productivity than the alphanumeric keyboard as an entry tool in Speedy, then I 
had to realise Chuck being right that 25 keys are insufficient. I found the 
alphanumeric keyboard less than intuitive. And so are the octave shifts 
necessitated by the instruments not fitting into two octaves from C through C. 
So I need more keys.

Most brass instruments don’t use more than 3 octaves in the bulk of my work, 
but it takes 4 octaves to fit just about all brasses into any octave allocation 
without changing that allocation all the time. Now the question is about the 
best cut of quality, of small demands on space, and of course of price. I 
cannot do realtime entries, so sensing key velocities is not a main 
consideration.

I found an Alesis Q49 at a fairly attractive price. Any experiences with that 
model?

Klaus
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Re: [Finale] Midi controller

2011-09-25 Thread Chuck Israels
Dear Klaus,

In spite of space problems, I think you will be happier overall with a 49 to 61 
key keyboard, so I encourage you in this pursuit, assuming you can manage to 
find the room.  (Mine is an M-Audio 61, and I sometimes run out of bass notes 
and end up writing things an octave higher and transposing them with a 
metatool.)   I have no experience with the Alesis, but it has been a while 
since the elimination of the need for drivers to make USB keyboards function, 
so I don't anticipate problems.  It should be plug and play.  (Also, I don't 
think there's all that much difference from one brand to another in the same 
general price range, but this is just a superficial judgment.)

Good luck,

Chuck




On Sep 25, 2011, at 4:12 PM, Klaus Smedegaard Bjerre wrote:

 A few days ago I asked about the M-Audio Keystation Mini 32 and got good 
 replies.
 
 I used to be good at skimming manuals for the important stuff, but I lost 
 some of the necessary control of my eye movements while having cataract 
 problems. Not whining, only realising that I m less good a reading texts than 
 I used to be. So I wanted to be sure I could find out about making a keyboard 
 controller work with Finale before I invested ever so small a sum.
 
 Hence I dusted off my old controller which appeared to be an Oxygen8. Also 
 found an old online manual, which scared me, as the driver should be placed 
 in an OMS folder, which I remember about, but haven’t seen for years.  
 However I also found a newer driver in form of an installer application. 
 Which worked with current software and also found out about opening a port 
 into Finale. Hurrah!
 
 So why asking again? Even if the 25 keys of the Oxygen8 lead to better 
 productivity than the alphanumeric keyboard as an entry tool in Speedy, then 
 I had to realise Chuck being right that 25 keys are insufficient. I found the 
 alphanumeric keyboard less than intuitive. And so are the octave shifts 
 necessitated by the instruments not fitting into two octaves from C through 
 C. So I need more keys.
 
 Most brass instruments don’t use more than 3 octaves in the bulk of my work, 
 but it takes 4 octaves to fit just about all brasses into any octave 
 allocation without changing that allocation all the time. Now the question is 
 about the best cut of quality, of small demands on space, and of course of 
 price. I cannot do realtime entries, so sensing key velocities is not a main 
 consideration.
 
 I found an Alesis Q49 at a fairly attractive price. Any experiences with that 
 model?
 
 Klaus
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Chuck Israels
1310 NW Naito Parkway #807
Portland, OR 97209-316

land line: (971) 255-1167
cell phone: (360) 201-3434

www.chuckisraels.com
www.chuckisraelsjazz.com

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Re: [Finale] Midi controller

2011-09-25 Thread Christopher Smith
I use the Oxygen8 when I am using a laptop out of town. Download the latest 
driver from the website, as the one you have may break in future OS upgrades. I 
just hit the octave up and down buttons on it, and it doesn't bug me too much.

Sorry, no experience with the Alesis, but it's hard to imagine the limited 
needs of Finale exceeding any MIDI keyboard. So you're probably good with 
anything you're comfortable with.

Christopher


On Sun Sep 25, at SundaySep 25 7:12 PM, Klaus Smedegaard Bjerre wrote:

 A few days ago I asked about the M-Audio Keystation Mini 32 and got good 
 replies.
 
 I used to be good at skimming manuals for the important stuff, but I lost 
 some of the necessary control of my eye movements while having cataract 
 problems. Not whining, only realising that I m less good a reading texts than 
 I used to be. So I wanted to be sure I could find out about making a keyboard 
 controller work with Finale before I invested ever so small a sum.
 
 Hence I dusted off my old controller which appeared to be an Oxygen8. Also 
 found an old online manual, which scared me, as the driver should be placed 
 in an OMS folder, which I remember about, but haven’t seen for years.  
 However I also found a newer driver in form of an installer application. 
 Which worked with current software and also found out about opening a port 
 into Finale. Hurrah!
 
 So why asking again? Even if the 25 keys of the Oxygen8 lead to better 
 productivity than the alphanumeric keyboard as an entry tool in Speedy, then 
 I had to realise Chuck being right that 25 keys are insufficient. I found the 
 alphanumeric keyboard less than intuitive. And so are the octave shifts 
 necessitated by the instruments not fitting into two octaves from C through 
 C. So I need more keys.
 
 Most brass instruments don’t use more than 3 octaves in the bulk of my work, 
 but it takes 4 octaves to fit just about all brasses into any octave 
 allocation without changing that allocation all the time. Now the question is 
 about the best cut of quality, of small demands on space, and of course of 
 price. I cannot do realtime entries, so sensing key velocities is not a main 
 consideration.
 
 I found an Alesis Q49 at a fairly attractive price. Any experiences with that 
 model?
 
 Klaus
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Re: [Finale] Midi controller

2011-09-25 Thread Klaus Smedegaard Bjerre
Thanks to you and Chuck for the replies!

My OSX and my Finale version both are current. As is my Oxygen8 driver, where 
the installer solved my worries about not finding the OMS folder mentioned in 
the manual I found. Already Chuck’s reply had me look for more options. There 
are so many that I probably will stay with the Oxygen8 for the near future 
while I consider the best match of needs and options.

I could fit a 61 keys device on my desk, but the upper octave likely would be 
useless for me anyway, as I only use my left hand on the MIDI keyboard while 
the right hand goes for the numeric part of the alphanumeric keyboard. Reaching 
over would be a problem, as I need to keep my eyes at a fixed distance from my 
monitors. As I have problems with reading from paper, I read from scanned 
sources on a second monitor when arranging.


Full size keys would fit my sense of intervals best. Only in one matter would 
the mini-keys be attractive: writing for classical guitar. I can reach a tenth 
with full size keys, but there is no way I can reach the 2 octaves or even more 
often needed in guitar music. 


My question may be redundant to most of the list, but good replies further my 
own thinking, so thanks again.

Klaus



From: Christopher Smith christopher.sm...@videotron.ca
To: finale@shsu.edu
Sent: Monday, September 26, 2011 2:31 AM
Subject: Re: [Finale] Midi controller

I use the Oxygen8 when I am using a laptop out of town. Download the latest 
driver from the website, as the one you have may break in future OS upgrades. 
I just hit the octave up and down buttons on it, and it doesn't bug me too 
much.

Sorry, no experience with the Alesis, but it's hard to imagine the limited 
needs of Finale exceeding any MIDI keyboard. So you're probably good with 
anything you're comfortable with.

Christopher


On Sun Sep 25, at SundaySep 25 7:12 PM, Klaus Smedegaard Bjerre wrote:

 A few days ago I asked about the M-Audio Keystation Mini 32 and got good 
 replies.
 
 I used to be good at skimming manuals for the important stuff, but I lost 
 some of the necessary control of my eye movements while having cataract 
 problems. Not whining, only realising that I m less good a reading texts 
 than I used to be. So I wanted to be sure I could find out about making a 
 keyboard controller work with Finale before I invested ever so small a sum.
 
 Hence I dusted off my old controller which appeared to be an Oxygen8. Also 
 found an old online manual, which scared me, as the driver should be placed 
 in an OMS folder, which I remember about, but haven’t seen for years.  
 However I also found a newer driver in form of an installer application. 
 Which worked with current software and also found out about opening a port 
 into Finale. Hurrah!
 
 So why asking again? Even if the 25 keys of the Oxygen8 lead to better 
 productivity than the alphanumeric keyboard as an entry tool in Speedy, then 
 I had to realise Chuck being right that 25 keys are insufficient. I found 
 the alphanumeric keyboard less than intuitive. And so are the octave shifts 
 necessitated by the instruments not fitting into two octaves from C through 
 C. So I need more keys.
 
 Most brass instruments don’t use more than 3 octaves in the bulk of my work, 
 but it takes 4 octaves to fit just about all brasses into any octave 
 allocation without changing that allocation all the time. Now the question 
 is about the best cut of quality, of small demands on space, and of course 
 of price. I cannot do realtime entries, so sensing key velocities is not a 
 main consideration.
 
 I found an Alesis Q49 at a fairly attractive price. Any experiences with 
 that model?
 
 Klaus

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[Finale] MIDI Drum Grooves

2011-08-03 Thread Vosbein, Terry
I have a question or two concerning using MIDI drum grooves in Finale (2011 
Mac/Lion)

I have the Peter Erskine and Stanton Moore GM MIDI drum grooves.

When I copy them into the proper location for the Drum Groove Plug-In, and try 
to access them from within Finale, I receive the following message:

NO DRUM NOTES FOUND IN THIS MIDI FILE

I have been successful in opening them up directly in Finale, and then copying 
and pasting them into my score.

But this is tedious, as the grooves are two-bars long, necessitating further 
copy and paste to fill the score.

Additionally, they are imported in the key of C, meaning copying and pasting is 
not so straight ahead.


Is there any way to convert these drum grooves into the proper format for 
Finale to recognize them as drum grooves? (hopefully in batch, as there are 
dozens and dozens of them)


On a related topic, is there anyway to make BFD Eco work within Finale, so that 
I can utilize it's wide palette of sounds playing back my Finale notes?


Thanks



Terry Vosbein


www.maxfrankmusic.com




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[Finale] MIDI Snare not entering or playing back correctly

2010-07-03 Thread Ryan
I set up a Drum Set staff using the wizard. The snare drum notes don't enter
correctly using the default Drum Set percussion map. If I enter rests in
simple entry, toggle the up and down arrows until it reads Snare Drum,
press ENTER to insert a note, the correct notehead is displayed, but the
sound that comes out is incorrect. The sound is of a bell tree, as far as I
can tell. It's MIDI note C5 (which some documentation on the web don't even
label as being part of a MIDI percussion sound). All other
instruments/sounds/noteheads behave correctly.

If I switch to another default Percussion Map, like Orchestral Percussion,
the snare drum behaves correctly.

In the previous versions, you used to be able to define a percussion
instrument by having Finale listen to your MIDI input. Is that capability
gone? Basically, I need to make the Drum Set Percussion map learn my MIDI
controller's snare drum sound.

It's late and I'm tired of trying to figure out what I'm doing wrong, or how
I can fix it. Any ideas?

FinMac 2010
M-Audio KeyStudio for input.
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Re: [Finale] Midi Sound disappears when not in Speedy Entry

2010-01-04 Thread mmathew1942
Thanks! I'll try working with it and see if that helps the problem. 


Michael Mathew 
mmathew_musicp...@comcast.net 
mmathew_musicp...@yahoo.com 
http://www.musicengravers.com/cgi-bin/engravers.pl 
Phone and Fax: 503 641 6127 

- Original Message - 
From: Michael Greensill m...@mikegreensill.com 
To: finale@shsu.edu 
Sent: Sunday, January 3, 2010 9:20:39 PM GMT -08:00 US/Canada Pacific 
Subject: Re: [Finale] Midi Sound disappears when not in Speedy Entry 

I think I've found it! Uncheck playback in the speedy menu. 

Who'd have thoughtdefinitely not intuitive. 

Mike G. 

www.mikegreensill.com 


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[Finale] Midi Sound disappears when not in Speedy Entry

2010-01-03 Thread Michael Greensill
This happens in some files and not others. I can't seem to find any  
difference in settings that might cause this..


But sometimes I can only get sounds out of my keyboard when in the  
speedy entry tool. As soon as I exit to another tool, silence.


I have midi thru set to fixed channel 1, in order to get the piano  
sound.


Mike G.

www.mikegreensill.com




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Re: [Finale] Midi Sound disappears when not in Speedy Entry

2010-01-03 Thread Ryan
This happens to me too. Can't explain it. Looking forward to some insight.

On Sun, Jan 3, 2010 at 2:10 PM, Michael Greensill m...@mikegreensill.comwrote:

 This happens in some files and not others. I can't seem to find any
 difference in settings that might cause this..

 But sometimes I can only get sounds out of my keyboard when in the speedy
 entry tool. As soon as I exit to another tool, silence.

 I have midi thru set to fixed channel 1, in order to get the piano sound.

 Mike G.

 www.mikegreensill.com




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