[lace] Knitting terms.

2007-09-17 Thread Ewa Eskilsson
Sorry to put this on the Lace Digest, but I have been asked what
 WRAP STICH pos WRAP STITCH is. Can anybody tellme, please? I have
looked in my english Handikraft encyclopedia, but cat find anything.
Thanks!
Ewa Eskilsson in the very South of Sweden, where we have got a fore taste of
s autumn storms to come!

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[lace] Buddy lace map - websites

2007-09-17 Thread kudrnova
Hello,

While looking at members of buddy lace map I realized that opening some
websites causes an error (it's a white page starting with text Oh, no, for
some reason, this page could not be found . I think, that the reason is
that the address is wrong - for instance Julie Enevoldsen has the address
http://www.buddymapping.com/maps/lacefairy/weft.wlonk.com instead of
http://weft.wlonk.com/, that means you must erase the part of address
www.buddymapping.com/maps/lacefairy/ to achieve the lacepage of a member. So
check everyone if your address is inserted into the map correctly !

Regards

Lucy Kudrnova

Prague, Czech Republic, web
http://lacespider.blog.cz/rubriky/in-english

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Re: [lace] Knitting terms.

2007-09-17 Thread Brenda Paternoster

Hello Ewa

Wrap Stitch isn't a standard knitting term (as far as I know).  It 
sounds as though it's a special technique used for a particular pattern 
which should be described in the list of stitches/techniques used for 
that pattern.


I'll guess that it means to wrap the yarn around the needle twice to 
make a big loop. perhaps to allow several increases in the same stitch 
in the next row.


Brenda


On 17 Sep 2007, at 07:15, Ewa Eskilsson wrote:


Sorry to put this on the Lace Digest, but I have been asked what
 WRAP STICH pos WRAP STITCH is. Can anybody tellme, please? I have
looked in my english Handikraft encyclopedia, but cat find anything.
Thanks!
Ewa Eskilsson in the very South of Sweden, where we have got a fore 
taste of

s autumn storms to come!

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Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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Re: [lace] Knitting terms.

2007-09-17 Thread clayblackwell
I've let my knitting knowledge get dusty, but another possibility for the wrap 
stitch is that the yarn is wrapped several times around the needle, and when 
worked once on the return row gives very LONG legs to that stitch...  useful in 
a number of ways, although standing on its own would look strange.

Clay

--
Clay Blackwell 
Lynchburg, VA USA 


-- Original message -- 
From: Brenda Paternoster [EMAIL PROTECTED] 

 Hello Ewa 
 
 Wrap Stitch isn't a standard knitting term (as far as I know). It 
 sounds as though it's a special technique used for a particular pattern 
 which should be described in the list of stitches/techniques used for 
 that pattern. 
 
 I'll guess that it means to wrap the yarn around the needle twice to 
 make a big loop. perhaps to allow several increases in the same stitch 
 in the next row. 
 
 Brenda 
 
 
 On 17 Sep 2007, at 07:15, Ewa Eskilsson wrote: 
 
  Sorry to put this on the Lace Digest, but I have been asked what 
   WRAP STICH pos WRAP STITCH is. Can anybody tellme, please? I have 
  looked in my english Handikraft encyclopedia, but cat find anything. 
  Thanks! 
  Ewa Eskilsson in the very South of Sweden, where we have got a fore 
  taste of 
  s autumn storms to come! 
  
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 Brenda in Allhallows, Kent 
 http://paternoster.orpheusweb.co.uk/index.html 
 
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[lace] Re.Wrap Stitch.

2007-09-17 Thread Ewa Eskilsson
Isn´t  Arachne a wonderfull invention! Within 10 minutes after I sent my cry
for help about WRAP STITCH I got my first replay and answer!Thank you all so
much for your contribution and your time! Woodward, Catlady, mjau in
swedish, Diane Williams, Helene Ward and Rochelle Sutherland, to name but a
few! And I have not yet recieved this current Lace Digest!
Humbly yours, Ewa, in the south of sweden.

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Brenda Paternoster

Hello Achim


pattern no. 30 (Helen, the straight variant without corners) from
Stott, G.: A Visual Introduction To Bucks Point Lace - probably some 
of

you have a copy of that book.

- How many twists should be between headside passive pairs and the gimp
surrounding a motif? I do two twists to make the motif stand out 
clearer.


- How many twists when entering a motif containing cloth stitch? I do 
one
twist, but I think I read there could be none at all (P. Nottingham?), 
so
that there's no gap between gimp and cloth stitch filling. So, coming 
with
the worker through the headside passive pairs, I twist twice, go 
through the
gimp (lift left), do one more twist and start cloth stitch. Right or 
wrong

or simply depending on taste?


This subject was covered quite extensively by the OIDFA Point Ground 
group and and along with all the other minor variations in working 
methods came to fruition as 'Point Ground Lace; a Comparative Study' 
published by OIDFA in 2001.


- now something where you need to see the pattern mentioned: I cant 
figure
out how to do the first, i.e. topmost, pin/stitch in the S shaped 
motif
below the tiny one pin circle. I come with two pairs into the motiv, 
twist
both pairs once (see question above) and then I should do cloth 
stitch. But

where and when do I put the pin?

If there wasn't a hole in the pricking, I'd just do a cloth stitch row 
and
put the first pin on the right after two stitches. But as is, I could 
put
the pin between the two pairs before making the stitch, or I could put 
it

between or even to the left of the pairs after making the first cloth
stitch. The technical drawing doesn't show the pin holes, so I cant 
decide

by that alone.

This particular start of that motif is different than all the others -
usually you begin a motif with a normal cloth stitch row (going 
through only

1 passive pair). Or can it be simply an error in the technical drawing?

I think that the first pinhole is there to go between the pair from the 
little circle and the pair coming in from the left to become the 
worker, just to give that worker pair something to be tensioned 
against.


Brenda in Allhallows, Kent
http://paternoster.orpheusweb.co.uk/index.html

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[lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Achim Siebert
As it's so unusual quiet here, I dare to ask some questions regarding Bucks,
especially pattern no. 30 (Helen, the straight variant without corners) from
Stott, G.: A Visual Introduction To Bucks Point Lace - probably some of
you have a copy of that book.

- How many twists should be between headside passive pairs and the gimp
surrounding a motif? I do two twists to make the motif stand out clearer.

- How many twists when entering a motif containing cloth stitch? I do one
twist, but I think I read there could be none at all (P. Nottingham?), so
that there's no gap between gimp and cloth stitch filling. So, coming with
the worker through the headside passive pairs, I twist twice, go through the
gimp (lift left), do one more twist and start cloth stitch. Right or wrong
or simply depending on taste?

- now something where you need to see the pattern mentioned: I cant figure
out how to do the first, i.e. topmost, pin/stitch in the S shaped motif
below the tiny one pin circle. I come with two pairs into the motiv, twist
both pairs once (see question above) and then I should do cloth stitch. But
where and when do I put the pin?

If there wasn't a hole in the pricking, I'd just do a cloth stitch row and
put the first pin on the right after two stitches. But as is, I could put
the pin between the two pairs before making the stitch, or I could put it
between or even to the left of the pairs after making the first cloth
stitch. The technical drawing doesn't show the pin holes, so I cant decide
by that alone.

This particular start of that motif is different than all the others -
usually you begin a motif with a normal cloth stitch row (going through only
1 passive pair). Or can it be simply an error in the technical drawing?

Hopefully I could describe this sufficiently - if it's too unclear, I can
maybe put a picture of the particular spot in the technical drawing
somewhere on my website.

And maybe I'm just too perfecionistic about my lace - I really want to do it
right! (Who said anal? - I heard that!).

Thanks for all suggestions,
Achim in Berlin

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[lace] Knitting Terms

2007-09-17 Thread Jenny De Angelis

Hi Ewa,

I found this Question and Answer by Googling for the term Knitting Wrap
Stitch.  In the Answer the writer seems to explain fairly clearly how to
work a Wrap Stitch, but obviously it would be easier to work the stitch at
the same time as reading the instructions rather than reading the
instructions alone without the knitting in your hands, as I am doing at the
moment.  See how you get on following the explanation given.
http://www.woolworks.org/misc/wrap.html

Also this page has an explanation for Wrap Stitch, including when it would 
be used, that you might find even clearer to follow. 
http://www.kimhargreaves.co.uk/acatalog/Help.html Scroll down the page a 
little way for find the paragraph Wrap Stitch.


Regards
Jenny DeAngelis.
Spain.

Sorry to put this on the Lace Digest, but I have been asked what
 WRAP STICH pos WRAP STITCH is. Can anybody tellme, please? I have
looked in my english Handikraft encyclopedia, but cat find anything.
Thanks!
Ewa Eskilsson in the very South of Sweden, where we have got a fore taste of
s autumn storms to come!

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread David in Ballarat

Dear Achim,
- How many twists when entering a motif containing cloth stitch? I do one
twist, but I think I read there could be none at all (P. Nottingham?), so
that there's no gap between gimp and cloth stitch filling. So, coming with
the worker through the headside passive pairs, I twist twice, go through the
gimp (lift left), do one more twist and start cloth stitch. Right or wrong
or simply depending on taste?


I used to do what you are doing, but found from making Chantilly 
lace, that the motif looked better to my eye, if I did NO twists 
inside the gimp. That way the filling - whether it be whole or half 
stitch - comes right up to the gimp.



And maybe I'm just too perfecionistic about my lace - I really want to do it
right! (Who said anal? - I heard that!).


You can't be :)
David in Ballarat

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Re: [lace] Knitting terms.

2007-09-17 Thread David in Ballarat

Dear Ewa  Brenda.
Wrap Stitch isn't a standard knitting term (as far as I know).  It 
sounds as though it's a special technique used for a particular 
pattern which should be described in the list of stitches/techniques 
used for that pattern.


I'll guess that it means to wrap the yarn around the needle twice to 
make a big loop. perhaps to allow several increases in the same 
stitch in the next row.


I'm fairly sure that many years ago when I was knitting lace from 
Italian patterns they used a wrap stitch when you take the yarn and 
wrap it horizontally many times around, say, the next 7 or so 
stitches, before knitting into them. This was used to make the 
stamens in a flower and was very frustrating to do. I ended up having 
to use a very fine crochet hook to get the yarn through them all.

David in Ballarat

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Achim Siebert
Hello Brenda,

This subject was covered quite extensively by the OIDFA Point Ground
 group and and along with all the other minor variations in working
 methods came to fruition as 'Point Ground Lace; a Comparative Study'
 published by OIDFA in 2001.



I was going to buy that anyway since I like tulle lace so much. And I heard
of a new edition of a book about threads that I want to order along with it,
if it's already available at Barbara Fay's ;).


I just hope I wont have to start the lace again because I did everything
wrong ... it shall be the border of a lace pillow that will get a new felt
inlay and cover. The pillow is 54 cm in diameter, so I'll have to do 170 cm
(67 inches) lace for it.


 I think that the first pinhole is there to go between the pair from the
 little circle and the pair coming in from the left to become the
 worker, just to give that worker pair something to be tensioned
 against.



I'll have to check when I'm back home from work, but I think that's exactly
what I ended up doing, since everything else felt a bit awkward - I put the
pin in before doing the stitch.


Thanks a lot,
Achim in Berlin

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Ilske Thomsen

Hello David, Achim and all others,
in Chantilly I learned as a rule:
coming from point-ground3 twists
   honeycomb  2 twists
   half-stitch  2 twists
behind the gimp
going into point-ground2 twists
   honeycomb  2 twists
   half-stitch  1 twist
perhaps this helps

Ilske

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[lace] Bobbin received

2007-09-17 Thread Jeanette Fischer
The antique bobbin I won in the raffle by Debbie Mouzon arrived safe and sound
today.  She had also packed the bobbin very securely compared to the OIDFA
bobbin - which also arrived safely!  These raffles are such fun.
Jeanette Fischer, Western Cape, South Africa.

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Re: [lace] Knitting terms.

2007-09-17 Thread Joy Beeson
Wrap stitch might also refer to the short-row technique in 
which one wraps the yarn around the first of the stitches 
that aren't knitted before turning and knitting back.  The 
wrap may be picked up and knitted together with the stitch 
later on, but in a bumpy fabric needn't be.


--
Joy Beeson
http://joybeeson.home.comcast.net/
http://roughsewing.home.comcast.net/
http://n3f.home.comcast.net/ -- Writers' Exchange
west of Fort Wayne, Indiana, U.S.A.
where the beans and corn are drying up,
and a few fields have been combined.

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[lace] Lieres Kant, Tambour Limerick

2007-09-17 Thread Margot Walker

On 17 Sep 2007, at 12:10, Mandolyn Day wrote:

Are these laces basically the same, or is there a significant  
difference them with the only similarity in the tools  tulle used  
to do them?


As others have written, they are similar.  There is a needlerun  
Limerick lace and a tamboured Limerick (both done on tulle).  I make  
Coggeshall but take my designs from any of the tambour lace books.  A  
key point that hasn't been mentioned so far is that the tulle should  
be cotton and the 'holes' must be six-sided.  This tulle is very  
difficult to find in Canada


Margot Walker in Halifax on the east coast of Canada
Visit the Seaspray Guild of Lacemakers web site:
http://www3.ns.sympatico.ca/quinbot

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[lace] Lieres Kant, Tambour Limerick

2007-09-17 Thread Jenny De Angelis
As far as I am aware Liers Kant and Tambour lace are one and the same, 
Coggeshall lace is the English tambour lace, made in the area of Coggeshall 
Essex.  I am not sure about Limerick lace but it could be a needle run lace 
on tulle, whereas the Tambour laces Liers Kant and Coggeshall are made with 
the barbed Tambour Hook over Tulle. The Tulle being stretched over a 
frame/Tambour.


I day a little of Coggeshall lace when I lived in England in he 1980s and in 
1994 at the OIDFA conference here in Barcelona I spoke to a Belgian lady who 
was wearing a large and absolutely beautiful Liers collar that came half way 
down her back in a deep V shape.  She told me that it was made with a 
tambour hook just the same as the Coggeshall tambour hook that I used.


As Brenda told you, wear a dark skirt or put dark fabric over your lap when 
working on white tulle, Put your ball of thread in some sort of plastic pot 
with a tight fitting lid that has a hole pierced in it so that the thread 
runs out of the pot freely, you can then stand the pot on the floor under 
your frame.  Have a piece of Cork, from a bottle, to stick the tambour hook 
point into when not in use and be very careful with the hook and your body 
as once the barbed hook goes into your skin it can do a lot of damage if you 
just pull it out.  I got mine stuck in the back of my hand and had to go to 
the Doctor to get it removed otherwise the barb would have torn the skin 
badly.  I keep my hook in one of those aluminium cigar tubes.


Regards
Jenny DeAngelis.
Spain.

 I want to do Lieres Kant, Tambour  or Limerick lace. I've done some 
research, ordered supplies  some books none of which has arrived yet.


Am I correct? Are these laces basically the same, or is there a 
significant difference them with the only similarity in the tools  tulle 
used to do them?


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Re: [lace] Lieres Kant, Tambour Limerick

2007-09-17 Thread sof

Hi,

Yes, Limerick, Coggeshall, Lier tape laces are similars. The difference 
is on the style and some stitches are more use or not.


I readed that Limerick tape lace came from Coggeshall who came from 
Luneville (in East France). In Luneville now, they don't use tulle.


There is run lace in Limerick and in the past in Lier too. Not now.

To learn 2 good books for me :
Embrodered machine nets Limerick and worldwide by Pat Earnshaw. You can 
find it on amazone uk
Lierse kant: oude en nieuw by Greet Rome You can find it in Scharlaeken 
in Brugge for exemple : http://www.scharlaeken.be/en/?item_id=11460oper=cms


Tulle can be in silk too. Impossible to find now I think. You can use 
4-sided too but it's very different and more easy.


In Europe, you can find tulle. For exemple, in Scharlaeken too : 
http://www.scharlaeken.be/en/?item_id=11146oper=cms

or in england in Jo Firth.

Dentellez bien

Sof from France with rain



Margot Walker a écrit :

On 17 Sep 2007, at 12:10, Mandolyn Day wrote:

Are these laces basically the same, or is there a significant 
difference them with the only similarity in the tools  tulle used to 
do them?


As others have written, they are similar.  There is a needlerun Limerick 
lace and a tamboured Limerick (both done on tulle).  I make Coggeshall 
but take my designs from any of the tambour lace books.  A key point 
that hasn't been mentioned so far is that the tulle should be cotton and 
the 'holes' must be six-sided.  This tulle is very difficult to find in 
Canada


Margot Walker in Halifax on the east coast of Canada
Visit the Seaspray Guild of Lacemakers web site:
http://www3.ns.sympatico.ca/quinbot

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[lace] Buddy map

2007-09-17 Thread Janice Blair
I spoke too soon because when I went back to check the map on BuddyMap, my dot 
looks like it is in Wisconsin, not in northern Illinois.  Also Susie Johnson 
made my picture smaller and sent it to me but I cannot access the Edit 
function.  Does anyone know how to do that?  I remember seeing it the first 
time I entered my info as I didn't add my web site and was able to do that.  Is 
there a webmaster I can contact to correct my position on the map?

Lace content:  We had a visitor on Saturday at our LACE guild meeting, Arachne, 
Mika Steflickoa from the Czech Republic.  She brought lots of Czech magazines, 
samples of lace and cd's of lace for us to look at.  She will be visiting us 
again next month and we will be working on lace that day.  Saturday found us 
making scarecrows out of burlap and raffia.  Lucky me, she left all the 
magazines etc., in my care so I am having a lace overdose.
Janice


Janice Blair
Crystal Lake, 50 miles northwest of Chicago, Illinois, USA
http://jblace.wordpress.com/
http://www.lacemakersofillinois.org/

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Achim Siebert

Hello Jacquie,

I know Achim said she twists twice then lifts the left hand thread  
to pass

the gimp through,


Yes, just that I'm a he (I'm not too sure about that sometimes, but  
last time I checked I was ;-).



but if you study it you will see you only then have one twist
left before the gimp.  Even clearer, just do one twist, lift the  
left hand

thread, pass the gimp through and voila, no apparent twist.


You're right - that's something I also noticed.

... half an hour later ...

I just tried all that with really thick threads and watched what  
happens. With lift left one twist ends up on the side of the gimp  
I'm working towards and is gone from the side where you'd think it  
would be. With lift right the gimp cant slip through the twist.


Since I only did one pattern repeat, I'll try your method for the  
next - I'll twist twice before the gimp, pass it through by lifting  
the right bobbin and then make no further twist but start the cloth  
stitch at once like David also suggested.


Chantilly as taught by Lia Baumeister also uses lift right so the  
twists stay on the side where you do them.



Jacquie, in a very wet and miserable Lincolnshire.


There were 24°C today here in Berlin - probably one of the last warm  
days this year.


Thanks a lot for the long explanation - very instructive!

Best, Achim.

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Re: [lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Achim Siebert

Hallo Ilske,


Hello David, Achim and all others,
in Chantilly I learned as a rule:
coming from point-ground3 twists
   honeycomb  2 twists
   half-stitch  2 twists
behind the gimp
going into point-ground2 twists
   honeycomb  2 twists
   half-stitch  1 twist
perhaps this helps


Das werd' ich mir für die nächsten Chantilly-Spitzen notieren, danke!

I'll remember that for the next Chantilly lace I'll do. I just got  
Chantilly - Techniek en patronen from the Nederlandse Kantopleiding  
- some beautiful patterns in there!


Hummel, Hummel nach Hamburg, Achim (gebürtiger Uetersener).

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[lace] Re: Lierse Kant, Tambour Limerick

2007-09-17 Thread Tamara P Duvall

On Sep 17, 2007, at 11:10, Mandolyn Day wrote:

I want to do Lieres Kant, Tambour  or Limerick lace. I've done some 
research, ordered supplies  some books none of which has arrived yet.


Am I correct? Are these laces basically the same, or is there a 
significant difference them with the only similarity in the tools  
tulle used to do them?


In Lierse Kant (Liers Lace) and in Coggeshall Lace, both the 
chainstitched outlines and the fillings are made with the tambour hook. 
In Limeric Lace, the chainstitched outline is made with a hook, but the 
fillings are made with a needle. All three are made on hexagonal tulle.


Tambour, as such, can mean different things, including attaching 
sequins to fabric (not tulle) with a chain stitch, using a tambour 
hook. The non-lacy tambour work on fabric goes back a long way time 
wise and a long way away from Europe; it's used, extensively, in 
decorating Indian and Pakistai clothes, for example.


--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)

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[lace] Beginner's questions about Bucks point lace

2007-09-17 Thread Laceandbits
Also when you are talking about the number of twists to do after gimps, it 
depends on which way you do your gimps.

I know Achim said she twists twice then lifts the left hand thread to pass 
the gimp through, but if you study it you will see you only then have one twist 
left before the gimp.  Even clearer, just do one twist, lift the left hand 
thread, pass the gimp through and voila, no apparent twist.

I usually teach my students to lift the right hand thread as this then leaves 
in place behind the gimp the number of twists that you think you have.  
Another twist sits above and below the gimp (this is where the second one 
disappears to when you lift the left hand thread) and a second one 'closes the 
gate'.  

The reason why I teach to lift the right hand thread is that this is all you 
have to remember.  If you lift the left hand one you have to remember to twist 
twice first; remember, if you don't, you are left with no twist at all.  
Having passed the gimp through, if you want it held in place with twists you 
can 
see that only one still 'leaves the gate open', you need the second one; you 
don't need to remember it.

So, if you want to have no twists after the gimp when going into cloth stitch 
(and this is what Pat Read taught me for Bucks; match the twists to where you 
are going) lift the right hand thread, pass the gimp through and go straight 
into cloth stitch.  This way the gimp can snuggle down close against the 
clothwork and give a better outline than if it's held off at a distance by 
twists.

Jacquie, in a very wet and miserable Lincolnshire.

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[lace] Re: beginner's question about Bucks Point lace

2007-09-17 Thread the Mouzons
Please bear in mind that my statements refer only to making Bucks Point 
lace.  When I took classes on Bucks Point lace, I had this pattern as 
one of my lessons.  I actually just worked the corner because in this 
particular lesson, my teacher was teaching me to start a piece of floral 
Bucks Point on a corner.


In my classes, I was taught that the purpose of the gimp is to highlight 
or outline a design.  For that reason alone, I would not want my gimp to 
lay close to my design...and that may be why it is usually surrounded by 
twists in any piece of lace where it is used that way.  As far as how 
many twists it needs, the general consensus at that time was that there 
should be one always (two was traditional), but if a stitch surrounding 
the gimp has more than one twist in the stitch, then the number of 
twists should match the stitch.  With that in mind, when working point 
ground stitch, the bobbins will be twisted three times before passing 
the gimp through them...when working honeycomb stitch, there will be two 
twists.  After passing a gimp through a pair of bobbins, the same rule 
would apply; entering point ground, twist three times, and entering 
honeycomb, twist two times.  Twist once before entering an area of cloth 
stitch.  As far as Pamela Nottingham saying that there could be no 
twists, I believe Mrs. Nottingham was referring to a time when there 
would be two gimps lying alongside each other.  There should be no 
twists between them, so that there is not any separation there.  I did a 
quick check through her book on Bucks Point to find this information.


Regarding which bobbin to pick up, I was taught that it is always the 
left hand bobbin. I had never heard of picking up the pair on the right 
side, but my lessons were accomplished while I was living in England, 
and at that time I was getting intensive training in English laces, so 
I had also never heard of the different European names for stitches, or 
different ways of working those stitches!  I don't know if picking up 
the left hand bobbin is an English way of working with gimps, but this 
is the method described by Geraldine Stott in this book, so I would 
stick with it.  It is also the method in most English books printed at 
that time...which is the time I was learning.  In fact, I worked this 
corner before the book you are using was out of the printers.


Now, concerning the little pin hole under the one-pin circle... I am 
sure that if it is supposed to be there, it is there for support only, 
but you should also consider that it could be printing mistake.  There 
is a pattern in 100 Traditional Bobbin Lace Patterns called May that 
has a pinhole error like this.  I'm not sure that any support is 
necessary for a worker that is only passing through this one pair before 
it makes the edge stitch... so I would think it is up to you whether you 
ignore the pin or use it.


You have received so much good advice!  This group is a wonderful 
resource, but always bear in mind that different areas use different 
terms and even different methods.  Working lace differently does not 
make a method wrong.  I hope you will not wait too long to get started 
on this wonderfully frustrating little design!  Perfection is something 
to personally strive for, but not necessarily to demand from yourself.  
I have been told that when the Amish are working their needlework, that 
they put a mistake in on purpose because they believe perfection belongs 
only to God.  I have not found the need to put one in on purpose, 
because I seem to leave plenty of mistakes accidentally!


Happy lacemaking!
Debbie in Florida  [EMAIL PROTECTED]

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[lace] wrap stitch

2007-09-17 Thread Tess Parrish
Both of these are correct: Wrap stitch is not wrapping. It is a way
of making a smooth turn in short row knitting. Thanks to both Jenny
and Joy.


Wrap stitch might also refer to the short-row technique in
which one wraps the yarn around the first of the stitches
that aren't knitted before turning and knitting back.  The
wrap may be picked up and knitted together with the stitch
later on, but in a bumpy fabric needn't be.

WRAP STITCH
A wrap stitch is used to eliminate the hole created when using the
short row shaping method. Work to the position on the row indicated
in the pattern, wrap the next st (by slipping next st onto right
needle, bringing yarn to front of work between needles and then
slipping same st back onto left needle – on foll rows, K tog the loop
and the wrapped st) and turn, cont from pattern.

ttp://www.woolworks.org/misc/wrap.html is a fairly complicated
description and not as easy to understand.


Tess  ([EMAIL PROTECTED])=

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[lace] Gothic German help needed

2007-09-17 Thread Tamara P Duvall

Gentle Spiders,

In Nüw Modelbuch, there are several patterns which use a motif, made 
with 4 pairs (usually two plaits feeding into it). The motif looks very 
much like like a single rose of the Flanders Ground or modern 
Roseground (5 holes, the central one being slightly larger than the 4 
corner ones).


The mysterious RM, who put the pattern book together in 1561, seems to 
have names for various motifs (whether they were her names for them or 
traditional, she doesn't say) -- there are stars and cushions and 
chess and (I think) dice and other such descriptive and imaginative 
names. The names aren't always consistent -- sometimes the same element 
is named one thing and sometimes another. But they're all interesting. 
Unfortunately, Claire Burkhard, who had made some of the patterns 
available to us (Faszinierendes Klöppeln), wasn't any more consistent 
than RM; sometimes she translated the pattern's name and sometimes she 
didn't :) In the case of the litle roses, she didn't... :(


Now comes my problem. My German is pretty much non-existent; I had a 
little bit of it, 40 yrs ago, and it has all rusted through due to 
non-use (my Russian, which used to be fluent is not much better at this 
point, for the same reason). But, even 40 yrs ago, I was never taught 
the old alphabet... I cannot even decipher some of the letters in the 
Nüw Modelbuch, which means I cannot translate them well enough to 
even consult my (addmitedly very small -- college edition) modern 
dictionary.


I'm hoping one of our German members will be able to help me; I know we 
learnt old Polish script and print in school and I expect the same had 
been true also for German natives learning their mother tongue. If I 
could send someone scans of the the word (in several contexts; it seems 
to be spelt differently depending on whether it starts with a capital 
or lower-case letter), perhaps you could tell me what its modern 
eqivalent is? I could then check the dictionary...


Of course, if you could actually *translate the word* for me, I'd be 
doubly grateful; like I said... my dictionary is very small...


Yours, hoping,
T
--
Tamara P Duvallhttp://t-n-lace.net/
Lexington, Virginia, USA (Formerly of Warsaw, Poland)
 
 


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