OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
G'day Trendsetters,

A 4 frame pano from Dales Gorge, Karijini National Park, Westerm Australia:

http://www.flickr.com/photos/disavage/3577880434/

Direct link (Large ~300kb)
http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

Direct link (Original ~3.8MB)
http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

I'm not happy with the composition of this one, but the colours 
textures are nice.

Enjoy.

Cheers,

Dave

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Re: Lens considerations

2009-05-30 Thread Joseph McAllister

On May 29, 2009, at 22:21 , Leon Altoff wrote:


 Does anyone know at what focal length the 17-70 covers full
frame if at all (in case I ever use film again)?


At no f/l does the 17-70 cover full frame. Vignettes all the way.

Joseph McAllister
Pentaxian

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html


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Re: OT PESO - Levels (Pano)

2009-05-30 Thread Joseph McAllister

I'm not happy with the composition of this one, but the colors 
textures are nice. Could use more image at the top for balance.

Otherwise, lovely.


On May 29, 2009, at 23:49 , David Savage wrote:


G'day Trendsetters,

A 4 frame pano from Dales Gorge, Karijini National Park, Westerm  
Australia:


http://www.flickr.com/photos/disavage/3577880434/

Direct link (Large ~300kb)
http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

Direct link (Original ~3.8MB)
http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

I'm not happy with the composition of this one, but the colours 
textures are nice.


Joseph McAllister
pentax...@mac.com

“If I could tell the story in words, I wouldn’t need to lug a camera.”
–Lewis Hine


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Re: Lens considerations

2009-05-30 Thread Leon Altoff
Thanks Joseph,

I was thinking it wouldn't cover full frame, but hoping it would.

How are the image sharpness and bokeh of the 17-70?

-- 

Leon



2009/5/30 Joseph McAllister pentax...@mac.com:
 On May 29, 2009, at 22:21 , Leon Altoff wrote:

  Does anyone know at what focal length the 17-70 covers full
 frame if at all (in case I ever use film again)?

 At no f/l does the 17-70 cover full frame. Vignettes all the way.

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Re: Red Rhodie

2009-05-30 Thread Rick Womer

Beautiful, Paul.  Tripod or Steady Stenquist + anti-shake?

Rick


http://photo.net/photos/RickW


--- On Fri, 5/29/09, paul stenquist pnstenqu...@comcast.net wrote:

 From: paul stenquist pnstenqu...@comcast.net
 Subject: Red Rhodie
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Friday, May 29, 2009, 9:33 PM
 It's rhododendron season in Michigan.
 This bloom is one of hundreds on a ten footer in front of my
 house. DA* 60-250, f8, 1/750th. About 200mm.
 http://photo.net/photodb/photo?photo_id=9267595size=lg
 
 Paul
 
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RE: Lens considerations

2009-05-30 Thread John Whittingham
Hi Leon

There's a full test on the 17-70 at the following URL:

http://www.photozone.de/pentax/408-pentax_1770_4

I was at one point thinking of selling my DA*16-50 and buying one new, the 
20-35 still fetches good money on Ebay, not sure about the 28mm shift.

Regards,

John

From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Leon Altoff 
[leon.alt...@gmail.com]
Sent: 30 May 2009 06:21
To: Pentax-Discuss Mail List
Subject: Lens considerations

Hi All,

I have been considering lenses recently and the fact that I seem to be
changing them quite often.  My main lenses are a DA 16-45 and a SIgma
50-200 (which I will hopefully soon change to a 60-250 which I have
been waiting on for the past 2 years).

The 16-45 seems to be a bit too short far too often for my liking, and
having changed to the 50-200 is then too long for the picture I want 3
pictures later.  So I am considering upgrading the 16-45 to a 17-70.
My main camera is a K10D (probably upgrading to the K7 at some point,
but not as an early adopter as I was with the istD and the K10D)  so
the SDM only should not bother me.

As I am planning on selling the 16-45 and also my 20-35 to pay for the
new lens it means I won't have anything to cover 20mm at full frame
anymore.  Does anyone know at what focal length the 17-70 covers full
frame if at all (in case I ever use film again)?  I know the 16-45
will cover full frame at 20 mm, but I haven't seen anything on the
17-70 so any help would be appreciated - and comments on comparative
quality of build and images would also be nice. (Please don't suggest
I buy a lot of primes, I have some very nice primes and will add more
as time goes on, but zooms have their place.)

Of course I do have to pay for new purchases and need to sell a few
lenses to help offset new ones. Apart from the 16-45, I have a 20-35
and a 28mm shift, but I don't know if there is interest in these
lenses anymore and I need to figure out what they are worth before
officially offering them for sale.  If they are still popular can
someone let me know?

All comment gladly accepted.

Leon

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RE: OT PESO - Levels (Pano)

2009-05-30 Thread Bob W
 G'day Trendsetters,
 
 A 4 frame pano from Dales Gorge, Karijini National Park, 
 Westerm Australia:
 
 http://www.flickr.com/photos/disavage/3577880434/
 
 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg
 
 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg
 
 I'm not happy with the composition of this one, but the colours 
 textures are nice.
 
 Enjoy.

That's a nice picture of a beautiful scene. The only major criticism I have
is that it doesn't have Jenny Agutter swimming naked in it.

Famous scene here, for pervs of a certain age:
http://www.youtube.com/watch?v=IviQavf3zqQfeature=related

Bob


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Re: OT PESO - Levels (Pano)

2009-05-30 Thread Derby Chang

Bob W wrote:

G'day Trendsetters,

A 4 frame pano from Dales Gorge, Karijini National Park, 
Westerm Australia:


http://www.flickr.com/photos/disavage/3577880434/

Direct link (Large ~300kb)
http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

Direct link (Original ~3.8MB)
http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

I'm not happy with the composition of this one, but the colours 
textures are nice.

Enjoy.



That's a nice picture of a beautiful scene. The only major criticism I have
is that it doesn't have Jenny Agutter swimming naked in it.

Famous scene here, for pervs of a certain age:
http://www.youtube.com/watch?v=IviQavf3zqQfeature=related

Bob

  


You beat me to it, Bob. That, and Logan's Run...


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Eloquent nude

2009-05-30 Thread Derby Chang


Good old SBS (national government-sponsored station here in Oz). 
Serendipitously happened to catch a doco on Edward Weston and Charis 
Wilson this afternoon.


http://www.nwdocumentary.org/weston/
or
http://www.amazon.com/SPECIAL-Eloquent-Photographer-Legacy-DVD/dp/B001VAAXPU/ref=sr_1_1?ie=UTF8s=electronicsqid=1243677592sr=8-1

I knew she was an equal partner in many respects, so how the story ends 
can't have been all beer and skittles for her. But she does have very 
fond recollections of Weston.


Very well made, and it was a hoot hearing Charis talking pretty frankly 
about her life with him. And hearing a 90 year old talking about shaving...


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Re: PESO- Public Footpath [re-posting with link]

2009-05-30 Thread Derby Chang

Rick Womer wrote:

A bovine herd impeded progress a bit on the Thames Path yesterday.  One had to 
tread carefully.  We later passed a man walking the other way, barefoot.  Yuck.

http://photo.net/photodb/photo?photo_id=9264700size=lg

(K10D, FA 50/1.7)

Rick


  


Doing a bit of cow-tipping, Rick? Funny scene. It can probably almost 
become a pano, with a crop at the bottom.


D


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The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread Derby Chang


A really fascinating essay on LL today.

http://www.luminous-landscape.com/essays/rise-fall.shtml


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PESO: a mixed bag

2009-05-30 Thread Derby Chang


A few mixed pics.

http://members.iinet.net.au/~derbyc/09/09_05/09_05_cockatoo/01.htm

Went in to watch the telly shortly after this
http://members.iinet.net.au/~derbyc/09/09_05/09_05_autumnstorm/01.htm

Pulled this from the archives after reading the LL story. I still have a 
few rolls of Full Press 800.

http://members.iinet.net.au/~derbyc/09/09_05/09_05_iliad/index.htm

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Re: PESO: No Hands

2009-05-30 Thread Derby Chang

paul stenquist wrote:

http://photo.net/photodb/photo?photo_id=9262977size=lg

Click to make it smaller.


Just too cute. I want to click to make it larger

D

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Re: June PUG is up

2009-05-30 Thread mike wilson

William Robb wrote:

- Original Message - 
From: mike wilson

Subject: RE: June PUG is up




I'm amazed by Bill Robb's picture. First of all because people lived 
settled
(as opposed to nomadic) lives in such a place. I'm pretty sure that in 
most

parts of the world steppes and grasslands are mainly inhabited by nomads.
They must have looked out first thing every morning and thought 'Right,
where shall we go today?', and never come up with an answer. Second, that
his family were obviously extremely successful dry land farmers - they 
seem

to have produced an awful lot of it!


Seconded.  Must have been a scary place in the winter, especially with no 
shelter belt.  Did they build the cabin,




My understanding is that Grampa's brother came over some years earlier, 
prior to WWI and homesteaded in the area, and then our family came over as 
soon after WWI as they could manage and lived with the brother's family 
until the house was built.
It would have been built by my grandfather, his brother, and other local 
farmers.
This was an era of westward expansion by both the Canadian and the American 
governments, so land was practically being given away. all a person had to 
do was homestead it and be Canadian in order to give Canada leverage if the 
Americans decided to move the border north.
Consequently, a lot of imigrants were sold somewhat of a bill of goods 
regarding what they were getting, my grandfather being one of them.
About all the Robb's sucessfully farmed was rocks. There is a salt lake 
within a few miles of the farmsite that has enough dissolved mineral that a 
sodium sulphite extraction mill was built at the town of Bishopric, perhaps 
5 miles distant. On a hot breezy day, one can see the salt rising off the 
lake and drifting over the nearby farms.
The 1930s in that area was also one of the dryest times on record, with a 
drought that lasted pretty much the entire decade.
It was, apparently, a pretty brutal existence, you were either a tough SOB 
or you moved to Moose Jaw and sold your daughters into whoring to survive.
I suspect that if they had the money, they would have called the entire 
adventure a waste of time and moved back to Auchtermuchty.
My family farmed that area until well after WWII, although two sons were 
lost in the war, and two (my father and an uncle) came back from the 
European conflict, went to university and took up teaching.
The son that got the war exemption (they wouldn't take every male so as to 
ensure that families weren't wiped out completely) went on to become an 
engineer and ended up building a few power plants and hydro electric 
facilities for the fledgling Crown Corporation called SaskPower and my 
grandparents retired off the farm in the early 1950s and moved to a town 
nearby, where they resided until the early 1960s when they had to be moved 
into care facilities in Regina.


Thanks for showing interest, though I don't know if you were showing this 
much.


For me, it's what photography is about.  I have received a lot more from 
your 1000 words than from the picture, although it set the scene very 
well.




Paul, I intend to get back out there and do some more work there before the 
place collapses completely. The hous is sitting on a rock foundation that is 
becoming very unstable, and the spine of the roof, while not broken yet, is 
definitely on it's way out.
Southern Saskatchewan is dotted with these little abandoned farms and ghost 
towns from the steam rail era where a town sprung up every 10 miles or so to 
supply the trains.
A friend of mine has started documenting these abandoned or nearly abandoned 
town sites, and I am trying to go on a few expeditions with him this year.


Thanks again


You still own it?

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Re: PESO- Public Footpath [re-posting with link]

2009-05-30 Thread mike wilson

Rick Womer wrote:



--- On Fri, 5/29/09, AlunFoto alunf...@gmail.com wrote:



While the gallery was charming, this one is more... um...
moving, maybe? :-)

Cheers,
Jostein




Don't try to butter me up with your udderly cheesy puns.


He can't help it.  Photography gives him the horn.

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread mike wilson

Bob W wrote:


G'day Trendsetters,

A 4 frame pano from Dales Gorge, Karijini National Park, 
Westerm Australia:


http://www.flickr.com/photos/disavage/3577880434/

Direct link (Large ~300kb)
http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

Direct link (Original ~3.8MB)
http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

I'm not happy with the composition of this one, but the colours 
textures are nice.

Enjoy.



That's a nice picture of a beautiful scene. The only major criticism I have
is that it doesn't have Jenny Agutter swimming naked in it.

Famous scene here, for pervs of a certain age:
http://www.youtube.com/watch?v=IviQavf3zqQfeature=related


Are you calling me of a certain age?

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Pentax sent me an email about the K-7

2009-05-30 Thread David J Brooks
Received an email about the camera today, from Pentax.

Among its features it states it will come with a 3 year warranty, a
coupon for 15% off various lenses and such, and a 1-800 number for
professionals to call for equipment loans.

I though Pentax was not  a pro camera.

Guess not.

:-)

Dave

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David J Brooks
I like the blue tints in this one Dave.

If you don't like that D700, send it over here and i;'ll dispose of it
properly for you.

Dave

On Sat, May 30, 2009 at 2:49 AM, David Savage ozsav...@gmail.com wrote:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

 Enjoy.

 Cheers,

 Dave

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Re: PESO: a mixed bag

2009-05-30 Thread David J Brooks
On Sat, May 30, 2009 at 6:16 AM, Derby Chang der...@iinet.net.au wrote:

 A few mixed pics.

 http://members.iinet.net.au/~derbyc/09/09_05/09_05_cockatoo/01.htm

Ahhh, so thats what a lens baby does. Neat.


 Went in to watch the telly shortly after this
 http://members.iinet.net.au/~derbyc/09/09_05/09_05_autumnstorm/01.htm

 Pulled this from the archives after reading the LL story. I still have a few
 rolls of Full Press 800.
 http://members.iinet.net.au/~derbyc/09/09_05/09_05_iliad/index.htm

I like the third shot.

Dave

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Re: Red Rhodie

2009-05-30 Thread David J Brooks
Thats a nice, clear, well exposed shot.
I like the bit of emerging flower on the right being in the shot.

Dave

On Fri, May 29, 2009 at 9:33 PM, paul stenquist pnstenqu...@comcast.net wrote:
 It's rhododendron season in Michigan. This bloom is one of hundreds on a ten
 footer in front of my house. DA* 60-250, f8, 1/750th. About 200mm.
 http://photo.net/photodb/photo?photo_id=9267595size=lg

 Paul

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Re: PESO-Three Cals - PhotoShop fun

2009-05-30 Thread David J Brooks
I confuse easily.:-)

Nice shot. Glad you did it with a John Deere.:-)

Dave

On Fri, May 29, 2009 at 7:29 PM, Paul Sorenson allarou...@earthlink.net wrote:
 I told my three year old grandson, Cal, that I would make a picture of three
 of him on my lawn tractor.  I don't think he quite grasped the concept.
  When I asked him who was in the picture, he said Me.  When I asked who
 else, he said my cousin, Tyler.   He didn't know who the third kid was.
  His mother told me I was confusing him...   ; }

 http://home.earthlink.net/~allaround6/quickpage/quickpage.htm

 -p

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Re: PESO - Hanging On!

2009-05-30 Thread Brian Walters
Thanks to all who looked and commented on this.

Some specific responses:

Bruce wrote (and Paul agreed):
 I would probably take just a little off the
 bottom if it were mine.

I shot a number of variations of this with the stem being placed at
various positions in the frame.  I thought the more centrally placed
stem looked a bit formal which is why I went for this 'off centre'
arrangement.  However, I'll play around with the cropping.  Thanks for
the suggestion.


Dave B commented:
 
 The way the vine is off centre really works.

There you go!  

:-)


Dan said:

 Very nice image.  But, istn't that poison Ivy?
 
 Just kidding -- single leaves instead of sets of three.


I think poison ivy is one of the few exotic plants that hasn't taken
hold here.

I'll take your word that this isn't it - but I'll still be careful next
time I see it.



Joseph:

 Odd color contrasts there. But an enjoyable image, well seen  shot.


Yes, the unusual contrast was what attracted me.  I actually toned the
yellow down in the background.


 
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/




 
  From: Brian Walters supera1...@fastmail.fm
  Subject: PESO - Hanging On!
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Thursday, May 28, 2009, 5:38 AM
  G'day all
  
  Noticed this colourful climbing plant on a cement rendered
  wall.
  
  http://www.blognow.com.au/PESO/138300/Hanging_On.html 
  
  
  
  
  Comments, suggestions appreciated.
  
  
  
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Re: PESO- Public Footpath [re-posting with link]

2009-05-30 Thread Brian Walters
Yes, definitely a need to tread carefully there!

If it was mine, I'd probably crop quite a bit off the bottom, probably
by as much as a half.  I agree with Derby's suggestion of a panoramic
crop.



Cheers

Brian

++
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Western Sydney Australia
http://members.westnet.com.au/brianwal/SL/



On Fri, 29 May 2009 04:57 -0700, Rick Womer rwomer1...@yahoo.com
wrote:
 
 A bovine herd impeded progress a bit on the Thames Path yesterday.  One
 had to tread carefully.  We later passed a man walking the other way,
 barefoot.  Yuck.
 
 http://photo.net/photodb/photo?photo_id=9264700size=lg
 
 (K10D, FA 50/1.7)
 
 Rick
 
 
   
 
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Re: PESO - Lunch Time

2009-05-30 Thread Brian Walters
On Fri, 29 May 2009 02:15 -0700, Rick Womer rwomer1...@yahoo.com
wrote:
 
 We're taking a couple of weeks of holiday, and have been doing lots of
 traveling.  I've been doing lots of shooting, and have about 1200
 unsorted images here on Lightroom.
 
 So the obvious solution is to shoot some more.
 
 We took a walk up the Thames Path yesterday from Oxford to a riverside
 pub about 2 1/2 miles north.  I had never seen a duck beg before, but
 this one was doing so, and very successfully.
 
 http://photo.net/photodb/photo?photo_id=9264699
 
 (K10D, FA 50/1.7)
 
 (Just a snap; not Art)


Maybe so - but a very appealing snap!

In my experience ducks always know when there's a 'soft touch' in the
vicinity


Cheers

Brian

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Re: PESO-Three Cals - PhotoShop fun

2009-05-30 Thread Brian Walters
On Fri, 29 May 2009 18:29 -0500, Paul Sorenson
allarou...@earthlink.net wrote:
 I told my three year old grandson, Cal, that I would make a picture of 
 three of him on my lawn tractor.  I don't think he quite grasped the 
 concept.  When I asked him who was in the picture, he said Me.  When I 
 asked who else, he said my cousin, Tyler.   He didn't know who the 
 third kid was.  His mother told me I was confusing him...   ; }
 
 http://home.earthlink.net/~allaround6/quickpage/quickpage.htm
 


Yes, but which one is Cal?...

Very well done and very convincing.



Cheers

Brian

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Re: Lens considerations

2009-05-30 Thread Boris Liberman

Leon, if I had (a good copy of) 20-35 I would probably keep it.

Having somewhat similar situation to that of yours, I opted for Tamron 
28-75/2.8 and DA 21.


Boris


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Re: OT PESO - Levels (Pano)

2009-05-30 Thread Brian Walters
On Sat, 30 May 2009 14:49 +0800, David Savage ozsav...@gmail.com
wrote:
 G'day Trendsetters,
 
 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm
 Australia:
 
 http://www.flickr.com/photos/disavage/3577880434/
 
 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg
 
 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg
 
 I'm not happy with the composition of this one, but the colours 
 textures are nice.
 


Yes they are.  The bluish tint to the water against those red/brown
rocks is spectacular.

I agree that there's something not quite right with the composition. 
You possibly needed a higher viewpoint so that the top of the image was
the unobstructed water in the upper pond rather than the rocky cliff
face, which seems to be cut off.  I suspect a higher viewpoint probably
wasn't feasible, though.

An excellent pano none the less.


Cheers

Brian

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Re: Logo 3 was OT New logo, try #2

2009-05-30 Thread David J Brooks
Ok, here is the updated version, with several suggestions worked on.

I finally figured out what buttons to turn off in PS to allow a re
size of the two shots that were off a bit.

I redid the text.

I re sized the gif to 100k, and proper LxW so the photos are not squished.

Now i just need to figure out how to centre it on the page. Any code ideas.??

http://www.caughtinmotion.com/

Dave


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Re: Logo 3 was OT New logo, try #2

2009-05-30 Thread Rob Studdert
On 5/30/09, David J Brooks pentko...@gmail.com wrote:
 Ok, here is the updated version, with several suggestions worked on.

 I finally figured out what buttons to turn off in PS to allow a re
 size of the two shots that were off a bit.

 I redid the text.

 I re sized the gif to 100k, and proper LxW so the photos are not squished.

 Now i just need to figure out how to centre it on the page. Any code
 ideas.??

Not ideal but will work:

CENTERIMG SRC=logo.jpg/CENTER

BTW you don't really need to specify the width or height, without
these tags the image will naturally be displayed 1:1. Also I haven't
been involved with the thread to this point but an image containing
full colour photogrphs is probably better off displayed as a JPG, so
long as the compression rate is not too high the text will look fine,
110k is still fairly large for this application, you could probably
get it down to 67k as a JPG.

Cheers,

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HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110 UTC +10

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Re: No GFM:-(

2009-05-30 Thread Boris Liberman
Paul, please pass our wishes of speedy and most importantly complete 
recovery to your daughter. As for GFM, hopefully one day you and I would 
make the way there and meet in person...


Boris

paul stenquist wrote:
My daughter's second chemo session is scheduled for Friday. I take her 
to the hospital and pick her up when she's finished, so I had to cancel 
my GFM reservation. Once again. In any case, they refunded my money with 
a smile, as always. So a spot has opened up, although I guess there's a 
waiting list.


Really wanted to make it there this time around. I'll try again next year.
Paul

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Re: OT: It's amazing how time flies

2009-05-30 Thread Boris Liberman
Nah, I will not engage my brain in computing some tricky number out of 
these four...


Congratulations anyway!

Boris


William Robb wrote:

7 dogs, 7 cats, 6 cars, and 25 years of fun ago, my wife and I got married.
I'd do it again, I suspect she's thinking she'd be getting out of jail about 
now.

Anyway, I just thought I'd share that.

William Robb 




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Re: Logo 3 was OT New logo, try #2

2009-05-30 Thread Doug Franklin

David J Brooks wrote:


Now i just need to figure out how to centre it on the page. Any code ideas.??


p align=center
img src=/myphoto.jpg alt=http://www.caughtinmotion.com;
/p

for old style, pure HTML3

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Boris and Galia Peso (trip to Haifa)

2009-05-30 Thread Boris Liberman

Hi!

We had yet another (as still wonderful) trip to Haifa this weekend. I 
chose a single pic from each day (totally three).


Be brutal and honest.

http://pentax-ways.blogspot.com/2009/05/peso-2009-020.html

Boris

P.S. The only correction to Galia's shot was minor tonality and 0.75 deg 
rotation to straighten the lines. What presented is essentially full frame.


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The Leica as a Teacher

2009-05-30 Thread Adam Maas
Anybody else read
http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
Mike Johnston's little ode to simplicity and the Leica as a teacher.

I'm seriously thinking about giving the basic concept a try. Not with
a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
and a fast normal. I don't feel like paying the Leica tax and my FX-3
in particular cost less than the eBay/Paypal transaction fees on even
a cheap M.

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread Anthony Farr
Dreamy.

regards, Anthony

   Of what use is lens and light
to those who lack in mind and sight
   (Anon)



2009/5/30 David Savage ozsav...@gmail.com:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

 Enjoy.

 Cheers,

 Dave


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RE: Logo 3 was OT New logo, try #2

2009-05-30 Thread Bob W
[...]
 For Bob W, re the index page. I thought i found all the spelling
 mistakes, but i guess not.;-) The page it self is from a web tutorial
 offered by my ISP, which i did a simple page, then cut pasted and
 hacked my way into the way it is now.
 I have a book on coding, but its all greek to me so this was the best
 i could get on my own.
 I asked Mark last year if any of his students wanted to have a go at
 it, for the extra credit he was offering, and not suprisingly, no one
 offered.
 
 I'll go in and try and fix up what i can from the suggestions.
 

Unless you have ideas of becoming a professional it's probably not worth the
struggle to try and learn to code it by hand. You might be better off trying
out various freeware wysiwyg web page editors which you can use to manage
the layout quite easily, including canned templates which will help you to
develop a simple, professional look. 

You could try SeaMonkey, for example, which includea a wysiwyg html editor.
I haven't tried it myself, so don't take this as  a recommendation, but it
seems to have a reasonable pedigree so I imagine it would do a pretty decent
job. Actually, I just downloaded and tried it. Here is an example of
state-of-the-art web design that I knocked together in a couple of minutes:
http://www.web-options.com/PRL.html

I reckon with a couple of hours playing around you could put something
pretty decent together.

There are a few books around, which your library should be able to find for
you, which help with page design. Two that I've found useful are Web Style
Guide by Lynch and Horton, and Designing Visual Interfaces by Mullet and
Sano.

If you do decide to hand-code it I would recommend that you learn about and
use CSS. A very good book about it is Cascading Style Sheets by Lie and Bos.

Bob


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Re: Logo 3 was OT New logo, try #2

2009-05-30 Thread Paul Sorenson

Try Komposer

http://kompozer.net/

It's pretty easy to use and offers WYSIWYG as well as a source screen.

-p



Bob W wrote:

[...]

For Bob W, re the index page. I thought i found all the spelling
mistakes, but i guess not.;-) The page it self is from a web tutorial
offered by my ISP, which i did a simple page, then cut pasted and
hacked my way into the way it is now.
I have a book on coding, but its all greek to me so this was the best
i could get on my own.
I asked Mark last year if any of his students wanted to have a go at
it, for the extra credit he was offering, and not suprisingly, no one
offered.

I'll go in and try and fix up what i can from the suggestions.



Unless you have ideas of becoming a professional it's probably not worth the
struggle to try and learn to code it by hand. You might be better off trying
out various freeware wysiwyg web page editors which you can use to manage
the layout quite easily, including canned templates which will help you to
develop a simple, professional look. 


You could try SeaMonkey, for example, which includea a wysiwyg html editor.
I haven't tried it myself, so don't take this as  a recommendation, but it
seems to have a reasonable pedigree so I imagine it would do a pretty decent
job. Actually, I just downloaded and tried it. Here is an example of
state-of-the-art web design that I knocked together in a couple of minutes:
http://www.web-options.com/PRL.html

I reckon with a couple of hours playing around you could put something
pretty decent together.

There are a few books around, which your library should be able to find for
you, which help with page design. Two that I've found useful are Web Style
Guide by Lynch and Horton, and Designing Visual Interfaces by Mullet and
Sano.

If you do decide to hand-code it I would recommend that you learn about and
use CSS. A very good book about it is Cascading Style Sheets by Lie and Bos.

Bob


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RE: The Leica as a Teacher

2009-05-30 Thread Bob W
 
 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.
 
 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.
 

The follow-up piece is quite interesting too:
http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/why
-it-has-to-be-a-leica.html

The Leica 'tax' is a myth, as he points out. I have recently sold my M4-2
which I had for about 8-10 years for about the same money I paid for it.
Admittedly I spent £150- on it a few years ago for a service, but for a 1968
camera it did pretty well. My E-1, on the other hand, is worth nothing now.

The older photographers among us had little choice but to learn the way Mike
suggests. My early photography was with an MX which I bought by not smoking
for a year. I generally shot black  white and rarely had anything enlarged
because I couldn't afford it - just the contact prints. I still have all the
negs and contacts and there are probably hundreds of photos I should scan
and enlarge. But I can't be arsed.

Bob


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Autopano let loose

2009-05-30 Thread Rob Studdert
Hi Team,

This is my first PESO for a while, more to come if you care,
commendations or critisims welcomed of course.

Like Dave Savage and a few others I've been shooting a good number of
multi-image panos over the last few years, it can be quite rewarding.
However I've found that determining whether your pre-compiled image
really deserves post processing time and attention requires some
automation.

For this purpose I use AutoPano Pro, I let it loose on my newly
downloaded thumbnail images to detect and automatically compile pano
images, it matches up image sets quite successfully but it often also
finds unintended panoramas, sometimes good but most often not.

The following image is one that Autopano found and assembled and
that I thought deserved a little closer attention, it's a composite of
four images from two pano sets, one for the sky and the other
everything else. The images were captured using a K10D and the source
files were 2MP JPGs generated in camera, there are errors in the
stitching but really it's amazing that it stitched so well.

The subject is Osborne House and gardens on Isle of Wight

http://home.swiftdsl.com.au/~distudio/temp/Pano-IMGK01592.jpg (~650kB)

Cheers,

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HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110 UTC +10

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 11:27 AM, Bob W p...@web-options.com wrote:

 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.

 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.


 The follow-up piece is quite interesting too:
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/why
 -it-has-to-be-a-leica.html

 The Leica 'tax' is a myth, as he points out. I have recently sold my M4-2
 which I had for about 8-10 years for about the same money I paid for it.
 Admittedly I spent £150- on it a few years ago for a service, but for a 1968
 camera it did pretty well. My E-1, on the other hand, is worth nothing now.

 The older photographers among us had little choice but to learn the way Mike
 suggests. My early photography was with an MX which I bought by not smoking
 for a year. I generally shot black  white and rarely had anything enlarged
 because I couldn't afford it - just the contact prints. I still have all the
 negs and contacts and there are probably hundreds of photos I should scan
 and enlarge. But I can't be arsed.

 Bob


The Leica tax is not a myth. Even if you consider the capital
expenditures a wash, a comparable 35mm SLR of similar vintage to an M4
will cost no more than $50 and is often available much cheaper than
that. In other words buying the SLR will cost you less than shipping,
fees and taxes on the Leica, which you won't recover when selling it.
Heck, my FX-3 cost me $5 out of pocket and $25 total (traded in a FR
on it, payed $20 for the FR, got $20 trade-in value). Even a Nikon F
can be had under $100.

With very few exceptions, and nearly all of them fully-featured pro
bodies, 35mm SLR's are available for the price of beer.

-- 
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http://www.mawz.ca
Explorations of the City Around Us.

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Re: Lens considerations

2009-05-30 Thread Anthony Farr
You'll still find times when lens changing is an annoyance even with a
new, longer range zoom.  While I haven't followed the prices of lenses
and cameras I'd think an additional camera would be comparable in cost
to a new lens which you only want for the sake of avoiding lens
changes.  You could have the whole range of 16mm-240mm (with a small
gap 45mm-50mm), or 20mm-250mm mounted and always ready for use.

You may already have two camera bodies but avoid carrying them both at
once because it's too much to be toting.  But consider that with two
or more lenses and one body you need a case or bag to store the unused
lens.  With two lenses each mounted on a body you don't need a case at
all if you're content to carry it all on neck/shoulder straps where
you can get at it in moments.  Anything else such as spare batteries,
memory cards and so on can fit in a tiny belt pouch or similar.

regards, Anthony

   Of what use is lens and light
to those who lack in mind and sight
   (Anon)



2009/5/30 Leon Altoff leon.alt...@gmail.com:
 Hi All,

 I have been considering lenses recently and the fact that I seem to be
 changing them quite often.  My main lenses are a DA 16-45 and a SIgma
 50-200 (which I will hopefully soon change to a 60-250 which I have
 been waiting on for the past 2 years).

 The 16-45 seems to be a bit too short far too often for my liking, and
 having changed to the 50-200 is then too long for the picture I want 3
 pictures later.  So I am considering upgrading the 16-45 to a 17-70.
 My main camera is a K10D (probably upgrading to the K7 at some point,
 but not as an early adopter as I was with the istD and the K10D)  so
 the SDM only should not bother me.

 As I am planning on selling the 16-45 and also my 20-35 to pay for the
 new lens it means I won't have anything to cover 20mm at full frame
 anymore.  Does anyone know at what focal length the 17-70 covers full
 frame if at all (in case I ever use film again)?  I know the 16-45
 will cover full frame at 20 mm, but I haven't seen anything on the
 17-70 so any help would be appreciated - and comments on comparative
 quality of build and images would also be nice. (Please don't suggest
 I buy a lot of primes, I have some very nice primes and will add more
 as time goes on, but zooms have their place.)

 Of course I do have to pay for new purchases and need to sell a few
 lenses to help offset new ones. Apart from the 16-45, I have a 20-35
 and a 28mm shift, but I don't know if there is interest in these
 lenses anymore and I need to figure out what they are worth before
 officially offering them for sale.  If they are still popular can
 someone let me know?

 All comment gladly accepted.

 Leon

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PESO 2009 - 079 - GDG

2009-05-30 Thread Godfrey DiGiorgi

I haven't posted a self-portrait in a bit ...
took this one while on my morning walk a couple of days ago enjoying  
the rediscovery of my Contax Tix camera.


http://farm4.static.flickr.com/3587/3578924004_4f09cd150b_o.jpg
079 - Self Portrait On Walk - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400 film
scanned with Nikon LS-40 - processed in Lightroom
  flickr page: http://www.flickr.com/photos/gdgphoto/3578924004/

Comments always appreciated. Don't worry about insulting the  
subject... ;-)


Godfrey
--
 www.gdgphoto.com
 www.flickr.com/photos/gdgphoto/sets
 twitter.com/godfreydigiorgi


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Re: PESO 2009 - 079 - GDG

2009-05-30 Thread Walter Hamler
Nice capture. I especially like the way the camera caught your eyes in
perfect focus. Did you plan that, and if so, how?

Walt

On Sat, May 30, 2009 at 8:45 AM, Godfrey DiGiorgi ramar...@mac.com wrote:
 I haven't posted a self-portrait in a bit ...
 took this one while on my morning walk a couple of days ago enjoying the
 rediscovery of my Contax Tix camera.

 http://farm4.static.flickr.com/3587/3578924004_4f09cd150b_o.jpg
 079 - Self Portrait On Walk - Sunnyvale 2009
 Contax Tix - Kodak Advantix BW 400 film
 scanned with Nikon LS-40 - processed in Lightroom
  flickr page: http://www.flickr.com/photos/gdgphoto/3578924004/

 Comments always appreciated. Don't worry about insulting the subject... ;-)

 Godfrey
 --
  www.gdgphoto.com
  www.flickr.com/photos/gdgphoto/sets
  twitter.com/godfreydigiorgi


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Re: PESO 2009 - 079 - GDG

2009-05-30 Thread Godfrey DiGiorgi

Thanks Walter.

The focusing was mostly guesswork ... You only have three means of  
controlling the focus on this camera:

- aim carefully knowing the AF hot spot
- lock focus and exposure with a half press and reframe, press the  
shutter the rest of the way

- lock the focus to infinity and control the focus zone with aperture

I'm pretty familiar with the Contax Tix' AF system and simply tried to  
get myself into the right slightly north of center AF focusing  
point. I figured that with the light available it would likely run  
wide open or close to it on exposure, so trying to prefocus and turn  
it around in my hands wasn't going to work, and the AF system is very  
accurate if you get it targeted right.


Godfrey

From: Walter Hamler hamlerwal...@gmail.com

Nice capture. I especially like the way the camera caught your eyes in
perfect focus. Did you plan that, and if so, how?

Walt

On Sat, May 30, 2009 at 8:45 AM, Godfrey DiGiorgi ramar...@mac.com  
wrote:

I haven't posted a self-portrait in a bit ...
took this one while on my morning walk a couple of days ago  
enjoying the

rediscovery of my Contax Tix camera.

http://farm4.static.flickr.com/3587/3578924004_4f09cd150b_o.jpg
079 - Self Portrait On Walk - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400 film
scanned with Nikon LS-40 - processed in Lightroom
 flickr page: http://www.flickr.com/photos/gdgphoto/3578924004/





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Re: The Leica as a Teacher

2009-05-30 Thread Luka Knezevic-Strika
50 dollars or even a hundred is peanuts compared to the cost of film
and develompent only for shooting 4-5 rolls a month for a year.

On Sat, May 30, 2009 at 5:38 PM, Adam Maas a...@mawz.ca wrote:
 On Sat, May 30, 2009 at 11:27 AM, Bob W p...@web-options.com wrote:

 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.

 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.


 The follow-up piece is quite interesting too:
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/why
 -it-has-to-be-a-leica.html

 The Leica 'tax' is a myth, as he points out. I have recently sold my M4-2
 which I had for about 8-10 years for about the same money I paid for it.
 Admittedly I spent £150- on it a few years ago for a service, but for a 1968
 camera it did pretty well. My E-1, on the other hand, is worth nothing now.

 The older photographers among us had little choice but to learn the way Mike
 suggests. My early photography was with an MX which I bought by not smoking
 for a year. I generally shot black  white and rarely had anything enlarged
 because I couldn't afford it - just the contact prints. I still have all the
 negs and contacts and there are probably hundreds of photos I should scan
 and enlarge. But I can't be arsed.

 Bob


 The Leica tax is not a myth. Even if you consider the capital
 expenditures a wash, a comparable 35mm SLR of similar vintage to an M4
 will cost no more than $50 and is often available much cheaper than
 that. In other words buying the SLR will cost you less than shipping,
 fees and taxes on the Leica, which you won't recover when selling it.
 Heck, my FX-3 cost me $5 out of pocket and $25 total (traded in a FR
 on it, payed $20 for the FR, got $20 trade-in value). Even a Nikon F
 can be had under $100.

 With very few exceptions, and nearly all of them fully-featured pro
 bodies, 35mm SLR's are available for the price of beer.

 --
 M. Adam Maas
 http://www.mawz.ca
 Explorations of the City Around Us.

 --
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 PDML@pdml.net
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Re: Autopano let loose

2009-05-30 Thread Boris Liberman

Well done if you ask me...

Boris

Rob Studdert wrote:

Hi Team,

This is my first PESO for a while, more to come if you care,
commendations or critisims welcomed of course.

Like Dave Savage and a few others I've been shooting a good number of
multi-image panos over the last few years, it can be quite rewarding.
However I've found that determining whether your pre-compiled image
really deserves post processing time and attention requires some
automation.

For this purpose I use AutoPano Pro, I let it loose on my newly
downloaded thumbnail images to detect and automatically compile pano
images, it matches up image sets quite successfully but it often also
finds unintended panoramas, sometimes good but most often not.

The following image is one that Autopano found and assembled and
that I thought deserved a little closer attention, it's a composite of
four images from two pano sets, one for the sky and the other
everything else. The images were captured using a K10D and the source
files were 2MP JPGs generated in camera, there are errors in the
stitching but really it's amazing that it stitched so well.

The subject is Osborne House and gardens on Isle of Wight

http://home.swiftdsl.com.au/~distudio/temp/Pano-IMGK01592.jpg (~650kB)

Cheers,




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Re: June PUG is up

2009-05-30 Thread William Robb


- Original Message - 
From: mike wilson

Subject: Re: June PUG is up



Paul, I intend to get back out there and do some more work there before 
the place collapses completely. The house is sitting on a rock foundation 
that is becoming very unstable, and the spine of the roof, while not 
broken yet, is definitely on it's way out.
Southern Saskatchewan is dotted with these little abandoned farms and 
ghost towns from the steam rail era where a town sprung up every 10 miles 
or so to supply the trains.
A friend of mine has started documenting these abandoned or nearly 
abandoned town sites, and I am trying to go on a few expeditions with him 
this year.


Thanks again


You still own it?


No the land was sold to finance my grandparents move into town. Landowners 
around here are usually pretty laid back about people with cameras wandering 
around their property.


William Robb


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Re: The Leica as a Teacher

2009-05-30 Thread William Robb


- Original Message - 
From: Adam Maas

Subject: The Leica as a Teacher



Anybody else read
http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
Mike Johnston's little ode to simplicity and the Leica as a teacher.




How eerie is that.
On May 12, 2002, I came up with this little nugget:

I believe there is a photographic equivalent of music theory
that the student needs to learn, in order to excel at the art
and craft of photography. Visual theory at it's most basic is
the building blocks of imagery, whether photographic or other.
Theory such as how light interacts with shape and form, how
perspective changes depending on angle of view. This is best
learned with simple tools, anything else complicates the
learning process.
If one is learning to compose music, one starts with a single
instrument, such as a piano. I think it very rare for a student
of music composition to start by composing a full orchestral
symphony.
I played the trumpet when I was younger.
A simple instrument, with only 3 keys.
In a way, perhaps there is an equivalency here, as a camera only
has 3 controls for making pictures, no matter how many buttons,
control dials, and inscrutable custom functions they put on the
camera to complicate things for us.
But, I digress.
I never got really good at the trumpet, in my hands the
instrument had all the positive attributes of a chainsaw with a
burned out governor.
I learned enough about music to realize I would never be a
Sousa, or an Armstrong.
Hell, when I figured out I would never be an Alpert, I gave up
the trumpet.
I found other fish to fry. I discovered cameras.
I also discovered that much of what I learned from music was
applicable to photography at one level or another.
I may have a tin ear, but I found I have a pretty good eye for
pictures.
What I learned playing the trumpet, albeit badly, was that there
is a need to learn the basics. One needs to learn scales, and
finger patterns on the keys to make the notes come out the way
they are supposed to. One needs to learn how to blow into the
instrument in the right way to make the right noise.
One needs to learn that when giving a Christmas concert outdoors
when it is -30, the mouthpiece should be kept in an inside
pocket to keep it warm between songs.
Some lessons are learned harder than others.
One needs to have a thick skin to not be overly discouraged by
failure, or the embarrassment of having a trumpet stuck to ones
face in front of the Prime Minister.
But, I digress.
In photography, one needs to learn about light and shadow first.
One doesn't need a zoom lens for this. Often, the added visual
confusion that a zoom can create can interrupt this learning
process.
I am not saying there is not a place for zoom lenses in
photography. The zoom, in the hands of a skilled and visually
adept person is a powerful tool.
All I am saying is that it is not the tool to learn the very
basics of visual theory with.
For this, a prime lens, and one that closely matches the human
eye's field of vision is preferable. By sticking with a
natural perspective to start, we can learn more easily how
what we see in three dimensions will translate to two, or how
what we see in colour will translate to black and white.
By learning the fundaments first, with simple tools, I think we
will be better visual artists later.

William Robb


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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
Depends on the film. 5 rolls a month of inexpensive BW film (Arista
for example) souped in Rodinal is around $15 a month.

E-6 is expensive. C-41 less so and BW can be dirt cheap.

-Adam

On Sat, May 30, 2009 at 12:27 PM, Luka Knezevic-Strika
lukastr...@gmail.com wrote:
 50 dollars or even a hundred is peanuts compared to the cost of film
 and develompent only for shooting 4-5 rolls a month for a year.

 On Sat, May 30, 2009 at 5:38 PM, Adam Maas a...@mawz.ca wrote:
 On Sat, May 30, 2009 at 11:27 AM, Bob W p...@web-options.com wrote:

 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.

 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.


 The follow-up piece is quite interesting too:
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/why
 -it-has-to-be-a-leica.html

 The Leica 'tax' is a myth, as he points out. I have recently sold my M4-2
 which I had for about 8-10 years for about the same money I paid for it.
 Admittedly I spent £150- on it a few years ago for a service, but for a 1968
 camera it did pretty well. My E-1, on the other hand, is worth nothing now.

 The older photographers among us had little choice but to learn the way Mike
 suggests. My early photography was with an MX which I bought by not smoking
 for a year. I generally shot black  white and rarely had anything enlarged
 because I couldn't afford it - just the contact prints. I still have all the
 negs and contacts and there are probably hundreds of photos I should scan
 and enlarge. But I can't be arsed.

 Bob


 The Leica tax is not a myth. Even if you consider the capital
 expenditures a wash, a comparable 35mm SLR of similar vintage to an M4
 will cost no more than $50 and is often available much cheaper than
 that. In other words buying the SLR will cost you less than shipping,
 fees and taxes on the Leica, which you won't recover when selling it.
 Heck, my FX-3 cost me $5 out of pocket and $25 total (traded in a FR
 on it, payed $20 for the FR, got $20 trade-in value). Even a Nikon F
 can be had under $100.

 With very few exceptions, and nearly all of them fully-featured pro
 bodies, 35mm SLR's are available for the price of beer.

 --
 M. Adam Maas
 http://www.mawz.ca
 Explorations of the City Around Us.

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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http://www.mawz.ca
Explorations of the City Around Us.

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RE: The Leica as a Teacher

2009-05-30 Thread J.C. O'Connell
Its not the cost in dollars that makes using film expensive,
It’s the cost in hours of my time.

J.C. O'Connell ( mailto:hifis...@gate.net )


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Saturday, May 30, 2009 12:43 PM
To: Pentax-Discuss Mail List
Subject: Re: The Leica as a Teacher


Depends on the film. 5 rolls a month of inexpensive BW film (Arista for
example) souped in Rodinal is around $15 a month.

E-6 is expensive. C-41 less so and BW can be dirt cheap.

-Adam

On Sat, May 30, 2009 at 12:27 PM, Luka Knezevic-Strika
lukastr...@gmail.com wrote:
 50 dollars or even a hundred is peanuts compared to the cost of film 
 and develompent only for shooting 4-5 rolls a month for a year.

 On Sat, May 30, 2009 at 5:38 PM, Adam Maas a...@mawz.ca wrote:
 On Sat, May 30, 2009 at 11:27 AM, Bob W p...@web-options.com wrote:

 Anybody else read 
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a 
 teacher.

 I'm seriously thinking about giving the basic concept a try. Not 
 with a Leica though, but rather with either a Yashica FX-3 or Nikon

 FM2n and a fast normal. I don't feel like paying the Leica tax and 
 my FX-3 in particular cost less than the eBay/Paypal transaction 
 fees on even a cheap M.


 The follow-up piece is quite interesting too: 
 http://theonlinephotographer.typepad.com/the_online_photographer/200
 9/05/why
 -it-has-to-be-a-leica.html

 The Leica 'tax' is a myth, as he points out. I have recently sold my

 M4-2 which I had for about 8-10 years for about the same money I 
 paid for it. Admittedly I spent £150- on it a few years ago for a 
 service, but for a 1968 camera it did pretty well. My E-1, on the 
 other hand, is worth nothing now.

 The older photographers among us had little choice but to learn the 
 way Mike suggests. My early photography was with an MX which I 
 bought by not smoking for a year. I generally shot black  white and

 rarely had anything enlarged because I couldn't afford it - just the

 contact prints. I still have all the negs and contacts and there are

 probably hundreds of photos I should scan and enlarge. But I can't 
 be arsed.

 Bob


 The Leica tax is not a myth. Even if you consider the capital 
 expenditures a wash, a comparable 35mm SLR of similar vintage to an 
 M4 will cost no more than $50 and is often available much cheaper 
 than that. In other words buying the SLR will cost you less than 
 shipping, fees and taxes on the Leica, which you won't recover when 
 selling it. Heck, my FX-3 cost me $5 out of pocket and $25 total 
 (traded in a FR on it, payed $20 for the FR, got $20 trade-in value).

 Even a Nikon F can be had under $100.

 With very few exceptions, and nearly all of them fully-featured pro 
 bodies, 35mm SLR's are available for the price of beer.

 --
 M. Adam Maas
 http://www.mawz.ca
 Explorations of the City Around Us.

 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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Re: Autopano let loose

2009-05-30 Thread Adam Maas
Most definitely.

-Adam

On Sat, May 30, 2009 at 12:31 PM, Boris Liberman bori...@gmail.com wrote:
 Well done if you ask me...

 Boris

 Rob Studdert wrote:

 Hi Team,

 This is my first PESO for a while, more to come if you care,
 commendations or critisims welcomed of course.

 Like Dave Savage and a few others I've been shooting a good number of
 multi-image panos over the last few years, it can be quite rewarding.
 However I've found that determining whether your pre-compiled image
 really deserves post processing time and attention requires some
 automation.

 For this purpose I use AutoPano Pro, I let it loose on my newly
 downloaded thumbnail images to detect and automatically compile pano
 images, it matches up image sets quite successfully but it often also
 finds unintended panoramas, sometimes good but most often not.

 The following image is one that Autopano found and assembled and
 that I thought deserved a little closer attention, it's a composite of
 four images from two pano sets, one for the sky and the other
 everything else. The images were captured using a K10D and the source
 files were 2MP JPGs generated in camera, there are errors in the
 stitching but really it's amazing that it stitched so well.

 The subject is Osborne House and gardens on Isle of Wight

 http://home.swiftdsl.com.au/~distudio/temp/Pano-IMGK01592.jpg (~650kB)

 Cheers,



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http://www.mawz.ca
Explorations of the City Around Us.

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RE: The Leica as a Teacher

2009-05-30 Thread Bob W
 
 The Leica tax is not a myth. Even if you consider the capital
 expenditures a wash, a comparable 35mm SLR of similar vintage to an M4
 will cost no more than $50 and is often available much cheaper than
 that. In other words buying the SLR will cost you less than shipping,
 fees and taxes on the Leica, which you won't recover when selling it.

Well, there's obviously a geographical aspect to this because I can walk
into a shop, buy a Leica or an SLR, and pay no taxes, fees or shipping on
either, so those aspects are irrelevant. Otherwise I can buy  sell
privately, in which case those aspects don't feature at all. Buying  then
selling high quality old film cameras, whether they are SLRs or Leica Ms
involve essentially no financial loss, unless you want to start artifically
introducing shipping stuff for the Leica which may apply to your case but
certainly not to all.

 Heck, my FX-3 cost me $5 out of pocket and $25 total (traded in a FR
 on it, payed $20 for the FR, got $20 trade-in value). Even a Nikon F
 can be had under $100.
 
 With very few exceptions, and nearly all of them fully-featured pro
 bodies, 35mm SLR's are available for the price of beer.
 

Not in this country. I could get extremely very drunk several times over for
the price of a Nikon F.

Bob


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Re: The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread Keith Whaley

Derby Chang wrote:


A really fascinating essay on LL today.

http://www.luminous-landscape.com/essays/rise-fall.shtml




Well worth a read by anyone seriously interested in understanding more about 
the turning point between film and digital use.


I thought I had a reasonable understanding of it, until I read this article!
Well written and (until something better comes along) pretty much a short but 
seminal revelation on how it all came about.


Thanks, Derby...

keith whaley

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Re: June PUG is up

2009-05-30 Thread mike wilson

William Robb wrote:


- Original Message - From: mike wilson
Subject: Re: June PUG is up



Paul, I intend to get back out there and do some more work there 
before the place collapses completely. The house is sitting on a rock 
foundation that is becoming very unstable, and the spine of the roof, 
while not broken yet, is definitely on it's way out.
Southern Saskatchewan is dotted with these little abandoned farms and 
ghost towns from the steam rail era where a town sprung up every 10 
miles or so to supply the trains.
A friend of mine has started documenting these abandoned or nearly 
abandoned town sites, and I am trying to go on a few expeditions with 
him this year.


Thanks again



You still own it?



No the land was sold to finance my grandparents move into town. 
Landowners around here are usually pretty laid back about people with 
cameras wandering around their property.


Ah.  By more work you mean taking pictures, not repairing.  I never 
think of photography as work.  Lucky me.


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Re: The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread mike wilson

Keith Whaley wrote:


Derby Chang wrote:



A really fascinating essay on LL today.

http://www.luminous-landscape.com/essays/rise-fall.shtml




Well worth a read by anyone seriously interested in understanding more 
about the turning point between film and digital use.


I thought I had a reasonable understanding of it, until I read this 
article!
Well written and (until something better comes along) pretty much a 
short but seminal revelation on how it all came about.


Thanks, Derby...

keith whaley


I saw it as more a description of the gross mismanagement, followed by 
the financial rape and eventual (at least partial/temporary) salvation 
of a world class camera company.  It has less to do with the change from 
film to sensor than it has to do with asset stripping and feckless, 
ignorant, self-centred little toads.


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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
Very true,

I'd not be shooting film anymore if I didn't enjoy the process nearly
as much as the results. Developing and scanning eat up time. The flip
side is I enjoy developing and don't mind scanning.

-Adam

On Sat, May 30, 2009 at 12:45 PM, J.C. O'Connell hifis...@gate.net wrote:
 Its not the cost in dollars that makes using film expensive,
 It’s the cost in hours of my time.

 J.C. O'Connell ( mailto:hifis...@gate.net )


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Adam Maas
 Sent: Saturday, May 30, 2009 12:43 PM
 To: Pentax-Discuss Mail List
 Subject: Re: The Leica as a Teacher


 Depends on the film. 5 rolls a month of inexpensive BW film (Arista for
 example) souped in Rodinal is around $15 a month.

 E-6 is expensive. C-41 less so and BW can be dirt cheap.

 -Adam

 On Sat, May 30, 2009 at 12:27 PM, Luka Knezevic-Strika
 lukastr...@gmail.com wrote:
 50 dollars or even a hundred is peanuts compared to the cost of film
 and develompent only for shooting 4-5 rolls a month for a year.

 On Sat, May 30, 2009 at 5:38 PM, Adam Maas a...@mawz.ca wrote:
 On Sat, May 30, 2009 at 11:27 AM, Bob W p...@web-options.com wrote:

 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photograph
 er/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a
 teacher.

 I'm seriously thinking about giving the basic concept a try. Not
 with a Leica though, but rather with either a Yashica FX-3 or Nikon

 FM2n and a fast normal. I don't feel like paying the Leica tax and
 my FX-3 in particular cost less than the eBay/Paypal transaction
 fees on even a cheap M.


 The follow-up piece is quite interesting too:
 http://theonlinephotographer.typepad.com/the_online_photographer/200
 9/05/why
 -it-has-to-be-a-leica.html

 The Leica 'tax' is a myth, as he points out. I have recently sold my

 M4-2 which I had for about 8-10 years for about the same money I
 paid for it. Admittedly I spent £150- on it a few years ago for a
 service, but for a 1968 camera it did pretty well. My E-1, on the
 other hand, is worth nothing now.

 The older photographers among us had little choice but to learn the
 way Mike suggests. My early photography was with an MX which I
 bought by not smoking for a year. I generally shot black  white and

 rarely had anything enlarged because I couldn't afford it - just the

 contact prints. I still have all the negs and contacts and there are

 probably hundreds of photos I should scan and enlarge. But I can't
 be arsed.

 Bob


 The Leica tax is not a myth. Even if you consider the capital
 expenditures a wash, a comparable 35mm SLR of similar vintage to an
 M4 will cost no more than $50 and is often available much cheaper
 than that. In other words buying the SLR will cost you less than
 shipping, fees and taxes on the Leica, which you won't recover when
 selling it. Heck, my FX-3 cost me $5 out of pocket and $25 total
 (traded in a FR on it, payed $20 for the FR, got $20 trade-in value).

 Even a Nikon F can be had under $100.

 With very few exceptions, and nearly all of them fully-featured pro
 bodies, 35mm SLR's are available for the price of beer.

 --
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 http://www.mawz.ca
 Explorations of the City Around Us.

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Re: PESO- Public Footpath [re-posting with link]

2009-05-30 Thread AlunFoto
2009/5/29 Rick Womer rwomer1...@yahoo.com:

 Don't try to butter me up with your udderly cheesy puns.

Yeth thur! No thur!

http://web.me.com/aaronandpatty/What_the_Duck/Merch_files/droppedImage_38.jpg

:-)

Jothtein

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 1:16 PM, Bob W p...@web-options.com wrote:

 The Leica tax is not a myth. Even if you consider the capital
 expenditures a wash, a comparable 35mm SLR of similar vintage to an M4
 will cost no more than $50 and is often available much cheaper than
 that. In other words buying the SLR will cost you less than shipping,
 fees and taxes on the Leica, which you won't recover when selling it.

 Well, there's obviously a geographical aspect to this because I can walk
 into a shop, buy a Leica or an SLR, and pay no taxes, fees or shipping on
 either, so those aspects are irrelevant. Otherwise I can buy  sell
 privately, in which case those aspects don't feature at all. Buying  then
 selling high quality old film cameras, whether they are SLRs or Leica Ms
 involve essentially no financial loss, unless you want to start artifically
 introducing shipping stuff for the Leica which may apply to your case but
 certainly not to all.

Do you not pay VAT in the UK? I understand it's generally included in
the list price unlike sales or VAT taxes in most North American
jurisdictions which are not included in the list price but it is there
nonetheless. And the vast majority of folk cannot buy such gear
locally, such gear is really only available for local sale in the
largest of cities in the western world and only widely available in a
few of those. Private sales are of course another matter but shipping
is generally a factor there as well since the primary venues for such
are online fora such as RFF or APUG. Not to mention the fact that
buying used at a retail location very rarely results in paying
competitive prices for Leica bodies.

Therefore your objections are almost entirely the exception rather
than the rule, particular to your location in the London area and a
few other locations.


 Heck, my FX-3 cost me $5 out of pocket and $25 total (traded in a FR
 on it, payed $20 for the FR, got $20 trade-in value). Even a Nikon F
 can be had under $100.

 With very few exceptions, and nearly all of them fully-featured pro
 bodies, 35mm SLR's are available for the price of beer.


 Not in this country. I could get extremely very drunk several times over for
 the price of a Nikon F.

 Bob


While F's with eyelevel prisms are rather ridiculously expensive and
are among the exceptions I refer to, with Photomic heads they are tend
to be very reasonably priced, often under $100 with an FT head, the T
and FTn being a little more expensive but can be had in the two digit
pricerange with a little care.



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test

2009-05-30 Thread this isjustatest
test


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Re: test

2009-05-30 Thread AlunFoto
Given the footer on the website of www.consultant.com, a successful
test probably means trouble:

CONSULTANT.COM is a publication of World.com Media. Other leading
publications include Asia.com for the Best Deals on Travel in Asia,
Lawyer.com for Legal Advice and Services, Doctor.com for Consumer
Medical Information, Calendar.com for Calendar Software and Scheduling
Solutions, Email.com for Business Email Software and Services and
Paris.com for Paris Travel, Hotel and Restaurant Information.
This site and domain are not affiliated with or owned by any
government or municipal authority


2009/5/30 this isjustatest thisisjustat...@consultant.com:
 test


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Re: The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 1:43 PM, mike wilson m.9.wil...@ntlworld.com wrote:
 Keith Whaley wrote:

 Derby Chang wrote:


 A really fascinating essay on LL today.

 http://www.luminous-landscape.com/essays/rise-fall.shtml



 Well worth a read by anyone seriously interested in understanding more
 about the turning point between film and digital use.

 I thought I had a reasonable understanding of it, until I read this
 article!
 Well written and (until something better comes along) pretty much a short
 but seminal revelation on how it all came about.

 Thanks, Derby...

 keith whaley

 I saw it as more a description of the gross mismanagement, followed by the
 financial rape and eventual (at least partial/temporary) salvation of a
 world class camera company.  It has less to do with the change from film to
 sensor than it has to do with asset stripping and feckless, ignorant,
 self-centred little toads.


That combined with the essential Leica mistake. Having a primary
product essentially identical to 30 year old production so there was
little reason for long-time shooters to upgrade(V series) and
introducing a new product which offered nothing beyond a nameplate
over the Japanese brand's inexpensive and well-regarded products (the
H-series). The H-series current dominance of the 645 market owes far
more to Kyocera(Contax) and Tamron(Bronica) not wanting to be involved
with the market and the basic unsuitability of the Pentax 645 design
to digital backs more than any inherent advantage to the H-Series
body. If Kyocera in particular had stuck it out the Contax 645 would
almost assuredly be the dominant 645 series body today.


-- 
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RE: The Leica as a Teacher

2009-05-30 Thread Bob W
  Well, there's obviously a geographical aspect to this 
 because I can walk
  into a shop, buy a Leica or an SLR, and pay no taxes, fees 
 or shipping on
  either, so those aspects are irrelevant. Otherwise I can buy  sell
  privately, in which case those aspects don't feature at 
 all. Buying  then
  selling high quality old film cameras, whether they are 
 SLRs or Leica Ms
  involve essentially no financial loss, unless you want to 
 start artifically
  introducing shipping stuff for the Leica which may apply to 
 your case but
  certainly not to all.
 
 Do you not pay VAT in the UK? I understand it's generally included in
 the list price unlike sales or VAT taxes in most North American
 jurisdictions which are not included in the list price but it is there
 nonetheless. 

There is a very much smaller amount of VAT on used equipment than on new
equipment. This is not just because used prices are lower, but because the
calculation is different - for used equipment VAT is charged on the seller's
margin, not on the selling price. It applies to everything, not just Leicas,
and is not quoted separately from the price, so it is invisible to the
buyer. The difference in the amount of VAT between a used Leica and, say, a
used MX is trivial. If the government scrapped VAT on used cameras nobody
would notice any difference. 

However, in my experience most used Leicas are traded privately, in which
case there is no VAT at all. Even if you buy it from a dealer, the chances
are it's a commission sale. I sold my M4-2 through a dealer on a commission
sale. This seems to be how most used high-end stuff goes here, so as a
private seller there was no VAT in the price. I had to pay the dealer's
commission of course, but that was my choice and I could have avoided it.

 And the vast majority of folk cannot buy such gear
 locally, such gear is really only available for local sale in the
 largest of cities in the western world and only widely available in a
 few of those. Private sales are of course another matter but shipping
 is generally a factor there as well since the primary venues for such
 are online fora such as RFF or APUG. Not to mention the fact that
 buying used at a retail location very rarely results in paying
 competitive prices for Leica bodies.
 
 Therefore your objections are almost entirely the exception rather
 than the rule, particular to your location in the London area and a
 few other locations.
 

The objections stand. If you have to pay shipping etc when you buy the
thing, and the great majority of your market also has to, then the shipping
is part of the price, just as VAT is. If you choose not to recover it that's
your problem. And whether you buy a Leica or an MX you still have to pay for
shipping, probably at the same rate, so where's the Leica tax?

Bob


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Re: The Leica as a Teacher

2009-05-30 Thread Paul Stenquist
When I started shooting some thirty five years ago, this was about the  
only way to do it. My first serious camera was similar to a Leica. It  
as a Nikon SP2 rangefinder with a 35mm lens. Shot with nothing but  
that for a long time. Then just a few years back, I spent the better  
part of a year shooting primarily with a Leica iiif RD, a camera just  
as basic as my old Nikon. Good experiences both.

Paul
On May 30, 2009, at 10:41 AM, Adam Maas wrote:


Anybody else read
http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
Mike Johnston's little ode to simplicity and the Leica as a teacher.

I'm seriously thinking about giving the basic concept a try. Not with
a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
and a fast normal. I don't feel like paying the Leica tax and my FX-3
in particular cost less than the eBay/Paypal transaction fees on even
a cheap M.

--
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http://www.mawz.ca
Explorations of the City Around Us.

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Re: Autopano let loose

2009-05-30 Thread Paul Stenquist

A nice image. Good to see you posting here.
Paul
On May 30, 2009, at 11:36 AM, Rob Studdert wrote:


Hi Team,

This is my first PESO for a while, more to come if you care,
commendations or critisims welcomed of course.

Like Dave Savage and a few others I've been shooting a good number of
multi-image panos over the last few years, it can be quite rewarding.
However I've found that determining whether your pre-compiled image
really deserves post processing time and attention requires some
automation.

For this purpose I use AutoPano Pro, I let it loose on my newly
downloaded thumbnail images to detect and automatically compile pano
images, it matches up image sets quite successfully but it often also
finds unintended panoramas, sometimes good but most often not.

The following image is one that Autopano found and assembled and
that I thought deserved a little closer attention, it's a composite of
four images from two pano sets, one for the sky and the other
everything else. The images were captured using a K10D and the source
files were 2MP JPGs generated in camera, there are errors in the
stitching but really it's amazing that it stitched so well.

The subject is Osborne House and gardens on Isle of Wight

http://home.swiftdsl.com.au/~distudio/temp/Pano-IMGK01592.jpg (~650kB)

Cheers,

--  
Rob Studdert

HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110 UTC +10

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Re: Autopano let loose

2009-05-30 Thread Ken Waller

Very well done - needs to be printed to be fully appreciated.

Welcome back Rob !

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Rob Studdert distudio.p...@gmail.com

Subject: Autopano let loose



Hi Team,

This is my first PESO for a while, more to come if you care,
commendations or critisims welcomed of course.

Like Dave Savage and a few others I've been shooting a good number of
multi-image panos over the last few years, it can be quite rewarding.
However I've found that determining whether your pre-compiled image
really deserves post processing time and attention requires some
automation.

For this purpose I use AutoPano Pro, I let it loose on my newly
downloaded thumbnail images to detect and automatically compile pano
images, it matches up image sets quite successfully but it often also
finds unintended panoramas, sometimes good but most often not.

The following image is one that Autopano found and assembled and
that I thought deserved a little closer attention, it's a composite of
four images from two pano sets, one for the sky and the other
everything else. The images were captured using a K10D and the source
files were 2MP JPGs generated in camera, there are errors in the
stitching but really it's amazing that it stitched so well.

The subject is Osborne House and gardens on Isle of Wight

http://home.swiftdsl.com.au/~distudio/temp/Pano-IMGK01592.jpg (~650kB)

Cheers,

--
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110 UTC +10



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Re: PESO 2009 - 079 - GDG

2009-05-30 Thread Ken Waller
I believe it would be a better portrait in a square format, minus about a 
fourth of the image from the

LH side.

A concerned look BTW.

Kenneth Waller
http://www.tinyurl.com/272u2f

- Original Message - 
From: Godfrey DiGiorgi ramar...@mac.com

Subject: PESO 2009 - 079 - GDG



I haven't posted a self-portrait in a bit ...
took this one while on my morning walk a couple of days ago enjoying  the 
rediscovery of my Contax Tix camera.


http://farm4.static.flickr.com/3587/3578924004_4f09cd150b_o.jpg
079 - Self Portrait On Walk - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400 film
scanned with Nikon LS-40 - processed in Lightroom
  flickr page: http://www.flickr.com/photos/gdgphoto/3578924004/

Comments always appreciated. Don't worry about insulting the  subject... 
;-)


Godfrey
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re: The Leica as a Teacher

2009-05-30 Thread Godfrey DiGiorgi


From: Adam Maas a...@mawz.ca

Anybody else read
http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
Mike Johnston's little ode to simplicity and the Leica as a teacher.

I'm seriously thinking about giving the basic concept a try. Not with
a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
and a fast normal. I don't feel like paying the Leica tax and my FX-3
in particular cost less than the eBay/Paypal transaction fees on even
a cheap M.


It's an aesthetic that I work with my digital gear too. I'm using less  
and less gear as time goes on ... one or two nice prime lenses plus  
whichever body happens to tickle my fancy on a given day is the bulk  
of the equipment I'm using of late (although I continue to like to  
experiment and enjoy the other gear occasionally).


I'd rather do it with digital as scanning film is time consuming and  
lacking in imagination. My recent experiments with the Pen EE and Tix  
show that there is a charm to film images, but the time consuming  
nature of the scanning endeavor and the cost of processing make it  
somewhat less appealing to work with as a learning medium. To me anyway.


Godfrey

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 2:55 PM, Bob W p...@web-options.com wrote:
  Well, there's obviously a geographical aspect to this
 because I can walk
  into a shop, buy a Leica or an SLR, and pay no taxes, fees
 or shipping on
  either, so those aspects are irrelevant. Otherwise I can buy  sell
  privately, in which case those aspects don't feature at
 all. Buying  then
  selling high quality old film cameras, whether they are
 SLRs or Leica Ms
  involve essentially no financial loss, unless you want to
 start artifically
  introducing shipping stuff for the Leica which may apply to
 your case but
  certainly not to all.

 Do you not pay VAT in the UK? I understand it's generally included in
 the list price unlike sales or VAT taxes in most North American
 jurisdictions which are not included in the list price but it is there
 nonetheless.

 There is a very much smaller amount of VAT on used equipment than on new
 equipment. This is not just because used prices are lower, but because the
 calculation is different - for used equipment VAT is charged on the seller's
 margin, not on the selling price. It applies to everything, not just Leicas,
 and is not quoted separately from the price, so it is invisible to the
 buyer. The difference in the amount of VAT between a used Leica and, say, a
 used MX is trivial. If the government scrapped VAT on used cameras nobody
 would notice any difference.

I wasn't aware that the VAT was lower on used items or calculated on
margin instead of selling price. However it simply isn't invisible to
the buyer since they can still see non-VAT pricing via the net.


 However, in my experience most used Leicas are traded privately, in which
 case there is no VAT at all. Even if you buy it from a dealer, the chances
 are it's a commission sale. I sold my M4-2 through a dealer on a commission
 sale. This seems to be how most used high-end stuff goes here, so as a
 private seller there was no VAT in the price. I had to pay the dealer's
 commission of course, but that was my choice and I could have avoided it.

From what I've seen, most used leica's are sold privately over the internet.


 And the vast majority of folk cannot buy such gear
 locally, such gear is really only available for local sale in the
 largest of cities in the western world and only widely available in a
 few of those. Private sales are of course another matter but shipping
 is generally a factor there as well since the primary venues for such
 are online fora such as RFF or APUG. Not to mention the fact that
 buying used at a retail location very rarely results in paying
 competitive prices for Leica bodies.

 Therefore your objections are almost entirely the exception rather
 than the rule, particular to your location in the London area and a
 few other locations.


 The objections stand. If you have to pay shipping etc when you buy the
 thing, and the great majority of your market also has to, then the shipping
 is part of the price, just as VAT is. If you choose not to recover it that's
 your problem. And whether you buy a Leica or an MX you still have to pay for
 shipping, probably at the same rate, so where's the Leica tax?

 Bob


For starters, since you're competing against fairly standard pricing
(the pricing on Leica bodies is quite static, otherwise recouping
purchase price would not be possible) you'll either need to price over
the competition to recover shipping costs or eat the costs and thus be
out your original shipping costs.

Unlike Leica's, old SLR's are widely available as used items in local
stores. There's little reason to buy online and pay shipping unless
you really are out in the boonies or desire a specific model. And even
then shipping is still cheaper since there's no need to buy insurance
on an sub-$100 item unlike the Leica and the SLR body will typically
be lighter (and thus cheaper to ship). Also the low price of the
bodies means that people will generally ship on the cheap. $20 is on
the high side for shipping for a manual SLR but very much on the low
side for a Leica body or similar high-value camera.



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RE: The Leica as a Teacher

2009-05-30 Thread Bob W

 
 I wasn't aware that the VAT was lower on used items or calculated on
 margin instead of selling price. 

The VAT rate is the same.

 However it simply isn't invisible to
 the buyer since they can still see non-VAT pricing via the net.
 

Really? On second-hand goods? Where? There may be different rules for
distance trade, but generally if you sell to a non-EU buyer it is the
buyer's responsibility to claim the VAT back - the seller still has to
charge it and pass it on to the government. In the case of second-hand goods
under the margin scheme the seller doesn't know what the VAT will be until
he's actually sold the item. 

It wouldn't make much sense commercially to quote the VAT separately because
a) he might not get the quoted price and b) he's revealing his margin and
giving the buyer a big bargaining chip.

I think a more likely scenario is that the seller quotes a price without
listing VAT separately then, when the selling price has been agreed he
either deducts the VAT at source or tells the buyer how much to reclaim.

Bob


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Re: Lens considerations

2009-05-30 Thread Leon Altoff
Hi John,

Thank for the link, it's interesting to compare the 2 lenses on paper.
 It looks like they should produce similar quality images which is
what I wanted to know.

-- 

Leon



2009/5/30 John Whittingham jo...@carmel.ac.uk:
 Hi Leon

 There's a full test on the 17-70 at the following URL:

 http://www.photozone.de/pentax/408-pentax_1770_4

 I was at one point thinking of selling my DA*16-50 and buying one new, the 
 20-35 still fetches good money on Ebay, not sure about the 28mm shift.

 Regards,

 John

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RE: Lens considerations

2009-05-30 Thread John Whittingham
Hi Leon.

Pleasure to help, I think the only real advantage I have with the 16-50 is the 
f/2.8 aperture, even the distortion is similar. 

Regards, 

john

From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Leon Altoff 
[leon.alt...@gmail.com]
Sent: 30 May 2009 21:48
To: Pentax-Discuss Mail List
Subject: Re: Lens considerations

Hi John,

Thank for the link, it's interesting to compare the 2 lenses on paper.
 It looks like they should produce similar quality images which is
what I wanted to know.

--

Leon



2009/5/30 John Whittingham jo...@carmel.ac.uk:
 Hi Leon

 There's a full test on the 17-70 at the following URL:

 http://www.photozone.de/pentax/408-pentax_1770_4

 I was at one point thinking of selling my DA*16-50 and buying one new, the 
 20-35 still fetches good money on Ebay, not sure about the 28mm shift.

 Regards,

 John

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Re: Lens considerations

2009-05-30 Thread Leon Altoff
Hi Anthony,

I've often considered the second body approach.  I did this with film
and had 2 Super A or 2 Z1p bodies which had at various times different
film or different lenses attached.   With digital it gets a bit
expensive to replace 2 bodies at once (I have 2 istD bodies still and
only one ever gets any use).

I have room in my camera bag for 5 lenses max, 3 zooms and 2 small
primes.  My current zooms are 12-24, 16-45  50-200.  If I go to
12-24, 17-70  60-250 I get overlap on all lenses with no gaps and
improved quality above 50mm.  I don't want to carry a larger bag, but
I will cope with the slightly increased weight of the new lenses.

-- 

Leon


2009/5/31 Anthony Farr farranth...@gmail.com:
 You'll still find times when lens changing is an annoyance even with a
 new, longer range zoom.  While I haven't followed the prices of lenses
 and cameras I'd think an additional camera would be comparable in cost
 to a new lens which you only want for the sake of avoiding lens
 changes.  You could have the whole range of 16mm-240mm (with a small
 gap 45mm-50mm), or 20mm-250mm mounted and always ready for use.

 You may already have two camera bodies but avoid carrying them both at
 once because it's too much to be toting.  But consider that with two
 or more lenses and one body you need a case or bag to store the unused
 lens.  With two lenses each mounted on a body you don't need a case at
 all if you're content to carry it all on neck/shoulder straps where
 you can get at it in moments.  Anything else such as spare batteries,
 memory cards and so on can fit in a tiny belt pouch or similar.

 regards, Anthony

    Of what use is lens and light
    to those who lack in mind and sight
                                               (Anon)

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Re: Lens considerations

2009-05-30 Thread Leon Altoff
Hi Boris,

I think that 28 would not be wide enough to keep me happy and I'd end
up going the other way and always changing to the 12-24 (which I don't
always carry).  I'm thinking that I will probably keep a selection of
primes for film use (which may end up just being a collection as I
haven't actually shot film in years, I just don't want to give it up
completely).

-- 

Leon



2009/5/30 Boris Liberman bori...@gmail.com:
 Leon, if I had (a good copy of) 20-35 I would probably keep it.

 Having somewhat similar situation to that of yours, I opted for Tamron
 28-75/2.8 and DA 21.

 Boris

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PESOs: meeting the daemons and 2dimensional flight

2009-05-30 Thread Luka Knezevic-Strika
i don't usually go around giving names to photos, but here's a couple
of exceptions:

http://www.flickr.com/photos/tamoneki/3579039377/


http://www.flickr.com/photos/tamoneki/3577283098/


pentax k10d, da 50-200

luka

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PESO 2009 - 080 - GDG

2009-05-30 Thread Godfrey DiGiorgi

Some people take exception ... despite their charm and beauty.

http://farm4.static.flickr.com/3330/3579077139_021d427ae1_o.jpg
080 - Resistance - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400
Nikon LS-40, Lightroom processing
  flickr page: http://www.flickr.com/photos/gdgphoto/3579077139/

Comments always appreciated.

Godfrey
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 www.gdgphoto.com
 www.flickr.com/photos/gdgphoto/collections
 www.twitter.com/godfreydigiorgi


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RE: PESOs: meeting the daemons and 2dimensional flight

2009-05-30 Thread Bob W

 
 i don't usually go around giving names to photos, but here's a couple
 of exceptions:
 
 http://www.flickr.com/photos/tamoneki/3579039377/
 
 
 http://www.flickr.com/photos/tamoneki/3577283098/
 
 
 pentax k10d, da 50-200
 
 luka

your photographs are always very interesting and unusual, I enjoy them very
much.

Bob


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Re: PESOs: meeting the daemons and 2dimensional flight

2009-05-30 Thread Luka Knezevic-Strika
thank you bob, it's a very nice thing to hear!

On Sun, May 31, 2009 at 12:29 AM, Bob W p...@web-options.com wrote:


 i don't usually go around giving names to photos, but here's a couple
 of exceptions:

 http://www.flickr.com/photos/tamoneki/3579039377/


 http://www.flickr.com/photos/tamoneki/3577283098/


 pentax k10d, da 50-200

 luka

 your photographs are always very interesting and unusual, I enjoy them very
 much.

 Bob


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Re: PESOs: meeting the daemons and 2dimensional flight

2009-05-30 Thread Bong Manayon
The photos and titles are great!  'Favorited' them :-)

On Sun, May 31, 2009 at 5:52 AM, Luka Knezevic-Strika
lukastr...@gmail.com wrote:
 i don't usually go around giving names to photos, but here's a couple
 of exceptions:

 http://www.flickr.com/photos/tamoneki/3579039377/


 http://www.flickr.com/photos/tamoneki/3577283098/


 pentax k10d, da 50-200

 luka

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-- 
Bong Manayon
http://www.bong.uni.cc

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Re: The Leica as a Teacher

2009-05-30 Thread Sandy Harris
On Sat, May 30, 2009 at 10:41 PM, Adam Maas a...@mawz.ca wrote:
 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.

 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.

Also consider the Cosina/Voigtlander cameras, new rangefinders
with Leica mount.
http://www.cameraquest.com/


-- 
Sandy Harris,
Quanzhou, Fujian, China

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Re: PESOs: meeting the daemons and 2dimensional flight

2009-05-30 Thread paul stenquist
Excellent photo. The title works well here and contributes to the  
imagery. Nicely done.

Paul
On May 30, 2009, at 5:52 PM, Luka Knezevic-Strika wrote:


i don't usually go around giving names to photos, but here's a couple
of exceptions:

http://www.flickr.com/photos/tamoneki/3579039377/


http://www.flickr.com/photos/tamoneki/3577283098/


pentax k10d, da 50-200

luka

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 4:03 PM, Bob W p...@web-options.com wrote:


 I wasn't aware that the VAT was lower on used items or calculated on
 margin instead of selling price.

 The VAT rate is the same.

The effect is a lower rate if calculated on margin rather than selling price.


 However it simply isn't invisible to
 the buyer since they can still see non-VAT pricing via the net.


 Really? On second-hand goods? Where? There may be different rules for
 distance trade, but generally if you sell to a non-EU buyer it is the
 buyer's responsibility to claim the VAT back - the seller still has to
 charge it and pass it on to the government. In the case of second-hand goods
 under the margin scheme the seller doesn't know what the VAT will be until
 he's actually sold the item.

 It wouldn't make much sense commercially to quote the VAT separately because
 a) he might not get the quoted price and b) he's revealing his margin and
 giving the buyer a big bargaining chip.

 I think a more likely scenario is that the seller quotes a price without
 listing VAT separately then, when the selling price has been agreed he
 either deducts the VAT at source or tells the buyer how much to reclaim.

 Bob


Bob,

When shopping used, most use either eBay or KEH are a pricing guide.
Neither includes VAT in pricing. Though I doubt most are thinking much
beyond 'UK pricing is awful' rather than 'the difference is the VAT'.


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 8:32 PM, Sandy Harris sandyinch...@gmail.com wrote:
 On Sat, May 30, 2009 at 10:41 PM, Adam Maas a...@mawz.ca wrote:
 Anybody else read
 http://theonlinephotographer.typepad.com/the_online_photographer/2009/05/a-leica-year.html
 Mike Johnston's little ode to simplicity and the Leica as a teacher.

 I'm seriously thinking about giving the basic concept a try. Not with
 a Leica though, but rather with either a Yashica FX-3 or Nikon FM2n
 and a fast normal. I don't feel like paying the Leica tax and my FX-3
 in particular cost less than the eBay/Paypal transaction fees on even
 a cheap M.

 Also consider the Cosina/Voigtlander cameras, new rangefinders
 with Leica mount.
 http://www.cameraquest.com/


 --
 Sandy Harris,
 Quanzhou, Fujian, China


A good idea, but the bodies cost roughly the same as an M3 or M4-2 in
user condition. Of course they do include such niceties as a sane film
loading design. The lenses are more interesting. However I'm only
considering bodies I already own.

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: The Leica as a Teacher

2009-05-30 Thread Rob Studdert
On 5/31/09, Adam Maas a...@mawz.ca wrote:

 A good idea, but the bodies cost roughly the same as an M3 or M4-2 in
 user condition. Of course they do include such niceties as a sane film
 loading design. The lenses are more interesting. However I'm only
 considering bodies I already own.

M4 and onwards employ the same film loading mechanism which once
mastered is fast to load and very reliable, more so than any Pentax
SLR I've used. Also speaking from a little experience, I've bought,
used and sold 5 Leica M bodies and each have returned more money than
I paid initially including all ancillary costs. I still have an M4
body which I won't make money on as I had it restored by the factory
(plus I'll never sell it).

-- 
Rob Studdert
HURSTVILLE AUSTRALIA
Tel  +6... UTC +10

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Re: The Leica as a Teacher

2009-05-30 Thread David Mann

On May 31, 2009, at 1:34 PM, Rob Studdert wrote:


Rob Studdert
HURSTVILLE AUSTRALIA
Tel  +6... UTC +10


Interesting phone number, how does one dial an ellipsis?

Dave


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Re: The Leica as a Teacher

2009-05-30 Thread David Mann

On May 31, 2009, at 5:16 AM, Bob W wrote:

Not in this country. I could get extremely very drunk several times  
over for

the price of a Nikon F.


I could get extremely drunk several times over for the price of a  
secondhand 50mm f/2.  With dents.  And fungus.


Dave

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Re: PESO 2009 - 080 - GDG

2009-05-30 Thread Joseph McAllister

There's one in every outdoor cafe. And you found her.

Nice tonality and presentation. Lots of freckles, or Tri-X filter?

Did you wait for a gotcha moment? I would have!  :-)


On May 30, 2009, at 15:19 , Godfrey DiGiorgi wrote:


Some people take exception ... despite their charm and beauty.

http://farm4.static.flickr.com/3330/3579077139_021d427ae1_o.jpg
080 - Resistance - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400
Nikon LS-40, Lightroom processing
 flickr page: http://www.flickr.com/photos/gdgphoto/3579077139/


Joseph McAllister
pentax...@mac.com

“If I could tell the story in words, I wouldn’t need to lug a camera.”
–Lewis Hine


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Re: PESO 2009 - 080 - GDG

2009-05-30 Thread Joseph McAllister

Hey, it was film! Didn't notice until my third look!


On May 30, 2009, at 15:19 , Godfrey DiGiorgi wrote:


http://farm4.static.flickr.com/3330/3579077139_021d427ae1_o.jpg
080 - Resistance - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400
Nikon LS-40, Lightroom processing


Joseph McAllister
Lots of gear, not much time

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html


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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 9:34 PM, Rob Studdert distudio.p...@gmail.com wrote:
 On 5/31/09, Adam Maas a...@mawz.ca wrote:

 A good idea, but the bodies cost roughly the same as an M3 or M4-2 in
 user condition. Of course they do include such niceties as a sane film
 loading design. The lenses are more interesting. However I'm only
 considering bodies I already own.

 M4 and onwards employ the same film loading mechanism which once
 mastered is fast to load and very reliable, more so than any Pentax
 SLR I've used. Also speaking from a little experience, I've bought,
 used and sold 5 Leica M bodies and each have returned more money than
 I paid initially including all ancillary costs. I still have an M4
 body which I won't make money on as I had it restored by the factory
 (plus I'll never sell it).

 --
 Rob Studdert

I'm not much of a fan of the Magic Needle system on the Pentax K mount
bodies. Best film loading I've seen in a manual-advance SLR is the
Canon QL system, after that I prefer the traditional system used by
most other setups (including the Bessa Rangefinders). The system used
by the M4 and later is adequate but inferior to the basic advance
system used by most SLRs.



-- 
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http://www.mawz.ca
Explorations of the City Around Us.

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Re: The Leica as a Teacher

2009-05-30 Thread Rob Studdert
On 5/31/09, Adam Maas a...@mawz.ca wrote:

 I'm not much of a fan of the Magic Needle system on the Pentax K mount
 bodies. Best film loading I've seen in a manual-advance SLR is the
 Canon QL system, after that I prefer the traditional system used by
 most other setups (including the Bessa Rangefinders). The system used
 by the M4 and later is adequate but inferior to the basic advance
 system used by most SLRs.

I'm interested to find out why you consider the film loading system on
the M4 and later inferior to most SLRs? All that's required to load
later M film cameras is to pullout the film leader, place the
cartridge in the camera with the film leader though the tangs, fit the
base and stroke the film advance. I've had more problems with supposed
self loading SLRs personally.

-- 
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HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110 UTC +10

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Re: The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread Bob Sullivan
Companies have an institutional memory and like to do what they know
how to do well.  A major technological innovation can mean major
dislocations.  Suddenly that expensive Swiss timepiece is bested by a
$6 chip watch from Texas Instruments.  Mechanical time pieces became
an anachronism.  So too with film cameras...  Regards, Bob S.

On Sat, May 30, 2009 at 12:43 PM, mike wilson m.9.wil...@ntlworld.com wrote:
 Keith Whaley wrote:

 Derby Chang wrote:


 A really fascinating essay on LL today.

 http://www.luminous-landscape.com/essays/rise-fall.shtml



 Well worth a read by anyone seriously interested in understanding more
 about the turning point between film and digital use.

 I thought I had a reasonable understanding of it, until I read this
 article!
 Well written and (until something better comes along) pretty much a short
 but seminal revelation on how it all came about.

 Thanks, Derby...

 keith whaley

 I saw it as more a description of the gross mismanagement, followed by the
 financial rape and eventual (at least partial/temporary) salvation of a
 world class camera company.  It has less to do with the change from film to
 sensor than it has to do with asset stripping and feckless, ignorant,
 self-centred little toads.

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Re: The Leica as a Teacher

2009-05-30 Thread Adam Maas
On Sat, May 30, 2009 at 10:35 PM, Rob Studdert distudio.p...@gmail.com wrote:
 On 5/31/09, Adam Maas a...@mawz.ca wrote:

 I'm not much of a fan of the Magic Needle system on the Pentax K mount
 bodies. Best film loading I've seen in a manual-advance SLR is the
 Canon QL system, after that I prefer the traditional system used by
 most other setups (including the Bessa Rangefinders). The system used
 by the M4 and later is adequate but inferior to the basic advance
 system used by most SLRs.

 I'm interested to find out why you consider the film loading system on
 the M4 and later inferior to most SLRs? All that's required to load
 later M film cameras is to pullout the film leader, place the
 cartridge in the camera with the film leader though the tangs, fit the
 base and stroke the film advance. I've had more problems with supposed
 self loading SLRs personally.

 --
 Rob Studdert

It's basicly a 3-handed design. One for the camera, one for the film,
one for the bottom plate, the SLR systems only require 2 since the
backs don't seperate. Also it requires more care in loading the film
into the body since you have smaller gaps to slide the leader through.

It's not so much a bad design as it has been bettered.

The best variation on traditional loading systems is the SLR-type
loading with metal take-up spools that allow you to quickly stick the
leader right through the spool like a Leica take-up spool, rather than
only inserting the tip into the plastic spool. My F2 has the former
system and it's harder to have a takeup failure with that setup than
the plastic spool systems which can lose the leader easier.

-- 
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http://www.mawz.ca
Explorations of the City Around Us.

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Re: The Rise of Digital imaging and the Fall of the Old Camera industry

2009-05-30 Thread Keith Whaley

Bob Sullivan wrote:

Companies have an institutional memory and like to do what they know
how to do well.  A major technological innovation can mean major
dislocations.  Suddenly that expensive Swiss timepiece is bested by a
$6 chip watch from Texas Instruments.  Mechanical time pieces became
an anachronism.  So too with film cameras...  Regards, Bob S.



Which, thereby, you hsve put a coda to, and further comments are icing on the 
cake.


On the other hand, your points are well taken...  :-D

keith

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
I agree 100%. I have a tenancy to want to duck down and look up to see
what else is above the frame :-)

But the sequence was shot so I stitched it. I threw it out there more
as an example of the level of detail you can get in stitched images.

Thanks for your comments.

Cheers,

Dave

2009/5/30 Joseph McAllister pentax...@mac.com:
 I'm not happy with the composition of this one, but the colors 
 textures are nice. Could use more image at the top for balance.

 Otherwise, lovely.


 On May 29, 2009, at 23:49 , David Savage wrote:

 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm
 Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
Thanks mate.

The only problem I'm having with the D700 at the moment is that I've
been shooting with it so much the rubber grip on the front  by the
rear command dial are coming unstuck. Time to send it in for a
warranty fix methinks.

Cheers,

Dave

2009/5/30 David J Brooks pentko...@gmail.com:
 I like the blue tints in this one Dave.

 If you don't like that D700, send it over here and i;'ll dispose of it
 properly for you.

 Dave

 On Sat, May 30, 2009 at 2:49 AM, David Savage ozsav...@gmail.com wrote:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
2009/5/30 Brian Walters supera1...@fastmail.fm:
 On Sat, 30 May 2009 14:49 +0800, David Savage ozsav...@gmail.com
 wrote:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm
 Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.



 Yes they are.  The bluish tint to the water against those red/brown
 rocks is spectacular.

 I agree that there's something not quite right with the composition.
 You possibly needed a higher viewpoint so that the top of the image was
 the unobstructed water in the upper pond rather than the rocky cliff
 face, which seems to be cut off.  I suspect a higher viewpoint probably
 wasn't feasible, though.

 An excellent pano none the less.

No, a higher viewpoint wasn't possible, but If I had simply tilted the
camera up more it would have worked better.

Oh well, live  lean  stuff.

:-)

Thanks for looking.

Cheers,

Dave

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
Thanks Anthony.

Cheers,

Dave

2009/5/30 Anthony Farr farranth...@gmail.com:
 Dreamy.

 regards, Anthony

    Of what use is lens and light
    to those who lack in mind and sight
                                               (Anon)



 2009/5/30 David Savage ozsav...@gmail.com:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park, Westerm Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

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Re: OT PESO - Levels (Pano)

2009-05-30 Thread David Savage
2009/5/30 Bob W p...@web-options.com:
 G'day Trendsetters,

 A 4 frame pano from Dales Gorge, Karijini National Park,
 Westerm Australia:

 http://www.flickr.com/photos/disavage/3577880434/

 Direct link (Large ~300kb)
 http://farm4.static.flickr.com/3564/3577880434_4c73374e27_b.jpg

 Direct link (Original ~3.8MB)
 http://farm4.static.flickr.com/3564/3577880434_d63eee60d2_o.jpg

 I'm not happy with the composition of this one, but the colours 
 textures are nice.

 Enjoy.

 That's a nice picture of a beautiful scene. The only major criticism I have
 is that it doesn't have Jenny Agutter swimming naked in it.

 Famous scene here, for pervs of a certain age:
 http://www.youtube.com/watch?v=IviQavf3zqQfeature=related

I knew I should have sprung for the sexy lady accessory when I got the D700.

I think all of my shots could be improved with Ms Agutter in them.

:-)

Cheers,

Dave

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Re: PESO 2009 - 080 - GDG

2009-05-30 Thread Godfrey DiGiorgi

Thanks Joseph.

From: Joseph McAllister pentax...@mac.com

There's one in every outdoor cafe. And you found her.
Nice tonality and presentation. Lots of freckles, or Tri-X filter?
Did you wait for a gotcha moment? I would have!  :-)


She's a barista at the local coffee shop where I stop for my cup on my  
morning walks. When she goes on break, if I'm there, she comes out and  
sits at the table with me, chatters about stuff. Nice gal, funny. I  
did get a nice shot of her face, but I promised her I wouldn't post it  
anywhere.



...



Hey, it was film! Didn't notice until my third look!



yes, Kodak Advantix BW 400. About five years out of date ... not one  
of my frozen stock ... so the images have a very heavy, grainy  
stressed feel. It's fun.



Godfrey


http://farm4.static.flickr.com/3330/3579077139_021d427ae1_o.jpg
080 - Resistance - Sunnyvale 2009
Contax Tix - Kodak Advantix BW 400
Nikon LS-40, Lightroom processing
flickr page: http://www.flickr.com/photos/gdgphoto/3579077139/



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