Re: Just a bit of something I experienced I thought I'd share with the club

2007-03-08 Thread Boris Liberman
Bong, you understood me just right. Now I feel like I should make a 
photo series or at least some photos that would relate to the emtpy 
room/space feeling that I had.

Boris


Bong Manayon wrote:
 On 3/8/07, Boris Liberman [EMAIL PROTECTED] wrote:
 Just a bit of musings I'd put down in words, if you don't mind reading them.

 Boris
 
 You did your best, but words even seem to get in the way.  It almost
 feels patronizing to simply say I think I know what you felt/feel.
 Reminds of an Ansel Adams quote: When words become unclear, I shall
 focus with photographs. When images become inadequate, I shall be
 content with silence.
 
 Bong
 


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Re: Just a bit of something I experienced I thought I'd share with the club

2007-03-08 Thread Eactivist
In a message dated 3/8/2007 12:03:24 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
Bong, you understood me just  right. Now I feel like I should make a 
photo series or at least some photos  that would relate to the emtpy 
room/space feeling that I  had.

Boris

==
I found your thoughts interesting, Boris,  just had no reply. But what a 
great quote below. Really sums it  up.

Marnie aka Doe :-)
==



Bong Manayon  wrote:
 On 3/8/07, Boris Liberman [EMAIL PROTECTED]  wrote:
 Just a bit of musings I'd put down in words, if you don't  mind reading 
them.

 Boris
 
 You did your  best, but words even seem to get in the way.  It almost
 feels  patronizing to simply say I think I know what you felt/feel.
 Reminds  of an Ansel Adams quote: When words become unclear, I shall
 focus with  photographs. When images become inadequate, I shall be
 content with  silence.
 
 Bong
  

BRBRBR**BR AOL now offers free 
email to everyone.  Find out more about what's free from AOL at 
http://www.aol.com.

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Re: Simplified PS workflow

2007-03-08 Thread John Francis

I believe this thread got started because SFW *doesn't* do (2)

On Wed, Mar 07, 2007 at 09:15:08PM -0800, Shel Belinkoff wrote:
 SFW does 1, 2, and 3 ...
 
 Shel
 Why in Hell should I have to Press 1 for English?!!! 
 
 
  [Original Message]
  From: Boris Liberman [EMAIL PROTECTED]
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: 3/7/2007 9:12:45 PM
  Subject: Re: Simplified PS workflow
 
  Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below 
  automatically if you choose save for web option from the menus.
 
  Also, generally the less files you have on your desktop the faster your 
  windows is. This is at least has been my experience. Personally, I have 
  two hard drives on my PC. Each has a directory called work on the top 
  most level like c:\work or d:\work, etc. There I have all my stuff 
  organized the way I see fit. It is also easier to backup/restore it this 
  way. I just tell the backup program to backup these two directories and 
  I am done.
 
  Boris
 
 
 
  graywolf wrote:
   1. Resample image to 72ppi.
   2. Change profile to sRGB.
   3. Change image to 8 bit.
   4. Save for Web and delete modified image.
   
   To go with that I revised my workflow so that raw images from the
 camera 
   or one of the scanners go into a Raw Images folder on the Desktop. I 
   consider those to be my digital equivalent of negatives.
   
   Using Camera Raw I convert to PSD files which go into a PSD Images 
   folder on the Desktop. These are the working images to be edited to 
   final print form.
 
 
 
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Re: Simplified PS workflow

2007-03-08 Thread David Savage
How do you get CS2 to automatically convert from your working profile
to sRGB with Save for web ?

When I use Save for web it has the option to include the ICC
profile, but it assigns my working space profile (ProPhoto RGB).

Cheers,

Dave

On 3/8/07, Shel Belinkoff [EMAIL PROTECTED] wrote:
 SFW does 1, 2, and 3 ...

 Shel
 Why in Hell should I have to Press 1 for English?!!!


  [Original Message]
  From: Boris Liberman [EMAIL PROTECTED]
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: 3/7/2007 9:12:45 PM
  Subject: Re: Simplified PS workflow
 
  Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below
  automatically if you choose save for web option from the menus.
 
  Also, generally the less files you have on your desktop the faster your
  windows is. This is at least has been my experience. Personally, I have
  two hard drives on my PC. Each has a directory called work on the top
  most level like c:\work or d:\work, etc. There I have all my stuff
  organized the way I see fit. It is also easier to backup/restore it this
  way. I just tell the backup program to backup these two directories and
  I am done.
 
  Boris

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Re: Simplified PS workflow

2007-03-08 Thread Boris Liberman
What is SFW please?



John Francis wrote:
 I believe this thread got started because SFW *doesn't* do (2)


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Re: Simplified PS workflow

2007-03-08 Thread David Savage
Save For Web

Dave

On 3/8/07, Boris Liberman [EMAIL PROTECTED] wrote:
 What is SFW please?



 John Francis wrote:
  I believe this thread got started because SFW *doesn't* do (2)


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Re: PESO:The Missing link

2007-03-08 Thread mike wilson

 
 From: mike wilson [EMAIL PROTECTED]
 Date: 2007/03/08 Thu AM 12:00:40 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: PESO:The Missing link
 
 Bob W wrote:
  Mike,
  
  can you try this please? You'll need to flush your buffers first to
  force a visit to my server.
  
  http://www.web-options.com/Phone/
  
 
 Whips through them now.  Noticably quicker, even though it was behaving 
 this evening.  I'll try it from work tomorrow and report back.

Same here.  I don't know what was causing it but it's stopped now.


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RE: PESO:The Missing link

2007-03-08 Thread mike wilson

 
 From: Bob W [EMAIL PROTECTED]
 Date: 2007/03/08 Thu AM 12:44:14 GMT
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: RE: PESO:The Missing link
 
   Mike,
   
   can you try this please? You'll need to flush your buffers first
 to
   force a visit to my server.
   
   http://www.web-options.com/Phone/
   
  
  Whips through them now.  Noticably quicker, even though it 
  was behaving 
  this evening.  I'll try it from work tomorrow and report back.
  
 
 thanks. I've just now republished the main Staithes site, so it would
 help if you could check that too - it's derived from large raw files
 rather than dinky camera jpegs.
 
 http://web-options.com/Staithes2007/
 
 Thanks for pointing the problem out and helping to resolve it.
 

That's fine also.  I'm glad to have the opportunity to look through other than 
the thumbs.  You were up and about early.  Nice sunrises.

'appen.


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Re: Went back and reshot the damn bird!

2007-03-08 Thread mike wilson

 
 From: Paul Stenquist [EMAIL PROTECTED]
 Date: 2007/03/08 Thu AM 12:05:23 GMT
 To: Pentax-Discuss Mail List PDML@pdml.net
 Subject: Went back and reshot the damn bird!
 
 Okay, so the white sky sucks. I went back and reshot that bird when the 
 sky was better. I found him in exactly the same place. Imagine that! 
 :-))
 http://www.photo.net/photodb/photo?photo_id=5691710size=lg

Looks like a still from a Hollywood film.  8-)


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RE: Soggy postcards

2007-03-08 Thread mike wilson

 
 From: Tim Øsleby [EMAIL PROTECTED]
 Date: 2007/03/08 Thu AM 12:57:32 GMT
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Subject: RE: Soggy postcards
 
 Thanks for the free journey to the Staiths Bob. It sure looks like a nice
 place. 
 
 And this reminds me. My UK trip is cancelled, because my son is kicked out
 of the country. So this time it is no reason for us to go. 

They do that if you're caught supplying whale meat.  Still, it's a pity.


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RE: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-08 Thread J. C. O'Connell
I still say that you cannot capture on digital as wide a scenic dynamic
range as you can with the best films and film techniques in that regard.
I think several people here are confusing the dynamic range of the
negative with the dynamic range of the scene captured on the negative.
They are not the same thing because the negative does not necessarily
have to be linear capture/playback. There can be companding going on
which will allow greater range to be captured than the range of negative
densities created.

jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Peter Lacus
Sent: Thursday, March 08, 2007 2:54 AM
To: Pentax-Discuss Mail List
Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


Godfrey,

...(lack of artificial look also playing significant role)..
 
 
 A digital camera can produce any look you want. It's all in the image
 processing. And that's not something learned overnight. The more you  
 do, the better your results will be.

unfortunately, I can't agree completely. Some limitations are built-in 
to system and you can't overcome them easily (Nyquist frequency, pixels 
arranged in [Bayer] matrix) and when they play together against you, 
some artificial flavour to picture is pretty much inevitable (such as 
moire or aliasing). Indeed film does have its' own set of limitations as

well (for example limited dynamic range) but I'm used to them.

Of course I expect my skills will improve over time (I can now produce 
better results using ACR than one month ago) but I expect the RAW 
converters will improve as well. :-) However I don't expect miracles - 
rendering on film will always be different than on digital IMHO. Not 
better nor worse, just different...

Cheers,

Peter

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Re: Simplified PS workflow

2007-03-08 Thread Boris Liberman
I will have to check, but it seems to me that I am doing all my
processing in sRGB, which I realize is not necessarily a good thing.

On 3/8/07, David Savage [EMAIL PROTECTED] wrote:
 How do you get CS2 to automatically convert from your working profile
 to sRGB with Save for web ?

 When I use Save for web it has the option to include the ICC
 profile, but it assigns my working space profile (ProPhoto RGB).

 Cheers,

 Dave

 On 3/8/07, Shel Belinkoff [EMAIL PROTECTED] wrote:
  SFW does 1, 2, and 3 ...
 
  Shel
  Why in Hell should I have to Press 1 for English?!!!
 
 
   [Original Message]
   From: Boris Liberman [EMAIL PROTECTED]
   To: Pentax-Discuss Mail List pdml@pdml.net
   Date: 3/7/2007 9:12:45 PM
   Subject: Re: Simplified PS workflow
  
   Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below
   automatically if you choose save for web option from the menus.
  
   Also, generally the less files you have on your desktop the faster your
   windows is. This is at least has been my experience. Personally, I have
   two hard drives on my PC. Each has a directory called work on the top
   most level like c:\work or d:\work, etc. There I have all my stuff
   organized the way I see fit. It is also easier to backup/restore it this
   way. I just tell the backup program to backup these two directories and
   I am done.
  
   Boris

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Re: PUG Comments March 2007

2007-03-08 Thread Gianfranco Irlanda
Tom C [EMAIL PROTECTED] wrote:
  X  by  Gianfranco Irlanda
 
 http://pug.komkon.org/07mar/binariox.html
 
 Strong composition with the X of the rails and camera at
ground level.  
 Bravery award for risking life, camera, and limb in front of
that oncoming 
 car that is much closer than it appears.

Hi Tom,

Thanks for the award! :-) Yeah, the car was much closer but not
*that* close...

Ciao,

Gianfranco

_


 

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Re: Simplified PS workflow

2007-03-08 Thread Shel Belinkoff
It does for me.  I just dump a 16-bit file into the SFW option and it
converts to 8-bit, 72-ppi and sRGB unlsee told otherwise. Been doing it
that way off and on for some time.  Maybe some people have their SFW
options set differently than mine - I don't know, just know what works for
me.

Shel


 [Original Message]
 From: John Francis [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: 3/8/2007 12:32:57 AM
 Subject: Re: Simplified PS workflow


 I believe this thread got started because SFW *doesn't* do (2)

 On Wed, Mar 07, 2007 at 09:15:08PM -0800, Shel Belinkoff wrote:
  SFW does 1, 2, and 3 ...
  
  Shel
  Why in Hell should I have to Press 1 for English?!!! 
  
  
   [Original Message]
   From: Boris Liberman [EMAIL PROTECTED]
   To: Pentax-Discuss Mail List pdml@pdml.net
   Date: 3/7/2007 9:12:45 PM
   Subject: Re: Simplified PS workflow
  
   Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below 
   automatically if you choose save for web option from the menus.
  
   Also, generally the less files you have on your desktop the faster
your 
   windows is. This is at least has been my experience. Personally, I
have 
   two hard drives on my PC. Each has a directory called work on the
top 
   most level like c:\work or d:\work, etc. There I have all my
stuff 
   organized the way I see fit. It is also easier to backup/restore it
this 
   way. I just tell the backup program to backup these two directories
and 
   I am done.
  
   Boris
  
  
  
   graywolf wrote:
1. Resample image to 72ppi.
2. Change profile to sRGB.
3. Change image to 8 bit.
4. Save for Web and delete modified image.

To go with that I revised my workflow so that raw images from the
  camera 
or one of the scanners go into a Raw Images folder on the Desktop.
I 
consider those to be my digital equivalent of negatives.

Using Camera Raw I convert to PSD files which go into a PSD Images 
folder on the Desktop. These are the working images to be edited to 
final print form.
  
  
  
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OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Ryan Lee
http://www.sigma-photo.co.jp/english/index.htm

Hey how's this for a walkabout lens?

Cheers,
Ryan

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Ryan Lee
The link on that page is javascript, but here's the content link:
http://www.sigma-photo.co.jp/english/news/200_500_28.htm


- Original Message - 
From: Ryan Lee [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Thursday, March 08, 2007 10:16 PM
Subject: OT: Sigma 200-500 2.8 EX DG


 http://www.sigma-photo.co.jp/english/index.htm
 
 Hey how's this for a walkabout lens?
 
 Cheers,
 Ryan
 
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Re: PMA: Is this a joke ?

2007-03-08 Thread P. J. Alling
I don't think it's a joke.  Leica's joining the 21st century.  The Leica 
brand as already been on PS cameras, this is a step up IMHO.

Thibouille wrote:
 http://www.dpreview.com/news/0703/07030704leica14-150mm.asp

 Leica producing that kind of lens? Huh Smells brand image depreciation to me.

   


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Re: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-08 Thread P. J. Alling
Interesting, I would have thought that it would do better.  I'm able to 
get a greater dynamic range than I can print.  ACR, even the previous 
version, is supposed to be one of the best converters.

J. C. O'Connell wrote:
 ACR, not the newest version, I am using
 with PS CS(1)
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 P. J. Alling
 Sent: Wednesday, March 07, 2007 6:12 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


 Which raw converter are you using?

 J. C. O'Connell wrote:
   
 Well, only 8 stops out of print film has got
 to be a mistake of some sorts, I have
 seen numbers reported as high as 15 stops
 out this type of film and I know for
 a fact there is like 3 stops of LATITUDE
 alone on the good slow color neg films,
 (not to be confused with dynamic
 range )which would be impossible if there
 was only 8 stops total range.

 I did some tests with the DS shooting
 RAW and found that I was unable to record
 capture what I could easily see, even using
 raw. The exposure latitude with that camera is
 much smaller than color neg film.

 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of William Robb
 Sent: Wednesday, March 07, 2007 3:55 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there



 - Original Message -
 From: Peter Lacus
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


   
 
 Bill,

 
   
 DSLR cameras are showing 10 stops or more of dynamic range, which is
 

   
 about 3 stops more than that of print film, probably 5 stops more 
 range than slide
 film.
   
 
 IMHO there's only one definitive truth - film emulsions react to the
 light in a different way than linear digital sensors. Indeed it's
   
 much
   
 
   
   
 
 easier to extract useful data from digital RAW files but does it 
 prove
 
   
   
 
 that digital sensor captures wider dynamic range? IMHO it proves that
 current scanners are not capable of extracting data from the film
   
 more
   
 
   
   
 
 than anything else.
 
   
 I'd have to dig out my charts from when I was learning the Zone 
 System, but my recollection is that I was never able to get more than 
 9-10 stops out of
 BW film without going to very exotic processing methods.
 My experience working as a QC technician in the photo lab industry
 indicated 
 to me that print film, when measured on a densitometer, was incapable
 
 of
   
 givng more than 7-8 stops of dynamic range.

 My observations were not dependant on scanner limitations or paper 
 dynamic ranges, but on direct measurement of film samples using a 
 device designed
 specifically for that purpose.

 William Robb


   
 


   


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Re: PMA: Is this a joke ?

2007-03-08 Thread Ralf R. Radermacher
Thibouille [EMAIL PROTECTED] wrote:

 Leica probably know how to make those lens with quality ...

They *make* none of this. The making is done by Sigma.

Ralf

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RE: PESO-- Do Make Say Think

2007-03-08 Thread Tim Øsleby
Shooting at gigs is hard. 
Good light, and you picked a fine moment. My only nit is that the drummers
face is blown out and hidden behind the guitar neck. But you can't have it
all ;-)
Very good work.


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Mike
Hamilton
Sent: 5. mars 2007 02:48
To: Pentax-Discuss Mail List
Subject: PESO-- Do Make Say Think

Saw a live band on Friday.  Instrumental rock from Montreal.  I
started shooting with my Sigma 70-300, but it was too slow at all
focal lengths (4.0-5.6).  Ditched it for the DA70 and got some
gooders.  Processed with Lightroom.

http://www.michaelhamilton.ca/2007/03/04/do-make-say-think-starlite-room/

K10D w/ DA70 - 1/100sec @ f/2.4, ISO 1600

Comments, critiques welcome!

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[EMAIL PROTECTED]
MichaelHamilton.ca

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RE: PESO -- West Boardwalk, Hammonassett Beach

2007-03-08 Thread Tim Øsleby
I like this Peter. For me it is about texture. I only wish you had gone a
step or two further into the scene. That had improved the composition a lot
IMO. How about cropping the bottom?


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of P.
J. Alling
Sent: 5. mars 2007 04:25
To: Pentax-Discuss Mail List
Subject: PESO -- West Boardwalk, Hammonassett Beach

After I went out to shoot the total eclipse of the Moon unsuccessfully 
last night I didn't think I'd have a particularly good photographic 
weekend.  Then today when walking the dog, I saw the most spectacular 
sunset.  This isn't it.  I may post one of those shots later.  But here 
is a shot from around the same time. 

http://www.mindspring.com/~morephotos/PESO_--_hwbb.html

Technical Data:
*ist-Ds ISO 200 @ 1/80sec. +0.7 ev.
smc Pentax 43mm f1.9 :Limited @ f4.0

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread P. J. Alling
I thought you meant the 18-200.  Seems a bit excessive for a walk about 
lens.  And a bit limiting unless you plan to take photos from blocks away.

Ryan Lee wrote:
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm


 - Original Message - 
 From: Ryan Lee [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, March 08, 2007 10:16 PM
 Subject: OT: Sigma 200-500 2.8 EX DG


   
 http://www.sigma-photo.co.jp/english/index.htm

 Hey how's this for a walkabout lens?

 Cheers,
 Ryan

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread P. J. Alling
Oh yes, I forgot to mention, it'll frighten small animals and children, 
(and in seems to require batteries).


Ryan Lee wrote:
 http://www.sigma-photo.co.jp/english/index.htm

 Hey how's this for a walkabout lens?

 Cheers,
 Ryan

   


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RE: GESO:roadtrip

2007-03-08 Thread Tim Øsleby
A fine collection, but I could live without £4 and #6, they break the rhythm
of the gallery. 
#5 is my fav. 


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Alastair Robertson
Sent: 5. mars 2007 09:31
To: Pentax-Discuss Mail List
Subject: GESO:roadtrip

http://www.massey.ac.nz/~aroberts/mt_cook_gallery/content/index.html
In January I had a work trip to Canterbury (New Zealand) and on the
way back to Christchurch I was in the passenger seat with a view of Mt
Cook.  Jenny, the driver, was in no mood to stop for photo's so I set
my K10D to 1/1000, ISO 400, fitted the FA24-90 and a polariser and
grabbed frames through the open window  at 100 kph!  I cropped most of
the these to panorama, converted a copy to B  W in lightroom.

You may recognise frame 3 as my latest PUG entry (my wife thinks that
#1 would have been a stronger entry for the gallery).  In case you are
wondering, #4 is a salmon farm located on a canal that forms part of
the hydro scheme, the tailrace features in frame #3.  #8 is the only
photo taken that wasn't shot out of the moving car.

I thought that the sequence (shown in the order taken) as we passed Mt
Cook and eventually reached the plains made a nice gallery - hence my
first GESO for the list!

Comments/critiques welcome

Alastair

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread K.Takeshita
On 3/08/07 7:23 AM, Ryan Lee, [EMAIL PROTECTED] wrote:

 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm

Looks ridiculous to me :-)

Ken


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Re: Pentax K10D firmware update 1.11 now available

2007-03-08 Thread Wilko Bulte
On Wed, Mar 07, 2007 at 09:10:35AM -0500, Doug Franklin wrote..
 K.Takeshita wrote:
 
  Also, I thought that firmware is something burnt into a ROM of the camera
  CPU and not supposed to be easily manipulated back and forth, no?
 
 It can be in read-only memory, and in that case you can't upgrade it, if
 that's all that's available.  More often what you'll have is some memory
 that's read-only and some that's read-write.  The read-write memory
 contains the actual operational code for the camera and you can upgrade
 it.  The read-only part contains the basic bootstrap loader and utility
 functions (like update the read-write memory) so they can't get messed
 up in an upgrade and you can always change the upgradeable firmware in
 the read-write part if something goes wrong.

Think of the ROM in your DSLR as yet another incarnation of the FlashROM
that lives inside your SD or CF cards and you will understand how this fits
together.

Wilko

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Re: PMA: Is this a joke ?

2007-03-08 Thread Thibouille
Sigma? OK I see what I have to think about quality control then.


2007/3/8, Ralf R. Radermacher [EMAIL PROTECTED]:
 Thibouille [EMAIL PROTECTED] wrote:

  Leica probably know how to make those lens with quality ...

 They *make* none of this. The making is done by Sigma.

 Ralf

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Sigma DP1

2007-03-08 Thread K.Takeshita
Mmmm..
APS-C Foveon sensor
More refined styling plus viewfinder.

http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html

Awfully tempting.  Let's see what other might come up with.

Ken


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Doug Franklin
P. J. Alling wrote:
 And a bit limiting unless you plan to take photos from blocks away.
 
 Ryan Lee wrote:
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm

A 200-500 would be *the bomb* at the race track and some other sporting
events.  That's probably about the only place I'd use it a lot, though.

-- 
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DougF (KG4LMZ)

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RE: PAW - Camouflage (Repost)

2007-03-08 Thread Tim Øsleby
Great improvement Marnie. The effort paid off.
And good luck on PAW project. I'll chime in now and then. 

I've been thinking about doing PAW myself. But I am a bit indecisive about
it. The reason is that I am afraid it could kill my creativity.
As if I where creative ;-)
Time will tell. I spend too much time with my birds at the moment, and I
can't see bird photos as PAW.


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: 5. mars 2007 15:38
To: pdml@pdml.net
Subject: PAW - Camouflage (Repost)


Thanks to Ken who suggested I work more with  the crop on this one.

I think this is much more  successful.

http://members.aol.com/eactivist/PAWS/pages/pawFeb26.htm

Comments  welcome.

Marnie aka Doe :-)  

BRBRBR**BR AOL now offers free 
email to everyone.  Find out more about what's free from AOL at 
http://www.aol.com.

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Re: Went back and reshot the damn bird!

2007-03-08 Thread Paul Stenquist
Thanks Marnie. Lots of fun.
Paul
On Mar 8, 2007, at 12:29 AM, [EMAIL PROTECTED] wrote:

 In a message dated 3/7/2007 4:12:53 P.M. Pacific  Standard Time,
 [EMAIL PROTECTED] writes:
 Okay, so the white sky sucks.  I went back and reshot that bird when 
 the
 sky was better. I found him in  exactly the same place. Imagine that!
 :-))
 http://www.photo.net/photodb/photo?photo_id=5691710size=lg


 =
 Really  good PS job. Looks much better. OR... funny how he didn't 
 move.  LOL.

 Marnie aka Doe

 BRBRBR**BR AOL now offers 
 free
 email to everyone.  Find out more about what's free from AOL at
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Sigma DP1

2007-03-08 Thread Walter Hamler
Ken wrote:
Mmmm..APS-C Foveon sensor
More refined styling plus viewfinder.

http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html

Awfully tempting.  Let's see what other might come up with.

Isn't that the same as the Leica version?  I looked at the Leica and was 
very impressed, for about 600.00.

Walt

Ken


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Re: Went back and reshot the damn bird!

2007-03-08 Thread Paul Stenquist
Thanks Jens.
On Mar 8, 2007, at 12:56 AM, Jens Bladt wrote:

 Truely an excellent photograph, Paul. I love the wasy the frame is  
 devided
 in two and the bird is sitting in the midle. Very grafic.
 Regards

 Jens Bladt

 http://www.jensbladt.dk
 +45 56 63 77 11
 +45 23 43 85 77
 Skype: jensbladt248

 -Oprindelig meddelelse-
 Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af  
 Paul
 Stenquist
 Sendt: 8. marts 2007 04:22
 Til: Pentax-Discuss Mail List
 Emne: Re: Went back and reshot the damn bird!


 Yes, I shot a lot of sky plates for stock houses. Skies sell:-).
 Paul
 On Mar 7, 2007, at 9:33 PM, Markus Maurer wrote:

 Do you have a collection of different skies and other backgrounds to
 use for
 photos like that one?
 There is a freeware artificial clouds action for Photoshop , If you
 like I
 can search for the link again...
 Markus


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
 Paul Stenquist
 Sent: Thursday, March 08, 2007 2:43 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Went back and reshot the damn bird!


 No. Second layer and some eraser work. I think I overdid the softening
 of the edges, however. May have to go back and sharpen up a bit. It
 will go to stock in this mode. Hell, most art directors replace the  
 sky
 anyway.
 Paul
 On Mar 7, 2007, at 7:19 PM, Brendan MacRae wrote:

 Channel mask?

 You devil!

 -Brendan
 --- Paul Stenquist [EMAIL PROTECTED] wrote:

 Okay, so the white sky sucks. I went back and reshot
 that bird when the
 sky was better. I found him in exactly the same
 place. Imagine that!
 :-))

 http://www.photo.net/photodb/photo?photo_id=5691710size=lg


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 _
 _
 _
 Don't get soaked.  Take a quick peek at the forecast
 with the Yahoo! Search weather shortcut.
 http://tools.search.yahoo.com/shortcuts/#loc_weather

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Re: K10D and fill flash

2007-03-08 Thread Paul Stenquist
On the AF 560FGZ you can dial in flash compensation. With a flash like 
the AF400T in auto mode, I set the flash for f11 and set the camera 
manually to f8, if I want minus one stop fill.
Paul
On Mar 8, 2007, at 1:17 AM, Jens Bladt wrote:

 How do you get the K10D to shoot fill flash. That is less flash (fill 
 flash)
 light than for normal flash (main light), please?
 Regards

 Jens Bladt

 http://www.jensbladt.dk
 +45 56 63 77 11
 +45 23 43 85 77

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GESO: It Happened on Woodward

2007-03-08 Thread Walter Hamler
Paul, I saw one of your pics from the Woodward Ave link on the Pentax 
Gallery site. I was previewing my submissions and it opened with a fade 
in/fade out of a lot of pics and the shot of the Birmingham Gentleman is 
in the group.

Walt 


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Re: PAW - Camouflage (Repost)

2007-03-08 Thread K.Takeshita




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RE: More dog pictures

2007-03-08 Thread Tim Øsleby
Baiting here are we? 
(I'm referring to last sentence)


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
William Robb
Sent: 7. mars 2007 21:11
To: Pentax-Discuss Mail List
Subject: Re: More dog pictures


- Original Message - 
From: Kenneth Waller
Subject: Re: More dog pictures


 Love the postures on 2249.
 Tough exposure nut to crack

Thanks Ken. It was a happy capture, and the camera didn't let me down.
When I checked the histogram, I noted that nothing was clipped on the 
exposure.
I don't know offhand what the exposure range is on this shot, but it ranges 
from snow in full sun to a jet black dog.

It makes me wonder how a racing car sitting under an awning on a cloudy day 
can be outside the dynamic range of a DSLR.

William Robb


 http://users.accesscomm.ca/wrobb/fellas/page3/page3.html



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RE: GESO - Snow Crystals (at last)

2007-03-08 Thread Tim Øsleby
These shots are really breathtaking. Watching them puts a thing or two in
perspective. 


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Mark
Cassino
Sent: 6. mars 2007 00:15
To: Pentax-Discuss Mail List
Subject: GESO - Snow Crystals (at last)

It took a while, but I finally got some acceptable snow crystal shots 
this season.

Here are a few:

http://www.markcassino.com/galleries/stream/2007/070303/IMGP0640.htm
http://www.markcassino.com/galleries/stream/2007/070303/IMGP0646.htm
http://www.markcassino.com/galleries/stream/2007/070303/IMGP0668.htm
http://www.markcassino.com/galleries/stream/2007/070303/IMGP0662cr.htm

I'm not a big fan of the perfect, paper cut out, absolutely symmetric 
snow crystal. For me, these ragged / run through the mill subjects are 
what it's all about.

It's interesting - I had shifted over to using a Sigma 50mm EX f2.8 
macro lens for snow crystals last winter. Before that I used either an M 
50 f4 macro or M 50 f 1.7 standard lens. (Lenses are reverse mounted on 
gobs of extension.)

Anyhow - I wanted some new snowflake shots for the Pentax Gallery so I 
pulled out the M50 f4 and used it on Saturday. Independent of that, I 
finally remembered how to get the lighting right (it seems to take 
longer every year...) I have to say - that old relic of a macro lens 
really kicks. It _is_ slow and dim with all the extension, but it still 
really produces the best images. I stopped using it because the aperture 
was slow in the cold - not stuck, but slow. So I have to tap the 
aperture arm on it to get it to fully stop down. I'll definitely be 
getting it fixed.

The rest of Saturday's shot's (and the more recent other shots from this 
season) are here:

http://www.markcassino.com/galleries/stream/stream05.htm

Commentary is here:

http://www.markcassino.com/b2evolution/index.php

Comments appreciated -

MCC
-- 
- - - - - - - - - - - - - - - - - - - -
Mark Cassino Photography
Kalamazoo, Michigan
www.markcassino.com
- - - - - - - - - - - - - - - - - - - -

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Paul Stenquist
I think Ryan was being facetious.

On Mar 8, 2007, at 8:14 AM, P. J. Alling wrote:

 I thought you meant the 18-200.  Seems a bit excessive for a walk about
 lens.  And a bit limiting unless you plan to take photos from blocks 
 away.

 Ryan Lee wrote:
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm


 - Original Message -
 From: Ryan Lee [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, March 08, 2007 10:16 PM
 Subject: OT: Sigma 200-500 2.8 EX DG



 http://www.sigma-photo.co.jp/english/index.htm

 Hey how's this for a walkabout lens?

 Cheers,
 Ryan

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Re: Went back and reshot the damn bird!

2007-03-08 Thread Paul Stenquist
Thanks Mike. A little theater is a good thing.
On Mar 8, 2007, at 3:57 AM, mike wilson wrote:



 From: Paul Stenquist [EMAIL PROTECTED]
 Date: 2007/03/08 Thu AM 12:05:23 GMT
 To: Pentax-Discuss Mail List PDML@pdml.net
 Subject: Went back and reshot the damn bird!

 Okay, so the white sky sucks. I went back and reshot that bird when 
 the
 sky was better. I found him in exactly the same place. Imagine that!
 :-))
 http://www.photo.net/photodb/photo?photo_id=5691710size=lg

 Looks like a still from a Hollywood film.  8-)


 -
 Email sent from www.virginmedia.com/email
 Virus-checked using McAfee(R) Software and scanned for spam


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Boris Liberman
Actually, I think that Sigma is size-envious or something. You
remember this 2100/4 beast published not a long ago? Sigma couldn't do
it this long, so they went zoom and they went f2.8 ;-).

I am being sarcastic.

On 3/8/07, Paul Stenquist [EMAIL PROTECTED] wrote:
 I think Ryan was being facetious.

 On Mar 8, 2007, at 8:14 AM, P. J. Alling wrote:

  I thought you meant the 18-200.  Seems a bit excessive for a walk about
  lens.  And a bit limiting unless you plan to take photos from blocks
  away.
 
  Ryan Lee wrote:
  The link on that page is javascript, but here's the content link:
  http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 
 
  - Original Message -
  From: Ryan Lee [EMAIL PROTECTED]
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Thursday, March 08, 2007 10:16 PM
  Subject: OT: Sigma 200-500 2.8 EX DG
 
 
 
  http://www.sigma-photo.co.jp/english/index.htm
 
  Hey how's this for a walkabout lens?
 
  Cheers,
  Ryan
 
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Re: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-08 Thread mike wilson
 I'm able to 
 get a greater dynamic range than I can print.

Isn't that normal?  Scanning Velvia is an education in that respect.

 
 From: P. J. Alling [EMAIL PROTECTED]
 Date: 2007/03/08 Thu PM 12:51:17 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
 
 Interesting, I would have thought that it would do better.  I'm able to 
 get a greater dynamic range than I can print.  ACR, even the previous 
 version, is supposed to be one of the best converters.
 
 J. C. O'Connell wrote:
  ACR, not the newest version, I am using
  with PS CS(1)
  jco
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
  P. J. Alling
  Sent: Wednesday, March 07, 2007 6:12 PM
  To: Pentax-Discuss Mail List
  Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
 
 
  Which raw converter are you using?
 
  J. C. O'Connell wrote:

  Well, only 8 stops out of print film has got
  to be a mistake of some sorts, I have
  seen numbers reported as high as 15 stops
  out this type of film and I know for
  a fact there is like 3 stops of LATITUDE
  alone on the good slow color neg films,
  (not to be confused with dynamic
  range )which would be impossible if there
  was only 8 stops total range.
 
  I did some tests with the DS shooting
  RAW and found that I was unable to record
  capture what I could easily see, even using
  raw. The exposure latitude with that camera is
  much smaller than color neg film.
 
  jco
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
  Of William Robb
  Sent: Wednesday, March 07, 2007 3:55 PM
  To: Pentax-Discuss Mail List
  Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
 
 
 
  - Original Message -
  From: Peter Lacus
  Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there
 
 

  
  Bill,
 
  

  DSLR cameras are showing 10 stops or more of dynamic range, which is
  
 

  about 3 stops more than that of print film, probably 5 stops more 
  range than slide
  film.

  
  IMHO there's only one definitive truth - film emulsions react to the
  light in a different way than linear digital sensors. Indeed it's

  much

  


  
  easier to extract useful data from digital RAW files but does it 
  prove
  


  
  that digital sensor captures wider dynamic range? IMHO it proves that
  current scanners are not capable of extracting data from the film

  more

  


  
  than anything else.
  

  I'd have to dig out my charts from when I was learning the Zone 
  System, but my recollection is that I was never able to get more than 
  9-10 stops out of
  BW film without going to very exotic processing methods.
  My experience working as a QC technician in the photo lab industry
  indicated 
  to me that print film, when measured on a densitometer, was incapable
  
  of

  givng more than 7-8 stops of dynamic range.
 
  My observations were not dependant on scanner limitations or paper 
  dynamic ranges, but on direct measurement of film samples using a 
  device designed
  specifically for that purpose.
 
  William Robb
 
 

  
 
 

 
 
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 thurmodynamiks aand itz inevibl fxt hon shewb rt nslpn raq liot.
 
 
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Re: PMA: Is this a joke ?

2007-03-08 Thread Ralf R. Radermacher
Thibouille [EMAIL PROTECTED] wrote:

 Sigma? OK I see what I have to think about quality control then.

Not quite. The lenses are checked in Solms.

Ralf

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Boris Liberman
Doug, I don't recall - how many sherpas you normally take with you to a shoot?

;-)

On 3/8/07, Doug Franklin [EMAIL PROTECTED] wrote:
 P. J. Alling wrote:
  And a bit limiting unless you plan to take photos from blocks away.
 
  Ryan Lee wrote:
  The link on that page is javascript, but here's the content link:
  http://www.sigma-photo.co.jp/english/news/200_500_28.htm

 A 200-500 would be *the bomb* at the race track and some other sporting
 events.  That's probably about the only place I'd use it a lot, though.

 --
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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread mike wilson

 
 From: Ryan Lee [EMAIL PROTECTED]
 Date: 2007/03/08 Thu PM 12:23:20 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: OT: Sigma 200-500 2.8 EX DG
 
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 
 
 - Original Message - 
 From: Ryan Lee [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, March 08, 2007 10:16 PM
 Subject: OT: Sigma 200-500 2.8 EX DG
 
 
  http://www.sigma-photo.co.jp/english/index.htm
  
  Hey how's this for a walkabout lens?

*Camera show sold separately

For the price this will retail at, I would expect a freebie.  And a tripod.


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Re: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-08 Thread Paul Stenquist
I use both versions of ACR. There's no difference in how much range one 
can extract from a RAW file. ACR2 just offers more control over what 
falls in between the extremes, via curves.
Paul
On Mar 8, 2007, at 7:51 AM, P. J. Alling wrote:

 Interesting, I would have thought that it would do better.  I'm able to
 get a greater dynamic range than I can print.  ACR, even the previous
 version, is supposed to be one of the best converters.

 J. C. O'Connell wrote:
 ACR, not the newest version, I am using
 with PS CS(1)
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of
 P. J. Alling
 Sent: Wednesday, March 07, 2007 6:12 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


 Which raw converter are you using?

 J. C. O'Connell wrote:

 Well, only 8 stops out of print film has got
 to be a mistake of some sorts, I have
 seen numbers reported as high as 15 stops
 out this type of film and I know for
 a fact there is like 3 stops of LATITUDE
 alone on the good slow color neg films,
 (not to be confused with dynamic
 range )which would be impossible if there
 was only 8 stops total range.

 I did some tests with the DS shooting
 RAW and found that I was unable to record
 capture what I could easily see, even using
 raw. The exposure latitude with that camera is
 much smaller than color neg film.

 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of William Robb
 Sent: Wednesday, March 07, 2007 3:55 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there



 - Original Message -
 From: Peter Lacus
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there




 Bill,



 DSLR cameras are showing 10 stops or more of dynamic range, which 
 is



 about 3 stops more than that of print film, probably 5 stops more
 range than slide
 film.


 IMHO there's only one definitive truth - film emulsions react to the
 light in a different way than linear digital sensors. Indeed it's

 much





 easier to extract useful data from digital RAW files but does it
 prove




 that digital sensor captures wider dynamic range? IMHO it proves 
 that
 current scanners are not capable of extracting data from the film

 more





 than anything else.


 I'd have to dig out my charts from when I was learning the Zone
 System, but my recollection is that I was never able to get more than
 9-10 stops out of
 BW film without going to very exotic processing methods.
 My experience working as a QC technician in the photo lab industry
 indicated
 to me that print film, when measured on a densitometer, was incapable

 of

 givng more than 7-8 stops of dynamic range.

 My observations were not dependant on scanner limitations or paper
 dynamic ranges, but on direct measurement of film samples using a
 device designed
 specifically for that purpose.

 William Robb









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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread John Whittingham
On Thu, 8 Mar 2007 22:16:32 +1000, Ryan Lee wrote
 http://www.sigma-photo.co.jp/english/index.htm
 
 Hey how's this for a walkabout lens?
 
 Cheers,
 Ryan

A dedicated APO TELE CONVERTER 2x EX DG II is supplied as a standard 
accessory with the APO 200-500mm F2.8 EX DG just in case you need some extra 
reach!

You could always gut it and use it as the worlds most expensive thermos flask 
8)

John




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Re: Sigma DP1

2007-03-08 Thread Boris Liberman
Drat... Not FAST enough for *me* is what I was trying to say...

On 3/8/07, Boris Liberman [EMAIL PROTECTED] wrote:
 Let me see. On this kind of sensor the 28 mm lens becomes more or less
 similar to 43 limited lens. But, unfortunately, it is only F4 lens.
 Not was enough for *me*... Sorry folks, I get to keep the money.

 Cheers.

 On 3/8/07, Walter Hamler [EMAIL PROTECTED] wrote:
  Ken wrote:
  Mmmm..APS-C Foveon sensor
  More refined styling plus viewfinder.
 
  http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html
 
  Awfully tempting.  Let's see what other might come up with.
 
  Isn't that the same as the Leica version?  I looked at the Leica and was
  very impressed, for about 600.00.
 
  Walt
 
  Ken
 
 
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Re: GESO: It Happened on Woodward

2007-03-08 Thread Paul Stenquist
Yes, it was selected for the Collection, whatever that might be. That 
fade in/out must be something new (or an error).
Paul
On Mar 8, 2007, at 8:49 AM, Walter Hamler wrote:

 Paul, I saw one of your pics from the Woodward Ave link on the Pentax
 Gallery site. I was previewing my submissions and it opened with a fade
 in/fade out of a lot of pics and the shot of the Birmingham 
 Gentleman is
 in the group.

 Walt


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread mike wilson

 
 From: Ryan Lee [EMAIL PROTECTED]
 Date: 2007/03/08 Thu PM 12:23:20 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: OT: Sigma 200-500 2.8 EX DG
 
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 
 
 - Original Message - 
 From: Ryan Lee [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, March 08, 2007 10:16 PM
 Subject: OT: Sigma 200-500 2.8 EX DG
 
 
  http://www.sigma-photo.co.jp/english/index.htm
  
  Hey how's this for a walkabout lens?

No good without the teleconvertor.


Then it becomes more of a stumble or lurchabout lens.


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Re: Sigma DP1

2007-03-08 Thread Boris Liberman
Let me see. On this kind of sensor the 28 mm lens becomes more or less
similar to 43 limited lens. But, unfortunately, it is only F4 lens.
Not was enough for *me*... Sorry folks, I get to keep the money.

Cheers.

On 3/8/07, Walter Hamler [EMAIL PROTECTED] wrote:
 Ken wrote:
 Mmmm..APS-C Foveon sensor
 More refined styling plus viewfinder.

 http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html

 Awfully tempting.  Let's see what other might come up with.

 Isn't that the same as the Leica version?  I looked at the Leica and was
 very impressed, for about 600.00.

 Walt

 Ken


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Boris Liberman
Notice that you will have to buy a camera *show*... This is
obviously a misprint, but it is done on purpose.

On 3/8/07, mike wilson [EMAIL PROTECTED] wrote:

 
  From: Ryan Lee [EMAIL PROTECTED]
  Date: 2007/03/08 Thu PM 12:23:20 GMT
  To: Pentax-Discuss Mail List pdml@pdml.net
  Subject: Re: OT: Sigma 200-500 2.8 EX DG
 
  The link on that page is javascript, but here's the content link:
  http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 
 
  - Original Message -
  From: Ryan Lee [EMAIL PROTECTED]
  To: Pentax-Discuss Mail List pdml@pdml.net
  Sent: Thursday, March 08, 2007 10:16 PM
  Subject: OT: Sigma 200-500 2.8 EX DG
 
 
   http://www.sigma-photo.co.jp/english/index.htm
  
   Hey how's this for a walkabout lens?

 *Camera show sold separately

 For the price this will retail at, I would expect a freebie.  And a tripod.


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread K.Takeshita
On 3/08/07 9:11 AM, John Whittingham, [EMAIL PROTECTED] wrote:

 You could always gut it and use it as the worlds most expensive thermos flask
 8)

A guy in Japan posted;

With a radar dome attached in front, this is a fat submarine with a crew of
two.

Ken


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Re: Sigma DP1

2007-03-08 Thread K.Takeshita
On 3/08/07 9:08 AM, Boris Liberman, [EMAIL PROTECTED] wrote:

 Drat... Not FAST enough for *me* is what I was trying to say...

Yes, but for this size, faster than this would probably not fit in.  Curious
to see the sensor performance at higher ISO.

Ken


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Buying a monopod

2007-03-08 Thread Boris Liberman
Hi!

I've decided I'd buy a monopod. My choices are basically
Slik 350 and
Manfrotto 680.

Any specifics I should be looking for or both are acceptable.

Mainly I am going to use it with 80-320 towards 320 mm of course. And
generally a bit of (mobile) support won't hurt me.

What do you say?

P.S. Don't offer me a tripod, 'cause I have one ;).

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RE: GESO - stairs and birds eye view

2007-03-08 Thread Tim Øsleby
Judging from a brief look, it is good photography, but they are so small :-(


Tim Typo
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Pedro Oliveira
Sent: 6. mars 2007 00:44
To: 'Pentax-Discuss Mail List'
Subject: GESO - stairs and birds eye view


Hi.

This time a smaller GESO (sorry for the last one, too big, I know).
Finally I'm reviewing some photos taken with the *ist DL (in my 20
iMac, it is a pleasure) and found some interesting photos (for me at
least). All photos taken with A-series lenses (A-24/2.8 and A-70-210/4).
The place is the old side of my hometown, Porto (Portugal), near the Rio
Douro (Golden River).

http://picasaweb.google.com/popentax/OldTownPortoFragmentsApril2006Penta
xIstDL 

Hope you enjoy and feel free to comment.

Regards.

Pedro Oliveira


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PESO -- West Boardwalk, Hammonassett Beach, Revisited (several times)

2007-03-08 Thread P. J. Alling
I got a number of suggestions on this and did a bit of playing around, 
(you can mess around endlessly and never be satisfied).

First both and Tom and Tim didn't like the crop.  So I cropped it in 
sort of a compromise between their suggestions, (and Tom though it 
wasn't sharp enough, so I did a bit of possibly in judicious 
sharpening).  The result is this:

http://www.mindspring.com/~morephotos/PESO_--_hwbbii.html

While playing around I thought it looked like a fairly old fashioned 
beach scene and decided to give it a BW treatment.  Converted using an 
red filter.  (I re-cropped it because I kind of wanted to show the end 
of the Boardwalk).

http://www.mindspring.com/~morephotos/PESO_--_hwbbiiibw.html

Finally I wondered what it would look like if I gave it the kind of over 
the top dramatic look you see in some of Ansel Addams'
later reprints so I increased the contrast with a curves adjustment layer.

http://www.mindspring.com/~morephotos/PESO_--_hwbbiiibwhc.html

There a little something for everyone.

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RE: K10D and fill flash

2007-03-08 Thread Markus Maurer
Hi Jens
I have 1 day of experience with the K10D so I can only speculate.
If you set the camera to F8 and the flash in auto mode to F 5.6 or F4 you
should get some flash fill.
If you set the camera to ISO 100 and the flash to ISO 200-400 in auto mode
that should work too.
I speak of older flashes like the Metz or  Pentax you have.

greetings
Markus



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Jens Bladt
Sent: Thursday, March 08, 2007 7:18 AM
To: Pentax-Discuss Mail List
Subject: K10D and fill flash


How do you get the K10D to shoot fill flash. That is less flash (fill flash)
light than for normal flash (main light), please?
Regards

Jens Bladt

http://www.jensbladt.dk
+45 56 63 77 11
+45 23 43 85 77

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread mike wilson

 
 From: Boris Liberman [EMAIL PROTECTED]
 Date: 2007/03/08 Thu PM 02:18:25 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: OT: Sigma 200-500 2.8 EX DG
 
 Notice that you will have to buy a camera *show*... This is
 obviously a misprint, but it is done on purpose.

Wouldn't you want to tell all your friends if you owned it?  What better way 
than a camera show?

 
 On 3/8/07, mike wilson [EMAIL PROTECTED] wrote:
 
  
   From: Ryan Lee [EMAIL PROTECTED]
   Date: 2007/03/08 Thu PM 12:23:20 GMT
   To: Pentax-Discuss Mail List pdml@pdml.net
   Subject: Re: OT: Sigma 200-500 2.8 EX DG
  
   The link on that page is javascript, but here's the content link:
   http://www.sigma-photo.co.jp/english/news/200_500_28.htm
  
  
   - Original Message -
   From: Ryan Lee [EMAIL PROTECTED]
   To: Pentax-Discuss Mail List pdml@pdml.net
   Sent: Thursday, March 08, 2007 10:16 PM
   Subject: OT: Sigma 200-500 2.8 EX DG
  
  
http://www.sigma-photo.co.jp/english/index.htm
   
Hey how's this for a walkabout lens?
 
  *Camera show sold separately
 
  For the price this will retail at, I would expect a freebie.  And a tripod.
 
 
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 -- 
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PESO: From Belgium's backyards

2007-03-08 Thread Ralf R. Radermacher
For a change, something quite out of the ordinary: a daytime colour
picture. ;-)

http://www.fotocommunity.de/pc/pc/mypics/770012/display/8184995

As always, your comments... :-)

Ralf

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RE: PESO -- Relaxed

2007-03-08 Thread Markus Maurer
A good idea but the dog need as bit more room around the nose and no
cropping of the paw for me.
greetings
Markus

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
[EMAIL PROTECTED]
Sent: Thursday, March 08, 2007 8:39 AM
To: pdml@pdml.net
Subject: Re: PESO -- Relaxed


In a message dated 3/7/2007 3:51:05 P.M. Pacific  Standard Time,
[EMAIL PROTECTED] writes:
Alexa, enjoying the  fireplace.

http://www.michaelhamilton.ca/2007/03/07/enjoying-the-warmth/

K10D  w/ 43LTD.

Comments, critiques welcome.
--
--
Cheers,

[EMAIL PROTECTED]

=
Good  composition.

Marnie aka Doe :-)

BRBRBR**BR AOL now offers free
email to everyone.  Find out more about what's free from AOL at
http://www.aol.com.

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RE: Simplified PS workflow

2007-03-08 Thread Markus Maurer
Hi Boris
don't forget to save your profile(s) too. It contains email, adressbook,
favorites, templates and more.
Most people forget to save it and loose all that in case of

If you use ntbackup, dont't forget to  include \documents and settings
(Dokumente und Einstellungen)

greetings
Markus



-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Boris Liberman
Sent: Thursday, March 08, 2007 6:11 AM
To: Pentax-Discuss Mail List
Subject: Re: Simplified PS workflow


Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below
automatically if you choose save for web option from the menus.

Also, generally the less files you have on your desktop the faster your
windows is. This is at least has been my experience. Personally, I have
two hard drives on my PC. Each has a directory called work on the top
most level like c:\work or d:\work, etc. There I have all my stuff
organized the way I see fit. It is also easier to backup/restore it this
way. I just tell the backup program to backup these two directories and
I am done.

Boris



graywolf wrote:
 1. Resample image to 72ppi.
 2. Change profile to sRGB.
 3. Change image to 8 bit.
 4. Save for Web and delete modified image.

 To go with that I revised my workflow so that raw images from the camera
 or one of the scanners go into a Raw Images folder on the Desktop. I
 consider those to be my digital equivalent of negatives.

 Using Camera Raw I convert to PSD files which go into a PSD Images
 folder on the Desktop. These are the working images to be edited to
 final print form.



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Re: Buying a monopod

2007-03-08 Thread mike wilson

 
 From: Boris Liberman [EMAIL PROTECTED]
 Date: 2007/03/08 Thu PM 02:42:16 GMT
 To: Pentax-Discuss Mail List PDML@pdml.net
 Subject: Buying a monopod
 
 Hi!
 
 I've decided I'd buy a monopod. My choices are basically
 Slik 350 and
 Manfrotto 680.
 
 Any specifics I should be looking for or both are acceptable.
 
 Mainly I am going to use it with 80-320 towards 320 mm of course. And
 generally a bit of (mobile) support won't hurt me.
 
 What do you say?

Generally, the fewer joints the better.  If you must have more than one, high 
quality is of the essence.  I am not sure of the grooved shaft on the Slik 
(sounds like a gimmick, ready to fill with stuff and stop it working) or the 
quality of the locks.  Manfrotto for me.


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Re: Simplified PS workflow

2007-03-08 Thread graywolf
Yes, I also understood that to be true. However the thread I mentioned 
was about a sudden problem with PS not doing that. Since the action does 
it with no effort on my part, that takes care of the problem altogether.

Boris Liberman wrote:
 Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below 
 automatically if you choose save for web option from the menus.


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RE: Lens Roadmap

2007-03-08 Thread Henk Terhell
I would much like a DA 28/2.8 with 49 mm diameter. Surely this would not
be an expensive and not bulky standard lens.

Henk

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of David Oswald
 Sent: 07 March, 2007 6:47 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Lens Roadmap
 
 
 
 Where's a DA28?  Am I the only one who loves the 28mm focal 
 length on a 
 DSLR?
 
 


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Re: Simplified PS workflow

2007-03-08 Thread Boris Liberman
Markus,

On 3/8/07, Markus Maurer [EMAIL PROTECTED] wrote:
 Hi Boris
 don't forget to save your profile(s) too. It contains email, adressbook,
 favorites, templates and more.
 Most people forget to save it and loose all that in case of

 If you use ntbackup, dont't forget to  include \documents and settings
 (Dokumente und Einstellungen)

I use EMC Retrospect backup software that came with 0.5 TB external
hard drive that I have. I have MozBackup that I use routinely to
backup my e-mail and my browser info to a file. These files are backed
up via Retrospect.

My address book is stored on my cell phone, that is sync'ed with MS
Outlook. So, I am 99.9% covered. Or at least I hope so ;-).

-- 
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RE: beauty shot: Pentax K10D- 17mm lenses are out there

2007-03-08 Thread J. C. O'Connell
I am not saying that the istDS cannot create/output
wide range images ( such as beyond the printing
range of a printer), of course it can, it outputs
up to full white/full black digital,  I am saying it can't RECORD
really wide range SCENES without blowing out
the highlights and/or blocking up the shadows. Big difference.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
P. J. Alling
Sent: Thursday, March 08, 2007 7:51 AM
To: Pentax-Discuss Mail List
Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


Interesting, I would have thought that it would do better.  I'm able to 
get a greater dynamic range than I can print.  ACR, even the previous 
version, is supposed to be one of the best converters.

J. C. O'Connell wrote:
 ACR, not the newest version, I am using
 with PS CS(1)
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of P. J. Alling
 Sent: Wednesday, March 07, 2007 6:12 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


 Which raw converter are you using?

 J. C. O'Connell wrote:
   
 Well, only 8 stops out of print film has got
 to be a mistake of some sorts, I have
 seen numbers reported as high as 15 stops
 out this type of film and I know for
 a fact there is like 3 stops of LATITUDE
 alone on the good slow color neg films,
 (not to be confused with dynamic
 range )which would be impossible if there
 was only 8 stops total range.

 I did some tests with the DS shooting
 RAW and found that I was unable to record
 capture what I could easily see, even using
 raw. The exposure latitude with that camera is
 much smaller than color neg film.

 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of William Robb
 Sent: Wednesday, March 07, 2007 3:55 PM
 To: Pentax-Discuss Mail List
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there



 - Original Message -
 From: Peter Lacus
 Subject: Re: beauty shot: Pentax K10D- 17mm lenses are out there


   
 
 Bill,

 
   
 DSLR cameras are showing 10 stops or more of dynamic range, which 
 is
 

   
 about 3 stops more than that of print film, probably 5 stops more
 range than slide
 film.
   
 
 IMHO there's only one definitive truth - film emulsions react to the

 light in a different way than linear digital sensors. Indeed it's
   
 much
   
 
   
   
 
 easier to extract useful data from digital RAW files but does it
 prove
 
   
   
 
 that digital sensor captures wider dynamic range? IMHO it proves 
 that current scanners are not capable of extracting data from the 
 film
   
 more
   
 
   
   
 
 than anything else.
 
   
 I'd have to dig out my charts from when I was learning the Zone
 System, but my recollection is that I was never able to get more than

 9-10 stops out of
 BW film without going to very exotic processing methods.
 My experience working as a QC technician in the photo lab industry
 indicated 
 to me that print film, when measured on a densitometer, was incapable
 
 of
   
 givng more than 7-8 stops of dynamic range.

 My observations were not dependant on scanner limitations or paper
 dynamic ranges, but on direct measurement of film samples using a 
 device designed
 specifically for that purpose.

 William Robb


   
 


   


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Re: Buying a monopod

2007-03-08 Thread Christian
Boris Liberman wrote:
 Hi!
 
 I've decided I'd buy a monopod. My choices are basically
 Slik 350 and
 Manfrotto 680.
 
 Any specifics I should be looking for or both are acceptable.
 
 Mainly I am going to use it with 80-320 towards 320 mm of course. And
 generally a bit of (mobile) support won't hurt me.

The 680 looks nice.  I have a Bogen/Manfrotto that works very well for 
me. (not as compact as the 680 but supports a lot of weight) I use a 
tilt/swivel head on it with a Arca-swiss quick release to make switching 
camera and lenses faster.  It actually balances very nicely with the new 
500mm F4 lens.  Can't wait to try this out on motorsports.  Generally 
I've had good luck with bogen/Manfrotto products and would gothat route 
even if it cost a bit more.



-- 

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http://photography.skofteland.net

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Digital Camera User Demography (Japan)

2007-03-08 Thread K.Takeshita
Just some interesting observations.
Industrial Information Research Institute of Japan have published annual
survey of the digital camera usage.

Link is below;

http://www.industrial-info.biz/press/press20070307.pdf

Sorry, it's in unknown alien language but all you have to read are those
charts.  There are 5 major questionnaires and the question numbers
corresponds to the chart numbers.  I will give you the translation of
legends.

Question 1: Do you think that the image quality from digital cameras are
better than those from film cameras?  See Chart 1 (I am sure you can figure
out which is the chart 1).

X axis from top
Total (in bracket is a number of respondents)
Male
Female

Y axis from left
Digital is better
Film is better
Same
Don't know

Question 2; What do you think of functions and performance of cameras of
cell phones (in comparison with PS Digitals)?  See Chart 2

X axis
Total
Male
Female

Y axis
About the same as PS and adequate for normal size print
Worse than PS but adequate for normal size print
Not adequate for print
Don't know

Please note that cell phones in Japan are generally far superior than those
in N.America and many of them have over 3 megapixels.  With many using cell
phones for snap photos, this question is valid but only in Japan (and maybe
a few other countries, at least for now).

Question 3. What functions do you want to see in digital cameras?
Chart 3

X axis
Image Stabilization
High ISO performance
Weather proofing
Face recognition
Dust Reduction
Movie
Wireless LAN
Others

Question 4; Which brand of digital camera do you wish to purchase?
Chart 4

X axis
Canon
Sony
Nikon
Panasonic
Olympus
Fuji
Casio
Pentax
Leica
Kodak
Ricoh
Sanyo
Others

Y axis
PS digital (blue hatched)
DSLR (red hatched)

Question 5; What do you think would be the appropriate pixel numbers?
Chart 5

X axis
This time
Last time

Y axis
Below 5mp
6mp
7mp
8mp
9mp
10mp
12mp
Over 15mp
Don't know

There is a sub-question to this, which is;
If everything else (design, size, functions, performance and price) is
equal, but different pixel count, which brand are you going to buy?
Response was will buy higher pixel cameras regardless of the brand - 49.3%
and will buy the favourite brand camera regardless mof pixel count - 35.2%


The rest of the charts are true demographic info such as gender,
occupations, age, interest/hobby, place of residence and how they come to
know the questionnaire.  If anyone would be interested in knowing these
demog info, please let me know.

Have fun.

Ken





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Re: Sigma DP1

2007-03-08 Thread Jaume Lahuerta
Actually I think that the 28mm are alredy 'equivalent'.
The lens is a 16.6mm F4.

Better now?
;-)

- Mensaje original 
De: Boris Liberman [EMAIL PROTECTED]
Para: Pentax-Discuss Mail List pdml@pdml.net
Enviado: jueves, 8 de marzo, 2007 15:07:33
Asunto: Re: Sigma DP1

Let me see. On this kind of sensor the 28 mm lens becomes more or less
similar to 43 limited lens. But, unfortunately, it is only F4 lens.
Not was enough for *me*... Sorry folks, I get to keep the money.

Cheers.

On 3/8/07, Walter Hamler [EMAIL PROTECTED] wrote:
 Ken wrote:
 Mmmm..APS-C Foveon sensor
 More refined styling plus viewfinder.

 http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html

 Awfully tempting.  Let's see what other might come up with.

 Isn't that the same as the Leica version?  I looked at the Leica and was
 very impressed, for about 600.00.

 Walt

 Ken


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Re: Simplified PS workflow

2007-03-08 Thread graywolf
The files, as I thought I made clear, are only temporarily on the 
Desktop. In fact those three temporary file folders are the only ones 
actually on the desktop, plus links to my documents partition and a 
folder for transferring files to and from my laptop. I keep my desktop 
very clean. If I am working on a project I put links there for the 
software I am using frequently, when the project is done I remove them. 
However, you may have a point, while I have not had a corrupted desktop 
in a long time (years) that used to happen quite often, It might be 
better to have the files where they will not be lost if that happens.

I use bicubic sharper to resize the webimages, that seems to do a good 
job of sharpening them about the correct amount.

-graywolf

Markus Maurer wrote:
 Hi Graywolf
 putting real documents or images on the desktop is a bad habit IMHO. You
 should only have links/aliases there.
 As a rule you should separate programs and data files on different
 partitions .
 Windows and programs on c:, documents and images in different folders on d:.
 That way just have to backup d: and make an image of c: to d: with ghost or
 a similar program from time to time and burn that image to dvd.
 Of course you have to manually tell/force some programs like Outlook/Express
 or finance programs to safe  data on d:
 
 Your action does not sharpen the photos after resizing. I would do that as
 step 3.
 
 
 greetings
 Markus
 
 
 
 
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
 graywolf
 Sent: Thursday, March 08, 2007 2:37 AM
 To: PDML
 Subject: Simplified PS workflow
 
 
 A follow up on my recent Save For Web thread.
 
 I did set up an action (turned out to be quite simple) to do the following:
 
 1. Resample image to 72ppi.
 2. Change profile to sRGB.
 3. Change image to 8 bit.
 4. Save for Web and delete modified image.
 
 To go with that I revised my workflow so that raw images from the camera
 or one of the scanners go into a Raw Images folder on the Desktop. I
 consider those to be my digital equivalent of negatives.
 
 Using Camera Raw I convert to PSD files which go into a PSD Images
 folder on the Desktop. These are the working images to be edited to
 final print form.
 
 Anything for the web is now converted by the action above and saved into
 a Web Images folder (also on the desktop). Which can be done by hitting
 F12 on an open image or by running the action on the PSD Image folder
 as a batch and converting all of them.
 
 Once I am through selecting them the Web Images I want to use go to an
 appropriate folder in my Webpage archive to be uploaded, and the batch
 is deleted from the Web Images folder (remember it is as simple as
 hitting F12 to recreate them). PSD images get saved to am appropriate
 subfolder in my Photos Partition, and the raw images get archived.
 
 Seems to be working well so far.
 
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Re: PAW - Camouflage (Repost)

2007-03-08 Thread Eactivist
In a message dated 3/8/2007 5:44:16 A.M. Pacific  Standard Time, 
[EMAIL PROTECTED] writes:
Great improvement Marnie. The effort  paid off.
And good luck on PAW project. I'll chime in now and then.  

I've been thinking about doing PAW myself. But I am a bit indecisive  about
it. The reason is that I am afraid it could kill my creativity.
As  if I where creative ;-)
Time will tell. I spend too much time with my birds  at the moment, and I
can't see bird photos as PAW.


Tim  Typo
Mostly harmless (just plain Norwegian)


Thanks,  Tim. I can.

Marnie aka Doe  re birds  :-)  

BRBRBR**BR AOL now offers free 
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Re: Simplified PS workflow

2007-03-08 Thread graywolf
More problems than that! Here it the post I referred back to, so folks 
do not have to check the archives:

For some reason, all of a sudden, when I use Save for Web in PS CS2 I 
am getting a desaturated, color shifted jpeg. This has just started 
happening. I do not recall making any changes in PS settings. I did have 
automatic updates on, could Adobe have made some change? Has anyone else 
noticed a similar problem?

My normal procedure has been to resize the image to 100ppi from my 
standard 256ppi using Bicubic Sharper, then use Save for Web to get a 
small jpeg. Doing that now gets me something like this:

http://www.graywolfphoto.com/digital/_images/Misc/P2210331.jpg

As a comparison this one was done using Save As and is much closer to 
what my .psd looked like (Warning very large file. Which is why I use 
save for web, it strips a lot of junk out of the file):

http://www.graywolfphoto.com/digital/_images/Misc/Rube%20Goldberg%20Recording%20Studio.jpg

I have gone through some of the older images on my webpage just to make 
sure that was not happening in the past without my noticing. It was not.

Several folks suggested I use those four steps to solve the problem. 
Setting up an action to do it means it only takes pressing one button 
and it happens about as fast as you can snap your fingers even on my old 
slow PC.

---

John Francis wrote:
 I believe this thread got started because SFW *doesn't* do (2)

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PESO: From Belgium's backyards

2007-03-08 Thread Walter Hamler
Don't know about Europe, but I bet it is impossible to shoot an industrial 
site in the US without the obligatory dumpster and overflowing trash!
I definately like the night scenes more.

Walt 


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Re: Sigma DP1

2007-03-08 Thread Boris Liberman
Well, actually even worse ;-). I like standard lenses...

On 3/8/07, Jaume Lahuerta [EMAIL PROTECTED] wrote:
 Actually I think that the 28mm are alredy 'equivalent'.
 The lens is a 16.6mm F4.

 Better now?
 ;-)

 - Mensaje original 
 De: Boris Liberman [EMAIL PROTECTED]
 Para: Pentax-Discuss Mail List pdml@pdml.net
 Enviado: jueves, 8 de marzo, 2007 15:07:33
 Asunto: Re: Sigma DP1

 Let me see. On this kind of sensor the 28 mm lens becomes more or less
 similar to 43 limited lens. But, unfortunately, it is only F4 lens.
 Not was enough for *me*... Sorry folks, I get to keep the money.

 Cheers.

 On 3/8/07, Walter Hamler [EMAIL PROTECTED] wrote:
  Ken wrote:
  Mmmm..APS-C Foveon sensor
  More refined styling plus viewfinder.
 
  http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html
 
  Awfully tempting.  Let's see what other might come up with.
 
  Isn't that the same as the Leica version?  I looked at the Leica and was
  very impressed, for about 600.00.
 
  Walt
 
  Ken
 
 
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Re: Sigma DP1

2007-03-08 Thread K.Takeshita
On 3/08/07 10:35 AM, Jaume Lahuerta, [EMAIL PROTECTED] wrote:

 Actually I think that the 28mm are alredy 'equivalent'.
 The lens is a 16.6mm F4.

It has a sensor 12 times the size of 1/2.5 and 8 times the 1/1.8.
So, can't simply dismiss it.  Remember, this is for the portability with
excellent image quality.

My hope is that this would provoke 4/3 camp to counter this :-).

Ken


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Re: Simplified PS workflow

2007-03-08 Thread graywolf
It worked that way for me, Shel, until I changed my working profile from 
AdobeRGB to ProfotoRGB, then it broke. But it did not break right away, 
I assume that a recent automatic upgrade caused the problem but, by 
setting up an action to do it solves the problem, hopefully forever.

Setting up an action turned out to be real easy. Just open the Action 
window, set it on record and manually process one image, then save the 
action. I assigned it to F12, so to use it all I have to do to use it 
is hit F12 and the current image is processed and the resized PSD 
deleted. (I hope I have enough sense to save the image before hitting 
F12.)



Shel Belinkoff wrote:
 It does for me.  I just dump a 16-bit file into the SFW option and it
 converts to 8-bit, 72-ppi and sRGB unlsee told otherwise. Been doing it
 that way off and on for some time.  Maybe some people have their SFW
 options set differently than mine - I don't know, just know what works for
 me.
 
 Shel
 
 
 [Original Message]
 From: John Francis [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: 3/8/2007 12:32:57 AM
 Subject: Re: Simplified PS workflow


 I believe this thread got started because SFW *doesn't* do (2)

 On Wed, Mar 07, 2007 at 09:15:08PM -0800, Shel Belinkoff wrote:
 SFW does 1, 2, and 3 ...

 Shel
 Why in Hell should I have to Press 1 for English?!!! 


 [Original Message]
 From: Boris Liberman [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: 3/7/2007 9:12:45 PM
 Subject: Re: Simplified PS workflow

 Tom, as far as I understand, the PhotoShop CS2 does 2 and 3 below 
 automatically if you choose save for web option from the menus.

 Also, generally the less files you have on your desktop the faster
 your 
 windows is. This is at least has been my experience. Personally, I
 have 
 two hard drives on my PC. Each has a directory called work on the
 top 
 most level like c:\work or d:\work, etc. There I have all my
 stuff 
 organized the way I see fit. It is also easier to backup/restore it
 this 
 way. I just tell the backup program to backup these two directories
 and 
 I am done.

 Boris



 graywolf wrote:
 1. Resample image to 72ppi.
 2. Change profile to sRGB.
 3. Change image to 8 bit.
 4. Save for Web and delete modified image.

 To go with that I revised my workflow so that raw images from the
 camera 
 or one of the scanners go into a Raw Images folder on the Desktop.
 I 
 consider those to be my digital equivalent of negatives.

 Using Camera Raw I convert to PSD files which go into a PSD Images 
 folder on the Desktop. These are the working images to be edited to 
 final print form.


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PESO -- West Boardwalk, Hammonassett Beach, Revisited (several times)

2007-03-08 Thread Walter Hamler
I definately prefer the BW #1, with the color as #2. The High Contrast 
rendition is way too contrasty for me.

Walt 


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Re: Buying a monopod

2007-03-08 Thread Boris Liberman
It costs 1.5 times as much as Slik, but still within my reach.

On 3/8/07, Christian [EMAIL PROTECTED] wrote:
 Boris Liberman wrote:
  Hi!
 
  I've decided I'd buy a monopod. My choices are basically
  Slik 350 and
  Manfrotto 680.
 
  Any specifics I should be looking for or both are acceptable.
 
  Mainly I am going to use it with 80-320 towards 320 mm of course. And
  generally a bit of (mobile) support won't hurt me.

 The 680 looks nice.  I have a Bogen/Manfrotto that works very well for
 me. (not as compact as the 680 but supports a lot of weight) I use a
 tilt/swivel head on it with a Arca-swiss quick release to make switching
 camera and lenses faster.  It actually balances very nicely with the new
 500mm F4 lens.  Can't wait to try this out on motorsports.  Generally
 I've had good luck with bogen/Manfrotto products and would gothat route
 even if it cost a bit more.



 --

 Christian
 http://photography.skofteland.net

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Re: hmm. Lensbabies for Pentax 645

2007-03-08 Thread Margus Männik
Hi,

It' s for Pentax 67, not 645. Crazy :)

BR, Margus


Godfrey DiGiorgi wrote:

Announced at PMA ...

http://www.pma-show.com/0163/lensbabies/slrlens/speciallens/

G

  


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Re: Locked SD Card Problem

2007-03-08 Thread Tomasz Machnik


On Wed, 07 Mar 2007 00:55:03 -0500
Doug Franklin (Doug Franklin [EMAIL PROTECTED]) wrote:

 Shel Belinkoff wrote:
 
  I wonder if there's a way to set
  the card permanently in the unlocked position.
 
 Push it to the unlocked position.
 
 Very carefully, with a really sharp knife, carve of any part of the
 tab that extends beyond the interior of the case.

...and this will _lock_ the card permanently. 

There is no switch inside the card. The tab, when in unlocked position,
activates a switch in the socket, allowing the card to be writable. 
No tab = card read only.

here's something that can be handy 'on location', in emergency with no
shops in sight and with your OTG drive safe at home - as it
happened to me:
You need to put a matching bit in place of the broken/lost tab in
unlocked position (covering top half of the notch). I used a bit of
cigarette box (Chesterfield it was i think :), placed it in the slot
where the tab was and secured with superglue. Card is still fine (over
a year).


teem


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread Christian
Ryan Lee wrote:
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 

DAMMIT DAMMIT DAMMIT!  I shoulda held out for this instead of getting my 
slow-ass 500/4...  :-)

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Re: Sigma DP1

2007-03-08 Thread Boris Liberman
I really like the latest offerings by Olympus, the f/2 zooms are
indeed a step up or step forward!

On 3/8/07, K.Takeshita [EMAIL PROTECTED] wrote:
 On 3/08/07 10:35 AM, Jaume Lahuerta, [EMAIL PROTECTED] wrote:

  Actually I think that the 28mm are alredy 'equivalent'.
  The lens is a 16.6mm F4.

 It has a sensor 12 times the size of 1/2.5 and 8 times the 1/1.8.
 So, can't simply dismiss it.  Remember, this is for the portability with
 excellent image quality.

 My hope is that this would provoke 4/3 camp to counter this :-).

 Ken


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Re: hi5 - Who's in?

2007-03-08 Thread Margus Männik
Probably I am the only one in here, who could read this :)
OK, I'll try to translate. As Roman seems to be not native estonian, his 
speech is also a bit non-estonian grammatically):
Believe or not, but this guy is deaf. Probably he is a model or at least 
he has a good chance to be one - just like you have.

BR, Margus


Roman wrote:

http://www.hi5.com/friend/profile/displayProfile.do?userid=1464592
Usu või mitte, aga see kutt on ka kurt, ja arvatavasti modell või siis 
vähemalt tal on kõik eeldused selleks saada, nagu ka sinul.





  


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Re: Went back and reshot the damn bird!

2007-03-08 Thread Kenneth Waller
Nah. Its a fake tree!

Kenneth Waller

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: RE: Went back and reshot the damn bird!


 That's one of those little fake birds from the craft store. :-)
 
 Yes it's better.
 
 Tom C.
 
 
 
From: Paul Stenquist [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List PDML@pdml.net
Subject: Went back and reshot the damn bird!
Date: Wed, 7 Mar 2007 19:05:23 -0500

Okay, so the white sky sucks. I went back and reshot that bird when the
sky was better. I found him in exactly the same place. Imagine that!
:-))
http://www.photo.net/photodb/photo?photo_id=5691710size=lg


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Re: Went back and reshot the damn bird!

2007-03-08 Thread Christian
Paul Stenquist wrote:
 Okay, so the white sky sucks. I went back and reshot that bird when the 
 sky was better. I found him in exactly the same place. Imagine that! 
 :-))
 http://www.photo.net/photodb/photo?photo_id=5691710size=lg
 

:-) seriously, it looks like it was shot in a diorama at a museum...


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Re: Locked SD Card Problem

2007-03-08 Thread K.Takeshita
On 3/07/07 6:48 PM, Tomasz Machnik, [EMAIL PROTECTED] wrote:

 There is no switch inside the card. The tab, when in unlocked position,
 activates a switch in the socket, allowing the card to be writable.
 No tab = card read only.

Thought so, as it was such a cheap plastic slide button.   Sort of like
breakable tab on audio tape.  Then there would be all sorts of emergency
measures.  But do not wish to lose it inside of camera :-).

Ken


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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread John Whittingham
On Thu, 08 Mar 2007 09:28:08 -0500, K.Takeshita wrote
 On 3/08/07 9:11 AM, John Whittingham, [EMAIL PROTECTED] wrote:
 
  You could always gut it and use it as the worlds most expensive thermos 
flask
  8)
 
 A guy in Japan posted;
 
 With a radar dome attached in front, this is a fat submarine with a 
 crew of two.
 
 Ken

LOL

John



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Re: From Belgium's backyards

2007-03-08 Thread William Robb

- Original Message - 
From: Ralf R. Radermacher 
Subject: PESO: From Belgium's backyards


For a change, something quite out of the ordinary: a daytime colour
picture. ;-)

http://www.fotocommunity.de/pc/pc/mypics/770012/display/8184995

As always, your comments... :-)


Does anyone actually live in Belgium or is it one big factory?
G

William Robb

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Re: More dog pictures

2007-03-08 Thread William Robb

- Original Message - 
From: Tim Øsleby
Subject: RE: More dog pictures


 Baiting here are we?
 (I'm referring to last sentence)

Debunking myths and spurious claims.

William Robb 


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Re: Saturation/Sharpness/Contrast settings at Natural in K10D

2007-03-08 Thread Kenneth Waller
 What are your experiences with the settings for saturation, sharpness and
 contrast so far?
I've left them all @ default.

You have much better control in PS.


Kenneth Waller

- Original Message - 
From: Markus Maurer [EMAIL PROTECTED]

Subject: Saturation/Sharpness/Contrast settings at Natural in K10D


 Hi K10D users

 What are your experiences with the settings for saturation, sharpness and
 contrast so far?
 Can I just leave them at the default natural setting or would I even get
 better results lowering for ex. in camera sharpening (and/or
 saturation/contrast) and doing that as the last step in Photoshop after 
 all
 other adjustments? I prefer natural, not oversaturated and oversharpened
 photos, that's why I ask :-)

 Just got the camera yesterday and had not enough time for experiments 
 beside
 flashing with the AF280T

 greetings
 Markus


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Re: Pentax gallery : picture description

2007-03-08 Thread Kenneth Waller
Sad to admit, I didn't get it @ first Tom. I didn't know if you were 
familiar with the gallery.


Kenneth Waller

- Original Message - 
From: Tom C [EMAIL PROTECTED]
Subject: Re: Pentax gallery : picture description


I hope you're joking Ken.  I was. :-)



 Tom C.


From: Kenneth Waller [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Pentax gallery : picture description
Date: Wed, 7 Mar 2007 16:06:43 -0500

Tom, there's a description area  a Title area
Both require input or Pentax won't accept.


No Title will work on one image, but then you'll a whole gallery of No
Name
Could simply number them, but Pentax might not accept an entire gallery of
numbers.

Kenneth Waller

- Original Message -
From: Tom C [EMAIL PROTECTED]
Subject: RE: Pentax gallery : picture description


  Picture descriptions are an arrogant way of telling the viewer how to
  interpret the photo and are condescending. Just write No Title.
Better
  yet, just give it a meaningless number.
 
 
 
  Tom C.
 
 
 From: Thibouille [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Pentax gallery : picture description
 Date: Wed, 7 Mar 2007 19:11:55 +0100
 
 I have no idea about how one do put a description of a picture, 
 usually.
 Do you say Paris by night or should it be longer (describing exactly
 what is on the picture) etc...
 
 I'm a bit lost.
 
 --
 Thibault Massart aka Thibouille


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Re: Declined...

2007-03-08 Thread Kenneth Waller
 What I don't believe is that tired old saw about how a good picture will
 always overcome it's technical flaws.

I agree with that statement as long as always is in there.

While I definitely strive for technically well done images, a unique 
pose/action by an animal can definitely overcome some of those deficiencies.

Kenneth Waller

- Original Message - 
From: William Robb [EMAIL PROTECTED]
Subject: Re: Declined...



 - Original Message - 
 From: Mark Roberts
 Subject: Re: Declined...


 Kenneth Waller wrote:

As you say, digital images work best when they are lacking in detail
 and
graphical in nature.

Sort of style vs substance?

 By the way, I don't believe the statement that digital images work best
 when they are lacking in detail and graphical in nature. That's a
 massive oversimplification at *best*.


 Sometimes massive oversimplifications hit the nail on the head.
 I carp quite often that this picture or that is worthy of a Wisner. By
 this,
 I mean that the picture is deserving of the increase in technical quality
 that more detail will provide.


 William Robb


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Re: hmm. Lensbabies for Pentax 645

2007-03-08 Thread Godfrey DiGiorgi
lol ...
Get the 6x7 to 645 adapter ... ?

G

On Mar 8, 2007, at 8:07 AM, Margus Männik wrote:

 Hi,

 It' s for Pentax 67, not 645. Crazy :)

 BR, Margus


 Godfrey DiGiorgi wrote:

 Announced at PMA ...

 http://www.pma-show.com/0163/lensbabies/slrlens/speciallens/

 G




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RAW batch processors and RAW Browsers out there?

2007-03-08 Thread J. C. O'Connell
I would like to do the following in
an automated (batch file) way:

1. Open a pentax raw file, set maximum white
level on RAW file as 100% white, set minimum
black level on RAW file as 100% black, do
a fixed medium level unsharp mask, and
save as an uncompressed 16 bit file as
well as a jpeg at absolute minimum compression.

2. Same as above but add : convert to sRGB colorspace
right after opening the file. and create a third
jpeg, with reduced size and more compression
for web usage.

Is there any software out there that can do
this stuff easily to a whole folder of RAW
files other than photoshop actions?



I would also like to know if there is a good
RAW file browser out there that can read
RAW/jpeg/tiff/etc files and display thumbs and previews
with adjustable thumbnail and preview sizes
other than the photoshop browser which I am not
thrilled with.

Thanks in advance.

jco

 


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Re: PESO: From Belgium's backyards

2007-03-08 Thread Ralf R. Radermacher
Walter Hamler [EMAIL PROTECTED] wrote:

 I definately like the night scenes more.

Just thought I'd show you something done in daylight, for a change.

Reminds me of my radio days when I did three years of continuous night
shifts until they referred to me as the mine horse. ;-)

Ralf

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private homepage: http://www.fotoralf.de
manual cameras and photo galleries - updated Jan. 10, 2005
Contarex - Kiev 60 - Horizon 202 - P6 mount lenses

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RE: PESO -- West Boardwalk, Hammonassett Beach, Revisited (several times)

2007-03-08 Thread Tom C
I like the color version the best and the crop/sharpening makes a huge 
difference, IMO, between making it a photo I feel ambivalent toward to 
making it one that I now like. :-) :-)

The BW conversion works for me also.

The 'Ansel Adams' version doesn't do much for me.


Tom C.



From: P. J. Alling [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO -- West Boardwalk, Hammonassett Beach, Revisited (several 
times)
Date: Thu, 08 Mar 2007 10:06:22 -0500

I got a number of suggestions on this and did a bit of playing around,
(you can mess around endlessly and never be satisfied).

First both and Tom and Tim didn't like the crop.  So I cropped it in
sort of a compromise between their suggestions, (and Tom though it
wasn't sharp enough, so I did a bit of possibly in judicious
sharpening).  The result is this:

http://www.mindspring.com/~morephotos/PESO_--_hwbbii.html

While playing around I thought it looked like a fairly old fashioned
beach scene and decided to give it a BW treatment.  Converted using an
red filter.  (I re-cropped it because I kind of wanted to show the end
of the Boardwalk).

http://www.mindspring.com/~morephotos/PESO_--_hwbbiiibw.html

Finally I wondered what it would look like if I gave it the kind of over
the top dramatic look you see in some of Ansel Addams'
later reprints so I increased the contrast with a curves adjustment layer.

http://www.mindspring.com/~morephotos/PESO_--_hwbbiiibwhc.html

There a little something for everyone.

--
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Re: Sigma DP1

2007-03-08 Thread Dario Bonazza
Boris Liberman wrote:

I really like the latest offerings by Olympus, the f/2 zooms are
 indeed a step up or step forward!

Not really. Fast lenses are required by 4/3 in order to compensate for the 
noise due to smaller pixels (pixel count being equal) and for reducing depth 
of field (when useful) due to smaller sensor size.

So I perceive a F2 lens on 4/3 acting more or less like a F3.5 lens on 
APS-C, or a  F5.6 lens on 24x36mm.

Dario 


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Re: Sigma DP1

2007-03-08 Thread Adam Maas
Walter Hamler wrote:
 Ken wrote:
 Mmmm..APS-C Foveon sensor
 More refined styling plus viewfinder.
 
 http://dc.watch.impress.co.jp/cda/compact/2007/03/08/5749.html
 
 Awfully tempting.  Let's see what other might come up with.
 
 Isn't that the same as the Leica version?  I looked at the Leica and was 
 very impressed, for about 600.00.
 
 Walt

What Leica version? Leica rebadges Panasonics, not Sigma's.

-Adam

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Re: OT: Sigma 200-500 2.8 EX DG

2007-03-08 Thread John Francis

I just love this part:

  Shooting distance and focal length can be viewed on the lens' LCD
   panel, which is an additional convenience for the photographer.


On Thu, Mar 08, 2007 at 10:23:20PM +1000, Ryan Lee wrote:
 The link on that page is javascript, but here's the content link:
 http://www.sigma-photo.co.jp/english/news/200_500_28.htm
 
 
 - Original Message - 
 From: Ryan Lee [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Thursday, March 08, 2007 10:16 PM
 Subject: OT: Sigma 200-500 2.8 EX DG
 
 
  http://www.sigma-photo.co.jp/english/index.htm
  
  Hey how's this for a walkabout lens?
  
  Cheers,
  Ryan
  
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