[h-cost] Re: Hancock's closing and Walmart

2007-04-06 Thread Kahlara
Date: Fri, 06 Apr 2007 10:59:00 -0500
From: Dawn 
Subject: Re: [h-cost] Hancock's closing select locations

otsisto wrote:
 
 The other day someone said that they were talking to someone from Hobby
 Lobby and that if Walmart does away with their fabrics then HL will follow
 suit. 

I tend to doubt that. Hobby Lobby caters to the quilting hobby and the 
home dec folks -- both a big part of their craft store business. They 
sell patterns, but they never really supplied dressmaker fabrics, so if 
people aren't sewing clothing, it's not really hurting them. Quilting is 
still very big.

Wal-Mart tries to be all things to all people. Unless it's the only 
retail store in town -- and it is in much of rural America -- it's not 
the first place anyone thinks to go for dress fabric. And clothing is so 
cheap there I can almost see why their customers would give up sewing. 
(But maybe not alterations).

Dawn
   
  Walmart carries garment quality fabric? I suppose it does depend on location. 
The Walmart here (NW WA) has a somewhat diverse craft department, carries a 
limited selection of patterns and I haven't seen any fabric there that I would 
want to make clothing from unless it was a one time use/halloween costume type 
thing. It seems to cater to quilters and home crafters. However, my MIL used to 
be the fabric/craft department manager for a Walmart in Utah and she says they 
sold a lot of dress fabric. I can't imagine they would eliminate the fabric in 
a location that had decent sales.
   
  Annette T

 
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[h-cost] Re: photographer photos of the anglaise dress

2007-03-24 Thread Kahlara
Gorgeous! And so nice to finally see it on a real person. I'm happy that you 
finally got some pictures of it being worn.
   
  Annette T


  Date: Sat, 24 Mar 2007 17:55:38 +0100
From: Bjarne og Leif Drews 
Subject: [h-cost] photographer photos of the anglaise dress.

Today i received a lovely cd with professionally taken pictures of Henriette 
wearing my anglaise dress. And i wanted to share with you. She looks so nice 
in it!
http://www.my-drewscostumes.dk/anglaise2.htm

Bjarne
 
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[h-cost] Trying to find fabric from last year - somewhat OT

2007-02-28 Thread Kahlara
I'm trying to find some decorator fabric that was part of Joann's 2005/06 
collection (pre-Christopher Lowell).
   
  Last year I bought just enough of this fabric for my wedding dress/sideless 
surcotte from Joann's decorator fabric department. I would love to find more, 
however that must have been a very popular color as I can find the fabric at 
Joann's, but none left in the right color. I've googled every way I can think 
of, and come up with similar things, but without a swatch I don't want to buy.
   
  I don't want to cut up my wedding dress, but have discovered that we chose 
virtually the same color in paint for our living/dining room trim and I would 
love to make some throw pillows and accessories from the same stuff.
   
  I thought I wrote it down correctly in my notes - but am not sure. It is a 
cotton, jacquard/brocade 54 fabric called either Zemadia or Zemaida - but 
could be with an 'N' - Zenadia and the color is blueberry. It does not look 
like what I would consider blueberry color, it is definitely blue, but not a 
purplish-blue.
   
  Does anyone have any ideas/resources/suggestions?
   
  Thanks
   
  Annette T

 
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[h-cost] Re: OT: Checking in from the Pacific NorthWET (and Windy)

2006-12-16 Thread Kahlara
Wet??!! November unofficial measurement at our house was 8 1/2 inches before 
the 2 feet of snow.
   
  We got it pretty bad with the first storm this year. Fortunately power not 
out at both houses at the same time (still remodeling and moving!) Not so bad 
this last one, just a few blinks of the lights, but you folks in the Seattle 
area sure got pounded. Still, more branches to pick up out of the yeard.
   
  Driving home from shopping during the second - not so bad - storm with MIL we 
got to see this bright blue glowing ball of light hang over the road ahead for 
several seconds - not the typical transformer flash - it was very strange.
   
  Big storm about 12 years ago? Would that have been 11?  Winter of 95-96 left 
3' of snow in my yard for weeks. The following year not as much snow but very 
wet and heavy brought down a lot of barn rooves.
   
  Hope everyone is safe and sound now.
   
  Annette T in very soggy Bellingham


original message
   
  Message: 10
Date: Fri, 15 Dec 2006 17:20:15 -0800
From: Elisabeth Doornink [EMAIL PROTECTED]
Subject: RE: [h-cost] OT: Checking in from the Pacific NorthWET (and
 Windy)

Would that have been 1990? Because I was 3 months old during that storm 
(can
you believe it!) and we moved out of the house we were renting for a 
week to
my Grandmother's - we were loosing 5 degrees an hour inside and pack up 
when
the cat's water froze. INSIDE. My grandparents had a stove that the 
water
was plumbed into and the water was gravity fed, so they had it pretty 
good,
even though the transformer blew. 

Our friends, on the other hand, were housebound for a week due to huge
trees. They had a stick penetrate their roof - my dad's picture of it 
is
really amazing. There is just a stick straight through their roof to 
the
inside. 

It gives me a huge respect for the families that moved here, especially 
from
places like Norway and Finland, where my ancestors lived. They moved 
here
(to the land we live on now) sometime around 1895. To brave the wet and 
rain
and dry in the summer to farm for a living in this rocky 
soil...amazing. 

Quia Christus Perpetuo Regnat, 
Elisabeth

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
On
Behalf Of LuAnn Mason
Sent: Friday, December 15, 2006 5:10 PM
To: Historical Costume
Subject: Re: [h-cost] OT: Checking in from the Pacific NorthWET (and 
Windy)

Oil lamps and candle lanterns were the order of the day for us as well, 
or
should I say the night.  Most of our county (Clark) lost power at some
point, but we were only down about three hours.  

Our first year in the Pacific Northwest about 12 years back, we had a 
nasty
February ice storm that toppled big trees in our neighborhood and left 
us
without power for five days.  When it came time to buy the house, I 
made
sure there were NO BIG TREES close enough to fall on us.  What I gave 
up in
ambience more than pays off in peace of mind.

LuAnn in Vancouver

- Original Message - 
  From: Elisabeth Doorninkmailto:[EMAIL PROTECTED] 
  To: 'Historical Costume'mailto:[EMAIL PROTECTED] 
  Sent: Friday, December 15, 2006 12:48 PM
  Subject: RE: [h-cost] OT: Checking in from the Pacific NorthWET (and
Windy)


  We had a large rotten maple tree fall on a row boat owned by my 
cousin,
and
  our power was out for about 30 minutes. But the tree is going to be a 
huge
  mess to clean up. We stayed up for hours watching the light show of
  transformers - and were very thankful that ours is on the ground and 
we
live
  on a highway that has a main powerline. We were a bit worried, 
though,
  because both our septic field and well are uphill from us...water 
becomes
an
  issue. Yes, we have a creek and the bay in front of us...but still. 

  Very thankful in Poulsbo for power and praying for those who don't!

  (Your comment about being a SCAdian made me laugh - we're set because 
my
dad
  kayaks and has tons of gear!)


  Quia Christus Perpetuo Regnat, 
  Elisabeth
  -Original Message-
  From: [EMAIL PROTECTED]mailto:[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
  Behalf Of Angharad ver' Reynulf
  Sent: Friday, December 15, 2006 12:07 PM
  To: Historical Costume
  Subject: [h-cost] OT: Checking in from the Pacific NorthWET (and 
Windy)

  It's been a bit dampish here lately...(mocking grin) and I'm ever so 
glad
  that Nick and I went into debt on getting a new roof this year with 
the
wind
  and rainstorms we've been having.

  My son has 4 staples in his head from the weather causing an accident 
at
  school, but is otherwise ok-and I'll have lots of fence/yard repairs 
to
do,
  but otherwise we're ok.  I have to do this at work, as I have no 
contact
  with the outer world at home other than my cell phone.

  Between that and the problems my baking has been giving me this week, 
I've
  come *THIS* close to opening up my pretty purple package from the 
gift
  exchange (which arrived 11/23!) instead of waiting until the 23rd for 
our
  Yule (Teren goes 

RE: [h-cost] WW1 Ladies fashions

2006-11-14 Thread Kahlara
Hi Penny,
   
  My Grandparents were married in England in 1916. I have a newspaper clipping 
picture taken at the time scanned into my 'other' computer.
  I can't access it right now, but from what I recall my grandmother was not 
wearing a wedding dress, but rather what I would refer to as a 'day dress' or 
suit. It is above the ankles, but also does not look quite like what is shown 
in those illustrations. (it also could be that she is wearing a coat over the 
whole thing, as it was February.)
  I am not very familiar with the styles and terminology of that period, but 
the dress (coat?) its self reminds me more of the dropped waist style of the 
20's but the skirt seems somewhat on the narrow side, whereas her hat is huge - 
almost Gibson Girl in style.
  If you are interested I can email you a copy of the clipping. Just let me 
know so I can have my husband to switch computers so I can access my files.
   
  Annette T


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[h-cost] Re: illustrator vs fashion historian

2006-08-16 Thread Kahlara

Message: 3
Date: Tue, 15 Aug 2006 08:50:31 EDT
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] illustrator vs fashion historian


In a message dated 8/15/2006 5:56:23 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Most  people don't realize that what they're wearing right now, like as 
they're  reading this e-mail, will be considered historical 100 years 
from  
now. 
  
  So I should carefully preserve this old ratty bathrobe for posterity??  
Sorry, I couldn't resist!




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[h-cost] Re: illustrator vs fashion historian

2006-08-16 Thread Kahlara

Message: 6
Date: Wed, 16 Aug 2006 15:56:41 -0400
From: Lauren Walker [EMAIL PROTECTED]
Subject: Re: [h-cost] Re: illustrator vs fashion historian


On Aug 16, 2006, at 11:31 AM, Kahlara wrote:


 Most  people don't realize that what they're wearing right now,  
 like as
 they're  reading this e-mail, will be considered historical 100 
years
 from
 now.

   So I should carefully preserve this old ratty bathrobe for  
 posterity??  Sorry, I couldn't resist!

Absolutely. WITH the bunny slippers.

Lauren M. Walker
[EMAIL PROTECTED]


  Ack! I didn't realize I had a hidden web cam aimed at my feet!!  LOL


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[h-cost] Re: OT - Thai fisherman type trousers: what do you make to wear in the heat

2006-07-28 Thread Kahlara
These remind me of a pair of pants my mother made for me years ago for a 
Christmas party. They were yellow silk with a blue print of giraffes and 
such. I looked on the Patterns from the Past site and found two possibilities 
for the one she used.
   
  Both are from 1972 - 
  Simplicity 5124 wrap and tie shorts and pants,
  and Butterick 6720 - wrap and go pantskirt.
   
  I really liked them and don't remember my legs showing at all, so it probably 
was the butterick that she used. The term pantskirt does sound familiar.
   
  btw - I had not heard of that website before, thanks Cynthia!

Message: 10
Date: Thu, 27 Jul 2006 15:28:27 -0700
From: Cin 
Subject: [h-cost] OT - what do you make to beat the heat

 Anyway, what are other people making to cope with this seasonably toasty 
 weather?

I have a favorite vintage 1969 scooter skirt pattern that I found a
few years ago when a vintage pattern library in Rhode Island was
selling off excess stock. I tried to find it on
http://www.oldpatterns.com, but Misch is out of stock on it currently.
It's SImplicity 8397, view 5, tho look carefully, as Simplicity
re-used the number on a different 1-hour shorts pattern. Modernly,
scooter skirts are called skorts, which sounds horrible, but is an
excellent combo of skirt shorts.

I just bought lots of yardage to make some more. One print has French
perfume bottles, another is Poiret fashion drawings from 1913 or so,
another is the Tour Eiffel repeated all-over... and about 7 more
selections.
--cin
Cynthia Barnes
[EMAIL PROTECTED]

  Message: 2
Date: Thu, 27 Jul 2006 13:21:51 -0500
From: Betsy Marshall 
Subject: RE: [h-cost] OT - Thai fisherman type trousers: what do you
make towear in the heat?

This might help a bit..

http://www.mediatinker.com/blog/archives/008262.html


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of katherine sanders
Sent: Thursday, July 27, 2006 11:43 AM
To: h-costume@mail.indra.com
Subject: [h-cost] OT - Thai fisherman type trousers: what do you make towear
in the heat?

OK, this is not /strictly/ historic - although I could argue they're
'traditional' ;-)

Anyway, I'm trying to adapt a Burda pattern to be more like traditional thai
fisherman 'wrap' trousers, which are open at the outer sides (and therefore
cooler to wear and hang nicely) and wondered if anyone had tried making a
pair based on originals they had purchased perhaps on holiday. 

The thing I'm a bit unclear on is how the ties work around the waist, to
hold them up and fit them at the waist: the Burda pattern is a bit tailored
whereas the originals are 'free-size'. I found a few references on the web,
in case you've no idea what I'm talking about.

http://www.thiptop.co.uk/index.php?page=trousers-split
http://www.thaicraftwarehouse.com/tcwProduct.php?fashid=9329

Anyway, what are other people making to cope with this seasonably toasty
weather? 

Katherine

A positive attitude may not solve all of your problems, but it will 
annoy enough people to make it worth the effort - Herm Albright


Message: 8
Date: Thu, 27 Jul 2006 21:39:50 + (GMT)
From: katherine sanders 
Subject: [h-cost] Re: OT Thai Fisherman trousers

Email me off list if you are interested.
Sheridan P.

Thanks - will do!

They are simply the front and back of a pair of very wide-legged trousers, 
joined at the crotch and inside legs only. You then take the back part, and 
tie them round the front - I actually use hooks and eyes here. Pick up the 
front part and tie them at the back, overlapping the back at the sides. (You 
can do this the other way around - I find this way easiest.)
Suzi

That explains everything - thanks again! I'm going to find some cheapo stuff to 
practice on and some nice linen to make smarter ones... 

I have seen it done also where people have sort of extended the bottom hem of 
the pants to make ties at the ankles so that the legs don't flap open or get 
in the way.
Natalie

Now there's a thought! Can immediately think of /several/ situations where my 
Scottish pale-blue thigh would not be an appropriate thing to flash

Thanks to all for your help, amazingly useful and informative as always. I know 
it's quite cheap to buy them but that feels like a bit of a cop out, somehow!

Katherine (in front of a fan with feet in a basin of cold water. oh that's 
better...)




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[h-cost] Re: Changes at Joann's- (was Europa trims)

2006-06-20 Thread Kahlara
Were Europa Trims the ones that had the gorgeous, wide trims that actually 
looked like they were worth the price?!
   
  I was trying to find a nice quality satin at the local (Bellingham, WA) 
Joann's the other day and was getting frustrated because I just couldn't find 
what I really wanted. It must have really shown on my face because a woman with 
what looked like a nice print fabric looked up as she passed me, paused and 
said Exactly!
   
  This Joann's has about 3 aisles of clearanced stuff in the quilting 
department in addition to the regular clearance aisles and it isn't all 
quilting fabric. As always, the regular fabric selection has a dearth of 
quality fabrics. I didn't notice much blank space in the fabric dept, (actually 
couldn't get through some of the aisles) but it looks like there are some holes 
in the craft department. They've already made some changes - bringing in some 
Christopher Lowell decorator fabrics (attach a name so they can charge more 
for the same stuff!) There is already far too much of the seasonal cutesie 
junk and four aisles of 'decorator' accessories such as boxes, baskets and mini 
trunks that all have that euro-asian fusion look to them.
   
  I wish they were going to bring in some more classic and natural fabrics but 
I'm afraid that they'll assume since things aren't moving people aren't sewing 
and not realize it is just because people don't want what they havewhy sew 
a bunch of polyester junk when you could buy the same stuff - if you wanted it 
- ready made for less.
   
  Annette M

  --
Message: 10
Date: Mon, 19 Jun 2006 17:00:49 -0500
From: Abel, Cynthia 
Subject: RE: [h-cost] Europa Trims: they're bck! Sort of...


I've noticed it at my JoAnns too! But it is far from the range of Europa
trims that JoAnn's used to carry, just perhaps the best sellers.

Also, I also saw some blank spaces in aisles, that doesn't match up to
the usual vacant spots awaiting Christmas merchandise. I think JoAnn's
is getting ready to move in some new and different merchandise, but I
can't think what. In my particular JoAnn's(Omaha, NE)all those
Destination India fabrics didn't sell well, just a few particular
patterns, for example. With the increasing cost of gas hitting
everything, I think we are going to see a trend of less up-to-the minute
fashion and more styles and fabrics that will last more than a single
season. I'm hearing more I'm not making you that or I'm not buying
that fabric/trim from moms and grandmothers to their daughters and
granddaughters lately.

Cindy Abel

--

Message: 11
Date: Mon, 19 Jun 2006 17:58:48 -0500
From: Dawn 
Subject: Re: [h-cost] Europa Trims: they're bck! Sort of...


Abel, Cynthia wrote:
 I've noticed it at my JoAnns too! But it is far from the range of Europa
 trims that JoAnn's used to carry, just perhaps the best sellers.

I'm hoping that Wrights will pick up more of the line, but let's face 
it, a lot of sewers are concerned about cost, and those fancy trims 
aren't the cheapest thing out there.


 
 Also, I also saw some blank spaces in aisles, that doesn't match up to
 the usual vacant spots awaiting Christmas merchandise. I think JoAnn's
 is getting ready to move in some new and different merchandise

I noticed the blank spots, too. Some had signs on them announcing 
changes. There's a blurb in the current flyer saying You'll love what's 
coming. There's change in progress at your favorite Joann's store! If 
you love fabrics  sewing, you love us for being the best... If you love 
crafting, you'll love what we're doing for you. Discover the difference 
soon!

Which says to me We're moving in more craft junk.

, but I
 can't think what. In my particular JoAnn's(Omaha, NE)all those
 Destination India fabrics didn't sell well, 

A lot of what I saw was synthetic, makes my skin itch. Some of it I 
could have used for exotic/middle eastern inspired costumes if it had 
been a natural fiber, not like I don't already have a closet full of 
dance costumes.



 I think we are going to see a trend of less up-to-the minute
 fashion and more styles and fabrics that will last more than a single
 season.


I hope so. I haven't bought anything but notions since before Christmas. 
I prefer classic, natural fabrics, not just for historic costuming.



Dawn



--

Message: 12
Date: Mon, 19 Jun 2006 20:07:24 EDT
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] Europa Trims: they're bck! Sort of... 

In a message dated 6/19/2006 6:01:58 P.M. Eastern Standard Time, 
[EMAIL PROTECTED] writes:

I think JoAnn's
is getting ready to move in some new and different merchandise, but I
can't think what.


Just visited the largest JoAnn's in our area, and it has been completely 
remodeled. The apparel fabrics seem to be a fraction of what they used to be. 
Home dec and quilting remain about the same. Crafts has been expanded to 

[h-cost] Re: Scientific explanation of my addiction

2006-06-11 Thread Kahlara
Uh oh - count me as a member of the latter group. On the rare occasion I leave 
the fabric store without anything at all, it is because I am on a mision for 
something specific, can't find it, and have my FI in tow - hence no time to 
browse as we are off to the next location to search. Otherwise though, he will 
browse with me and has even said in response to my hesitation over buying 
something just because I like it - Why don't you get you some? He is 
definitely a keeper! 
   
  He also picked out the fabric for his ionar and can sew - or so his mother 
says.
   
  I am a pattern hoarder too! :-(

  Annette M
  
[EMAIL PROTECTED] wrote:
   
  Message: 5
Date: Sun, 11 Jun 2006 23:29:38 +1000
From: Elizabeth Walpole [EMAIL PROTECTED]
Subject: Re: [h-cost] Scientific explaination of my addiction


- Original Message - 
From: REBECCA BURCH [EMAIL PROTECTED]
To: h-costume@mail.indra.com
Sent: Saturday, June 10, 2006 4:59 AM
Subject: [h-cost] Scientific explaination of my addiction
snip

 Sound tests have also revealed that these fabrics emit
 a very high-pitched sound, heard only by a select few,
 a breed of women known as quilters. snip

I think we need to extend this theory, obviously different fabrics are 
emitting different frequencies and each sewer is sensitive to different 
frequencies, you see the quilting cottons have never spoken to me but 
brocades and silks frequently do. Some become quilters because they are 
sensitive to the frequency emitted by quilting cottons while others 
become 
costumers because silk cries out to them piteously. Then there are the 
poor 
souls who can hear the sound of all types of fabric and they do 
quilting, 
historic costuming, mundane sewing and can't possibly leave a fabric 
shop 
without something because one of their addictions will catch them. :-)
Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/e_walpole/





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[h-cost] Re: another addiction - was hand crank, treadle machines

2006-06-10 Thread Kahlara
You mean collecting sewing machines is an addiction too?! If so then I am in 
the early stages. I think I have four or five - my mother's old electric, my 
own 70's vintage singer, and the new one my FI bought for me a couple of years 
ago. I have also discovered an old cabinet machine - or perhaps just the 
cabinet - in the back of the barn but I haven't been able to get to it yet so I 
don't know if it is treadle or electric or just an empty cabinet. And if I 
remember right there is one in the basement too. (Just inherited my parent's 
farm)
   
  Someone I know has an old cabinet electric with the knee lever instead of a 
foot pedal because I can remember using one.
   
  I am always drawn to old treadle machines if I see one in an antique store. I 
especially like the ones with the fancy wrought iron legs and treadle.
   
  My FI will probably try to nip this one in the bud though. Sewing machines 
are a bit harder to hide than the fabric stash!
   
  Annette M

[EMAIL PROTECTED] wrote:
  Message: 5
Date: Fri, 9 Jun 2006 15:54:24 EDT
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] Hand crank, treadle machines--where to look;
what to pay?


In a message dated 6/9/2006 1:19:39 P.M. Eastern Standard Time, 
[EMAIL PROTECTED] writes:

I still embarassingly have 18 sewing machines.



***

do they, too, give off certain
Pheromones that actually hypnotize women ...?


Message: 9
Date: Fri, 9 Jun 2006 17:12:29 -0400
From: Megan M. 
Subject: RE: [h-cost] Hand crank, treadle machines--where to look;
what to pay?

Sarah Patterson wrote:

I still embarassingly have 18 sewing machines.

Reply: Only 18? My husband wishes I had only 18. Anybody in the DC/ MD
metro suburbs interested in an antique machine head or two? I really do need
to downsize.. 
-Megan


Message: 12
Date: Fri, 9 Jun 2006 17:53:13 -0400
From: Natalie [EMAIL PROTECTED]
Subject: Re: [h-cost] Hand crank, treadle machines--where to look;
 what to pay?

Haha, want another? I've been trying to get rid of an older White 
electric 
for some time and don't seem to be in a good area for it.

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[h-cost] Re: OT: meeting at SUNY Stony Brook

2006-06-06 Thread Kahlara
Another resounding yes for going to the Metropolitan Museum of Art. I  was able 
to go once - for about half a day - and it wasn't nearly long  enough. I'd love 
to go back even if that was the only thing I had time  for.
  
  Annette M



Message: 6
Date: Mon,  5 Jun 2006 22:16:46 -0400
From: Susan B. Farmer 
Subject: [h-cost] OT: meeting at SUNY Stony Brook


And for another subject 

If I can pull it off (and it will probably take an act of God), I want
to go to the Evolution Meeting at the end of the month (June 23-27) at
SUNY Stony Brook.  Apologies to those of you who may see this more than
once ...

I've *never* been to New York.  If there was only *one* thing that you
would do while in NY -- fiber/garb/SCA general related (and the
symposium
that I need to attend is Saturday Morning), what would you do?

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/




--

Message: 7
Date: Mon, 5 Jun 2006 22:31:12 -0400
From: Audrey Bergeron-Morin 
Subject: Re: [h-cost] OT: meeting at SUNY Stony Brook
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; format=flowed; charset=iso-8859-1;
 reply-type=response

Metropolitan Museum of Art. And, since the Cloisters are part of it, it's 
not really cheating on the *one*-thing rule to tell you to go there too :-)



--

Message: 8
Date: Mon,  5 Jun 2006 22:36:07 -0400
From: Susan B. Farmer 
Subject: Re: [h-cost] OT: meeting at SUNY Stony Brook


Quoting Audrey Bergeron-Morin :

 Metropolitan Museum of Art. And, since the Cloisters are part of it, 
 it's not really cheating on the *one*-thing rule to tell you to go 
 there too :-)

*giggle*  That was something that I was seriously thinking about.  I
hate to go That Far to a place where so much cool stuff is, and *not*
do something!

Thanks!
Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


--

Message: 11
Date: Mon, 05 Jun 2006 22:45:49 -0400
From: monica spence 
Subject: RE: [h-cost] OT: meeting at SUNY Stony Brook


Go to the Metropolitan Museum of Art. Finish the Symposium and take the Long
Island Rail Road from Stony Brook Station to NY Penn Station (That train is
going WEST) Get off  Take a taxi to the Met. The subways and busses go up
there , but unless you know where you are going, it is worth the extra money
for the taxi.

ONE THING: I took students up there once and they did not one allow her to
bring in her rolling suitcase into the building. (Post 9/11 security) If you
have a hotel room, or can send it ahead, you will be much better off. I
carry shopping bags and open totes in all the time . There is a coat and bag
check that is free.

There are unbelievable amounts of stuff to see. There is also a new
exhibition about English fashion. Of course there is the Arms and Armor
exhibit. and the Western European paintings, and the Medieval section that
goes on for days If I was not in Pennsylvania for Grad school that week,
I'd volunteer to play guide, since I live on Long Island.

You do yourself a dis-service if you don't see the Met, but then there is
the JP Morgan Library on Madison Ave, with its huge collection of
illuminated manuscripts (look, do not touch, The Frick collection with its
FAB paintings well you know. Probably way too much to see. There is also
a new exhibit on tailoring at the museum at FIT on 7th Ave and 28th St.
Free. And you can walk from Penn Station.

One thing... if you DO make it to the Met, watch the prices on books. I have
gotten huge discounts through Amazon on the same books. (I am sure there is
a built-in donation for the museum in their prices.)

Have a great time, Susan!!!
Monica



--

Message: 12
Date: Mon,  5 Jun 2006 23:10:56 -0400
From: Susan B. Farmer 
Subject: RE: [h-cost] OT: meeting at SUNY Stony Brook
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=ISO-8859-1; format=flowed

Quoting monica spence :

 Go to the Metropolitan Museum of Art. Finish the Symposium and take the Long
 Island Rail Road from Stony Brook Station to NY Penn Station (That train is
 going WEST) Get off  Take a taxi to the Met. The subways and busses go up
 there , but unless you know where you are going, it is worth the extra money
 for the taxi.

Thanks!  Just the sort of information that I need.  Sounds like I want
to take a whole day for the Met.

 If I was not in Pennsylvania for Grad school that week,
 I'd volunteer to play guide, since I live on Long Island.

Well bummer!  That would just be too cool.  Good luck with school!  I've
to to finish the rest of my results and hope to present a poster if I
can pull this off!


 You do yourself a dis-service if you don't see the Met, but then 

[h-cost] Re: another Hancock's closing/US farbric stores

2006-06-03 Thread Kahlara
Have never been to a Hancock's and didn't even know there were any in 
Washington state. I'll be travelling to Bremerton this week though, so will 
make a point of checking it out.
   
  The Joanne's here (Bellingham, WA) has become largely a craft and quilting 
store. The quilting fabric consists of a good 1/4 of all the fabric in stock 
floor space wise, with home decorating fabrics taking the majority. Apparel 
fabric is pretty specific with a whole wall of fleece, bridal and formal satins 
and such, and baby prints - the rest is mostly a small selection of seasonal 
changes with a high percent of synthetic fabrics that end up getting rotated 
into the clearance racks. They do have a huge yarn department though.
   
  Before Joanne's went through the whole reorganization thing we had a couple 
of good fabric stores, one of which was exclusively fabrics, notions, etc. I 
can't remember the name, but one of them was House of Fabrics. Joanne's used to 
have a much better selection for apparel fabric too. Outside of Joanne's the 
only fabric stores locally are all quilting shops.
   
  I have gotten the majority of my fabric on line recently, which I don't like 
doing because I prefer to see fabric in person before buying, but I've been 
lucky so far as to really liking what I have bought.
   
  Annette M


  Date: Thu, 01 Jun 2006 18:55:37 -0700
From: [EMAIL PROTECTED]
Subject: [h-cost] Re: Stash Enhancement Possibilities

Message: 1
Date: Wed, 31 May 2006 17:15:36 -0700
From: Stephen 
Subject: [h-cost] Stash Enhancement Possibilities

Good news, bad news, and more bad news.

The good news is that Hancock Fabrics at 7900 Florin Road in Sacramento
CA has everything marked off at least 30%. The bad news is that the sale
is because they are closing up the store.

So this is a good chance to stock up on notions and staples as well as
getting some nice fabric and yarn at a good price.

The more bad news is that the reason the store is closing is because the
area is not that safe. They have an armed guard in the store. So I would
not plan on going after dark.

Don't know how long this sale is going to last, but the first ones there
get the best bones!

Stephen Bergdahl


That's very interesting, and somewhat disconcerting. The Hancock Fabrics in 
Bremerton, Washington (on Wheaton Way) is also closing, and also has 
everything currently at 30% off. No real excuse why the store is closing, 
but it just isn't doing well. It's in a poor area. Not outright unsafe, 
but sort of grungy-commercial. Lots of discount type stores nearby.

I sure hope this doesn't indicate something worse in store for the future 
of Hancocks.

Julie

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[h-cost] Re: When and how did you start making costume?

2006-05-22 Thread Kahlara
I remember from a young age having a dress-up closet made up of less than 
perfect vintage clothes my mother had picked up at the second hand store. There 
was one very yellow gown made of either silk or satin with a tulle overskirt 
and lace over the bodice that I remember well. So I guess I was interested in 
costume early on.
   
  My mother also made my costumes for ballet recitals, horse shows and 
halloween as well as some every day clothes, so she helped start my interest in 
sewing and making costumes.
   
  I used to make crude doll clothes, and as it was the fashion at the time, 
crochet ponchos for my barbie dolls out of doilies.
   
  My mom was just beginning to teach me to machine sew when she died so I am 
mostly self taught, scorning Home-Ec class to take drafting, and wood and metal 
shop.
   
  I've dabble in costume somewhat, even had a load of fun designing the set and 
costumes for a theoretical production of Much Ado About Nothing for a class 
in college, but it is only recently that I have gotten really interested in 
doing truely accurate period costume.
   
  And I have 4 cats, 2 horses, 2 gold fish and 1 dog. The cats provide way too 
much supervision and quality control.
   
  Annette M


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[h-cost] Re: My latest gig!

2006-05-21 Thread Kahlara
Very cool !! Congratulations.
  
  Any idea if the exhibit will be coming to Seattle or anywhere near it?
  
  Annette M
  

  
Date: Sat, 20 May 2006 11:05:41 -0700
From: Saragrace Knauf 
Subject: [h-cost] My latest gig!


I  do, I do! The Phoenix Art Museum just called me and asked me to do  costumes 
in conjunction with the traveling exhibit from the Rijksmuseum  from Amsterdam! 
Whe! I am s exited. I hope like heck they ask  me to do the Kitchen 
Maid by Vermeer. They even said there would be  funds since they realized it 
could be very expensive!!

http://www.codart.nl/exhibitions/details/833/

Sg (who can hardly believe it herself, and hopes she doesn't jinx anything by 
announcing it!)
  


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Re: Current projects (was Re: [h-cost] hello out there??)

2006-05-21 Thread Kahlara
Wedding clothes!
  
  I know the styles are from several different periods, but I'm about the only 
one that will actually be there that knows this.
  
  2 or 4 linen men's 'tunics' - rather modified from the leine as they are only 
for this one time
  
  1 - ionar/kilcommon jacket adaption - also for just this one time,  although 
I suspect he will really like it and want to wear it again  when I haul him to 
some SCA events :-D
  
  1 or 2 pair of trousers
  
  1 or 2 semi-heraldic tabards
  
  4 - linen chemises
  
  4 - underdresses
  
  2 - fitted overgowns with short sleeves and tippets
  
  1 - overdress/tabard thing (adapted from the gold brocade 15th c. florentine 
gown in braun and schneider)
  
  1 - sideless surcotte  - I almost bought a silver fox jacket at  the second 
hand store for trimming this one, but it was in such perfect  condition I knew 
I couldn't bring myself to cut it apart, and I really  want a shorter fur for 
this if I use one.
  
  I am having three of the underdresses (should really be GFD's) made from 
commercial patterns for a couple of reasons.
  
  1. my honor attendant really hasn't any use for a period dress
  
  2. my flower girl/usherette is going to grow out of hers before too long
  
  3. I haven't found anyone that gets the idea of the GFD enough to help  me 
with mine - nor have I been able to find a fabric that I like well  enough to 
do the extra work (really good lightweight wool is very  difficult to find 
around here, and I hate to order online sight unseen)
  
  4. I like the allegorical look for this and that will be easier to do  
messing with a modern pattern style that I am more familiar with.
  
  Oh - and about a dozen 'silk' pennants in various colors taken from our 
different families' 'supposed' coat of arms. 
  
  And yes, I have help with all this sewing!
  
  Annette M


  




Date: Sun, 21 May 2006 00:15:03 -0400
From: Catherine Olanich Raymond 
Subject: Current projects (was Re: [h-cost] hello out there??)

On Saturday 20 May 2006 5:06 pm, Sue Clemenger wrote:
 Sure! Always! 
 I've got a variety of things going at the moment, some of them peripherally
 (sp?) associated with historical costuming, 

Wow, neat stuff, Sue!

Since nothing else is going on here, this may be a good time for people to 
talk about their current costume/textile-related projects.  

Let's see.  What am I working on now?  Ignoring the stuff that's gotten pushed 
so far down the list it's a misrepresentation to claim I'm working on it at 
the moment, we have:

*  A Viking apron dress of the same style as the reconstruction in the Danish 
National Museum (I forget the official name of the museum just now, sorry!)

*  A plain linen smock or two to wear with it and other period garb (none of 
my smocks are linen, and I'm trying to make my garb more properly historic.)

*  An ornamented shawl of a style found in Lithuanian digs dated to about the 
10th century.

*  Teaching myself nalbinding so that I can eventually make myself a properly 
period pair of socks.  My first project is a kind of floppy dome I'm trying 
to turn into a simple hat.

*  Remaking a classical Roman matron's tunic to be more period;

*  Making a stola (sleeveless overdress--*not* a shawl or stole, despite the 
name) to wear with the above.  

-- 
Cathy Raymond 

I'm starting to like the cut of this man's gibberish.
--General Fillmore (from The Tick, episode 2)
  





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[h-cost] Re: h-costume Digest, Vol 5, Issue 391

2006-04-30 Thread Kahlara
Heather,
  
  I know you said you weren't ready for feedback yet, but wow. Great project.
  I took a quick look at the periods that interest me (12th-15th c.) and  even 
the short bits of data you include have piqued my interest to do  more indepth 
research in the future.
I'm sure it also includes resources I would have never been able to access or 
even considered.
  I can't begin to imagine the time you have put into this, but thank you.
  Main page looks great too - very clear on your parameters and intent.
  
  Annette M
  
  
Message: 11
Date: Sun, 30 Apr 2006 00:38:02 -0700
From: Heather Rose Jones [EMAIL PROTECTED]
Subject: [h-cost] Surviving Garments Database


I really need to get to bed, so I'm not hitting all the lists with  
this announcement yet, but my searchable database of surviving  
garments up to 1500 is now available in useable form (although expect  
some minor aspects of the interface to change regularly in the next  
couple weeks).  Check it out at:

http://www.heatherrosejones.com/survivinggarments/index.html

At some point I'll be interested in feedback, but since I _know_ it  
not only has a clunky interface at the moment, but needs some serious  
data clean-up, it would probably be better to wait for about a month  
and then see if the problems you've noticed are still there.

Enjoy!

Heather

  
  
  


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[h-cost] Re: Robin Netherton/GFD and other lectures

2006-04-28 Thread Kahlara
Yes! That is it. Thank you. I love that dress and hope to make one like it - 
next year -when all the wedding stuff is done and I've had time to breathe and 
play in some of my other hobbies.
   
  Annette M (soon to be T)
   
   
  --

Message: 1
Date: Mon, 24 Apr 2006 18:44:42 -0500 (CDT)
From: Robin Netherton 
Subject: Re: [h-cost] Robin Netherton/GFD and other lectures
To: Historical Costume 
Message-ID:


Content-Type: TEXT/PLAIN; charset=US-ASCII


On Mon, 24 Apr 2006, Kahlara wrote:

 Wow, they were great. Very informative. I am sure she has saved me a
 lot of time, frustration and money. I'm glad I put off making my dress
 until after I went to the lectures. It also helped me narrow the
 period of everyone else's clothing, as most of the women have picked a
 variation of the GFD already!

I'm so happy to hear this!

I'm looking forward to seeing the pictures. The camera hates me and I have
become used to that; every professional photographer I've been worked with
has commented on it. (And people have been known to blurt out on first
meeting, Wow, you look so much better than your pictures!) As long as I
think they aren't misleading about the costumes, though, and they don't
break any copyright laws, I'll be happy for you to post them after I've
seen them.

 Robin - there was one painting you used for reference that depicted
 several sleeve types, including a woman kneeling in the background
 wearing a dark blue gown with white tippets. What is that
 painting/illumination? and is it easily found either online or in a
 book somewhere?

I had a lot of sleeve examples, but only one I can think of with a
kneeling woman with tippets; that would be the April calendar page from
the Tres Riches Heures:

http://humanities.uchicago.edu/images/heures/april.jpg

Is that it?

I believe this is the latest example, by far, that I've seen of tippets,
which were out of fashion by a decade or two at the time of this painting
(about 1410-15). It may be that this was a deliberate reference to a known
person known to the patron (e.g. an older family member shown in her
youth, or someone who had died earlier). I've never seen anyone discuss
it, and I suspect that a costume archaism of a generation or less goes
unnoticed by most art historians.

--Robin

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[h-cost] Re: movies-things that make you cringe

2006-04-25 Thread Kahlara
Or watching a modern military action film with a vet. That is the completely 
wrong insignia... etc. Apparently A Few Good Men was pretty accurate with 
its uniforms.

[EMAIL PROTECTED] wrote:
   
  --

Message: 1
Date: Tue, 25 Apr 2006 08:07:39 -0300
From: kelly grant 
Subject: [h-cost] Movies-things that make you cringe!

 but because of my DH the entire family is known to yell at
 the screen in any movie historical or modern PICK UP THE AMMO/WEAPON, 
 as
 the good guy runs around ect...

Our favourite thing to make us yell at the screen...Close the damn door! 
When the actor walks intoa building and leaves to door open, to be closed 
miraculously by someone else!

It is getting better though, and so too are costumes in movies. Could you 
imagine if Hollywood were still costuming the way it did in the 1950's, then 
those 1810 dresses would have waistlines down around the hipline with gaps 
to show off the pierced midriff. ;-)

I think it's because the public is becomming better educated about costume 
history, I also think that it will get better in the future too. Costume 
Literature has jumped tenfold since I left University, so have the skill 
levels of the majority of students. People are pushing themselves further 
and further, trying to find out how those garments were made and worn in 
history, not just trying to capture a look.

Kelly 



Message: 6
Date: Tue, 25 Apr 2006 22:06:32 +1000
From: Elizabeth Walpole 
Subject: Re: [h-cost] Movies-things that make you cringe!

- Original Message - 
From: kelly grant 
To: Historical Costume 
Sent: Tuesday, April 25, 2006 9:07 PM
Subject: [h-cost] Movies-things that make you cringe!


 but because of my DH the entire family is known to yell at
 the screen in any movie historical or modern PICK UP THE AMMO/WEAPON, 
 as
 the good guy runs around ect...

 Our favourite thing to make us yell at the screen...Close the damn door! 
 When the actor walks intoa building and leaves to door open, to be closed 
 miraculously by someone else!


It's not just costumers/historians who tell fictional characters when 
they're wrong, my Mum's a nurse and you can't get through any sort of 
medical drama without learning where they have taken liberties with the 
facts.
Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/e_walpole/




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[h-cost] Re: Marie Antoinette/Knight's Tale

2006-04-21 Thread Kahlara
Snicker - I would expect that this will turn out to be silly and campy,  
(intended or not) and rarely presenting historical fact, although the  costumes 
did look nice. (Or if it is good enough and popular may spur a  trend in modern 
fashion?)
  
  The other possibility, although not likely, is that the music was  provided 
with the trailer simply as an attention getter, and is not an  essential part 
of the movie. I don't know anything about Sofia  Coppola's directing style, but 
didn't she win some awards for Lost in  Translation?
  
  I refused to watch A Knight's Tale for years because it was set to rock  
music. When I finally did see it I was pleasantly surprised that it was  fun, 
and didn't take its self seriously. But the female lead's  headdresses and 
hairstyles were freakish at times. Certainly not very  accurate, but for 
nothing else to do on a rainy afternoon, provides a  nice bit of fluff - or 
good background noise while cooking dinner or  cleaning house.
  
  Annette M


  --

Message: 7
Date: Fri, 21 Apr 2006 00:14:30 +0200
From: Bjarne og Leif Drews 
Subject: [h-cost] Marie Antoinette

Hi
I found this, and
http://www.marieantoinette-lefilm.com/
Didnt they use wrong music for this?
Or is it the new, that they want young people to get an interrest in 
history, and make it with rock music?
I think i am getting old

Bjarne




Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 
--

Message: 9
Date: Thu, 20 Apr 2006 18:40:58 EDT
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] Marie Antoinette


In a message dated 4/20/2006 6:16:53 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Hahahaha
 
Well, they'll probably try to make her out to just be the misunderstood  
Paris Hilton of the French Court...all that running around and lying in the  
grass 
and stuff. Y'know, like Mozart was just a Classical rock star! :-P
The clothes look 30-fold times better than Amadeus I must say. They look  
right good. I noticed several different styles. I wonder if they follow the 
time  line or are just scattered throughout?


--


Message: 13
Date: Thu, 20 Apr 2006 18:30:30 -0700 (PDT)
From: Diana Habra 
Subject: Re: [h-cost] Marie Antoinette


They did the same thing with A Knight's Tale.  Decent story, fun
characters and okay clothing but the music..Very rock and totally out
of place (along with the icky lampshade hat on his girlfriend).

It would have been great without the rock music and some of the
questionable clothing

Diana

www.RenaissanceFabrics.net
Everything for the Costumer

Become the change you want to see in the world.
--Ghandi
--

Message: 14
Date: Thu, 20 Apr 2006 21:19:00 -0500
From: Karen Heim 
Subject: Re: [h-cost] Marie Antoinette

It won't play on my home computer, but IIRC from listening to it at 
work, it's New Order.

Karen

Dawn wrote:



 Does anybody know who performs the music they're playing in this teaser?



 Dawn
--

Message: 15
Date: Thu, 20 Apr 2006 21:45:27 -0500
From: Land of Oz 
Subject: [h-cost] Knight's Tale

 They did the same thing with A Knight's Tale.  Decent story, fun
 characters and okay clothing but the music..Very rock and totally out
 of place (along with the icky lampshade hat on his girlfriend).

 It would have been great without the rock music and some of the
 questionable clothing


Now, see I thought the music and the medieval punk really MADE the movie. 
It would have been boring w/o it, IMO.

Different strokes.

Denise
Iowa 
--

Message: 16
Date: Fri, 21 Apr 2006 14:52:15 +1200
From: Adele de Maisieres 
Subject: Re: [h-cost] Knight's Tale

 They did the same thing with A Knight's Tale.  Decent story, fun
 characters and okay clothing but the music..Very rock and totally 
 out
 of place (along with the icky lampshade hat on his girlfriend).



 Now, see I thought the music and the medieval punk really MADE the 
 movie. It would have been boring w/o it, IMO.


Snerf.  I thought they might as well have kept the jousting, plumped for 
a modern setting and achieved less net total anachronism.


-- 
Adele de Maisieres



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[h-cost] Re: h-costume Digest, Vol 5, Issue 280

2006-03-22 Thread Kahlara
I haven't yet established an SCA name and will be wearing modern garband 
will have my sometimes reticent, sometimes talk your ear off fiance in tow. 
Don't take it personally if he stands to one side and glowers.
   
  Annette M
   
  Message: 1
Date: Tue, 21 Mar 2006 20:27:13 -0800
From: Cynthia J Ley 
Subject: Re: [h-cost] Re: this list

And some of us will be in garb, while others won't. Stickers for the
whole lot Good Plan. :-)

Robin, we are so looking forward to your visit this weekend--it's all
we've been talking about! :D

Safe journeys, and see you soon.

Arlys

On Tue, 21 Mar 2006 20:01:54 -0600 (CST) Robin Netherton
writes:
 
 On Tue, 21 Mar 2006, Wanda Pease wrote:
 
  I think we need to all wear a red H or something to identify the 
 H-Costumers
  at the Lectures. Sounds like a lot of us will be there.
 
 I deputize you to bring some stickers or something for the h-cost 
 people
 ;-)
 
 I have a class list, but it's all SCA names! So there are probably 
 people
 on it that I know from h-cost, but I'm not making the connection.
 
 --Robin
 
 



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[h-cost] Re: communication (was Re: h-costume Digest, Vol 5, Issue 269)

2006-03-21 Thread Kahlara
Message: 2
Date: Mon, 20 Mar 2006 09:33:59 -0800
From: Lavolta Press 
Subject: Re: [h-cost] Re: h-costume Digest, Vol 5, Issue 269
   
  Most of what I said was merely supporting statements for my main point, which 
I must not have made very clear...you can't expect or force others to live and 
operate by the same standards you hold yourself to.
   
  Having said all that--I only write to spec if you pay me. And you 
couldn't possibly pay me enough to use any emoticon, or to say never 
say never or some of the other pat phrases I see.  I suppose I can't 
expect anyone else to write to my specs (as above). But I also have 
the 
right to say things the way I think is best.
   
  I am glad that you recognize this. It is very much a manner of 
communicating based on where you came from and how you were raised. For an 
example, my mother-in-law's use of y'all, constant spewing of 
malapropisms, and mispronounciation of simple words, i.e. Lie-berry, 
Walmark, 
drive me up a wall, but I don't take umbrage or try to hold her up to 
the standards of gramar and speech that I was raised with and still use. 
It is just where she comes from. In a social group you accept one 
another's differences with a smile.


Communicating in the manner of this list leaves out the standard 
communication tools we have when speaking with someone in person or 
even on the phone. They are just words on a screen and not tempered by 
someone's tone of voice.

So is every written communication, back to the days of clay tablets. 
Email is not new in that respect. It's just a letter.
   
  In basic truth, yes. But I still hold to my original comment that the nature 
of email, especially mailing lists such as this are not the same. The rapid 
nature of this written communication tool allows for virtually an immediate 
response, and so can allow for an absence of forethought before replying. If 
misunderstood, it is very simple to quickly provide more information, unlike 
traditional letter writing.
   
  People's expertise can, and should, be judged on what they say about any 
given subject at that given time. Not on whether they explicitly say I 
am an expert or I am not an expert. Whether the person thinks they 
are an expert or not is irrelevant, as is whether their friends think so.

  Also as I stated before, on a mailing list such as this it is more likely for 
one to be communicating with others that are unknown, or not known well, but 
not with the same protocols as when writing a business communication. This 
provides greater opportunity for misunderstanding or misinterpretation. To 
state 'in my opinion' or 'from what I have found' tells people that do not know 
me that I do not claim to have a huge well of knowledge on the subject. (There 
are subjects other than costuming in which I would not preface a comment that 
way, not that I think I am an expert there but do have years of experience and 
study others may not.)
   
  In my opinion may also be a defensive mechanism for some. As you commented 
on the nasty nature of most groups you have found on the internet, so many are 
willing to 'flame' another person with whom they disagree, rather than to 
engage in a discussion of opinions. Making an apology in advance of a opinion 
might be an attempt by some to disarm the person or persons most likely to want 
to engage in an argument rather than a beneficial discussion of thoughts and 
ideas.
   
  But I do agree that there are many women in general who are not as forthright 
nor display as high a degree of confidence as they should or could.
   
  
 As for using 'in my opinion' to preface a comment - personally, I am 
 no expert, and based on what little research I have done any comments I 
   have are merely an opinion based on that research. I know this. By 
  saying 'in my opinion', I am stating in a short addenda This is what I 
 think based on what I have learned so far. If anyone has more 
  information I would love to hear it. Then it is up to me to accept any 
 other information tossed my way. It also says I am not claiming to be 
   an expert. I think this is a generally accepted interpretation of 
 such comments.

And of course, in a public group other people are likely to respond to 
whatever you have said. You don't need to explicitly give them the right 
to do so. You also don't need to accept everything everyone else says 
in the sense of agreeing with it.
  
Fran
Lavolta Press
http://www.lavoltapress.com
   
  Annette M


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[h-cost] Re: this list

2006-03-21 Thread Kahlara

Message: 9
Date: Mon, 20 Mar 2006 12:48:13 -0700
From: WickedFrau 
Subject: Re: [h-cost] this list

Hi Julie, you can post pictures here if you like. You can create a new 
ablum. I sure wish someone would use it!
   
  I'll be attending Robin's lectures in Portland this weekend. With her 
permission I could post some pics? (I'm assuming she'll have a few examples to 
go with her topics)
   
  And of course, when the wedding costumes are all done I'll want to share, but 
that will have to wait til after June.

http://www.picturetrail.com/gallery/view?username=hcostume
The userid is: indra2006


Sg

Julie wrote:

 Maybe I'm just too used to the Yahoo groups, but does this list have a 
 files, photos  links section?
 Julie

   
  Annette M


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[h-cost] Re: h-costume Digest, Vol 5, Issue 269

2006-03-20 Thread Kahlara
Sigh..
   
  Message: 12
Date: Sun, 19 Mar 2006 22:09:03 -0800
From: Lavolta Press [EMAIL PROTECTED]
Subject: Re: [h-cost] semi-OT: waiting for books
 
  Tone is not apparent on a list like this one, so I think it's 
 important to spell out one's opinions and offer citations.

major snippage
   
  I think it's better to define what's being qualified:

These corset instructions work best for large busts
   
  (Opinions of what is a large bust vary greatly)
  

rather than:

These corset instructions work great for me, YMMV.

Having said all that--I only write to spec if you pay me. And you 
couldn't possibly pay me enough to use any emoticon, or to say never 
say never or some of the other pat phrases I see.  I suppose I can't 
expect anyone else to write to my specs (as above). But I also have the 
right to say things the way I think is best.
   
  I am glad that you recognize this. It is very much a manner of communicating 
based on where you came from and how you were raised. For an example, my 
mother-in-law's use of y'all, constant spewing of malapropisms, and 
mispronounciation of simple words, i.e. Lie-berry, Walmark, drive me up a 
wall, but I don't take umbrage or try to hold her up to the standards of gramar 
and speech that I was raised with and still use. It is just where she comes 
from. In a social group you accept one another's differences with a smile.
   
  Communicating in the manner of this list leaves out the standard 
communication tools we have when speaking with someone in person or even on the 
phone. They are just words on a screen and not tempered by someone's tone of 
voice. We all read them differently. Even when communicating in writing with a 
well known friend or colleague is different than communicating on this list 
with so many individuals whose personalities we don't really know. The list 
takes on a conversational tone, without the benefit of heard inflection. Not 
all of us are technical writers or novelists concerned with the exactly perfect 
way to express our point.
   
  As for using 'in my opinion' to preface a comment - personally, I am no 
expert, and based on what little research I have done any comments I have are 
merely an opinion based on that research. I know this. By saying 'in my 
opinion', I am stating in a short addenda This is what I think based on what I 
have learned so far. If anyone has more information I would love to hear it. 
Then it is up to me to accept any other information tossed my way. It also says 
I am not claiming to be an expert. I think this is a generally accepted 
interpretation of such comments.
   
  As for no real friendships and women constantly seeking to stab one another 
in the back while smiling on the surface - either you grew up in a very snide 
and catty atmosphere or I grew up in an unusually amiable one.
   
  

Best,

Fran
Lavolta Press
http://www.lavoltapress.com
   
  Annette M


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[h-cost] Re: period dye color references

2006-03-17 Thread Kahlara
My modern references state thus:
   
  #1. Dandelion flowers with alum mordant produce a soft yellow, flowers with a 
tin mordant produce yellow, and the whole plant -roots, leaves and flowers - 
without mordant produces a magenta color.
   
  #2. Dandelion flowers with tin mordant produce a golden yellow and dandelion 
root with an alum mordant a gold-yellow similar to what we call 'goldenrod' 
paper. (this one has a color chart)
   
  I spent a few years as a RD lab technician at a homeopathic manufacturing 
company. Dandelion is a great foodstuff/supplement. Good for the liver too. My 
dad used it in salads and for making wine.
   
  Annette M (looking forward to finally moving into our new house where there 
is a lot more space for sewing and room to start experimenting with natural 
dyes)

[EMAIL PROTECTED] wrote:
  Message: 6
Date: Thu, 16 Mar 2006 22:58:25 -0600
From: otsisto 
Subject: RE: [h-cost] period dye color references

I have always heard that it is the flower or the whole plant that is used in
dyeing not just the root. (Though there is a site online that says you can
get a red from the root).
What color is made, I don't know as I have not gotten into natural dyeing.
One person told me that she achieved an almost saffron color reddish yellow
with the flowers.
And another said she used Alum and got yellow. So maybe the mordant might
have an effect in the color.
Another said that the leaves with salt made red.
Found this site of someones experiment:
http://www.sewanee.edu/chem/chemart/Detail_Pages/Projects_2003/Lawrence/htm
l/Lawrence.html

The root of the dandelion is good for the liver and has been used in cases
of cirrhosis of the liver. It is a diuretic which helps to flush the liver
and kidney's. The leaves when picked young is good to add to a salad. The
leaves also contain A,B,C, and D vitamins, plus potassium salts, iron and
other minerals.
The flowers are edible as well and pretty up a salad.
The root is also an anti-rheumatic and a mild laxative.
If you choose to try dandelion in your diet, please learn the hows and
wheres of harvesting the plant. Like don't eat of a dandelion growing very
near a highway of road.

De

-Original Message-
..as far as any of the more experienced dyers could tell, get reds from
dandelion root.

Pixel/Margaret



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Re: [h-cost] period dye color references

2006-03-17 Thread Kahlara
Wonderful! So there is reference to a color of that sort, even if it didn't 
have that name yet, as far back as the 16th century.
   
  Thank you!

Annette M
Message: 7
Date: Fri, 17 Mar 2006 07:58:55 -0800 (PST)
From: Joannah Hansen 
Subject: Re: [h-cost] period dye color references

snip--

I found this:

magenta

adj : deep purplish red n 1: a dark purple-red; the dye was discovered in 
1859, the year of the battle of Magenta [syn: fuchsia] 2: a battle in 1859 in 
which the French and Sardinian forces under Napoleon III defeated the 
Austrians under Francis Joseph I [syn: Magenta, Battle of Magenta]

Source: WordNet ® 2.0, © 2003 Princeton University 

And this is just interesting:

Main Entry: fuch·sin
Variant: or fuch·sine /'fyük-sn, -sEn/ 
Function: noun
: a dye that is produced by oxidation of a mixture of aniline and toluidines, 
that yields a brilliant bluish red, and that is used in carbolfuchsin paint, 
in Schiff's reagent, and as a biological stain 
Fuchs /'fuks/, Leonhard (1501–1566), German botanist and physician. In 1542 
Fuchs published De Historia Stirpium, a manual of herbal plants that stands 
as a landmark in botany. The work is historically important for its orderly 
presentation, accurate drawings and precise plant descriptions, and its 
glossary of botanical terms. Fuchs was especially interested in the medicinal 
properties of plants, and his book listed the reputed powers of each. The 
genus Fuchsia was named in his honor by Linnaeus in 1753. Fuchsia also 
denotes the vivid reddish purple color of the flowers of many plants 
belonging to the genus. 

Source: Merriam-Webster's Medical Dictionary, © 2002 Merriam-Webster, Inc. 

I love this list - it leads me to look up so many interesting things - I had 
no idea before this that the colour was named after a Napoleonic battle.

Joannah. 

~*~ Practice random acts of kindness, and senseless acts of beauty. ~*~


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Re: [h-cost] period dye color references/color fastness

2006-03-17 Thread Kahlara
  Yes, the first reference stated good color fastness in the yellow with both 
tin and alum, but had no comment regarding the magenta without mordant - 
leading me to believe that it is not color fast at all.
   
  Annette M
   
   
  Message: 12
Date: Fri, 17 Mar 2006 12:39:50 -0600
From: E House 
Subject: Re: [h-cost] Re: period dye color references

- Original Message - 
From: Kahlara 
 My modern references state thus:
 #1. Dandelion flowers with alum mordant produce a soft yellow, flowers 
 with a tin mordant produce yellow, and the whole plant -roots, leaves and 
 flowers - without mordant produces a magenta color.


Does your reference say anything about colorfastness?

-E House


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Re: [h-cost] Glove pic

2006-03-16 Thread Kahlara
Wow, that is an awesome painting! I've forgotten how fabulous the old masters, 
especially Rembrandt were. Most of the time when folks post a painting for 
reference I just look at the article of clothing or details that are being 
referenced, but this one just knocked my socks off as a work of art. And I love 
the outfit. If I can't get my FI interested in having one, I might just have to 
make something like it for myself! :-)
   
  Annette M

[EMAIL PROTECTED] wrote:
  Message: 1
Date: Thu, 16 Mar 2006 09:29:26 +
From: Kate M Bunting 
Subject: Re: [h-cost] Glove pic

I can only think of Rembrandt's portrait of Jan Six. 
http://www.artchive.com/artchive/R/rembrandt/jan_six.jpg.html has links to 2 
articles which discuss the significance of the gloves in this picture.

Kate Bunting
Librarian and 17th century reenactor

 [EMAIL PROTECTED] 15/03/2006 12:48 
What is the reason that several Dutch portraits have the person wearing one 
glove and holding the other? Most of them are on the right hand but the one 
of Valois one is on the left.
If nothing else, I've been introduced to the massive amounts of portraits 
from the references in this discussion board.

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[h-cost] Equestrian, et al

2006-03-15 Thread Kahlara
I had no idea there were so many! Went to my first Ithra (SCA school) this 
weekend, and was overjoyed to meet some like minded people (costuming, horses 
and cooking!) 
   
  First of all, begging pardon for mentioning certain items and not posting 
links, it becomes really awkward without opening a half dozen other windows at 
the same time, and I usually end up closing the wrong ones and losing my 
message. I will do a search to see if I can find pictures of some of the 
references I mention in response.
   
  It has been a busy week, but finally able to get back to the costume list. Am 
I the only one that did not recieve issue 230?
   
  Attended a class on equestrian barding this weekend, and one of the things 
that came up in discussion was the aside vs. astride issue.
   
  Message: 2
Date: Mon, 6 Mar 2006 13:09:35 -0600
From: Diane Maynard [EMAIL PROTECTED]
Subject: RE: [h-cost] Equestrian costumers and other hobbies - sort of
OT

-Original Message-
Annette and others-

Can we make a subgroup that deals with riding outfits and horse items?  

Personally, I am right there with you on the costuming for riders and
horses.  I own a horse farm that does classical riding (Dressage, 
Combined Training, Jumpers) but, I do SCA and other historical costuming as 
well.  I compete on horseback in the SCA with my full Elizabethan gowns...
  snip
   I already have a gorgeous saddle---just need a beautiful 
period bridle for my big grey warmblood.

Diane
   
  Oohh, see! - although I do my dressage and 3-day with a big Thoroughbred.
   
  
  On Mar 6, 2006, at 11:41 AM, Kahlara wrote:

 Over the years I have found that most of my creative associations seem 
 to have at least two or three similarities in other areas as well as 
 the shared interest in which we first became aquainted.

 I have noticed several list members make reference to horses and 
 riding. I ride and own horses also.Much snippage
 Just a little generalizing. ;-)  
  
  Message: 5
Date: Mon, 6 Mar 2006 22:42:03 + (GMT)
From: julian wilson [EMAIL PROTECTED]
Subject: Re: [h-cost] Equestrian costuming  other period tack

  Annette, Susan, and others - 
  according to Master Rhys Terafan Greydragon, - he estimates that of 
the entire SCA membership, possibly only 10% can actually ride, - and 
fewer still own their own horses.

  snip
  
  There must be so much specialised Equestrian Lore of costume, of 
bardings, of other tacks - of which we are unaware, - it would seem 
likely to be a subject of considerable interest to those of us who don't 
ride horses in these Modern Middle Ages.  For example...
  The riding side-saddle, riding astride-debate has it's own 
fascinations - Chaucer's illustrators clearly show the female Pilgrims riding 
astride - but I have read comments confusing the issue, by moderns, 
flatly stating that even during the 15th Century, all women rode 
fully-side-saddle, or sat behind a Male servant.  
   
  Evidence supports that the side-saddle in any form at all - didn't even exist 
until the 15th century. And the modern side saddle was developed possibly as 
recently as the 18th century.
   
  Did this call for divided 
skirts? or did women wear hosen under their skirts so as to be able to ride 
astride yet keep their modesty?
   
  snip
   
  Just speculation, but my thinking that women wore hosen and tucked their 
skirts in a proprietary manner when riding. The specific image I am thinking of 
- someone posted the link (of the Wife of Bath riding astride?), clearly looks 
as if this is the case.
   
Julian, in Old Jersey
  
Message: 8
Date: Mon, 6 Mar 2006 18:27:46 -0500
From: Susan Data-Samtak [EMAIL PROTECTED]
Subject: Re: [h-cost] Equestrian costuming  other period tack

From what I've been able to find out:  he short version of Astride vs Aside:

  snip
   
   I know there are pictures of 
females riding astride as well as sideways with their back parallel to 
the right side of the horse and their feet at right angles to the 
horse's left side. (Did I make this perfectly unclear?) Like sitting in 
a chair.  Others rode sideways behind a man.  Some even had a board to 
place their feet on.  Often the horse was led by a footman, controlling 
the horse.  It was thought that ladies couldn't control a large beast 
like a horse.

Women also rode palfreys-  gaited horses, also called ambling 
horses.  Supposedly, the Paso Fino Breed, (my horse is a PF) has the 
palfrey in its background.
  snip
   
  I just attended a class this past weekend on questrian barding and trappings, 
and the instructor had information that documented ambling as the equivalent of 
our modern day pacing - with the horses being taught to pace in the same 
manner. It wasn't included in part of the hand out, so I don't have the 
reference information to pass on.


Susan

  Message: 10
Date: Mon, 6 Mar 2006 19:47:04 -0600
From: Land of Oz [EMAIL PROTECTED]
Subject: Re: [h-cost] Equestrian costuming  other period tack

LADIES

[h-cost] Re: equestrian/side saddles and riding habits

2006-03-15 Thread Kahlara
Ah, we already have Mozilla/Firefox. I see that I am just going to have to get 
more familiarized with it.
   
  This isn't the saddle I mentioned, but is very similar and chair like.
  http://users.tinyworld.co.uk/sidesaddlelady/Side-facing%20saddle%20detail.html
   
  And a predecessor of the modern with the 'horns' more near the pommel.
  http://users.tinyworld.co.uk/sidesaddlelady/1799%20side-saddle%20detail.html
   
  Her website also has some information on riding habits.
  
http://users.tinyworld.co.uk/sidesaddlelady/Exhibits%20-%20riding%20habits.html
   
  I particularly like this one. It would be interesting to find more 
information on the 'riding corset' she mentions.
  
http://users.tinyworld.co.uk/sidesaddlelady/1896%20French%20Riding%20Habit%20made%20up.html
   
  And patterns! 
http://users.tinyworld.co.uk/sidesaddlelady/Catalogue%20-%20dressmaking%20patterns.html

Annette M (with the techno computer geek FI who adds 'cool' stuff to my 
computer while I am busy elsewhere)

Message: 9
Date: Wed, 15 Mar 2006 13:36:15 -0500
From: Susan B. Farmer 
Subject: Re: [h-cost] Equestrian, et al

Quoting Kahlara :

 I had no idea there were so many! Went to my first Ithra (SCA school) 
 this weekend, and was overjoyed to meet some like minded people 
 (costuming, horses and cooking!)

 First of all, begging pardon for mentioning certain items and not 
 posting links, it becomes really awkward without opening a half dozen 
 other windows at the same time, and I usually end up closing the 
 wrong ones and losing my message. I will do a search to see if I can 
 find pictures of some of the references I mention in response.

Ah, then you need to switch to The Better Browser :-) Use Mozilla or
Firefox (or Safari if you're on a Mac) -- they're tabbed browsers --
meaning in one browser window, you can have *many* tabs open to
different pages. Right now, I have a tab to cnn.com, wunderground.com,
yahoo groups, my email, eBay, 2 Taxonomy web sites (dissertation
related), and Festive Attyre. Mozilla has everything, Firefox is just
a broswer.

http://mozilla.org

Susan (down with IE!)
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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[h-cost] period dye color references

2006-03-15 Thread Kahlara
In reference roughly to 12th - 14th centuries. I have been eyeing a lovely 
piece of magenta wool. My herbal book says this color can be attained using 
dandelion - the whole plant with no mordant.
   
  1. are there any historical references for this color? I know that dandelion 
flowers produce a yellow dye.
   
  2. no mordant implies that it would not be color fast.
   
  3. are there any historical references to a magenta like color being produced 
with some other dye stuff?
   
  Or any suggestions where I might look for more information?
   
   
  Annette M (the fuschia/magenta/hot pink range is my favorite color for 
clothing!)


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[h-cost] Equestrian costumers and other hobbies - sort of OT

2006-03-06 Thread Kahlara
Over the years I have found that most of my creative associations seem to have 
at least two or three similarities in other areas as well as the shared 
interest in which we first became aquainted.
   
  I have noticed several list members make reference to horses and riding. I 
ride and own horses also. I also have made various articles of riding clothing 
and costumes for shows over the years (to keep it close to list topic).
   
  Although each individual is different, there seems to be a range of interests 
that most creative people share to one degree or another. For my part...
   
  horses, cats (or pets in general), costuming, reading, theatre, good movies, 
classical and traditional music, gardening, other artistically creative 
endeavors such as panting or some type of crafting, etc. And of course, the 
list always exceeds the amount of time available to pursue said interests.
   
  Just a little generalizing. ;-)
   
  Annette M


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[h-cost] Re: h-costume Digest, Vol 5, Issue 222

2006-03-06 Thread Kahlara
Thank you for all the great responses! Now I know I can create some nice things 
that are going to be easy and a lot less expensive to care for. Might try 
washing that natural colored linen blouse too.
   
  The other direction this took reminds me of how I ruined a dry clean only 
jacket that was one of my favorites by following label directions. The fabric 
was fine - it was the lining material that shouldn't have been dry cleaned. It 
'melted' and adhered to the fabric as it shrunk, creating a puckered and 
wrinkled affect that ruined the jacket.
   
  And aren't dry cleaners supposed to read labels. I know people aren't 
infallible, but the label on a skirt said clearly - dry clean only DO NOT PRESS 
- it came back fine many times, but the last time it got pressed, and a lovely 
skirt got turned into a limp and unattractive rag. It was just one incident 
however, and they are the best cleaners around.
   
  Annette M

  Message: 7
Date: Mon, 6 Mar 2006 06:10:12 -0600
From: Leah L Watts 
Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


 One of the things I learned in my studies was that legally, clothing 
 manufacturers have to put a care label on their garments, and they 
 have to 
 test the garment in what ever method they recommend.

Not that all manufacturer's actually _test_ the garments ... I think
Tommy Hilfiger still holds the record for biggest fine from the FTC for
inaccurate care labels. There's a fashion boutique that opened recently
in Omaha that is already notorious among the local dry cleaners; the
company I work for has told everyone to refuse garments from them because
they cannot be dry cleaned regardless of the care tag.

For *most* garments, 
 regardless of fiber content, the easiest and cheapest route is to 
 label the 
 garment Dry Clean Only. This way they are not responsible for the 
 poor 
 results if the garment is cleaned some other way, and they have to 
 spend 
 very little money researching other cleaning methods. 

I've always suspected Do Not Wash, Do Not Dry Clean, Spot Clean Only
was a synonym for We Couldn't Be Bothered To Test This But Don't Want To
Be Held Responsible.

Leah


--

Message: 8
Date: Mon, 6 Mar 2006 08:32:57 -0500
From: Lloyd Mitchell 
Subject: Re: [h-cost] abuse of fabrics (aka care and washing)
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=iso-8859-1

That has certainly been my take on it for years! The so called care label
puts the blame on the owner or outside establishment if the garment fails to
survive the cleaning.

Besides the Talon (zipper) ads, remember the Union Label (buy American!)
ads when all the new fibers began to come out in the 1950s? Some of the
American labels such as Jonathan Logan took great pride that you could
depend on their products not to shrink or misshape in the wearing (and
caring)

Kathleen
- Original Message - 
From: Leah L Watts 
To: 
Sent: Monday, March 06, 2006 7:10 AM
Subject: Re: [h-cost] abuse of fabrics (aka care and washing)


  One of the things I learned in my studies was that legally, clothing
  manufacturers have to put a care label on their garments, and they
  have to
  test the garment in what ever method they recommend.

 Not that all manufacturer's actually _test_ the garments ... I think
 Tommy Hilfiger still holds the record for biggest fine from the FTC for
 inaccurate care labels. There's a fashion boutique that opened recently
 in Omaha that is already notorious among the local dry cleaners; the
 company I work for has told everyone to refuse garments from them because
 they cannot be dry cleaned regardless of the care tag.

 For *most* garments,
  regardless of fiber content, the easiest and cheapest route is to
  label the
  garment Dry Clean Only. This way they are not responsible for the
  poor
  results if the garment is cleaned some other way, and they have to
  spend
  very little money researching other cleaning methods.

 I've always suspected Do Not Wash, Do Not Dry Clean, Spot Clean Only
 was a synonym for We Couldn't Be Bothered To Test This But Don't Want To
 Be Held Responsible.

 Leah
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Message: 13
Date: Mon, 06 Mar 2006 09:11:04 -0500
From: monica spence 
Subject: RE: [h-cost] abuse of fabrics (aka care and washing)
To: Historical Costume 
Message-ID: 
Content-Type: text/plain; charset=iso-8859-1


Hi--
I was a designer / patternmaker and technical designer in the garment
industry for 24 years. Do not blame the manufacturer (the people who
actually sew the garment) for the wording of care labels. Very often the
people who make the garment follow what is demanded by the Customer (the
people who order the garment from the manufacturer: Disney,. Walmart, Sears
etc.) The customer gives the manufacturer a manual 

[h-cost] abuse of fabrics (aka care and washing) question

2006-03-05 Thread Kahlara
Can someone point me in the right direction for info/resources on best washing 
methods fof various natural fabrics, especially linen and wool. I know that 
many of my off the rack 'modern' clothes specify dry cleaning, but if I were to 
wash my linen and wool yardage first (cool water of course), would that make 
the finished garment washable by the same method as well without too much risk 
of shrinkage? It would be so much simpler.
   
  Thanks,
  Annette M


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[h-cost] Re: Glove Ettiquette (was modes and manners)

2006-02-21 Thread Kahlara
I don't know about hand kissing, but I always understood that if a lady was 
wearing dress gloves - that is evening gloves or gloves simply as part of her 
ensemble she left them on and if she was wearing riding or gardening gloves or 
the like, they came off (obviously I would think) for hand 
shaking/introductions. Seems a simple rule that makes sense to apply to hand 
kissing as well.
   
  Annette M


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[h-cost] Re: h-costume Digest, Vol 5, Issue 141

2006-02-15 Thread Kahlara
rotflmao - almost sprayed my computer with my morning coffee!
  

[EMAIL PROTECTED] wrote:
  Message: 2
Date: Tue, 14 Feb 2006 19:43:47 EST
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] women costumes from The three musketeers


In a message dated 2/14/2006 5:34:43 P.M. Eastern Standard Time, 
[EMAIL PROTECTED] writes:

Those 
Frenchthey may not be accurate, but they are beautifully executed!






HeyI made a French Revolution joke :-P


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[h-cost] Re: Tudor Roses

2006-02-15 Thread Kahlara
Found this embroidery pattern while looking for something else. They call it 
English Rose but it looks like the right thing to me. Hope it helps.
   
  http://www.dragonbear.com/cenrose.html
   
  Annette M


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[h-cost] Re: dune costumes

2006-02-12 Thread Kahlara
Stillsuits - because they distilled all the bodily fluids into drinkable water. 
Eecch

Annette M
  Message: 1
Date: Sat, 11 Feb 2006 15:28:06 -0500
From: Helen Pinto 
Subject: Re: [h-cost] Dune costumes

Cheryl wrote:
I particularly liked the moisture-trapping suits. The name for them 
 escapes me. 

Still-suits.

-Helen/Aidan


--


Message: 6
Date: Sat, 11 Feb 2006 22:35:20 -0500
From: Becky 
Subject: Re: [h-cost] Dune costumes

Called stealth suits
- Original Message - 
From: Kimiko Small 
To: Historical Costume 
Sent: Saturday, February 11, 2006 1:27 PM
Subject: Re: [h-cost] Dune costumes


 At 07:58 AM 2/11/2006, you wrote:
I particularly liked the moisture-trapping suits. The name for them
escapes me.
 
 
 Still suits, iirc. It's been awhile.
 
 Kimiko
 
 
 ___
Message: 16
Date: Sun, 12 Feb 2006 01:37:18 -0800 (PST)
From: Joannah Hansen 
Subject: Re: [h-cost] Dune costumes
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain

No, sorry, it's definitely 'stillsuit' - I just checked in 'Children of Dune', 
that being the book that was closest to hand.

Joannah

~*~ Practice random acts of kindness, and senseless acts of beauty. ~*~

--- Becky wrote:

Called stealth suits

- Original Message -

From: Kimiko Small 

 At 07:58 AM 2/11/2006, you wrote:
I particularly liked the moisture-trapping suits. The name for them
escapes me.
 
 
 Still suits, iirc. It's been awhile.
 
 Kimiko
 


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Message: 17
Date: Sun, 12 Feb 2006 10:20:51 + (GMT)
From: julian wilson 
Subject: Re: [h-cost] Dune costumes
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=iso-8859-1

Becky wrote: 
Called stealth suits
- Original Message - 
From: Kimiko Small 
To: Historical Costume 
Sent: Saturday, February 11, 2006 1:27 PM
Subject: Re: [h-cost] Dune costumes


 At 07:58 AM 2/11/2006, you wrote:
I particularly liked the moisture-trapping suits. The name for them
escapes me.
 
 
 Still suits, iirc. It's been awhile.

COMMENT
Well, I have the original issues of Analog, [the large-format Sci-Fi Mag 
which had been the A-5-sized Astounding] - in which the very first stories of 
Dune were published, AFAIK, - and the moisture trapping suits are surely called 
still suits in Herbert's text as published therein.

Just my two drachm's-worth by water-counters.

Julian, 
still on the side of House Atreides, but running a little low on melange.


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End of h-costume Digest, Vol 5, Issue 133
*



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[h-cost] Re: h-costume Digest, Vol 5, Issue 133

2006-02-12 Thread Kahlara
I do. For Christmas in 1974 my mother bought me a basic Singer (straight stitch 
with reverse) and I have never changed the bulb. However, I don't think it is 
fair to actually count it. After she died I rarely used it so it probably 
hasn't as many hours of use on it as yours.
   
  Annette M

  Message: 14
Date: Sun, 12 Feb 2006 00:58:12 -0800 (PST)
From: Jayne Thomas 
Subject: [h-cost] My (Record Breaking?!) Sewing Machine Lightbulb


Hi!

After 13 years my lightbulb has finally gone in my sewing machine ( a Toyota 
that is so old that it has no name or model number!), and I wondered if anyone 
has had a lightbulb in their sewing machine that has lasted longer? 

Best Wishes
Jayne


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[h-cost] Re: posture and cut, was williamsburg suit

2006-02-05 Thread Kahlara
I have been watching this topic with interest. Just my uneducated opinion, but 
I think there are a number of factors at play here.
   
  We are healthier and better fed than our ancestors so yes, our bodies are 
'modern' and in many cases lager scaled, but life style has a great deal to do 
with it as well.
   
  For the most part we are trying to reproduce fashions of the middle and upper 
classes, whose lifestyle was considerably different than the working man. If 
burly shoulders were an indication of a man that had to labor to eke out a 
living, then I can see where the fashion would be towards making the silhouette 
as narrow as possible to indicate that a person did not have to labor for his 
living. These days a more muscular appearance seems to be favored through all 
social strata.
   
  Young men from prosperous families in previous eras engaged in 'leisure 
activities' that required an upright back straight, shoulders up and square 
posture such as horseback riding, fencing, shooting, etc. And young women 
similarly - I defy anyone to slouch and play the piano well for example.
   
  By comparison, many modern day people drive to work, sit at computers, and 
for entertainment watch television. Those striving for fitness often work out a 
gym or health spa which gives a different body structure again than someone 
whole engages in physical labor for a living.
   
  And, as has been mentioned already, posture was an indicator of social status.
   
  Also, modern medical science and chiropractic support a more natural posture, 
advocating allowing for the natural curvature of the spine. To me this looks 
like slouching btw, but it does open the shoulders wider. Just for an 
experiement and out of curiosity - I had my shoulder width measured while 
sitting up square and straight and then when slouching - there was a 5 
difference in the width of my shoulder measurement!
   
  There are still a wide variety of body types out there. For example, I have a 
friend who would probably need very little alteration or scaling up for that 
matter to be fitted well.
   
  Lastly, if the stereotype for physical appearance/stature being related to 
country or geographical area of origin has any basis in fact, would not the 
clothing made for an 18th cent. Frenchman, (who were supposedly shorter and 
smaller in stature), be a bit tight for an 18th cent. contemporary from a 
different geographical origin?
   
  JMHO
   
  Annette M 
  
 
  Message: 4
Date: Sat, 4 Feb 2006 20:13:25 +
From: Jean Waddie 
Subject: [h-cost] posture and cut, was williamsburg suit

The cut of clothes seems to be still moving (not surprising really..) I 
would say my husband and I both have pretty good posture, and recently 
we have both found that shirts or blouses from Next are too narrow 
across the front and too wide across the back. If we stand normally 
they strain at the buttons - if we slump our shoulders a little they fit 
better! Only from the one shop, so far, but Next must think this is the 
shape of the modern torso.

Are there any other periods when you find a wider back and narrower 
front? We know fashion is cyclical - waistlines go up and down, 
shoulders and hips go out and in - do shoulders go forward and back as 
well?

Jean



Kelly Grant wrote
It will have a bit of a modern look, because of our modern bodies, but 
if you try to cut the back narrow, the shoulder seam to the back, the 
shoulders as narrow as possible, and the armhole high, you should still 
have the 'look' you are trying to achieve.

I spoke with the other professor this morning about your dilema, he 
felt the same way I did...and it seems, many others, that you can't get 
a good fit by scaling up historical garments, we are built differently.

The only other thing I could suggest, as it worked for a college of 
mine, is to practice the movements and excercises of the period. Mark 
taught Victorian period calesthenics for a historic site here in the 
city. When I went to create a new doublet for him, I found that the 
shape of his body pattern fit exactly like the period draft! It was 
exciting for both of us to see the way we move in different ways from 
our historical counterparts.

Good luck on the new draft!

Kelly in Nova Scotia



Bravery is something you can experience on the spur of the moment, 
faced with danger. To have courage, you must think about the dangers 
in advance, then weigh the risks, and then do what you have to do, 
despite your fears
Caius Merlyn Britannicus





From: Bjarne og Leif Drews 
Reply-To: Historical Costume 
To: 
Subject: [h-cost] williamsburg suit
Date: Sat, 4 Feb 2006 11:19:02 +0100

Hi,
Thanks for all your interresting inputs to my question.
It is interresting to compare all the real cuts to the cuts in
Evolution of Fashion. What i want is to obtain the original cut as 
much as possible. But it really is difficult and i wished i had a 
dress stand of myself.
I cant stop thinking about all our words for 

[h-cost] Magna Carta Clause 35

2006-02-05 Thread Kahlara
In my translation anyway it says...
   
  Clause 35. Let there be one measure.., and one width of cloth whether 
dyed, russet or halberjet, namely two ells within the selvedges.
   
  Dyed I understand.
   
  Russet? Somehow I don't think this refers to red cloth.
   
  And does anyone know what halberjet is?
   
  These are the only definitions I got when I googled.
   
  Russet- a coarse, home-spun cloth much used by the peasantry. 
  Halberjet- probably a superior type of cloth.   
  Ell- a standard measure of length said to have been based on the length of 
the right arm of king Henry 1. 
   
  Annette M


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[h-cost] Re: pet hair - spinning

2006-01-20 Thread Kahlara
I think it would depend on the quality of the cat's hair - some long haired 
cats have a much more wooly texture to their coats than others which would 
probably be more friendly to spinning.
   
  It was not spinning, but I used to have a long-haired cat whose hair I could 
roll into little balls that looked and felt similar to a ball of felted wool - 
and the moths loved them just as much!
   
  Annette M
  whose four cats produce nothing near the problematic hair as my one 
short-haired mutt dog.
  

[EMAIL PROTECTED] wrote:
   
  
Date: Thu, 19 Jan 2006 22:20:08 -0600
From: Susan B. Farmer 
Subject: RE: [h-cost] pet hair


Quoting [EMAIL PROTECTED]:

 Ooops... Well, it all depends on the breed of cat's hair. I used 
 to spin collie hair and wool together. Why not Angora cat hair?


It's my understanding that the structure of cat hair makes it difficult
if not impossible to spin. Seems like the cuticle of the feline fiber
(sorry, couldn't resist the alliteration) is barbed. What I was told
was that you could spin it -- and then just watch it unspin itself. I
know lots of folks who spin Dog Hair, though.

Jerusha, not a spinner or weaver
   
   
  Date: Thu, 19 Jan 2006 23:41:40 -0500
From: Susan Data-Samtak 

Subject: Re: [h-cost] pet hair


the alliteration) is barbed
But aren't the barbs the reason that wool can be spun? It gives 
texture so the spinning stays in.

Susan


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[h-cost] which dress form? - opinions

2005-12-11 Thread Kahlara
  The question posted earlier got me thinking that I need a dress form too. I 
know very little about them except that they can be quite useful. Which ones 
are the easiest to work with and adjust, and are some more compatible with 
adjustments for certain body types? Specifically - short back/long hip, small 
rib cage and waist but broad shoulders and largish bust.
   
  I took a quick peek online at Hancocks and they currently have one on sale 
for $99. This brought up the questions as this basic one doesn't look like it 
would adjust very well to what is required. The Prym-Dritz twin fit looks like 
it might be more amenable to the proper measurements.
   
  I'm looking for one that would be appropriate for both costuming and 'modern' 
clothing.
   
  What all is out there and what have been everyone's experiences? What would 
be considered a reasonable price?
   
  Thanks,
  Annette M



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[h-cost] Re: finished sleaves

2005-12-04 Thread Kahlara
Absolutely gorgeous!!

  Message: 6
Date: Sun, 4 Dec 2005 16:41:27 +0100
From: Bjarne og Leif Drews 
Subject: [h-cost] finished sleaves

As sundays usually are quiet here, i dont think you would mind me for 
showing you the finished sleaves for the yellow dress.
They ended up being excactly as i wanted them.
http://www.my-drewscostumes.dk/chenillestumpwork.htm
At the bottom.

Bjarne





Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 


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[h-cost] Another on Opera/Theatre in general

2005-11-29 Thread Kahlara
I'm coming in late on this as I had heistated to comment, but now feel like 
tossing in my two cents worth as well.
   
  I saw a production of Tristan and Isolde several years ago that left a lot to 
be desired. I'm not sure of the intent, but it was distracting as the costuming 
was from more than one period - and none of it period to the opera. The set 
design was also from left field. I did watch it through as the voices were 
beautiful, but the friend that attended with me said she had to just close her 
eyes and listen.
   
  One of my favorites was a production of Die Fledermaus - I couldn't tell you 
what the period was as I wasn't as costume conscious then, but they were 
gorgeous!
   
  I have also seen a lot of Shakespeare, some in period costume some not. I saw 
a production of Taming of the Shrew in a 20th century Bohemian setting. It 
worked well I thought.
   
  I can see where a gently firm corset would help with breath support 
especially with the Queen of the Night's aria. But my favorite - even though it 
has been commercialized - is the Flower Duet from Lakme'. I did see that done 
in period costume - more or less - as the costumes were more representative for 
the British solidiers than accurate and seemed, as I recall, a little more 
showy than the actual uniforms would have been. But that is theatre after all, 
isn't it?
   
  Annette M
  (local to both the Seattle and Vancouver, B.C. Opera companies and ventures 
to the Oregon Shakespeare Festival on occasion)


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[h-cost] This is gorgeous!

2005-11-28 Thread Kahlara
Browsing eBay and found this...
   
  
http://cgi.ebay.com/Exquisite-Victorian-Soutache-Trim-Jacket_W0QQitemZ8358250073QQcategoryZ48864QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
   
  Sigh, the sort of thing that looks great period, but would also go great with 
a pair of jeans! I love Victorian although I haven't yet attempted to make 
anything period.
   
  Annette M


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[h-cost] Re: Upcoming costume event, St. Cloud, Minn.

2005-11-03 Thread Kahlara
Wish it wasn't so far away from me - those sound like exactly the ones I would 
want to attend. 
 
Annette M


Message: 2
Date: Thu, 3 Nov 2005 18:52:48 -0600 (CST)
From: Robin Netherton 
Subject: [h-cost] Upcoming costume event, St. Cloud, Minn.

As I mentioned a few weeks ago, I'm scheduled to speak at Clothier's
Seminar North (an SCA event) on Sat., Nov. 18, in St. Cloud, Minnesota. I
promised further details when they became available. As of today, there's
a preliminary class list up at
http://www.geocities.com/ursulagoddess/CSNorth_main.html

I'll be giving four lectures -- my mainstays on the Gothic fitted dress,
the Greenland gored gown, the sideless surcote, and the 15th century
V-neck gown.

Given the quantity of classes, the event strikes me as very reasonable: $8
for SCA members, $11 for nonmembers, and you get lunch if you preregister
by Nov. 9.

If this hasn't already been announced on the usual SCA garb lists, I know
the planners would appreciate it if someone would make a mention.

And if anyone on the h-cost list is planning on going, please let me know,
and be sure to introduce yourself at the event. (Don't be put off if I'm
in my usual pre-lecture intense-concentration mode or my post-lecture
brain fog.) I'd love lunch company with some h-cost people!

--Robin



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[h-cost] children's sizing - very OT

2005-10-31 Thread Kahlara
I know there are members here that must sew for children - modern clothes. I am 
wanting to make a hooded fleece jacket for my friend's little girl and am 
having a terrible time finding a pattern that is sized right. She is currently 
wearing 12-18 mos. - but is also already walking. I have looked at the big 
three and found nothing suitable - either not meant for fleece or the sizing is 
wrong or both. Anyone have any suggestions where else I could look, or know of 
a specific pattern I may have over looked?
 
(replying off list is fine as my email filter usually sends those through 
without a problem)
 
Thanks,
Annette M


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[h-cost] Re: New UK re-enactors recycling list

2005-10-29 Thread Kahlara
Thank you Susan!
 
Message: 2
Date: Fri, 28 Oct 2005 08:03:52 -0500
From: Susan B. Farmer 
Subject: Re: [h-cost] Re: New UK re-enactors recycling list
 


Quoting Kahlara :

 :-( wish there was something in the states like this! Took a peek 
 just out of curiosity and saw something that sounded like it might be 
 rather useful.

If you go to groups.yahoo.com and enter a search string of SCA recycle
4 local groups will come up.

OakenFreebies
ConstellationFreebies
MidlandsFreebies
PentamereFreebies

If you look for SCA sale you'll find

garb4sale
SCAforsale
scabarterandtrade

SCA freecycle returns

SCAcanrecyclefree

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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[h-cost] Re: grey waistcoat embroidery

2005-10-29 Thread Kahlara
Bjarne,
 
I am always stunned by the beauty of your embroidery work. Your waistcoat is 
going to be fabulous!
 
Annette M

--

Message: 10
Date: Sat, 29 Oct 2005 17:25:41 +0200
From: Bjarne og Leif Drews 
Subject: [h-cost] grey waistcoat embroidery


Well, i know i said i had to waite with this till when i have finished the
yellow dress, but i could not resist my lust to try out the mulberry silk
threads i got.
This is going to be a dark grey gentlemans embroidered waistcoat of 1770ies.
It is vey hard to trace pattern to dark fabric, so i used my rice paper,
reversed the pattern and sticked it to the backside of the taffeta. Then i
used white sewingthread and small running stitches to outline the whole
pattern. This worked fine, but it took some time to do.
Here is one pattern repeat of the pattern. At the bottom of the page;
http://www.my-drewscostumes.dk/herreveste..htm

Bjarne


Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 


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[h-cost] Re: New UK re-enactors recycling list

2005-10-28 Thread Kahlara
:-(wish there was something in the states like this! Took a peek just out 
of curiosity and saw something that sounded like it might be rather useful.
 
Annette M



Message: 2
Date: Wed, 12 Oct 2005 13:00:15 +0100
From: Melanie Wilson 
Subject: [h-cost] New UK re-enactors recycling list

 

http://groups.yahoo.com/group/Re-enactors_recycle/



Is a new list set up for re-enactors to freely offer goods that are no 
longer required, for example you have outgrown stuff or changed periods, or 
made a better version.

Items may not be sold. But reasonable postage can be asked for, but a sae is 
prefered, as most people will not be close to one another.

Please pass the message to any other re-enactors or living history folk who 
might be interested

Thanks

Mel




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[h-cost] Re: my new suit

2005-10-25 Thread Kahlara
Ohh! Those colors look absolutely gorgeous together!
 
Annette M


Message: 2
Date: Tue, 25 Oct 2005 15:02:17 +0200
From: Bjarne og Leif Drews 
Subject: [h-cost] my new suit

Hi,
I have uploaded a picture of the silks i want to use on the new suit. First 
to the right is the ribbed silk, second is a silk taffeta wich is very close 
to the colour of the ribbed silk, wich i will make a border of each side of 
the jacket to embroider on. It is very difficult to embroider on the ribbed 
silk, so that is why i use the taffeta. Finally to the right is the dark 
grey silk taffeta for the waistcoat.
http://www.my-drewscostumes.dk/mixedsilksuit..htm
Bjarme

Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 

--

Message: 8
Date: Tue, 25 Oct 2005 10:43:28 EDT
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] my new suit

Lov-er-ly!

I was just thinkingit's important, I think, to make sure somehow that 
the appliqued embroidery looks, without a doubt, that it was MEANT to be 
appliqued.

Y'know what I mean?

I'm not sure how this can be achieved, but somehow the applique process must 
be part of the embroidery process too. Maybe some element, leaves or fruit 
or something, can be the quilted taffeta. Or appliqued lace is also 
incorporated. [I don't mean to design things for you, I'm just thinking out 
loud]

In Fashion in Detail somewhere is some embroidery on a waistcoat that is 
made up of multiple techniquesan appliqued lace with embroidery over it 
and sequins or something like that.

Am I making sense? I just don't want someone to look at your suit and think 
Oh he took the embroidery off a bed hanging and applied it to the coat. It 
must look like it was meant to be appliqued from the start.

Then of course you have to do it to the waistcoat. :-P


--

Message: 10
Date: Tue, 25 Oct 2005 10:43:21 -0600
From: Sue Clemenger 
Subject: Re: [h-cost] my new suit

Oooh, Bjarne, they look just yummy! What kind of colors will you be using
for the embroidery?
--Sue, thinking Bjarne must be the best dressed guy in Denmark


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[h-cost] Re: a holiday idea

2005-10-24 Thread Kahlara
That does sound like a wonderful idea. I have done this in years past on 
another list I belong to and even when it is an inexpensive item, shipping 
internationally can easily surpass the expense limit if it is not a small and 
light weight item. Shipping overseas from the U.S. should also happen within 
the next few weeks if anyone wants to guarantee a package arriving in time for 
the holidays without having to pay a higher postage rate.
 
It does sound like great fun, but I'll have to nod out this year.
 
Annette M
 
--

Message: 1
Date: Mon, 24 Oct 2005 08:38:50 -0700 (PDT)
From: Lalah 
Subject: Re: [h-cost] a holliday idea

Bjarne, It wouldn't make a bit of difference what you sent, we would all die to 
get something you made!

Lalah, Never give up, Never surrender
--- Bjarne og Leif Drews wrote:
From: Bjarne og Leif Drews 
Date: Mon, 24 Oct 2005 09:46:33 +0200
To: 
Subject: [h-cost] a holliday idea
Hi.
I would like to participate in this also, but wouldnt there be
problems?
If i get someone who has interrest in medieval, i would not be
much
helpfull, have never done any medieval and what then?
Bjarne
Leif og Bjarne Drews
www.my-drewscostumes.dk
http://home0.inet.tele.dk/drewscph/

--

Message: 4
Date: Mon, 24 Oct 2005 09:39:48 -0700
From: Lavolta Press 
Subject: Re: [h-cost] Re: Holiday gift
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=us-ascii; format=flowed



 Aslong as the value of the package is not more then 22 Euro you get no 
 charge.

And the sender declares the value of the package, at least when shipping 
from the US.


 It would be a challenge to make someting from a period I don't know 
 much about.


But you don't necessarily have to make something. You could give someone 
a sewing tool or some trim or some dye or a pattern or a book, and 
that's just what I can think of off the top of my head.

Fran
Lavolta Press
http;//www.lavoltapress.com


--

Message: 5
Date: Mon, 24 Oct 2005 09:47:04 -0700 (PDT)
From: Chris 
Subject: Re: [h-cost] a holiday idea

Sounds fun. Count me in!

Chris G.

Dawn wrote:
Is there any interest among listmembers for a holiday gift exchange? I 
envision it working something like this: folks sign up with their name, 
address, and a 'favorite' (color, period, animal, technique). Each 
participant receives the name of another participant and is then charged 
with buying or making a small ($10 -ish) gift and sending it to that 
person by Dec. 20th.

I'm willing to coordinate, of course. :)



Dawn
wet, windy and cold in KC

--

Message: 6
Date: Mon, 24 Oct 2005 17:24:40 +
From: [EMAIL PROTECTED]
Subject: Re: [h-cost] a holiday idea

Sounds like fun. I would like to join the gift exchange also. I can basically 
do anything from medieval to Elizabethan - along with some Victorian.

Roscelin


 Is there any interest among listmembers for a holiday gift exchange? I 
 envision it working something like this: folks sign up with their name, 
 address, and a 'favorite' (color, period, animal, technique). Each 
 participant receives the name of another participant and is then charged 
 with buying or making a small ($10 -ish) gift and sending it to that 
 person by Dec. 20th.
 
 I'm willing to coordinate, of course. :)
 
 
 
 Dawn
 wet, windy and cold in KC
 

--

Message: 7
Date: Mon, 24 Oct 2005 13:37:21 -0500
From: Carol Kocian 
Subject: Re: [h-cost] a holliday idea


Hi.
I would like to participate in this also, but wouldnt there be problems?
If i get someone who has interrest in medieval, i would not be much 
helpfull, have never done any medieval and what then?
Bjarne

It's funny that some people are suggesting gift categories 
without even getting a recipient! If Bjarne got a name of someone 
who likes medieval, for example, he could go to a museum shop and get 
some post cards of medieval paintings with costume. The person would 
likely not be from the same country, and probably not be familiar 
with those paintings.

The idea of a $10 limit is that it's a token, and a cultural 
exchange. Much as we admire each other's work, I would not expect 
someone to make something that would sell for $50, even if it only 
contained $5 worth of materials. Time is valuable too, and 
especially close to the holidays when a lot of people are shopping 
for/making gifts for family and friends already.

I like the idea of several clues that someone suggested 
earlier - besides time period(s), also a favorite color and animal, 
and maybe another thing or two? Maybe one dislike, such as nothing 
gray or allergic to wool.

Say somebody lists 5th century, red and dragons. The giver 
might find a stack of postcards, or a red dragon figurine, or a yard 
of white linen (which is not specific to any of the clues but a 5th 
century person could use it). You may decide 

[h-cost] Re: Was carpet sweeper, now dog hair

2005-10-19 Thread Kahlara
My high school German teacher (who was Danish) made beautiful sweaters from her 
malamutes' hair. I used to have a Mala-mutt that produced the loveliest pure 
white under coat fluff that we saved for another woman that spun and knitted 
sweaters from dog hair.
 
As for the stench - a lot of this depends on the dog's lifestyle. Not always, 
but typically, a dog that is not allowed access to lovely odorous things to 
roll in - this includes normal ordinary organic matter - tends not to stink 
horribly when wet.
 
Annette M



--

Message: 1
Date: Tue, 18 Oct 2005 21:16:04 -0400
From: Shane  Sheridan 
Subject: Re: [h-cost] Was carpet sweeper, now dog hair
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=iso-8859-1


Subject: Re: [h-cost] Was carpet sweeper, now dog hair


 At 1:50 PM -0700 10/18/05, Cynthia J Ley wrote:
 I haven't yet, but a friend of mine who is a spinner did. Made some very
 successful yarn from it too. She said it didn't need blending because it
 already had a nice twist in it and made a fairly strong yarn.

 When I was actively spinning, I was asked if I'd take a commission
 from a local afghan (hound) club to make an afghan afghan. I
 thought it was a cute idea but didn't have the time.

 I believe there's also a book on using dog hair in weaving -- IIRC
 it's titled or subtitled (yes really) From Woof to Warp.

 I suppose the temptation was irresistible, really
 -- 

For some dog owners the temptation is more a survival reaction. :-)
My uncle raises Alaskan Malamutes, and often puppy-sits for other Mala-mutt
owners. He has had up to 25 dogs at his acreage at one time. That's a LOT of
dog fluff! My Malamutt every spring would shed a garbage bag's worth of soft
undercoat, her favorite thing was to sit with me outside and let me pull
handfuls of the stuff off of her - much easier than trying to scratch it off
herself I'm sure. A friend of my uncle's would come and collect the fluff
from him and other Malamute and Samoyed owners then spin and knit the
colletion every year, she made a nice bit of money at the season's dog
shows selling the results. Softer than you might think, and very warm. :-)

Sheridan
(missing my dog now...)




--


Message: 9
Date: Wed, 19 Oct 2005 05:31:04 -0500
From: Land of Oz 
Subject: [h-cost] now dog hair
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; format=flowed; charset=iso-8859-1;
reply-type=original

I can confirm that dog hair makes lovely fabric, whether woven or knit or 
felted. Any dog that blows a fine, soft undercoat (usually in the spring) 
makes a good candidate. If it's at least an inch and a half long, most 
people will not be able to distinguish it from angora (rabbit) in a finished 
object. The main objection is odor. If the dog smells, the fabric will too. 
Sometimes the odor can be washed out at the yarn stage, but sometimes it 
can't.


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[h-cost] Re: h-costume Digest, Vol 4, Issue 666

2005-10-18 Thread Kahlara
Hi Bjarne,
 
Your silk must be lighter than I imagined, as a pale pearl gray - as I think of 
it anyway - isn't a very dark gray. I am sure your suit will turn out lovely 
and I look forward to seeing pictures of the finished results.
 
900 colors of embroidery silk! You are sure to find a perfect match.
 
Annette M

--

Message: 2
Date: Mon, 17 Oct 2005 20:28:31 +0200
From: Bjarne og Leif Drews 
Subject: Re: [h-cost] Re: habit francaise
To: Historical Costume 
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; format=flowed; charset=iso-8859-1;
reply-type=original

Dear Anette,
This is what i had in mind, would be lovely on a grey silk.
But it was not used with a darker toned waistcoat, so ill have to stick on 
the off white.
But that can also be nice.
Would you magine, i searched for a twisted high glossy silk and found 
Mulberry Silks in England. I mailed the lady today because i want to order 
some things from her.
She says they have 900 collours to choose from!!!
That doesnt help much hah!

Bjarne



- Original Message - 
From: Kahlara 
To: 
Sent: Monday, October 17, 2005 7:19 PM
Subject: [h-cost] Re: habit francaise


 Hello Bjarne,

 Although this is not a period that I have worked with, I am a little 
 familiar with it and I have enjoyed looking at your pictures of costumes 
 and your exquisite embroidery.

 It does sound like you have made your decision about the waist coat - but 
 my mind's eye came up with this...I don't know if fabric of this sort it 
 is period, but what about a pale pearl gray with the same rosy undertones 
 as the jacket silk? If such a thing can be found.

 Your embroidery plans for this suit sound lovely.

 Annette M

===


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[h-cost] Re: habit francaise

2005-10-17 Thread Kahlara
Hello Bjarne,

Although this is not a period that I have worked with, I am a little familiar 
with it and I have enjoyed looking at your pictures of costumes and your 
exquisite embroidery.
 
It does sound like you have made your decision about the waist coat - but my 
mind's eye came up with this...I don't know if fabric of this sort it is 
period, but what about a pale pearl gray with the same rosy undertones as the 
jacket silk? If such a thing can be found.
 
Your embroidery plans for this suit sound lovely.
 
Annette M

--

Message: 3
Date: Sat, 15 Oct 2005 21:14:53 +0200
From: Bjarne og Leif Drews 
Subject: Re: [h-cost] habit francaise
To: Historical Costume 

Dear Joannah and Suzi,
Thanks for your inputs, i also found one in Ribeiro's Fashion in England and 
Fracem a spanish country park scene, a gentleman is wearing a red suit with 
green waistcoat.
But i have ben interrested in court suit wearm and i think it is a must with 
off white waistcoat.
Could have ben pretty with a medium grey with my dusty rose, but off white 
will also be nice.
I intent to embroider myself a new court suit, and i draft embroidery 
patterns right now, so fun. I think i will combine it so that i make the 
cuffs off white also. The match depends on the colours i use for the 
embroidery.
I was so fortunate to find a Armani ribbed silk in dusty red lilacs. As it 
was the last lot, 6,30 meter, i got it for 230,00 kr, a meter. They told me 
the original price is 1000,00 kr a meter.
Perhaps i make a wreath of rosebuds in dusty rose on the waistcoat and an 
old rose wreath of rosebuds on the jacket. More red than the fabric,
Please dont make any fuss about the portrait you found, it is the whole, 
that lighter waistcoats was used that matters to me.

Thanks for your replyes!!!:-)

Bjarne


- Original Message - 
From: Suzi Clarke 
To: Historical Costume 
Sent: Saturday, October 15, 2005 7:59 PM
Subject: Re: [h-cost] habit francaise


 At 18:46 15/10/2005, you wrote:
This, of course, sent me off looking through lots of portraits on the web, 
where I have seen plenty of *matching* waistcoats, but unfortunately no 
dark waistcoats with lighter coats. ( Do you know how many portraits were 
painted at just the right angle to not let you see what is on under their 
coats and jabots? Nearly every blasted one )

However, I did find this portrait -
http://www.npg.org.uk/live/search/portrait.asp?search=sssText=bachLinkID=mp05038rNo=0role=sit
which seems to have a waiscoat of a contrasting colour.


 I may be able to go and have a quick look at this on Tuesday, Bjarne, if 
 you can wait that long. I have a suspicion that what shows is the lining 
 of the coat, but if they have the portrait on display I will be able to 
 get a better idea.

 Suzi 


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[h-cost] Book on Lady and the Unicorn Tapestries

2005-10-13 Thread Kahlara
I don't remember who, but at least one person had mentioned a book/catalogue 
about these tapestries. This is the result I finally got from a book search 
site.
 
THE LADY AND THE UNICORN. 
Erlande-Brandenburg. 
Editions de la Reunion, 1989. VG+. Softcover.
 
It doesn't give any other information than that, and I don't know enough about 
the different editions. Is this the shorter version or the full length edition?
 
Thanks,
 
Annette M


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[h-cost] Re: Tippets

2005-10-13 Thread Kahlara
Thanks for all the replies and info! I haven't read the article, but from what 
Robin has said so far, I definitely should! I'll check the library at the 
university first, but short of buying it (which I may do anyway) I don't think 
anywhere local to me would have it available. If I can't locate it I will email 
you Robin.

Thanks again,
 
Annette M

Robin Netherton has written quite an explanation of tippets.  The
article is in the first Journal of Medieval Clothing and Textiles. 
Information there may help you in your efforts to produce your own. 
The article is scholarly, and not a how-to-make type.
Of course... you might have already read it.   ; 
Good Luck .
Hope this helps.
Mari / Bridgette

 
On Fri, 7 Oct 2005, Kahlara wrote:

 I have found very little info so far on tippets and how they were
 made.

As Mari noted, tippets are an interest of mine, and I have put 
essentially
everything I know about them into an article that appeared in the first
volume of _Medieval Clothing  Textiles_ (issued spring 2005), eds. 
Gale
Owen-Crocker and myself. For the long answer, I'd suggest you borrow or
ILL it; if you can't get a copy easily, e-mail me directly and we'll 
work
something out.

 A couple of sources I found said it was a strip of white linen tied
 above the elbow. Others said it was sewn on.

Short answer: Most of the standard sources are almost certainly 
wrong.

The most important conclusions (I'll leave the detailed analysis and
evidence to the article):

-- The tippets that look like a band around the upper arm with a 
hanging
streamer (which is what you seem to be asking about) were almost 
certainly
*not* separate wardrobe items, but rather decorative cuffs on
short-sleeved overgowns, made as part and parcel of the garment.

-- I can find no suggestion in any source that the bands/streamers were
linen, silk, or other fabric. There is substantial circumstantial 
evidence
that the depictions were meant to indicate fur -- in fact, an extension 
of
the (almost always white) fur lining typically used on these gowns.

 Yet other things I have seen and read make it seem like a scaled down
 version of the wide belled sleeves and made from the same fabric as
 the surcotte.

This sounds like a description of certain other decorative sleeve 
endings
from near to the same time period. A thorough look at the visual 
sources
shows that sleeve endings pass through a sequence of stages, the
band-and-streamer tippet being only one style in that sequence.

Some modern costumers use the term tippet to refer to several 
different
types of hanging sleeve decorations, and then distinguish them by 
various
terms such as integral tippets or banded tippets or whatever -- 
though
I have seen a lot of inconsistency in the modern use of such terms, and
there is no parallel distinction in the (highly fluid and imprecise)
terminology of the period. The word tippet was used for a variety of
things, including hood tails.

 Does anyone know if there is any extant examples that are clear on 
the
 construction? Or any resources that may be specific on the
 construction.

There are (to my knowledge) no extant tippets. There are plentiful 
visual
sources of varying quality, rare written references to the style, and
(again to my knowledge) absolutely no line-item entries in inventories,
wills, shop lists, etc. As near as I can tell, they are never referred 
to
as separate items, only as a feature of a particular style of garment.

  I saw one version at an SCA event that had them like a lining on a
 cuff and then turned up to show the contrasting fabric. .. From what
 I have seen, the SCA example I saw was not accurate.

It was probably more accurate than most of the other examples you may 
have
seen, as I suspect the band-and-streamer style developed as a 
formalized
version of the visual impression created by turning up a fur-lined 
short
sleeve with a hanging extension, which was the sleeve style immediately
preceding the appearance of the tippet. But *that* is my own 
speculation.

For the long version, I refer you to the article.

--Robin



 How does one go about subscribing to Medieval Clothing  Textiles ?

It's an annual journal published in book form. It's assumed that most
subscribers will be libraries that will want to assemble a complete 
set,
though I suppose that there would be some way for individuals to 
subscribe
as well. Most people, though, will want to buy individual volumes based 
on
their interest in specific papers included.

The papers in each volume vary greatly by topic, period, and 
discipline.
It's our goal to have a broad range in each volume, representing early
medieval up through early modern (that's the preferred term now for
Elizabethan ;-) ), and a variety of approaches: art, literature,
documentary studies, archaeology, trade/economics, and experimental
reconstruction. The papers are peer-reviewed and academic in nature, 
not
focused on the how-tos of costuming, though we believe that costumers

Re: playing in period societies? Re: [h-cost] why renaissance...

2005-09-26 Thread Kahlara
Another possibility for finding like minded people, if you are at all into 
traditional or folk dancing you might check out some of those groups as well. I 
used to contra dance (old country dancing) quite frequently and met people from 
several groups, including a Civil War re-enactment group and a Scottish country 
dancing group that does demonstrations at the local Highland games. I also met 
several people that were into Irish step dancing and other Celtic interests at 
a weekend long dance. Many other dance groups and some other types of groups 
would also leave (or bring) flyers and brochures for their events at our 
dances. I am sure that each area and group is different, but it seemed to me 
that contra dancing draws quite a cross section of folks who had other areas of 
historical interests as well.
 
If you don't know what Contra Dance is... 
http://www.sbcds.org/contradance/whatis/

 

and a list of links to Contra Dance groups from all over the world.  
http://www.contradancelinks.com/

 

Annette M

--

Message: 3
Date: Sun, 25 Sep 2005 15:24:42 -0700
From: Kimiko Small 
Subject: Re: playing in period societies? Re: [h-cost] why renaissance
and not 18th century?


At 11:26 AM 9/22/2005, you wrote:
Or, if not, if there's a group that focuses on the Irish/Celtic/Welsh (I 
think they are all different and distinct groups) history, language and 
costuming, I'd also love to know about them, too.

Elena/Gia


I don't know about your area, but in my area we have a local Celtic Society 
that I used to be semi-involved with. We used to do Scottish country 
dancing and we often were asked to either dance at Scottish caellies 
(sp?)), work the local Highland games, or dance with the Irish dance groups 
on St. Paddy's day, or give talks on costumes of the 16th c. Irish  Scots. 
They also tried to promote Breton, Welsh, and Cornish history as well, 
although those weren't as popular. They are still around and are involved 
with a new Irish pub we have in town. Perhaps you can find something 
similar that may be associated with a pub in your area, or maybe listed in 
your news paper events page.

And if you do, please let me know as well. My best friend and former dance 
mistress lives and works in your area, and she's commented that she hasn't 
found much to do up there like she did around here for re-enactment or even 
dancing opportunities. She even sent me her old box of faire stuff because 
she didn't know what else to do with them (that almost broke my heart for 
all the fond memories we had.)

Kimiko

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[h-cost] Re: 20th century....

2005-09-23 Thread Kahlara
I miss Bennetton! And still own a classic pair of Bennetton wool trousers I 
bought over 25 years ago.
 
As for the we comments about today's fashion and culture - I think that they 
are simply gross generalizations about today's youth and should be viewed as 
such. From the little I have read from the folks here, I don't believe any of 
us would fit into the mould of today's pop culture. I know I don't. In truth, I 
don't think a vast majority of young people fit this mould either. Just to give 
one example, my niece buys all vintage 20th century fashion, mostly from the 
40's and 50's.
 
Annette M
 
 
Message: 10
Date: Fri, 23 Sep 2005 16:31:11 -0400
From: Gail  Scott Finke [EMAIL PROTECTED]


Penny wrote:

 We want everything fast and then throw it away in a short
 amount of time.  We are all guilty of throw it away instead of 
repairing
 products.  Mass production makes it so much cheaper to purchase a new
 product instead of repairing.

This is not true in Europe, or at least it wasn't 10 years ago when I 
wrote
an article about Benneton for a retail magazine. The company had opened 
US
stores, but they failed miserably. They were trying to redo the stores, 
and
the person in charge told me that the company had misunderstood the 
American
market. Benneton sweaters, she told me, were considered middle-priced
clothing in Europe, while here they were considered expensive (they 
were
about $80 on sale then). The company was not geared to a wear it for a 
year
or two and get rid of it mentality. They expected people to keep their
Benneton clothes for a long time.

She also explained that Benneton did not have any ladies' dress 
jackets, and
that this was a staple of American women's work wardrobes (dress 
blouse,
dress skirts, and dress jackets, all of them mix and match). She said 
that
in Europe, women wore a lot more dresses to work, and a lot more 
matching
suits. 

Benneton was designed for people who have fewer, nicer clothes, and who 
keep
them longer. It could not compete as it was with the American market 
for a
LOT of less expensive clothes. I don't know what it's like now...

Gail Finke



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[h-cost] Re: Dressing Santa Claus

2005-09-22 Thread Kahlara
If you are trying to find an inspirational source for the coca-cola Santa's 
costume, research frontier clothing and explorer's garb a la Lewis and Clark. 
Keep in mind however, that the coca-cola Santa's costume is likely to be at 
least partly due to artistic inspiration and invention.
 
As to Sinter Claaus being dressed in red and white...the local Dutch community 
has a Sinter Claaus parade every year, with him dressed as I described. Perhaps 
this is a more modern version, but he has been the same for many years. ??
 
Annette M
 
 
--
Sinterklaas is also dressed in red and white.
Maby they looked at medieval clothes to make him look old, like he lives 
forever.
And added white fur since he comes from the north?pole.

Kahlara wrote:

I don't know how accurate this is, but I had always
been told that prior to the Moore/Nast (American) idea
of St. Nick's appearance, that many countries/ethnic
groups had their own version of St. Nicholas or some
similar personality (Baba Yaga in Russia?) and each
had their own costume based on how they were portrayed
in the stories. If I remember correctly, Sinter Claaus
wears a bishop's costume, complete with mitre and
staff and rides a white horse.

Annette M


 





--

Message: 2
Date: Thu, 22 Sep 2005 08:09:22 -0400
From: Lloyd Mitchell 
Subject: Re: [h-cost] Re: h-costume Digest, Vol 4, Issue 603

This is plainly 20thC American, from my point of view. As someone has
already pointed out, the vision of Santa differs from culture to culture.
The Nast version is the first that I am aware of, which is influenced by the
description given in the Night Before Christmas(as it is now known)
Are you aware of the Dover issue that presents a collection of Santas and
farther Christmas? This source might be a starting point in creating the
view of Santa you are looking for.

Kathleen

- Original Message - 
From: 
To: 
Sent: Wednesday, September 21, 2005 11:36 AM
Subject: [h-cost] Re: h-costume Digest, Vol 4, Issue 603


 Thanks for your responses. I think we're getting somewhere, but let me
rephrase my question. What I'm really wondering is, if I wanted to make a
costume like this one: http://www.adclassix.com/images54cokesanta.jpg
 and call it historical, where would I go to document it? Who would have
worn something like that in real life? Victorian isn't my period, but I
don't recall ever seeing anybody dress like that in my brief studies of that
century. Is it a Victorian or 20th Century confabulation of some earlier
period? Or is it some kind of 19th Century Dutch costume? Does anyone have
any pictures of a real person wearing a similar costume, maybe in some other
color or without the fur trim? Nast seems to have dressed him in clothes
derived from his own period, though possibly a little fantasized, but did
the Coca-Cola artist make up the traditional costume or did he derive it
from earlier drawings?

 Tea Rose

 P.S. I think I'll go look up that WonderWorker book; thanks for the
reference. I know there are all kinds of Santas these days, which is why I
don't feel compelled to do the traditional suit, but I'm curious about where
the traditional suit came from.

 ==
 From: Abel, Cynthia 

 I don't think all of Nast's Santa's wore a red
 outfit, but just about all the images I recall usually show him in a
 practical winter weather two-piece fur-trimmed suit, suited for a jolly
 old elf and a stocking cap.

 If I remember correctly, this Claus was derived more from the slightly
Protestanized Dutch Sinter Claaus, than St. Nicholas.

 A great big very well-fed guy in a cheery and
 confident color red with grandfatherly white beard and whiskers was just
 the visual ticket to lift the economically stressed consumer.

 Amazon.com has Wonderworker: the history of Santa Claus,
 which has a pic of one of Thomas Nast's Santa's on the cover--with a
 very present-day politically incorrect pipe between his lips!

 From: Dawn 


http://www.dovercards.com/_images/0486236609_46_Thomas%2520Nast_Santa%2520at%2520Chimney.jpg

 This is a Nast Santa, and it looks like he's in longjohns.

 http://www.sonofthesouth.net/Thomas_Nast/Original_Santa_Claus.jpg

 Another Nast Santa, from 1865, he's in striped pants, a fur lined jacket
 with stars on it, and some kind of cap, but it still doesn't look like
 1865 fashion. The image is heavily political, the stars and stripes are
 obviously iconic.

 http://www.adclassix.com/images54cokesanta.jpg

 This is a Coca-Cola Santa from 1954... and you're right. What the heck
 is the suit supposed to be? It's not a 1954 men's fashion, is it?

 And why red?

 Dawn

 From: Kate Pinner 


 1822 -- Clement Moore -- A Visit From Saint Nicholas.
 This supposedly gave us the first picture of how he was dressed (a picture
 in words). The newspaper/magazine artists took it from there. Before
that,
 I don't think there was a clear image of him that someone could identify
 immediately by some specific

[h-cost] Re: Kilcommon Jacket 2 last questions

2005-09-22 Thread Kahlara
Thank you everyone that responded (with the same answer too!). Laying it out 
and embroidering before cutting makes perfect sense now that it has been 
explained. I don't have a frame that big, but am thinking a quilting hoop - 
about 22 inside diameter - might do the trick.
 
Another reminder for the costuming historians out there - this is for my 
wedding and we're going for a look more than accuracy. I will probably be the 
only one there that knows the degree of accuracy or lack there of, although I 
do appreciate the historical notes and reminders some of you have sent and will 
keep them for future reference.
 
Thanks again,
 
Annette M

--
 
Message: 1
Date: Wed, 21 Sep 2005 15:01:31 -0700
From: Kimiko Small 
Subject: Re: [h-cost] Re: Kilcommon Jacket 2 last questions

At 09:10 AM 9/21/2005, you wrote:
Thank you to everyone that responded. It was very
helpful. One last question on this topic...

Wool or Linen?

Wool is my suggestion. Lined in linen or cotton.

I did buy a nice 'homespun' cotton that has a nice
texture and feel and resembles linen, but it will need
some type of crisp lining. I have regular interfacing
- not the fusible kind - and was thinking of layering
that between the cotton and some sort of lining
fabric. Certainly not accurate, but I thought it might
be a nice look for the wedding.

It would depend on how thick and homespun it looks to you. If you like 
it, then use it. As for interfacing, regular sew-in kind is what I use (I 
am not fond of how fusibles don't hold up as well), with tailor's hair 
canvas (if you can find it) or additional regular interfacing added in any 
stress areas, like a small strip along the front edge and neck, and along 
the bottom to support the pleats.

Make that two questions -

we are considering the 'embroidered' embellishments
similar to those shown in the woodcuts, but tone on
tone. How is this to be done - before assembling the
pieces or after the jacket is done? And how to keep
the fabric smooth and taut enough to accomplish this
so it looks nice? My 'needlework' experiece is limited
to what fits in a hoop or on a stretcher.

Either can work, although it is easier to do so before the jacket is 
assembled. First wash and dry your fabric. Make a cartoon (outline of the 
embroidery) on a copy of the pattern pieces you are going to work, so you 
know where to place things. Then transfer the cartoon onto the fabric and 
cut out the fabric with very wide margins (2-3) or as a rectangle (works 
better). Do not actually cut out the pattern piece yet, things can shrink a 
little while being embroidered. Put the piece of material in a stretcher 
(better than a hoop, but a hoop can work), do your embroidery work, take it 
off the stretcher, lightly wash the fabric if there are transfer marks 
remaining, dry  press on the wrong side with a towel underneath the fabric 
(so you don't flatten the embroidery), then cut out the pattern piece and 
make up the jacket.

You can also embroidery a lightweight fabric, and add that on as an 
applique onto the back of the jacket. That is period, and those were called 
slips by the English. The upper classes would do slips in linen, cut the 
pieces out, and sew the slips onto velvet. I am not as sure if the Celts 
did the same, but it would make sense to do so if embroidering onto heavy 
materials like wool or velvet.

Thanks again,
Annette M

hth,

Kimiko Small




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[h-cost] Re: h-costume Digest, Vol 4, Issue 612

2005-09-22 Thread Kahlara



Message: 1
Date: Thu, 22 Sep 2005 13:08:36 -0500
From: otsisto 
Subject: RE: [h-cost] Re: Dressing Santa Claus
To: Historical Costume 

Baba Yaga is female and was not Russia's version of St. Nick. :)
De


Which is why I said or some similar personality. :)

 

My understanding is that Baba Yaga was a witch who brought gifts. I'm a bit 
rusty on the little Russian Folklore I do know, so I don't remember more than 
that.


-Original Message-
Kahlara wrote:

I don't know how accurate this is, but I had always
been told that prior to the Moore/Nast (American) idea
of St. Nick's appearance, that many countries/ethnic
groups had their own version of St. Nicholas or some
similar personality (Baba Yaga in Russia?) and each
had their own costume based on how they were portrayed
in the stories. If I remember correctly, Sinter Claaus
wears a bishop's costume, complete with mitre and
staff and rides a white horse.

Annette M



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[h-cost] Re: Dressing Santa Claus

2005-09-21 Thread Kahlara
I don't know how accurate this is, but I had always
been told that prior to the Moore/Nast (American) idea
of St. Nick's appearance, that many countries/ethnic
groups had their own version of St. Nicholas or some
similar personality (Baba Yaga in Russia?) and each
had their own costume based on how they were portrayed
in the stories. If I remember correctly, Sinter Claaus
wears a bishop's costume, complete with mitre and
staff and rides a white horse.

Annette M


 Date: Tue, 20 Sep 2005 16:41:47 -0400
 From: [EMAIL PROTECTED]
 Subject: [h-cost] Dressing Santa Claus
 
 Okay, this may seem like the wrong time of year for
 this question, but I'm making a bunch of Santa dolls
 for a craft show in November, and I got to wondering
 what kind of garment Santa's traditional costume is
 supposed to be? You know, the one that was made
 popular by the early 20th Century Coca-Cola ads. I
 know Santa became really popular for the first time
 in the 1880s or so, but who invented his get-up? Did
 anyone ever really dress like that, or is it a
 Victorian concoction? 
  
 My Santas, for what it's worth, will be dressed in
 mid-19th Century waistcoats and jackets, mainly
 because I have some cool brocade I want to use on
 the waistcoats.
  
 Tea Rose
 
 
 --
 
 Message: 2
 Date: Tue, 20 Sep 2005 16:36:17 -0500
 From: Abel, Cynthia [EMAIL PROTECTED]
 Subject: RE: [h-cost] Dressing Santa Claus
 
 Thomas Nast, probably was the illustrator that
 started the image of
 Santa we have today. I don't think all of Nast's
 Santa's wore a red
 outfit, but just about all the images I recall
 usually show him in a
 practical winter weather two-piece fur-trimmed suit,
 suited for a jolly
 old elf and a stocking cap. The earlier(1820's)
 The Night Before
 Christmas probably really was the starting point
 that took the European
 St. Nicholas and made him Santa Claus. If I remember
 correctly, this
 Claus was derived more from the slightly
 Protestanized Dutch Sinter
 Claaus, than St. Nicholas. I think that the present
 Santa Claus is a
 blend of Sinter Claaus(bad kids got a bunch of
 switches in their wooden
 shoes), The Night Before Christmas jolly old elf
 leaving tons of gifts,
 with the sleigh and reindeer, Scrooge post-three
 spirits visit, Thomas
 Nast's artwork, and the big Depression era start
 point of
 commercializing Christmas to drum up sales during a
 traditionally slow
 economic time of year. A great big very well-fed guy
 in a cheery and
 confident color red with grandfatherly white beard
 and whiskers was just
 the visual ticket to lift the economically stressed
 consumer.
 
 See if your library has any histories on Santa
 Claus(not the kids'
 fiction books). Amazon.com has Wonderworker: the
 history of Santa Claus,
 which has a pic of one of Thomas Nast's Santa's on
 the cover--with a
 very present-day politically incorrect pipe between
 his lips! Many
 dollmakers have made their own Santas and St.
 Nicholas' and I think
 there is a book out there somewhere just full of
 them as a great idea
 board for you.
 
 Cindy Abel
 
 
 But put your Santas in whatever. The brocade could
 be used as linings or
 trims, as well as waistcoats.

Message: 15
Date: Wed, 21 Sep 2005 08:50:55 -0400
From: Kate Pinner [EMAIL PROTECTED]
Subject: Re: [h-cost] Dressing Santa Claus

1822 -- Clement Moore -- A Visit From Saint
Nicholas.
This supposedly gave us the first picture of how he
was dressed (a 
picture 
in words). The newspaper/magazine artists took it from
there.  Before 
that, 
I don't think there was a clear image of him that
someone could 
identify 
immediately by some specific article of clothing...at
least in the US.
Kate






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[h-cost] Re: Kilcommon Jacket 2 last questions

2005-09-21 Thread Kahlara
Thank you to everyone that responded. It was very
helpful. One last question on this topic...

Wool or Linen?

I did buy a nice 'homespun' cotton that has a nice
texture and feel and resembles linen, but it will need
some type of crisp lining. I have regular interfacing
- not the fusible kind - and was thinking of layering
that between the cotton and some sort of lining
fabric. Certainly not accurate, but I thought it might
be a nice look for the wedding.

Make that two questions - 

we are considering the 'embroidered' embellishments
similar to those shown in the woodcuts, but tone on
tone. How is this to be done - before assembling the
pieces or after the jacket is done? And how to keep
the fabric smooth and taut enough to accomplish this
so it looks nice? My 'needlework' experiece is limited
to what fits in a hoop or on a stretcher.

Thanks again,
Annette M



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[h-cost] Re: Guildhall Museum Medieval Gallery (was Odd Jerkin question)

2005-09-20 Thread Kahlara
 From: Suzi Clarke [EMAIL PROTECTED]
 Re: [h-cost] Odd Jerkin question...
 
...the Guildhall Museum collection was incorporated 
 into that of the City Museum (Museum of London)... 
 
 The leather jerkin that is usually on display is
 currently in store 
 as there is a new medieval gallery (400AD  - 1558AD)
 opening in late 
 October or early November..
 
 Suzi

Is this going to be a permanent display or a temporary
one, and if temporary, any idea how long it will be on
display?

Thanks,
Annette M




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[h-cost] Catching up

2005-09-08 Thread Kahlara
Wow, just a few days and my inbox is overflowing.
Three day weekend meant I wasn't able to get online
very much, but finally got through the discussions on
various topics - all interesting and educational, or
at least entertaining. ;-)

Most of the comments and observances I had have
already been made by others, however...


SCA - from my limited esperience the SCA has evolved
over time. There seem to be a larger percentage of
folks interested in historical accuracy than 20 years
ago. It seems that the parameters have changed as well
- when I first encountered the SCA it was
predominantly Western European based. Now I hear that
any culture within the 600 to 1600 period that had
some type of contact with Western Europe is
acceptable, which explains the wide variety of garb.

An excerpt from an SCA article states, ...describe
the SCA as recreating the Middle Ages as they ought
to have been. A better description is that we
selectively recreate medieval culture, choosing
elements of the culture that interest and attract us.
(from http://www.sca.org/sca-intro.html)

And as Lilinah said, many events are open to the
public. An attempt to dress 'period' by visitors and
newcomers is appreciated and basic loaner garb is
provided. I took my niece to an event a couple of
weekends ago, and we found a wonderful T tunic type
dress for her to borrow that was quite accurate. (Was
also pleased that the little tom-boy commented the
dress was really comfortable!)

Hippies - 40 years old is an ageing hippie?! Anyone 40
is a little too young to be classified as an original
unless their parents were. - let alone be classified
as an ageing anything! ;-D

Most folks strive to establish their own identity by
living outside the mainstream in one way or another.
Some are just more extreme than others - and as
another person commented, things no longer shock as
they once did since we have become accustomed to
diversity.

That being said, when I see some of the retro
fashions that have been popular the last few years I
usually find myself thinking...ug, that was horrible
when we wore it the first time around! (re: polyester;
bellbottom hip-huggers; acid green anything; extremely
bright, lid to eyebrow eyeshadow; disco music;
etc...JMO.)

Anyway - glad to be back and love finding all the
resources mentioned.

Annette M




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[h-cost] Kilcommon Bog Jacket/Ionar

2005-09-08 Thread Kahlara
I found the page on the Kilcommon Bog Jacket at
Reconstructing History. From the other info I found, I
would hazard a guess that this is the same thing as an
Ionar/Inar.

I can't get my FI to give up his kilt - even though he
swears he is Irish and not Scottish. I did get him
away from the modern Scottish kilt jacket/outfit by
showing him pictures and telling him the history
behind the Kilcommon Jacket and he said to make him
one. It is a later period than the dresses will be,
but at least it won't be 'modern'.

It will have to be a slightly modified version with a
very conservative leine, as I did show him the
pictures of the one Kimiko made,
http://www.kimiko1.com/dressdiaries/irishbard/index.html
and he wasn't too fond of the full 'skirt'.

I think this is more what he had in mind.
http://www.alcaigpipebandsupplies.com/index.php?cmd=viewproductid=118

I also like this one, but in a solid color.
http://www.lydia.org/~zaphod/sca/ionar.html

Are there any other sources of information - most of
the sites I found use the same woodcuts that Kimiko
found for examples.

Is reconstructing history the only pattern available?

It looks somewhat simple - what skill level might be
necessary to create a pattern? (for someone with a
high level of aptitude for that sort of thing)

I did find conflicting information on a couple of
things as well..

..what sort of decoration was on the jackets - either
embroidered, or braid that was sewn on?

..did the sleeves have ties only at the wrist or along
the full length, or were they only worn loose.

..how was it held closed in front - by belt, ties, or
a brooch?

..did it overlap like a bathrobe or like a jacket when
closed?

I realize the answers are subject to interpretation of
research and there are virtually no extant examples,
but any information is appreciated.

Thanks,
Annette M





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[h-cost] Re: h-costume Digest, Vol 4, Issue 553

2005-08-30 Thread Kahlara
My heart goes out to you and your family Penny. I hope
you hear from all of them soon.

I watched an hour of news videos online this afternoon
and the devastation is terrible. You provided me with
my first news on the Slidell area. One of my best
friends lives in Lacombe and I am worried as I had not
talked to her recently and they frequently have
flooding. I am hoping she was able to evacuate safely
and am waiting to hear from her. But I have little
hope that their home was spared damage.

Annette M








--- [EMAIL PROTECTED] wrote:

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 When replying, please edit your Subject line so it
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 Today's Topics:
 
1. about smoking in 18th century /ot (Bjarne og
 Leif Drews)
2. Re: about smoking in 18th century /ot
 ([EMAIL PROTECTED])
3. Wool Challis weave questions (Saragrace)
4. Re: about smoking in 18th century /ot (Bjarne
 og Leif Drews)
5. beautifull reproduktions of silks and calicoes
   (Bjarne og Leif Drews)
6. Linen bargain alert ([EMAIL PROTECTED])
7. re: kyoto book (katherine sanders)
8. Re: re: kyoto book (Bjarne og Leif Drews)
9. RE: re: kyoto book (Abel, Cynthia)
   10. Storm update (Penny Ladnier)
   11. Re: Storm update ([EMAIL PROTECTED])
   12. Re: Storm update (Marie Stewart)
   13. Re: Storm update (Chris)
 
 

--
 
 Message: 1
 Date: Tue, 30 Aug 2005 21:22:31 +0200
 From: Bjarne og Leif Drews
 [EMAIL PROTECTED]
 Subject: [h-cost] about smoking in 18th century /ot
 To: [EMAIL PROTECTED]
 Message-ID:
 [EMAIL PROTECTED]
 Content-Type: text/plain; format=flowed;
 charset=iso-8859-1;
   reply-type=original
 
 
 Hi.
 I just got back from 2 weeks vacation on Madeira,
 and on my vacation i have 
 read a wonderfull book about a danish poet who lived
 in early 18th century. 
 His name was Ambrosius Stub.
 In the book, there is a lady who in private smokes
 cigarillos, and i just 
 wondered, did cigarillos (imported from Spain)
 really excist?
 I always have a problem when i smoke, because my
 clay pipe breaks during my 
 travellings and they are very fragile.
 If this was true about cigarillos, perhaps i could
 use this in stead?
 
 Many greetings
 
 Bjarne
 
 
 
 
 Leif og Bjarne Drews
 www.my-drewscostumes.dk
 
 http://home0.inet.tele.dk/drewscph/ 
 
 
 
 
 --
 
 Message: 2
 Date: Tue, 30 Aug 2005 15:29:34 EDT
 From: [EMAIL PROTECTED]
 Subject: Re: [h-cost] about smoking in 18th century
 /ot
 To: [EMAIL PROTECTED]
 Message-ID: [EMAIL PROTECTED]
 Content-Type: text/plain; charset=US-ASCII
 
  
 In a message dated 8/30/2005 3:24:21 P.M. Eastern
 Standard Time,  
 [EMAIL PROTECTED] writes:
 
 In the  book, there is a lady who in private smokes
 cigarillos, and i just  
 wondered, did cigarillos (imported from Spain)
 really excist?
 I always  have a problem when i smoke, because my
 clay pipe breaks during my  
 travellings and they are very fragile.
 If this was true about  cigarillos, perhaps i could
 use this in stead?
 
 
 
 It was my understanding that cigars/cigarillos were
 developed in the very  
 late 18th or early 19th century, but I haven't seen
 exact documentation.  
  
 Just did a Google!, and cigars seem to have first
 been made in Spain in the  
 early 18th century, and spread from there after the
 Peninsular Wars  
 (1808-1814).  So it seems possible, but not likely,
 that the woman was  smoking them.
  
 Ann Wass
 
 
 --
 
 Message: 3
 Date: Tue, 30 Aug 2005 13:13:06 -0700
 From: Saragrace [EMAIL PROTECTED]
 Subject: [h-cost] Wool Challis weave questions
 To: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Message-ID: [EMAIL PROTECTED]
 Content-Type: text/plain; charset=ISO-8859-1;
 format=flowed
 
 I was looking at some, solid colored,  imported 100%
 wool challis which 
 is one of the nicest, lightweight wools I have seen
 anywhere.  It has a 
 very distinctive diagonal twill pattern to it.  I
 read here: 
 http://www.ntgi.net/ICCFD/wool.htm#challis  that
 Challis originated in 
 Norwich England in 1832.   If I hadn't been told it
 was challis, I 
 would just have called it a diagonal twill
 weave.can anyone tell me 
 why I couldn't use this for anything from 1400-1600?
 
 Sg
 
 
 --
 
 Message: 4
 Date: Tue, 30 Aug 2005 22:31:12 +0200
 From: Bjarne og Leif Drews
 [EMAIL PROTECTED]
 Subject: Re: [h-cost] about smoking in 18th century
 /ot
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID:
 [EMAIL PROTECTED]
 Content-Type: text/plain; format=flowed;
 charset=iso-8859-1;
   

[h-cost] Re: Tales

2005-08-26 Thread Kahlara
rom the Green Valley
--- [EMAIL PROTECTED] wrote:

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 than Re: Contents of h-costume digest...
 
 
 Today's Topics:
 
1. hermitage collection (Katy Bishop)
2. RE: Reminder Tales from the Green Valley
 (Anne Moeller)
3. Re: hermitage collection (Suzi Clarke)
4. RE: Reminder Tales from the Green Valley
 (Suzi Clarke)
5. Re: Civil War fabrics and books (Carolyn Kayta
 Barrows)
 
 

--
 
 Message: 1
 Date: Fri, 26 Aug 2005 09:57:01 -0400 (EDT)
 From: Katy Bishop [EMAIL PROTECTED]
 Subject: [h-cost] hermitage collection
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID:
 

[EMAIL PROTECTED]
 Content-Type: TEXT/PLAIN; charset=US-ASCII
 
 
 Don't know if anyone has posted this link yet, but
 they have many images
 of their costumes online and zoom-able!
 

http://www.hermitagemuseum.org/fcgi-bin/db2www/browse.mac/typeIndex?selLang=EnglishselCateg=suit
 
 Not everything that is in the books but most and
 some that I've never
 seen before.  Lots of inspiration for my new 1910's
 evening dress
 
 Katy
 
 Katy Bishop, Vintage Victorian
 [EMAIL PROTECTED]   
 www.VintageVictorian.com
  Custom reproduction gowns of the Victorian Era.
   Publisher of the Vintage Dress Series books.
 
 
 
 --
 
 Message: 2
 Date: Fri, 26 Aug 2005 10:18:54 -0400
 From: Anne Moeller [EMAIL PROTECTED]
 Subject: RE: [h-cost] Reminder Tales from the Green
 Valley
 To: 'Historical Costume' [EMAIL PROTECTED]
 Message-ID:
 

[EMAIL PROTECTED]
 Content-Type: text/plain; charset=windows-1250
 
 Oh, go ahead and rub it in :(   Anne  (who really
 wants to see this someday)
 
 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] On
 Behalf Of Suzi Clarke
 Sent: Friday, August 26, 2005 8:51 AM
 To: Historical Costume
 Subject: [h-cost] Reminder Tales from the Green
 Valley
 
 
 A reminder for those who can get BBC2, this evening
 at 7.30 p.m. 
 (don't forget we are an hour ahead of GMT for
 summertime - don't 
 make me laugh) sees the second month of the Tales
 from the Green 
 Valley series. For those who can't get it - I am
 sorry.
 
 Suzi
 
 
  
 
 -- 
 No virus found in this outgoing message.
 Checked by AVG Anti-Virus.
 Version: 7.0.338 / Virus Database: 267.10.13/78 -
 Release Date: 8/19/2005
  
 
 
 
 
 --
 
 Message: 3
 Date: Fri, 26 Aug 2005 15:21:53 +0100
 From: Suzi Clarke [EMAIL PROTECTED]
 Subject: Re: [h-cost] hermitage collection
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID:
 [EMAIL PROTECTED]
 Content-Type: text/plain; charset=us-ascii;
 format=flowed
 
 At 14:57 26/08/2005, you wrote:
 
 Don't know if anyone has posted this link yet, but
 they have many images
 of their costumes online and zoom-able!
 

http://www.hermitagemuseum.org/fcgi-bin/db2www/browse.mac/typeIndex?selLang=EnglishselCateg=suit
 
 Not everything that is in the books but most and
 some that I've never
 seen before.  Lots of inspiration for my new 1910's
 evening dress
 
 Katy
 
 
 Great site - thanks so much.
 
 Suzi
 
 
 
 
 --
 
 Message: 4
 Date: Fri, 26 Aug 2005 15:23:23 +0100
 From: Suzi Clarke [EMAIL PROTECTED]
 Subject: RE: [h-cost] Reminder Tales from the Green
 Valley
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID:
 [EMAIL PROTECTED]
 Content-Type: text/plain; charset=us-ascii;
 format=flowed
 
 At 15:18 26/08/2005, you wrote:
 Oh, go ahead and rub it in :(   Anne  (who really
 wants to see this someday)
 
 
 I did say sorry!
 
 Suzi
 
 
 
 A reminder for those who can get BBC2, this evening
 at 7.30 p.m.
 (don't forget we are an hour ahead of GMT for
 summertime - don't
 make me laugh) sees the second month of the
 Tales from the Green
 Valley series. For those who can't get it - I am
 sorry.
 
 
 
 
 
 
 
 --
 
 Message: 5
 Date: Fri, 26 Aug 2005 09:59:34 -0700
 From: Carolyn Kayta Barrows [EMAIL PROTECTED]
 Subject: Re: [h-cost] Civil War fabrics and books
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID:
 [EMAIL PROTECTED]
 Content-Type: text/plain; charset=us-ascii;
 format=flowed
 
 
 
=== message truncated ===


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[h-cost] Re: Tales From the Green Valley

2005-08-26 Thread Kahlara
OOps, sorry about that last message - hit the wrong
key!


I showed my FI the website with the write-ups about
the series and lamented that I couldn't watch them.
Without promting he went online and found this...

http://www.choicesdirect.com/templates/product.asp?ProductGuid=671598CallerID=NKLK9042cm_ven=Kelkoo%20DVDscm_cat=nacm_pla=nacm_ite=NKLK9042

About $30.00 US. I imagine they would ship to other
countries for a fee. 

Annette M




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[h-cost] (no subject)

2005-08-13 Thread Kahlara
Since there has been discussion about the sometimes
lack of historical accuracy in movie costumes I
thought this was interesting.

Found it on eBay - something from an old B  W movie.
Thought it might be good for a grin.

http://cgi.aol.ebay.com/ws/eBayISAPI.dll?ViewItemitem=7538331810ssPageName=ADME:B:SS:US:1

Annette M

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[h-cost] Re: KWCS Update

2005-08-12 Thread Kahlara
:-D  The rattan schedule contains fighting classes.



 --
 
 Message: 3
 Date: Fri, 12 Aug 2005 11:01:53 -0500
 From: Marc Carlson [EMAIL PROTECTED]
 Subject: [h-cost] RE:KWCS Update 

 
 From: Robin Netherton [EMAIL PROTECTED]
 ...attendees to allow them to get a great
 conference hotel and facilities. 
 I
 see that this year's is combined with a rattan
 symposium, which must
 have something to do with either weapons or
 fighting though I don't know
 which.
 
 Furniture making.
 
 Marc




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[h-cost] Re: going into business

2005-08-11 Thread Kahlara
Wow, Thanks Penny and Suzi! There is some advice that
can apply to any sort of business. 

Annette M
(thinking I ought to find a useful(income generating)
purpose for all the research I am been doing!)

 
 Message: 3
 Date: Thu, 11 Aug 2005 03:45:06 -0400
 From: Penny Ladnier [EMAIL PROTECTED]
 Subject: Re: [h-cost] going into business: (even
 Longer)
 To: Historical Costume [EMAIL PROTECTED]
 Message-ID: [EMAIL PROTECTED]
 Content-Type: text/plain; format=flowed;
 charset=iso-8859-1;
   reply-type=response
 
 Your welcome Kim.
 
 That was a really good point to make.  I recently
 talked to a lady in 
 Gettysburg who has lots of costumes ready made.  You
 would think in 
 Gettysburg, you wouldn't have a problem selling ACW
 ladies' costumes.  But 
 that market's area has so many established costume
 businesses that have they 
 have the market tied up.  This lady does beautiful
 work.  But she is being 
 forced to sell her costumes at below their cost
 because she needs to get 
 back her investment.
 
 I have a lot of education in marketing and
 merchandising.  So many factors 
 go into play when marketing a product line.  I don't
 know if you are 
 watching the Tommy Hilfiger reality show on CBS,
 called The Cut.  It is 
 really interesting because he is dealing more with
 the business side of 
 design than the creative edge.  Last week the
 challenge was taking 500 
 pieces of TH merchandise and reconstructing it to
 sell on the streets.  One 
 team lost a day of selling, and decided to sell the
 clothing for $5 a piece. 
 The other team had two days of selling and had only
 knocked about $20 off 
 the suggested retail price.  Tommy was very upset
 about the team that priced 
 
=== message truncated ===






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[h-cost] Osnaburg ( silk question)

2005-08-09 Thread Kahlara
Hello,
 
I found this definition - Osnaburg: A plainly woven cotton fabric with small 
flecks of cotton stalks remaining within the weave. Its appearance is similar 
to a coarse muslin.
 
Sounds like flour sacking material to me.
 
 
I found some gorgeous peacock blue silk - with a shimmer that changes color 
from the greenish to blueish peacock range depending on the angle of the light. 
I thought it would make a beautiful skirt lining or something? Would something 
like this be too OOP? (if it is, I think I'll add it to my collection anyway, 
but it would be nice to have an excuse)
 
Annette M
(someday I hope I can contribute as much as I get from here)
 





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[h-cost] Re: h-costume Digest, Vol 4, Issue 508

2005-08-08 Thread Kahlara
Wow,
 
Thank you all for the great responses!
 
 That's her hair sticking out like a tassle.
 
The hair style is very clear now - and a little odd. (but I might add, the 
recent trend of hairstyles that are in a similar vein - i.e. a twist in a large 
clip with the ends fanned up instead of tucked under - aren't so new after all 
are they?)
 
The maid in the final tapestry A Mon Seul Desire shows the hair 
very clearly being wrapped around the head and twisted up into a 
tuft. You can see this by going to the Tracey Chevalier site as 
recommended by Michaela and clicking on the close up feature.
 
Thank you for all the links, and I agree that the images on the Tracey 
Chevalier site are the clearest. The reproduction site was one of the first 
ones I came across that actually gave bigger images.
 
Yes, they're more fantasy than anything else, but for a wedding dress who
cares? They would all be lovely. I am not familiar with the belgian versions
seen on this site, but there are fine books available of the French
tapestries.
 
I am sort of feeling the same way, but I am torn between wanting something I 
can use later for SCA events, and having something as a keepsake. However - the 
practical side of me is saying why spend all that time, energy and money on 
something I am only going to wear once? Why not wear it again?
 
Annette M

--
Date: Sat, 06 Aug 2005 16:59:20 -0400
From: Gail  Scott Finke 
Subject: [h-cost] Re: unicorn tapestries


Yes, they're more fantasy than anything else, but for a wedding dress who
cares? They would all be lovely. I am not familiar with the belgian versions
seen on this site, but there are fine books available of the French
tapestries.

That's her hair sticking out like a tassle. If I were making this (and
there's one version on the French tapestries that I think is charming,
bizarre though it is), I would use false hair the same color as my own. To
me, it looks like false hair wrapped with ribbons and sort of draped around
the had or headcovering or whatever you call it. There doesn't seem to be
any attempt to make it look like her real hair -- there's no where for it to
have come from!

I made a sort of hat inspired by a different fantasy medieval artwork. I
don't remember the original (gasp!) but it looked just like a long, long
hank of fake hair wrapped with ribbons and tied around the head like a
ribbon, with the two long ends making a big tail. So that's what I did. It
looked just like the original, but I used really cheap hair and it drove me
nuts. Little pieces kept getting out, they were like spun plastic and stuck
everywhere. So if you do use hair, spend a few bucks on it!

Gail Finke



--
Date: Sat, 6 Aug 2005 17:01:33 -0500 (CDT)
From: Robin Netherton 
Subject: Re: [h-cost] Re: unicorn tapestries


In particular, the Cluny Museum sells a catalog about them, with large
fold-out color images and lots of close-ups. It comes in an English
version, too. My copy is La Dame a la Licorne, by Alain
Erlande-Brandenburg (Paris: Editions de la Reunion des Musees Nationaux,
1979), ISBN 2711801187. I have used mine so much that the binding is in
pieces.

 That's her hair sticking out like a tassle.

I've made it work both on me (with my own hair) and on a friend (with a
long blonde wig). Separate the hair into two halves down the back. Cross
the two tails, and wrap each with ribbon while pulling it around and up
the opposite sides of the head. Where they meet, use the ribbon to tie
them together and then wrap them into a single tassel. If you do this over
a draped velvet headdress such as is shown, you can make it sit so that it
sticks up and the loose ends of hair at the top spout like a fountain --
really bizarre but just like the picture.

This was part of the show-and-tell for a dress and textiles session that
covered pavilions and the Unicorn Tapestry costumes, at the Medieval
Congress in 1990...

--Robin

--
Date: Mon, 8 Aug 2005 00:31:46 +1200
From: michaela [EMAIL PROTECTED]
Subject: Re: [h-cost] Late 15th Century ornamentation and other
questions.


 1. What on earth is on her head?

She's got lappets worn without a hood/hennin etc. I've done the 
hairstyle myself:
http://costumes.glittersweet.com/sca/yellowflemish.htm

I found ythe style in a few other examples of allegory (one a 
supposedly
English illumination, one German woodcut and another set of 
tapestries.)

I chose to plait my hair as it is very long and would have hung down 
over my
face like a pony tail if I had've done a simple wrapping on my hair;)

My hair was crimped (plaits over night to give the hair body once 
brushed)
loosely plaited (to make the plaits appear as large as possible) then
crossed at the back (again to take up as much length as possible) tied 
at
the end and then pinned to the top of my head.


 3. Can these be considered a reliable source or are they 

[h-cost] Re: h-costume Digest, Vol 4, Issue 498

2005-08-02 Thread Kahlara
Thank Suzi,
 
The 'simple' dress looks relatively easy. It is good to have an actual diagram 
of the pattern layout - makes it easier to visualize how it should go together. 
The 'red dress' pattern is virtually identical to the Hartley pattern (Medieval 
Costume...by Dorothy Hartley).
 
Annette M

Original Message:
-
From: Kahlara [EMAIL PROTECTED]
Subject: [h-cost] Re: Hartley dress and some questions.

I've just realized that there is an event in three weeks I would like to
have an outfit for and would rather not cobble something passable together
out of my closet like I did for the first one I attended. Anyone have any
hints or suggestions for something quick and easy?


You could try this site for a couple of free patterns. Sally has done her
research, and while some people might not agree with her conclusions, I
have heard good reports of her patterns.

http://www.sallypointer.com/simplemedievaldress

Suzi

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[h-cost] Re: linen blends

2005-08-02 Thread Kahlara
Thanks for the responses! The real thing? Someday - when I am better at this 
and feel that I won't be wasting money on a mistake. :- ) Hopefully the heat 
won't be too much of a factor - up here in the Northwest an 85 degree day is in 
the high range even in August.
 
I have noticed that Joanne's sometimes appears to mix things up, but the local 
one is pretty limited that way...a huge selection of craft supplies, quilting, 
and home decor fabrics (that part isn't so bad actually). The actual garment 
fabric section takes up less than 1/4 of the fabric department and is heavily 
into fleeces and specialty (bridal/prom, baby, holiday) fabrics. Completely 
natural fabrics are hard to come by. :- (
 
In that same vein...I have seen several eBay sellers that have linen. Anyone 
want to share any experiences with buying fabrics from eBay?
 
Annette M  -  Today's lesson is about fabric.

From: Gail  Scott Finke 
Subject: [h-cost] Re: linen blends

on 8/1/05 11:49 PM, kahlara wrote:

 I also have a question about linens - specifically the blended and synthetic
 ones. What sort of successes/failures have been experienced with these
 fabrics? The local Joann's often has them in 'suit weight' for less than $2.00
 a yard and I was thinking this might be good for a first effort at a sideless
 surcotte.

I've used these a lot for SCA gowns, and I always thought they were okay --
until I made things out of pure linen and pure wool. Now I think they stink.
They are not stable -- they change shape while you are sewing them, even if
you are good and iron them every step of the way. And they creep in the
sewing machine. Pieces that start off the same shape don't end up that way
by the time you finish the end of a seam. I was amazed at how pure linen and
pure wool just stay put, even on the bias (cross)! And if you think linen
wrinkles -- they wrinkle too, but they are floppier.

On they other hand, they look pretty good and they are cheap. I still have
some left and I do plan to use it. But next time I will starch everthing as
I sew in hopes that it stays put a bit. If you just want something to wear
and price is important, then buy it and expect a harder time sewing. It'll
look fine.

Gail Finke

--

From: Lalah 
Subject: Re: [h-cost] Re: linen blends

While I prefer the 100% linen, I have used the blends and not
had a problem. If you get the cotten/linen blend it acts and
looks pretty much the same as pure linen. I am not fond of the
rayon/linen blend. Just as a side note, I have found 100%
linen stuffed in with the blends at JoAnne's several times.
They don't seem to know or care that is is different, and the
price is the same. You just have to look at the end of every
bolt and maybe find one in a stack of a dozen blends.

Lalah, Never give up, Never surrender
 
--

I have used linen blends and find them oppressively warm compared to 
100% linen.

liz young

-

And that depends on the blend. Rayon blended with linen should not be so; 
polyester, however, may be. I think rayon is blended with linen mainly for 
lower cost; polyester is blended to make it more easy-care--less prone to 
wrinkles. Comfort is largely dependent on how well the fibers absorb moisture, 
and rayon is more absorbent than linen.

Ann Wass




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[h-cost] Re: h-costume Digest, Vol 4, Issue 495

2005-07-31 Thread Kahlara
Date: Fri, 29 Jul 2005 16:59:11 -0500
From: Betsy Marshal 
Subject: RE: [h-cost] Re: everything - newbie delurking

-Original Message-


Two books I have been resourcing from (in addition to the multitude of web
pages out there!) are Medieval Costume in England and France: the 13th,
14th, and 15th Centuries by Mary Houston, and Medieval Costume and How to
Recreate It by Dorothy Hartley. Any opinions on these two books? 
[Betsy Marshal] 
Sorry to be late getting back on this! I recently acquired the Hartley book,
and most of her reconstructed examples appear to be from theater/stage
designs, so be aware that the appearance may be close to some of the
manuscript illos, but the pattern/detail drawings are aimed at getting the
Look as simply as possible. 
The original was published in 1931, so does not include the last 70 years of
improved research and recent finds.
That being said, if you want a decent appearance of medieval garb, you could
do worse than to follow some of her examples- (N*rris leaps to mind.) most
of the construction is rectangular, rather than fitted, and so will suit
many body types over a wider range of size fluctuations than the closely
fitted styles of later years.
I hope this has been some help, Betsy
(Planning at least one of Hartley's clerk's (over)robes for Pennsic- some of
us Ansteorrans get a mite chilled that far north!)
 

 
Thank you Betsy,
 
I had the impression that the book was aimed more at theatrical costuming. It 
is nice to have a source of historial references/artwork without having to go 
on line or make a trek to the library.
 
I thought her simple pattern for a dress with a very full circle skirt was 
interesting and wondered how accurate it was. The bodice and sleeve 
construction appear close to my understanding of typical T tunic 
construction. But it seems to me the skirt would not hang properly with either 
a heavy or stiff fabric. I have seen pictures that suggest this sort of 
construction with contrasting fabric in the side pieces, although I'm pretty 
sure the one that comes to my mind was made with gored side pieces. (now, if I 
can remember where I saw that) I was thinking that in a lighter weight fabric 
the pattern would make a nice underdress - with narrower sleeves.
 
(The late 1920's photos of the theatrical modeling of her costumes were a bit 
of a hoot. :-) )
 
Annette M
The more I research the more I learn - and d* it's fun!


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[h-cost] Re: everything - newbie delurking

2005-07-18 Thread Kahlara
Hello All,
 
I joined a few weeks ago and have been lurking about and enjoying reading the 
different topics, finally ready to speak up.
 
Have some questions and comments, but will give a short intro first. I have 
always been interested in historical and vintage costume. Love the Medieval 
period, especially the early to mid, (just starting to get involved with the 
SCA), but also have interest in Renaissance, Highland, latter 1800's/US Civil 
War era and Victorian, early 20th century to 1940's, and just about anything 
else.
 
Also planning a Medieval/Celtic themed wedding for next year. The groom doesn't 
care about period accuracy, just wants to wear his kilt (I know, but...). I am 
interested in reasonable accuracy for the other clothing. If I am going to make 
the expense, I want to have things that can be later used for SCA events.
 
Questions:
 
Does anyone know where I can find a pattern for a Ghillie or Jacobite shirt 
or something of the sort (the more period appropriate the better), and a 
pattern for what is referred to as a 'Frontier' Gilet/doublet in the highland 
catalogs? 
 
Two books I have been resourcing from (in addition to the multitude of web 
pages out there!) are Medieval Costume in England and France: the 13th, 14th, 
and 15th Centuries by Mary Houston, and Medieval Costume and How to Recreate 
It by Dorothy Hartley. Any opinions on these two books? And does anyone know 
of other resources that show more of the French take on fashions of the period?
 
Is there anyone on the list from the Seattle area (or Vancouver, BC)? I'm 
hoping to find some 'local' resources for appropriate fabrics as most 
everything here (Bellingham) is either devoted to quilting, or are multipurpose 
craft stores that carry limited garment fabrics (some of the home decorating 
fabrics are gorgeous though).
 
Comments:
T-shirts as undershirts - Weren't t-shirts under a man's shirt the proper 
dress until some Hollywood actor went without in a movie in the 50's? James 
Dean or Brando I think.
 
Fashion future - I think the traditional sari outfit is beautiful. And it looks 
quite comfortable. There is some RTW that seem to have adapted this to 'modern' 
clothing.
 
As for HPHBP - ssh - the only time I get to read is just at bed time and I 
keep falling asleep! Only to chapter two so far. :-)
 
Cheers,
Annette
 

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