Re: K7 or Kx

2010-09-08 Thread mike wilson

CheekyGeek wrote:


You need a license to own a gun, but they let anyone shoot at ISO 6400.



Just wanted to underline that one for next year's book.


No good without attribution

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Re: K7 or Kx

2010-09-07 Thread P. J. Alling

 On 9/7/2010 3:29 PM, Miserere wrote:

On 4 September 2010 20:53, P. J. Alling  wrote:

  Somewhere around the 1990's I read about a doping method for film being
pioneered by AGFA that would bring allow film ISO's to exceed 204,800 with
acceptable results IIRC.

How's that project coming along?


   --M.

Agfa 's dead.  I think that says it all...

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Re: K7 or Kx

2010-09-07 Thread Steven Desjardins
They succeeded.  The results are in the Smithsonian.  Just to point
out, film photography is still one of our most popular studio art
courses.

On Tue, Sep 7, 2010 at 3:29 PM, Miserere  wrote:
> On 4 September 2010 20:53, P. J. Alling  wrote:
>>  Somewhere around the 1990's I read about a doping method for film being
>> pioneered by AGFA that would bring allow film ISO's to exceed 204,800 with
>> acceptable results IIRC.
>
> How's that project coming along?
>
>
>  --M.
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>
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Re: K7 or Kx

2010-09-07 Thread CheekyGeek
> You need a license to own a gun, but they let anyone shoot at ISO 6400.

Just wanted to underline that one for next year's book.
: )

Darren Addy
Kearney, NE

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Re: K7 or Kx

2010-09-07 Thread Miserere
On 4 September 2010 20:53, P. J. Alling  wrote:
>  Somewhere around the 1990's I read about a doping method for film being
> pioneered by AGFA that would bring allow film ISO's to exceed 204,800 with
> acceptable results IIRC.

How's that project coming along?


  --M.
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Re: K7 or Kx

2010-09-04 Thread P. J. Alling



It is much like saying all lenses are sharpest at 2 stops from wide open.


Yes, but If you don't how the lens is optimized, as a general rule of 
thumb it works better than most.


On 9/1/2010 6:03 PM, Bruce Dayton wrote:

One has to wonder how he came to that conclusion.  Seems you would actually 
have to try all the cameras before relying on that.

Perhaps it would be better to try the camera in question before making that 
broad of a generalization.

Changes in sensors and support firmware can have a big impact on these kinds of 
things.  Not to mention design goals of a particular camera.  It is much like 
saying all lenses are sharpest at 2 stops from wide open.  We know that isn't 
accurate because lens designs and goals affect that.



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Re: K7 or Kx

2010-09-04 Thread P. J. Alling
 Somewhere around the 1990's I read about a doping method for film 
being pioneered by AGFA that would bring allow film ISO's to exceed 
204,800 with acceptable results IIRC.


On 9/1/2010 11:16 AM, Paul Sorenson wrote:
 It is kind of mind boggling.  When I got my first SLR in the early 
1960s High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)


On 9/1/2010 9:53 AM, Steven Desjardins wrote:

I freely admit that I don't think I am really understanding the
implications of ISO 12,800.   It's like a person being 20 ft. tall.
My mind has trouble associating that number with that property.  I
noticed that one high end Nikon had a max sensitivity of 102,400.
That's like trying to grasp an f0.1 aperture.  It makes mathematical
sense in terms of EVs but I never thought I would see such a thing.

On Wed, Sep 1, 2010 at 12:25 AM, Paul 
Sorenson  wrote:
  Here's another K-X example if you need low light capabilities.  
Pretty much
a straight import into LR3 - at ISO 12,800.  The noise isn't 
objectionable

at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)

http://www.studio1941.com/photos/content/IMGP0631_large.html

-p

On 8/31/2010 1:34 PM, Bruce Dayton wrote:
One big difference for me was that with the K20 and earlier I 
really had

to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.

With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm

I would never have thought to take that kind of shot in the past.


That is why I am saying to try the K-x and really see how different
you start shooting and thinking.  When I got mine, it was only to
shoot a gymnastics sporting event - that covered the cost for me.  It
turned out to be just the tip of the iceberg.

Here is a shot from a reception - fairly dim lighting - ISO 6400 -
pretty much no post processing:
http://www.daytonphoto.com/PAW/hoffman_00295.htm

With flash, the shot would not be the same.  This is the kind of
thing I am talking about.  Not really thinking about how you shoot
today, but really thinking outside of the box.  For me, the K-x was
really a game changer in thought process and fun.  Prior to that,
pretty much the old thought process all the way back into my film
days.

"If you always do what you've always done, you'll always get what
you've always got."

Time to change it up and see what this Brave New World is offering.




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Re: K7 or Kx

2010-09-04 Thread paul stenquist
My K7 is slightly less noisy than was my K20 at speeds of 800 and above. It 
might be slightly more noisy in the shadows at 400, but not significantly. 
Paul
On Sep 4, 2010, at 8:22 PM, P. J. Alling wrote:

> I'm pretty happy with the K20D at ISO 2500, without preforming heroic post 
> processing.  The K-7 should handle ISO 1600 with no problems.
> 
> On 8/31/2010 1:07 PM, Steven Desjardins wrote:
>> Thanks for the shots.  When needed, I would push the K10D to 800.  The
>> K7 should be at least that good, yes?  I am intrigued by Bruce's
>> comment.  We are now reaching the stage where digital will begin to
>> have capabilities that will change the way people shoot. HDR might
>> also that it they ever get it right.  My own wild prediction is that
>> eventually exposure will be a non-issue and will be a processed
>> property.  Maybe even focus.
>> 
>> On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
>>   wrote:
>>> On the other hand, if you plan to shoot in bad weather or if you work your 
>>> cameras as hard as I do, you'll probably want the K7. While the K7 does 
>>> begin to show some noise in exposures at ISOs above 400, the noise doesn't 
>>> ramp up all that much at levels above 400. My photo for the Pentax show in 
>>> Chicago was shot at ISO 3200 with the K7:
>>> http://photo.net/photodb/photo?photo_id=9902961&size=lg
>>> 
>>> I've had reasonable success with the K7 at 6400:
>>> http://photo.net/photodb/photo?photo_id=10541951&size=lg
>>> 
>>> And I regularly use it at ISO 800:
>>> http://photo.net/photodb/photo?photo_id=11014855
>>> 
>>> Film grain never bothered me a lot, and a bit of digital noise isn't a 
>>> problem for me or my clients. But I will be adding a K5 to the arsenal when 
>>> it becomes available. My k7 is closing in on 30,000 frames, so it's time to 
>>> send it to back-up mode.
>>> 
>>> Paul
>>> 
>>> 
>>> On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:
>>> 
 Funny thing about the low light question...before I got a K-x, I didn't 
 shoot low light much without a tripod but that was really because my K20 
 and earlier cameras couldn't shoot low light.  Now that I have a K-x, my 
 shooting techniques and style s have been changing due too the new 
 capability.  So the K7 represents the best of shooting the old way and the 
   K-x represents the opportunity to do some new and exciting things.  
 For me at this stage, I would go for the K-x.  If you buy from B&H you 
 have some time to return and exchange.  That would be ideal.  Get the K-x 
 because it lets you try things you haven't done before.  If you find you 
 aren't delighted with it you can return it and get the K7.
 
 For me, at this point I never use my K20 anymore unless my daughter is 
 using at the time I need it.  Given the choice, I always pick the K-x over 
 the K20.
 --
 Sent from my Android phone with K-9 Mail.
 
 "Dario Bonazza"  wrote:
 
> Steven Desjardins wrote:
> 
>> I thought of that, but I'd like to buy a new body.  KEH has two K7 now
>> for $789 and $819 which is not much of a savings, and I don't think
>> I'd buy one off ebay, etc.
>> 
>> I do like your comment "But K-x has a sensor second to none."  I think
>> Canon and Nikon might contest that.  Of course, it could be a better
>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>> however.
> I've used both the K-7 and the K-x and my advice is simple:
> 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
> add flash in low light? Go for the K-7, which is an overall better capable
> camera for sure.
> 2) Do you shoot with available light? The K-x is far better for that. IMO,
> all of the K-7 pluses put together cannot compensate for the huge 
> difference
> in image quality in favor of the K-x above ISO 400.
> 
> Whichever you choose now, it is likely after Photokina you'll want to jump
> all feet on such camera and replace it with one of the new ones for a good
> reason :-)
> 
> Dario
> 
> 
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Re: K7 or Kx

2010-09-04 Thread P. J. Alling
 I'm pretty happy with the K20D at ISO 2500, without preforming heroic 
post processing.  The K-7 should handle ISO 1600 with no problems.


On 8/31/2010 1:07 PM, Steven Desjardins wrote:

Thanks for the shots.  When needed, I would push the K10D to 800.  The
K7 should be at least that good, yes?  I am intrigued by Bruce's
comment.  We are now reaching the stage where digital will begin to
have capabilities that will change the way people shoot. HDR might
also that it they ever get it right.  My own wild prediction is that
eventually exposure will be a non-issue and will be a processed
property.  Maybe even focus.

On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
  wrote:

On the other hand, if you plan to shoot in bad weather or if you work your 
cameras as hard as I do, you'll probably want the K7. While the K7 does begin 
to show some noise in exposures at ISOs above 400, the noise doesn't ramp up 
all that much at levels above 400. My photo for the Pentax show in Chicago was 
shot at ISO 3200 with the K7:
http://photo.net/photodb/photo?photo_id=9902961&size=lg

I've had reasonable success with the K7 at 6400:
http://photo.net/photodb/photo?photo_id=10541951&size=lg

And I regularly use it at ISO 800:
http://photo.net/photodb/photo?photo_id=11014855

Film grain never bothered me a lot, and a bit of digital noise isn't a problem 
for me or my clients. But I will be adding a K5 to the arsenal when it becomes 
available. My k7 is closing in on 30,000 frames, so it's time to send it to 
back-up mode.

Paul


On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:


Funny thing about the low light question...before I got a K-x, I didn't shoot low 
light much without a tripod but that was really because my K20 and earlier cameras 
couldn't shoot low light.  Now that I have a K-x, my shooting techniques and style 
s have been changing due too the new capability.  So the K7 represents the best of 
shooting the old way and the   K-x represents the opportunity to do some new 
and exciting things.  For me at this stage, I would go for the K-x.  If you buy 
from B&H you have some time to return and exchange.  That would be ideal.  Get 
the K-x because it lets you try things you haven't done before.  If you find you 
aren't delighted with it you can return it and get the K7.

For me, at this point I never use my K20 anymore unless my daughter is using at 
the time I need it.  Given the choice, I always pick the K-x over the K20.
--
Sent from my Android phone with K-9 Mail.

"Dario Bonazza"  wrote:


Steven Desjardins wrote:


I thought of that, but I'd like to buy a new body.  KEH has two K7 now
for $789 and $819 which is not much of a savings, and I don't think
I'd buy one off ebay, etc.

I do like your comment "But K-x has a sensor second to none."  I think
Canon and Nikon might contest that.  Of course, it could be a better
sensor than the K7.  I'm not one that too fussy about micro-artifacts
however.

I've used both the K-7 and the K-x and my advice is simple:
1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
add flash in low light? Go for the K-7, which is an overall better capable
camera for sure.
2) Do you shoot with available light? The K-x is far better for that. IMO,
all of the K-7 pluses put together cannot compensate for the huge difference
in image quality in favor of the K-x above ISO 400.

Whichever you choose now, it is likely after Photokina you'll want to jump
all feet on such camera and replace it with one of the new ones for a good
reason :-)

Dario


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Re: K7 or Kx

2010-09-02 Thread Boris Liberman

Oddly enough, I somehow missed that message of yours, Miserere.



Rant over. And it wasn't directed at you, Boris. Sorry that
your
message was the one I replied to.

Cheers,


   --M.


As to your rant. Very soon after starting reading you I realized it 
wasn't specifically for me, so it's ok.


I hear you and agree with you to some extent. I will try to explain.

First and foremost the actual dynamic range of the sensor drops 
significantly as ISO increases and especially so towards the highest ISO 
values. I think that general/average/common-place/etc shooter does not 
take that into account at shoot-time. Then, in post they will be forced 
to play with the tones and inevitably rather immediately hit the limits 
- posterization, bad noise, etc.


Second of all, you're absolutely right in a sense that if everyone would 
take care to set ISO according to lighting conditions, it would be just 
swell. But it does not happen.


So, "general opinion" is that in higher ISO values cameras "suck"...

I also shot at ISO 1600 with my K10D and *tried* ISO 6400 with my K-7. 
In fact, event at f/1.2 or f/1.4 and at 1/60 sec it is pretty darn dark. 
Much noise, etc. But then in cases where there were "enough" light, it 
came out reasonable...


Likely the above will qualify me as "general/average/common-place/etc 
shooter".


*grin*

Boris

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Re: K7 or Kx

2010-09-02 Thread Rick Womer
What the VPN screwed up the most for me was shots of beautifully illuminated 
buildings or cityscapes against a dusk or nighttime sky.  Sometimes diddling 
with the white balance has helped, but usually it didn't.

Rick

--- On Thu, 9/2/10, Miserere  wrote:

> On 2 September 2010 11:43, Rick Womer
> 
> wrote:
> > Mis,
> >
> > I agree with you entirely, with one caveat:  The K10D
> has a problem with VPN (vertical pattern noise), which often
> screwed up nocturnal landscape shots.  Sometimes I could
> make it go away with LR, but sometimes not.
> >
> > Rick
> 
> That's a whole 'nother can of worms, Rick. And yes, the
> banding could
> be there and be annoying at times, but only in the
> underexposed
> sections of the frame. I imagine bokeh lovers noticed it
> the most  ;-)
> 
> 
>   --M.
> -- 
> 
>     \/\/o/\/\ --> http://WorldOfMiserere.com
> 
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>     A Quest for Photographic Enlightenment
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Re: K7 or Kx

2010-09-02 Thread Charles Robinson
On Sep 2, 2010, at 15:51, Steven Desjardins wrote:

> The D-Li90 takes forever to charge, i.e., the light won't go out.  I
> did take a few not fully charged shots of my dog:
> 
> http://s857.photobucket.com/albums/ab138/drd1135/PDML/?action=view¤t=IMGP0023.jpg
> 

Future charges won't take anywhere near as long, or at least that has been my 
experience!


 -Charles

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Re: K7 or Kx

2010-09-02 Thread Steven Desjardins
The D-Li90 takes forever to charge, i.e., the light won't go out.  I
did take a few not fully charged shots of my dog:

http://s857.photobucket.com/albums/ab138/drd1135/PDML/?action=view¤t=IMGP0023.jpg

On Thu, Sep 2, 2010 at 8:39 AM, Steven Desjardins  wrote:
> As much as I enjoy this, I probably should 'fess up.  A friend of a
> friend had a K7 and kindly let me try it with my own SD card.  I tired
> exactly what Mis. mentioned, i.e., I took a few correctly exposed
> shots at 1600, 3200, and 6400.  I was more than satisfied in that I
> probably won't try anything worse than that. (I can only imagine what
> the Kx can do if this is what people consider unacceptable.) This
> being said, I hadn't realized how much the K7 was similar in form
> factor to the D/DS with some extra weight.  I also tried some
> difficult exposure situations and was pleasantly surprised as how god
> it was.  That is probably more important to me than the really high
> iso performance.  At least for now.  BTW, I think Mis and Boris both
> have legitimate points.  One big difference is always what the shooter
> considers acceptable, and, as they say, there is no dispute in matters
> of taste.
>
> My K7 will arrive today.  Thanks for all the advice folks.  I am giddy
> in anticipation.
> --
> Steve Desjardins
>



-- 
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Re: K7 or Kx

2010-09-02 Thread John Sessoms

From: "Dario Bonazza"

Rick Womer wrote:


> Mis,
> I agree with you entirely, with one caveat:  The K10D has
> a problem with VPN (vertical pattern noise), which often
> screwed up nocturnal landscape shots.  Sometimes I
> could make it go away with LR, but sometimes not.

That was dubbed "the Italian flag syndrome" over here, as it looks like an
Italian flag superimposed filter.


Googled "Vertical Pattern Noise Pentax K10D" and lo & behold ... yeah, 
that's what I saw that made ISO 1600 un-usable on mine.


It was even there at ISO 800, but not so much. Never a problem at ISO 
400 and below.


So, is there any special post processing noise reduction trick that can 
overcome this? Maybe I could make the high ISO usable if I could remove 
the noise.


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Re: K7 or Kx

2010-09-02 Thread Miserere
On 2 September 2010 11:43, Rick Womer  wrote:
> Mis,
>
> I agree with you entirely, with one caveat:  The K10D has a problem with VPN 
> (vertical pattern noise), which often screwed up nocturnal landscape shots.  
> Sometimes I could make it go away with LR, but sometimes not.
>
> Rick

That's a whole 'nother can of worms, Rick. And yes, the banding could
be there and be annoying at times, but only in the underexposed
sections of the frame. I imagine bokeh lovers noticed it the most  ;-)


  --M.
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Re: K7 or Kx

2010-09-02 Thread Dario Bonazza

Rick Womer wrote:


Mis,



I agree with you entirely, with one caveat:  The K10D has
a problem with VPN (vertical pattern noise), which often
screwed up nocturnal landscape shots.  Sometimes I
could make it go away with LR, but sometimes not.


That was dubbed "the Italian flag syndrome" over here, as it looks like an 
Italian flag superimposed filter.


Dario 



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Re: K7 or Kx

2010-09-02 Thread Rick Womer
Mis,

I agree with you entirely, with one caveat:  The K10D has a problem with VPN 
(vertical pattern noise), which often screwed up nocturnal landscape shots.  
Sometimes I could make it go away with LR, but sometimes not.

Rick

http://photo.net/photos/RickW


--- On Wed, 9/1/10, Miserere  wrote:

> From: Miserere 
> Subject: Re: K7 or Kx
> To: "Pentax-Discuss Mail List" 
> Date: Wednesday, September 1, 2010, 10:28 PM
> On 1 September 2010 11:02, Boris
> Liberman 
> wrote:
> >
> > Steve, if camera has highest ISO of 3200, it usually
> means that it is
> > unusable, but ISO 800 is pretty ok. So, if highest ISO
> is 12,800 (or even
> > 102,400) it probably means that ISO 3200 (or 32,000)
> is usable. It is like
> > fuel consumption figures of cars of battery longevity
> of cell phones. It is
> > all lies, but it is still (co)rel(l)ated to the real
> world in a manner of
> > speaking...
> >
> > Boris
> 
> I'm going to disagree here, and also qualify some comments
> that are
> being thrown around haphazardly in this thread (and all
> over the
> internet):
> 
> 1) On some cameras, the maximum ISO is unusable, but that
> is not a
> universal truth. For example, on the K100D and K10D the
> maximum ISO is
> highly usable and of very good quality. There are probably
> other
> cameras out there for which this is true, but I can speak
> of these two
> cameras with user knowledge.
> 
> 2) The K10D IS NOT RUBBISH at ISO 1600! People say all the
> time that
> the K10D is bad in low light, but never explain what this
> means. If by
> "low light" you mean "not enough light to achieve correct
> exposure",
> then yes, the K10D falls short when you underexpose and
> then try to
> recover an underexposed image. However, if by "low light"
> you mean
> "light so low that you need to use ISO 1600 for correct
> exposure",
> then no, the K10D is not bad. When proper exposure is
> achieved, the
> K10D works very well at ISO 1600:
> 
> http://lh6.ggpht.com/_i6tc3TCyOTA/StaFNYxyztI/CqA/ZjR63tKSk9M/s800/IMGP6109-small.jpg
> http://lh4.ggpht.com/Miserere/SP1U3Ik6lTI/BrA/XBLIMplJLv0/s800/IMGP0313-small.jpg
> http://lh4.ggpht.com/Miserere/SP1U4StRHeI/Brg/Vthl6szbqvk/s800/IMGP0345-small.jpg
> http://static.photo.net/attachments/bboard/00V/00VgZv-217447584.jpg
> 
> The same is true for the K100D Super at ISO 3200:
> 
> http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958172780052770
> http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958224218569394
> http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958203791795010
> 
> I've seen many shitty ISO 1600 shots from K10D's, and
> invariably they
> were shot by someone who didn't know how to shoot the K10D
> at high
> ISO, meaning they underexposed their images and then
> increased the
> exposure in postprocessing. High ISO shooting is a whole
> 'nother game,
> and I suspect it's different for each camera, but there's
> certainly a
> learning curve that most photographers don't crawl up
> before
> announcing to the World that a particular camera is bad at
> high ISO.
> 
> You need a license to own a gun, but they let anyone shoot
> at ISO 6400.
> 
> Rant over. And it wasn't directed at you, Boris. Sorry that
> your
> message was the one I replied to.
> 
> Cheers,
> 
> 
>   --M.
> -- 
> 
>     \/\/o/\/\ --> http://WorldOfMiserere.com
> 
>     http://EnticingTheLight.com
>     A Quest for Photographic Enlightenment
> 
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Re: K7 or Kx

2010-09-02 Thread Dario Bonazza

John Sessoms wrote:


I prefer to get exposure right in the camera.


That's always the right thing.

And when I did so at ISO 1600, my K10D just gave me unsatisfactory 
performance.


Performance is the kingdom of relativity.

Dario 



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Re: K7 or Kx

2010-09-02 Thread John Sessoms

From: Miserere

2) The K10D IS NOT RUBBISH at ISO 1600! People say all the time that
the K10D is bad in low light, but never explain what this means. If by
"low light" you mean "not enough light to achieve correct exposure",
then yes, the K10D falls short when you underexpose and then try to
recover an underexposed image. However, if by "low light" you mean
"light so low that you need to use ISO 1600 for correct exposure",
then no, the K10D is not bad. When proper exposure is achieved, the
K10D works very well at ISO 1600:




I've seen many shitty ISO 1600 shots from K10D's, and invariably they
were shot by someone who didn't know how to shoot the K10D at high
ISO, meaning they underexposed their images and then increased the
exposure in postprocessing. High ISO shooting is a whole 'nother game,
and I suspect it's different for each camera, but there's certainly a
learning curve that most photographers don't crawl up before
announcing to the World that a particular camera is bad at high ISO.


I think it depends on the example of K10D you have. I did not find ISO 
1600 usable in very low light on my own K10D.


ANY camera at ANY ISO will give piss poor results if you try to recover 
an under-exposed image in post processing.


My experience is you can MAYBE rescue 1/3 - 2/3 stop if you're really, 
really good at post processing and just don't have any choice ... but I 
don't rely on it.


I prefer to get exposure right in the camera. And when I did so at ISO 
1600, my K10D just gave me unsatisfactory performance.


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Re: K7 or Kx

2010-09-02 Thread Steven Desjardins
As much as I enjoy this, I probably should 'fess up.  A friend of a
friend had a K7 and kindly let me try it with my own SD card.  I tired
exactly what Mis. mentioned, i.e., I took a few correctly exposed
shots at 1600, 3200, and 6400.  I was more than satisfied in that I
probably won't try anything worse than that. (I can only imagine what
the Kx can do if this is what people consider unacceptable.) This
being said, I hadn't realized how much the K7 was similar in form
factor to the D/DS with some extra weight.  I also tried some
difficult exposure situations and was pleasantly surprised as how god
it was.  That is probably more important to me than the really high
iso performance.  At least for now.  BTW, I think Mis and Boris both
have legitimate points.  One big difference is always what the shooter
considers acceptable, and, as they say, there is no dispute in matters
of taste.

My K7 will arrive today.  Thanks for all the advice folks.  I am giddy
in anticipation.
-- 
Steve Desjardins

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Re: K7 or Kx

2010-09-02 Thread eckinator
2010/9/2 Miserere :
>
> You need a license to own a gun, but they let anyone shoot at ISO 6400.

Mark =)

Cheers
Ecke

-
Cameras don’t shoot people.
Photographers shoot people.

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Re: K7 or Kx

2010-09-01 Thread Boris Liberman

On 9/2/2010 1:03 AM, Bruce Dayton wrote:

One has to wonder how he came to that conclusion.  Seems you would
actually have to try all the cameras before relying on that.


I apologize if I sounded as stating the fact. I meant to say that if the 
top sensitivity is /usually/ marketing enforced rubbish, then 
sensitivity two steps below it /might/ actually be quite good.


This is how it was with my two last cameras anyway. With K10D (max ISO 
1600), I wouldn't want to set it above ISO 640 unless really forced to. 
With K-7 (max ISO 6400), I can comfortably shoot at ISO 1600. Anything 
above requires my special attention.


But let me emphasize that I wasn't trying to come up with the new law of 
physics or whatever. I merely /suggested/ this notion.


Boris

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Re: K7 or Kx

2010-09-01 Thread Miserere
On 1 September 2010 11:02, Boris Liberman  wrote:
>
> Steve, if camera has highest ISO of 3200, it usually means that it is
> unusable, but ISO 800 is pretty ok. So, if highest ISO is 12,800 (or even
> 102,400) it probably means that ISO 3200 (or 32,000) is usable. It is like
> fuel consumption figures of cars of battery longevity of cell phones. It is
> all lies, but it is still (co)rel(l)ated to the real world in a manner of
> speaking...
>
> Boris

I'm going to disagree here, and also qualify some comments that are
being thrown around haphazardly in this thread (and all over the
internet):

1) On some cameras, the maximum ISO is unusable, but that is not a
universal truth. For example, on the K100D and K10D the maximum ISO is
highly usable and of very good quality. There are probably other
cameras out there for which this is true, but I can speak of these two
cameras with user knowledge.

2) The K10D IS NOT RUBBISH at ISO 1600! People say all the time that
the K10D is bad in low light, but never explain what this means. If by
"low light" you mean "not enough light to achieve correct exposure",
then yes, the K10D falls short when you underexpose and then try to
recover an underexposed image. However, if by "low light" you mean
"light so low that you need to use ISO 1600 for correct exposure",
then no, the K10D is not bad. When proper exposure is achieved, the
K10D works very well at ISO 1600:

http://lh6.ggpht.com/_i6tc3TCyOTA/StaFNYxyztI/CqA/ZjR63tKSk9M/s800/IMGP6109-small.jpg
http://lh4.ggpht.com/Miserere/SP1U3Ik6lTI/BrA/XBLIMplJLv0/s800/IMGP0313-small.jpg
http://lh4.ggpht.com/Miserere/SP1U4StRHeI/Brg/Vthl6szbqvk/s800/IMGP0345-small.jpg
http://static.photo.net/attachments/bboard/00V/00VgZv-217447584.jpg

The same is true for the K100D Super at ISO 3200:

http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958172780052770
http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958224218569394
http://picasaweb.google.com/Miserere/TheFranklinKiteTTTheBearS20August2009#5389958203791795010

I've seen many shitty ISO 1600 shots from K10D's, and invariably they
were shot by someone who didn't know how to shoot the K10D at high
ISO, meaning they underexposed their images and then increased the
exposure in postprocessing. High ISO shooting is a whole 'nother game,
and I suspect it's different for each camera, but there's certainly a
learning curve that most photographers don't crawl up before
announcing to the World that a particular camera is bad at high ISO.

You need a license to own a gun, but they let anyone shoot at ISO 6400.

Rant over. And it wasn't directed at you, Boris. Sorry that your
message was the one I replied to.

Cheers,


  --M.
-- 

    \/\/o/\/\ --> http://WorldOfMiserere.com

    http://EnticingTheLight.com
    A Quest for Photographic Enlightenment

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Re: K7 or Kx

2010-09-01 Thread Bruce Dayton
One has to wonder how he came to that conclusion.  Seems you would actually 
have to try all the cameras before relying on that.

Perhaps it would be better to try the camera in question before making that 
broad of a generalization.

Changes in sensors and support firmware can have a big impact on these kinds of 
things.  Not to mention design goals of a particular camera.  It is much like 
saying all lenses are sharpest at 2 stops from wide open.  We know that isn't 
accurate because lens designs and goals affect that.
-- 
Sent from my Android phone with K-9 Mail. 

"Steven Desjardins"  wrote:

>Sorry.  The sentence should have read:
>
>Interesting that Boris suggests that a good rule of thumb is two EV
>down from the max ISO.
>
>Oy.
>
>On Wed, Sep 1, 2010 at 2:17 PM, Steven Desjardins  wrote:
>> Yes, I remember Tri-X at ISO 400.  All I could afford as a 15 year old
>> kid and I developed it all myself.  Interesting that Boris suggest
>> that a good rule of thumb is EV down from the max ISO.  So that puts
>> the K7 at 1600 and the Kx at 3200.  I found an interesting article at
>> http://www.imaging-resource.com/PRODS/K7/K7A.HTM  .  It's a K7 review
>> but has many samples of images at high iso on different cameras, one
>> of which was the E-P1.  It appears that the E-P1 has better high ISO
>> detailing than the K7, although a lot of this is judgement.
>>
>> On Wed, Sep 1, 2010 at 11:16 AM, Paul Sorenson  
>> wrote:
>>>  It is kind of mind boggling.  When I got my first SLR in the early 1960s
>>> High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)
>>>
>>> On 9/1/2010 9:53 AM, Steven Desjardins wrote:

 I freely admit that I don't think I am really understanding the
 implications of ISO 12,800.   It's like a person being 20 ft. tall.
 My mind has trouble associating that number with that property.  I
 noticed that one high end Nikon had a max sensitivity of 102,400.
 That's like trying to grasp an f0.1 aperture.  It makes mathematical
 sense in terms of EVs but I never thought I would see such a thing.

 On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson
  wrote:
>
>  Here's another K-X example if you need low light capabilities.  Pretty
> much
> a straight import into LR3 - at ISO 12,800.  The noise isn't
> objectionable
> at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)
>
> http://www.studio1941.com/photos/content/IMGP0631_large.html
>
> -p
>
> On 8/31/2010 1:34 PM, Bruce Dayton wrote:
>>
>> One big difference for me was that with the K20 and earlier I really had
>> to have good conditions (lighting, processing, etc) to make a high
>> ISO shot reasonable.  For instance, when shooting weddings I could
>> take a couple of shots with the 50/1.4 lens close to wide open and no
>> flash, then process to remove ugly color cast and grain, etc.  The
>> resulting image would possibly even need to be turned to B&W.
>> Basically, this meant that the shot was not the norm, but the
>> exception.
>>
>> With the K-x, it is totally changed.  Straight out of the camera, ISO
>> 6400 is looking quite good - no extra work.  So now I have shot
>> entire receptions with no flash and no heavy post processing.  Even
>> more so, simple snaps of the family in situations where I would have
>> used a flash in the past, I no longer need to.  Gathered around the
>> dinner table talking in the evening or playing a game or one of the
>> kids receiving an award at school, etc.  The ability to shoot
>> consistently at high ISO (1600+) is a real game changer.
>>
>> ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
>> dinner:
>> http://www.daytonphoto.com/PAW/imgp1200-1.htm
>>
>> I would never have thought to take that kind of shot in the past.
>>
>>
>> That is why I am saying to try the K-x and really see how different
>> you start shooting and thinking.  When I got mine, it was only to
>> shoot a gymnastics sporting event - that covered the cost for me.  It
>> turned out to be just the tip of the iceberg.
>>
>> Here is a shot from a reception - fairly dim lighting - ISO 6400 -
>> pretty much no post processing:
>> http://www.daytonphoto.com/PAW/hoffman_00295.htm
>>
>> With flash, the shot would not be the same.  This is the kind of
>> thing I am talking about.  Not really thinking about how you shoot
>> today, but really thinking outside of the box.  For me, the K-x was
>> really a game changer in thought process and fun.  Prior to that,
>> pretty much the old thought process all the way back into my film
>> days.
>>
>> "If you always do what you've always done, you'll always get what
>> you've always got."
>>
>> Time to change it up and see what this Brave New World is offering.
>>
>>
>>
>>
>> No virus found in this 

Re: K7 or Kx

2010-09-01 Thread Steven Desjardins
Sorry.  The sentence should have read:

Interesting that Boris suggests that a good rule of thumb is two EV
down from the max ISO.

Oy.

On Wed, Sep 1, 2010 at 2:17 PM, Steven Desjardins  wrote:
> Yes, I remember Tri-X at ISO 400.  All I could afford as a 15 year old
> kid and I developed it all myself.  Interesting that Boris suggest
> that a good rule of thumb is EV down from the max ISO.  So that puts
> the K7 at 1600 and the Kx at 3200.  I found an interesting article at
> http://www.imaging-resource.com/PRODS/K7/K7A.HTM  .  It's a K7 review
> but has many samples of images at high iso on different cameras, one
> of which was the E-P1.  It appears that the E-P1 has better high ISO
> detailing than the K7, although a lot of this is judgement.
>
> On Wed, Sep 1, 2010 at 11:16 AM, Paul Sorenson  
> wrote:
>>  It is kind of mind boggling.  When I got my first SLR in the early 1960s
>> High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)
>>
>> On 9/1/2010 9:53 AM, Steven Desjardins wrote:
>>>
>>> I freely admit that I don't think I am really understanding the
>>> implications of ISO 12,800.   It's like a person being 20 ft. tall.
>>> My mind has trouble associating that number with that property.  I
>>> noticed that one high end Nikon had a max sensitivity of 102,400.
>>> That's like trying to grasp an f0.1 aperture.  It makes mathematical
>>> sense in terms of EVs but I never thought I would see such a thing.
>>>
>>> On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson
>>>  wrote:

  Here's another K-X example if you need low light capabilities.  Pretty
 much
 a straight import into LR3 - at ISO 12,800.  The noise isn't
 objectionable
 at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)

 http://www.studio1941.com/photos/content/IMGP0631_large.html

 -p

 On 8/31/2010 1:34 PM, Bruce Dayton wrote:
>
> One big difference for me was that with the K20 and earlier I really had
> to have good conditions (lighting, processing, etc) to make a high
> ISO shot reasonable.  For instance, when shooting weddings I could
> take a couple of shots with the 50/1.4 lens close to wide open and no
> flash, then process to remove ugly color cast and grain, etc.  The
> resulting image would possibly even need to be turned to B&W.
> Basically, this meant that the shot was not the norm, but the
> exception.
>
> With the K-x, it is totally changed.  Straight out of the camera, ISO
> 6400 is looking quite good - no extra work.  So now I have shot
> entire receptions with no flash and no heavy post processing.  Even
> more so, simple snaps of the family in situations where I would have
> used a flash in the past, I no longer need to.  Gathered around the
> dinner table talking in the evening or playing a game or one of the
> kids receiving an award at school, etc.  The ability to shoot
> consistently at high ISO (1600+) is a real game changer.
>
> ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
> dinner:
> http://www.daytonphoto.com/PAW/imgp1200-1.htm
>
> I would never have thought to take that kind of shot in the past.
>
>
> That is why I am saying to try the K-x and really see how different
> you start shooting and thinking.  When I got mine, it was only to
> shoot a gymnastics sporting event - that covered the cost for me.  It
> turned out to be just the tip of the iceberg.
>
> Here is a shot from a reception - fairly dim lighting - ISO 6400 -
> pretty much no post processing:
> http://www.daytonphoto.com/PAW/hoffman_00295.htm
>
> With flash, the shot would not be the same.  This is the kind of
> thing I am talking about.  Not really thinking about how you shoot
> today, but really thinking outside of the box.  For me, the K-x was
> really a game changer in thought process and fun.  Prior to that,
> pretty much the old thought process all the way back into my film
> days.
>
> "If you always do what you've always done, you'll always get what
> you've always got."
>
> Time to change it up and see what this Brave New World is offering.
>
>
>
>
> No virus found in this incoming message.
> Checked by AVG - www.avg.com
> Version: 9.0.851 / Virus Database: 271.1.1/3104 - Release Date: 08/31/10
> 01:34:00
>

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>>>
>>>
>>>
>>>
>>> No virus found in this incoming message.
>>> Checked by AVG - www.avg.com
>>> Version: 9.0.851 / Virus Database: 271.1.1/3106 - Release Date: 09/01/10
>>> 01:34:00
>>>
>>
>>
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Re: K7 or Kx

2010-09-01 Thread Steven Desjardins
Yes, I remember Tri-X at ISO 400.  All I could afford as a 15 year old
kid and I developed it all myself.  Interesting that Boris suggest
that a good rule of thumb is EV down from the max ISO.  So that puts
the K7 at 1600 and the Kx at 3200.  I found an interesting article at
http://www.imaging-resource.com/PRODS/K7/K7A.HTM  .  It's a K7 review
but has many samples of images at high iso on different cameras, one
of which was the E-P1.  It appears that the E-P1 has better high ISO
detailing than the K7, although a lot of this is judgement.

On Wed, Sep 1, 2010 at 11:16 AM, Paul Sorenson  wrote:
>  It is kind of mind boggling.  When I got my first SLR in the early 1960s
> High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)
>
> On 9/1/2010 9:53 AM, Steven Desjardins wrote:
>>
>> I freely admit that I don't think I am really understanding the
>> implications of ISO 12,800.   It's like a person being 20 ft. tall.
>> My mind has trouble associating that number with that property.  I
>> noticed that one high end Nikon had a max sensitivity of 102,400.
>> That's like trying to grasp an f0.1 aperture.  It makes mathematical
>> sense in terms of EVs but I never thought I would see such a thing.
>>
>> On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson
>>  wrote:
>>>
>>>  Here's another K-X example if you need low light capabilities.  Pretty
>>> much
>>> a straight import into LR3 - at ISO 12,800.  The noise isn't
>>> objectionable
>>> at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)
>>>
>>> http://www.studio1941.com/photos/content/IMGP0631_large.html
>>>
>>> -p
>>>
>>> On 8/31/2010 1:34 PM, Bruce Dayton wrote:

 One big difference for me was that with the K20 and earlier I really had
 to have good conditions (lighting, processing, etc) to make a high
 ISO shot reasonable.  For instance, when shooting weddings I could
 take a couple of shots with the 50/1.4 lens close to wide open and no
 flash, then process to remove ugly color cast and grain, etc.  The
 resulting image would possibly even need to be turned to B&W.
 Basically, this meant that the shot was not the norm, but the
 exception.

 With the K-x, it is totally changed.  Straight out of the camera, ISO
 6400 is looking quite good - no extra work.  So now I have shot
 entire receptions with no flash and no heavy post processing.  Even
 more so, simple snaps of the family in situations where I would have
 used a flash in the past, I no longer need to.  Gathered around the
 dinner table talking in the evening or playing a game or one of the
 kids receiving an award at school, etc.  The ability to shoot
 consistently at high ISO (1600+) is a real game changer.

 ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
 dinner:
 http://www.daytonphoto.com/PAW/imgp1200-1.htm

 I would never have thought to take that kind of shot in the past.


 That is why I am saying to try the K-x and really see how different
 you start shooting and thinking.  When I got mine, it was only to
 shoot a gymnastics sporting event - that covered the cost for me.  It
 turned out to be just the tip of the iceberg.

 Here is a shot from a reception - fairly dim lighting - ISO 6400 -
 pretty much no post processing:
 http://www.daytonphoto.com/PAW/hoffman_00295.htm

 With flash, the shot would not be the same.  This is the kind of
 thing I am talking about.  Not really thinking about how you shoot
 today, but really thinking outside of the box.  For me, the K-x was
 really a game changer in thought process and fun.  Prior to that,
 pretty much the old thought process all the way back into my film
 days.

 "If you always do what you've always done, you'll always get what
 you've always got."

 Time to change it up and see what this Brave New World is offering.




 No virus found in this incoming message.
 Checked by AVG - www.avg.com
 Version: 9.0.851 / Virus Database: 271.1.1/3104 - Release Date: 08/31/10
 01:34:00

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Re: K7 or Kx

2010-09-01 Thread Paul Sorenson
 It is kind of mind boggling.  When I got my first SLR in the early 
1960s High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)


On 9/1/2010 9:53 AM, Steven Desjardins wrote:

I freely admit that I don't think I am really understanding the
implications of ISO 12,800.   It's like a person being 20 ft. tall.
My mind has trouble associating that number with that property.  I
noticed that one high end Nikon had a max sensitivity of 102,400.
That's like trying to grasp an f0.1 aperture.  It makes mathematical
sense in terms of EVs but I never thought I would see such a thing.

On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson  wrote:

  Here's another K-X example if you need low light capabilities.  Pretty much
a straight import into LR3 - at ISO 12,800.  The noise isn't objectionable
at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)

http://www.studio1941.com/photos/content/IMGP0631_large.html

-p

On 8/31/2010 1:34 PM, Bruce Dayton wrote:

One big difference for me was that with the K20 and earlier I really had
to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.

With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm

I would never have thought to take that kind of shot in the past.


That is why I am saying to try the K-x and really see how different
you start shooting and thinking.  When I got mine, it was only to
shoot a gymnastics sporting event - that covered the cost for me.  It
turned out to be just the tip of the iceberg.

Here is a shot from a reception - fairly dim lighting - ISO 6400 -
pretty much no post processing:
http://www.daytonphoto.com/PAW/hoffman_00295.htm

With flash, the shot would not be the same.  This is the kind of
thing I am talking about.  Not really thinking about how you shoot
today, but really thinking outside of the box.  For me, the K-x was
really a game changer in thought process and fun.  Prior to that,
pretty much the old thought process all the way back into my film
days.

"If you always do what you've always done, you'll always get what
you've always got."

Time to change it up and see what this Brave New World is offering.




No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.851 / Virus Database: 271.1.1/3104 - Release Date: 08/31/10
01:34:00



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01:34:00




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Re: K7 or Kx

2010-09-01 Thread Boris Liberman

On 9/1/2010 5:53 PM, Steven Desjardins wrote:

I freely admit that I don't think I am really understanding the
implications of ISO 12,800.   It's like a person being 20 ft. tall.
My mind has trouble associating that number with that property.  I
noticed that one high end Nikon had a max sensitivity of 102,400.
That's like trying to grasp an f0.1 aperture.  It makes mathematical
sense in terms of EVs but I never thought I would see such a thing.


Steve, if camera has highest ISO of 3200, it usually means that it is 
unusable, but ISO 800 is pretty ok. So, if highest ISO is 12,800 (or 
even 102,400) it probably means that ISO 3200 (or 32,000) is usable. It 
is like fuel consumption figures of cars of battery longevity of cell 
phones. It is all lies, but it is still (co)rel(l)ated to the real world 
in a manner of speaking...


Boris

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Re: K7 or Kx

2010-09-01 Thread Steven Desjardins
I freely admit that I don't think I am really understanding the
implications of ISO 12,800.   It's like a person being 20 ft. tall.
My mind has trouble associating that number with that property.  I
noticed that one high end Nikon had a max sensitivity of 102,400.
That's like trying to grasp an f0.1 aperture.  It makes mathematical
sense in terms of EVs but I never thought I would see such a thing.

On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson  wrote:
>  Here's another K-X example if you need low light capabilities.  Pretty much
> a straight import into LR3 - at ISO 12,800.  The noise isn't objectionable
> at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)
>
> http://www.studio1941.com/photos/content/IMGP0631_large.html
>
> -p
>
> On 8/31/2010 1:34 PM, Bruce Dayton wrote:
>>
>> One big difference for me was that with the K20 and earlier I really had
>> to have good conditions (lighting, processing, etc) to make a high
>> ISO shot reasonable.  For instance, when shooting weddings I could
>> take a couple of shots with the 50/1.4 lens close to wide open and no
>> flash, then process to remove ugly color cast and grain, etc.  The
>> resulting image would possibly even need to be turned to B&W.
>> Basically, this meant that the shot was not the norm, but the
>> exception.
>>
>> With the K-x, it is totally changed.  Straight out of the camera, ISO
>> 6400 is looking quite good - no extra work.  So now I have shot
>> entire receptions with no flash and no heavy post processing.  Even
>> more so, simple snaps of the family in situations where I would have
>> used a flash in the past, I no longer need to.  Gathered around the
>> dinner table talking in the evening or playing a game or one of the
>> kids receiving an award at school, etc.  The ability to shoot
>> consistently at high ISO (1600+) is a real game changer.
>>
>> ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
>> dinner:
>> http://www.daytonphoto.com/PAW/imgp1200-1.htm
>>
>> I would never have thought to take that kind of shot in the past.
>>
>>
>> That is why I am saying to try the K-x and really see how different
>> you start shooting and thinking.  When I got mine, it was only to
>> shoot a gymnastics sporting event - that covered the cost for me.  It
>> turned out to be just the tip of the iceberg.
>>
>> Here is a shot from a reception - fairly dim lighting - ISO 6400 -
>> pretty much no post processing:
>> http://www.daytonphoto.com/PAW/hoffman_00295.htm
>>
>> With flash, the shot would not be the same.  This is the kind of
>> thing I am talking about.  Not really thinking about how you shoot
>> today, but really thinking outside of the box.  For me, the K-x was
>> really a game changer in thought process and fun.  Prior to that,
>> pretty much the old thought process all the way back into my film
>> days.
>>
>> "If you always do what you've always done, you'll always get what
>> you've always got."
>>
>> Time to change it up and see what this Brave New World is offering.
>>
>>
>>
>>
>> No virus found in this incoming message.
>> Checked by AVG - www.avg.com
>> Version: 9.0.851 / Virus Database: 271.1.1/3104 - Release Date: 08/31/10
>> 01:34:00
>>
>
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Re: K7 or Kx

2010-09-01 Thread Steven Desjardins
Well said.  Mark!

On Wed, Sep 1, 2010 at 2:00 AM, Boris Liberman  wrote:
> On 8/31/2010 5:58 PM, Steven Desjardins wrote:
>>
>> I do like your comment "But K-x has a sensor second to none."  I think
>> Canon and Nikon might contest that.  Of course, it could be a better
>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>> however.
>
> It really depends on the context. Within the borders of the Pentax land K-x
> sports the best sensor. Within the borders of APS-C republic, K-x is surely
> a noble patrician.
>
> Boris
>
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Re: K7 or Kx

2010-09-01 Thread eckinator
2010/8/31 Steven Desjardins :
>
> I love the look on the hawk's face.  "Really?  A Pentax?  The f'ing
> eagles get Nikons.  Aren't those things for comorants?"

Mark =) I'd like to see a short version on a T-Shirt:
"A Pentax? Aren't those things for comorants?"

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Re: K7 or Kx

2010-08-31 Thread Boris Liberman

On 8/31/2010 5:58 PM, Steven Desjardins wrote:

I do like your comment "But K-x has a sensor second to none."  I think
Canon and Nikon might contest that.  Of course, it could be a better
sensor than the K7.  I'm not one that too fussy about micro-artifacts
however.


It really depends on the context. Within the borders of the Pentax land 
K-x sports the best sensor. Within the borders of APS-C republic, K-x is 
surely a noble patrician.


Boris

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Re: K7 or Kx

2010-08-31 Thread Paul Sorenson
 Here's another K-X example if you need low light capabilities.  Pretty 
much a straight import into LR3 - at ISO 12,800.  The noise isn't 
objectionable at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)


http://www.studio1941.com/photos/content/IMGP0631_large.html

-p

On 8/31/2010 1:34 PM, Bruce Dayton wrote:

One big difference for me was that with the K20 and earlier I really had
to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.

With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm

I would never have thought to take that kind of shot in the past.


That is why I am saying to try the K-x and really see how different
you start shooting and thinking.  When I got mine, it was only to
shoot a gymnastics sporting event - that covered the cost for me.  It
turned out to be just the tip of the iceberg.

Here is a shot from a reception - fairly dim lighting - ISO 6400 -
pretty much no post processing:
http://www.daytonphoto.com/PAW/hoffman_00295.htm

With flash, the shot would not be the same.  This is the kind of
thing I am talking about.  Not really thinking about how you shoot
today, but really thinking outside of the box.  For me, the K-x was
really a game changer in thought process and fun.  Prior to that,
pretty much the old thought process all the way back into my film
days.

"If you always do what you've always done, you'll always get what
you've always got."

Time to change it up and see what this Brave New World is offering.




No virus found in this incoming message.
Checked by AVG - www.avg.com
Version: 9.0.851 / Virus Database: 271.1.1/3104 - Release Date: 08/31/10 
01:34:00




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Re: K7 or Kx

2010-08-31 Thread Bruce Dayton
Hello John,

I have both the K10 and K20 and the low light on the K10 is much
worse, as you have experienced.  The K20 and K7 have basically the
same sensor so the low light performance between them is very
similar.  There are a few who think the K7 is better and a few who
think the K20 is better.  Be that as it may, the K-x is at least as
much better than the K20 as the K20 is compared to the K10.  Did I
say that right.  The step up from K10 to K20 is big, but the step up
from K20 to K-x is even greater when it comes to low light
performance.

Yes, the shot needs the little catchlight removed, as you noted, but
overall, the need to image process for high ISO is significantly
lower than with the K20.

-- 
Best regards,
Bruce


Tuesday, August 31, 2010, 2:27:04 PM, you wrote:

JS> From: Bruce Dayton
>> One big difference for me was that with the K20 and earlier I really had
>> to have good conditions (lighting, processing, etc) to make a high
>> ISO shot reasonable.  For instance, when shooting weddings I could
>> take a couple of shots with the 50/1.4 lens close to wide open and no
>> flash, then process to remove ugly color cast and grain, etc.  The
>> resulting image would possibly even need to be turned to B&W.
>> Basically, this meant that the shot was not the norm, but the
>> exception.
>>

JS> I don't shoot a lot of high ISO.

JS> My experience with the K10 and K20 is/was that the K20 is better at ISO
JS> 1600 than the K10 was at ISO 800. At ISO 800 the K10 gave really sub-par
JS> results; at ISO 1600 the K20 gives adequate results - not great, but 
JS> adequate.

JS> Maybe I got a better sample of the K20 than I did of the K10, but that's
JS> the way I experienced it.


>> With the K-x, it is totally changed.  Straight out of the camera, ISO
>> 6400 is looking quite good - no extra work.  So now I have shot
>> entire receptions with no flash and no heavy post processing.  Even
>> more so, simple snaps of the family in situations where I would have
>> used a flash in the past, I no longer need to.  Gathered around the
>> dinner table talking in the evening or playing a game or one of the
>> kids receiving an award at school, etc.  The ability to shoot
>> consistently at high ISO (1600+) is a real game changer.
>>
>> ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
>> dinner:
>> http://www.daytonphoto.com/PAW/imgp1200-1.htm
>>

JS> Needs just a bit of post processing.

JS> Good photo, and I can see what you mean about the low noise capability
JS> at high ISO, but that one highlight at the inside corner of the eye just
JS> reaches out and smacks you right in the face.




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Re: K7 or Kx

2010-08-31 Thread Steven Desjardins
I love the look on the hawk's face.  "Really?  A Pentax?  The f'ing
eagles get Nikons.  Aren't those things for comorants?"

On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
 wrote:
> On the other hand, if you plan to shoot in bad weather or if you work your 
> cameras as hard as I do, you'll probably want the K7. While the K7 does begin 
> to show some noise in exposures at ISOs above 400, the noise doesn't ramp up 
> all that much at levels above 400. My photo for the Pentax show in Chicago 
> was shot at ISO 3200 with the K7:
> http://photo.net/photodb/photo?photo_id=9902961&size=lg
>
> I've had reasonable success with the K7 at 6400:
> http://photo.net/photodb/photo?photo_id=10541951&size=lg
>
> And I regularly use it at ISO 800:
> http://photo.net/photodb/photo?photo_id=11014855
>
> Film grain never bothered me a lot, and a bit of digital noise isn't a 
> problem for me or my clients. But I will be adding a K5 to the arsenal when 
> it becomes available. My k7 is closing in on 30,000 frames, so it's time to 
> send it to back-up mode.
>
> Paul
>
>
> On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:
>
>> Funny thing about the low light question...before I got a K-x, I didn't 
>> shoot low light much without a tripod but that was really because my K20 and 
>> earlier cameras couldn't shoot low light.  Now that I have a K-x, my 
>> shooting techniques and style s have been changing due too the new 
>> capability.  So the K7 represents the best of shooting the old way and the   
>>     K-x represents the opportunity to do some new and exciting things.  For 
>> me at this stage, I would go for the K-x.  If you buy from B&H you have some 
>> time to return and exchange.  That would be ideal.  Get the K-x because it 
>> lets you try things you haven't done before.  If you find you aren't 
>> delighted with it you can return it and get the K7.
>>
>> For me, at this point I never use my K20 anymore unless my daughter is using 
>> at the time I need it.  Given the choice, I always pick the K-x over the K20.
>> --
>> Sent from my Android phone with K-9 Mail.
>>
>> "Dario Bonazza"  wrote:
>>
>>> Steven Desjardins wrote:
>>>
 I thought of that, but I'd like to buy a new body.  KEH has two K7 now
 for $789 and $819 which is not much of a savings, and I don't think
 I'd buy one off ebay, etc.

 I do like your comment "But K-x has a sensor second to none."  I think
 Canon and Nikon might contest that.  Of course, it could be a better
 sensor than the K7.  I'm not one that too fussy about micro-artifacts
 however.
>>>
>>> I've used both the K-7 and the K-x and my advice is simple:
>>> 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
>>> add flash in low light? Go for the K-7, which is an overall better capable
>>> camera for sure.
>>> 2) Do you shoot with available light? The K-x is far better for that. IMO,
>>> all of the K-7 pluses put together cannot compensate for the huge difference
>>> in image quality in favor of the K-x above ISO 400.
>>>
>>> Whichever you choose now, it is likely after Photokina you'll want to jump
>>> all feet on such camera and replace it with one of the new ones for a good
>>> reason :-)
>>>
>>> Dario
>>>
>>>
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Re: K7 or Kx

2010-08-31 Thread John Sessoms

From: Bruce Dayton

One big difference for me was that with the K20 and earlier I really had
to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.



I don't shoot a lot of high ISO.

My experience with the K10 and K20 is/was that the K20 is better at ISO 
1600 than the K10 was at ISO 800. At ISO 800 the K10 gave really sub-par 
results; at ISO 1600 the K20 gives adequate results - not great, but 
adequate.


Maybe I got a better sample of the K20 than I did of the K10, but that's 
the way I experienced it.




With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm



Needs just a bit of post processing.

Good photo, and I can see what you mean about the low noise capability 
at high ISO, but that one highlight at the inside corner of the eye just 
reaches out and smacks you right in the face.


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Re: K7 or Kx

2010-08-31 Thread Dario Bonazza

Bruce, I like your point of view so much and I totally agree with you.
Steve, don't skip his excellent advice!

Dario

- Original Message - 
From: "Bruce Dayton" 

To: "Pentax-Discuss Mail List" 
Sent: Tuesday, August 31, 2010 8:34 PM
Subject: Re: K7 or Kx


One big difference for me was that with the K20 and earlier I really had
to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.

With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm

I would never have thought to take that kind of shot in the past.


That is why I am saying to try the K-x and really see how different
you start shooting and thinking.  When I got mine, it was only to
shoot a gymnastics sporting event - that covered the cost for me.  It
turned out to be just the tip of the iceberg.

Here is a shot from a reception - fairly dim lighting - ISO 6400 -
pretty much no post processing:
http://www.daytonphoto.com/PAW/hoffman_00295.htm

With flash, the shot would not be the same.  This is the kind of
thing I am talking about.  Not really thinking about how you shoot
today, but really thinking outside of the box.  For me, the K-x was
really a game changer in thought process and fun.  Prior to that,
pretty much the old thought process all the way back into my film
days.

"If you always do what you've always done, you'll always get what
you've always got."

Time to change it up and see what this Brave New World is offering.

--
Best regards,
Bruce


Tuesday, August 31, 2010, 10:07:28 AM, you wrote:

SD> Thanks for the shots.  When needed, I would push the K10D to 800.  The
SD> K7 should be at least that good, yes?  I am intrigued by Bruce's
SD> comment.  We are now reaching the stage where digital will begin to
SD> have capabilities that will change the way people shoot. HDR might
SD> also that it they ever get it right.  My own wild prediction is that
SD> eventually exposure will be a non-issue and will be a processed
SD> property.  Maybe even focus.

SD> On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
SD>  wrote:
On the other hand, if you plan to shoot in bad weather or if you work 
your cameras as hard as I do, you'll probably want the K7. While the K7 
does begin to show some noise in exposures at ISOs above 400, the noise 
doesn't ramp up all that much at levels above 400. My photo for the 
Pentax show in Chicago was shot at ISO 3200 with the K7:

http://photo.net/photodb/photo?photo_id=9902961&size=lg

I've had reasonable success with the K7 at 6400:
http://photo.net/photodb/photo?photo_id=10541951&size=lg

And I regularly use it at ISO 800:
http://photo.net/photodb/photo?photo_id=11014855

Film grain never bothered me a lot, and a bit of digital noise isn't a 
problem for me or my clients. But I will be adding a K5 to the arsenal 
when it becomes available. My k7 is closing in on 30,000 frames, so it's 
time to send it to back-up mode.


Paul


On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:

Funny thing about the low light question...before I got a K-x, I didn't 
shoot low light much without a tripod but that was really because my K20 
and earlier cameras couldn't shoot low light. Now that I have a K-x, my 
shooting techniques and style s have been changing due too the new 
capability. So the K7 represents the best of shooting the old way and 
the K-x represents the opportunity to do some new and exciting things. 
For me at this stage, I would go for the K-x. If you buy from B&H you 
have some time to return and exchange. That would be ideal. Get the K-x 
because it lets you try things you haven't done before. If you find you 
aren't delighted with it you can return it and get the K7.


For me, at this point I never use my K20 anymore unless my daughter is 
using at the time I need it. Given the choice, I always pick the K-x 
over the K20.

--
Sent from my Android phone with K-9 Mail.

"Dario Bonazza"  wrote:


Steven Desjardins wrote:


I thought 

Re: K7 or Kx

2010-08-31 Thread Bruce Dayton
I certainly hope so.  Of course then I would have to figure out how to afford 
it...
-- 
Sent from my Android phone with K-9 Mail. 

"Bob Sullivan"  wrote:

>Bruce,
>You're evil...
>Maybe the K-5 will be K-X like??
>Regards,  Bob S.
>
>On Tue, Aug 31, 2010 at 1:34 PM, Bruce Dayton  wrote:
>> For me, the K-x was
>> really a game changer in thought process and fun.  Prior to that,
>> pretty much the old thought process all the way back into my film
>> days.
>>
>> "If you always do what you've always done, you'll always get what
>> you've always got."
>>
>> Time to change it up and see what this Brave New World is offering.
>>
>
>-- 
>PDML Pentax-Discuss Mail List
>PDML@pdml.net
>http://pdml.net/mailman/listinfo/pdml_pdml.net
>to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
>the directions.
>


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Re: K7 or Kx

2010-08-31 Thread Bob Sullivan
Bruce,
You're evil...
Maybe the K-5 will be K-X like??
Regards,  Bob S.

On Tue, Aug 31, 2010 at 1:34 PM, Bruce Dayton  wrote:
> For me, the K-x was
> really a game changer in thought process and fun.  Prior to that,
> pretty much the old thought process all the way back into my film
> days.
>
> "If you always do what you've always done, you'll always get what
> you've always got."
>
> Time to change it up and see what this Brave New World is offering.
>

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Re: K7 or Kx

2010-08-31 Thread Bruce Dayton
One big difference for me was that with the K20 and earlier I really had
to have good conditions (lighting, processing, etc) to make a high
ISO shot reasonable.  For instance, when shooting weddings I could
take a couple of shots with the 50/1.4 lens close to wide open and no
flash, then process to remove ugly color cast and grain, etc.  The
resulting image would possibly even need to be turned to B&W.
Basically, this meant that the shot was not the norm, but the
exception.

With the K-x, it is totally changed.  Straight out of the camera, ISO
6400 is looking quite good - no extra work.  So now I have shot
entire receptions with no flash and no heavy post processing.  Even
more so, simple snaps of the family in situations where I would have
used a flash in the past, I no longer need to.  Gathered around the
dinner table talking in the evening or playing a game or one of the
kids receiving an award at school, etc.  The ability to shoot
consistently at high ISO (1600+) is a real game changer.

ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
dinner:
http://www.daytonphoto.com/PAW/imgp1200-1.htm

I would never have thought to take that kind of shot in the past.


That is why I am saying to try the K-x and really see how different
you start shooting and thinking.  When I got mine, it was only to
shoot a gymnastics sporting event - that covered the cost for me.  It
turned out to be just the tip of the iceberg.

Here is a shot from a reception - fairly dim lighting - ISO 6400 -
pretty much no post processing:
http://www.daytonphoto.com/PAW/hoffman_00295.htm

With flash, the shot would not be the same.  This is the kind of
thing I am talking about.  Not really thinking about how you shoot
today, but really thinking outside of the box.  For me, the K-x was
really a game changer in thought process and fun.  Prior to that,
pretty much the old thought process all the way back into my film
days.

"If you always do what you've always done, you'll always get what
you've always got."

Time to change it up and see what this Brave New World is offering.

-- 
Best regards,
Bruce


Tuesday, August 31, 2010, 10:07:28 AM, you wrote:

SD> Thanks for the shots.  When needed, I would push the K10D to 800.  The
SD> K7 should be at least that good, yes?  I am intrigued by Bruce's
SD> comment.  We are now reaching the stage where digital will begin to
SD> have capabilities that will change the way people shoot. HDR might
SD> also that it they ever get it right.  My own wild prediction is that
SD> eventually exposure will be a non-issue and will be a processed
SD> property.  Maybe even focus.

SD> On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
SD>  wrote:
>> On the other hand, if you plan to shoot in bad weather or if you work your 
>> cameras as hard as I do, you'll probably want the K7. While the K7 does 
>> begin to show some noise in exposures at ISOs above 400, the noise doesn't 
>> ramp up all that much at levels above 400. My photo for the Pentax show in 
>> Chicago was shot at ISO 3200 with the K7:
>> http://photo.net/photodb/photo?photo_id=9902961&size=lg
>>
>> I've had reasonable success with the K7 at 6400:
>> http://photo.net/photodb/photo?photo_id=10541951&size=lg
>>
>> And I regularly use it at ISO 800:
>> http://photo.net/photodb/photo?photo_id=11014855
>>
>> Film grain never bothered me a lot, and a bit of digital noise isn't a 
>> problem for me or my clients. But I will be adding a K5 to the arsenal when 
>> it becomes available. My k7 is closing in on 30,000 frames, so it's time to 
>> send it to back-up mode.
>>
>> Paul
>>
>>
>> On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:
>>
>>> Funny thing about the low light question...before I got a K-x, I didn't 
>>> shoot low light much without a tripod but that was really because my K20 
>>> and earlier cameras couldn't shoot low light.  Now that I have a K-x, my 
>>> shooting techniques and style s have been changing due too the new 
>>> capability.  So the K7 represents the best of shooting the old way and the  
>>>      K-x represents the opportunity to do some new and exciting things.  
>>> For me at this stage, I would go for the K-x.  If you buy from B&H you have 
>>> some time to return and exchange.  That would be ideal.  Get the K-x 
>>> because it lets you try things you haven't done before.  If you find you 
>>> aren't delighted with it you can return it and get the K7.
>>>
>>> For me, at this point I never use my K20 anymore unless my daughter is 
>>> using at the time I need it.  Given the choice, I always pick the K-x over 
>>> the K20.
>>> --
>>> Sent from my Android phone with K-9 Mail.
>>>
>>> "Dario Bonazza"  wrote:
>>>
 Steven Desjardins wrote:

> I thought of that, but I'd like to buy a new body.  KEH has two K7 now
> for $789 and $819 which is not much of a savings, and I don't think
> I'd buy one off ebay, etc.
>
> I do like your comment "But K-x has a sensor second to none."  I think
> Canon a

Re: K7 or Kx

2010-08-31 Thread Steven Desjardins
Make that "HDR might also do that it they ever get it right."

On Tue, Aug 31, 2010 at 1:07 PM, Steven Desjardins  wrote:
> Thanks for the shots.  When needed, I would push the K10D to 800.  The
> K7 should be at least that good, yes?  I am intrigued by Bruce's
> comment.  We are now reaching the stage where digital will begin to
> have capabilities that will change the way people shoot. HDR might
> also that it they ever get it right.  My own wild prediction is that
> eventually exposure will be a non-issue and will be a processed
> property.  Maybe even focus.
>
> On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
>  wrote:
>> On the other hand, if you plan to shoot in bad weather or if you work your 
>> cameras as hard as I do, you'll probably want the K7. While the K7 does 
>> begin to show some noise in exposures at ISOs above 400, the noise doesn't 
>> ramp up all that much at levels above 400. My photo for the Pentax show in 
>> Chicago was shot at ISO 3200 with the K7:
>> http://photo.net/photodb/photo?photo_id=9902961&size=lg
>>
>> I've had reasonable success with the K7 at 6400:
>> http://photo.net/photodb/photo?photo_id=10541951&size=lg
>>
>> And I regularly use it at ISO 800:
>> http://photo.net/photodb/photo?photo_id=11014855
>>
>> Film grain never bothered me a lot, and a bit of digital noise isn't a 
>> problem for me or my clients. But I will be adding a K5 to the arsenal when 
>> it becomes available. My k7 is closing in on 30,000 frames, so it's time to 
>> send it to back-up mode.
>>
>> Paul
>>
>>
>> On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:
>>
>>> Funny thing about the low light question...before I got a K-x, I didn't 
>>> shoot low light much without a tripod but that was really because my K20 
>>> and earlier cameras couldn't shoot low light.  Now that I have a K-x, my 
>>> shooting techniques and style s have been changing due too the new 
>>> capability.  So the K7 represents the best of shooting the old way and the  
>>>      K-x represents the opportunity to do some new and exciting things.  
>>> For me at this stage, I would go for the K-x.  If you buy from B&H you have 
>>> some time to return and exchange.  That would be ideal.  Get the K-x 
>>> because it lets you try things you haven't done before.  If you find you 
>>> aren't delighted with it you can return it and get the K7.
>>>
>>> For me, at this point I never use my K20 anymore unless my daughter is 
>>> using at the time I need it.  Given the choice, I always pick the K-x over 
>>> the K20.
>>> --
>>> Sent from my Android phone with K-9 Mail.
>>>
>>> "Dario Bonazza"  wrote:
>>>
 Steven Desjardins wrote:

> I thought of that, but I'd like to buy a new body.  KEH has two K7 now
> for $789 and $819 which is not much of a savings, and I don't think
> I'd buy one off ebay, etc.
>
> I do like your comment "But K-x has a sensor second to none."  I think
> Canon and Nikon might contest that.  Of course, it could be a better
> sensor than the K7.  I'm not one that too fussy about micro-artifacts
> however.

 I've used both the K-7 and the K-x and my advice is simple:
 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
 add flash in low light? Go for the K-7, which is an overall better capable
 camera for sure.
 2) Do you shoot with available light? The K-x is far better for that. IMO,
 all of the K-7 pluses put together cannot compensate for the huge 
 difference
 in image quality in favor of the K-x above ISO 400.

 Whichever you choose now, it is likely after Photokina you'll want to jump
 all feet on such camera and replace it with one of the new ones for a good
 reason :-)

 Dario


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 PDML@pdml.net
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 follow the directions.

>>>
>>>
>>> --
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>>> to UNSUBSCRIBE from the PDML, please visit the link directly above and 
>>> follow the directions.
>>
>>
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>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>> to UNSUBSCRIBE from the PDML, please visit the link directly above and 
>> follow the directions.
>>
>
>
>
> --
> Steve Desjardins
>



-- 
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Re: K7 or Kx

2010-08-31 Thread Steven Desjardins
Thanks for the shots.  When needed, I would push the K10D to 800.  The
K7 should be at least that good, yes?  I am intrigued by Bruce's
comment.  We are now reaching the stage where digital will begin to
have capabilities that will change the way people shoot. HDR might
also that it they ever get it right.  My own wild prediction is that
eventually exposure will be a non-issue and will be a processed
property.  Maybe even focus.

On Tue, Aug 31, 2010 at 12:33 PM, paul stenquist
 wrote:
> On the other hand, if you plan to shoot in bad weather or if you work your 
> cameras as hard as I do, you'll probably want the K7. While the K7 does begin 
> to show some noise in exposures at ISOs above 400, the noise doesn't ramp up 
> all that much at levels above 400. My photo for the Pentax show in Chicago 
> was shot at ISO 3200 with the K7:
> http://photo.net/photodb/photo?photo_id=9902961&size=lg
>
> I've had reasonable success with the K7 at 6400:
> http://photo.net/photodb/photo?photo_id=10541951&size=lg
>
> And I regularly use it at ISO 800:
> http://photo.net/photodb/photo?photo_id=11014855
>
> Film grain never bothered me a lot, and a bit of digital noise isn't a 
> problem for me or my clients. But I will be adding a K5 to the arsenal when 
> it becomes available. My k7 is closing in on 30,000 frames, so it's time to 
> send it to back-up mode.
>
> Paul
>
>
> On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:
>
>> Funny thing about the low light question...before I got a K-x, I didn't 
>> shoot low light much without a tripod but that was really because my K20 and 
>> earlier cameras couldn't shoot low light.  Now that I have a K-x, my 
>> shooting techniques and style s have been changing due too the new 
>> capability.  So the K7 represents the best of shooting the old way and the   
>>     K-x represents the opportunity to do some new and exciting things.  For 
>> me at this stage, I would go for the K-x.  If you buy from B&H you have some 
>> time to return and exchange.  That would be ideal.  Get the K-x because it 
>> lets you try things you haven't done before.  If you find you aren't 
>> delighted with it you can return it and get the K7.
>>
>> For me, at this point I never use my K20 anymore unless my daughter is using 
>> at the time I need it.  Given the choice, I always pick the K-x over the K20.
>> --
>> Sent from my Android phone with K-9 Mail.
>>
>> "Dario Bonazza"  wrote:
>>
>>> Steven Desjardins wrote:
>>>
 I thought of that, but I'd like to buy a new body.  KEH has two K7 now
 for $789 and $819 which is not much of a savings, and I don't think
 I'd buy one off ebay, etc.

 I do like your comment "But K-x has a sensor second to none."  I think
 Canon and Nikon might contest that.  Of course, it could be a better
 sensor than the K7.  I'm not one that too fussy about micro-artifacts
 however.
>>>
>>> I've used both the K-7 and the K-x and my advice is simple:
>>> 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
>>> add flash in low light? Go for the K-7, which is an overall better capable
>>> camera for sure.
>>> 2) Do you shoot with available light? The K-x is far better for that. IMO,
>>> all of the K-7 pluses put together cannot compensate for the huge difference
>>> in image quality in favor of the K-x above ISO 400.
>>>
>>> Whichever you choose now, it is likely after Photokina you'll want to jump
>>> all feet on such camera and replace it with one of the new ones for a good
>>> reason :-)
>>>
>>> Dario
>>>
>>>
>>> --
>>> PDML Pentax-Discuss Mail List
>>> PDML@pdml.net
>>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>>> to UNSUBSCRIBE from the PDML, please visit the link directly above and 
>>> follow the directions.
>>>
>>
>>
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>> follow the directions.
>
>
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Re: K7 or Kx

2010-08-31 Thread Dario Bonazza

Larry Colen  wrote:


Dario,
Do you have  some inside information?


Sorry, no.

Dario

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Re: K7 or Kx

2010-08-31 Thread Larry Colen (Droid Mail)
The K7 has quite a little cult following, basically with performance about two 
years ahead of its time for the price. I wonder if it'll be one of those items 
that maintains its cult status, or if it'll be eclipsed by the next new thing.
If Pentax can learn from what they've gotten right on the kx (and the k7) and 
correct their shortcomings in future models, they could kick some serious butt 
in the market place.
What it would take would be a k7, with incrementally better focus and metering, 
kx sensitivity, Kx color choices, and in the stores.
And yes, I'm serious about the color choices, they attract people's attention, 
they would try it out just out of curiousity. 

"CheekyGeek"  wrote:

>On Tue, Aug 31, 2010 at 11:02 AM, Bruce Dayton  
>wrote:
>>  Now that I have a K-x, my shooting techniques and style s have been 
>> changing due too the new capability. . . . Get the K-x because it lets you 
>> try things you haven't done before.
>
>+1
>
>It isn't JUST the sensor. It is what you DO with the sensor
>(software). The Pentax K-x development team deserves some serious
>kudos for what they have done with the mighty little K-x. Trumped
>Sony's cam (with it's own sensor) and created a camera that is a
>wy better bargain than the Nikons with the same sensor.
>
>Darren Addy
>Kearney, Nebraska
>-- 
>Nothing is sure, except Death and Pentaxes.
>
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Re: K7 or Kx

2010-08-31 Thread paul stenquist
On the other hand, if you plan to shoot in bad weather or if you work your 
cameras as hard as I do, you'll probably want the K7. While the K7 does begin 
to show some noise in exposures at ISOs above 400, the noise doesn't ramp up 
all that much at levels above 400. My photo for the Pentax show in Chicago was 
shot at ISO 3200 with the K7:
http://photo.net/photodb/photo?photo_id=9902961&size=lg

I've had reasonable success with the K7 at 6400:
http://photo.net/photodb/photo?photo_id=10541951&size=lg

And I regularly use it at ISO 800:
http://photo.net/photodb/photo?photo_id=11014855

Film grain never bothered me a lot, and a bit of digital noise isn't a problem 
for me or my clients. But I will be adding a K5 to the arsenal when it becomes 
available. My k7 is closing in on 30,000 frames, so it's time to send it to 
back-up mode.

Paul


On Aug 31, 2010, at 12:02 PM, Bruce Dayton wrote:

> Funny thing about the low light question...before I got a K-x, I didn't shoot 
> low light much without a tripod but that was really because my K20 and 
> earlier cameras couldn't shoot low light.  Now that I have a K-x, my shooting 
> techniques and style s have been changing due too the new capability.  So the 
> K7 represents the best of shooting the old way and the   K-x represents 
> the opportunity to do some new and exciting things.  For me at this stage, I 
> would go for the K-x.  If you buy from B&H you have some time to return and 
> exchange.  That would be ideal.  Get the K-x because it lets you try things 
> you haven't done before.  If you find you aren't delighted with it you can 
> return it and get the K7.
> 
> For me, at this point I never use my K20 anymore unless my daughter is using 
> at the time I need it.  Given the choice, I always pick the K-x over the K20. 
>  
> -- 
> Sent from my Android phone with K-9 Mail. 
> 
> "Dario Bonazza"  wrote:
> 
>> Steven Desjardins wrote:
>> 
>>> I thought of that, but I'd like to buy a new body.  KEH has two K7 now
>>> for $789 and $819 which is not much of a savings, and I don't think
>>> I'd buy one off ebay, etc.
>>> 
>>> I do like your comment "But K-x has a sensor second to none."  I think
>>> Canon and Nikon might contest that.  Of course, it could be a better
>>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>>> however.
>> 
>> I've used both the K-7 and the K-x and my advice is simple:
>> 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and 
>> add flash in low light? Go for the K-7, which is an overall better capable 
>> camera for sure.
>> 2) Do you shoot with available light? The K-x is far better for that. IMO, 
>> all of the K-7 pluses put together cannot compensate for the huge difference 
>> in image quality in favor of the K-x above ISO 400.
>> 
>> Whichever you choose now, it is likely after Photokina you'll want to jump 
>> all feet on such camera and replace it with one of the new ones for a good 
>> reason :-)
>> 
>> Dario 
>> 
>> 
>> -- 
>> PDML Pentax-Discuss Mail List
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Re: K7 or Kx

2010-08-31 Thread Larry Colen (Droid Mail)
Dario,
Do you have  some inside information?

"Dario Bonazza"  wrote:

>Steven Desjardins wrote:
>
>>I thought of that, but I'd like to buy a new body.  KEH has two K7 now
>> for $789 and $819 which is not much of a savings, and I don't think
>> I'd buy one off ebay, etc.
>>
>> I do like your comment "But K-x has a sensor second to none."  I think
>> Canon and Nikon might contest that.  Of course, it could be a better
>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>> however.
>
>I've used both the K-7 and the K-x and my advice is simple:
>1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and 
>add flash in low light? Go for the K-7, which is an overall better capable 
>camera for sure.
>2) Do you shoot with available light? The K-x is far better for that. IMO, 
>all of the K-7 pluses put together cannot compensate for the huge difference 
>in image quality in favor of the K-x above ISO 400.
>
>Whichever you choose now, it is likely after Photokina you'll want to jump 
>all feet on such camera and replace it with one of the new ones for a good 
>reason :-)
>
>Dario 
>
>
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Re: K7 or Kx

2010-08-31 Thread CheekyGeek
On Tue, Aug 31, 2010 at 11:02 AM, Bruce Dayton  wrote:
>  Now that I have a K-x, my shooting techniques and style s have been changing 
> due too the new capability. . . . Get the K-x because it lets you try things 
> you haven't done before.

+1

It isn't JUST the sensor. It is what you DO with the sensor
(software). The Pentax K-x development team deserves some serious
kudos for what they have done with the mighty little K-x. Trumped
Sony's cam (with it's own sensor) and created a camera that is a
wy better bargain than the Nikons with the same sensor.

Darren Addy
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Re: K7 or Kx

2010-08-31 Thread Bruce Dayton
Funny thing about the low light question...before I got a K-x, I didn't shoot 
low light much without a tripod but that was really because my K20 and earlier 
cameras couldn't shoot low light.  Now that I have a K-x, my shooting 
techniques and style s have been changing due too the new capability.  So the 
K7 represents the best of shooting the old way and the K-x represents the 
opportunity to do some new and exciting things.  For me at this stage, I would 
go for the K-x.  If you buy from B&H you have some time to return and exchange. 
 That would be ideal.  Get the K-x because it lets you try things you haven't 
done before.  If you find you aren't delighted with it you can return it and 
get the K7.

For me, at this point I never use my K20 anymore unless my daughter is using at 
the time I need it.  Given the choice, I always pick the K-x over the K20.  
-- 
Sent from my Android phone with K-9 Mail. 

"Dario Bonazza"  wrote:

>Steven Desjardins wrote:
>
>>I thought of that, but I'd like to buy a new body.  KEH has two K7 now
>> for $789 and $819 which is not much of a savings, and I don't think
>> I'd buy one off ebay, etc.
>>
>> I do like your comment "But K-x has a sensor second to none."  I think
>> Canon and Nikon might contest that.  Of course, it could be a better
>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>> however.
>
>I've used both the K-7 and the K-x and my advice is simple:
>1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and 
>add flash in low light? Go for the K-7, which is an overall better capable 
>camera for sure.
>2) Do you shoot with available light? The K-x is far better for that. IMO, 
>all of the K-7 pluses put together cannot compensate for the huge difference 
>in image quality in favor of the K-x above ISO 400.
>
>Whichever you choose now, it is likely after Photokina you'll want to jump 
>all feet on such camera and replace it with one of the new ones for a good 
>reason :-)
>
>Dario 
>
>
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Re: K7 or Kx

2010-08-31 Thread Steven Desjardins
The problem is that I'm not spending $1600 on a camera.  The new Kr
will be about the same price as the current K7, but I suspect it will
be a better version of the Kx.  That's really good but it probably
won't have K7 features.  I see the K7 as my "shoot the race" body with
the FA135 and the E-P1 with the lumix 1.7 as the "Epcot at night"
camera.

On Tue, Aug 31, 2010 at 11:34 AM, Dario Bonazza
 wrote:
> Steven Desjardins wrote:
>
>> I thought of that, but I'd like to buy a new body.  KEH has two K7 now
>> for $789 and $819 which is not much of a savings, and I don't think
>> I'd buy one off ebay, etc.
>>
>> I do like your comment "But K-x has a sensor second to none."  I think
>> Canon and Nikon might contest that.  Of course, it could be a better
>> sensor than the K7.  I'm not one that too fussy about micro-artifacts
>> however.
>
> I've used both the K-7 and the K-x and my advice is simple:
> 1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and
> add flash in low light? Go for the K-7, which is an overall better capable
> camera for sure.
> 2) Do you shoot with available light? The K-x is far better for that. IMO,
> all of the K-7 pluses put together cannot compensate for the huge difference
> in image quality in favor of the K-x above ISO 400.
>
> Whichever you choose now, it is likely after Photokina you'll want to jump
> all feet on such camera and replace it with one of the new ones for a good
> reason :-)
>
> Dario
>
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Re: K7 or Kx

2010-08-31 Thread Dario Bonazza

Steven Desjardins wrote:


I thought of that, but I'd like to buy a new body.  KEH has two K7 now
for $789 and $819 which is not much of a savings, and I don't think
I'd buy one off ebay, etc.

I do like your comment "But K-x has a sensor second to none."  I think
Canon and Nikon might contest that.  Of course, it could be a better
sensor than the K7.  I'm not one that too fussy about micro-artifacts
however.


I've used both the K-7 and the K-x and my advice is simple:
1) Do you shoot mainly in good/reasonable light, using ISO 100 to 400 and 
add flash in low light? Go for the K-7, which is an overall better capable 
camera for sure.
2) Do you shoot with available light? The K-x is far better for that. IMO, 
all of the K-7 pluses put together cannot compensate for the huge difference 
in image quality in favor of the K-x above ISO 400.


Whichever you choose now, it is likely after Photokina you'll want to jump 
all feet on such camera and replace it with one of the new ones for a good 
reason :-)


Dario 



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Re: K7 or Kx

2010-08-31 Thread Steven Desjardins
I thought of that, but I'd like to buy a new body.  KEH has two K7 now
for $789 and $819 which is not much of a savings, and I don't think
I'd buy one off ebay, etc.

I do like your comment "But K-x has a sensor second to none."  I think
Canon and Nikon might contest that.  Of course, it could be a better
sensor than the K7.  I'm not one that too fussy about micro-artifacts
however.

On Mon, Aug 30, 2010 at 2:18 AM, Boris Liberman  wrote:
> There is yet another possibility, Steve. When new Pentax cameras are
> announced, there'll be a lot of people selling their K7's and K-x's (and
> other, older bodies) in order to upgrade. At this moment, you may find an
> excellent specimen of K7 or K-x for more than a reasonable price.
>
> Personally, having seen briefly K-x in Chicago I should say that I have only
> one major ergonomic reservation about this camera. The viewfinder. It is
> very very small... On K7 (and separately on K10D) I've a magnifying eye cap.
> It is not enough, but it is better than nothing. Other than that, given that
> on K-x you can set its only wheel to do a program shift (thereby attaining a
> good half of hyper-P double wheeled operation of K7) - it is pretty much a
> toss up...
>
> K7 has better viewfinder, metering, AF, you name it. But K-x has a sensor
> second to none. This is what K7 lacks.
>
> Also, having most of your Pentax gear sold, why don't you do the logical
> thing and let it go completely?
>
> Boris (who's himself is sitting on the fence here)
>
>
>
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Re: K7 or Kx

2010-08-31 Thread Boris Liberman

On 8/31/2010 12:18 PM, eckinator wrote:

2010/8/31 Boris Liberman:

I'm keepin' mine...


So you've come off the fence then?


Well, no. I am on the fence still... There are different ways to sit on 
the fence, you know ;-). E.g. one can bring a comfortable chair, attach 
it firmly and sit on it with the fence beneath them...


:-)

Boris


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Re: K7 or Kx

2010-08-31 Thread eckinator
2010/8/31 Boris Liberman :
> I'm keepin' mine...

So you've come off the fence then?

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Re: K7 or Kx

2010-08-30 Thread Boris Liberman

I'm keepin' mine...


On 8/31/2010 12:06 AM, Miserere wrote:

On 30 August 2010 02:18, Boris Liberman  wrote:

There is yet another possibility, Steve. When new Pentax cameras are
announced, there'll be a lot of people selling their K7's and K-x's...


Yeah, and my K10D. Any takers???  :-D

One thing you didn't mention about the K-7: It only comes in
booring black. P!


   --M.



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Re: K7 or Kx

2010-08-30 Thread Steven Desjardins
I was at WallyWorld today and saw Pop Photo for the first time in
ages.  Big Ol' K7 on the cover.  They extolled the virtues of the K7
and the DA 55-300 as a serious but affordable nature kit.  They like
the Kx two lens kit as well, but the K7  with a Sigma 10-20 made the
cover as a "cityscape/landscape camera.  PP always did give Pentax a
little dap.

On Mon, Aug 30, 2010 at 5:21 PM, Bob Sullivan  wrote:
> M,
> I've got some spray paint cans,  we can make any color you want.  :-)
> Regards,  Bob S.
>
> On Mon, Aug 30, 2010 at 4:06 PM, Miserere  wrote:
>> On 30 August 2010 02:18, Boris Liberman  wrote:
>>> There is yet another possibility, Steve. When new Pentax cameras are
>>> announced, there'll be a lot of people selling their K7's and K-x's...
>>
>> Yeah, and my K10D. Any takers???  :-D
>>
>> One thing you didn't mention about the K-7: It only comes in
>> booring black. P!
>>
>>
>>  --M.
>> --
>>
>>     \/\/o/\/\ --> http://WorldOfMiserere.com
>>
>>     http://EnticingTheLight.com
>>     A Quest for Photographic Enlightenment
>>
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Re: K7 or Kx

2010-08-30 Thread Bob Sullivan
M,
I've got some spray paint cans,  we can make any color you want.  :-)
Regards,  Bob S.

On Mon, Aug 30, 2010 at 4:06 PM, Miserere  wrote:
> On 30 August 2010 02:18, Boris Liberman  wrote:
>> There is yet another possibility, Steve. When new Pentax cameras are
>> announced, there'll be a lot of people selling their K7's and K-x's...
>
> Yeah, and my K10D. Any takers???  :-D
>
> One thing you didn't mention about the K-7: It only comes in
> booring black. P!
>
>
>  --M.
> --
>
>     \/\/o/\/\ --> http://WorldOfMiserere.com
>
>     http://EnticingTheLight.com
>     A Quest for Photographic Enlightenment
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Re: K7 or Kx

2010-08-30 Thread Miserere
On 30 August 2010 02:18, Boris Liberman  wrote:
> There is yet another possibility, Steve. When new Pentax cameras are
> announced, there'll be a lot of people selling their K7's and K-x's...

Yeah, and my K10D. Any takers???  :-D

One thing you didn't mention about the K-7: It only comes in
booring black. P!


  --M.
-- 

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Re: K7 or Kx

2010-08-30 Thread Joseph McAllister

On Aug 30, 2010, at 11:12 , P N Stenquist wrote:


On Aug 30, 2010, at 10:16 AM, CheekyGeek wrote:

On Mon, Aug 30, 2010 at 8:50 AM, Charles Robinson  
 wrote:



And weather sealing.


I'll go on record as saying that I don't think that weather sealing  
is

coming back on anything other than flagship model.
Weather sealing was one reason I personally liked the K200D and I'm
sorry it is gone on the K-x, but in terms of affecting the sales of
people looking to buy a $500 camera - I don't think it moves the
needle.

I'm not looking to buy a $500 camera, but I couldn't survive without  
weather sealing. I shot for five hours in the rain last weekend,  
including numerous periods of heavy downpour. With the K7 and DA*  
lenses, I didn't have to give it a second thought. Need that, love  
that.

Paul



And I shoot in a dog park that in the summer leaves me in a cloud of  
the finest dust a good percentage of the time. So far, none of it has  
penetrated my K7's defenses, though I'm sure if I went out in the rain  
anytime soon I would see brown mud running out of the nooks and  
crannies of the buttons and dials.


As an aside (I always have at least one) I recently imaged about an  
hours worth of video at the park, using a Sony stereo clip on mike  
clipped to the top of the lens shade. It looks and sounds great on my  
iMac 24" in full screen. I do not know when I will find the time to  
learn iMovie well enough to edit it into something viewable by others.  
I had an appreciation for the work needed by videographers to make  
something interesting to sit through. Perhaps Cotty will give me some  
lessons the next time he visits the states of insanity that we call  
home.  :-)


Joseph McAllister
pentax...@mac.com

“It is still true, as was first said many years ago, that people are  
the only sophisticated computing devices that can be made at low cost  
by unskilled workers!”

— Martin G. Wolf, PhD


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Re: K7 or Kx

2010-08-30 Thread P N Stenquist


On Aug 30, 2010, at 10:16 AM, CheekyGeek wrote:

On Mon, Aug 30, 2010 at 8:50 AM, Charles Robinson  
 wrote:



And weather sealing.


I'll go on record as saying that I don't think that weather sealing is
coming back on anything other than flagship model.
Weather sealing was one reason I personally liked the K200D and I'm
sorry it is gone on the K-x, but in terms of affecting the sales of
people looking to buy a $500 camera - I don't think it moves the
needle.

I'm not looking to buy a $500 camera, but I couldn't survive without  
weather sealing. I shot for five hours in the rain last weekend,  
including numerous periods of heavy downpour. With the K7 and DA*  
lenses, I didn't have to give it a second thought. Need that, love that.

Paul



Darren Addy
Kearney, NE

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Re: K7 or Kx

2010-08-30 Thread eckinator
2010/8/30 CheekyGeek :
>
>> And weather sealing.
>
> I'll go on record as saying that I don't think that weather sealing is
> coming back on anything other than flagship model.

As long as they keep it on one model I'll be happy. It is why I chose
Pentax in the first place.

Cheers
Ecke

-
Cameras don’t shoot people.
Photographers shoot people.

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Re: K7 or Kx

2010-08-30 Thread CheekyGeek
On Mon, Aug 30, 2010 at 8:50 AM, Charles Robinson  wrote:

> And weather sealing.

I'll go on record as saying that I don't think that weather sealing is
coming back on anything other than flagship model.
Weather sealing was one reason I personally liked the K200D and I'm
sorry it is gone on the K-x, but in terms of affecting the sales of
people looking to buy a $500 camera - I don't think it moves the
needle.

Darren Addy
Kearney, NE

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Re: K7 or Kx

2010-08-30 Thread Charles Robinson
On Aug 29, 2010, at 21:15, P N Stenquist wrote:

> 
> On Aug 29, 2010, at 9:46 PM, CheekyGeek wrote:
>> 
>> Frankly, I don't think you could ever regret getting a K-x. IF the K-r
>> is indeed an upgrade then cross that bridge when you come to it. The
>> K7 I would consider only if having the two dials is the most important
>> feature to you.
>> 
> And vertical controls, extended battery life, large buffer, more frames per 
> second, higher resolution, etc.
> 

And weather sealing.

 -Charles

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Re: K7 or Kx

2010-08-29 Thread Bruce Dayton
Based on your thoughts I would agree the K-x would be competing.  The K7 seems 
to be the better choice for you.
-- 
Sent from my Android phone with K-9 Mail. 

drd1...@gmail.com wrote:

>The E-P1 will probably be my low light camera since it's the one I'll grab to 
>go walking around with.  For me its mostly a question of actually taking the 
>camera with me for events where photography is not the main purpose. The more 
>I think about it, the Kx and the E-P1 may be competing for the same job. 
>Shooting off the LCD is even better in low light.  This is what has me 
>thinking about the K7 as the "serious work" camera, like a motorcycle race. 
>-Original Message-
>From: Bruce Dayton 
>Sender: pdml-boun...@pdml.net
>Date: Sun, 29 Aug 2010 19:46:33 
>To: Pentax-Discuss Mail List
>Reply-To: Pentax-Discuss Mail List 
>Subject: Re: K7 or Kx
>
>Good question, with only opinions for answers.  First off you have to ask 
>yourself what the primary use of this camera will be.  Any professional use or 
>strictly amateur.  The K-x is extremely well speced and is a bargain.  It is 
>very small and light and handles well.  It is also tops when it comes to low 
>light work.
>
>The K7 is a pro build, solid workhorse that is really designed to be used and 
>abused.  Everything about it is excellent.  The one "weakness" is the sensor 
>isn't as good at low light a the K-x.
>
>So I see it as the K-x is your choice if low light work is a major issue or if 
>the camera will be used moderately.  The K7 is your choice if you are looking 
>for a real "go to" camera that is going to be used a lot.
>-- 
>Sent from my Android phone with K-9 Mail. 
>
>"Steven Desjardins"  wrote:
>
>>Geez, the Leica thread turned into an "everybody sucks" thread.
>>Here's a photographic opinion question for the combined wisdom of the
>>list.
>>
>>OK, so the last time I saved up money I ended up buying an E-P1 and a
>>Lumix 20mm 1.7.  Combined with the macro 50 it's my walk around Disney
>>World, etc., kit.  I just did a major culling of the Pentax gear and
>>only have the FA20-35, FA50 1.4 and the FA135 2.8 left.  I need a new
>>main body (I do have the *ist D and Ds left but not what I want to go
>>with).  The Kx and K7 should be coming down a bit in price because of
>>the Kr and K5.  I have about $900 but the Kr looks a lot like an
>>upgraded Kx with  the same sensor.  I can go with the Kx and get a
>>couple of kit lenses for about $100 extra (the 18-55 and the 55-300)
>>or just blow it all on the K7.  there are lots of advantages to the Kx
>>but the K7 might make a better compliment to the E-P1.  Also, this
>>body has to last a bit.  Since I'd like to start spending future funds
>>on lenses, especially since I'm now keeping two kits.  Thoughts?
>>
>>BTW, any opinions about how long I should wait for the "best to within
>>$100" Kx/K7 price?
>>-- 
>>Steve Desjardins
>>
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Re: K7 or Kx

2010-08-29 Thread Boris Liberman
There is yet another possibility, Steve. When new Pentax cameras are 
announced, there'll be a lot of people selling their K7's and K-x's (and 
other, older bodies) in order to upgrade. At this moment, you may find 
an excellent specimen of K7 or K-x for more than a reasonable price.


Personally, having seen briefly K-x in Chicago I should say that I have 
only one major ergonomic reservation about this camera. The viewfinder. 
It is very very small... On K7 (and separately on K10D) I've a 
magnifying eye cap. It is not enough, but it is better than nothing. 
Other than that, given that on K-x you can set its only wheel to do a 
program shift (thereby attaining a good half of hyper-P double wheeled 
operation of K7) - it is pretty much a toss up...


K7 has better viewfinder, metering, AF, you name it. But K-x has a 
sensor second to none. This is what K7 lacks.


Also, having most of your Pentax gear sold, why don't you do the logical 
thing and let it go completely?


Boris (who's himself is sitting on the fence here)



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Re: K7 or Kx

2010-08-29 Thread drd1135
The E-P1 will probably be my low light camera since it's the one I'll grab to 
go walking around with.  For me its mostly a question of actually taking the 
camera with me for events where photography is not the main purpose. The more I 
think about it, the Kx and the E-P1 may be competing for the same job. Shooting 
off the LCD is even better in low light.  This is what has me thinking about 
the K7 as the "serious work" camera, like a motorcycle race. 
-Original Message-
From: Bruce Dayton 
Sender: pdml-boun...@pdml.net
Date: Sun, 29 Aug 2010 19:46:33 
To: Pentax-Discuss Mail List
Reply-To: Pentax-Discuss Mail List 
Subject: Re: K7 or Kx

Good question, with only opinions for answers.  First off you have to ask 
yourself what the primary use of this camera will be.  Any professional use or 
strictly amateur.  The K-x is extremely well speced and is a bargain.  It is 
very small and light and handles well.  It is also tops when it comes to low 
light work.

The K7 is a pro build, solid workhorse that is really designed to be used and 
abused.  Everything about it is excellent.  The one "weakness" is the sensor 
isn't as good at low light a the K-x.

So I see it as the K-x is your choice if low light work is a major issue or if 
the camera will be used moderately.  The K7 is your choice if you are looking 
for a real "go to" camera that is going to be used a lot.
-- 
Sent from my Android phone with K-9 Mail. 

"Steven Desjardins"  wrote:

>Geez, the Leica thread turned into an "everybody sucks" thread.
>Here's a photographic opinion question for the combined wisdom of the
>list.
>
>OK, so the last time I saved up money I ended up buying an E-P1 and a
>Lumix 20mm 1.7.  Combined with the macro 50 it's my walk around Disney
>World, etc., kit.  I just did a major culling of the Pentax gear and
>only have the FA20-35, FA50 1.4 and the FA135 2.8 left.  I need a new
>main body (I do have the *ist D and Ds left but not what I want to go
>with).  The Kx and K7 should be coming down a bit in price because of
>the Kr and K5.  I have about $900 but the Kr looks a lot like an
>upgraded Kx with  the same sensor.  I can go with the Kx and get a
>couple of kit lenses for about $100 extra (the 18-55 and the 55-300)
>or just blow it all on the K7.  there are lots of advantages to the Kx
>but the K7 might make a better compliment to the E-P1.  Also, this
>body has to last a bit.  Since I'd like to start spending future funds
>on lenses, especially since I'm now keeping two kits.  Thoughts?
>
>BTW, any opinions about how long I should wait for the "best to within
>$100" Kx/K7 price?
>-- 
>Steve Desjardins
>
>-- 
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>http://pdml.net/mailman/listinfo/pdml_pdml.net
>to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
>the directions.
>


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Re: K7 or Kx

2010-08-29 Thread Larry Colen

On Aug 29, 2010, at 2:47 PM, Steven Desjardins wrote:

> Geez, the Leica thread turned into an "everybody sucks" thread.
> Here's a photographic opinion question for the combined wisdom of the
> list.
> 
> OK, so the last time I saved up money I ended up buying an E-P1 and a
> Lumix 20mm 1.7.  Combined with the macro 50 it's my walk around Disney
> World, etc., kit.  I just did a major culling of the Pentax gear and
> only have the FA20-35, FA50 1.4 and the FA135 2.8 left.  I need a new
> main body (I do have the *ist D and Ds left but not what I want to go
> with).  The Kx and K7 should be coming down a bit in price because of
> the Kr and K5.  I have about $900 but the Kr looks a lot like an
> upgraded Kx with  the same sensor.  I can go with the Kx and get a
> couple of kit lenses for about $100 extra (the 18-55 and the 55-300)
> or just blow it all on the K7.  there are lots of advantages to the Kx
> but the K7 might make a better compliment to the E-P1.  Also, this
> body has to last a bit.  Since I'd like to start spending future funds
> on lenses, especially since I'm now keeping two kits.  Thoughts?

1) Wait at least until October to make a decision.

2) If you're doing a lot of work in good light, or bad weather, the K-7 is 
probably a better camera.

3) If faster autofocus and dead nuts on metering are critical, then the K-7 is 
probably a better camera.

Other than that, it seems that the typical scenario is for people to buy a K-x 
for it's high-iso, with the intent of using it as their second body, and find 
out that they use it more than their nominally better body.  When I use my 
K-20, I'm reminded of how nice having two control wheels, and focus indicators 
are.  But, the K20 isn't the camera that I carry in my fanny pack, so it's not 
the camera I tend to use when I just happen to see a shot.

I'm curious about how many people on this list have both.  I was planning up 
upgrading from the K100 to the K-7, but got tired of waiting and got the K20 
instead. The K-7 didn't seem to have enough performance advantage for the cost 
over the K20 to make it worth the money.  The K-x, however was cheap enough 
that I could treat it as a replacement for the K100.

--
Larry Colen l...@red4est.com sent from i4est





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Re: K7 or Kx

2010-08-29 Thread Bruce Dayton
Good question, with only opinions for answers.  First off you have to ask 
yourself what the primary use of this camera will be.  Any professional use or 
strictly amateur.  The K-x is extremely well speced and is a bargain.  It is 
very small and light and handles well.  It is also tops when it comes to low 
light work.

The K7 is a pro build, solid workhorse that is really designed to be used and 
abused.  Everything about it is excellent.  The one "weakness" is the sensor 
isn't as good at low light a the K-x.

So I see it as the K-x is your choice if low light work is a major issue or if 
the camera will be used moderately.  The K7 is your choice if you are looking 
for a real "go to" camera that is going to be used a lot.
-- 
Sent from my Android phone with K-9 Mail. 

"Steven Desjardins"  wrote:

>Geez, the Leica thread turned into an "everybody sucks" thread.
>Here's a photographic opinion question for the combined wisdom of the
>list.
>
>OK, so the last time I saved up money I ended up buying an E-P1 and a
>Lumix 20mm 1.7.  Combined with the macro 50 it's my walk around Disney
>World, etc., kit.  I just did a major culling of the Pentax gear and
>only have the FA20-35, FA50 1.4 and the FA135 2.8 left.  I need a new
>main body (I do have the *ist D and Ds left but not what I want to go
>with).  The Kx and K7 should be coming down a bit in price because of
>the Kr and K5.  I have about $900 but the Kr looks a lot like an
>upgraded Kx with  the same sensor.  I can go with the Kx and get a
>couple of kit lenses for about $100 extra (the 18-55 and the 55-300)
>or just blow it all on the K7.  there are lots of advantages to the Kx
>but the K7 might make a better compliment to the E-P1.  Also, this
>body has to last a bit.  Since I'd like to start spending future funds
>on lenses, especially since I'm now keeping two kits.  Thoughts?
>
>BTW, any opinions about how long I should wait for the "best to within
>$100" Kx/K7 price?
>-- 
>Steve Desjardins
>
>-- 
>PDML Pentax-Discuss Mail List
>PDML@pdml.net
>http://pdml.net/mailman/listinfo/pdml_pdml.net
>to UNSUBSCRIBE from the PDML, please visit the link directly above and follow 
>the directions.
>


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Re: K7 or Kx

2010-08-29 Thread drd1135
Actually it was ”everyone sucks" at the national level.  They're all just 
jealous that the Brits were so good at it. That's who we learned from, after 
all. 

Damn, I just ruined another thread. They'd better release those Kr/5 specs 
soon.  
-Original Message-
From: CheekyGeek 
Sender: pdml-boun...@pdml.net
Date: Sun, 29 Aug 2010 20:46:42 
To: Pentax-Discuss Mail List
Reply-To: Pentax-Discuss Mail List 
Subject: Re: K7 or Kx

Gee, I'll have to go back and read that Leica thread now. However, it
is my considered opinion before reading it that a good number of list
members need to up their intake of fibre.
: )


My thoughts on YOUR question...
I went from a K200D to a K-x. Honestly, if I had to choose between a
K7 and a K-x, I'd take a K-x.
It is a fantastic camera and a bargain at the price it is selling for
now, IQ-wise.

If the K-r does indeed have the same sensor and the same IQ
capabilities, with the addition of an external jack (etc.)
A number of people will probably be upgrading and used K-x will be
plentiful. But it will be a while before that happens.
I'm doubtful that there will be rebates on the K-x, as it is selling
well where it is now, but the K-7 could see some discounts.

Frankly, I don't think you could ever regret getting a K-x. IF the K-r
is indeed an upgrade then cross that bridge when you come to it. The
K7 I would consider only if having the two dials is the most important
feature to you.

Darren Addy
Kearney, Nebraska

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Re: K7 or Kx

2010-08-29 Thread P N Stenquist


On Aug 29, 2010, at 9:46 PM, CheekyGeek wrote:


Gee, I'll have to go back and read that Leica thread now. However, it
is my considered opinion before reading it that a good number of list
members need to up their intake of fibre.
: )


My thoughts on YOUR question...
I went from a K200D to a K-x. Honestly, if I had to choose between a
K7 and a K-x, I'd take a K-x.
It is a fantastic camera and a bargain at the price it is selling for
now, IQ-wise.

If the K-r does indeed have the same sensor and the same IQ
capabilities, with the addition of an external jack (etc.)
A number of people will probably be upgrading and used K-x will be
plentiful. But it will be a while before that happens.
I'm doubtful that there will be rebates on the K-x, as it is selling
well where it is now, but the K-7 could see some discounts.

Frankly, I don't think you could ever regret getting a K-x. IF the K-r
is indeed an upgrade then cross that bridge when you come to it. The
K7 I would consider only if having the two dials is the most important
feature to you.

And vertical controls, extended battery life, large buffer, more  
frames per second, higher resolution, etc.



Darren Addy
Kearney, Nebraska

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Re: K7 or Kx

2010-08-29 Thread CheekyGeek
Gee, I'll have to go back and read that Leica thread now. However, it
is my considered opinion before reading it that a good number of list
members need to up their intake of fibre.
: )


My thoughts on YOUR question...
I went from a K200D to a K-x. Honestly, if I had to choose between a
K7 and a K-x, I'd take a K-x.
It is a fantastic camera and a bargain at the price it is selling for
now, IQ-wise.

If the K-r does indeed have the same sensor and the same IQ
capabilities, with the addition of an external jack (etc.)
A number of people will probably be upgrading and used K-x will be
plentiful. But it will be a while before that happens.
I'm doubtful that there will be rebates on the K-x, as it is selling
well where it is now, but the K-7 could see some discounts.

Frankly, I don't think you could ever regret getting a K-x. IF the K-r
is indeed an upgrade then cross that bridge when you come to it. The
K7 I would consider only if having the two dials is the most important
feature to you.

Darren Addy
Kearney, Nebraska

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K7 or Kx

2010-08-29 Thread Steven Desjardins
Geez, the Leica thread turned into an "everybody sucks" thread.
Here's a photographic opinion question for the combined wisdom of the
list.

OK, so the last time I saved up money I ended up buying an E-P1 and a
Lumix 20mm 1.7.  Combined with the macro 50 it's my walk around Disney
World, etc., kit.  I just did a major culling of the Pentax gear and
only have the FA20-35, FA50 1.4 and the FA135 2.8 left.  I need a new
main body (I do have the *ist D and Ds left but not what I want to go
with).  The Kx and K7 should be coming down a bit in price because of
the Kr and K5.  I have about $900 but the Kr looks a lot like an
upgraded Kx with  the same sensor.  I can go with the Kx and get a
couple of kit lenses for about $100 extra (the 18-55 and the 55-300)
or just blow it all on the K7.  there are lots of advantages to the Kx
but the K7 might make a better compliment to the E-P1.  Also, this
body has to last a bit.  Since I'd like to start spending future funds
on lenses, especially since I'm now keeping two kits.  Thoughts?

BTW, any opinions about how long I should wait for the "best to within
$100" Kx/K7 price?
-- 
Steve Desjardins

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