Re: [NetBehaviour] ChatGPT-4o: Breakthrough or Bust?

2024-05-17 Thread Helen Varley Jamieson
exploitation? 
[And let?s

not kid ourselves, wasn't everyone really hanging out for GPT-5?]

In essence ChatGPT-4o is a bit of a mixed bag. It's an impressive party
trick, sure, but when the release-glitter settles we?re left 
pondering what it
really brings to the table. It?s a step forward no doubt, but also a 
sidestep,
a fancy detour on the road to more profound innovations. The real 
kicker isn?t

what this AI can do but what it represents in the grand scheme of things
[all up a blend of breakthrough and bias, of marvels and missed
opportunities]. So let?s marvel at the spectacle but remain skeptical 
of the

smoke and mirrors. After all [in the current world of current AI
release-hype] every new release is a double-edged sword, and it?s up 
to us to

suss out which edge to grab.

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[NetBehaviour] Happy 20th Birthday UpStage: playfully persistent since 2004

2024-01-08 Thread Helen Varley Jamieson
Twenty years ago today, the cyberformance platform UpStage was 
officially launched in Wellington, Aotearoa/NZ, and online. Join us 
today in UpStage to celebrate this auspicious artistic anniversary!


 *

   20:00 Aotearoa/NZ time (find your local time here:
   http://tinyurl.com/UpStage20-NZ)

and/or

 *

   20:00 central European time (find your local time here:
   http://tinyurl.com/UpStage20-CET)

Click here to enter the stage: https://upstage.live/20birthday

As well as continuously providing an accessible, artist-led venue for 
cyberformance for twenty years, UpStage has produced six online 
festivals <https://upstage.org.nz/?page_id=1958> (2007-2012), 
co-organised the 2012 CyPosium <https://www.cyposium.net/> - an online 
symposium about cyberformance - and initiated many international 
artistic collaborations including the current Mobilise/Demobilise 
<https://mobilise-demobilise.eu/> project which enabled the complete 
rebuild of the UpStage software in 2021.


UpStage has a long and valuable active involvement within global digital 
arts and technology networks and communities. As an open source software 
project, UpStage has nurtured fun and fruitful ongoing collaboration 
between artists and developers, and encouraged digital artists to think 
critically about the tools we used and participate in software design 
and development.


Now in its 20th year, UpStage continues to evolve with the times and the 
technology while maintaining its ethos of accessibility, artistic 
experimentation and playful persistence.


We acknowledge UpStage's originators, the globally dispersersed 
cyberformance troupe Avatar Body /Collision/ 
<http://www.avatarbodycollision.org/> (Karla Ptacek, Leena Saarinen, 
Vicki Smith and Helen Varley Jamieson); the original developer, Douglas 
Bagnall; and Creative New Zealand and the NZ Ministry of Research, 
Science and Technology, who provided the initial funding for UpStage.


And we send a massive thank you to the global UpStage community - all of 
the artists, developers, researchers, funders, audiences, colleagues and 
conspirators who have cheered on and contributed to UpStage over the 
last two decades, in ways big and small; UpStage would not still be here 
without you!


If you would like to give UpStage a birthday present, donations are 
always welcome! https://upstage.org.nz/?page_id=278


Join us today to celebrate 20 years of playful persistence!

Helen & Vicki
UpStage PerSisters
https://upstage.org.nz
https://upstage.live <https://upstage.org.nz>


@upstage-org

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[NetBehaviour] UpStage: playfully persistent since 2004!

2024-01-03 Thread Helen Varley Jamieson
On 9 January 2004, UpStage was officially launched as a unique 
artist-led platform for cyberformance - live, online performance. The 
platform and its global community of artists, developers and audiences 
has thrived, survived and playfully persisted for 20 years!


During 2024 we will celebrate this important milestone, beginning with a 
birthday party on*9th January*. As UpStage has always existed in between 
time, the birthday party will happen twice, first at *20:00 Aotearoa/New 
Zealand time*- as this is where UpStage was born - and then at *20:00 
central European time*. Time converters, the stage link and more 
information are here: https://upstage.org.nz/?page_id=9138

<https://upstage.org.nz/?page_id=9138>

You are warmly invited to celebrate with us on January 9th, and look out 
for further online fun and frolics throughout the year.


If you would like to give UpStage a birthday present, donations are 
always welcome <https://upstage.org.nz/?page_id=278>!


Helen & Vicki
UpStage PerSisters
https://upstage.org.nz
https://upstage.live

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Re: [NetBehaviour] Bye bye Widget Art Gallery

2023-12-04 Thread Helen Varley Jamieson

sorry to hear this, chiara. it's been a great project over such a long time!

On 15.11.23 10:00, Chiara Passa via NetBehaviour wrote:

Dear friends & colleagues,

I hope this message finds you well.
I'm getting in touch to let you know that after 15 years, the Widget 
Art Gallery is now over. It has been a pioneering showcasing 
art-project (from 2008 until 2023) for exhibiting media art via the 
internet, mostly in the form of GIFs. The WAG showed circa 200 artists 
and it will remain an online archive and a 'widget' for osx dashboard.

http://www.chiarapassa.it/TheWidgetArtGallery.html

Sending my best, Chiara Passa

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Re: [NetBehaviour] Book release Being Human . een bloemlezing . an anthology

2023-10-10 Thread Helen Varley Jamieson

congratulations, annie! 

On 02.10.23 12:05, Annie Abrahams via NetBehaviour wrote:


*Can the essence of a website called /Being Human/ created between 
1997 and 2007, be translated into a book in 2023?*


I am very happy and proud to announce the release of my book
/*Being Human . een bloemlezing . an anthology*/**
The book is part of the exhibition /REBOOT 
<https://nieuweinstituut.nl/projects/reboot-baanbrekende-digitale-kunst>: 
Pioneering Digital Art/ at the Nieuwe Instituut in Rotterdam.


It contains *44 poems*, a *Fore Words* by Erika Fülöp, an *Ad Verbs* 
by me. The graphic design is by Alexandre Leray.


A book as a derivative of something that is gone, which at least, now 
can no longer be experienced as in the time when it was made. ... 
/Being Human/ has always been a linguistic universe, in which 
different voices, languages, poems, codes and variables mingle into a 
labyrinthine whole. And so it appeared a challenge and logical to me 
to try to capture /Being Human/ into a book, into a collection of poetry.


"/A fantastic and fascinating semiotic mess.
It is text. Type undefined.
We bounce back and forth between languages that we understand and 
others we don't, between ourselves and others, between humans and the 
space between them, caught in the interface that connects and 
separates them and us/." *Erika Fülöp*.


The book costs *24 euro* and will be *for sale* at NAI Booksellers 
(NAi Boekverkopers) in Rotterdam (next to the Nieuwe Insttuut). You 
can also order one with me for 24 euro + porto.

ISBN: 978909037631, 160 pages, A5, hardcover.

With thanks to: LI-MA, Amsterdam; the Nieuwe Instituut, Rotterdam and 
the Jaap Harten Fonds, Den Haag.




Opening /REBOOT 
<https://nieuweinstituut.nl/projects/reboot-baanbrekende-digitale-kunst>: 
Pioneering Digital Art,/


*Saturday October 7 *
Nieuwe Instituut, Rotterdam.
Free entrance, Sign up HERE 
<https://www.eventbrite.nl/e/tickets-opening-reboot-baanbrekende-digitale-kunst-713722331707>.


Exposition *8/10/2023 – 1/04/2024*
Twenty ground-breaking digital artworks from the Netherlands, which 
helped define our societal relationships with technology, are on 
display, alongside new works by ten makers who take inspiration from 
them in looking towards the future.


Works by *Annie Abrahams*, Livinus and Jeep van de Bundt, Driessens & 
Verstappen, Edward Ihnatowicz, JODI, Bas van Koolwijk, Lancel/Maat, 
Jan Robert Leegte, Yvonne Le Grand, Peter Luining, Martine Neddam, 
Marnix de Nijs and Edwin van der Heide, Dick Raaijmakers, Joost 
Rekveld, Remko Scha, Jeffrey Shaw, Debra Solomon, Steina, Peter 
Struycken, and Michel Waisvisz. *Contemporary responses* by Janilda 
Bartolomeu, Cihad Caner, Dries Depoorter, Swendeline Ersilia, Ali 
Eslami, Jonas Lund, Luna Maurer and Roel Wouters, Katja Novitskova, 
Ekim Tan, and brui5er.


Curators: *Sanneke Huisman* of LI-MA and *Klaas Kuitenbrouwer* of 
Nieuwe Instituut.


*Being Human* will be presented as:
A projection of /BramTV/, *2005* (*online* version)
Three screens with /BramTV/ /special Collection 1, 2 and 3/, *2006* 
(*offline* stand alone version)
And a poetry *book*: /Being Human . een bloemlezing . an anthology/, 
*2023*.



Best
Annie



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Re: [NetBehaviour] Working on the Furtherfield Archives.

2023-09-20 Thread Helen Varley Jamieson
thank you marc, it's an important archive & wonderful that you are 
working on it 


On 20.09.23 13:16, AGF wrote:

sending powers !

On 20. Sep 2023, at 12.19, marc.garrett via NetBehaviour 
 wrote:


Hi Netbehaviourists,

One of my main tasks at Furtherfield these days is dealing with its 
archive, which is challenging. Updating past material going back to 
the mid-90s is taking a long time. And, as you can imagine, not 
having massive budgets with an institution means less money to pay 
others to do the more time-consuming work. However, I have been 
enjoying reconnecting to past ventures with artists, writers and 
techies, and many are still on this list. It is an excellent resource 
of knowledge for digital, networked practitioners today, tomorrow, 
and of course, for ourselves who've been very much part of this 
amazing journey.


It still needs to be finished. But it will be ready early next year. 
Until then, I'll be posting on the list and on social media various 
(re)discoveries of our shared past which I know many on here will 
value and remember warmingly.


This is our history, and it was built from the ground up. Revisiting 
this rich and imaginatively diverse material of artistic, collective 
and individual energies has been an immense pleasure. It has been a 
privilege to know and work with you all, and this wild and messy 
history will be unearthed like radical folklore challenging the 
official and easily accepted narratives issued by top-down systems of 
hegemony.


Wishing you all well.

Marc
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Re: [NetBehaviour] Helen’s obituary in The New York Times.

2023-06-20 Thread Helen Varley Jamieson
oh, that is sad news - but what a wonderful long and productive life! i 
remember meeting her many years ago, she was a very cheerful and vibrant 
person. she was the co-founder of turbulence.org, a great resource, 
which i think has not been active for years but can still be found here: 
http://www.turbulence.org/blog/about.html


On 20.06.23 21:46, marc.garrett via NetBehaviour wrote:

Helen’s obituary in The New York Times.

Helen Thorington, Who Brought Sonic Art to the Airwaves, Dies at 94.

A pioneer in radio art and, later internet art, she created a blend of 
synthesizer compositions and found sounds that opened new artistic 
terrain.


Helen Thorington, whose haunting sonic compositions helped bring the 
medium of radio art to a national audience and provided the soundscape 
for filmmakers, artists and choreographers, died on April 13 in 
Lincoln, Mass. She was 94.


Her partner and collaborator, Jo-Anne Green, said she died in a 
hospice from complications of Alzheimer’s disease. Her death was not 
widely reported at the time.


Radio art was a niche medium when Ms. Thorington started out, but she 
helped bring attention to the form — through her work, which was 
frequently featured on NPR and other noncommercial outlets, and later 
as the founder of a project called New American Radio, which 
commissioned more than 300 works that were broadcast on more than 70 
radio stations for more than a decade starting in 1987.


Ms. Thorington began her pioneering work in the 1970s as a writer 
interested in expanding her short stories and scripts into 
impressionistic radio dramas. She blended her own musical forays on 
synthesizer with audio snippets of industrial or nature sounds, 
unaccompanied improvisations by musicians on various instruments, and 
samples from radio broadcasts. The result was the auditory equivalent 
of an art installation.


More here...
https://www.nytimes.com/2023/06/09/arts/helen-thorington-dead.html?smid=nytcore-ios-share=articleShare 
<https://www.nytimes.com/2023/06/09/arts/helen-thorington-dead.html?smid=nytcore-ios-share=articleShare>



Wishing you well

Marc

=>

Dr Marc Garrett. He/Him.

Co-founder of Furtherfield & DECAL Decentralised Arts Lab.

Current book - Frankenstein Reanimated: Creation & Technology in the 
21st Century. Co-editors Marc Garrett and Yiannis Colakides, 2022. 
https://tinyurl.com/m65jydyn


https://marcgarrett.org/
Co-founder of Furtherfield
https://www.furtherfield.org/
Co-founder of DECAL
https://decal.furtherfield.org/

Sent with Proton Mail <https://proton.me/> secure email.

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Re: [NetBehaviour] My 80th birthday video containing all aspects of my work in 14'03"

2023-02-04 Thread Helen Varley Jamieson

happy birthday alan, from the warm south 

On 04.02.23 10:57, Alan Sondheim via NetBehaviour wrote:



Dear Annie and everyone,

Thank you so so much for your birthday greetings. I hope you know how 
much this means to me and Azure. Even with sub-zero temperatures here, 
the world seems warmer and friendlier to us.


Best, Alan, thank you!

On Fri, 3 Feb 2023, Annie Abrahams via NetBehaviour wrote:


Date: Fri, 3 Feb 2023 09:53:16 +0100
From: Annie Abrahams via NetBehaviour 


To: NetBehaviour for networked distributed creativity

Cc: Annie Abrahams 
Subject: Re: [NetBehaviour] My 80th birthday video containing all 
aspects of

    my work in 14'03"


thank you so much for this video Alan, profound and beautiful as always!
happy birthday
Annie with love


On Fri, Feb 3, 2023 at 6:15 AM Alan Sondheim via NetBehaviour
 wrote:


  My 80th birthday video containing all aspects of my work in
  14'03"

https://youtu.be/d8jPS3QdNg0 video

  USE OF FALSEHOOD

  A jury who were directed to bring in a prisoner _guilty_ upon
  his own confession and plea, returned a verdict of _not guilty,_
  and offered as a reason for their verdict, that they knew the
  fellow to be so great a liar they did not believe him."

  - From 'The Galaxy of Wit: or Laughing Philosopher
  Being a Collection of Choice Anecdotes
  Many of which Originates in or about 'The Literary Emporium''
  Published in Boston, no author, 1830, p. 83. -


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Re: [NetBehaviour] My 80th birthday video containing all aspects of my work in 14'03"

2023-02-04 Thread Helen Varley Jamieson
& happy birthday to you too, ruth! hope you're doing something special. 
we just had an exceptionally hot day for dunedin (might have bene 30 
degrees) so it was hard to do much other than water the garden & drink 
cold drinks, but i did also go to a yoga workshop.


life is both strange and normal on the other side of the world!

hugs,

h : )

On 03.02.23 22:18, Ruth Catlow via NetBehaviour wrote:

Happy Eightieth Birthday Alan - WOW!

I loved scouring those 14 minutes and 3 seconds for all the "aspects" 
so hard to name.


Lots of love
Ruth


On Fri, Feb 3, 2023 at 8:54 AM Annie Abrahams via NetBehaviour 
 wrote:



thank you so much for this video Alan, profound and beautiful as
always!
happy birthday
Annie with love


On Fri, Feb 3, 2023 at 6:15 AM Alan Sondheim via NetBehaviour
 wrote:



My 80th birthday video containing all aspects of my work in 14'03"

https://youtu.be/d8jPS3QdNg0 video

USE OF FALSEHOOD

A jury who were directed to bring in a prisoner _guilty_ upon
his own confession and plea, returned a verdict of _not guilty,_
and offered as a reason for their verdict, that they knew the
fellow to be so great a liar they did not believe him."

- From 'The Galaxy of Wit: or Laughing Philosopher
Being a Collection of Choice Anecdotes
Many of which Originates in or about 'The Literary Emporium''
Published in Boston, no author, 1830, p. 83. -


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--
Ruth Catlow
she/her
Co-director of Furtherfield & DECAL Decentralised Arts Lab
+44 (0) 77370 02879

Mastodon: @r...@assemblag.es

*I will only agree to speak at events that are racially and gender 
balanced.


**sending thanks 
<https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> in 
advance


*Furtherfield *disrupts and democratises art and technology through 
exhibitions, labs & debate, for deep exploration, open tools & free 
thinking.

furtherfield.org <http://www.furtherfield.org/>

*DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 
technologiesresearch hub


for fairer, more dynamic & connected cultural ecologies & economies now.

https://decal.furtherfield.org/

Furtherfield is a Not-for-Profit Company Limited by Guarantee

Registered in England and Wales under the Company No.7005205.

Registered business address: Carbon Accountancy, 80-83 Long Lane, 
London, EC1A 9ET.





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Re: [NetBehaviour] Cyberfeminism Index book has been released

2022-11-19 Thread Helen Varley Jamieson
i've ordered it - but will have to wait until march ... (apparently it's 
slightly faster to order through uk than through usa, which is weird as 
it's published in the usa, but this is what my local bookshop in nz have 
told me).


can't wait!!

h : )

On 20.11.22 04:14, Ruth Catlow via NetBehaviour wrote:
I was lucky enough to see a preview copy of this. I love how it spans 
the generations of cyber-feminist thought and practice. It also 
documents some fantastic work a few people here.

Get a copy if you can.
: )

On Wed, Nov 16, 2022 at 6:02 PM Evelin Stermitz via NetBehaviour 
 wrote:





Cyberfeminism Index

Edited with introduction by Mindy Seu.
Foreword by Julianne Pierce of VNS Matrix.
Afterword by Legacy Russell.


To order, please visit
http://www.inventorypress.com/product/cyberfeminism-index

For international orders, it's easiest if you contact your local
bookshop
to order the book from DAP, so you can avoid high shipping costs.
https://www.artbook.com/9781941753514.html



The book launch was on Monday, November 14, 2022, 7PM
at the New Museum, New York
https://rhizome.org/events/cyberfeminism-index-book-launch/



Please spread the news,
Evelin




-- 
Evelin Stermitz

~ https://evelinstermitz.net
~ https://artfem.tv
~ https://world-of-female-avatars.net
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--
Ruth Catlow
she/her
Co-director of Furtherfield & DECAL Decentralised Arts Lab
+44 (0) 77370 02879

Mastodon: @r...@assemblag.es

*I will only agree to speak at events that are racially and gender 
balanced.


**sending thanks 
<https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html> in 
advance


*Furtherfield *disrupts and democratises art and technology through 
exhibitions, labs & debate, for deep exploration, open tools & free 
thinking.

furtherfield.org <http://www.furtherfield.org/>

*DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0 
technologiesresearch hub


for fairer, more dynamic & connected cultural ecologies & economies now.

https://decal.furtherfield.org/

Furtherfield is a Not-for-Profit Company Limited by Guarantee

Registered in England and Wales under the Company No.7005205.

Registered business address: Carbon Accountancy, 80-83 Long Lane, 
London, EC1A 9ET.





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Re: [NetBehaviour] Mastodon

2022-11-11 Thread Helen Varley Jamieson

that's weird - lots of other people have followed me in recent days.

there was a bit of downtime on systerserver a few days ago (for 
upgrades) but it's been up nearly all the time. try again?


On 12.11.22 07:09, Edward Picot wrote:
I've managed to do quite a bit of finding and following today - but I 
still can't get Helen!


On 11/11/22 5:58 PM, Edward Picot wrote:

A browser on a stand-alone computer.

On 11/7/22 4:13 PM, marc.garrett via NetBehaviour wrote:

Hi Edward,

Can I ask whether you're using a browser on a stand-alone computer 
or your mobile phone?


Wishing you well
Marc

=>


Dr Marc Garrett. He/Him.

Co-founder of Furtherfield & DECAL Decentralised Arts Lab.

Current book - Frankenstein Reanimated: Creation & Technology in the 
21st Century. Co-editors Marc Garrett and Yiannis Colakides, 2022. 
https://tinyurl.com/m65jydyn


https://marcgarrett.org/
Co-founder of Furtherfield
https://www.furtherfield.org/
Co-founder of DECAL
https://decal.furtherfield.org/

Sent with Proton Mail secure email.

--- Original Message ---
On Monday, November 7th, 2022 at 14:42, Edward Picot 
 wrote:




I can find some of you but not others! I can find Eryk but not Marc,
Annie but not Helen... What's that all about? I'm on tooting.ch but 
it's

not supposed to make any difference which server you're on, is it?

Edward

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Re: [NetBehaviour] Mastodon

2022-11-10 Thread Helen Varley Jamieson

yes 

On 09.11.22 00:15, Aileen Derieg wrote:
Welcome to Mastodon, Marc and all the others who have joined recently. 
Since I've been following everyone who has posted their address here, 
I'm @ader...@post.lurk.org


Thanks for starting this thread, Marc. When I started reading, I was 
reminded of writing for the Furtherfield blog in 2007 about my first 
experiences with social media at that time, which expanded when I 
started following Charles Hutchins around the Internet, which I have 
continued doing for fifteen years now, which is how I ended up on 
Mastodon in 2018. Over the years, though, I have also followed you 
across so many different social media platforms, which ultimately 
ended up becoming disappointing.


And so we keep returning to this mailing list - thanks for that!

What I like about Mastodon is the feeling that there is no pressure to 
keep up with everything all the time. When I feel like checking 
Mastadon, I usually end up having enjoyable exchanges about whatever 
random posts happen to show up at that moment, but I'm not tempted to 
start doomscrolling and I don't feel I'm missing out on something else.


I'm also primarily responsible for the account for the collective 
where I live now (@willyfredh...@social.servus.at), so there I have 
made a point of following other collectives and community initiatives. 
I enjoy how different that account is from my personal one.


Recently I also made an account on Systerserver 
(@ail...@systerserver.town), because I would like to become more 
involved there. I don't want to cross-post, though, so I am still 
figuring out how the two accounts are different.


So off we go on the next experiment, but still with the reassurance 
that this list keeps going, no matter what other platforms do or don't 
do.


All the best,
Aileen

On 06/11/2022 14:19, marc.garrett via NetBehaviour wrote:
I have a new account on Mastodon, which I'm still figuring out. Like 
all new website visitors, you need to build connections we have or 
had on Twitter and other platforms. Let's rebuild it all before it's 
all completely ruined by the right-wing privileged - @marcgarr...@mas.to


Please post your Mastodon handle below if you want us to follow each 
other.



Wishing you well

Marc

=>

<https://marcgarrett.org/cv/>Dr Marc Garrett. He/Him.

Co-founder of Furtherfield & DECAL Decentralised Arts Lab.

Current book - Frankenstein Reanimated: Creation & Technology in the 
21st Century. Co-editors Marc Garrett and Yiannis Colakides, 2022. 
https://tinyurl.com/m65jydyn <https://tinyurl.com/m65jydyn>


https://marcgarrett.org/ <https://marcgarrett.org/>
Co-founder of Furtherfield
https://www.furtherfield.org/ <https://www.furtherfield.org/>
Co-founder of DECAL
https://decal.furtherfield.org/ 
<https://decal.furtherfield.org/><http://decal.is/>


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Re: [NetBehaviour] Mastodon

2022-11-07 Thread Helen Varley Jamieson

yes, keep trying - last night i could not find annie but now i got her 

On 08.11.22 03:46, Eryk Salvaggio via NetBehaviour wrote:
Right now things are a bit unstable, because Mastodon relies on local 
servers, many of which are being slammed. If a server is down, or 
busy, then syncing up things like the timeline or search functions 
slow down (or go down) as well. If you try again later, you may find 
that folks who did not appear are appearing again. There are other 
weirdnesses too: I cannot log in on a browser, for example!


On Mon, Nov 7, 2022 at 9:42 AM Edward Picot  
wrote:


I can find some of you but not others! I can find Eryk but not Marc,
Annie but not Helen... What's that all about? I'm on tooting.ch
<http://tooting.ch> but it's
not supposed to make any difference which server you're on, is it?

Edward

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Re: [NetBehaviour] Mastodon

2022-11-07 Thread Helen Varley Jamieson

thanks for the links mez, they look useful 

we have mastadon on systerserver (https://systerserver.net/), i've had 
an account for quite a while & keep meaning to try & be more active on it.


@he...@systerserver.town

h : )

On 07.11.22 08:12, Mez Breeze via NetBehaviour wrote:
...also here's a great chart that helps explain the way Mastodon 
works: 
https://dev-static.glitch.social/media_attachments/files/000/450/444/original/abe1e39c4411c4da.png 
+ a getting started guide: 
https://2ality.com/2022/10/mastodon-getting-started.html


On Mon, Nov 7, 2022 at 6:06 AM Mez Breeze  wrote:

I've also joined the great Birdcage migration to Mastodon - find
me there at @mezbreeze@mastodon.online
[https://mastodon.online/@mezbreeze].

Have followed you both too Marc + Eryk. :)

So far I'm excited by the potentialities of Mastodon. Having felt
stifled + hamstrung by smothering soc-med platforms for years,
Mastodon seems pleasingly light.



On Mon, Nov 7, 2022 at 1:20 AM marc.garrett via NetBehaviour
 wrote:

Hi Eryk,

I've just followed you back on there - we'll see how it goes :-)

Wishing you well

Marc

=>

Dr Marc Garrett. He/Him.

Co-founder of Furtherfield & DECAL Decentralised Arts Lab.

Current book - Frankenstein Reanimated: Creation & Technology
in the 21st Century. Co-editors Marc Garrett and Yiannis
Colakides, 2022. https://tinyurl.com/m65jydyn

https://marcgarrett.org/
Co-founder of Furtherfield
https://www.furtherfield.org/
Co-founder of DECAL
https://decal.furtherfield.org/

Sent with Proton Mail <https://proton.me/> secure email.

--- Original Message ---
On Sunday, November 6th, 2022 at 13:42, Eryk Salvaggio
 wrote:


Following, and would be happy to follow anyone on this list.
I am cyberneticforests@mastodon.online.

See you there.
-eryk


On 6 Nov 2022, at 8:20 am, marc.garrett via NetBehaviour
 wrote:


I have a new account on Mastodon, which I'm still figuring
out. Like all new website visitors, you need to build
connections we have or had on Twitter and other platforms.
Let's rebuild it all before it's all completely ruined by
the right-wing privileged - @marcgarr...@mas.to
Please post your Mastodon handle below if you want us to
follow each other.


Wishing you well

Marc

=>

Dr Marc Garrett. He/Him.

Co-founder of Furtherfield & DECAL Decentralised Arts Lab.

Current book - Frankenstein Reanimated: Creation &
Technology in the 21st Century. Co-editors Marc Garrett and
Yiannis Colakides, 2022. https://tinyurl.com/m65jydyn

https://marcgarrett.org/
Co-founder of Furtherfield
https://www.furtherfield.org/
Co-founder of DECAL
https://decal.furtherfield.org/

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| mezbreezedesign.com <http://mezbreezedesign.com>






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| mezbreezedesign.com <http://mezbreezedesign.com>




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Re: [NetBehaviour] Alternative Metaverses - Neural 70

2022-09-26 Thread Helen Varley Jamieson

it's a great issue, grazie alessandro! 

On 14.09.22 11:43, Alessandro Ludovico wrote:


"Alternative Metaverses” (Neural #70) is still available! 
<http://neural.it/issues/neural-70-alternative-metaverses/>


. . . . . . . . . . . . . . . . . . . . . . . . .

*Print Subscription* <http://neural.it/subscribe/#print-subscription>, 
3 issues + extra

. . . . . . . . . . . . . . . . . . . . . . . . .
Digital Subscription <https://shop.exacteditions.com/neural>, to 
access the last 42 issues.

. . . . . . . . . . . . . . . . . . . . . . . . .
*Back Issues Pack* <http://neural.it/issues/>, to get all the previous 
English issues

. . . . . . . . . . . . . . . . . . . . . . . . .
Facebook <https://www.facebook.com/neural.magazine/>, Twitter 
<https://twitter.com/_neural>, Instagram 
<https://www.instagram.com/neural_mag/>

. . . . . . . . . . . . . . . . . . . . . . . . .
ISSN: 2037-108X
. . . . . . . . . . . . . . . . . . . . . . . . .
Neural #70, “Alternative Metaverses”

*
*
*Centrefold*: Chaotic Timer, countdown synchronicity.

*interviews*:
. Lu Yang

. LaTurbo Avedon
. Lawrence Lek
. Marco Cadioli

*articles*:
. The metaverse of performed sounds
. A Genealogy of the Metaverses

*reports*:
. A New Digital Deal, Ars Electronica 2021 + STWST 48×7 “Out of Matter”
. Technoshamanism
*
*
*news*:
. ALTAR-3000, a domestic oracle
. Cloud matter, weighing accessibility
. The Entropy Gardens, virtual organic sprawling
. Coro Informal, the streets in a music box
. Les jardins cybernétiques (Disparues – bouquet), commemorative reminder
. Chaque Seconde, timing rhythms
. Clay Breath, the irresistible emergence of sound
. Hateful Little Thing, the aftertaste of invading the screen
. Earthquake Mass Re-imagined : 2022, aural mechanics interpreting 
earth tremors

. This Sculpture Doesn’t Exist, Instragram-induced sculptures
. Igun, archeological reinventions
. Mythic Landscape, expanding the unknown
. OnlyBans, do you wanna play?
. The Chiromancer, multisourced clairvoyant
. Untitled (woman pains), sharing the pain
*
*
*books/dvds*:
. (edited by) Annet Dekker / Curating Digital Art / Valiz
. (edited by) Omar Kholeif / Art in the Age of Anxiety / Mörel/Sharjah 
Art Foundation

. Cathy Lane & Angus Carlyle / Sound arts now / Uniformbooks
. Budhaditya Chattopadhyay / The Auditory Setting / Edinburgh 
University Press

. (edited by) Ania Malinowska and Valentina Peri / Data Dating / Intellect
. edited by Tomáš Dvořák and Jussi Parikka / Photography Off the Scale 
/ Edinburgh University Press

. Graziele Lautenschlaeger / Sensing and Making Sense / transcript Verlag
. Sean Cubitt / Anecdotal Evidence / Oxford University Press
. Kate Crawford / Atlas of AI / Yale University Press
. Joanna Page / Decolonizing Science in Latin American Art / UCL Press
. VV.AA. / AURAL no4 / Tsonami Arte Sonoro
. Yuk Hui / Art and Cosmotechnics / e-flux/University of Minnesota Press
. VV.AA. / Graphème (Volume 1) / smallest functional unit
. (guest edited by) Abhrajeet Roy / SEISMA Neuroscience / Parabola Press
. (edited by) Raquel Castro / Arte Sonora, Ecologia e Cultura Auditiva 
/ Lisboa Soa


*music reviews:*

. Florian Wittenburg: Kranenburg Tree: Edition Wandelweiser Records
. Giuseppe Cordaro: XIII Rumori Santi: NUKFM
. Alva Noto: HYbr:ID I: Noton
. Agostino Di Scipio & Dario Sanfilippo: Machine Milieu: Toxo Records
. Magda Mayas & Tina Douglas: Objects Of Interest: Room40
. Bernard Parmegiani: Stries: Mode Records
. Deison: Una Notte Che Non Finisce Mai: Silentes
. Ben Vida + Marina Rosenfeld: Leaving: 901 Editions
. Alvin Lucier: Bird and Person Dyning: Dialogo / Cramps Records
. Máquina Magnética: Máquina Magnética: Crónica
. Novi_sad: KEPAYNO∑/Keraunos: Raster
. Michel Redolfi: Sonic Waters, Underwater Music 1979-1987: Sub Rosa
. Özcan Saraç: Copnvvvs: Kaer&39;Uiks
. Pier Alfeo: Works 2016 – 2018: Ricerca Sonora
. Solar Return: Salt —sounds from the cosmos: FibrrRecords
. Tobias: Hall ov Fame: Concentric Records
. Thomas Rohrer: Tamangur: Domizil
. The Quiet Club: The Telepathic Lockdown Tapes: farpoint recordings
. The Organizing Committee: The Day Computers Became Obsolete: No Type
. Thomas Tilly: Codex amphibia (Phonotaxis): Aposiopèse

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Re: [NetBehaviour] Great news regarding my cancer.

2022-08-12 Thread Helen Varley Jamieson

YAY!!

On 12.08.22 21:32, Mark Hancock wrote:

So good to hear, Marc.

Much love to you.
Mark

On Fri, 12 Aug 2022 at 15:10, giselle beiguelman via NetBehaviour 
 wrote:


Great news indeed!
All my best wishes and good vibes
GB

On Fri, Aug 12, 2022 at 11:01 AM Kath O'Donnell via NetBehaviour
 wrote:

this is great news Marc, what a relief. best wishes

On Fri, 12 Aug 2022 at 19:32, marc.garrett via NetBehaviour
 wrote:

Hi all,
OK - Great news! Last week I was told after a PET scan, a
type of test that creates 3 dimensional (3D) pictures of
the inside of your body, that there is no longer evidence
of cancer in my bones or the nodes in the body. This means
the cancer treatment worked, and I am now beginning the
remission phase. I am currently dealing with Lymphedema,
which is slowly going. I'll be regularly visiting the
Hospital for checkups every 2-3 months for two years, then
6 months three years after that. The thing is, I do not
have cancer now, and I'm getting over the treatment, which
was hardcore 

Wishing you well

Marc

=>

DR Marc Garrett | Exploring Class in Post-digital Cultures
and making art real - https://marcgarrett.org/

Furtherfield | Disrupts & democratises art and technology
through exhibitions, labs & debate for deep exploration,
free tools & open thinking. http://www.furtherfield.org

DECAL | Decentralised Arts Lab is an art, blockchain & web
3.0 technologies research hub for fairer, more dynamic &
connected cultural ecologies & economies now -
http://decal.is/


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Re: [NetBehaviour] salvatore iaconesi

2022-08-08 Thread Helen Varley Jamieson
 based culture. Importantly, it gave us hope that this new 
concept could one day be adopted by many.


I want to remember Salvatore Iaconesi with these words, because I 
think they not only encapsulate the profound sense of justice and care 
that drove his work, but also his optimism and hopeful thinking, in 
the face of the violence imparted by and conveyed through data, in 
spite of collapse due to climate change, wars, political unrest, 
medical emergencies etc..


It is certainly not a chance that the logo that stands out on the site 
of HER: She Loves Data is a heart. A heart which will grow larger 
thanks to the way his thinking and his generosity touched and inspired 
many of us. Even though his body is no more, his legacy is here to stay.




On Aug 2, 2022, at 11:59 AM, Alan Sondheim via NetBehaviour 
 wrote:


Hi Everyone,

I was hoping someone would say something; I didn't know him, but from 
his work at Furtherfield, I felt his thinking resonated with my own 
the strongest in the show.

There was no bio for him in the back; was that his desire?

Best, Alan, and Marc, I hope you're doing well. At the moment 
speechless, too much pain everywhere. And thank you everyone for this 
list and Furtherfield -


On Tue, Aug 2, 2022 at 4:21 AM Helen Varley Jamieson 
 wrote:


last week my copy of "frankenstein reanimated" arrived & i
immediately turned to page 175 and read patrick lichty's
interview with salvatore, about "la cura", the collaborative
artistic project to open source a cure for the brain cancer that
he had just been diagnosed with (the interview was made in 2012).

salvatore died a couple of weeks ago, on 18 july. has this sad
news already come through on netbehaviour? maybe i missed it ...
i am remembering salvatore's smile and laugh, his warmth and
generosity; and the cyberformance that myself, francesco
buonaiuto and miljana perić created for "la cura" (which was only
performed once, for salvatore & oriana, in 2012 or 13 & now
exists only as fragments on my hard drive).

r.i.p. salvatore - i am glad to have known you!

    h <3

-- 


helen varley jamieson

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/directory http://www.alansondheim.org tel 347-383-8552
//email sondheim ut panix.com <http://panix.com/>, sondheim ut 
gmail.com <http://gmail.com/>/

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[NetBehaviour] salvatore iaconesi

2022-08-02 Thread Helen Varley Jamieson
last week my copy of "frankenstein reanimated" arrived & i immediately 
turned to page 175 and read patrick lichty's interview with salvatore, 
about "la cura", the collaborative artistic project to open source a 
cure for the brain cancer that he had just been diagnosed with (the 
interview was made in 2012).


salvatore died a couple of weeks ago, on 18 july. has this sad news 
already come through on netbehaviour? maybe i missed it ... i am 
remembering salvatore's smile and laugh, his warmth and generosity; and 
the cyberformance that myself, francesco buonaiuto and miljana perić 
created for "la cura" (which was only performed once, for salvatore & 
oriana, in 2012 or 13 & now exists only as fragments on my hard drive).


r.i.p. salvatore - i am glad to have known you!

h <3

--

helen varley jamieson

he...@creative-catalyst.com
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Re: [NetBehaviour] New book! Frankenstein Reanimated

2022-07-03 Thread Helen Varley Jamieson
i will! looking forward to diving into it  & great that it has helped 
get you through!


On 02.07.22 17:42, marc.garrett via NetBehaviour wrote:



Hi Helen,

Thank you,

When I was in hospital for over two weeks, depressed because bogged 
down with what was yet another symptom caused by the cancer treatment, 
getting an early copy of the book pulled my through the bleakness of 
it all and cheered me up. In fact, I read it twice. Please get 
yourself a copy if you can, because you'll enjoy it's dedication to 
art and life and attention to critical contexts.


Wishing you well

Marc

=>

DR Marc Garrett | Exploring Class in Post-digital Cultures and making 
art real - https://marcgarrett.org/


Furtherfield | Disrupts & democratises art and technology through 
exhibitions, labs & debate for deep exploration, free tools & open 
thinking. http://www.furtherfield.org


DECAL | Decentralised Arts Lab is an art, blockchain & web 3.0 
technologies research hub for fairer, more dynamic & connected 
cultural ecologies & economies now - http://decal.is/



Sent with Proton Mail <https://proton.me/> secure email.

--- Original Message ---
On Saturday, July 2nd, 2022 at 10:42, Helen Varley Jamieson 
 wrote:



congratulations marc & all contributors! looks great :)

On 01.07.22 13:10, marc.garrett via NetBehaviour wrote:



Hi all,

It has been a long time since I've been on this list and it's with a 
great joy to be back sharing with you a publication close to my heart.


Please support it and buy it, it includes some brilliant contributions.

Frankenstein Reanimated: Creation & Technology in the 21st Century.

Marc Garrett, Yiannis Colakides (Eds.)
Publisher: Torque Editions

Contributors: Alexia Achilleos, Zach Blas, Frances A. Chiu, Ami 
Clarke, Régine Debatty, Mary Flanagan, Carla Gannis, Lynn Hershman 
Leeson, Srecko Horvat, Salvatore Iaconesi, Olga Kopenkina, Marinos 
Koutsomichalis, Shu Lea Cheang, Gretta Louw, Joana Moll, Laura Netz, 
Eryk Salvaggio, Devon Schiller, Guido Segni, Gregory Sholette, 
Karolina Sobecka, Alan Sondheim, Michael Szpakowski, Eugenio 
Tisselli, Ruben Verwaal, Paul Vanouse.


Frankenstein Reanimated is a book for our strange times. Bang-up to 
date it includes essays and artworks that engage with the Covid-19 
pandemic, through to weird new imaginings of human-machine hybrids. 
A striking cover with flaps displays a triptych by artist Carla 
Gannis, a bespoke narrow format, and over 100 illustrations inside 
make this an attractive book for a wide range of audiences. The book 
includes full-colour illustrations and is designed by Mark Simmonds, 
who has designed previous Torque Editions publications and books for 
Tate Liverpool and the Baltimore Museum of Art.


Mary Shelley’s classic gothic horror and science fiction novel 
Frankenstein; or, The Modern Prometheus has inspired millions since 
it was published in 1818. Today, we are witness to many different 
horrors and phantoms of our own creation. Chronic wealth and health 
inequalities, climate change, democratic collapse, and the spectre 
of the nuclear apocalypse are among the diffuse, monstrous products 
of our “advanced” technological moment. Frankenstein Reanimated 
presents a dynamic collection of artworks, essays, and 
conversations, addressing surveillance, biohacking, viruses, 
colonialism, digital culture, and more. It retraces and 
contextualises three international art exhibitions exploring themes 
within Frankenstein, and speculates on what Mary Shelley would think 
about the world today. Collectively, the book offers a lens through 
which to look at our current situation, and how art practices shape, 
and are shaped by, contemporary society.


Endorsements:

“This collection shines a light on artists as critically engaged 
citizens providing a kaleidoscopic view of our unevenly distributed 
future. These are the Frankensteins we need!” — Felix Stalder, 
Zurich, University of the Arts.


“Frankenstein Reanimated is an important record of some incredible 
artists working today, who both dismantle and rebuild our 
contemporary technological systems, profoundly reimagining 
everything from facial recognition to AI, 3D printing to virtual 
gaming environments.” — Sarah Cook, University of Glasgow.


The book will be launched at events, book outlets, art spaces and 
galleries in Germany, Spain, Cyprus, Switzerland and the UK, and 
other places still are to be confirmed.


Published by Torque Editions
Distributors - Turnaround (UK) / Motto (DE)
Buy on Motto - https://bit.ly/3QgxSqO
Buy on Amazon - https://amzn.to/3y5z4oF
RRP - £15/€18

Preface & Intro
Download PDF - https://bit.ly/3y5z73P


Wishing you well

Marc


=>

DR Marc Garrett | Exploring Class in Post-digital Cultures and 
making art real - https://marcgarrett.org/


Furtherfield | Disrupts & democratises art and technology through 
exhibitions, labs & de

Re: [NetBehaviour] New book! Frankenstein Reanimated

2022-07-02 Thread Helen Varley Jamieson

congratulations marc & all contributors! looks great :)

On 01.07.22 13:10, marc.garrett via NetBehaviour wrote:



Hi all,

It has been a long time since I've been on this list and it's with a 
great joy to be back sharing with you a publication close to my heart.


Please support it and buy it, it includes some brilliant contributions.

Frankenstein Reanimated: Creation & Technology in the 21st Century.

Marc Garrett, Yiannis Colakides (Eds.)
Publisher: Torque Editions

Contributors: Alexia Achilleos, Zach Blas, Frances A. Chiu, Ami 
Clarke, Régine Debatty, Mary Flanagan, Carla Gannis, Lynn Hershman 
Leeson, Srecko Horvat, Salvatore Iaconesi, Olga Kopenkina, Marinos 
Koutsomichalis, Shu Lea Cheang, Gretta Louw, Joana Moll, Laura Netz, 
Eryk Salvaggio, Devon Schiller, Guido Segni, Gregory Sholette, 
Karolina Sobecka, Alan Sondheim, Michael Szpakowski, Eugenio Tisselli, 
Ruben Verwaal, Paul Vanouse.


Frankenstein Reanimated is a book for our strange times. Bang-up to 
date it includes essays and artworks that engage with the Covid-19 
pandemic, through to weird new imaginings of human-machine hybrids. A 
striking cover with flaps displays a triptych by artist Carla Gannis, 
a bespoke narrow format, and over 100 illustrations inside make this 
an attractive book for a wide range of audiences. The book includes 
full-colour illustrations and is designed by Mark Simmonds, who has 
designed previous Torque Editions publications and books for Tate 
Liverpool and the Baltimore Museum of Art.


Mary Shelley’s classic gothic horror and science fiction novel 
Frankenstein; or, The Modern Prometheus has inspired millions since it 
was published in 1818. Today, we are witness to many different horrors 
and phantoms of our own creation. Chronic wealth and health 
inequalities, climate change, democratic collapse, and the spectre of 
the nuclear apocalypse are among the diffuse, monstrous products of 
our “advanced” technological moment. Frankenstein Reanimated presents 
a dynamic collection of artworks, essays, and conversations, 
addressing surveillance, biohacking, viruses, colonialism, digital 
culture, and more. It retraces and contextualises three international 
art exhibitions exploring themes within Frankenstein, and speculates 
on what Mary Shelley would think about the world today. Collectively, 
the book offers a lens through which to look at our current situation, 
and how art practices shape, and are shaped by, contemporary society.


Endorsements:

“This collection shines a light on artists as critically engaged 
citizens providing a kaleidoscopic view of our unevenly distributed 
future. These are the Frankensteins we need!” — Felix Stalder, Zurich, 
University of the Arts.


“Frankenstein Reanimated is an important record of some incredible 
artists working today, who both dismantle and rebuild our contemporary 
technological systems, profoundly reimagining everything from facial 
recognition to AI, 3D printing to virtual gaming environments.” — 
Sarah Cook, University of Glasgow.


The book will be launched at events, book outlets, art spaces and 
galleries in Germany, Spain, Cyprus, Switzerland and the UK, and other 
places still are to be confirmed.


Published by Torque Editions
Distributors - Turnaround (UK) / Motto (DE)
Buy on Motto - https://bit.ly/3QgxSqO
Buy on Amazon - https://amzn.to/3y5z4oF
RRP - £15/€18

Preface & Intro
Download PDF - https://bit.ly/3y5z73P


Wishing you well

Marc


=>

DR Marc Garrett | Exploring Class in Post-digital Cultures and making 
art real - https://marcgarrett.org/


Furtherfield | Disrupts & democratises art and technology through 
exhibitions, labs & debate for deep exploration, free tools & open 
thinking. http://www.furtherfield.org


DECAL | Decentralised Arts Lab is an art, blockchain & web 3.0 
technologies research hub for fairer, more dynamic & connected 
cultural ecologies & economies now - http://decal.is/



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http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu
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Re: [NetBehaviour] presenting at Posthuman Assemblages and Technologically Enabled Performances - TaPRA event

2022-05-27 Thread Helen Varley Jamieson
we are one after the other, i'm due to start soon after 11am CET (10am 
UK) - i think there is an intro for 10-15m first. i am 20m then suzon, 
then another speaker & after that we have Q


h : )

On 27.05.22 14:44, Johannes Birringer via NetBehaviour wrote:

dear Suzon and Helen

thanks for these announcements, and a special thanks for making the e-book 
available to us, Suzon.
I just downloaded it and also listened to one of the podcasts ("Dust" by Annie 
Abrahams) - and am fascinated.

I registered for tomorrow but the event seems to run 09:45 - 16:00 BST  -
could you tell us when your two presentations are scheduled?

thanks, and best wishes
Johannes Birringer


From: NetBehaviour  on behalf of Helen 
Varley Jamieson
Sent: 26 May 2022 15:40
To:netbehaviour@lists.netbehaviour.org
Subject: Re: [NetBehaviour] presenting at Posthuman Assemblages and 
Technologically Enabled Performances - TaPRA event

& just before suzon at the same event, i am presenting the new UpStage 

On 25.05.22 02:50, Suzon Fuks via NetBehaviour wrote:
Dear all,

I am presenting the making of 'Be Like Body–Obsolete' this Saturday 28 May, in 
the context of a TaPRA event, which is happening online and at Queen Margaret 
University in Edinburgh. The theme is Posthuman Assemblages and Technologically 
Enabled Performances. FREE - booking essential!

https://www.eventbrite.co.uk/e/posthuman-assemblages-and-technologically-enabled-performances-registration-341366766187

cheers,

Suzon
+61439929028

BE LIKE BODY–OBSOLETE
- download free e-bookhttp://suzonfuks.net/be-like-body-obsolete-4
- Sept - Mestiza Chile Festival
- Aug - 30th Colombian Intl. Festival Mujeres En Escena Por La Paz 2021
- June - Bodies:On:Live Magdalena:On:Line 2021 Festival

I acknowledge the country, culture and traditional custodians of the land upon 
which I walk, work and live, the Turrbal and Jagera peoples.
It takes 12000 litres of water to make 500 grams of chocolate!

http://suzonfuks.net  <http://suzonfuks.net/>   |http://igneous.org.au  
<http://igneous.org.au/>   |http://wetlandwander.net  <http://wetlandwander.net/>





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he...@creative-catalyst.com<mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu<https://mobilise-demobilise.eu/>
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http://www.upstage.org.nz
https://mobilise-demobilise.eu
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Re: [NetBehaviour] presenting at Posthuman Assemblages and Technologically Enabled Performances - TaPRA event

2022-05-26 Thread Helen Varley Jamieson

& just before suzon at the same event, i am presenting the new UpStage 

On 25.05.22 02:50, Suzon Fuks via NetBehaviour wrote:

Dear all,

I am presenting the making of 'Be Like Body–Obsolete' this Saturday 28 
May, in the context of a TaPRA event, which is happening online and at 
Queen Margaret University in Edinburgh. The theme is Posthuman 
Assemblages and Technologically Enabled Performances. FREE - booking 
essential!


https://www.eventbrite.co.uk/e/posthuman-assemblages-and-technologically-enabled-performances-registration-341366766187

cheers,

Suzon
+61439929028

*BE LIKE BODY–OBSOLETE *
*- download free e-book http://suzonfuks.net/be-like-body-obsolete-4*
- Sept - Mestiza Chile Festival
- Aug - 30th Colombian Intl. Festival Mujeres En Escena Por La Paz 2021
- June - Bodies:On:Live Magdalena:On:Line 2021 Festival
/

//
/I acknowledge the country, culture and traditional custodians of the 
land upon which I walk, work and live, the Turrbal and Jagera peoples. //

/It takes 12000 litres of water to make 500 grams of chocolate! /
/
/
/
/
/
/http://suzonfuks.net  | //http://igneous.org.au //| 
http://wetlandwander.net /



/

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he...@creative-catalyst.com
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu
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Re: [NetBehaviour] Online Performance Practice short course opportunity (Suzon Fuks)

2022-05-16 Thread Helen Varley Jamieson

postponed! hopefully it will happen at a later date 

in addition to suzon's offer to meet & talk, if anyone is interested in 
UpStage we have the next open walkthrough on 31 may 9pm CET (time 
converter & more info here: 
https://upstage.org.nz/?event=open-walkthrough-8). i would have given a 
session like this as part of the online performance course. it's a free 
hour-long hands on session in the basics of using the new UpStage 
platform for creating your own cyberformance (live online performance).


you need to register from the webpage to get a guest log in for the 
walkthrough.


h : )

On 15.05.22 03:06, Suzon Fuks via NetBehaviour wrote:

Hi Daniele!

I have just heard from Bianca that the course has been cancelled as 
there were not enough people.


I am happy to meet you online and talk about your interests in online 
performance.


Cheers


Suzon
+61439929028

*BE LIKE BODY–OBSOLETE *
*- download free e-book http://suzonfuks.net/be-like-body-obsolete-4*

/
/I acknowledge the country, culture and traditional custodians of the 
land upon which I walk, work and live, the Turrbal and Jagera peoples. //

/It takes 12000 litres of water to make 500 grams of chocolate! /
/
/
/
/
/
/http://suzonfuks.net  | //http://igneous.org.au //| 
http://wetlandwander.net /



/

Date: Fri, 13 May 2022 13:18:04 +0100
From: Daniele Minns 
To: netbehaviour@lists.netbehaviour.org
Subject: Re: [NetBehaviour] Online Performance Practice short course
        opportunity (Suzon Fuks)
Message-ID:
       
mailto:p_ayyj9zprgedheeev1pd32bzxane4%2b...@mail.gmail.com>>
Content-Type: text/plain; charset="utf-8"

This course sounds GREAT, and I applied. I've just received an
email from
the University saying: the Online Performance Practice short course at
Queen Margaret University has been suspended for the intake in May
2022. Is
everything ok?
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http://www.creative-catalyst.com
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Re: [NetBehaviour] Resources for Foreigners to Help Ukraine

2022-02-28 Thread Helen Varley Jamieson
another one (probably has some overlaps): 
https://www.globalcitizen.org/en/content/ways-to-help-ukraine-conflict/


On 27.02.22 15:48, Edward Picot wrote:


Thanks for this, Ruth. It's nice to do something constructive, instead 
of just staring at the screen transfixed with horror.


Edward xxx


On 2/26/22 4:02 PM, Ruth Catlow via NetBehaviour wrote:
One of my Ukranian friends just shared this resource to help us offer 
our support in this desperate situation.

https://gskyiv.notion.site/gskyiv/Real-ways-you-can-help-Ukraine-as-a-foreigner-0d581603e9b34df490f6e6adad1969bc

Any other ideas welcome.

Warmly
Ruth

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http://www.creative-catalyst.com
http://www.upstage.org.nz
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Re: [NetBehaviour] Mobilise/Demobilise video and new UpStage platform ...

2022-01-07 Thread Helen Varley Jamieson
thank you. there will be plenty more opportunities :)

On 05.01.22 18:58, Alan Sondheim via NetBehaviour wrote:
> Thanks for the information; I wish things could be otherwise, of
> course. I love what you're doing -
>
> Best, Alan
>
> On Wed, Jan 5, 2022 at 7:11 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> hi alan,
>
> i'm pretty sure the talks will be recorded, & probably they'll be
> accessible afterwards but i don't know. i have asked, will report
> back.
>
> the workshop won't be recorded, but vicki & i will be holding open
> walkthroughs again about every 2 months, starting on 17 february.
> you can find out more on https://upstage.org.nz/
> <https://upstage.org.nz/> (in the "events" sidebar)
>
> sorry to hear about your friend.
>
> h xx
>
> On 04.01.22 17:20, Alan Sondheim via NetBehaviour wrote:
>> Hi - will these be recorded for later viewing? We have an online
>> memorial for a filmmaker friend of ours who died last year at the
>> same time -.
>>
>> Thanks, Alan
>>
>> On Mon, Jan 3, 2022 at 4:40 PM Helen Varley Jamieson
>> > <mailto:he...@creative-catalyst.com>> wrote:
>>
>> thanks ruth! :)
>>
>> anyone who is interested to hear more about
>> Mobilise/Demobilise & get a hands-on intro to the new
>> UpStage, we are giving a talk & workshop (both online) at the
>> stuttgarter filmwinter on sunday 16 january. the talk is 11am
>> CET (90m) and the workshop is at 13:00 CET (also 90m). all
>> the filmwinter events are free & accessible online (& the
>> programme is usually super interesting, so check it out) but
>> you do need to register if you want to attend the workshop.
>>
>> talk:
>> 
>> https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk
>> 
>> <https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk>
>>
>> workshop:
>> 
>> https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances
>> 
>> <https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances>
>>
>> it would be great to see some netbehaviourists there.
>>
>> happy new year everyone,
>>
>> h : )
>>
>> On 31.12.21 12:23, Ruth Catlow via NetBehaviour wrote:
>>> Yes! 
>>> This is so inspiring Helen.
>>> Upstage is such a crazily ambitious project - allowing
>>> social and artistic motivations to shape a collaboration
>>> platform. Absolutely love it!
>>> I also love the way you use cyberformance to bridge people's
>>> actions online and in physical spaces in order to think,
>>> feel and act on climate change.
>>>
>>> Thanks for the creative energy injection.
>>>
>>> x
>>> Ruth
>>>
>>>
>>>
>>> On Wed, Dec 22, 2021 at 9:58 AM Helen Varley Jamieson
>>> >> <mailto:he...@creative-catalyst.com>> wrote:
>>>
>>> dear netbehaviourists,
>>>
>>> as we come to the end of another weird and wonderful
>>> year, i would like to share with you the results of my
>>> current collaboration, Mobilise/Demobilise.
>>>
>>> we have just released the video documentation from the
>>> festival in october, which also launched the rebuilt
>>> UpStage platform. the video has been edited by suzon
>>> fuks :) three cyberformances were presented at the
>>> festival: "go go go" by schaumbad - freies atelierhas
>>> graz; "reMove" by teater interakt (malmö, sweden) and
>>> "repose" by vicki smith & collaborators (aotearoa new
>>> zealand). the video also shows some of the research and
>>> development:
>>>
>>> https://mobilise-demobilise.eu/
>>> <https://mobilise-demobilise.eu/>
>>>
>>> the new UpStage is now live and beautiful; in february
>>> we will restart

Re: [NetBehaviour] Mobilise/Demobilise video and new UpStage platform ...

2022-01-05 Thread Helen Varley Jamieson
sorry alan, filmwinter doesn't record the presentations ...

On 04.01.22 17:20, Alan Sondheim via NetBehaviour wrote:
> Hi - will these be recorded for later viewing? We have an online
> memorial for a filmmaker friend of ours who died last year at the same
> time -.
>
> Thanks, Alan
>
> On Mon, Jan 3, 2022 at 4:40 PM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> thanks ruth! :)
>
> anyone who is interested to hear more about Mobilise/Demobilise &
> get a hands-on intro to the new UpStage, we are giving a talk &
> workshop (both online) at the stuttgarter filmwinter on sunday 16
> january. the talk is 11am CET (90m) and the workshop is at 13:00
> CET (also 90m). all the filmwinter events are free & accessible
> online (& the programme is usually super interesting, so check it
> out) but you do need to register if you want to attend the workshop.
>
> talk:
> 
> https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk
> 
> <https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk>
>
> workshop:
> 
> https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances
> 
> <https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances>
>
> it would be great to see some netbehaviourists there.
>
> happy new year everyone,
>
> h : )
>
> On 31.12.21 12:23, Ruth Catlow via NetBehaviour wrote:
>> Yes! 
>> This is so inspiring Helen.
>> Upstage is such a crazily ambitious project - allowing social and
>> artistic motivations to shape a collaboration platform.
>> Absolutely love it!
>> I also love the way you use cyberformance to bridge people's
>> actions online and in physical spaces in order to think, feel and
>> act on climate change.
>>
>> Thanks for the creative energy injection.
>>
>> x
>> Ruth
>>
>>
>>
>> On Wed, Dec 22, 2021 at 9:58 AM Helen Varley Jamieson
>> > <mailto:he...@creative-catalyst.com>> wrote:
>>
>> dear netbehaviourists,
>>
>> as we come to the end of another weird and wonderful year, i
>> would like to share with you the results of my current
>> collaboration, Mobilise/Demobilise.
>>
>> we have just released the video documentation from the
>> festival in october, which also launched the rebuilt UpStage
>> platform. the video has been edited by suzon fuks :) three
>> cyberformances were presented at the festival: "go go go" by
>> schaumbad - freies atelierhas graz; "reMove" by teater
>> interakt (malmö, sweden) and "repose" by vicki smith &
>> collaborators (aotearoa new zealand). the video also shows
>> some of the research and development:
>>
>> https://mobilise-demobilise.eu/ <https://mobilise-demobilise.eu/>
>>
>> the new UpStage is now live and beautiful; in february we
>> will restart open walkthroughs - online sessions for
>> interested people to learn how to use the platform. more
>> info: https://upstage.org.nz/?event=open-walkthrough-6
>> <https://upstage.org.nz/?event=open-walkthrough-6>
>>
>> the project has been a lot of fun so far and has attracted a
>> really great team of collaborators, including a 50% female
>> development team :) Mobilise/Demobilise continues throughout
>> 2022, so there will be more opportunities to see the
>> performances live; & UpStage is there for other artists to
>> use for their own projects as well.
>>
>> wishing you all a peaceful & healthy festive season!
>>
>> h : )
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com
>> <http://www.creative-catalyst.com>
>> http://www.upstage.org.nz <http://www.upstage.org.nz>
>> https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>
>>
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>>  

Re: [NetBehaviour] Interspecies Meditation and Sharing Circle

2022-01-05 Thread Helen Varley Jamieson
i was a tomato plant :D i didn't have any specific revelations but the
visualisation of my long thin vine-like body brought a different &
interesting perspective to the yoga, & i thought a lot about roots &
soil & the air-cleaning work that plants do. it was very enjoyable :)

On 31.12.21 12:07, Ruth Catlow via NetBehaviour wrote:
> h! Who/what were you?
> Can you remember how you felt or what you discovered? dead curious!
>
> On Thu, Dec 23, 2021 at 11:52 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> thanks ruth - nice! i combined it with yoga :)
>
> h : )
>
> On 21.12.21 17:13, Ruth Catlow via NetBehaviour wrote:
>> Hello!
>>
>> For Winter Solstice I'd like to share with you this /Interspecies
>> Meditation and Sharing Circle/
>>
>> 
>> https://soundcloud.com/interspecies-assemblies/interspecies-meditation-and-sharing-circle
>> 
>> <https://soundcloud.com/interspecies-assemblies/interspecies-meditation-and-sharing-circle>
>>
>> This meditation can be practiced alone or with others to build
>> empathy pathways to other life forms. We use our imaginations and
>> a bonding ritual to enter the body and consciousness of a
>> different species and to reflect on the nature of their
>> existence. This ritual transports us to the interspecies
>> multiverse where we sit for a guided meditation.
>>
>> The perfect place to get set for festivities and merry-making
>>
>> Warmly
>> Ruth
>> -- 
>> Ruth Catlow
>> she/her
>> Co-founder & Artistic director of Furtherfield & DECAL
>> Decentralised Arts Lab
>> +44 (0) 77370 02879 
>>
>> *I will only agree to speak at events that are racially and
>> gender balanced. 
>>
>> **sending thanks
>> 
>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>  in
>> advance
>>
>> *Furtherfield *disrupts and democratises art and technology
>> through exhibitions, labs & debate, for deep exploration, open
>> tools & free thinking.
>> furtherfield.org <http://www.furtherfield.org/>
>>
>> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
>> technologiesresearch hub
>>
>> for fairer, more dynamic & connected cultural ecologies &
>> economies now.
>>
>> https://decal.furtherfield.org/ <http://www.decal.is>
>>
>> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>>
>> Registered in England and Wales under the Company No.7005205.
>>
>> Registered business address: Carbon Accountancy, 80-83 Long Lane,
>> London, EC1A 9ET.
>>
>>
>>
>>
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>> <https://lists.netbehaviour.org/mailman/listinfo/netbehaviour>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com <http://www.creative-catalyst.com>
> http://www.upstage.org.nz <http://www.upstage.org.nz>
> https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>
>
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> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> <https://lists.netbehaviour.org/mailman/listinfo/netbehaviour>
>
>
>
> -- 
> Ruth Catlow
> she/her
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions,

Re: [NetBehaviour] Mobilise/Demobilise video and new UpStage platform ...

2022-01-05 Thread Helen Varley Jamieson
hi alan,

i'm pretty sure the talks will be recorded, & probably they'll be
accessible afterwards but i don't know. i have asked, will report back.

the workshop won't be recorded, but vicki & i will be holding open
walkthroughs again about every 2 months, starting on 17 february. you
can find out more on https://upstage.org.nz/ (in the "events" sidebar)

sorry to hear about your friend.

h xx

On 04.01.22 17:20, Alan Sondheim via NetBehaviour wrote:
> Hi - will these be recorded for later viewing? We have an online
> memorial for a filmmaker friend of ours who died last year at the same
> time -.
>
> Thanks, Alan
>
> On Mon, Jan 3, 2022 at 4:40 PM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> thanks ruth! :)
>
> anyone who is interested to hear more about Mobilise/Demobilise &
> get a hands-on intro to the new UpStage, we are giving a talk &
> workshop (both online) at the stuttgarter filmwinter on sunday 16
> january. the talk is 11am CET (90m) and the workshop is at 13:00
> CET (also 90m). all the filmwinter events are free & accessible
> online (& the programme is usually super interesting, so check it
> out) but you do need to register if you want to attend the workshop.
>
> talk:
> 
> https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk
> 
> <https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk>
>
> workshop:
> 
> https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances
> 
> <https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances>
>
> it would be great to see some netbehaviourists there.
>
> happy new year everyone,
>
> h : )
>
> On 31.12.21 12:23, Ruth Catlow via NetBehaviour wrote:
>> Yes! 
>> This is so inspiring Helen.
>> Upstage is such a crazily ambitious project - allowing social and
>> artistic motivations to shape a collaboration platform.
>> Absolutely love it!
>> I also love the way you use cyberformance to bridge people's
>> actions online and in physical spaces in order to think, feel and
>> act on climate change.
>>
>> Thanks for the creative energy injection.
>>
>> x
>> Ruth
>>
>>
>>
>> On Wed, Dec 22, 2021 at 9:58 AM Helen Varley Jamieson
>> > <mailto:he...@creative-catalyst.com>> wrote:
>>
>> dear netbehaviourists,
>>
>> as we come to the end of another weird and wonderful year, i
>> would like to share with you the results of my current
>> collaboration, Mobilise/Demobilise.
>>
>> we have just released the video documentation from the
>> festival in october, which also launched the rebuilt UpStage
>> platform. the video has been edited by suzon fuks :) three
>> cyberformances were presented at the festival: "go go go" by
>> schaumbad - freies atelierhas graz; "reMove" by teater
>> interakt (malmö, sweden) and "repose" by vicki smith &
>> collaborators (aotearoa new zealand). the video also shows
>> some of the research and development:
>>
>> https://mobilise-demobilise.eu/ <https://mobilise-demobilise.eu/>
>>
>> the new UpStage is now live and beautiful; in february we
>> will restart open walkthroughs - online sessions for
>> interested people to learn how to use the platform. more
>> info: https://upstage.org.nz/?event=open-walkthrough-6
>> <https://upstage.org.nz/?event=open-walkthrough-6>
>>
>> the project has been a lot of fun so far and has attracted a
>> really great team of collaborators, including a 50% female
>> development team :) Mobilise/Demobilise continues throughout
>> 2022, so there will be more opportunities to see the
>> performances live; & UpStage is there for other artists to
>> use for their own projects as well.
>>
>> wishing you all a peaceful & healthy festive season!
>>
>> h : )
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com
>> <http://www.creative-catalyst.com>
>> http://www.upstage.org.nz <http://www

Re: [NetBehaviour] Mobilise/Demobilise video and new UpStage platform ...

2022-01-03 Thread Helen Varley Jamieson
thanks ruth! :)

anyone who is interested to hear more about Mobilise/Demobilise & get a
hands-on intro to the new UpStage, we are giving a talk & workshop (both
online) at the stuttgarter filmwinter on sunday 16 january. the talk is
11am CET (90m) and the workshop is at 13:00 CET (also 90m). all the
filmwinter events are free & accessible online (& the programme is
usually super interesting, so check it out) but you do need to register
if you want to attend the workshop.

talk:
https://filmwinter.de/programm/next-moves-upstage-and-mobilisedemobilise-presentation-artist-talk

workshop:
https://filmwinter.de/programm/upstage-moves-how-use-upstage-live-online-performances

it would be great to see some netbehaviourists there.

happy new year everyone,

h : )

On 31.12.21 12:23, Ruth Catlow via NetBehaviour wrote:
> Yes! 
> This is so inspiring Helen.
> Upstage is such a crazily ambitious project - allowing social and
> artistic motivations to shape a collaboration platform. Absolutely
> love it!
> I also love the way you use cyberformance to bridge people's actions
> online and in physical spaces in order to think, feel and act on
> climate change.
>
> Thanks for the creative energy injection.
>
> x
> Ruth
>
>
>
> On Wed, Dec 22, 2021 at 9:58 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> dear netbehaviourists,
>
> as we come to the end of another weird and wonderful year, i would
> like to share with you the results of my current collaboration,
> Mobilise/Demobilise.
>
> we have just released the video documentation from the festival in
> october, which also launched the rebuilt UpStage platform. the
> video has been edited by suzon fuks :) three cyberformances were
> presented at the festival: "go go go" by schaumbad - freies
> atelierhas graz; "reMove" by teater interakt (malmö, sweden) and
> "repose" by vicki smith & collaborators (aotearoa new zealand).
> the video also shows some of the research and development:
>
> https://mobilise-demobilise.eu/ <https://mobilise-demobilise.eu/>
>
> the new UpStage is now live and beautiful; in february we will
> restart open walkthroughs - online sessions for interested people
> to learn how to use the platform. more info:
> https://upstage.org.nz/?event=open-walkthrough-6
> <https://upstage.org.nz/?event=open-walkthrough-6>
>
> the project has been a lot of fun so far and has attracted a
> really great team of collaborators, including a 50% female
> development team :) Mobilise/Demobilise continues throughout 2022,
> so there will be more opportunities to see the performances live;
> & UpStage is there for other artists to use for their own projects
> as well.
>
> wishing you all a peaceful & healthy festive season!
>
> h : )
>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com <http://www.creative-catalyst.com>
> http://www.upstage.org.nz <http://www.upstage.org.nz>
> https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> <https://lists.netbehaviour.org/mailman/listinfo/netbehaviour>
>
>
>
> -- 
> Ruth Catlow
> she/her
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> https://decal.furtherfield.org/ <http://www.decal.is>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Comp

[NetBehaviour] Mobilise/Demobilise video and new UpStage platform ...

2021-12-22 Thread Helen Varley Jamieson
dear netbehaviourists,

as we come to the end of another weird and wonderful year, i would like
to share with you the results of my current collaboration,
Mobilise/Demobilise.

we have just released the video documentation from the festival in
october, which also launched the rebuilt UpStage platform. the video has
been edited by suzon fuks :) three cyberformances were presented at the
festival: "go go go" by schaumbad - freies atelierhas graz; "reMove" by
teater interakt (malmö, sweden) and "repose" by vicki smith &
collaborators (aotearoa new zealand). the video also shows some of the
research and development:

https://mobilise-demobilise.eu/

the new UpStage is now live and beautiful; in february we will restart
open walkthroughs - online sessions for interested people to learn how
to use the platform. more info:
https://upstage.org.nz/?event=open-walkthrough-6

the project has been a lot of fun so far and has attracted a really
great team of collaborators, including a 50% female development team :)
Mobilise/Demobilise continues throughout 2022, so there will be more
opportunities to see the performances live; & UpStage is there for other
artists to use for their own projects as well.

wishing you all a peaceful & healthy festive season!

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] ArtFem.TV is on the move again! New website online!

2021-12-03 Thread Helen Varley Jamieson
thank you evelin! :)

On 28.11.21 12:47, Evelin Stermitz wrote:
>
> Dear List Members!
>
> My longterm project ArtFem.TV works again and is online and on the move!
>
> Have a look at about 500 fantastic video works by more than 150
> outstanding women artists from around the globe!
>
> https://artfem.tv
>
> Please spread the news!
>
> With warm regards,
> Evelin
>
>
>
>
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] What would happen if art institutions would work with energy budgets? (Joana Moll)

2021-11-10 Thread Helen Varley Jamieson
hi daniella,

did you find anything to do this? it would also be really interesting
for UpStage to be able to measure and show this.

h : )

On 01.10.21 18:03, Danielle Imara via NetBehaviour wrote:
> Re: What would happen if art institutions would work with energy
>       budgets? (Joana Moll)
>
> I’m enjoying this thread a lot and have just requested a website
> health check from erjjio studio. I’m sure someone has done the
> following and yet I can’t find the evidence of it: I’d like to know
> how during a performance using tech and possibly live-streaming, I can
> monitor and share the carbon cost of the activity. I mean, can I say
> to audiences: this activity has used up x amount of energy and x
> amount is renewable? Or is that simplistic?
>
>
>
>
>
>
>
>
> www.danielleimara.com <http://www.danielleimara.com>
> Insta: @danielleimara
> +447903684863
>
> *
> *
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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[NetBehaviour] Mobilise/Demobilise online festival & UpStage launch

2021-10-16 Thread Helen Varley Jamieson
hi netbehaviourists,

last night we opened the Mobilise/Demobilise festival & launched the
rebuilt UpStage platform. i'm really happy to report that everything
went very well - no last minute tech problems! (incredible!!!) and the
performances from Sweden and New Zealand were really great :)

it's an exciting moment for UpStage, as last year we were at the point
where it was going to be either the end, or a new beginning. thanks to
creative europe (and i must say also some thanks to the pandemic!) it is
a new beginning and already the first performances in the new platform
are showing what a lot of potential there is now for UpStage and
cyberformance. watch this space for open walkthroughs for you to learn
how to use the new platform for your own work ...

huge thanks to the project partners - Teater InterAkt (Sweden),
Schaumbad Freies Atelierhaus Graz (Austria), Centre for the Cultivation
of Technology (Germany) & UpStage (Aotearoa NZ / USA / Canada / Viet Nam
/ Europe) - it continues to be a very successful collaboration with a
lot of passion and enthusiastic commitment frome everyone :)

heartfelt thanks also to all of you who have supported UpStage in
various ways over the many many years since our first launch in january
2004 - it's not easy for a project like this to stay afloat for so long;
every gesture of support really helps!

the festival continues this afternoon and tomorrow - the full programme
with time converters and live links to the stages is here:
https://mobilise-demobilise.eu/festival-programme/

you are all warmly invited to join us in this great celebration of
mobility, immobility and UpStage!

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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[NetBehaviour] Mobilise/Demobilise festival - 15-17 October - 10 live online events!

2021-10-11 Thread Helen Varley Jamieson

*Announcing the Mobilise/Demobilise festival programme - 10 live online
events! *

The /Mobilise/Demobilise/
<https://mobilise-demobilise.eu/festival-programme/>festival
<https://mobilise-demobilise.eu/festival-programme/>presentsthree new
cyberformances created by artists in Sweden, Austria, Germany, the
Netherlands and New Zealand, as well as presentationsand discussions,
over the weekend of 15-17 October.

/Mobilise/Demobilise/brings a critical and artistic perspectiveto a
world of increasing conflict, crisis and emergency.

The festival launchesthe rebuiltUpStage, an online platform where
artists collaborate in real time with all kinds of digital media to
create participatory live performances for audiences around the world.

The festivalis live, online and free: all you need is a standard browser
and internet connection on acomputer or mobile device.The programme is
in central European time; click on the time converter link to find your
local time.

*_*LIVE LINKS*_***and more info*
<https://mobilise-demobilise.eu/festival-programme/>***rmation: *
<https://mobilise-demobilise.eu/festival-programme/>***https://mobilise-demobilise.eu/festival-programme/*
<https://mobilise-demobilise.eu/festival-programme/>*

*Friday 15 October*

*19:00**(**time converter <https://tinyurl.com/MobiliseDemobilise1>**):
**What moves you? **festival opening, presentation of the project and
launch of the new UpStage*

*19:30 (time converter <https://tinyurl.com/MobiliseDemobilise2>):
***ReMove*
<https://mobilise-demobilise.eu/performance-series/festival-programme/#remove>***-
***performance by Teater InterAkt*

*Saturday 16 October*

*00:00**(**time converter <http://tinyurl.com/MobiliseDemobilise3>**):
**Repose <https://mobilise-demobilise.eu/festival-programme/#repose> -
**performance by Vicki Smith and collaborators*

*16:00 (time converter <https://tinyurl.com/MobiliseDemobilise004>):
***ReMove*
<https://mobilise-demobilise.eu/performance-series/festival-programme/#remove>***-
***performance by Teater InterAkt*

*18:00**(time converter <http://tinyurl.com/MobiliseDemobilise5>): ***Go
Go Go* <https://mobilise-demobilise.eu/festival-programme/#gogogo>***-
***performance by Schaumbad Freies Atelierhaus Graz*

*Sunday 17 October*

*10:00**(**time converter <https://tinyurl.com/MobiliseDemobilise6>**):
**Repose <https://mobilise-demobilise.eu/festival-programme/#repose> -
**performance by Vicki Smith and collaborators*

*11:15 (time converter <https://tinyurl.com/MobiliseDemobilise7>): **Art
Brunch**im Bad #66**- **project presentation and jam*

*12:30 (time converter <https://tinyurl.com/MobiliseDemobilise8>):
***ReMove*
<https://mobilise-demobilise.eu/performance-series/festival-programme/#remove>***-
***performance by Teater InterAkt*

*19:00 (time converter <http://tinyurl.com/MobiliseDemobilise9>): ***Go
Go Go* <https://mobilise-demobilise.eu/festival-programme/#gogogo>***-
***performance by Schaumbad Freies Atelierhaus Graz*

*19:30 (time converter <https://tinyurl.com/MobiliseDemobilise10>):
**What stops you? **closing event and audience discussion*

/Mobilise/Demobilise /is a Creative Europe funded collaboration between
Teater Interakt (Sweden), Schaumbad - Freies Atelierhaus Graz (Austria)
and UpStage@CCT (the Centre for the Cultivation of Technology, Germany).

*P**articipating Artists:***
Katharina Aschauer, Manel Ruiz Blas, cym, Parnian Faizi, Alexandra
Gschiel, Eva-Maria Gugg, Doris Jauk-Hinz, Anita Hofer, Rebecca Hofer,
Helen Varley Jamieson, Sara Larsdotter Hallquist, Mel McColgan, Jesper
Miikman, Cecilia Nkolina, Keyvan Paydar, John-Paul Pochin, Lyn Russell,
Sally Shaw, Vicki Smith, Eva Ursprung, Faye andKarl Wulff.

*Contact:*
Helen Varley Jamieson
Artistic Coordinator
he...@upstage.org.nz
mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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[NetBehaviour] Mobilise/Demobilise Festival and launch of rebuilt UpStage, 15-17 October

2021-09-20 Thread Helen Varley Jamieson
Over the weekend of 15-17 October, audiences around the world can join
online performances exploring the theme “mobilise/demobilise”, and
celebrate the launch of the completely rebuilt and mobilised UpStage
platform.

Time converters and live links to the stage will be available at
www.mobilise-demobilise.eu <http://www.mobilise-demobilise.eu/>.

/Mobilise/Demobilise/ began as an artistic response to a world of
increasing conflict, crisis and emergency, before Covid19 lockdowns and
travel restrictions forced us to live more and more of our lives online.
Now, issues of human mobility and the impact of mobile technologies have
become even more urgent. The unsustainability and inequality of the old
“normal” can no longer be ignored, and we must imagine a new way
forward. /Mobilise/Demobilise /brings a critical and artistic
perspective to the current crises.

Over the past year, artists in Germany, Austria, Sweden and Aotearoa New
Zealand have researched the theme and learned to use the online platform
UpStage for presenting live online events. Different thematic threads
have emerged in each locations. In Austria, the artists’ platform
Schaumbad Freies Atelierhaus Graz have asked the public what kind of a
city they want, and how might the city look without cars. In Malmo,
Sweden, Teater InterAkt is working with young skaters to understand
their perspective on issues of mobility and the environment. And in
Whakatū (Nelson, NZ) the historic shifting of the tideway is used as a
metaphor for the relationship between human expansion and the natural
environment.

Connecting and underscoring the performances are the universal concepts
of loss and grief associated with climate change and societal upheaval
that the world is experiencing. Audiences in Europe and globally will be
invited to reflect on and discuss the theme and concepts at the
weekend’s opening and closing events.

The performanceslaunchthe newly“mobilised” version of UpStage, which now
functions on mobile devices as well as desktop and laptop computers and
incorporates many new features. Audiencesclick on a link and UpStage
opensin a web browser; they can interact in real time via text chat and
reaction emojis.

/Mobilise/Demobilise /is a Creative Europe funded collaboration between
Teater Interakt (Sweden), Schaumbad - Freies Atelierhaus Graz (Austria)
and UpStage@CCT (the Centre for the Cultivation of Technology, Germany).
Schaumbad's participation is supported by the Bundesministerium für
Kunst, Kultur, öffentliche Dienst und Sport (Austria).

Participating Artists:
Katharina Aschauer, Manel Ruiz Blas, cym, Parnian Faizi, Alexandra
Gschiel, Eva-Maria Gugg, Doris Jauk-Hinz, Anita Hofer, Rebecca Hofer,
Helen Varley Jamieson, Sara Larsdotter Hallquist, Jesper Miikman,
Cecilia Nkolina, Keyvan Paydar, John-Paul Pochin, Lyn Russell, Sally
Shaw, Vicki Smith, Eva Ursprung, Faye Wulff andKarl Wulff.

Partners:
UpStageis an onlineplatform for cyberformance (networked performance)
and an international community of artists. The platform was first
developed in Aotearoa New Zealand in 2003 and since then has hosted many
online festivals, performances and events. www.upstage.org.nz
<http://www.upstage.org.nz/>
Teater Interaktis a communitytheatre company based in Malmö, Sweden,
that works intensively together with people with experience of
migration, mainly in the asylum-process, creating performances
communicating alternative narratives of migration and Swedish identity.
www.teaterinterakt.se <http://www.teaterinterakt.se/>
Schaumbad - Freies Atelierhaus Grazis a multi-disciplinaryartists’
platformin Graz, Austria that provides studios for about 30 artists, and
organises exhibitions, events and intercultural exchanges.
www.schaumbad.mur.at <http://www.schaumbad.mur.at/>
The Centerfor the Cultivation of Technologyacts as a host organisation
for international free software projects, providing organisational
infrastructure. www.techcultivation.org <http://www.techcultivation.org/>

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] Your Vote is Important to the People's Park Plinth! ✨

2021-08-30 Thread Helen Varley Jamieson
done :)

On 30.08.21 20:47, Ruth Catlow via NetBehaviour wrote:
> Thanks for letting me know Helen!
> Take a look now.
>
> Because we are still in Beta... there are still a few wrinkles to iron
> out : /
> Very happy to help anyone else that gets stuck - we want your votes
> x
>
> On Mon, Aug 30, 2021 at 12:21 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> hmm, i guess i must have deleted it; i registered the other day
> but never saw a token. i'm unable to keep up with my lists for a
> while so have been randomly deleting stuff ... :/
>
> On 30.08.21 03:05, Ruth Catlow via NetBehaviour wrote:
>> Lovely writing and very appreciative of your ongoing attention Max.
>>
>> If any others here haven't yet voted...you can look at the work
>> and register here https://peoplesparkplinth.org/
>> <https://peoplesparkplinth.org/> until Tuesday 31st. 
>> Registration closes at 8.30pm and then the vote closes at 12
>> midnight. BST
>>
>> We are discovering a few wrinkles  
>> If you already registered or are a subscriber to Furtherfield
>> then your token has already been delivered to you by email with
>> the subject header “It’s Time to Vote for the People’s Park
>> Plinth at Furtherfield Gallery”. Please check in your inbox (and
>> spam folders).
>>
>> Warmly
>> Ruth
>>
>>
>>
>>
>>
>>
>>
>> On Thu, Aug 26, 2021 at 5:51 PM Max Herman
>> mailto:maxnmher...@hotmail.com>> wrote:
>>
>>
>> Hi Ruth,
>>
>> I just finished voting and think this is a fantastic concept
>> and framework.  The participatory nature of it is so
>> important for sustainable and resilient art community. 
>> Mammoth frameworks of big-data algorithms and high-dollar
>> collector transactions simply don't do certain things that
>> are well worth doing.  Perhaps these omitted processes may be
>> even more than just worth doing, but simply necessary for
>> that which we call aesthetic culture to thrive.  
>>
>> It's so easy to forget that the big-name objects collecting
>> mega-price transactions started off as people hanging out in
>> coffee shops speculating about art and life and literature
>> and participating actively, experimenting, with little or no
>> audience and on a shoestring.  It's equally easy to forget
>> that we are all writing and revising our own inner algorithms
>> so to speak, our choices and plans and modes of experience,
>> all day every day whether we do so consciously or not.
>>
>> One aspect of Leonardo which I have found so surprising is
>> his genuine sense of his own transience.  He very much wanted
>> for his work to be preserved over time -- given the hostility
>> to all art and science that our daily crises can foster by
>> default -- but he understood perhaps even better than we do
>> the limits of fame, immortality, and adulation.  He wrote,
>> "Once daylight appears, we can put out the lamp we lit to see
>> in the dark."  It's a metaphor of course -- he wasn't trying
>> to help us with our literal home lighting decisions -- and
>> one that makes the most sense to me in a context of
>> knowledge-sharing, the metamorphic nature of art, and the
>> transient cyclical nature of aesthetic value.  Trying to
>> freeze such transience he knew would merely lead to oversized
>> edifices of diminishing function and, paradoxically,
>> increasing instability as the massive structures lose
>> proportionality to place, time, people, nature, and so on.
>>
>> Thanks again for sharing this great work on list.  The
>> in-person event sounds like it was even more excellent!
>>
>> All best and congratulations,
>>
>> Max
>>
>>
>> 
>> 
>> *From:* NetBehaviour
>> > <mailto:netbehaviour-boun...@lists.netbehaviour.org>> on
>> behalf of Ruth Catlow via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>>
>> *Sent:* Wednesday, August 25, 2021 10:47 AM
>> *To:* NetBehaviour for networked distributed creativity
>>

Re: [NetBehaviour] Your Vote is Important to the People's Park Plinth! ✨

2021-08-29 Thread Helen Varley Jamieson
os. This means for example, that those closest to
> the issues can have their vote weighted to mean more overall. For
> instance, local votes might be given more weight in an
> international selection process for a new public artwork.
>  
>
> For more about CultureStake see our website
> 
> <https://furtherfield.us4.list-manage.com/track/click?u=9d227b6380a87c752902c8a55=8ad4a0f0a5=d1746ee6ff>
>  and FAQs
> 
> <https://furtherfield.us4.list-manage.com/track/click?u=9d227b6380a87c752902c8a55=52f8cc8f4d=d1746ee6ff>.
>  
>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane,
> London, EC1A 9ET.
>
>
>
>
>
> -- 
> Ruth Catlow
> she/her
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane,
> London, EC1A 9ET.
>
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

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Re: [NetBehaviour] All the stuff and a VR get together

2021-06-21 Thread Helen Varley Jamieson
yes! :)

On 20.06.21 20:11, Edward Picot via NetBehaviour wrote:
> I love The Endless Forest!
>
> On 19/06/2021 18:52, F3ydrus via NetBehaviour wrote:
>> Thumbs up for accessible non-facetime non-VR online spaces like
>> gather.town; Calla is another interesting one which uses spatial
>> audio and a 2D map and is open source.
>>
>> Bit off topic (though on list), but I can't help also mention the
>> beautiful /The Endless Forest/ by Auriea Harvey and Michael Samyn of
>> Tale of Tales (who are probably lurking on NB!). Seems particularly
>> apt given the forest analogy. After a kickstarter a few years ago
>> they've been rewriting it on a new engine, now up to v3.4
>>
>>  
>> /"//*The Endless Forest* is a multiplayer online game and social
>> screensaver, a virtual place where you can play with your friends.
>> When your computer goes to sleep you appear as a deer in this magical
>> place. There are no goals to achieve or rules to follow. Just run
>> through the forest and see what happens."/
>>
>> Like /Journey/, TEF has no means of text or audio communication. Just
>> a silent contemplative space with some avatar gestures and movement
>> around the forest. Magical.
>>
>> A x
>>
>> On 19.06.2021 18:07, Helen Varley Jamieson wrote:
>>
>>> we are using gather.town and ohyay as well as zoom for the
>>> Bodies:On:Live festival next week, which suzon posted about earlier
>>> today. both of these platforms are quite easy to use, not VR or 3D
>>> so no special equipment required, & they allow various other things
>>> like avatars as well as audio-video.
>>>
>>> and of course we're using UpStage as well - sneak previews of the
>>> new platform that will be launched in october
>>> (https://onlinefestival.themagdalenaproject.org/works-in-progress/).
>>> UpStage is a cyberformance venue rather than a social meeting space,
>>> but lots of fun meetings happen there too. you can give your face a
>>> rest or make it appear in the floating shape of your choice ...
>>>
>>> h : )
>>>
>>> On 19.06.21 13:31, Ruth Catlow via NetBehaviour wrote:
>>>> Hiya,
>>>>
>>>> Last week we heard from approximately 40 people (including a number
>>>> of private emails). 
>>>> I just send a fresh renewal message and will do this for the next 2
>>>> weekends.
>>>>   
>>>> It's fascinating to learn more about the lives, thought and work
>>>> being done by old comrades, and list lurkers and to hear about how
>>>> they relate to this social space and the work of dedicated
>>>> contributors :)
>>>>  
>>>> I'd really enjoy meeting in a VR setting Mez - nice call! I agree
>>>> with Alan and Paul that it would make sense to choose a place where
>>>> people can join with either monitors or goggles. 
>>>>  
>>>> I  am late to the "VR party" but recently started playing with
>>>> VRChat (a highly programmable VR space) with friend and
>>>> collaborator Cade Diehm (of the Para-real series
>>>> <https://stream.undersco.re/  >).
>>>>  
>>>> I hear you Paul in your desire to see people's faces and at the
>>>> same time one of the things I really enjoy about VR, after a
>>>> pandemic year in jitsi/zoom/teams is the freedom to give my face a
>>>> rest. Also the ability to escape the world of heads floating in
>>>> rectangles to play with the virtual physics of social space.
>>>>  
>>>> Look forward to seeing what happens :)
>>>>
>>>> Warmly
>>>> Ruth
>>>>
>>>>  
>>>> -- 
>>>> Ruth Catlow
>>>> she/her
>>>> Co-founder & Artistic director of Furtherfield & DECAL
>>>> Decentralised Arts Lab
>>>> +44 (0) 77370 02879 
>>>>
>>>> *I will only agree to speak at events that are racially and gender
>>>> balanced. 
>>>>
>>>> **sending thanks
>>>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>>>  in
>>>> advance
>>>>
>>>> *Furtherfield *disrupts and democratises art and technology through
>>>> exhibitions, labs & debate, for deep exploration, open tools &a

Re: [NetBehaviour] All the stuff and a VR get together

2021-06-19 Thread Helen Varley Jamieson
we are using gather.town and ohyay as well as zoom for the
Bodies:On:Live festival next week, which suzon posted about earlier
today. both of these platforms are quite easy to use, not VR or 3D so no
special equipment required, & they allow various other things like
avatars as well as audio-video.

and of course we're using UpStage as well - sneak previews of the new
platform that will be launched in october
(https://onlinefestival.themagdalenaproject.org/works-in-progress/).
UpStage is a cyberformance venue rather than a social meeting space, but
lots of fun meetings happen there too. you can give your face a rest or
make it appear in the floating shape of your choice ...

h : )

On 19.06.21 13:31, Ruth Catlow via NetBehaviour wrote:
> Hiya,
>
> Last week we heard from approximately 40 people (including a number of
> private emails). 
> I just send a fresh renewal message and will do this for the next 2
> weekends.
>   
> It's fascinating to learn more about the lives, thought and work being
> done by old comrades, and list lurkers and to hear about how they
> relate to this social space and the work of dedicated contributors :)
>
> I'd really enjoy meeting in a VR setting Mez - nice call! I agree with
> Alan and Paul that it would make sense to choose a place where people
> can join with either monitors or goggles. 
>
> I  am late to the "VR party" but recently started playing with VRChat
> (a highly programmable VR space) with friend and collaborator Cade
> Diehm (of the Para-real series <https://stream.undersco.re/  >).
>
> I hear you Paul in your desire to see people's faces and at the same
> time one of the things I really enjoy about VR, after a pandemic year
> in jitsi/zoom/teams is the freedom to give my face a rest. Also the
> ability to escape the world of heads floating in rectangles to play
> with the virtual physics of social space.
>
> Look forward to seeing what happens :)
>
> Warmly
> Ruth
>
>
> -- 
> Ruth Catlow
> she/her
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane,
> London, EC1A 9ET.
>
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] (Putting up a piece from a couple of day ago)

2021-06-08 Thread Helen Varley Jamieson
ver that is,
>
> Alan
>
>
>
> On Mon, Jun 7, 2021 at 5:57 PM Johannes Birringer
>  <mailto:johannes.birrin...@brunel.ac.uk>> wrote:
>
> Hello all. shapeshifters!
>
> just watched Alan's video and also realized it may be the last
> one, as he may not be posting his poetic writing and music
> here, anymore
> so I watch it as the last one Alan! thank you
>
> The conversations about how we might shift this "net-
> behavior" and become more attuned again to what Ruth and Marc
> may have imagined -
> "a place for free and open artistic experimentation with
> networked media, and community building"  is very intriguing.
> I just reread the many postings here, and am stimulated and
> confused, loving all the responses, disagreeing with
> some..as it should be. I try to be short;  Ruth's parables
> of the forest (and our poor presence as merely "ethnographic
> peculiarities") inspired me:  >a campfire in some unmanaged
> ancient woodland...>>..>>The woods around the campfire are
> full of watchers and listeners (who knows who??)<<
>
> ...the analogies resonated with me, especially over the last
> 14 months in a pandemic that made me leave academia and spend
> more time in the forest, recording, performing, linking up, in
> the valley, with my village community, inventing new rituals,
> listening to others and what they thought the "latende
> Allmende" (latent commons, as Anna Tsing calls it in her book
> on mushrooms and living in the ruins of capitalism) might be
> like. No one knew exactly, but we talked, and took our masks
> off and walked along the river [see pic]
>
> Well.. what is our "latende Allmende" going to be, with other
> (younger) participants? do we know the age and gender of the
> members who post here? i don't, and it never mattered, nor the
> the number of subscribers ("we don't really know much about
> us") ? 643,  1625?  59?
> is that true?
>
> well, if the commons are evoked, and Furherfield's new
> director, and new policies or strategic aims (inclusivity,
> intersectionality, link to local neighborhood) are mentioned
> in the organization's remit, now what exactly do you want us
> to do, in our shapeshifting? Have we not actually been
> engagedlearning/contributing "about what it means to aim
> for a commons of diverse cultures in connected physical to
> digital realms. It requires careful planning, partnership
> building and a lot of production work"..
>
> yes, it does. and we do.
>
>
> with warm regards
> Johannes Birringer
>
> 
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> <https://lists.netbehaviour.org/mailman/listinfo/netbehaviour>
>
>
>
> -- 
> Ruth Catlow
> she/her
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *I will only agree to speak at events that are racially and gender
> balanced. 
>
> **sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>  in
> advance
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane,
> London, EC1A 9ET.
>
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

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http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
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Re: [NetBehaviour] Angry Women + stof/dust + Be Like Body - Obsolete

2021-06-08 Thread Helen Varley Jamieson
yay annie, & suzon - & the Bodies:On:Live online Magdalena festival also
features the first public sneak preivews of the new UpStage platform!
workshops tomorrow & next monday are already fully booked (as is Angry
Women workshop now), but during the festival weekend there are two
works-in-progress in UpStage, each showing twice:

https://onlinefestival.themagdalenaproject.org/works-in-progress/

hope to see some of you there!

h : )

On 07.06.21 13:06, Annie Abrahams via NetBehaviour wrote:
>
> Dear friends and collegues,
>
> Some of you got this alreaqdy in their private mailing box. For those
> that don't :
>
> I am very happy to be able to invite you to an *Angry Women*
> performance in the frame of the Magdalena:On:Line
> <https://onlinefestival.themagdalenaproject.org/>festival.
> 25/06
> <https://onlinefestival.themagdalenaproject.org/angry-women-1/>17:30 CET
> 26/06
> <https://onlinefestival.themagdalenaproject.org/angry-women-2/>20:00 CET
> Each performance will be *a 15 minute multilingual improvisation on
> anger* by the participants of a 90 min. long workshop. There will be a
> Q with the audience afterwards.
>
> *Angry* and wanting to participate in a *performance*?
> Join the workshop
> <https://onlinefestival.themagdalenaproject.org/angry-women-workshop/>on
> *June 23, 16:00 - 17:30* (Up to 18 participants)
>
> <https://onlinefestival.themagdalenaproject.org/angry-women-workshop/>
>
> *//*
>
> *Utterings* had a great time at ELO 2021.
> Here are the /Supra Semiotics/ performance video
> <https://utterings.hotglue.me/?elo>and the video and a .pdf with
> related rearitings <https://utterings.hotglue.me/?elo>of the/Toward a
> Supra-Semiotic Telepresent Communication/ panel.
>
> //
>
> <https://vimeo.com/554123246>
> /stof / dust/ Video by Suzon Fuks, Text by Annie Abrahams.
>
> *27/06, 12:00 CET* I will participate in *Suzon Fuks'* performance /Be
> Like Body–Obsolete
> <https://onlinefestival.themagdalenaproject.org/be-like-body-obsolete-1/>./
> For this performance 6 Artists from around the world: *Amaranta
> Osorio*, *Nasim Khosravi*, *Parvathy Baul*, *Ya-Ling Peng*, *Younghee
> Park* and I, wrote a text on obsolescence and old age.
> After the performance we all meet in the /Be Like Body-Obsolete panel/
> <https://onlinefestival.themagdalenaproject.org/6-writers/>//
> <https://onlinefestival.themagdalenaproject.org/6-writers/>(13:00 CET)
> to discuss the performance and our processes with the audience.
>
> Attention: All events in the frame of the Magdalena:On:Line
> <https://onlinefestival.themagdalenaproject.org/>festival need booking.
>
> I hope you will enjoy your Summer.
> All the best
> Annie Abrahams
>
>
> ___
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> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
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helen varley jamieson

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Re: [NetBehaviour] Disassociation from Michel Bauwens - a major issue with P2P Foundation

2021-03-22 Thread Helen Varley Jamieson
t; Dr. Jedediah Walls, former research practicum intern with the P2P
> Foundation.
> McKenzie Wark, Professor, New York, NY.
>
> To add your name to this letter of disassociation in solidarity, please
> email p2pleft [at] protonmail.com <http://protonmail.com/>.
>
>
>
>
> * The discourse mentioned includes articles from conservative media
> celebrities, particularly from the US; non-academic, non-journalistic,
> at times explicitly racist, videos on YouTube that researchers have
> classified as belonging to or adjacent to the ‘alt right’; conservative
> mass media tabloids; articles from Quillette and Areo online magazines;
> and “Intellectual Dark Web” commentary videos. Figures as authors and
> speakers include Bari Weiss, Jesse Singal, Lindsay and Pluckrose, Andy
> Ngo, and the Rubin Report. Quillette and Areo are conservative magazines
> for editorials, opinions and non-peer reviewed articles marked by
> anti-feminism and concern with “anti-whiteness” and Quillette
> particularly publishing on eugenics and ‘race realism’. (For more on the
> IDW, see e.g. this Vox article; this Data and Society report; and Lewis
> (2020).)
> An excessive immersion into this online reading and video material,
> which stimulates anger against women and BIPOC as “causes” of economic
> deprivation, is known as being “redpilled”. (See this NYT article;
> Zuckerberg (2018).)
>
> The increasing frequency of events such as GamerGate (which involved
> death threats to the women involved) and mass killings by radicalized
> white nationalists, indicates that what appear to some to be mere
> “online interactions” on social media have very real world consequences.
> Moreover, given the reputation of Facebook as actively facilitating
> election manipulation, dissemination of hate groups and unethical
> practices related to citizens’ personal data, the sheer amount of time
> spent on keeping P2P commons practitioners beholden to a surveillance
> capitalist platform without careful moderation to protect its own
> members is highly questionable. (See e.g. DiResta (2018).)
>
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Re: [NetBehaviour] A World Without Racism

2021-03-22 Thread Helen Varley Jamieson
yes, very moving.

On 21.03.21 20:29, Edward Picot via NetBehaviour wrote:
> Lovely! I love the quietness and dignity and, as you say, the range of
> people taking part. It's very sad, too.
>
> Edward
>
> On 20/03/2021 18:17, Michael Szpakowski wrote:
>> I’m pleased with the range of people on it. Brilliant to see artists
>> from here, as you say, together with teachers, car mechanics, social
>> workers, former dockers, pensioners, local councillors & trade union
>> reps and officials and students ... 
>>
>>
>> Sent from Yahoo Mail for iPhone <https://yho.com/footer0>
>>
>> On Saturday, March 20, 2021, 5:24 pm, Ruth Catlow
>>  wrote:
>>
>> Thanks for making and sharing this Michael!
>> I find it powerful and moving to see Netbehaviour compadres
>> joining this call.
>>
>> warmly
>> Ruth
>>
>> On Sat, Mar 20, 2021 at 2:10 PM Michael Szpakowski
>> mailto:m...@michaelszpakowski.org>> wrote:
>>
>> Huge & heartfelt thanks to those here who sent me a vid for
>> this project.
>> We've just tweeted them all out from the @sutrharlow account
>> as part of today's anti-racist Twitterstorm.
>> The edited together+music versions are up on FB, YouTube and
>> Insta.
>> Likes for all very helpful but particularly helpful if you're
>> on FB and you could like and share!
>> Addresses:
>> https://www.facebook.com/sutrharlow/posts/713029379368577
>> <https://www.facebook.com/sutrharlow/posts/713029379368577>
>>
>>  https://youtu.be/GsfXqL_YfE4 <https://youtu.be/GsfXqL_YfE4>
>>
>> https://www.instagram.com/tv/CMozxoanq9Y/
>> <https://www.instagram.com/tv/CMozxoanq9Y/>
>>
>> with warm wishes
>> Michael
>>
>>
>> ___
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>> NetBehaviour@lists.netbehaviour.org
>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>> <https://lists.netbehaviour.org/mailman/listinfo/netbehaviour>
>>
>>
>>
>> -- 
>> Co-founder & Artistic director of Furtherfield & DECAL
>> Decentralised Arts Lab
>> +44 (0) 77370 02879  
>>
>> *I will only agree to speak at events that are racially and
>> gender balanced. 
>>
>> **sending thanks
>> 
>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>  in
>> advance
>>
>> *Furtherfield *disrupts and democratises art and technology
>> through exhibitions, labs & debate, for deep exploration, open
>> tools & free thinking.
>> furtherfield.org <http://www.furtherfield.org/>
>>
>> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
>> technologiesresearch hub
>>
>> for fairer, more dynamic & connected cultural ecologies &
>> economies now.
>>
>> decal.is <http://www.decal.is>
>>
>> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>>
>> Registered in England and Wales under the Company No.7005205
>> .
>>
>> Registered business address: Carbon Accountancy, 80-83 Long Lane,
>> London, EC1A 9ET.
>>
>>
>>
>>
>> ___
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>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> ___
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com <http://www.creative-catalyst.com>
http://www.upstage.org.nz <http://www.upstage.org.nz>
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Re: [NetBehaviour] BEFORE THE FIRST: When was your first online performance?

2021-02-09 Thread Helen Varley Jamieson
thank you ruth :)

On 06.02.21 18:05, Ruth Catlow via NetBehaviour wrote:
> Very good
> Very moving
> Thanks Annie Helen and Suzon
> :) :D
>
> On Tue, Feb 2, 2021 at 3:42 PM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> *BEFORE THE FIRST*
>
> In 2020, many people encountered online performance for the first
> time.
> We asked some of our peers “When was your first online performance?”
>
> “Before the first” is a brief glimpse of the diversity of online
> performance created before 2020.
>
> https://vimeo.com/503467731
>
> Compiled by Annie Abrahams, Helen Varley Jamieson and Suzon Fuks.
> Edited by Suzon Fuks.
>
> *WITH THANKS TO*
>
>   * 2019 Gwendoline Samidoust | XD,^_^,:3,:-D Le Rire en tant que
> Language, with Constallations | Zoom
>   * 2019 Lucie Desaubliaux | Enter the Dragon, with WMAN | Second
> Life & ManyLand
>   * 2018 Muriel Piqué | Distant Movements, with Daniel Pinheiro
> and Annie Abrahams | Zoom
>   * 2018 Soyung Lee | Online En-semble - Entanglement Training,
> concept by Annie Abrahams | Adobe Connect
>   * 2017 Lily Robert-Foley | We nooses tous des bastardi
> elettronici che usano lingue globali | readingclub.fr
> <http://readingclub.fr> – an adaptation of Etherpad
>   * 2016 Gilson Moraes Motta | Cortege on the Beach | Waterwheel Tap
>   * 2014 Atefeh Khas | Metamorphosis, with Amin Hammami |
> Waterwheel Tap
>   * 2013 Elaine Vaan Hogue | All the better to see you with, with
> Helen Varley Jamieson, Gabriella Sacco and workshop
> participants | UpStage
>   * 2013 Alejandra Ceriani | Waterhole, with Alberto Vazquez |
> Waterwheel Tap
>   * 2012 Ximena Alarcon | Letters and Bridges | Soundjack
>   * 2012 Daniel Pinheiro | Identity Project, with Tiago Bôto and
> Whitney V. Hunter | video conferencing
>   * 2011 Emma Che Raethke-Martin | So far away, yet so near |
> Waterwheel Tap and Skype
>   * 2011 Christina Papagiannouli | Cyberian Chalk Circle, with Evi
> Stamatiou | UpStage
>   * 2011 Martina Ruhsam | Angry Women - take 2, concept by Annie
> Abrahams | mosaika.tv <http://mosaika.tv>
>   * 2009 Rosa Sanchez | Umbrales_Artes vivas en casa, with Konic
> Thtr | SAGE (Scalable Amplified Group Environment) and video
> conferencing
>   * 2008 Caroline Delieutraz | Double Bind - Bras de tête et Tête
> de fer, with Justine Abittan | flash and javascript by
> panoplie.org <http://panoplie.org>
>   * 2007 Jorge Rojas | Lucha Libre | BlogTV.com
>   * 2007 Rebekah Wild | Baba Yaga, with Vicki Smith | UpStage
>   * 2007 Miljana Perić | Learn to hear through the lies of your
> eyes: the cyberforming hybridisation of Tuxedomoon, with
> Teodora Perić and Ana Marković | UpStage
>   * 2006 Alan Sondheim | Dropping off the Edge of the World |
> Second Life
>   * 2005 Patrick Lichty | Dissention Convention, with Maya
> Kalogera & Marc Garrett | VisitorsStudio
>   * 2004 Roger Mills | Sonic Circuits, with Neil Jenkins |
> VisitorsStudio
>   * 2003 James Cunningham | Improv on ‘Thanatonauts-Navigators of
> Death’, with Suzon Fuks, Igneous, Bonemap, Keith Armstrong and
> Kelli Dipple | Access Grid
>   * 2002 Johannes Birringer | Here I come again / Flying Birdman,
> with ADaPT (Association for Dance and Performance Telematics)
> | QuickTime Streaming Server (QTSS) with QuickTime
> Broadcaster, older video format, Real time sound mix with Max/MSP
>   * 2001 Joseph DeLappe | Howl: Elite Force Voyager Online | Start
> Trek Elite Force Voyager Online
>   * 2001 Keith Armstrong | Liquid Gold, by Transmute Collective |
> Quicktime streaming, Shockwave clients & server
>   * 2001 Karla Ptáček | Paycheck, Performance Poet | The Palace
>   * 1999 Auriea Harvey | Wirefire, with Michael Samyn | Flash and
> handmade cgi scripts
>   * 1998 Jean-Marc Matos | Un Thé Extravagant, with Anne Holst and
> Caroline Tymen | Studio télévision and ADSL internet
>   * 1995 John Hopkins | Eight dialogues | Internet Relay Chat
>   * 1995 Nina Sobell | An Interactive Telerobotic Sculpture
> Performance, with Emily Hertzell | Netscape’s server push
> animation
>   * 1994 Antoinette LaFarge | The Greenest Fools, with the
> Plaintext Players | PMC MOO
>   * 1994 Adriene Jenik | El Naftazteca, with Ruben Martinez,
> Guillermo Gomez Pena and Ro

[NetBehaviour] BEFORE THE FIRST: When was your first online performance?

2021-02-02 Thread Helen Varley Jamieson
*BEFORE THE FIRST*

In 2020, many people encountered online performance for the first time.
We asked some of our peers “When was your first online performance?”

“Before the first” is a brief glimpse of the diversity of online
performance created before 2020.

https://vimeo.com/503467731

Compiled by Annie Abrahams, Helen Varley Jamieson and Suzon Fuks. Edited
by Suzon Fuks.

*WITH THANKS TO*

  * 2019 Gwendoline Samidoust | XD,^_^,:3,:-D Le Rire en tant que
Language, with Constallations | Zoom
  * 2019 Lucie Desaubliaux | Enter the Dragon, with WMAN | Second Life &
ManyLand
  * 2018 Muriel Piqué | Distant Movements, with Daniel Pinheiro and
Annie Abrahams | Zoom
  * 2018 Soyung Lee | Online En-semble - Entanglement Training, concept
by Annie Abrahams | Adobe Connect
  * 2017 Lily Robert-Foley | We nooses tous des bastardi elettronici che
usano lingue globali | readingclub.fr – an adaptation of Etherpad
  * 2016 Gilson Moraes Motta | Cortege on the Beach | Waterwheel Tap
  * 2014 Atefeh Khas | Metamorphosis, with Amin Hammami | Waterwheel Tap
  * 2013 Elaine Vaan Hogue | All the better to see you with, with Helen
Varley Jamieson, Gabriella Sacco and workshop participants | UpStage
  * 2013 Alejandra Ceriani | Waterhole, with Alberto Vazquez |
Waterwheel Tap
  * 2012 Ximena Alarcon | Letters and Bridges | Soundjack
  * 2012 Daniel Pinheiro | Identity Project, with Tiago Bôto and Whitney
V. Hunter | video conferencing
  * 2011 Emma Che Raethke-Martin | So far away, yet so near | Waterwheel
Tap and Skype
  * 2011 Christina Papagiannouli | Cyberian Chalk Circle, with Evi
Stamatiou | UpStage
  * 2011 Martina Ruhsam | Angry Women - take 2, concept by Annie
Abrahams | mosaika.tv
  * 2009 Rosa Sanchez | Umbrales_Artes vivas en casa, with Konic Thtr |
SAGE (Scalable Amplified Group Environment) and video conferencing
  * 2008 Caroline Delieutraz | Double Bind - Bras de tête et Tête de
fer, with Justine Abittan | flash and javascript by panoplie.org
  * 2007 Jorge Rojas | Lucha Libre | BlogTV.com
  * 2007 Rebekah Wild | Baba Yaga, with Vicki Smith | UpStage
  * 2007 Miljana Perić | Learn to hear through the lies of your eyes:
the cyberforming hybridisation of Tuxedomoon, with Teodora Perić and
Ana Marković | UpStage
  * 2006 Alan Sondheim | Dropping off the Edge of the World | Second Life
  * 2005 Patrick Lichty | Dissention Convention, with Maya Kalogera &
Marc Garrett | VisitorsStudio
  * 2004 Roger Mills | Sonic Circuits, with Neil Jenkins | VisitorsStudio
  * 2003 James Cunningham | Improv on ‘Thanatonauts-Navigators of
Death’, with Suzon Fuks, Igneous, Bonemap, Keith Armstrong and Kelli
Dipple | Access Grid
  * 2002 Johannes Birringer | Here I come again / Flying Birdman, with
ADaPT (Association for Dance and Performance Telematics) | QuickTime
Streaming Server (QTSS) with QuickTime Broadcaster, older video
format, Real time sound mix with Max/MSP
  * 2001 Joseph DeLappe | Howl: Elite Force Voyager Online | Start Trek
Elite Force Voyager Online
  * 2001 Keith Armstrong | Liquid Gold, by Transmute Collective |
Quicktime streaming, Shockwave clients & server
  * 2001 Karla Ptáček | Paycheck, Performance Poet | The Palace
  * 1999 Auriea Harvey | Wirefire, with Michael Samyn | Flash and
handmade cgi scripts
  * 1998 Jean-Marc Matos | Un Thé Extravagant, with Anne Holst and
Caroline Tymen | Studio télévision and ADSL internet
  * 1995 John Hopkins | Eight dialogues | Internet Relay Chat
  * 1995 Nina Sobell | An Interactive Telerobotic Sculpture Performance,
with Emily Hertzell | Netscape’s server push animation
  * 1994 Antoinette LaFarge | The Greenest Fools, with the Plaintext
Players | PMC MOO
  * 1994 Adriene Jenik | El Naftazteca, with Ruben Martinez, Guillermo
Gomez Pena and Roberto Sifuentes | Mbone
  * 1992 Paul Sermon | Telematic Dreaming | ISDN video conferencing

__

DISCLAIMER

“Before the first” is a response to the many claims of online “firsts”
in 2020. We aim to draw attention to the long and rich history of online
performance, which stretches back to the earliest days of the internet.
This video is only a very tiny sample of this field of creative work.

For some of the artists in “Before the first”, the performance shown was
not their very first online performance. Many early works were never
documented, or for other reasons later works have been used. This video
is a snapshot and provocation to further exploration of the field,
rather than an historical record.

Annie Abrahams, Helen Varley Jamieson and Suzon Fuks
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] Ruffle – the Flash Player emulator

2021-02-01 Thread Helen Varley Jamieson
we'll just keep on enjoying being infamous ;)

On 01.02.21 18:07, Alan Sondheim via NetBehaviour wrote:
> Hi Helen,
>
> Surely not us! :-)
>
> On Mon, Feb 1, 2021 at 12:00 PM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> that is good news. i wonder how they define "famous" ... ;)
>
> On 30.01.21 16:17, Graziano Milano via NetBehaviour wrote:
>> Dear all,
>>
>> Last week I found out by reading the Independent's article
>> by Andrew Griffin, that the Internet Archive announced two months
>> ago that *“it would be cataloguing famous Flash content so that
>> they could be preserved even after the technology is
>> discontinued. Users will be able to use a Flash emulator to play
>> animations and games.”*
>>
>> The Internet Archive, which has already saved over thousands
>> playable DOS games, books and a copy of the entire internet, said
>> that it would be using a Flash emulator called Ruffle to let
>> animations play in the browser.
>>
>> Viewers do not need to have a Flash plugin themselves installed,
>> and the system works on Firefox, Chrome, Edge, and Safari. Here
>> are more info about that published at the Internet Archive’s blog:
>>
>> – Flash Animations Live Forever at the Internet Archive:
>> 
>> http://blog.archive.org/2020/11/19/flash-animations-live-forever-at-the-internet-archive/
>>
>> – Flash Back! Further Thoughts on Flash at the Internet Archive:
>> 
>> http://blog.archive.org/2020/11/22/flash-back-further-thoughts-on-flash-at-the-internet-archive/
>>
>> And here is *Ruffle* – https://ruffle.rs – the Flash Player
>> emulator built in the Rust programming language that can be
>> installed on a website we own, as a browser extension and using
>> it as a desktop application.
>>
>> Graziano
>>
>> _______
>> NetBehaviour mailing list
>> NetBehaviour@lists.netbehaviour.org 
>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
> https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>
>
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> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- 
> /=/
> /directory http://www.alansondheim.org tel 718-813-3285
> //email sondheim ut panix.com <http://panix.com>, sondheim ut
> gmail.com <http://gmail.com>/
> /=/
>
> ___
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> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] Ruffle – the Flash Player emulator

2021-02-01 Thread Helen Varley Jamieson
that is good news. i wonder how they define "famous" ... ;)

On 30.01.21 16:17, Graziano Milano via NetBehaviour wrote:
> Dear all,
>
> Last week I found out by reading the Independent's article by Andrew
> Griffin, that the Internet Archive announced two months ago that *“it
> would be cataloguing famous Flash content so that they could be
> preserved even after the technology is discontinued. Users will be
> able to use a Flash emulator to play animations and games.”*
>
> The Internet Archive, which has already saved over thousands playable
> DOS games, books and a copy of the entire internet, said that it would
> be using a Flash emulator called Ruffle to let animations play in the
> browser.
>
> Viewers do not need to have a Flash plugin themselves installed, and
> the system works on Firefox, Chrome, Edge, and Safari. Here are more
> info about that published at the Internet Archive’s blog:
>
> – Flash Animations Live Forever at the Internet Archive:
> http://blog.archive.org/2020/11/19/flash-animations-live-forever-at-the-internet-archive/
>
> – Flash Back! Further Thoughts on Flash at the Internet Archive:
> http://blog.archive.org/2020/11/22/flash-back-further-thoughts-on-flash-at-the-internet-archive/
>
> And here is *Ruffle* – https://ruffle.rs – the Flash Player emulator
> built in the Rust programming language that can be installed on a
> website we own, as a browser extension and using it as a desktop
> application.
>
> Graziano
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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[NetBehaviour] Also celebrating Art's Birthday: UpStage at Stuttgart Filmwinter

2021-01-14 Thread Helen Varley Jamieson
hi netbehaviourists,

another event marking Art's Birthday this year is a matinee session at
the Stuttgart Filmwinter, 11am european time.

I'll be giving the first sneak preview of the new UpStage platform, &
there are also talks from our friends at mur.at, & a presentation of the
open source montage software nota. It's free, but you need to register
to access the event - link is at the end of this page:
https://filmwinter.de/programm/jenseits-der-neuen-normalitaet

Filmwinter is all online this year & there are a lot of talks and
workshops as well as the expanded media exhibition
(https://filmwinter.de/ausstellungen/ausstellung-expanded-media) with
online art works, interviews and more.

h : )
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] It was evening all afternoon

2021-01-04 Thread Helen Varley Jamieson
just to know - flash does still work; it hasn't magically turned into a
pumpkin at the stroke of midnight on new year's eve :)

i guess that as browser updates come out it will at some point stop
working, but if you don't upgrade it should keep working for at least a
while ...

h : )

On 31.12.20 20:50, Edward Picot via NetBehaviour wrote:
>
> Dear all,
>
> I’m in the process of transcribing some of my Flash animations to
> video, since Flash won’t work on any browsers after the end of 2020.
> This is the final part of my 2007 adaptation of Wallace Stevens’ poem
> ‘Thirteen Ways of Looking at a Blackbird’.
>
>
> https://youtu.be/FDQHReKf_Pw
>
> Goodbye 2020!
>
> ___
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> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
https://mobilise-demobilise.eu <https://mobilise-demobilise.eu/>

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Re: [NetBehaviour] online exhibition Cyberfeminism Index at the New Museum

2020-10-25 Thread Helen Varley Jamieson
this is a fantastic resource! :)

On 22.10.20 20:03, Evelin Stermitz wrote:
>
> Cyberfeminism Index is an in-progress online collection of resources
> for techno-critical works from 1990–2020, gathered and facilitated by
> Mindy Seu.
>
> The project was commissioned by Rhizome and is now live on the New
> Museum website!
>
> https://www.newmuseum.org/exhibitions/view/first-look-cyberfeminism-index
>
> You can also view the site itself here:
> https://cyberfeminismindex.com/
>
>
>
>
>
>
>
>
>
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] recon

2020-09-20 Thread Helen Varley Jamieson
thanks for this agee. imagine if the eu spent € 420.6 Million on
rehoming displaced people instead of on militarising the borders ...

On 15.09.20 15:35, AGF poemproducer wrote:
> dear netties… i am working with this format of recon, 
> would be awesome to have you check it out
> and perhaps feedback
>
> the newest episode is on Frontex and I first time worked with “real” 
> journalists
>
> NEW: recon °3 
>
> ↳ r3 on FRONTEX 
> rec-on.org/onfrontex.html
>
> reader: 
> https://rec-on.org/r3frontexREADER.pdf
>
> organize for change: 
> are.na/agf-poemproduc…
>
> contribute 
> @EtherpadOrg
> etherpad.wikimedia.org/p/frontex
>
> #defundfrontex
>
> force
> agee
>
>
> more here —>
>
>
> NEW SPACE: rec-on.org
>
> ⟿ REC-on ↭
> twitter: @reconsound
> email: so...@rec-on.org
>
> recon - short form audio
> https://rec-on.org/recon.html
>
> ↳ r1 ON OPPRESSION °1 
> https://rec-on.org/onoppression.html
>
> ↳ r2 ON FEMICIDE °2 
> “insisting to remember”
> rec-on.org/onfemicide.html
>
> ↳ r3 ON FRONTEX °3
> “insisting to remember”
> https://rec-on.org/onfrontex.html
>
> FEMINIST SONIC TECHNOLOGIES 
> #feministsonictechnologies
> https://rec-on.org/feministsonictechnologies.html
>
> °1 @seaisthenewland
> https://rec-on.org/seaisthenewland.html
> in urdu: https://karachibeachradio.net/blogpost.php?id=8=urdu
>
>
> AUDIO COLLECTIFNESS
>
> Sukiotoa O Namau °1
> @sukitoaonamau
> https://rec-on.org/sukitoaonamau.html
>
> Meira Asher °2
> @meiraasher
> https://rec-on.org/meiraasher.html
>
> @resonatecoop
> beta.resonate.is/artists/12205
>
> +
>
>
>
> ___
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> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Penguin Memories (Michael Szpakowski)

2020-09-01 Thread Helen Varley Jamieson
ruth, marc - are the VS performance files languishing on some forgotten
hard drive??

i feel very relieved that we got the funding for releasing UpStage from
flash just in the nick of time!

h : )

On 28.08.20 13:09, Graziano Milano via NetBehaviour wrote:
> Hi Helen.
>
> I did try to download my artwork Flash files from VS when we were
> alerted last year, but it was not possible to do so. If they could
> have been downloaded as Flash files then I would have converted them
> to HTML5 files using Adobe Animate so they could have been shown
> online again on any modern browser.
>
> If we can get access again online to our VS artwork Flash files then
> we can see if we can convert them as MP4 files using CloudCovert.
> However we need to try this asap as in December 2020, Adobe will no
> longer support the flash player plug-in. Google and Microsoft have
> also announced that they will disable the plug-in by default in their
> browsers by the end of 2020 as well. More info here:
> https://turbofuture.com/computers/The-End-of-Flash-in-2020-Converting-From-Flash-to-HTML5
>
> Just found out that the Visitors Studio enter webpage is also
> archived:
> https://web.archive.org/web/20071126071534/http://www.visitorsstudio.org/?diff=0
>
> Mark and Ruth can also contact Internet Archive and ask if they can
> technically and financially helped Furthefield to download, convert
> and archived all VS online artwork files as HTML5.
>
> Graziano
>  
>
>
>
> On Sat, 22 Aug 2020 at 19:27, Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> thanks for this graziano - very useful!
>
> & yes - it would be great if  it's possible to get the visitors
> studio files  - altho i fear they must be already gone ... ?? i
> never managed to get round to downloading things when we were last
> alerted to do so :/
>
> On 18.08.20 12:12, Graziano Milano via NetBehaviour wrote:
>> Hello everyone,
>>
>> Here are more ways how to convert FLV files to MP4 on Windows,
>> Macs and Online:
>> https://www.digitaltrends.com/computing/how-to-convert-flv-to-mp4/
>>
>> The CloudCovert is an online file converter by selecting FLV
>> files from our computers, Google Drive, Dropbox, OneDrive and by
>> URL: https://cloudconvert.com
>>
>> I used the Flash based Furthefield’s VisitorsStudio platform as a
>> VJ artist for live events (UpStage with Ethernet Orchestra, Radio
>> You Can Watch with Roger and Neil at Bristol FM, young people
>> live VS workshops and events with Michael, Roger and Neil in New
>> York, Bristol and London) and producing my own Flash based A/V
>> Mixes which are archived
>> here: 
>> https://web.archive.org/web/20180216121633/http://blog.visitorsstudio.org:80/?q=node/53
>>
>> However when you click any of them, the Flash files don't work,
>> as they never did, on smartphones. They used to work till last
>> year on my iMac as I installed the Flash player, but they don’t
>> work any longer probably because the Visitors Studio Flash files
>> mixes are no longer available online due the costs to keep them
>> online by Furtherfiled.
>>
>> Hi Ruth and Mark, if it’s possible to make the Visitors Studio
>> Flash files available again online so we can see if we can
>> convert them as MP4 files by using the online file converter
>> CloudCovert and then we can show and archive them on the
>> Furtherfiled’s website. I tried to download my VJ Flash files
>> artwork from VisitorsStudio last year but it was not possible to
>> do so plus I didn't know about CloudConvert at that time either. 
>>
>> Graziano
>>
>> On Mon, 17 Aug 2020 at 14:47, Mateus Domingos via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>>
>> Hi Michael,
>>
>> Apologies if this has been circulated here before, 
>>
>> BlueMaxima Flashpoint is a project that seeks to preserve and
>> archive Flash-based works (along with a bunch of other web
>> plugins and standards). I believe you can add projects to the
>> database, which then become accessible through the standalone
>> launcher.
>>
>> I've only used it a couple of times, but found it to work
>> quite nicely.
>>
>> Might be an option for preserving and making your work
>> accessible!
>>
>> https://bluemaxima.org/flashpoint/
>>
>> Best,
>>  

Re: [NetBehaviour] Call for female net music performers

2020-09-01 Thread Helen Varley Jamieson
i passed this on to the eclectic tech carnival list, as there are quite
a few musicians on that list.

hope you're well,

h : )

On 31.08.20 12:35, Roger Mills via NetBehaviour wrote:
> Hey everyone,
>
> Ethernet Orchestra are looking for female collaborators based in
> Europe in the areas of processed voice, violin, cello or drums for
> whom improvisation is a major part of your practice.
>
> We are a network music ensemble of geographical displaced musicians
> from Australia, Brazil, Mongolia, Malaysia, Iran, Turkey, Germany, UK,
> and Canada. Our focus is on creating experimental intercultural
> improvisatory music making for live performance and album projects.
>
> Our second album was published on the Chilean net label Pueblo Nuevo
> in March 2020.  
> https://pueblonuevo.cl/catalogo/oceans-between-sound/
>
> For more information on other album releases, a/v clips and research,
> visit our website https://ethernetorchestra.net/
>
> This is a call for anyone interested in collaborating on a regular
> basis - fortnightly at the moment. We get together online and record
> our sessions for future album project releases. Of particular interest
> is a vocalist who uses electronic processing of voice in new ways.
>
> We occasionally get to work on funded performance projects but mostly
> we do it because we enjoy it, and seek similar minded collaborators. 
>
> You will need a small home studio set up with access to a modem via
> ethernet socket. We will help you set up your node with the necessary
> port forwarding and low latency software requirements.
>
> If this opportunity is of interest, please get in touch.
>
> Roger Mills
> eartrumpet.org <http://eartrumpet.org>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Penguin Memories (Michael Szpakowski)

2020-08-22 Thread Helen Varley Jamieson
enguin Memories
> Message-ID:  <mailto:d8863c91-6cfb-efa6-9e73-8f04afc13...@edwardpicot.com>>
> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>
> I've just started transferring some of my Flash work from about 15-20
> years ago onto video. 'Penguin Memories' is the dramatic and
> tragic tale
> of a penguin who steals a sardine sandwich from the penguin queen.
> https://youtu.be/LKQH_rGOVP4 <https://t.co/5WUyzvi2Mf?amp=1>
>
> Edward
> -- next part --
> An HTML attachment was scrubbed...
> URL:
> 
> <https://lists.netbehaviour.org/pipermail/netbehaviour/attachments/20200816/cdacc354/attachment-0001.htm>
>
> --
>
> Message: 2
> Date: Sun, 16 Aug 2020 17:34:29 + (UTC)
> From: Michael Szpakowski  <mailto:m...@michaelszpakowski.org>>
> To: NetBehaviour for networked distributed creativity
>      <mailto:netbehaviour@lists.netbehaviour.org>>
> Cc: Edward Picot  <mailto:julian.les...@gmail.com>>
> Subject: Re: [NetBehaviour] Penguin Memories
> Message-ID: <84868958.2788334.1597599269...@mail.yahoo.com
> <mailto:84868958.2788334.1597599269...@mail.yahoo.com>>
> Content-Type: text/plain; charset="utf-8"
>
> I am glad you are doing this Edward. I can?t rescue most of the
> shockwave work because it was generative or interactive. A mass of
> work from many people, almost a generation rendered invisible, as
> if it had never been, by the demands of commerce...?
>
>
> Sent from Yahoo Mail for iPhone
>
>
> On Sunday, August 16, 2020, 6:27 pm, Edward Picot via NetBehaviour
>  <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>
>    I've just started transferring some of my Flash work from about
> 15-20 years ago onto video. 'Penguin Memories' is the dramatic and
> tragic tale of a penguin who steals a sardine sandwich from the
> penguin queen. https://youtu.be/LKQH_rGOVP4
>   Edward
>    ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- next part --
> An HTML attachment was scrubbed...
> URL:
> 
> <https://lists.netbehaviour.org/pipermail/netbehaviour/attachments/20200816/8c69c8f2/attachment-0001.htm>
>
> --
>
> Message: 3
> Date: Sun, 16 Aug 2020 19:46:21 -0400 (EDT)
> From: Alan Sondheim mailto:sondh...@panix.com>>
> To: NetBehaviour for networked distributed creativity
>      <mailto:netbehaviour@lists.netbehaviour.org>>
> Subject: [NetBehaviour] city symphony, sounds of providence
> Message-ID:
>  <mailto:alpine.neb.2.23.451.2008161946050.27...@panix3.panix.com>>
> Content-Type: text/plain; charset=US-ASCII; format=flowed
>
>
>
> city symphony, sounds of providence
>
> http://www.alansondheim.org/citysymphony.jpg
> https://youtu.be/SAicCVh8JLI video best w/ headphones
>
> our circumambulations around the concrete and asphalt
> neighborhood, listening carefully on an anxious evening
> away from scurrilous wags searching for comrades
> in angry weather beneath an angry sky, listening loosely
> to anxious comrades in an asphalt sky, whole revolutions
> of skies and neighborhoods, all fall down, the knells of
> knells, the scurrilous concrete, anxious asphalt,
> concrete circumambulations, of wags
>
>
>
>
> --
>
> Subject: Digest Footer
>
> _______
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
> --
>
> End of NetBehaviour Digest, Vol 993, Issue 1
> 
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Mobilise/Demobilise: cyberformance collaboration gets moving

2020-08-05 Thread Helen Varley Jamieson
& of course big thanks to you & marc for all your support over the
years!! :)

On 01.08.20 12:19, Ruth Catlow via NetBehaviour wrote:
> This is so impressive and inspiring Helen.
>
> A massive and ridiculously belated WOO HOOO!
>
> To have a programme that knits together the collaborative
> cyberperformance-making practices with the creation of FOSS mobile
> techical infrastructure... It's really hard to do and to get funded.
> This is a massive testament to your imagination and perseverance. 
>
> Really look forward to updates from you and the upstage network about
> developments as they happen.
>
> Respect!
> Ruth
>
>
>
> On Tue, Jul 21, 2020 at 4:18 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> hi netbehaviourists,
>
> i have some very exciting news from the land of UpStage to share
> with you :)
>
> 
>
> UpStage is delighted to announce that its new project
> Mobilise/Demobilise has been selected to receive EU funding in the
> Creative Europe programme. The project will be realised in
> collaboration with Teater Interakt (Sweden), Schaumbad Freies
> Atelierhaus (Austria) and the Centre for the Cultivation of
> Technology (Germany).
>
>
> Mobilise/Demobilise comprises a series of networked performances
> and the development of an updated “mobilised” platform for live
> online performances. Thematically, the project addresses human
> mobility within the contemporary political and environmental
> context, and the impact of mobile technologies on human life and
> the environment.
>
> Mobilise/Demobilise is an artistic and discursive response to a
> world of increasing conflict, crisis and emergency. The Covid19
> pandemic makes this project timely and urgent: communication,
> connection and culture rapidly evolving as lockdowns and travel
> restrictions force us to live more and more of our lives online.
> Mobilise/Demobilise brings a critical and artistic perspective to
> this current crisis.
>
> Artistic partners UpStage, Teater Interakt and Schaumbad Freies
> Atelierhaus will collaboratively investigate the theme and develop
> a series of interactive online performances, to be presented in
> April-May 2021. Alongside the creative process, the UpStage
> platform will be “mobilised” – re-engineered to function on mobile
> devices such as smartphones and tablets – and brought up-to-date
> with current internet technologies. The project is managed in
> partnership with the Center for the Cultivation of Technology.
>
> For more information, please visit www.upstage.org.nz
> <http://www.upstage.org.nz/>
>
> *About the Partners:
> *
> UpStage is an online platform for cyberformance (networked
> performance) and an international community of artists. The
> platform was first developed in Aotearoa New Zealand in 2003 and
> since then has hosted many online festivals, performances and
> events. www.upstage.org.nz <http://www.upstage.org.nz/>
>
> Teater Interakt is a documentary theatre company based in Malmö,
> Sweden, that works intensively with refugees, migrants and people
> in the asylum process. www.teaterinterakt.se
> <http://www.teaterinterakt.se/>
>
> Schaumbad Freies Atelierhaus is a multi-disciplinary artists’
> collective in Graz, Austria that organises festivals, events and
> intercultural exchanges. www.schaumbad.mur.at
> <http://www.schaumbad.mur.at/>
>
> The Center for the Cultivation of Technology acts as a host
> organisation for international free software projects, providing
> organisational infrastructure. www.techcultivation.org
> <http://www.techcultivation.org/>
>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- 
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *sending thanks
> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.h

Re: [NetBehaviour] Mobilise/Demobilise: cyberformance collaboration gets moving

2020-08-05 Thread Helen Varley Jamieson
thanks ruth :) i'll definitely keep the list posted with updates. we are
busy getting things in place so that we can start running with the
development asap ...

& i've just got back to munich after my 6-month sojourn in aotearoa.
it's quite a surreal experience to travel around the world in these
strange times!

h : )

On 01.08.20 12:19, Ruth Catlow via NetBehaviour wrote:
> This is so impressive and inspiring Helen.
>
> A massive and ridiculously belated WOO HOOO!
>
> To have a programme that knits together the collaborative
> cyberperformance-making practices with the creation of FOSS mobile
> techical infrastructure... It's really hard to do and to get funded.
> This is a massive testament to your imagination and perseverance. 
>
> Really look forward to updates from you and the upstage network about
> developments as they happen.
>
> Respect!
> Ruth
>
>
>
> On Tue, Jul 21, 2020 at 4:18 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> hi netbehaviourists,
>
> i have some very exciting news from the land of UpStage to share
> with you :)
>
> 
>
> UpStage is delighted to announce that its new project
> Mobilise/Demobilise has been selected to receive EU funding in the
> Creative Europe programme. The project will be realised in
> collaboration with Teater Interakt (Sweden), Schaumbad Freies
> Atelierhaus (Austria) and the Centre for the Cultivation of
> Technology (Germany).
>
>
> Mobilise/Demobilise comprises a series of networked performances
> and the development of an updated “mobilised” platform for live
> online performances. Thematically, the project addresses human
> mobility within the contemporary political and environmental
> context, and the impact of mobile technologies on human life and
> the environment.
>
> Mobilise/Demobilise is an artistic and discursive response to a
> world of increasing conflict, crisis and emergency. The Covid19
> pandemic makes this project timely and urgent: communication,
> connection and culture rapidly evolving as lockdowns and travel
> restrictions force us to live more and more of our lives online.
> Mobilise/Demobilise brings a critical and artistic perspective to
> this current crisis.
>
> Artistic partners UpStage, Teater Interakt and Schaumbad Freies
> Atelierhaus will collaboratively investigate the theme and develop
> a series of interactive online performances, to be presented in
> April-May 2021. Alongside the creative process, the UpStage
> platform will be “mobilised” – re-engineered to function on mobile
> devices such as smartphones and tablets – and brought up-to-date
> with current internet technologies. The project is managed in
> partnership with the Center for the Cultivation of Technology.
>
> For more information, please visit www.upstage.org.nz
> <http://www.upstage.org.nz/>
>
> *About the Partners:
> *
> UpStage is an online platform for cyberformance (networked
> performance) and an international community of artists. The
> platform was first developed in Aotearoa New Zealand in 2003 and
> since then has hosted many online festivals, performances and
> events. www.upstage.org.nz <http://www.upstage.org.nz/>
>
> Teater Interakt is a documentary theatre company based in Malmö,
> Sweden, that works intensively with refugees, migrants and people
> in the asylum process. www.teaterinterakt.se
> <http://www.teaterinterakt.se/>
>
> Schaumbad Freies Atelierhaus is a multi-disciplinary artists’
> collective in Graz, Austria that organises festivals, events and
> intercultural exchanges. www.schaumbad.mur.at
> <http://www.schaumbad.mur.at/>
>
> The Center for the Cultivation of Technology acts as a host
> organisation for international free software projects, providing
> organisational infrastructure. www.techcultivation.org
> <http://www.techcultivation.org/>
>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- 
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *sending 

[NetBehaviour] Mobilise/Demobilise: cyberformance collaboration gets moving

2020-07-20 Thread Helen Varley Jamieson
hi netbehaviourists,

i have some very exciting news from the land of UpStage to share with you :)



UpStage is delighted to announce that its new project
Mobilise/Demobilise has been selected to receive EU funding in the
Creative Europe programme. The project will be realised in collaboration
with Teater Interakt (Sweden), Schaumbad Freies Atelierhaus (Austria)
and the Centre for the Cultivation of Technology (Germany).


Mobilise/Demobilise comprises a series of networked performances and the
development of an updated “mobilised” platform for live online
performances. Thematically, the project addresses human mobility within
the contemporary political and environmental context, and the impact of
mobile technologies on human life and the environment.

Mobilise/Demobilise is an artistic and discursive response to a world of
increasing conflict, crisis and emergency. The Covid19 pandemic makes
this project timely and urgent: communication, connection and culture
rapidly evolving as lockdowns and travel restrictions force us to live
more and more of our lives online. Mobilise/Demobilise brings a critical
and artistic perspective to this current crisis.

Artistic partners UpStage, Teater Interakt and Schaumbad Freies
Atelierhaus will collaboratively investigate the theme and develop a
series of interactive online performances, to be presented in April-May
2021. Alongside the creative process, the UpStage platform will be
“mobilised” – re-engineered to function on mobile devices such as
smartphones and tablets – and brought up-to-date with current internet
technologies. The project is managed in partnership with the Center for
the Cultivation of Technology.

For more information, please visit www.upstage.org.nz
<http://www.upstage.org.nz/>

*About the Partners:
*
UpStage is an online platform for cyberformance (networked performance)
and an international community of artists. The platform was first
developed in Aotearoa New Zealand in 2003 and since then has hosted many
online festivals, performances and events. www.upstage.org.nz
<http://www.upstage.org.nz/>

Teater Interakt is a documentary theatre company based in Malmö, Sweden,
that works intensively with refugees, migrants and people in the asylum
process. www.teaterinterakt.se <http://www.teaterinterakt.se/>

Schaumbad Freies Atelierhaus is a multi-disciplinary artists’ collective
in Graz, Austria that organises festivals, events and intercultural
exchanges. www.schaumbad.mur.at <http://www.schaumbad.mur.at/>

The Center for the Cultivation of Technology acts as a host organisation
for international free software projects, providing organisational
infrastructure. www.techcultivation.org <http://www.techcultivation.org/>

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Public art launch tonight online

2020-07-20 Thread Helen Varley Jamieson
yes! great project, gretta! :)

On 20.07.20 07:55, Edward Picot via NetBehaviour wrote:
> I love that poster on the end of a bus-shelter that says 'Consider
> this a love letter to public green space'.
>
> Edward
>
>
> On 19/07/2020 16:53, Ruth Catlow via NetBehaviour wrote:
>> Hi Gretta,
>>
>> Missed the opening - boohoo!
>> (although I'm not sure what that means to have an opening on
>> instagram... what happened?)
>>
>> All of the statements are thought provoking in a very satisfying
>> multi-layered way because of the way they carry their placards
>> (figuratively speaking) across physical and digital realms. 
>>
>> I particularly like "MAKE SHARING ANALOGUE AGAIN"
>> and "ALL PUBLIC SPACE IS OFFLINE"
>>
>> fantastic!
>>
>> :)
>> Ruth
>>
>>
>>
>> On Fri, Jul 17, 2020 at 3:02 PM Gretta Louw via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>>
>> Hi everyone,
>>
>> A couple of months ago I posted here to gather your input of how
>> the pandemic and social distancing or lockdown shifted your
>> experience of the places you live in. I just wanted to let you
>> know that the public art project I was working on at that time,
>> and into which some of your comments filtered (thank you!), is
>> launching today in downtown Munich and online. There will be a
>> brief intro to the project and artist talk at 7 pm tonight CET (6
>> pm UK time), which would can watch on Instagram live
>> via @TheCommonsMUC <https://www.instagram.com/thecommonsmuc/>.
>>
>> Hope to see some of you there.
>>
>> All my best,
>> Gretta
>> ___
>> NetBehaviour mailing list
>> NetBehaviour@lists.netbehaviour.org
>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>>
>>
>> -- 
>> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
>> Arts Lab
>> +44 (0) 77370 02879 
>>
>> *sending thanks
>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>  in
>> advance
>>
>> *Furtherfield *disrupts and democratises art and technology through
>> exhibitions, labs & debate, for deep exploration, open tools & free
>> thinking.
>> furtherfield.org <http://www.furtherfield.org/>
>>
>> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
>> technologiesresearch hub
>>
>> for fairer, more dynamic & connected cultural ecologies & economies now.
>>
>> decal.is <http://www.decal.is>
>>
>> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>>
>> Registered in England and Wales under the Company No.7005205.
>>
>> Registered business address: Carbon Accountancy, 80-83 Long Lane,
>> London, EC1A 9ET.
>>
>>
>>
>>
>> ___
>> NetBehaviour mailing list
>> NetBehaviour@lists.netbehaviour.org
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] UpStage @ Network Music Festival, 15 July

2020-07-12 Thread Helen Varley Jamieson
hi netbehaviourists,

on wednesday 15 july at 11am UK time, we will perform Ionesco's
absurdist plague play "Jeux de Massacre" in UpStage, at the Network
Music Festival.

following the performance, we'll give a demo of the audio tools in the
UpStage platform, and have an open discussion about how these tools can
be enhanced / redeveloped in the new platform that we are about to build
(more about the new platform soon!).

we would love to have input from those of you who are working in
networked music and/or have ideas or experience that might be relevant.
we want to dream up together a vision for really good audio tools in the
new platform.

there's more information about the performance here, including a time
converter to find your local time:
https://upstage.org.nz/?event=jeux-de-massacre-network-music-festival

the performance will take place in UpStage and be live streamed via the
Network Music Festival, which might be easier for some people to access
(but you won't be able to participate in UpStage's audience chat if
you're watching the stream). the post-show discussion will take place in
the festival's BigBlueButton, link to come.

looking forward to seeing some of you there; & - time zones permitting -
to catch the shows of any of you who are also performing at the festival.

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] "Jeux de Massacre", Thursday 9 July in UpStage

2020-06-30 Thread Helen Varley Jamieson
hi everyone,

next week there will be two performances of "Jeux de Massacre" in
UpStage, at 9am and 9pm UK time (find your local time here
<https://tinyurl.com/yd4se22y> - this is the first performance, add 12
hours for the second). https://upstage.org.nz/?event=jeux-de-massacre

In 1970, absurdist playwright Eugene Ionesco wrote /Jeux de Massacre/
(known in English as /The Killing Game/ or /Here Comes a Chopper/) – a
dark comedy in which the plague ravages a small town and everyone dies.
As a new pandemic overwhelms the globe and people rush to isolation and
internet communication, it seems appropriate and timely to translate
this work from the stage to cyberspace. Christina Papagiannouli
(UK/Greece) has teamed up with Clara Gomes (Portugal), Helen Varley
Jamieson (Germany/Aotearoa NZ), Miljana Perić (Serbia) and Vicki Smith
(Aotearoa NZ) to produce /Jeux de Massacre/ in UpStage and adapt it to
current crises.

Performances take place on 9 July 2020 at 9am and 9pm UK time. Find your
local time here <https://tinyurl.com/yd4se22y> (this is the first
performance, add 12 hours for the second).

Please remember: UpStage does NOT work on mobile devices such as tablets
and smartphones (yet!), you must use a browser on a laptop or desktop
computer. You may also need to manually allow Flash in your browser –
see this page for information on how to manually enable Flash
<https://upstage.org.nz/?p=8468>.

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] 60 years ago today - music transmission across 4 generations of Catlows

2020-06-23 Thread Helen Varley Jamieson
cultural inheritance, and I wanted to share it with you
>>> all :)
>>>
>>> warmly
>>> Ruth
>>>
>>> -- 
>>> Co-founder & Artistic director of Furtherfield & DECAL
>>> Decentralised Arts Lab
>>> +44 (0) 77370 02879 
>>>
>>> *sending thanks
>>> 
>>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>>  in
>>> advance
>>>
>>> *Furtherfield *disrupts and democratises art and
>>> technology through exhibitions, labs & debate, for deep
>>> exploration, open tools & free thinking.
>>> furtherfield.org <http://www.furtherfield.org/>
>>>
>>> *DECAL* Decentralised Arts Lab is an arts, blockchain &
>>> web 3.0 technologiesresearch hub
>>> for fairer, more dynamic & connected cultural ecologies
>>> & economies now.
>>> decal.is <http://www.decal.is/>
>>>
>>> Furtherfield is a Not-for-Profit Company Limited by
>>> Guarantee
>>> Registered in England and Wales under the Company
>>> No.7005205.
>>> Registered business address: Carbon Accountancy, 80-83
>>> Long Lane, London, EC1A 9ET.
>>>
>>>
>>> ___
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>>> NetBehaviour@lists.netbehaviour.org
>>> <mailto:NetBehaviour@lists.netbehaviour.org>
>>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>> ___
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>> NetBehaviour@lists.netbehaviour.org
>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>>
>>
>> -- 
>> Co-founder & Artistic director of Furtherfield & DECAL
>> Decentralised Arts Lab
>> +44 (0) 77370 02879 
>>
>> *sending thanks
>> 
>> <https://www.ovoenergy.com/ovo-newsroom/press-releases/2019/november/think-before-you-thank-if-every-brit-sent-one-less-thank-you-email-a-day-we-would-save-16433-tonnes-of-carbon-a-year-the-same-as-81152-flights-to-madrid.html>
>>  in
>> advance
>>
>> *Furtherfield *disrupts and democratises art and technology
>> through exhibitions, labs & debate, for deep exploration, open
>> tools & free thinking.
>> furtherfield.org <http://www.furtherfield.org/>
>>
>> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
>> technologiesresearch hub
>> for fairer, more dynamic & connected cultural ecologies &
>> economies now.
>> decal.is <http://www.decal.is/>
>>
>> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>> Registered in England and Wales under the Company No.7005205.
>> Registered business address: Carbon Accountancy, 80-83 Long Lane,
>> London, EC1A 9ET.
>>
>>
>> ___
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>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
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>
>
> -- 
> /=/
> /directory http://www.alansondheim.org tel 718-813-3285
> //email sondheim ut panix.com <http://panix.com>, sondheim ut
> gmail.com <http://gmail.com>/
> /=/
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] [faces-l] switching.software

2020-06-06 Thread Helen Varley Jamieson
i just had a look at our
https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic
collection - it's grown a lot, thanks everyone for contributing!

to try & make it more navigable, i created a list of the subheadings at
the top (there are 20!) so now you can more easily find what you're
looking for.

h : )

On 06.06.20 18:54, AGF poemproducer wrote:
> hi all, quick updates on tools
>
> switching.software 
> Ethical, easy-to-use & privacy-conscious alternatives to well-known software 
> https://switching.software/
>
> and updates on Open Source TOOLS 
> - alternatives to surveillance capitalist software for communicating
> https://etherpad.wikimedia.org/p/online-tools-for-the-pandemic
>
> peace
> agee
>
>
>
>
>
> sound & facilitation
>
> AGF: @poemproducer
> www.antyegreie.com
> RECON: rec-on.org
>
> ___
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> face...@lists.servus.at
> https://lists.servus.at/mailman/listinfo/faces-l
> http://faces-l.net
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Public space and the commons in post-Corona worlds

2020-05-17 Thread Helen Varley Jamieson
out how to reimagine or reclaim public space. Both online and
> offline! Although I must admit that I am currently working from the
> understanding that all truly public space is offline.
>
> Would love to hear from you!
>
> All my best,
> Gretta
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] Repeat performance on 26-27 April: Letters of Love in a Time of Crisis

2020-04-24 Thread Helen Varley Jamieson
*Back by popular demand!*

After a successful performance on Earth Day, 22nd April, “Letters of
Love in a Time of Crisis” will be performed again, in UpStage, on Sunday
26th April (or Monday 27th, depending where in the world you are).

*When: Sunday 26 April at 10pm UK time, 9am in Aotearoa/NZ. Click here
to find your local time <https://tinyurl.com/yayswt2n>.
*

Last year, UpStage participated in “Letters to the Earth
<https://upstage.org.nz/?p=8044>“, a cultural response to the climate
emergency. The organisers of that project have this year initiated
“Letters of Love in a Time of Crisis
<https://www.letterstotheearth.com/respond-to-covid-19>“. “Letters of
Love” will be performed in UpStage by Christina Papagiannouli, Clara
Gomes, Helen Varley Jamieson, Katarina Djordjević, Lyn Cunningham,
Miljana Perić, Suzon Fuks and Vicki Smith.

*Click here to enter the stage*
<http://live.upstage.org.nz:8081/stages/lettersoflove>.
*Please note* – if the stage doesn’t automatically load, you may need to
*manually allow Flash in your browser* in order to enter the stage.
There is information on how to do that here
<https://upstage.org.nz/?p=8468>.

More information:
https://upstage.org.nz/?event=letters-of-love-in-a-time-of-crisis-2

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] UpStage performance today 22 April: "Letters of Love in a time of crisis"

2020-04-21 Thread Helen Varley Jamieson
hi everyone,

we are performing today, 22nd April, in UpStage, "Letters of Love in a
time of crisis": 9am UK time / 8pm Aotearoa NZ time - find your local
time here: https://tinyurl.com/y8vochwy

more information is here:
https://upstage.org.nz/?event=letters-of-love-in-a-time-of-crisis - and
the live link to the stage will be there shortly before the performance
time.

please note: UpStage uses Flash, so it doesn't work on moble devices;
and now some browsers it's necessary to manually enable Flash in order
to enter the stage - this is usually done via an icon in the address bar
of your browser.

and a request: i haven't managed to find anyone who can record the
performance, as most of the UpStagers who usually record things are
performing this time. is there anyone out there who could make a screen
recording of the performance for us? please email me off list if you can
help us with this. thanks!

hope to see some of you in UpStage tonight/tomorrow :)

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Ethernet Orchestra Distant Presences VJ mix

2020-04-14 Thread Helen Varley Jamieson
thanks a lot for this roger - it's great that you have made this
available. (i realise that i never managed to get round to archiving the
Dissension Convention performance that we did in VS ... ruth, marc, any
chance it still exists somewhere??).

UpStage is similar-but-different to VS, & we are currently trying to get
funding to do a complete rebuild in order to bring it up-to-date with
current technologies (especially removing its dependency on flash) & at
the same time adding new features. we welcome input from anyone with
ideas, e.g. cool features from VS that could be integrated - especially
if you can code! :) we hope that we can make a new platform that is
modular, so that artists can select the features they want and build new
ones to plug in according to our artistic needs. it would be great to
work together with others with similar ideas, and share our resources so
that we can make a sustainable platform.

the working name of the new platform is Limelight and you can find it on
https://github.com/upstage-org/limelight/ and there is also a
developers' email list
(https://lists.servus.at/mailman/listinfo/upstage-dev-lists.servus.at).

& we have an open walkthrough in UpStage coming up on thursday, for
anyone who is interested in finding out how the current version of
UpStage works:
https://upstage.org.nz/?event=open-walkthrough-thursday-16-april

h : )

On 15.04.20 05:06, Graziano Milano via NetBehaviour wrote:
> Thanks Roger for the Distance Presences video. 
>
> I really miss the VisitorsStudio audio-visual platform that we used so
> much back then for various art projects: 
> – Distance Presences
> – Radio You Can Watch
> – Ocean Between Sounds
> – Bristol, Bronx, Bruce Grove Youth A/V Workshops and Performance
>
> It would be great we would be able to set up a similar audio-visual
> online platform by using Java Script, HTML 5 and/or any other software
> coding.
>
> Graziano
>
> On Tue, 14 Apr 2020 at 15:51, marc garrett via NetBehaviour
>  <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>
> Hi Roger,
>
> Lovely to hear & see this again. Big shame we could not keep VS going,
> way ahead of its time.
>
> I also feel a bit angry towards the elites of the net art community at
> that time, such as Ars Electronica idiots, only supporting their
> institutional/academic pals, and not supporting and giving it the
> credit it really deserved.
>
> On Tue, 14 Apr 2020 at 13:06, Roger Mills  <mailto:ro...@eartrumpet.org>> wrote:
> >
> > In 2018, Ruth and Marc opened up VisitorStudio for anyone to
> record their mixes before it was finally mothballed. I was at the
> tail end of a writing project and managed to record only a few
> performances, which i am now slowly dubbing sound to picture.
> >
> > This video, Distant Presences (2007), was an audio-visual radio
> performance by Ethernet Orchestra, featuring Neil Jenkins,
> Graziano Milano and Helen Varley-Jamieson mixing in Visitors
> Studio to our live tele-improvisation.
> >
> > The program host, Brooke Olsen, took listeners through how they
> could access VisitorsStudio and watch the VJ mix, while listening
> to our performance on terrestrial radio, as well as the net
> broadcast. In turn, the musicians we were able to view the
> performance and respond to changes in the visual stream.
> >
> > We had been pursuing the concept of radio you can watch with
> Furthernoise radio in Bristol, but expanded it here to live
> networked improvisation rather than a playlist.
> >
> > It also reminded me of the innovative performances many of us
> here were doing, e.g., Dissension Convention, Month of Sundays.
> Particularly for a time in which low latency multi-directional
> networked audio was only just becoming possible.
> >
> > VisitorsStudio was so innovative for its time.
> >
> > There’s a couple more mixes to dub sound on, and I will post
> them as I have time.
> >
> > View and listen to Distant Presences https://youtu.be/n9zAcc_Uz7w
> >
> > Enjoy!
> >
> > —
> > Roger Mills
> >
> > http://www.eartrumpet.org
> > http://ethernetorchestra.net
> > http://telesound.net
> >
> > Oceans between Sound, an album of online improvisation by
> Ethernet Orchestra, Pueblo Nuevo 2020
> > <https://pueblonuevo.cl/catalogo/oceans-between-sound/>
> >
> > Author of Tele-Improvisation: Intercultural Interaction in the
> Online Global Music Jam Session. London: Springer 2019
> <https://ww

[NetBehaviour] Pandemic Party and Open Walkthrough - Monday 23rd, 9am CET, 9pm NZ

2020-03-17 Thread Helen Varley Jamieson
dear netbehaviourists,

as the pandemic craziness continues to accelerate around us, i have been
feeling the need to do something in UpStage - we have the perfect
isolation/quarantine environment! (well ok, UpStage isn't "perfect", but
it's pretty damn good and lots of fun! ;) )

so, on monday 23rd there will be a session that will be both an open
walkthrough (for newcomers to learn the basics) and a party - for the
UpStage community to get together, share the stories from wherever we
are, contemplate what all of this really means, and just hang out
together, which is always fun.

here is the event:
https://upstage.org.nz/?event=pandemic-party-and-open-walkthrough

and here is the time converter link: https://tinyurl.com/sh43w46

email me if you need a guest log-in if you don't have your own, or feel
free to come as audience.
if you do have your own log-in, please check that you have player status
on the walkthrough stage, and email me if you don't.

please take note: recently many browsers have introduced a requirement
to *manually enable the Flash plug-in *in order to enter the stage. if
the stage does not load, please look for an icon in the url bar that
will allow you to enable Flash (that's where it is in Firefox and Chrome
- it may be different in other browsers - please share if you have info
about other browsers).

i look forward to partying with you on monday,

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] can you spare some change for UpStage?

2020-03-08 Thread Helen Varley Jamieson
hi everyone,

i'm currently back in aotearoa new zealand, immersed in family stuff &
feeling a long way away from my networked artists community - but it's
good to be walking on the beach, feeding the chickens & hanging out with
old friends & relatives. & it's good to pause from that & read the
netbehaviour emails :)  i'm trying to have a sort of "freelancer's
sabbatical", if that isn't a complete oxymoron :D because the work never
really stops!

UpStage certainly hasn't stopped, even though we are in a quiet phase at
the moment as we focus on a complete rebuild of the platform. progress
is happening (visit https://github.com/upstage-org/limelight if you are
interested in the development) & we are busy working on funding
applications. meanwhile we are still doing a few things in the existing
platform, having open walkthroughs for people who want to find out how
to use UpStage for their own projects. there will be another one in the
near future (i'll try to remember to post it here, but if you're
interested you can also email me).

& we have to keep paying for our server hosting: it's only US$11.50 a
month, which we are paying from our own pockets as we currently have no
other funding & we do not charge artists for the use of UpStage. if
anyone would like to chip in a month or two, it would be much
appreciated. there is a link to donate on this page:
https://upstage.org.nz/?page_id=278

waving from the garden,

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] New Ethernet Orchestra Album published

2020-03-08 Thread Helen Varley Jamieson
congratulations, roger :)

On 05.03.20 21:42, Annie Abrahams via NetBehaviour wrote:
>
> We have been listening yesterday.
> Thanks Roger it is very nice, beautiful, stimulating, I can feel your joy.
>
> Annie
>
>
> On Wed, Mar 4, 2020 at 4:53 PM Alan Sondheim via NetBehaviour
>  <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>
> Listening to this now, really brilliant and wonderful music, so
> far with this sense of continuous extensions, planetary
> circumnavigations...
> Thank you!
>
> On Wed, Mar 4, 2020 at 6:09 AM Roger Mills  <mailto:ro...@eartrumpet.org>> wrote:
>
> Hey Everyone,
>
> Thought I’d flag our new album Oceans between Sound just
> released on Monday by the Chilean net label Pueblo Nuevo.
>
> https://pueblonuevo.cl/catalogo/oceans-between-sound/
>
> It’s a major work (double album) covering the last 4 years of
> our performances, including new performers who all bring their
> own sound to what we do.
>
> It is free to download with original artwork inspired by the
> music, which also includes on body disc prints for those of
> you who like a collectors item!
>
> Love to hear any comments or feedback !
>
> Roger
>
>
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>
>
>
> -- 
> /=/
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> //email sondheim ut panix.com <http://panix.com>, sondheim ut
> gmail.com <http://gmail.com>/
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Learn To Code

2020-02-09 Thread Helen Varley Jamieson
i do!! at least, i try to. & was feeling a bit despairing that i have
emails from 2015 still in my inbox ... but knowing that isabel had an
email from 2012 waiting to be cleared out makes me feel better! :D

On 10.02.20 07:09, Edward Picot via NetBehaviour wrote:
> What a nice email!
>
> Also, I had a look at your website and there's some really good stuff
> on there. I especially like the doodles you produce during boring
> meetings.
>
> But - cleaning out your inbox? Who does that?
>
> Edward
>
>
> On 09/02/2020 03:32, isabel brison via NetBehaviour wrote:
>>
>> Hello all,
>>
>>
>> I was cleaning out my inbox and came across this email from 8 years
>> ago. I didn't reply at the time, but I signed up for the course, did
>> it, and then started building websites (and art experiments) in my
>> spare time. Eventually I became a full time front end engineer, moved
>> to the other side of the world, and, though I'm no longer able to
>> engage in art practice as much as I would like (and that's why I've
>> been pretty quiet of late), it's still the best thing that ever
>> happened to me :D
>>
>>
>> So thanks Rob for sharing that link!
>>
>>
>> And thanks everyone for being such a wonderful web community! I don't
>> write much, but love reading the emails and seeing all your work <3
>>
>>
>> Isabel
>>
>>
>> On Sat, 7 Jan 2012 at 01:37, Rob Myers > <mailto:r...@robmyers.org>> wrote:
>>
>> http://codeyear.com/
>>
>> http://codeacademy.com/
>>
>> Learn programming via email and/or in your web
>> browser.___
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>> netbehavi...@netbehaviour.org <mailto:netbehavi...@netbehaviour.org>
>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>>
>>
>> -- 
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>>
>> http://tellthemachines.com
>>
>>
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>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] can anyone remember a project where artists were interviewed in an online shooter game?

2020-01-16 Thread Helen Varley Jamieson
hi hive mind,

can anyone out there remember a project, i guess about 10 years ago or
manybe more, where artists were interviewed inside an online shooter
game? maybe some of you were interviewed? i know i watched at least one
& i'm pretty sure it was someone like annie who was being interviewed (i
have a terrible memory, i know ... )

i met an artist who has a performance project in a multiplayer game
(http://www.leonhardmuellner.at/operation-janewalk/) & it reminded me of
that project & i was telling him about it but couldn't remember the name
of the project or who made it ... ??

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Fires in Australia

2020-01-05 Thread Helen Varley Jamieson
hi alan,

it is truly devastating & catastrophic what is happening in australia, &
outrageous that the government there continues to be so fucking stupid.
i heard that scott morrison (the prime minister, who chose to have a
hawaiian holiday in the midst of it all) would fly out to china to
discuss trade negotiations, including coal mining, immediately after
meeting with fire chiefs. his inability to make the connections is
staggering.

i have many family and friends in australia and everyone is affected in
some way; some have lost property, everyone is affected by the smoke, my
family & friends in new zealand are also seeing and breathing the smoke.
yes, an estimated half a billion birds, animals & insects have died. and
the fires are still burning, many out of control, and no end in sight.
this level of catastrophe has been predicted - but not for another
decade; everything is accelerating.

what can we do? suzon posted this list of donation links:
https://www.abc.net.au/classic/read-and-watch/news/bushfire-donations/11823676
- there are plenty of places to make financial donations & if you are in
australia there are practical things you can do to help.

we can write to scott morrison (@scottmorrisonmp on twitter) and other
australian politicians, urging them to take the climate emergency
seriously (australia is one of the worst countries in the world in terms
of climate policy:
https://www.sbs.com.au/news/australia-s-climate-change-policy-ranked-57-out-of-61-countries)

a related campaign that is well worth supporting is the long struggle
against the adani coal mine - is a major fossil-fuel extraction project
which will contribute massively to global warming as well as being
totally unethical. the queensland government illegally rescinded native
title to allow the mine to go ahead, & the wangan & jagalingou
indigenous people have been bankrupted trying to stop the mine.
https://wanganjagalingou.com.au/pledge-to-stand-with-us/
https://www.acf.org.au/email_siemens_global

it's hard to wish a happy new year in the face of all of this (not to
mention the tragic zoo fire in germany, 30 primates killed thanks to
someone's carelessness) but i can only hope that the scale of
devastation will force politicians to accept that they must act,
urgently, and that we will enter into a decade of positive change ...

h xx

On 03.01.20 20:26, Alan Sondheim wrote:
>
> (Apologies for a 2nd post today; I think the situation warrants it.
> How do we, as a community, respond to this? To the approx. 480m
> killed? To a Ballard future collapsing around us? How do we stop from
> harming ourselves, how can we act intelligently with this like this -
> on top of all the other horrors? Because this is going to spread of
> course; the ash on NZ glaciers accelerating melt. What do we do? What
> do we do as a community?)
>
>
> Fires in Australia
>
> http://www.alansondheim.org/Victoria.jpg (map)
> http://www.alansondheim.org/Victoria.mp3 (radio)
>
> In Pennsylvania, we had house-destroying floods, mine fires,
> highly polluted air. We went back and explored the area (around
> Wilkes-Barre/Kingston) last April. I've had my own things
> destroyed in floods several times, oddly including a storage
> container in Los Angeles, a closet in Providence, my parents'
> house in Kingston. But nothing, ever, like this. Reading Ballard,
> the world's future is spelled out as a scenario for now. Teaching
> "The Year 3000" back in the early 70s, I was face-to-face with
> the statistics. I've continue to talk and write and think about
> this. I was influenced by post-modern geography, and by the
> collapsed flora of the Carboniferous/Pennsylvanian, which I
> collected. I grew up negative. I've been following the fires and
> started interviewing a few people by Skype, people from eastern
> Australia. I'm trying to make sense of this, trying to find
> optimism in a situation which I see as the beginning of something
> problematic, horrifying. (I'll send the interviews out to the
> lists.) I listened late last night (here) to the radio - a short
> segment is above. The map gives some indication of locations.
>
> There was a report that 480 million animals have died in the
> fires. It's inconceivable, as is the number.
>
> Best, hopefully, Alan
>
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Re: [NetBehaviour] "Networked Conversations as Activism"

2019-12-10 Thread Helen Varley Jamieson
 a survival
> imperative.  It seems likely to be a necessary but not sufficient
> condition of addressing many of society's greatest challenges, not
> guaranteeing success by itself but being a crucial element of
> solutions, improvements, and ameliorations.  Open conversation has
> always been under threat by social censorship, so in many cases a
> judicious caution is pragmatic.  Some theory has argued that open
> conversation is a false goal, because interactions are always
> determined by power relations.  I don't believe that to be an absolute
> truth however, and open equal communication can occur, if only
> episodically, even where there are power imbalances (often this is
> achieved situationally by obtaining a suspension of hierarchy among
> the conversational participants).  The nature of complexity (and
> recent time theory) means that equality is only ever approximated and
> time-bound, therefore better described as "equivalency" which is time-
> and context- specific.  Where power imbalances and hierarchy dominate
> the conversation, whether consciously or unconsciously,it's not really
> conversation but coerced scripting.  Even in such contexts small
> episodes of true conversation, even one word, can emerge and usually do.  
>
> Judging by the state of things it is easy to call conversation a
> fool's illusion, but there may be a temporal obligation to keep
> attempting it even if it is impossible just in case it isn't.  
>
> Best regards,
>
> Max
>
>
> 
> *From:* Helen Varley Jamieson 
> *Sent:* Monday, December 2, 2019 4:25 AM
> *To:* Max Herman ; NetBehaviour for networked
> distributed creativity 
> *Subject:* Re: [NetBehaviour] "Networked Conversations as Activism"
>  
>
> hi max,
>
> thanks for reading & responding :)
>
> i can't speak for all of the performers & participants, but for me the
> conversation is part of the whole event, therefore part of the
> performance / art / activity. it's preceded by a cyberformance which
> is definitely an artistic action, and the intention is that the
> cyberformance part of the event informs the conversation part of the
> event by provoking, questioning, challenging, shifting, encouraging
> participants to open up their thinking, to hear other points of view,
> to engage in discussion rather than argument. in many contexts our
> conversations have become very combative, about trying to convince
> others to agree and believe in the same things as we do, rather than
> actually listening, sharing, thinking. i try to approach the topics as
> openly as possible, drawing material for the cyberformance from a wide
> range of sources and involving individuals and groups who have
> different perspectives in creating and presenting the cyberformance.
> it can become a complex, layered collage, which demands a lot of focus
> from the audience & is often other than their expectations. so before
> the conversation begins, they have been shifted somewhat, & this means
> that the conversation starts from somewhere different. so yes, a
> change of consciousness can occur; even if it's a small & subtle
> change, it can niggle away under the skin like a tiny splinter & lead
> to longer term changes in individual's thinking and approach. these
> things are pretty impossible to measure, i'm basing my thoughts mostly
> on personal feedback from colleagues or associates who, years after
> participating in one of these events, mentions the ongoing effect it's
> had. it's personal & small-scale but i believe longer-lasting &
> ultimately highly impactful. there are also the further conversations
> that participants have beyond the event, & the ripples those cause,
> that i don't always know about but they do happen.
>
> the global-local connection is important because it brings unexpected
> contributions & this stops us from falling into familiar patterns.
> sometimes it's surprising to learn that things are almost exactly the
> same in different places, & other times things are totally different.
> the conversation goes between the universal & the particular, &
> somehow in this balance there is an openness & understanding. i like
> your image of unknotting, it's very fitting - we can become so knotted
> up in our own realities that we need someone or something from
> somewhere far away to be able to see where the knot needs to be picked
> at to loosen it up & undo it.
>
> i've written a book chapter that explores these methods & projects in
> more detail if anyone is interested in reading further, it's in
> "Convergence of Contemporary Art, Visual Culture and Global Ci

Re: [NetBehaviour] Saturday 7th, Distant Feeling(s) #7 - join us

2019-12-10 Thread Helen Varley Jamieson
hi joumana,

i'm not in london but i'm interested in this. is there an online link?
any live online discussions? or where can we find documentation afterwards?

& if you are wanting to use or refer to any of my work of course it is
fine :)

thanks,

h : )

On 04.12.19 15:18, Joumana Mourad wrote:
> Dear Annie and everyone on this group, next week IJAD is leading a
> round table discussion around Performances in the Digital space, can I
> use some of your work so we can talk about it?
> On the other hand if anyone in London is interested we have 2 more spaces.
>
> Kindest 
>
> This round table is looking at bringing the performing arts
> communities, (dance, circus, parkour, theatre, musicals,
> etc..)together to stimulate debate in an area which has increasing
> relevance and provides increasing opportunity for audience reach and
> engagement.
>
> Open Online Theatre invites forward-thinking performing artists,
> producers and journalists to join 1 or all 3 round table discussions
> about the impacts of live digital performance on practice, and how it
> re-configures audience engagement and monetisation of work. We seek
> people with a demonstrable interest in the above questions, as part of
> the development of an upcoming evaluation stage where artists gain
> training and opportunities to live stream work.
>
> Those selected will be given the equivalent of a month’s live
> streaming on a dedicated channel.
> Please send your application to he...@ijaddancecompany.com
> <mailto:he...@ijaddancecompany.com> with Round Table Application and
> your name in the subject line.
>
> Date: 10 December 2019 – 14:00 to 16:30
> Further round tables in February and April 2020
>
>> On 4 Dec 2019, at 14:08, Annie Abrahams via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>>
>> 
>>
>> We invite you to join us in our *annual re-activation* of Distant
>> Feeling(s)*.
>> We will once again share time together, online, *without speaking and
>> with our eyes closed*.
>> *
>> *
>> *Distant Feeling(s) #7* will happen through a video-conferencing
>> session in zoom** at the following url: https://zoom.us/j/5950825099  
>> *
>> *
>> *Saturday Dec. 7th* 6:00 - 6:15 PM GMT+1 (Paris time)
>> Find your local time
>> <https://www.timeanddate.com/worldclock/fixedtime.html?iso=20191207T06=195>.
>> If possible join 5minutes before...
>> *
>> *
>> *Online.
>> Open to all.
>> Duration 15 min.*
>>
>> A silent, yet sentient, relational encounter. A telematic embrace
>> where nothing seems to happen and where the lack of action is
>> precisely its potential for fighting alienation.
>> We are performing absentia within the network, while the network is
>> functioning.
>> We research togetherness through the Internet as a way to counter its
>> fallacy which drives the (im)possibility of collective strength.
>> Can we find novelty in an already established system, and act from
>> within, towards (an)other purpose(s)?
>>
>> *Distant Feeling(s) is a project by Annie Abrahams, Lisa Parra and
>> Daniel Pinheiro. More information bram.org/distantF
>> <http://bram.org/distantF> and landproject.tumblr.com
>> <https://landproject.tumblr.com/post/188860558794/performing-absence-to-master-the-medium-merci>
>> **If you want to join you need to install the zoom application on
>> your device. Free download
>> from https://zoom.us/download#client_4meeting and connect to meeting...
>>
>> Hoping some of you will join us
>> Annie and Daniel
>> ___
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>> <mailto:NetBehaviour@lists.netbehaviour.org>
>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
> Joumana Mourad
> Artistic Director
> Tel: 07930 378 639
> joum...@ijaddancecompany.com <mailto:joum...@ijaddancecompany.com>
> IJAD Dance Company
> Registered Charity: 1080776 
> www.ijaddancecompany.com <http://www.ijaddancecompany.com/>
> @IJADdance
> Facebook: IJAD Dance Company page
> Curator:http://www.openonlinetheatre.org
> <http://www.openonlinetheatre.org/>
>
> Support IJAD
> https://www.giveasyoulive.com/join/IJAD
>
> To join our mailing list please subscribe
> at: http://ijaddancecompany.com/contact/
>
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] "Networked Conversations as Activism"

2019-12-02 Thread Helen Varley Jamieson
this approach to have a lot of elegance and
> relevance but it doesn't seem to fit most typical definitions. 
> Frankfurt school communicative theory sort of relates, but I'm not
> sure that Marx or Freud really do.  Postructuralist theory sometimes
> seems unnecessarily complex to me and perhaps obfuscating.  You can
> get a lot of complexity and change, perhaps sufficient, from rather
> simple "ingredients" like those you describe.  Certainly the natural
> world has tremendously complex and adaptive, innovative capacity with
> arguably no theory whatsoever. 
>
> Rambling now, but knot-riddled shoulder (I have device-shoulder
> symptoms lately) makes me think there is a vocabulary of nodes or
> topics, topoi, which come up in conversation but are often knotted. 
> Your method seems well designed to ameliorate these, and I think there
> may be a larger historical era calling for this.  It would be
> something like a network-literate set of manners for each node,
> methods that defer the fight/flight fixity that freezes up the knots. 
> The nodes roughly correlate to the spheres or disciplines of
> knowledge, so each discipline would need a conversible
> network-orientation to be achieved, plus popularly known or at least
> to those in conversation.  These would be site specific somewhat or
> situational, so I think your reference to situation is very relevant.
>
> I do think the core method you have of conversation is the key though,
> say a general network intelligence method, which can be applied to all
> particular methods and help elucidate them.  For example network
> genetics, network biology, network dramaturgy, network math, etc.
>
> Thanks for the very interesting article and link,
>
> Max
>
>
> 
> *From:* NetBehaviour  on
> behalf of Helen Varley Jamieson 
> *Sent:* Wednesday, November 27, 2019 8:40 AM
> *To:* NetBehaviour for networked distributed creativity
> 
> *Subject:* [NetBehaviour] "Networked Conversations as Activism"
>  
>
> my article "Networked Convesrations as Activism" was recently
> published in the latest issue of Interact, a portuguese online
> magazine for art, culture & technology. the article discusses the use
> of cyberformance and networked conversations to encourage critical
> thinking & civic engagement. (it's in english).
>
> https://interact.com.pt/30-31/networked-conversations-as-activism/
>
> the theme of the issue (30-31) is art, activism and digital networks,
> & it also includes a review (in english) of the cyberformance "Letters
> to the Earth" which we did in april this year
> (https://interact.com.pt/30-31/letters-to-the-earth/). there are lots
> of other interesting-looking articles, if you can read portuguese.
>
> h : )
>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] FurtherList No.15 Nov 29th 2019 ️‍♂️

2019-12-02 Thread Helen Varley Jamieson
great, marc :)

On 30.11.19 11:54, marc.garrett via NetBehaviour wrote:
> Hi Gill,
>
> Thanks for that. next week I will compile a page where all the past
> FurtherLists can be on one page and also updated as time goes by. We
> are still in the process of moving over a lot of data/archive,
> material over form the last website/server, which has taken ages.
>
> But, what this means is that certain facilities such as this community
> resources, and other things will start taking shape soon :-)
>
> Wishing you well.
>
> marc
>
> Sent with ProtonMail <https://protonmail.com> Secure Email.
>
> ‐‐‐ Original Message ‐‐‐
> On Friday, November 29, 2019 4:43 PM, Gill Davies
>  wrote:
>
>> Thanks for sharing this, Marc. All the best!
>>
>> On Fri, 29 Nov 2019 at 16:00, marc.garrett via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>>
>> FurtherList No.15 Nov 29th 2019 ️‍♂️
>>
>> A list of recommendations, reflecting the dynamic culture we are
>> part of, straddling the fields of art, technology & social change
>>   https://buff.ly/2XXq3LK - Please share with
>> others :-)
>> ⠀⠀
>> Exhibitions, Events & Conferences, Books, Articles & Interviews.
>> Collected by the ever curious, Marc Garrett - Director of
>> Furtherfield.
>>
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>
>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
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Re: [NetBehaviour] a video for Distant Feelings with voice recording by Marc and Ruth

2019-11-20 Thread Helen Varley Jamieson
yes it's a great project, & i found it really interesting to hear your
voices while watching the images, it becomes another work again :)

On 20.11.19 15:26, Ruth Catlow via NetBehaviour wrote:
> Apologies for the delayed response Annie.
>
> I've participated in a couple of these performances as a "listener"
> and to watch closed-eyed listeners is very interesting - highlighting
> the mutual or otherwise interior experiences of the physically distant
> collaborators.
>
> I am always amazed at how quickly it became so normal to communicate
> globally in the way we have since net. No wonder we are in such
> trouble - we humans expect to just be able to handle this huge shift
> in sociality without trouble or glitch.
>
> The script of the spoken part gives some indication of the divergence
> of reflections of participants.
> I did have mixed feelings about hearing Marc's and my voices noisy
> over the top of this image... but for the funny reason of feeling that
> it was a transgression of the pact between other participants. 
>
> I particularly like this series of works. Thanks for inviting us to
> participate in this special version and for sharing it here.
>
> x
> Ruth
>
> On Fri, Nov 8, 2019 at 2:27 AM Alan Sondheim via NetBehaviour
>  <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>
> This is wonderful and it oddly came in my feed in relation to
> JSTOR's carrying an article with images from Nadir of the Paris
> Catacombs. The differences are enormous of course but there's a
> kind of meditative silence in both, a kind of 'uncanny smoothness'
> that inhabits them. The video work is so amazing, meditative,
> calming, spacing.
> Thanks, Alan
>
> On Thu, Nov 7, 2019 at 11:17 AM Annie Abrahams via NetBehaviour
>  <mailto:netbehaviour@lists.netbehaviour.org>> wrote:
>
> *Distant Feeling(s) [commented]* the video is a screencapture
> of *Distant Feeling(s) #6* combined with a recording of *Marc
> Garrett* and *Ruth Catlow* reading a remix of comments on
> previous iterations of Distant Feeling(s).
> We are very proud of this video and thank all who contributed
> to it.
> https://vimeo.com/371422313
>
> We hope you will enjoy it.
> 
> #distantfeelings#networkedperformance#postperformance#videovortex#onlinevideoaesthetics#performingabsence#onlinetogetherness
> #telematicembrace #relationalrevolution
>
> Thanks for watching
> Annie and Daniel
>
> Distant Feeling(s) is a project by Annie Abrahams, Lisa Parra
> and Daniel Pinheiro
>
> More information:
> bram.org/distantF/ <https://bram.org/distantF/>
> 
> landproject.tumblr.com/post/188860558794/performing-absence-to-master-the-medium
> 
> <http://landproject.tumblr.com/post/188860558794/performing-absence-to-master-the-medium>
>
>
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>
>
> -- 
> /=/
> /directory http://www.alansondheim.org tel 718-813-3285
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>
>
> -- 
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
> Furtherfield is a Not-for-Profit Company Limited by Guarantee
>
> Registered in England and Wales under the Company No.7005205.
>
> Registered business address: Carbon Accountancy, 80-83 Long Lane,
> London, EC1A 9ET.
>
>
>
>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
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[NetBehaviour] UpStage at the Wrong Biennial, and other news

2019-11-14 Thread Helen Varley Jamieson
Hi everyone,

UpStage is delighted to have been selected by curator and digital artist
Maja Kalogera for inclusion in "it does not matter, I will eat it cold!
<https://itdoesnotmatteriwilleatitcold.tumblr.com/about>", the pavillion
she has curated for the Wrong Biennial. Kalogera reflects on the early
days of the internet, comparing it to kids playing at the beach and not
wanting to come in for lunch. The artworks will be shown in Art 836 G
Gallery, Zagreb, as an embassy of The Wrong from 1-15 December, as well
as being part of The Wrong Biennial online from 1 November 2019 to 1
March 2020. Read more here: https://upstage.org.nz/?p=8253

In September, Christina Papagiannouli presented "Waiting for Brexit
<https://upstage.org.nz/?event=waiting-for-brexit-by-the-etheatre-project>"
at TaPRa 2019, Exeter University, and in January Helen Varley Jamieson
will present UpStage in a talk at Stuttgart Filmwinter
<https://filmwinter.de/>.

If you've been to the UpStage website <https://upstage.org.nz/> lately
you will have noticed a few changes - thanks to Eisa Godoy de Castro
Guerra, who has come on board as a designer following our presentation
at the Libre Graphics Meeting in May. She has refreshed our logo, made
many improvements to the website, and is working on interface design for
Limelight.

Speaking of Limelight, which is the complete rebuild to replace our
antique UpStage platform - things are moving along behind the scenes.
Watch this space for more details, and if you're interested in getting
involved, you can contact us and check things out on Github:
https://github.com/upstage-org/limelight

helen : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
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[NetBehaviour] Reading Nauru Files 2019

2019-07-17 Thread Helen Varley Jamieson
I am participating as a reader in this 24h event on Facebook this Friday
(might start on Thursday for some). Your attendance/support on the day
would be greatly appreciated by the 70+ readers from around the world.

READING THE NAURU FILES 2019

>From 9am Nauru Time on 19 July until 9am on 20 July 2019 – ATTENTION:
time and day will vary according timezones – people from around the
world will read the leaked reports contained within The Nauru Files as
part of a 24-hour networked performance live streamed on this Facebook
event page: https://www.facebook.com/events/320063375568971

Please note that the date and time of the performance will vary
depending on your location. To check/convert the date and times into
your timezone, please this online time zone converter:
http://bit.ly/32j4lDW 

Feel free to share the event amongst your networks
https://www.facebook.com/events/320063375568971




INFORMATION ON THE PROJECT
READING THE NAURU FILES 2019

The Nauru Files are leaked reports from staff (Save the Children
teachers, caseworkers, recreational staff and some may have been written
by security) relating to abuses, self-harm, and neglect of refugees,
including children, who have been detained for 6 years and indefinitely
by the Australian Government. Refugees and people seeking asylum who
tried to reach Australia by boat on or after the 19th of July 2013 were
deported by the Australian government to camps on Nauru and Manus
Islands (3-4.500km away from Australia). Currently, 12 people have died
and mental health has reached alarming and catastrophic levels on both
prison-islands.

This networked performance commemorates 6 years to the day of the
“indefinite detention” of people who attempted to arrive by boat to
Australia since the 19th of July 2013 and have been sent into “offshore
processing centres” on Nauru and Manus islands.

By reading this document we hope to urge the Australian politicians to:
- Close the camps
- Bring people to Australia to be processed fairly and swiftly
- Speak to and about refugees and people seeking asylum with respect and
humanity, respecting the Rule of Law, the International Human Rights
Chart, the 1951 International Refugee Convention & 1967 Protocol. 

This networked performance builds on previous Reading the Nauru Files
networked performances, which were:
– A 24h networked performance live on Facebook with 50 people from
around the world on the 19 July 2018 commemorating 5 years of
"indefinite detention"
https://www.facebook.com/events/281177502625005 and
http://suzonfuks.net/reading-nauru-files-2018

– An 18h networked performance live on Facebook by James Cunningham and
Suzon Fuks on 19 July 2017 commemorating 4 years of “indefinite detention”
http://suzonfuks.net/reading-nauru-files-2017

==
The Nauru Files were first published publicly by the Guardian and are
available online https://www.theguardian.com/news/series/nauru-files 
==

During the event, we will be using the hashtags
#NauruFilesLive as well as 
#6YearsTooMany #CloseTheCamps #LetThemGo
 

*START DATES IN SOME TIME ZONES ON THE 19th OF JULY:*

- Nauru Time, NRT (UTC + 12) - Fri, 19 Jul 2019 @ 09:00

- Brisbane, Australia AEST (UTC + 10) - Fri, 19 Jul 2019 @ 07:00

- Moscow, Russia MSK (UTC +3) - Fri, 19 Jul 2019 @ 00:00

- Tokyo, Japan JST (UTC + 9) - Fri, 19 Jul 2019 @ 06:00

- Beijing, China CST (UTC + 8) - Fri, 19 Jul 2019 @ 05:00


*START DATES IN SOME TIME ZONES ON THE 18th OF JULY:*

- Los Angeles, USA PDT (UTC – 7) - Thur, 18 Jul 2019 @ 14:00

- Coordinated Universal Time (UTC) - Thur, 18 Jul 2019 @ 21:00

- New York, USA EDT (UTC - 4) - Thur, 18 Jul 2019 @ 17:00

- London, UK BST (UTC + 1) - Thur, 18 Jul 2019 @ 22:00

- Paris, France CEST (UTC +2) - Thur, 18 Jul 2019 @ 23:00




READERS' NAMES: Alice Owen, Alisi Liva-liva, Alison Cornyn, Alison
Jeffers, Alister Lownie, Amaranta Osorio, Anna Fairley, Anthea
Falkenberg, Beth Weinstein, Billy Shannon, blackrose flower, Brian
Cavanagh, camilla boemio, Carol Humber, Charlotte Parallel, Cherry
Truluck, Claire Oconnor, constanza, Daniel Pinheiro, Dulce Munoz, Ed
Mortimer, Elisabeth Lebailly, Erin Beatson, Frederika Tsai, Greg
Giannis, Helen Varley Jamieson, isabelle arvers, James Cunnigham,
Janaina Matter, Jazmin Ochoa, Julie Chenery, Julie Vulcan, Kaylah Amiga,
Kara Beavis, Karenza Ebejer, Katarina Djordjevic Urosevic, Kathleen
Janne Tuimaseve and students: Tristan, Raven, Liam, Nick, Eli, Paige,
Tahlia and Brooke (Noosa Christian College, yr 11), Leah Shelton, Lena
John Gomez, Lisa Kelly, Lyn Cunningham, Molly Hankwitz, Nasim Khosravi,
Ola Johansson, Pali Singh, Patrick Lichty, Rita Marcalo, robin
taubenfeld, Sandra Muller, Scotia Monkivitch, Sonja van Kerkhoff,
Stephanie Dick, Susan Reid, Suzon Fuks, Therese Collie, Thida Mwin,
Tracey M Benson, Trudy Hairs, Victoria Bansey, William Fishe

Re: [NetBehaviour] This is remarkable - webcam on pond

2019-04-27 Thread Helen Varley Jamieson
yes, beautiful :)

On 27.04.19 08:26, Julian Brooks wrote:
> Also beautiful sounding - been listening for hours...
>
> On 27/04/2019 02:56, Alan Sondheim via NetBehaviour wrote:
>> https://www.looduskalender.ee/n/en/node/3341#cam
>>
>> Do check this out - we've been watching for weeks now. At one point I 
>> raised a pond in an aquarium - but this takes my breath away. It seems 
>> very relevant to DIWO in the world.
>>
>> Best, Alan
>>
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helen varley jamieson

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http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Online Performance: "Letters to the Earth", Friday 12 April 21:00 CET, UpStage

2019-04-12 Thread Helen Varley Jamieson
great!! the link to the stage will be live later this afternoon
(european time), a few hours before the performance, so you can go in to
the stage & make sure it loads for you. it can take a couple of minutes
to load the first time you enter.

if it doesn't load, it will be something to do with flash. you may need
to upgrade the version of flash in your browser. UpStage should work
with any browser, but we know it's not great with IE. most of us are
working in firefox or chrome.

we just had a rehearsal & we have a lot of really great material, if the
goddesses of the internet smile on us tonight it will be a great show :)

h : )

On 11.04.19 22:29, Alan Sondheim wrote:
>
>
> Will try to be there as well, thanks!
>
> Best, Alan
>
> On Thu, 11 Apr 2019, Edward Picot via NetBehaviour wrote:
>
>> Thanks for posting this, Helen. I'll certainly try to watch.
>>
>> Edward
>>
>>
>> On 11/04/2019 14:35, Helen Varley Jamieson wrote:
>>
>>   A Cultural Response to the Climate and Ecological Emergency
>>
>>   Join us online on the 12th of April in this global live reading
>>   of letters from humans to the Earth, coinciding with the
>>   Global?Youth Strike for Climate and as part of the lead up to
>>   Extinction Rebellion?s International Rebellion.
>>
>>   When: Friday 12 April, 9pm - 11pm CET. Find your local time
>>   here.
>>   Where: There will be a link to the live stage here, shortly
>>   before the performance begins.
>>
>> We are facing an unprecedented global emergency, the planet is in
>> crisis and we are in the midst of a mass extinction event. Scientists
>> believe we have entered a period of abrupt climate breakdown. Carbon
>> emissions and temperatures keep rising; ecological collapse has begun.
>> On this course we are likely?to see abrupt and irreversible devastation.
>> The time for denial is over ? we know the truth about climate change. It
>> is time to act.
>>
>> Letters to the Earth is a joint day of action on Friday 12 April 2019:
>> letters written by people from around the world will be read out at
>> theatres, arts venues, community spaces around the UK, and online in
>> UpStage. The pieces will then be made rights free and available for
>> anyone to download and present anywhere in the world from 15th ? 28th
>> April, coinciding with the International Extinction Rebellion and
>> School Strike For Climate. These pieces could be taken up to be
>> presented and performed globally, when hundreds of thousands of people
>> will be taking to the streets worldwide to demand that governments
>> tell the truth about climate collapse and act accordingly.
>>
>> The readings in UpStage will be performed by Clara Gomes, Miljana Peri?,
>> Katarina Djordjevi? Urosevi?, Lyn Cunningham, Suzon Fuks and Helen
>> Varley
>> Jamieson.
>>
>> Please remember: UpStage does not work on tablets or smartphones as it
>> requires Flash to deliver everything to the browser. We are working on
>> a new platform that doesn?t require Flash, but it takes time and money!
>> (If you can help us, please donate to UpStage.)
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com
>> http://www.creative-catalyst.com
>> http://www.upstage.org.nz
>>
>>
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>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>>
>>
>>
>
> web http://www.alansondheim.org / cell 347-383-8552
> current text http://www.alansondheim.org/wb.txt
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http://www.creative-catalyst.com
http://www.upstage.org.nz

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[NetBehaviour] Online Performance: "Letters to the Earth", Friday 12 April 21:00 CET, UpStage

2019-04-11 Thread Helen Varley Jamieson
A Cultural Response to the Climate and Ecological Emergency

Join us online on the 12th of April in this global live reading of
letters from humans to the Earth, coinciding with the Global Youth
Strike for Climate and as part of the lead up to Extinction Rebellion’s
International Rebellion.

When: Friday 12 April, 9pm - 11pm CET. Find your local time here
<https://www.worldtimeserver.com/convert_time_in_DE.aspx?y=2019=4=12=21=0>.

Where: There will be a link to the live stage here
<https://upstage.org.nz/?event=letters-to-the-earth>, shortly before the
performance begins.

We are facing an unprecedented global emergency, the planet is in crisis
and we are in the midst of a mass extinction event. Scientists believe
we have entered a period of abrupt climate breakdown. Carbon emissions
and temperatures keep rising; ecological collapse has begun. On this
course we are likely to see abrupt and irreversible devastation. The
time for denial is over – we know the truth about climate change. It is
time to act.

Letters to the Earth <https://www.letterstotheearth.com/> is a joint day
of action on Friday 12 April 2019: letters written by people from around
the world will be read out at theatres, arts venues, community spaces
around the UK, and online in UpStage. The pieces will then be made
rights free and available for anyone to download and present anywhere in
the world from 15th – 28th April, coinciding with the International
Extinction Rebellion <https://rebellion.earth/> and School Strike For
Climate. These pieces could be taken up to be presented and performed
globally, when hundreds of thousands of people will be taking to the
streets worldwide to demand that governments tell the truth about
climate collapse and act accordingly.

The readings in UpStage will be performed by Clara Gomes, Miljana Perić,
Katarina Djordjević Urosević, Lyn Cunningham, Suzon Fuks and Helen
Varley Jamieson.

Please remember: UpStage does not work on tablets or smartphones as it
requires Flash to deliver everything to the browser. We are working on a
new platform that doesn’t require Flash, but it takes time and money!
(If you can help us, please donate to UpStage
<https://upstage.org.nz/?page_id=278>.)

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] bees on the balcony :)

2019-04-05 Thread Helen Varley Jamieson
i've tried garlic water in the past with pretty limited results;
cleaning with warm mild soapy water seems to be more effective altho
maybe because i'm physically removing the little critters. i haven't
tried tobacco - don't have any! & not many friends who are still smoking
but i'll find someone to cadge a ciggie off & give it a go. thanks,

h : )

On 04.04.19 18:11, Ricardo Ruiz via NetBehaviour wrote:
> you can infuse some tobacco in water during 24 hours and spray it over
> the plants
> no damage for the plants or its flavour
>
>
>> Em 4 de abr de 2019, à(s) 12:49, Paul Hertz via NetBehaviour
>> > <mailto:netbehaviour@lists.netbehaviour.org>> escreveu:
>>
>> Garlic mixed with water spray is an old folk remedy for aphids,
>> though ymmv. 
>>
>> -- Paul 
>>
>> On Thu, Apr 4, 2019, 9:43 AM Helen Varley Jamieson
>> mailto:he...@creative-catalyst.com>> wrote:
>>
>> just wanted to report some good ecological news: moving the
>> insect hotel to the sunnier end of the balcony has had a pretty
>> immediate effect - lovely black and dark orange native bees are
>> busy coming in & out of the little bamboo tubes & doing their
>> things inside. thanks for the tip, mez! :)
>>
>> not so great is the population explosion of aphids on the basil &
>> little black fly thingies on the mint & the rucola. hopefully my
>> digital control methods (slaughter by finger squishing) & some
>> water spraying will stop them from getting out of control until
>> the ladybirds & hoverflies discover this new fast-food outlet ...
>>
>> h : )
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com <http://www.creative-catalyst.com/>
>> http://www.upstage.org.nz <http://www.upstage.org.nz/>
>>
>> ___
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>> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
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>
>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] fwd: Letters to the Earth

2019-04-01 Thread Helen Varley Jamieson
thanks for forwarding this edward. it looks like a good thing to
participate in.

i recently came across https://www.missionlifeforce.org/, initiated by
lawyer polly higgins who is working to make ecocide a crime punishable
in the international courts. not specifically arts-related but it seems
like a really concrete positive thing to do.

On 28.03.19 16:08, Edward Picot via NetBehaviour wrote:
>
> This just came to me via email:
>
> 'We are facing an unprecedented global emergency, the planet is in
> crisis and we are in the midst of a mass extinction event. Scientists
> believe we have entered a period of abrupt climate breakdown. Carbon
> emissions and temperatures keep rising; ecological collapse has begun.
> On this course we are likely to see abrupt and irreversible
> devastation. The time for denial is over – we know the truth about
> climate change. It is time to act.
>
> ​
>
> This is an invitation to write a letter of response to this crisis.
> This could be a letter to or from the Earth, future or past
> generations, those who hold positions of power and influence, other
> species. The idea is open to interpretation: it can come from a
> personal place, be dramatic in form, be a call to action.
> The invitation is open to all - to think beyond the human narrative
> and to bear witness to the scale and horror of this crisis. This is an
> opportunity to ask how this existential threat affects the way we wish
> to live our lives and the action we take.'
>
> The full call-out is at https://www.letterstotheearth.com/ but the
> deadline is 12 midnight on 29th March, ie. tomorrow - so if you want
> to act, act now!
>
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] gender, feminisms, queer studies

2019-03-21 Thread Helen Varley Jamieson
that is great! :)

On 18.03.19 10:35, Renee Turner wrote:
> Wow… that’s awesome. Thanks!
>
> Renée Turner 
>
>
>
>
>> On Mar 18, 2019, at 10:23 AM, AGF poemproducer > <mailto:a...@poemproducer.com>> wrote:
>>
>> hi all, in case it interests you, huge ebooks archive ;O
>>
>> gender, feminisms, queer studies
>> https://drive.google.com/drive/folders/19pGxfy4vbRyUkdxb8DJnkkqEFwMepGun
>>
>> love
>> agee
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> sound & curation
>>
>> AGF: @poemproducer
>> http://process.poemproducer.com/
>>
>> www.antyegreie.com
>> www.poemproducer.com
>> https://soundcloud.com/agf-antye-greie
>> https://agf-poemproducer.bandcamp.com/
>>
>>
>> DOCUMENTATION: #sonicwilderness #nusasonic
>> "a line of women in the rice field,
>> sonifying the mathematics of labour, rows, mud and space”
>> nusasonic.poemproducer.com
>>
>> AGF & Various ::: DISSIDENTOVA
>> http://dissidentova.poemproducer.com/
>> https://agf-poemproducer.bandcamp.com/album/dissidentova
>>
>> #unlisteningwhitefeminism
>> https://soundcloud.com/ctm-festival/unlisteningwhitefeminism
>>
>> ZANSUSPENSION w Afghan performance artist Kubra Khademi
>> https://vimeo.com/channels/poemproducer/240798694
>>
>>
>> _______
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
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Re: [NetBehaviour] question/s for the list

2019-03-14 Thread Helen Varley Jamieson
hat point of view I
> think we need a united Europe rather than a divided one. The worst
> thing about this whole Brexit mess is that it's distracting us
> from the things we really ought to be focussed on, and at the same
> time it's demonstrating more and more clearly how horribly
> inadequate the Parliamentary system is, as a means of dealing with
> anything that requires a bit of applied intelligence.
>
> Edward
>
>
> On 12/03/2019 17:49, Julian Brooks wrote:
>> One take, amongst many no doubt:
>> It's a bloody disaster (basically) - economically, culturally,
>> psychologically. Any-ology.
>> While there's a very strong argument that the European Commission
>> is not much more than the lapdog of hypercapital, the European
>> Union is a wonderful thing and I am still in shock that we appear
>> to be leaving (& maybe even taking this grand experiment down
>> with us).
>>
>> Nonetheless there's some heavy politics plating itself out today,
>> and the opposition (Labour really) were last week very clear to
>> let the Tories destroy themselves, distraction free.
>>
>> There's been growing momentum for a final Peoples Vote on either
>> May's deal or Remain - this scenario looks likelier by the
>> moment. I would also still presume that if an election is called,
>> both Labour and Conservative will still call for Brexit.
>>
>> This whole shitshow is a way off being resolved IMO - and tbh I
>> don't think we can ever go back. Equally, many of our Euro
>> partners are very understandably heartily sick of us as a nation.
>> And who can blame them, I feel the same.
>>
>> My €2 anyhow...
>>
>> Julian
>>
>> P.S. The BBC is sadly not a news org anymore, they only deal in
>> propaganda (think Fox w. Manners:)
>>
>>
>>
>>
>>
>>
>>  Original Message 
>> On 12 Mar 2019 17:22, Alan Sondheim < sondh...@panix.com
>> <mailto:sondh...@panix.com>> wrote:
>>
>>
>>
>> I've been watching Brexit debates in Parliament on and off
>> for months and
>> months and have some questions here -
>>
>> The main being why another referendum isn't being called.
>> Parliament's in
>> a mess; Brexit's already losing money and will lose research
>> and cultural
>> possibilities as well. It also seems that the public didn't
>> really
>> understand the issues at the time of the referendum - and
>> that most people
>> don't understand them now.
>>
>> How does this work with DIWO?
>>
>> These questions might seem naive, but I'd like to hear what
>> the arts etc.
>> communities - what any communities - are thinking about this.
>> How does
>> this effect small towns? Women? Cultural exchanges? Are
>> artists involved
>> in protesting one way or another? It seems from the outside
>> that a second
>> referendum is in order - is there any call for this from cultural
>> institutions? Apologies for naivete here; most of the
>> information we get
>> from BBC is from parliamentary debates or talking heads on CNN...
>>
>> Thanks, Alan
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http://www.creative-catalyst.com
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Re: [NetBehaviour] CyPosium website back online

2019-03-06 Thread Helen Varley Jamieson
great! :)

On 06.03.19 12:03, marc.garrett via NetBehaviour wrote:
> Thanks Helen,
>
> Good to know. A very important archive.
>
> Also glad it's up, because I wrote about The CyPosium in my PhD ;-)
>
> Wishing you well.
>
> marc
>
> Marc Garrett
>
> Co-Founder, Co-Director and main editor of Furtherfield.
> Art, technology and social change, since 1996
> http://www.furtherfield.org
>
> Furtherfield Gallery & Commons in the park
> Finsbury Park, London N4 2NQ
> http://www.furtherfield.org/gallery <http://www.furtherfield.org/gallery>
> Currently writing a PhD at Birkbeck University, London
> https://birkbeck.academia.edu/MarcGarrett
> Just published: Artists Re:thinking the Blockchain
> Eds, Ruth Catlow, Marc Garrett, Nathan Jones, & Sam Skinner
> Liverpool Press - http://bit.ly/2x8XlMK
>
> Marc Garrett – Unlocking Proprietorial Systems for Artistic Practice.
> Posted in Journal Issues, Research Values. VOLUME 7, ISSUE 1, 2018
> http://www.aprja.net/unlocking-proprietorial-systems-for-artistic-practice/
>
> Furtherfield Editorial – Border Disruptions: Playbour & Transnationalisms.
> https://www.furtherfield.org/editorial-border-disruptions-playbour-transnationalisms/
>
>
> Sent with ProtonMail <https://protonmail.com> Secure Email.
>
> ‐‐‐ Original Message ‐‐‐
> On Wednesday, 6 March 2019 09:01, Helen Varley Jamieson
>  wrote:
>
>> hi folks,
>>
>> some of you may remember that back in 2012 we held The CyPosium - a
>> one day (12 hours) online symposium on cyberformance. it was a great
>> event with a lot of participants & generated a lot of really useful
>> material about the development of cyberformance and live online
>> performance in general. this was all documented on the website and in
>> a book.
>>
>> recently the website went offline for a while due to the end of a
>> free hosting arrangement, but i'm happy to announce that it's now all
>> back online at https://www.cyposium.net/, where you can find:
>>
>> - screen recordings & chat logs of 10 presentations from artists &
>> researchers (including many netbehaviourists)
>> - screen recordings & chat logs of 3 discussions
>> - links to additional material provided by the presenters
>> - link to CyPosium - The Book, in several formats - free to read
>> online or download as a pdf, & available to buy as a hardcopy.
>>
>> the site is a valuable resource of information for artists & anyone
>> researching the field, as it documents work from the 90s and earlier
>> that isn't widely known about.
>>
>> enjoy!
>>
>> h : )
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com
>> http://www.upstage.org.nz
>
>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
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[NetBehaviour] CyPosium website back online

2019-03-06 Thread Helen Varley Jamieson
hi folks,

some of you may remember that back in 2012 we held The CyPosium - a one
day (12 hours) online symposium on cyberformance. it was a great event
with a lot of participants & generated a lot of really useful material
about the development of cyberformance and live online performance in
general. this was all documented on the website and in a book.

recently the website went offline for a while due to the end of a free
hosting arrangement, but i'm happy to announce that it's now all back
online at https://www.cyposium.net/, where you can find:

- screen recordings & chat logs of 10 presentations from artists &
researchers (including many netbehaviourists)
- screen recordings & chat logs of 3 discussions
- links to additional material provided by the presenters
- link to CyPosium - The Book, in several formats - free to read online
or download as a pdf, & available to buy as a hardcopy.

the site is a valuable resource of information for artists & anyone
researching the field, as it documents work from the 90s and earlier
that isn't widely known about.

enjoy!

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Two Free Books by Alan Sondheim, Originally Published by Salt!

2019-02-25 Thread Helen Varley Jamieson
i saw that on lulu, books have a sales rank. the CyPosium book is ranked
at 64947 ... :D

On 25.02.19 13:19, Alan Sondheim wrote:
>
>
> and the pdf is free. I also have a couple of things on Lulu, or at
> least they were on Lulu, one of then is
> Azure, Nature, Digital by Alan Sondheim, Blue Lion Books, 2009 .
> It's large, it should still be available, I think it might have been
> expensive, and I know no one who looked at it.
>
> The first section is The Analog and the Digital (Alan Sondheim with
> Sandy Baldwin); the second is ZZ.
>
> The subtitle to the whole is Phenomenologies of the Analogic and
> Digital, Deep Language, Nature
>
> I'd love to know if anyone might order this on Lulu, how much it
> costs, whether they're satisfied, etc. There was little or no
> advertising. The pages are unnumbered but appear to be around 500...
>
> Do let me know and thanks!, Alan
>
> On Mon, 25 Feb 2019, Helen Varley Jamieson wrote:
>
>>
>> i don't think lulu (or print-on-demand in general) is about making
>> money -
>> at least, not for the author!! :D but it does mean that people who
>> like to
>> read words on paper have the option to get a print copy (of course
>> they can
>> also print out a pdf ... ).
>>
>> On 22.02.19 16:49, Alan Sondheim wrote:
>>
>>
>>   I'd rather distribute them for free; when I've had things on
>>   Lulu, I never made any money, and this way, the work can move
>>   around freely from that kind of model.
>>
>>   Thanks!, Alan
>>
>>   On Fri, 22 Feb 2019, Helen Varley Jamieson wrote:
>>
>>
>>     that is crap that you weren't informed about it, but
>>     good that you have the
>>     pdfs. have you thought about putting them onto a
>>     print-on-demand site like
>>     Lulu?
>>
>>     On 21.02.19 23:26, Alan Sondheim wrote:
>>
>>
>>     ? Two Free Books by Alan Sondheim, Originally
>> Published by
>>     Salt!
>>
>>     ? http://www.alansondheim.org/Saltfront.jpg
>>     ? http://www.alansondheim.org/Saltback.jpg
>>
>>     ? http://www.alansondheim.org/deeplanguage.pdf
>>     ? Deep Language, Salt Publishing, Cambridge, 2010
>>
>>     ? http://www.alansondheim.org/TheWayward.pdf
>>     ? The Wayward, Salt Publishing, Cambridge, 2004
>>
>>     ? Both of these books sold poorly and were
>> unceremoniously
>>     dropped
>>     ? by Salt. I wasn't informed, and had no chance to buy
>>     additional
>>     ? copies myself - I only found out when I tried to order
>>     some a
>>     ? year or so ago. I'm also no longer included on the
>>     authors list.
>>     ? Apparently a very large number of other authors were
>>     dropped as
>>     ? well. I do believe we should have been informed that
>>     this was
>>     ? going to happen. In any case, here are two free books
>>     for you!
>>
>>     ? The Wayward is based on MOOs, Talkers, MUDs, and other
>>     forms of
>>     ? digital texting; there are a number of "playlets" and
>>     other
>>     ? kinds of dialogs in it. The blurbs are by Maria Damon
>>     and
>>     ? Stephanie Strickland. (They're not included in the
>> pdf.)
>>
>>     ? Deep Language is wilder, occupying positions between
>>     codework
>>     ? and text, classical language, and semiotic
>> splatter. The
>>     two
>>     ? books resonate with each other. The blurbs are by
>> Maria
>>     Damon
>>     ? and John Cayley. (Again, they're not included in the
>>     pdf.)
>>
>>         ? The books were beautifully printed; they were just
>> taken
>>     down.
>>     ? Think of them as orphans, with beautiful deep and
>>     wayward
>>     ? language, and enjoy.
>>
>>
>>
>>     ? ___
>>     ? NetBehaviour mailing list
>>     ? NetBehaviour@lists.netbehaviour.org
>>     ?????
>>     https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>&

Re: [NetBehaviour] Two Free Books by Alan Sondheim, Originally Published by Salt!

2019-02-25 Thread Helen Varley Jamieson
i don't think lulu (or print-on-demand in general) is about making money
- at least, not for the author!! :D but it does mean that people who
like to read words on paper have the option to get a print copy (of
course they can also print out a pdf ... ).

On 22.02.19 16:49, Alan Sondheim wrote:
>
>
> I'd rather distribute them for free; when I've had things on Lulu, I
> never made any money, and this way, the work can move around freely
> from that kind of model.
>
> Thanks!, Alan
>
> On Fri, 22 Feb 2019, Helen Varley Jamieson wrote:
>
>>
>> that is crap that you weren't informed about it, but good that you
>> have the
>> pdfs. have you thought about putting them onto a print-on-demand site
>> like
>> Lulu?
>>
>> On 21.02.19 23:26, Alan Sondheim wrote:
>>
>>
>>   Two Free Books by Alan Sondheim, Originally Published by Salt!
>>
>>   http://www.alansondheim.org/Saltfront.jpg
>>   http://www.alansondheim.org/Saltback.jpg
>>
>>   http://www.alansondheim.org/deeplanguage.pdf
>>   Deep Language, Salt Publishing, Cambridge, 2010
>>
>>   http://www.alansondheim.org/TheWayward.pdf
>>   The Wayward, Salt Publishing, Cambridge, 2004
>>
>>   Both of these books sold poorly and were unceremoniously dropped
>>   by Salt. I wasn't informed, and had no chance to buy additional
>>   copies myself - I only found out when I tried to order some a
>>   year or so ago. I'm also no longer included on the authors list.
>>   Apparently a very large number of other authors were dropped as
>>   well. I do believe we should have been informed that this was
>>   going to happen. In any case, here are two free books for you!
>>
>>   The Wayward is based on MOOs, Talkers, MUDs, and other forms of
>>   digital texting; there are a number of "playlets" and other
>>   kinds of dialogs in it. The blurbs are by Maria Damon and
>>   Stephanie Strickland. (They're not included in the pdf.)
>>
>>   Deep Language is wilder, occupying positions between codework
>>   and text, classical language, and semiotic splatter. The two
>>   books resonate with each other. The blurbs are by Maria Damon
>>   and John Cayley. (Again, they're not included in the pdf.)
>>
>>   The books were beautifully printed; they were just taken down.
>>   Think of them as orphans, with beautiful deep and wayward
>>   language, and enjoy.
>>
>>
>>
>>   ___
>>   NetBehaviour mailing list
>>   NetBehaviour@lists.netbehaviour.org
>>   https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com
>> http://www.creative-catalyst.com
>> http://www.upstage.org.nz
>>
>>
>>
>
> web http://www.alansondheim.org / cell 347-383-8552
> current text http://www.alansondheim.org/vy.txt
> ___
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> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Two Free Books by Alan Sondheim, Originally Published by Salt!

2019-02-22 Thread Helen Varley Jamieson
that is crap that you weren't informed about it, but good that you have
the pdfs. have you thought about putting them onto a print-on-demand
site like Lulu?

On 21.02.19 23:26, Alan Sondheim wrote:
>
>
> Two Free Books by Alan Sondheim, Originally Published by Salt!
>
> http://www.alansondheim.org/Saltfront.jpg
> http://www.alansondheim.org/Saltback.jpg
>
> http://www.alansondheim.org/deeplanguage.pdf
> Deep Language, Salt Publishing, Cambridge, 2010
>
> http://www.alansondheim.org/TheWayward.pdf
> The Wayward, Salt Publishing, Cambridge, 2004
>
> Both of these books sold poorly and were unceremoniously dropped
> by Salt. I wasn't informed, and had no chance to buy additional
> copies myself - I only found out when I tried to order some a
> year or so ago. I'm also no longer included on the authors list.
> Apparently a very large number of other authors were dropped as
> well. I do believe we should have been informed that this was
> going to happen. In any case, here are two free books for you!
>
> The Wayward is based on MOOs, Talkers, MUDs, and other forms of
> digital texting; there are a number of "playlets" and other
> kinds of dialogs in it. The blurbs are by Maria Damon and
> Stephanie Strickland. (They're not included in the pdf.)
>
> Deep Language is wilder, occupying positions between codework
> and text, classical language, and semiotic splatter. The two
> books resonate with each other. The blurbs are by Maria Damon
> and John Cayley. (Again, they're not included in the pdf.)
>
> The books were beautifully printed; they were just taken down.
> Think of them as orphans, with beautiful deep and wayward
> language, and enjoy.
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Fwd: Plummeting insect numbers 'threaten collapse of nature'

2019-02-19 Thread Helen Varley Jamieson
very inspiring! :D

On 17.02.19 20:57, Mez Breeze via NetBehaviour wrote:
> [A quick follow-up: one of the best twitter threads I've read so far
> on this topic is here:
> https://twitter.com/MezBreezeDesign/status/1097211711717658624]
>
> On Thu, Feb 14, 2019 at 6:32 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
>
> On 12.02.19 02:22, Mez Breeze via NetBehaviour wrote:
>>
>> but in germany i'm limited to the balcony. i've had an
>> "insect hotel" on it for a couple of years but no insects
>> have shown any interest in it yet.
>>
>>
>> ...where is the insect hotel placed? Sometimes too much or little
>> sun can effect them depending on season?
> if anything it gets too little sun; our balcony is east-facing, &
> the insect house is on the wall that doesn't get any direct
> sunlight. i'll try moving it to the other end of the balcony where
> it gets sun up to early afternoon in the summer.
>>
>> You could go for an actual home-made bee attractant like is shown
>> here <https://www.youtube.com/watch?v=Gl0o2aytaFE>, though I've
>> never tried it. I'd also be careful where you source your
>> plants/seeds too - heritage and local varieties suited [native]
>> to your region/season could help, and make sure to always go true
>> organic [as opposed to greenwashed
>> <https://en.wikipedia.org/wiki/Greenwashing> organic] that
>> haven't been artificially boosted with all types of chemical
>> crud. And never use pesticides/herbicides - use companion
>> planting methods
>> <https://en.wikipedia.org/wiki/Companion_planting> + seaweed/kelp
>> solution as tonic + good compost [do you have an in-home
>> composting setup
>> 
>> <https://www.treehugger.com/lawn-garden/i-just-started-composting-my-apartment-and-you-can-too.html>
>> for your apartment? Homemade is the best, and it stops
>> vegie/fruit scraps going to landfill.]
>
> great, i'll try the insect attractant. all seeds are proper
> organic ones, into organic potting soil, & definitely no
> pesticides or herbicides going into the balcony garden, only
> additives are organic fertilisers & composts. the city does
> composting here, so we add our compost into that (get a voucher
> for free compost in return).
>
>>
>> And it does sound like you're doing all the right things - I'd
>> suggest keeping up planting anything with a blue/purple flowers:
>>
>> /"According to Bee Culture
>> <http://www.beeculture.com/bees-see-matters/>, the most likely
>> colors to attract bees are purple, violet and blue./
>>
>> /A study of nine bumblebee colonies in Germany found that those
>> who favored purple blooms were greatly rewarded for their
>> preference./
>>
>> /“In the area we studied, violet flowers produced the most nectar
>> – far more than the next most rewarding flower color (blue),” Dr.
>> Nigel Raine from Queen Mary’s School of Biological and Chemical
>> Sciences told ScienceDaily
>> <https://www.sciencedaily.com/releases/2007/06/070624141133.htm>.
>> “Inexperienced bees are known to have strong color preferences,
>> so we investigated whether the bumblebee colonies with a stronger
>> preference for violet flowers foraged more successfully in their
>> local flora.”/
>>
>> /Raine found that the bumblebees developed their favorite color
>> over time, corresponding with the most nectar-rich flowers."/
>>     [From:
>> 
>> https://www.totallandscapecare.com/landscaping-blog/bee-vision-and-the-color-purple/]
>>
> great - we always have lots of cornflowers, & some other purple
> ones that i don't know the name of, plus lavendar. the bees also
> seem to like nasturtiums, which we always have plenty of too. i'll
> look into more purple flowers.
>
> thanks,
>
> h : )
>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com
>>     http://www.upstage.org.nz
>>
> ___
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> <mailto:NetBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- 
> | mezbreezedesign.com <http://mezbreezedesign.com>
>
>
>
>
> ___
> NetBehaviour mailing list
> NetBehaviour@lists.netbehaviour.org
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Fwd: Plummeting insect numbers 'threaten collapse of nature'

2019-02-13 Thread Helen Varley Jamieson

On 12.02.19 02:22, Mez Breeze via NetBehaviour wrote:
>
> but in germany i'm limited to the balcony. i've had an "insect
> hotel" on it for a couple of years but no insects have shown any
> interest in it yet.
>
>
> ...where is the insect hotel placed? Sometimes too much or little sun
> can effect them depending on season?
if anything it gets too little sun; our balcony is east-facing, & the
insect house is on the wall that doesn't get any direct sunlight. i'll
try moving it to the other end of the balcony where it gets sun up to
early afternoon in the summer.
>
> You could go for an actual home-made bee attractant like is shown here
> <https://www.youtube.com/watch?v=Gl0o2aytaFE>, though I've never tried
> it. I'd also be careful where you source your plants/seeds too -
> heritage and local varieties suited [native] to your region/season
> could help, and make sure to always go true organic [as opposed to
> greenwashed <https://en.wikipedia.org/wiki/Greenwashing> organic] that
> haven't been artificially boosted with all types of chemical crud. And
> never use pesticides/herbicides - use companion planting methods
> <https://en.wikipedia.org/wiki/Companion_planting> + seaweed/kelp
> solution as tonic + good compost [do you have an in-home composting
> setup
> <https://www.treehugger.com/lawn-garden/i-just-started-composting-my-apartment-and-you-can-too.html>
> for your apartment? Homemade is the best, and it stops vegie/fruit
> scraps going to landfill.]

great, i'll try the insect attractant. all seeds are proper organic
ones, into organic potting soil, & definitely no pesticides or
herbicides going into the balcony garden, only additives are organic
fertilisers & composts. the city does composting here, so we add our
compost into that (get a voucher for free compost in return).

>
> And it does sound like you're doing all the right things - I'd suggest
> keeping up planting anything with a blue/purple flowers:
>
> /"According to Bee Culture
> <http://www.beeculture.com/bees-see-matters/>, the most likely colors
> to attract bees are purple, violet and blue./
>
> /A study of nine bumblebee colonies in Germany found that those who
> favored purple blooms were greatly rewarded for their preference./
>
> /“In the area we studied, violet flowers produced the most nectar –
> far more than the next most rewarding flower color (blue),” Dr. Nigel
> Raine from Queen Mary’s School of Biological and Chemical Sciences
> told ScienceDaily
> <https://www.sciencedaily.com/releases/2007/06/070624141133.htm>.
> “Inexperienced bees are known to have strong color preferences, so we
> investigated whether the bumblebee colonies with a stronger preference
> for violet flowers foraged more successfully in their local flora.”/
>
> /Raine found that the bumblebees developed their favorite color over
> time, corresponding with the most nectar-rich flowers."/ [From:
> https://www.totallandscapecare.com/landscaping-blog/bee-vision-and-the-color-purple/]
>
great - we always have lots of cornflowers, & some other purple ones
that i don't know the name of, plus lavendar. the bees also seem to like
nasturtiums, which we always have plenty of too. i'll look into more
purple flowers.

thanks,

h : )

> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
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Re: [NetBehaviour] Fwd: Plummeting insect numbers 'threaten collapse of nature'

2019-02-11 Thread Helen Varley Jamieson
tBehaviour@lists.netbehaviour.org>
> https://lists.netbehaviour.org/mailman/listinfo/netbehaviour
>
>
>
> -- 
> | mezbreezedesign.com <http://mezbreezedesign.com>
>
>
>
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] is it possible to download blog posts from furtherfield archive site?

2019-02-10 Thread Helen Varley Jamieson
that is very good to hear! so i won't spend time updating links yet or
trying to back it all up. looking forward to the new site & good luck
with it :)

On 06.02.19 17:39, Ruth Catlow via NetBehaviour wrote:
> hi Helen,
> We are currently working on a new website design, which we hope will
> reinstate all the old content and make it much more accessible again.
> We will not be taking down the old site before this has been done.
> End of March is our estimated finish date - let's see.
>
> :)
> Ruth
>
> On Mon, Feb 4, 2019 at 11:21 AM Helen Varley Jamieson
> mailto:he...@creative-catalyst.com>> wrote:
>
> hi,
>
> i'm in the process of re-creating the blog i lost last year &
> updating broken links as i go. many of the broken links are to
> posts i made on the previous furtherfield site, now
> http://archive.furtherfield.org/. happily these posts are still
> accessible, but i'm wondering for how long?? & is it possible to
> download all of my blog posts as a file so that i can save a
> backup of them myself?
>
> writing this to the whole list as i imgine there will be others
>     out there who might want to do the same thing.
>
> h : )
>
> -- 
>
> helen varley jamieson
>
> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
> http://www.creative-catalyst.com
> http://www.upstage.org.nz
>
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> <mailto:NetBehaviour@lists.netbehaviour.org>
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>
>
>
> -- 
> Co-founder & Artistic director of Furtherfield & DECAL Decentralised
> Arts Lab
> +44 (0) 77370 02879 
>
> *Furtherfield *disrupts and democratises art and technology through
> exhibitions, labs & debate, for deep exploration, open tools & free
> thinking.
> furtherfield.org <http://www.furtherfield.org/>
>
> *DECAL* Decentralised Arts Lab is an arts, blockchain & web 3.0
> technologiesresearch hub
>
> for fairer, more dynamic & connected cultural ecologies & economies now.
>
> decal.is <http://www.decal.is>
>
>
> Furtherfield is a Not-for-Profit Company limited by Guarantee 
> registered in England and Wales under the Company No.7005205. 
> Registered business address: Ballard Newman, Apex House, Grand Arcade,
> Tally Ho Corner, London N12 0EH.
>
>
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he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
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[NetBehaviour] is it possible to download blog posts from furtherfield archive site?

2019-02-04 Thread Helen Varley Jamieson
hi,

i'm in the process of re-creating the blog i lost last year & updating
broken links as i go. many of the broken links are to posts i made on
the previous furtherfield site, now http://archive.furtherfield.org/.
happily these posts are still accessible, but i'm wondering for how
long?? & is it possible to download all of my blog posts as a file so
that i can save a backup of them myself?

writing this to the whole list as i imgine there will be others out
there who might want to do the same thing.

h : )

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] RIP Pete Shelley

2018-12-11 Thread Helen Varley Jamieson
yes sad and too soon :( his music is part of the soundtrack of my youth ...

On 08.12.18 07:34, Edward Picot via NetBehaviour wrote:
>
> Really sorry to hear the news this morning about the death of Pete
> Shelley, the guitarist/singer/songwriter of The Buzzcocks. I saw The
> Buzzcocks live twice, once at a Rock Against Racism concert in
> Manchester, and then at the Corn Exchange in Cambridge, and they were
> excellent both times. The /Spiral Scratch/ EP is a milestone in both
> punk music and DIY culture. I like a lot of Shelley's solo work as
> well; but best of all I like his guitar-playing on the three albums
> John Cooper Clark made with Martin Hannett and the Invisible Girls.
>
> Fantastic stuff, and some great memories.
>
> Edward
>
>
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helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] 24th IFCA International Festival of Computer Arts is dedicated to Women Artists

2018-10-17 Thread Helen Varley Jamieson
great! :)


On 15.10.2018 07:46, Evelin Stermitz wrote:
>
>
> 24. MFRU Mednarodni festival računalniških umetnosti
> 24th IFCA International Festival of Computer Arts
> in Maribor, Slovenia
>
> October 12 - October 19, 2018
>
> This year the festival is focused on women artists!
> TRUST.3 = WOMEN FORUM + INTERNATIONAL TRUST
>
> Participating Artists:
>
> Aphra Tesla // Nataša Berk // Nina Baznik // Nina Dragičević // Marina
> Gržinić // Nika Ham // Ida Hiršenfelder // Jasna Hribernik // Maša
> Jazbec // Tjaša Kancler // Živa Kleindienst // Kaja Kraner // Ema
> Kugler // Dunja Kukovec // Nancy Buchanan // Shu Lea Cheang // Karoe
> Gold // Hiroshi Hasegawa // Lynn Herschman Leeson // Kathy Rae Huffman
> // Sandra Jovanovska // Kikimore // Bojana Knežević // Susanne Regina
> Meures // Nataša Muševič Aka Dot // Katarina Petrović // Špela Petrič
> // Paula Pin // Monika Pocrnjić // Kaja Pogačar // Nataša Prosenc //
> Phurpa // Radiocona // Teja Reba // Lina Rica // Sandra Sajovic //
> Maja Smrekar // Toni Soprano // Saša Spačal // Svetlana Slapšak //
> Evelin Stermitz // Robertina Šebjanič // Aina Šmid // Apolonija
> Šušteršič // Nataša Teofilović // Polona Tratnik // Eva Ursprung //
> Maja Žigart // Karen Werner // Agnieszka Wolodzko // Saša Kesić //
> Marko Ornik // Jože Slaček // Borut Savski // Neven M. Agalma // Davor
> Mišković // Georg Weckwerth // Jure Kirbiš // Žiga Brdnik // Pi //
> Teratom // Pirate Sheep // Tanel Rander // Reni Hofmüller //
>
>
> more info at http://mfru.org/mfru-2018/
> https://www.facebook.com/events/473724003131669/
>
> If anyone would like to contact the organizer, please send a mail to
> Miha Horvat 
>
>
> Please share, support and hit a like on Facebook
> https://www.facebook.com/mfru.ifca/
>
>
>
>
> Greetings, Evelin
>
>
>

-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Fwd: [CAS] NEW MEDIA ART XYZ - Where did new media art in the 1990s 'go'?

2018-10-03 Thread Helen Varley Jamieson
ientelectronics.com 
>> <http://disobedientelectronics.com/>). As experimental publishing projects, 
>> these books explore alternate modes of disseminating knowledge. Approaches 
>> include making academic-oriented handmade bookworks, and giving artists more 
>> platforms to speak about theory related to their work. NEW MEDIA ART XYZ has 
>> a diagram-only policy for submissions in order to give more of a voice to 
>> artists that do not usually express their ideas in writing — and it 
>> encourages writers to draw. More information on Hertz can be found at 
>> http://conceptlab.com/ and more information on this project (and this call) 
>> can be found at http://newmediaart.xyz/.
>>
>> Consider contributing something by December 31st 2018, and in exchange we 
>> will work hard to do something interesting with it. Contact Hertz directly 
>> if you have questions about this project, and please feel free to forward 
>> this call for submissions to people that have something interesting to 
>> contribute on the topic of new media art.
>>
>> NEW MEDIA ART XYZ
>> c/o Garnet Hertz, Canada Research Chair in Design + Media Art
>> Emily Carr University of Art + Design
>> 520 East 1st Avenue, Vancouver, BC, V5T 0H2, Canada
>> garnethe...@gmail.com <mailto:garnethe...@gmail.com> • 
>> http://newmediaart.xyz/
>>
>>
>> -- 
>> Dr. Garnet Hertz
>> Canada Research Chair in Design and Media Arts
>> Emily Carr University of Art and Design
>> 520 East 1st Avenue, Vancouver, BC, Canada  V5T 0H2
>>
>> 
>>
>> To unsubscribe from the CAS list, click the following link:
>> https://www.jiscmail.ac.uk/cgi-bin/webadmin?SUBED1=CAS=1
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>>
>>
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>
>
>
>
>
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-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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Re: [NetBehaviour] Advertising 2 New Roles at Furtherfield - Executive Director | Financial Administrator

2018-09-29 Thread Helen Varley Jamieson
:D


On 27.09.2018 13:57, ruth catlow wrote:
> We are busy bunnies - hard at work under the FF-hood
>
> More on "END"s (oh no, unfortunate and misleading acronym!) soon.
>
> :)
> Ruth
>
> On 24/09/18 21:17, Helen Varley Jamieson wrote:
>>
>> hi ruth,
>>
>> sounds very interesting! looking forward to hearing more about the
>> exciting new developments :)
>>
>> h : )
>>
>>
>> On 21.09.2018 11:43, ruth catlow wrote:
>>>
>>> Dear All,
>>>
>>> We are currently advertising 2 new roles at Furtherfield as part of
>>> some new (very exciting) developments. Please forward this
>>> information to all the best people you know.
>>>
>>> :)
>>> Ruth
>>>
>>>
>>> *.:*~*:._.:*~*:._.:*~*:._.:*~*:._.:*~*:._.:*~*:.*
>>>
>>> *Advertising 2 New Roles at Furtherfield
>>> <https://www.furtherfield.org/current-vacancies/>
>>> *
>>>
>>> *Executive Director | Financial Administrator*
>>>
>>> Furtherfield is an international organisation disrupting and
>>> democratising the arts in a world of advanced technologies. We
>>> diversify the people involved in shaping emerging arts and
>>> technologies through open tools and free thinking.  In a range of
>>> physical and digital contexts we collaborate locally and globally
>>> with artists, technologists, academics, organisations and the public
>>> to formulate new ideas and possibilities for art and technology.
>>> www.furtherfield.org
>>>
>>> *Executive Director*
>>> Deadline for applications 12pm Midday 5 October 2018
>>>
>>> We invite applications for the role of Executive Director with a
>>> minimum of 5+ years experience working in the art and technology
>>> sector to realise the vision, cultivate the values and manage the
>>> growth of Furtherfield in a moment of great potential.
>>>
>>> *Financial Administrator*
>>> Deadline for applications 12pm Midday 19 October 2018
>>>
>>> A reliable, diligent, Finance Administrator is required with a track
>>> record of successful financial administration and/or project
>>> management. The role will support the Executive Director to ensure
>>> the organisation has excellent accurate financial systems and
>>> reporting processes in place to ensure the organisation meets its
>>> business objectives.
>>>
>>> https://www.furtherfield.org/current-vacancies/
>>>
>>>
>>> -- 
>>> Co-founder Co-director
>>> Furtherfield
>>>
>>> www.furtherfield.org
>>>
>>> +44 (0) 77370 02879
>>>
>>> Bitcoin Address 1G7SPFpvHhVEqn5trpNEcyNWbDcyZXuAnh
>>>
>>> Furtherfield is the UK's leading organisation for art shows, labs, &
>>> debates
>>> around critical questions in art and technology, since 1997
>>>
>>> Furtherfield is a Not-for-Profit Company limited by Guarantee
>>> registered in England and Wales under the Company No.7005205.
>>> Registered business address: Ballard Newman, Apex House, Grand
>>> Arcade, Tally Ho Corner, London N12 0EH.
>>>
>>>
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>>
>> -- 
>>
>> helen varley jamieson
>>
>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>> http://www.creative-catalyst.com
>> http://www.upstage.org.nz
>>
>>
>>
>> ___
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>
>
> -- 
> Co-founder Co-director
> Furtherfield
>
> www.furtherfield.org
>
> +44 (0) 77370 02879
>
> Bitcoin Address 1G7SPFpvHhVEqn5trpNEcyNWbDcyZXuAnh
>
> Furtherfield is the UK's leading organisation for art shows, labs, &
> debates
> around critical questions in art and technology, since 1997
>
> Furtherfield is a Not-for-Profit Company limited by Guarantee
> registered in England and Wales under the Company No.7005205.
> Registered business address: Ballard Newman, Apex House, Grand Arcade,
> Tally Ho Corner, London N12 0EH.
>
>
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-- 

helen varley jamieson

he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz

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