Re: Why Pentax?

2010-01-18 Thread Igor Roshchin

Hi All!

Wow! 
I didn't expect it to grow in such a large and interesting thread.
I enjoyed reading all responses.
Thanks to all who responded!

Below is my response to Boris' questions/comments (somebody else
also mentioned the same).


Sun Jan 17 00:09:07 CST 2010
Boris Liberman wrote:

  In the last 2-3 years, I started taking photos at dance events,
  and that's where quick and accurate AF matters, and low light
  performance and an accurate flash are important.
  So, why am I still using Pentax, and buying new bodies and lenses?
 
 That's a good question. E.g. why don't you buy yourself a special (not 
 Pentax) kit for low light (dance events) shooting? Assuming, of course, 
 you've got the money.

You got it, - since I am not being paid for this, - I do not feel
I can buy a separate kit for low light.
I looked at what is the price of a Nikon DSLR body that would do well in
low light. I might be mistaking, but that alone was pushing $2K.
Adding some reasonable analog of 17-70/4 or something of that sort
and a flash, - that all together will go well over $3K.

There is yet another factor. My wife has already suggested that we
should get a mule, - to haul around the photo gear.


  As for Pentax, I am currently evaluating if I should exchange the K-7
  for a K-x for a better low-light performance.
 
 Some say it outshoots all of its siblings and generally is the best 
 low-light low-price offering on the market today. Since this is rather 
 strong and broad statement, careful examination thereof is in order.

I tried it this weekend, and I am interested to see the results
on the large screen.
But first I need to feed the dragons and clean out the volcanoes.

 
  I like that the choice of the AF mode, ISO and exponometry mode
  in the K-7 is done by physical switches, not via the menu.
 
 Good, but do you change AF mode, ISO and metering mode all that often at 
 shoot-time???
 

Yes, for the dance events that I mentioned ( http://42graphy.org/swing ),
I usually use AF-C. For shooting people standing, I switch to AF-S.
I found a workaround for that:
On *ist DS I was enabling AF-C via Sport mode when I needed to switch
quickly back and force.

ISO - if you want to switch between flash and no flash - you need 
to switch ISO. Even for no-flash photography, - I might switch ISO -
in an attempt to minimize ISO if possible, and increase it more only
when it cannot be done otherwise.

I don't switch metering mode that often. I either keep it on 
Matrix, center-weighted (which, I believe, is green on K-7)
or on center.

Igor


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Re: Why Pentax?

2010-01-17 Thread AlunFoto
2010/1/17 Margus Männik mar...@eol.ee:
 The most surprising part is, that we don't take any less GOOD pictures
 than C, N, O or S owners

MARK!


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RE: Why Pentax?

2010-01-17 Thread Bob W

 First camera was a Practika, then a Fujica - but my first 
 real camera was a Pentax MX - I chose Pentax because at the 
 time (back in 1980) it was considered a camera for artists - 
 while Nikon and Canon were more the beaters for the pro 
 snappers. I wanted to be associated with a discerning elite, 
 not a gang of ruffians. Real arthouse photographers used 
 Pentax gear and I loved that.
 

My first SLR was a Zenit E, which one of my uncles gave me for my 18th
birthday. When I decided I wanted a better quality camera I surveyed
everything I could reasonably afford and the MX gave the best bang for the
buck without forcing automation on me. At the time my best photo buddy had
an Olympus OM-1, but I couldn't justify the extra cost of one of them over
the MX. I can't remember which Nikons and Canons I compared, but they were
much more expensive and gave you nothing extra, other than brand value for
whatever that's worth.

Bob


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RE: Why Pentax?

2010-01-16 Thread John Coyle
I was pointed to Pentax by a friend who owned one, and at the time I had my
first camera, a Voigtlander Vito CD: nice camera, fixed lens but good
quality, built-in rangefinder and selenium cell light-meter.  I was
intrigued by the possibility of more than one lens, and he was good enough
to lend me his kit for a day or so to check it out.  Result was, there being
no way to buy cameras on the island we then lived on, another friend bought
my SV for me on her way home via Singapore.  When I got back to England a
couple of years later, I started to get more lenses, so when I upgraded
later, staying with Pentax made sense.

In earlier discussions we've had in this group over issues such as AF speed,
metering accuracy, write speed, the outcome has normally been that for some,
these are deal-breakers, for others not.  For me, they're not as not much of
my photography is compromised by them: occasionally I'd like faster AF,
usually when trying to take shots of speeding grand-children.  Exposure
accuracy on my film Pentaxes has always been good, and I find the *ist-D
gets it right most often.  

I think it's always a case of YMMV, isn't it?


John in Brisbane







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Re: Why Pentax?

2010-01-16 Thread David J Brooks
If Pentax had of come out with a Dslr back in 2000, 2001 when i
decided to go digital with the equine work, i probably would have
bought it.
The only reason i went Nikon, and have stayed with them as well as
Pentax, was it was basically the only choice at the time. The D1
was/is a nice big, heavy work horse, felt great in my hands and was a
steal at $5000 used. I know Canon had the 20/30D series around then
aswell.

A used one presented itself and i took the bait.

I still have my SP500 and K1000 as well as M42 glass. Just cannot bear
myself to sell any of it.

Dave

On Fri, Jan 15, 2010 at 3:39 PM, wendy beard pointyp...@gmail.com wrote:
 The K7 looks nice :-)

 If I want decent low-light focusing, good continuous autofocus and
 accurate metering I have my Canons

 Wendy

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Re: Why Pentax?

2010-01-16 Thread David Savage
2010/1/16 Igor Roshchin s...@komkon.org:
 I would be glad to hear what others have to say about these thoughts.

My Pentax history

In the northern winter of '93/'94 I was travelling around Alberta 
B.C. with my dad, happily snapping away with my first SLR, Minolta
SRT-101.

It was an awesome trip  I got to see my shots quite soon after taking
them because we were having the film processed locally almost straight
away (this is very cool when driving around meeting family and being
able to show them photos from where you have been,and more importantly
who you had just seen).

Then one day I walked into a mall and made the mistake of visiting
some hole-in-the wall photographic store. I picked up a brochure for
the P/Pz-20. Much paging through said brochure saw me fall in love. My
uncle took me to his local dealer in Red Deer (McBain Camera) some
weeks later. The rest as they say is history.

I had that camera and the FA 28-105mm PZ for many years and it served
me well. I drifted away from photography. But my interest was
rekindled with the news of the release of it *istD. I started shooting
film again and I ordered my first Ltd. Lens (31mm) when I went in to
pick up the lens, I asked to have a look at the *istD. Needless to say
that that was a very expensive day.

The purchase of that first DSLR saw me invest in a lot more glass. FA
31mm, FA 50mm, FA 77mm, FA 80-200mm f2.8, FA 200mm f2.8, FA 300mm
f4.5.etc, etc, etc...

Then came the K10D, followed by the K20D. The cameras were great, but
my needs were changing and the persistence of high ISO noise  sensor
amp glow continually frustrated me.

I've now been shooting almost exclusively with the D700 for about
18months. I've shot more frames on that body than I did with the
K10/20D combined.

I'm happy I made the change. Nikon glass is crap by comparison, but
the quality of camera, and the IQ makes up for it.

Cheers,

Dave

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Re: Why Pentax?

2010-01-16 Thread Leon Altoff
My first SLR was an MX with an M50 f1.7 lens bought new in 1981
(before I know about second hand gear).  I still own them.

Since then I have been slowly buying new gear, upgrading and building
up to my current kit.  Every lens is Pentax (with the exception of 3
Olympus macro lenses I use on a set of bellows), flashes are Pentax.
Yes there are idiosyncrasies to the gear, but we get to know each
other and generally work well together.

I've always liked the feel of the Pentax cameras and every Canon I've
picked up feels horrid (to me at least).  My slow approach to
upgrading means that I could probably have changed brands completely
over any given 4 year period over the past 29 years.  Given the lenses
I now own and the fact I have no desire to be parted from any of them
(I only want the weather resistant 100 macro that will soon be
released (Is there another brand with weather resistant lenses?)), I'm
probably with Pentax for another 10 years at least.

If there were no more Pentax and technology moved on to the point I
felt I needed new gear I would look at Nikon and possibly Sony, but
Pentax is not so far behind or so unreliable that I have any desire to
change now.

Leon
MX, Super A, Z1p, MZ-S, *ist D and some modern stuff.

2010/1/16 Igor Roshchin s...@komkon.org:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

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RE: Why Pentax?

2010-01-16 Thread Bob W
 have no desire to be parted from any of them (I only want the 
 weather resistant 100 macro that will soon be released (Is 
 there another brand with weather resistant lenses?))

Olympus 

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On 
 Behalf Of Leon Altoff
 Sent: 16 January 2010 12:25
 To: Pentax-Discuss Mail List
 Subject: Re: Why Pentax?
 
 My first SLR was an MX with an M50 f1.7 lens bought new in 
 1981 (before I know about second hand gear).  I still own them.
 
 Since then I have been slowly buying new gear, upgrading and 
 building up to my current kit.  Every lens is Pentax (with 
 the exception of 3 Olympus macro lenses I use on a set of 
 bellows), flashes are Pentax.
 Yes there are idiosyncrasies to the gear, but we get to know 
 each other and generally work well together.
 
 I've always liked the feel of the Pentax cameras and every 
 Canon I've picked up feels horrid (to me at least).  My slow 
 approach to upgrading means that I could probably have 
 changed brands completely over any given 4 year period over 
 the past 29 years.  Given the lenses I now own and the fact I 
 have no desire to be parted from any of them (I only want the 
 weather resistant 100 macro that will soon be released (Is 
 there another brand with weather resistant lenses?)), I'm 
 probably with Pentax for another 10 years at least.
 
 If there were no more Pentax and technology moved on to the 
 point I felt I needed new gear I would look at Nikon and 
 possibly Sony, but Pentax is not so far behind or so 
 unreliable that I have any desire to change now.
 
 Leon
 MX, Super A, Z1p, MZ-S, *ist D and some modern stuff.
 
 2010/1/16 Igor Roshchin s...@komkon.org:
 
  In view of various comments from people about K-7 and K-x, 
 I've been 
  thinking, - why am I shooting with Pentax?
  This is a summary of my thoughts - I'd like to hear what 
 others think 
  about this.
 
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Re: Why Pentax?

2010-01-16 Thread Adam Maas
As a practical matter, I'm not shooting Pentax anymore. I do have a K2
and a Cosina C1s along with 2 K mount and 2 M42 primes, 3 of which are
Pentax lenses. All get used occasionally.

Frankly, I like Pentax's glass better than Nikons, but dislike the
lack of availability of the sort of lenses I prefer to work with
(fast, smallish primes).

Right now my primary systems are Nikon film, LTM/M mount film and
4/3/m43 digital. I've also got a bit of OM gear and some Minolta AF
kit. I'm likely going to thin the herd this year but I haven't decided
whether or not the last 35mm SLR system will be Nikon MF kit or
Minolta AF kit. Sadly, Pentax just doesn't make the grade, there's
just not enough options in Pentax bodies with the features I want:
Good handling, available 3+ fps, good viewfinder, at least 1/4000 max
shutter, AA or S76/LR44 batteries as an option at least). In fact
there are exactly no options from Pentax with the features I want
while there are several Nikon and Minolta options, the PZ-1p comes
closest but fails on batteries, the MZ-S fails on fps, both are very
expensive for their level of performance (particularly the MZ-S which
was never a high-performance body).

For digital I'm either going to stay with the Oly and Panasonic kit or
move to a Sony FF/Panasonic m43 setup. I've been seriously impressed
by the A900 and A850 and the latter is a steal compared to the
competition.

-Adam

On Fri, Jan 15, 2010 at 12:36 PM, Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.

 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)

 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
 ZX-5n had incredible ergonomics, especially after coming from an
 all-manual SLR (Kiev-19) where I could set everything blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon models,
 I enjoyed my ZX-5n greatly.

 When the time came to buy a DSLR, I thought if I should switch to
 a Nikon, but decided to get *ist DS. And I've been rather happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot, and
 while until recently I didn't suffer much from the shortcomings of the
 AF, - I just learned to work around it.

 In the last 2-3 years, I started taking photos at dance events,
 and that's where quick and accurate AF matters, and low light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and lenses?

 While thinking about it, I recalled a very old joke about two worms.
 A son and his father are seating in a pile of bull sh.. manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...


 I still like Pentax.
 I don't like at all the consumer line of Canons (Rebels etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have almost
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by some
 PDMLers, but I am not sure if they have that good AF and low-light
 performance.

 As for Pentax, I am currently evaluating if I should exchange the K-7
 for a K-x for a better low-light performance.

 I just got a K-x that I will try in action during the weekend.
 My first impression of a K-x is that functionality- and layout-wise,
 it is very reminiscent of the DS. But I was rather disappointed by the
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit plasticy;
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry mode
 in the K-7 is done by physical switches, not via the menu.


 I would be glad to hear what others have to say about these thoughts.

 Igor

 PS. The obvious short response BS is not accepted. ;-)


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Re: Why Pentax?

2010-01-16 Thread Bob Sullivan
I started with a ME in '78 and left the camera shop lusting for more lenses.
I bought more of the M lenses, then a Super Program, then a PZ-1.
Then I found this list and the house filled up with Pentax gear -
screwmount to 67's.
Digital has been a great for me and with the K-7, I no longer miss Kodachrome.
Regards,  Bob S.

On Fri, Jan 15, 2010 at 7:34 PM, paul stenquist pnstenqu...@comcast.net wrote:

 In 1973 the guy who drove the race car I wrenched asked me if I wanted to buy 
 a screw mount Mamiya 1000 DTl  and two lenses.: a Mamiya 55/1.8  and a 
 Vivitar 200/3.5. I was just getting into magazine journalism, so I bought 
 them. A year or two  later I added a Vivitar 20mm/3.5 and a Mamiya 135/2.8. I 
 used them for quite a few years, eventually replacing the Mamiya body with a 
 Fuji and a used Pentax H3v. Made plenty of money with those cameras.  In 
 later years I cut way back on the journalism and the cameras sat for a while. 
 But I was a screw mount fan, so some years later I bought a couple of 
 Spotmatic Fs and a bunch of Pentax screw mount lenses. I even bought a 
 Spotmatic Motor Drive. Then I thought I really ought to have an LX, then an 
 MX, and of course more lenses. Got back into journalism and added still more 
 lenses and bodies. Then came digital, so naturally I went with a camera that 
 would mount all my K lenses. I'm on my fifth Pentax digital now. Love the K7. 
 Low light is good enough for me. Wouldn't mind better autofocus, but I can 
 make this setup work. I'd switch if I was shooting football or working a 
 heavy photo-J beat, but for what I'm doing, Pentax is just fine. Still have a 
 lot of my screw mount equipment. The Vivitar 200/3.5, which has some duct 
 tape holding the manual/auto switch in place and plenty of cleaning scratches 
 on the front element, has a place of honor in my displace case.
 Paul



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Re: Why Pentax?

2010-01-16 Thread Bob Sullivan
Sorry, I guess the WHY PENTAX is I fell in love with the camera and
lenses early for compact size and quality.  Later, this list hss
played a big role in informing me about Pentax and giving me
confidence in buying new Pentax offerings.
Regards,  Bob S.

On Sat, Jan 16, 2010 at 8:24 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 I started with a ME in '78 and left the camera shop lusting for more lenses.
 I bought more of the M lenses, then a Super Program, then a PZ-1.
 Then I found this list and the house filled up with Pentax gear -
 screwmount to 67's.
 Digital has been a great for me and with the K-7, I no longer miss Kodachrome.
 Regards,  Bob S.

 On Fri, Jan 15, 2010 at 7:34 PM, paul stenquist pnstenqu...@comcast.net 
 wrote:

 In 1973 the guy who drove the race car I wrenched asked me if I wanted to 
 buy a screw mount Mamiya 1000 DTl  and two lenses.: a Mamiya 55/1.8  and a 
 Vivitar 200/3.5. I was just getting into magazine journalism, so I bought 
 them. A year or two  later I added a Vivitar 20mm/3.5 and a Mamiya 135/2.8. 
 I used them for quite a few years, eventually replacing the Mamiya body with 
 a Fuji and a used Pentax H3v. Made plenty of money with those cameras.  In 
 later years I cut way back on the journalism and the cameras sat for a 
 while. But I was a screw mount fan, so some years later I bought a couple of 
 Spotmatic Fs and a bunch of Pentax screw mount lenses. I even bought a 
 Spotmatic Motor Drive. Then I thought I really ought to have an LX, then an 
 MX, and of course more lenses. Got back into journalism and added still more 
 lenses and bodies. Then came digital, so naturally I went with a camera that 
 would mount all my K lenses. I'm on my fifth Pentax digital now. Love the 
 K7. Low light is good enough for me. Wouldn't mind better autofocus, but I 
 can make this setup work. I'd switch if I was shooting football or working a 
 heavy photo-J beat, but for what I'm doing, Pentax is just fine. Still have 
 a lot of my screw mount equipment. The Vivitar 200/3.5, which has some duct 
 tape holding the manual/auto switch in place and plenty of cleaning 
 scratches on the front element, has a place of honor in my displace case.
 Paul



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Re: Why Pentax?

2010-01-16 Thread P. J. Alling

I'll always miss Kodachrome. sob.

On 1/16/2010 9:24 AM, Bob Sullivan wrote:

I started with a ME in '78 and left the camera shop lusting for more lenses.
I bought more of the M lenses, then a Super Program, then a PZ-1.
Then I found this list and the house filled up with Pentax gear -
screwmount to 67's.
Digital has been a great for me and with the K-7, I no longer miss Kodachrome.
Regards,  Bob S.

On Fri, Jan 15, 2010 at 7:34 PM, paul stenquistpnstenqu...@comcast.net  wrote:
   

In 1973 the guy who drove the race car I wrenched asked me if I wanted to buy a 
screw mount Mamiya 1000 DTl  and two lenses.: a Mamiya 55/1.8  and a Vivitar 
200/3.5. I was just getting into magazine journalism, so I bought them. A year 
or two  later I added a Vivitar 20mm/3.5 and a Mamiya 135/2.8. I used them for 
quite a few years, eventually replacing the Mamiya body with a Fuji and a used 
Pentax H3v. Made plenty of money with those cameras.  In later years I cut way 
back on the journalism and the cameras sat for a while. But I was a screw mount 
fan, so some years later I bought a couple of Spotmatic Fs and a bunch of 
Pentax screw mount lenses. I even bought a Spotmatic Motor Drive. Then I 
thought I really ought to have an LX, then an MX, and of course more lenses. 
Got back into journalism and added still more lenses and bodies. Then came 
digital, so naturally I went with a camera that would mount all my K lenses. 
I'm on my fifth Pentax digital now. Love the K7. Low light is good enough for 
me. Wouldn't mind better autofocus, but I can make this setup work. I'd switch 
if I was shooting football or working a heavy photo-J beat, but for what I'm 
doing, Pentax is just fine. Still have a lot of my screw mount equipment. The 
Vivitar 200/3.5, which has some duct tape holding the manual/auto switch in 
place and plenty of cleaning scratches on the front element, has a place of 
honor in my displace case.
Paul



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Re: Why Pentax?

2010-01-16 Thread P. J. Alling

On 1/15/2010 11:22 PM, Subash wrote:

On Sat, 16 Jan 2010 09:23:27 +0530
Subashpdml.l...@gmail.com  wrote:

   

in fact, i got myself a k50/1.2 (which i still have) and an m28/2.8
months before i got myself the *ist DS. and a query about whether the
k50/1.2 was worth buying at about US$100 then was what brought me to
the PDML, circa september 2006 :)
 

what i actually wanted to add there was that i found pentax and PDML
almost simultaneously. fwiw, the PDML has been a major part of my
'pentax experience' :)
   

My condolences.


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interface subtly weird.\par
}


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Re: Why Pentax?

2010-01-16 Thread Tom C
Mark!

On Sat, Jan 16, 2010 at 7:59 AM, P. J. Alling
webstertwenty...@gmail.com wrote:
 I'll always miss Kodachrome. sob.


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RE: Why Pentax?

2010-01-16 Thread Steve Sharpe

Why Pentax? It's the masochistic streak in me. My other system is Miranda.

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Steve Sharpe
d...@eastlink.ca
•

http://earth.delith.com/photo_gallery.html


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Re: Why Pentax?

2010-01-16 Thread Graydon
On Fri, Jan 15, 2010 at 11:39:03AM -0600, William Robb scripsit:
 - Original Message - From: Igor Roshchin
 I would be glad to hear what others have to say about these thoughts.

 I like Pentax glass and I have a lot of it.  This is a very strong
 incentive to stay with the brand and bleat at them  until they come up
 with the perfect camera.

Price/performance, notably viewfinder, lenses, and image quality.

I don't seem to take pictures in conditions where the AF matters hugely
(flying birds, but that's a the-challenge-is-half-the-fun situation
anyway) or in light conditions where high ISO is of great concern.  I
don't own a flash.

-- Graydon

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Re: Why Pentax?

2010-01-16 Thread Graydon
On Fri, Jan 15, 2010 at 12:53:51PM -0600, William Robb scripsit:
 Pentax: It's excellent pilow stuffing.
 My dog won't let me near it so I can't use it, much less change systems.

 http://users.accesscomm.ca/wrobb/pictures/newer_still/1719.html

Took that with your camera phone, did you?

Aside from the obvious situational merits, I really like how the colour
palette works in that one.

-- Graydon

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Re: Why Pentax?

2010-01-16 Thread Bong Manayon
Call it brand loyalty but I simply like Pentax...

It cannot be blind faith since I started out with a Minolta SRT-101
(my dad's) when I was 7 years old, got my own Olympus PEN-EE when I
turned 10, then a Canon Datematic for high school then finally getting
my hands on the Spotmatic by my senior year.  I flirted with a Canon
AE-1 during college but traded that for a MX in the mid-1980s and
stayed with Pentax ever since.  Occasionally, I would 'visit' other
brands whenever I can borrow friend's cams: Nikon FM10, Minolta
505si(?), NIkon F3, Nikon 6006 (or was it 6060?), Canon 1000Fn, Nikon
D100, D70s and I did work for a studio that assigned a Minolta Dimage
A1 and a Canon 20D for my use.

At the end of the day, with whatever real or perceived handicap or
limitation that Pentax suffers from, I still like it.  So there.

PS
The fact that Pentax bodies are assembled in the Philippines has
nothing to do with it...

On Sat, Jan 16, 2010 at 1:36 AM, Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.

 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)

 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
 ZX-5n had incredible ergonomics, especially after coming from an
 all-manual SLR (Kiev-19) where I could set everything blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon models,
 I enjoyed my ZX-5n greatly.

 When the time came to buy a DSLR, I thought if I should switch to
 a Nikon, but decided to get *ist DS. And I've been rather happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot, and
 while until recently I didn't suffer much from the shortcomings of the
 AF, - I just learned to work around it.

 In the last 2-3 years, I started taking photos at dance events,
 and that's where quick and accurate AF matters, and low light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and lenses?

 While thinking about it, I recalled a very old joke about two worms.
 A son and his father are seating in a pile of bull sh.. manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...


 I still like Pentax.
 I don't like at all the consumer line of Canons (Rebels etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have almost
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by some
 PDMLers, but I am not sure if they have that good AF and low-light
 performance.

 As for Pentax, I am currently evaluating if I should exchange the K-7
 for a K-x for a better low-light performance.

 I just got a K-x that I will try in action during the weekend.
 My first impression of a K-x is that functionality- and layout-wise,
 it is very reminiscent of the DS. But I was rather disappointed by the
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit plasticy;
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry mode
 in the K-7 is done by physical switches, not via the menu.


 I would be glad to hear what others have to say about these thoughts.

 Igor

 PS. The obvious short response BS is not accepted. ;-)


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http://www.bong.uni.cc

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Re: Why Pentax?

2010-01-16 Thread Cotty
First camera was a Practika, then a Fujica - but my first real camera
was a Pentax MX - I chose Pentax because at the time (back in 1980) it
was considered a camera for artists - while Nikon and Canon were more
the beaters for the pro snappers. I wanted to be associated with a
discerning elite, not a gang of ruffians. Real arthouse photographers
used Pentax gear and I loved that.

A spate of cameras followed, including more MXen and LXen, and a slew of
glass.

But just a couple of years into this century I waited for Pentax to
bring out a DSLR while Canon were introducing their second (the D60
after the D30) and changed after the MZ-D died. So how shallow am I !

But always wanting the best of both worlds, I took some Pentax glass
with me to Canon, just because I could.

I wish Pentax could reclaim that arthouse feel to the brand. Just a fond
memory now. Ah well.



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  Cotty


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Re: Why Pentax?

2010-01-16 Thread Carlos R



Cotty escribió:

. I wanted to be associated with a
discerning elite, not a gang of ruffians. 


Then why are you here at the PDML? ;-)

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Re: Why Pentax?

2010-01-16 Thread Mark Roberts
Cotty wrote:

Real arthouse photographers used Pentax gear and I loved that.

You *are* submitting a couple of photos to the PDML Annual and photo
exhibit, right?


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Re: Why Pentax?

2010-01-16 Thread Christine Aguila

Hi Igor:  Great thread, and the responses have been fun to read.

My own history starts with the MX, which regrettably I sold because of 
money.
Then acquired a Canon T90 much later (which I still have), though didn't use 
it much.


I stopped photography for a good long while, but years back I bought a 
little Pentax film point  shoot (which I still have somewhere)--for 
honeymoon shots.


With the digital boom, I purchased a Kodak P  S and used that thing 
constantly until it died.  I got another with more advanced features, and 
used that for a good long while, then one night I was on the net learning 
about DSLRs  googled Pentax and decided on K10D--and I've never looked 
back.


It would be fair to say that my positive experience with the MX greatly 
influenced a return to Pentax for a DSLR, and I've been very, very happy 
with my decision.  I love the Pentax glass I have.  And frankly, I can't 
complain about the two Pentax bodies I have.  As I grow, I might have 
different demands, but for right now, I'm a very happy camper,  I know I 
haven't used the K20D to its full potential.


I look forward to the future with Pentax-- PDML, which has been a great 
adventure for me.

Cheers, Christine












- Original Message - 
From: Igor Roshchin s...@komkon.org

To: PDML@pdml.net
Sent: Friday, January 15, 2010 11:36 AM
Subject: Why Pentax?




In view of various comments from people about K-7 and K-x, I've been
thinking, - why am I shooting with Pentax?
This is a summary of my thoughts - I'd like to hear what others think
about this.

In the past few weeks I realized that compared to other brand DSLR's
Pentax DSLRs (even the flagman K-7) has serious problems.
In crude terms:
1. The AF sucks.
2. The low-light performance sucks.

3. The P-TTL performance is inconsistent (I don't know how
I-TTL/E-TTL etc. are in that regard - any comments?)

So, I was re-thinking my use of Pentax.
I started with ZX-5n back in 1997. The reason I chose it over Nikon
was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
ZX-5n had incredible ergonomics, especially after coming from an
all-manual SLR (Kiev-19) where I could set everything blind-folded;
ZX-5n had all-analog knobs and buttons.
Despite lack of continuous AF that is found in Nikon models,
I enjoyed my ZX-5n greatly.

When the time came to buy a DSLR, I thought if I should switch to
a Nikon, but decided to get *ist DS. And I've been rather happy with it
for over 4.5 years by now.
Yes, the low-light performance has been bothering me a lot, and
while until recently I didn't suffer much from the shortcomings of the
AF, - I just learned to work around it.

In the last 2-3 years, I started taking photos at dance events,
and that's where quick and accurate AF matters, and low light
performance and an accurate flash are important.
So, why am I still using Pentax, and buying new bodies and lenses?

While thinking about it, I recalled a very old joke about two worms.
A son and his father are seating in a pile of bull sh.. manure, and
talking:
-- Daddy, is it nice to live in that grove across the field?
-- Yes, son.
-- Daddy, is there plenty of food over there?
-- Yes, son.
-- Then why, daddy, we live in this pile of bull sh..?
-- Because that's our Motherland.
...


I still like Pentax.
I don't like at all the consumer line of Canons (Rebels etc.).
I seem to like mid-line of Nikon's circa 2005-2008 but have almost
no idea about their more recent (and higher) models.
I've been looking at Panasonics that are highly regarded by some
PDMLers, but I am not sure if they have that good AF and low-light
performance.

As for Pentax, I am currently evaluating if I should exchange the K-7
for a K-x for a better low-light performance.

I just got a K-x that I will try in action during the weekend.
My first impression of a K-x is that functionality- and layout-wise,
it is very reminiscent of the DS. But I was rather disappointed by the
lack of the small top status display.
I don't mind the versitality of the AA's (I use them for the flash
anyway).
K-x is lighter, but compared to K-7 the feel a bit plasticy;
more so than that for DS.
I like that the choice of the AF mode, ISO and exponometry mode
in the K-7 is done by physical switches, not via the menu.


I would be glad to hear what others have to say about these thoughts.

Igor

PS. The obvious short response BS is not accepted. ;-)


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Re: Why Pentax?

2010-01-16 Thread Daniel J. Matyola
My Pentax history starts with an Asahi Spotmatic, back in 1966.  Later
I aquired a Honeywell Spotmatic, a Pentax Spotmatic for my son, a
ProgramPlus, a 6X7, and an MZ-5.  Like you, I love Pentax glass.  Many
of my old lenses can still be used in my *istD.  I also have an Optio
S that I carry when I don't want a larger camera and a K-2000 that I
keep in the car for photos of local wildlife and to record Rotary
meetings and other events.

After 44 years, I would feel like an traitor if I shot with anything
but a Pentax.

Dan Matyola

On Sat, Jan 16, 2010 at 1:35 PM, Christine  Aguila
cagu...@earthlink.net wrote:
 Hi Igor:  Great thread, and the responses have been fun to read.

 My own history starts with the MX, which regrettably I sold because of
 money.
 Then acquired a Canon T90 much later (which I still have), though didn't use
 it much.

 I stopped photography for a good long while, but years back I bought a
 little Pentax film point  shoot (which I still have somewhere)--for
 honeymoon shots.

 With the digital boom, I purchased a Kodak P  S and used that thing
 constantly until it died.  I got another with more advanced features, and
 used that for a good long while, then one night I was on the net learning
 about DSLRs  googled Pentax and decided on K10D--and I've never looked
 back.

 It would be fair to say that my positive experience with the MX greatly
 influenced a return to Pentax for a DSLR, and I've been very, very happy
 with my decision.  I love the Pentax glass I have.  And frankly, I can't
 complain about the two Pentax bodies I have.  As I grow, I might have
 different demands, but for right now, I'm a very happy camper,  I know I
 haven't used the K20D to its full potential.

 I look forward to the future with Pentax-- PDML, which has been a great
 adventure for me.
 Cheers, Christine












 - Original Message - From: Igor Roshchin s...@komkon.org
 To: PDML@pdml.net
 Sent: Friday, January 15, 2010 11:36 AM
 Subject: Why Pentax?



 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.

 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)

 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
 ZX-5n had incredible ergonomics, especially after coming from an
 all-manual SLR (Kiev-19) where I could set everything blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon models,
 I enjoyed my ZX-5n greatly.

 When the time came to buy a DSLR, I thought if I should switch to
 a Nikon, but decided to get *ist DS. And I've been rather happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot, and
 while until recently I didn't suffer much from the shortcomings of the
 AF, - I just learned to work around it.

 In the last 2-3 years, I started taking photos at dance events,
 and that's where quick and accurate AF matters, and low light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and lenses?

 While thinking about it, I recalled a very old joke about two worms.
 A son and his father are seating in a pile of bull sh.. manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...


 I still like Pentax.
 I don't like at all the consumer line of Canons (Rebels etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have almost
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by some
 PDMLers, but I am not sure if they have that good AF and low-light
 performance.

 As for Pentax, I am currently evaluating if I should exchange the K-7
 for a K-x for a better low-light performance.

 I just got a K-x that I will try in action during the weekend.
 My first impression of a K-x is that functionality- and layout-wise,
 it is very reminiscent of the DS. But I was rather disappointed by the
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit plasticy;
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry mode
 in the K-7 is done by physical switches, not via the menu.


 I would be glad to hear what others

Re: Why Pentax?

2010-01-16 Thread Subash
On Sat, 16 Jan 2010 10:00:25 -0500
P. J. Alling webstertwenty...@gmail.com wrote:

 On 1/15/2010 11:22 PM, Subash wrote:
  On Sat, 16 Jan 2010 09:23:27 +0530
  Subashpdml.l...@gmail.com  wrote:
 
 
  in fact, i got myself a k50/1.2 (which i still have) and an m28/2.8
  months before i got myself the *ist DS. and a query about whether
  the k50/1.2 was worth buying at about US$100 then was what brought
  me to the PDML, circa september 2006 :)
   
  what i actually wanted to add there was that i found pentax and PDML
  almost simultaneously. fwiw, the PDML has been a major part of my
  'pentax experience' :)
 
 My condolences.

am glad *somebody* understands... :)

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Re: Why Pentax?

2010-01-16 Thread Cotty
On 16/1/10, Mark Roberts, discombobulated, unleashed:

You *are* submitting a couple of photos to the PDML Annual and photo
exhibit, right?

I've chosen one but having trouble with the second. I'll get there. I
haven't done much shooting of late, just a couple of paid commissions.
*ist Ds though and Pentax glass :)

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  Cotty


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Re: Why Pentax?

2010-01-16 Thread Christine Aguila


From: Daniel J. Matyola danmaty...@gmail.com



Like you, I love Pentax glass.


Hear, hear.  Craftmanship, like photographic results, should count, and 
Pentax scores high on this point, in my view.  Take the DA 21mm:  it's all 
metal construction is elegant and durable--it floored me to see a 
mock-velvet lined lens cap--didn't expect that upon my 1st introduction to 
that lens. Lens hood design is quite nifty, and it's just an all-around 
groovy lens, producing nice photographic results.
Cheers, Christine 




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Re: Why Pentax?

2010-01-16 Thread Ken Waller

Subject: Re: Why Pentax?


2010/1/16 Igor Roshchin s...@komkon.org:

I would be glad to hear what others have to say about these thoughts


Well for starters, Pentax Spotmatic was the first SLR I ever used, around 
1967. I borrowed one from a work friend  shot some races with it @ Mosport. 
I loved the results even tho I only had use of one lens, a 135mm.


Prior to that I had been using my brother's Zeiss Ikon Contina  a 
Voightlander folder.
Another work friend was drafted and while in Viet Nam offered to get me a 
camera @ the PX. Since I was familiar with the Spotmatic so that's what I 
bought. The savings were significant - I believe I paid something like $89 
USD for an Asahi Spotmatic with a 1.4 50mm (?) lens.


Over the years I acquired more lenses, mostly Pentax, never experienced and 
letdown with the equipment so I never had a reason to switch brands - always 
thought Nikon was a bit pretentious, still do. Picked up an ES  MX.


I moved into a job that required me using a camera so I again chose Pentax 
(SF!, PZ1  PZ1P).
About then, late 80's I started to run into problems getting my Pentax fix 
locally (buying equipment that is),
Contacted a Pentax district sales guy who understood the problem  he 
started selling me Pentax stuff @ his prices. Bought stuff I probably never 
would without his pricing - MZ-S, 600mm F4 etc.


As Pentax digital SLR's so did I - first the *istD, K10D  K20D.

As I've said I've never had a reason not to buy Pentax.

YMMV



Kenneth Waller
http://www.tinyurl.com/272u2f


.


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Re: Why Pentax?

2010-01-16 Thread Rick Womer
Not me.  Never cared for the stuff.

--- On Sat, 1/16/10, P. J. Alling webstertwenty...@gmail.com wrote:

 I'll always miss Kodachrome.
 sob.
 



  


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Re: Why Pentax?

2010-01-16 Thread Sandra Hermann
Pentax fits my hands.  And when you work with your hands and they hurt all the 
time that is very very important!
I could afford Pentax.  I had a reasonable job, I could buy lots of stuff for 
my Pentax and not feel like I got taken. 
The glass is good!  Very good in my opinion.  
When I touched my first Pentax I knew it was mine!  That was my pz-70.  Then 
when I went digital it was the same feeling.  

 Help me support Autism research!  Join my 
team!  http://www.walknowforautism.org/stlouis/blubiconsbuddies
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Re: Why Pentax?

2010-01-16 Thread Mark Roberts
Rick Womer wrote:

--- On Sat, 1/16/10, P. J. Alling webstertwenty...@gmail.com wrote:

 I'll always miss Kodachrome.
 sob.
 
Not me.  Never cared for the stuff.

Same here. There were a few photographers who seemed to be able to
work wonders with it (Steve McCurry comes to mind), but they were very
few and far between as far as I can tell. I hated its look 99% of the
time. Glad to see it go.


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Re: Why Pentax?

2010-01-16 Thread John Francis
On Sat, Jan 16, 2010 at 01:47:19PM -0500, Daniel J. Matyola wrote:
 
 After 44 years, I would feel like an traitor if I shot with anything
 but a Pentax.
 
I don't feel that strongly.  I borrowed a D100 back before Pentax had
a DSLR, and a few years later a friend let me use a D1 for a day at the
track.  I've rented Canon gear when I didn't have the lenses I needed
in my bag.

But I'm far too heavily invested in Pentax glass to think about going
to anything else, even though probably 90% or more of what I shoot now
is taken using equipment I've picked up in the last 3 years (the K10D,
the 16-50 and the 50-135).  Getting the equivalents of what I can use
for that final 10% would cost me a fortune to replace in any other mount.


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Re: Why Pentax?

2010-01-16 Thread paul stenquist

On Jan 16, 2010, at 6:07 PM, Mark Roberts wrote:

 Rick Womer wrote:
 
 --- On Sat, 1/16/10, P. J. Alling webstertwenty...@gmail.com wrote:
 
 I'll always miss Kodachrome.
 sob.
 
 Not me.  Never cared for the stuff.
 
 Same here. There were a few photographers who seemed to be able to
 work wonders with it (Steve McCurry comes to mind), but they were very
 few and far between as far as I can tell. I hated its look 99% of the
 time. Glad to see it go.
 
I agree. I enjoyed playing with it. And I love the kodachrome's my uncle shot 
fifty to sixty years ago. But I wouldn't want to go there again.
Paul
 
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Re: Why Pentax?

2010-01-16 Thread eactivist


Why Pentax? I couldn't come up with a good  reason, so I went with Canon.

Note I started with the K-1000 and liked  it. Went Pentax Digital with the 
DS then the K-100. I liked the size of the  lenses compared to Canon (much 
smaller and lighter weight) and I do think Pentax  glass is good.

But I like zooms, and it took them about two years to come  out with the 
promised new zooms (for DSLRs). 

So that's where they lost  me, the marketing phase, the lag-time from 
announcement to in-the-stores. I got  tired of waiting and sold my K-100 and 
remaining Pentax lenses. And, note, I  took tons of good shots in the time it 
took for them to finally make the zooms I  wanted available. In other words, I 
would have lost a lot of shots waiting. (I  am not that fond of most 
primes.) Anyway, that should be no surprise to a lot of  you, because you know 
you 
had to wait a long time -- Pentax marketing leaves a  lot to be desired.

I, however, still have a Pentax Optio A40 and in some  situations it is 
dandy. Like a recent trip to Disneyland, when I didn't want to  lug a big 
camera around the park.

Marnie aka Doe  :-)

-
We can't solve  problems by using the same kind of thinking we used when we 
created them. Albert  Einstein  


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Re: Why Pentax?

2010-01-16 Thread Margus Männik
It's simple - Canon consumer cameras (especialy their user interfaces) 
do suck even more and we  can not afford comparable piles of Nikkor 
glass. Olympus is no-no. Sony has all the same sucking problems as 
Pentax does plus some extra. Also, we already happen to have Pentaxes 
and as all those brand-changes are simply a form of financial suicide, 
we take pictures with 'em. The most surprising part is, that we don't 
take any less GOOD pictures than C, N, O or S owners (at least I don't 
get less good shots with my K20D than all those fancy otherbranders and 
darksiders that I review every month).


BR, Margus



Igor Roshchin wrote:

In view of various comments from people about K-7 and K-x, I've been
thinking, - why am I shooting with Pentax?
This is a summary of my thoughts - I'd like to hear what others think
about this.

In the past few weeks I realized that compared to other brand DSLR's
Pentax DSLRs (even the flagman K-7) has serious problems.
In crude terms:
1. The AF sucks.
2. The low-light performance sucks.

3. The P-TTL performance is inconsistent (I don't know how
I-TTL/E-TTL etc. are in that regard - any comments?)
...
  



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Re: Why Pentax?

2010-01-16 Thread Boris Liberman

Hi!

Igor, my reply is between your lines.

On 1/15/2010 7:36 PM, Igor Roshchin wrote:

In view of various comments from people about K-7 and K-x, I've been
thinking, - why am I shooting with Pentax?


'Cause I like the glass and 'cause I invested enough and 'cause I am 
lazy enough not to want to move.



In the past few weeks I realized that compared to other brand DSLR's
Pentax DSLRs (even the flagman K-7) has serious problems.
In crude terms:
1. The AF sucks.
2. The low-light performance sucks.


Having considerable experience with *istD, K10D and K-7 and limited 
experience with *istDS, K100D and K20D I should say that K-7 has the 
best AF of the Pentax line up so far. Is it good enough *for you* - how 
could I tell. It is _mostly_ good enough for me.


It is likely that K-x outdoes K-7 re low light shooting. I, for one, 
have the very first camera in years that can shoot at ISO 1600 and ISO 
2000 and get good results. Again, I generally shoot between ISO 100 and 
ISO 400 and way more often at ISO 100 than anything else.



3. The P-TTL performance is inconsistent (I don't know how
I-TTL/E-TTL etc. are in that regard - any comments?)


I played only once (like for an hour or so) with 360th flash. It wasn't 
hmmm well, it wasn't straightforward. I am using old SCA 3701 and old 
Metz flash that work for me. But I shoot very little with flash...



So, I was re-thinking my use of Pentax.
...
I enjoyed my ZX-5n greatly.


Likewise, Julia and I chose MZ-5n on top of F-80 but got MZ-6 at the 
end. It still works, the little fella...



In the last 2-3 years, I started taking photos at dance events,
and that's where quick and accurate AF matters, and low light
performance and an accurate flash are important.
So, why am I still using Pentax, and buying new bodies and lenses?


That's a good question. E.g. why don't you buy yourself a special (not 
Pentax) kit for low light (dance events) shooting? Assuming, of course, 
you've got the money.



I still like Pentax.


Count me in.


I don't like at all the consumer line of Canons (Rebels etc.).


Me too...


I seem to like mid-line of Nikon's circa 2005-2008 but have almost
no idea about their more recent (and higher) models.


I kind of dislike their colors. Yes, I know with proper processing any 
reasonable color can be obtained and all that. But I kind of like Pentax 
and Canon's colors better.



I've been looking at Panasonics that are highly regarded by some
PDMLers, but I am not sure if they have that good AF and low-light
performance.


I should've bought that Panasonic GF-1 camera for Galia with 20/1.7 
pancake, but I confused it with Olympus offering and went on buying K-7 
and giving her my K10D. I might have made a mistake...



As for Pentax, I am currently evaluating if I should exchange the K-7
for a K-x for a better low-light performance.


Some say it outshoots all of its siblings and generally is the best 
low-light low-price offering on the market today. Since this is rather 
strong and broad statement, careful examination thereof is in order.



I like that the choice of the AF mode, ISO and exponometry mode
in the K-7 is done by physical switches, not via the menu.


Good, but do you change AF mode, ISO and metering mode all that often at 
shoot-time???



I would be glad to hear what others have to say about these thoughts.


Here you have mine. Hope it helps...

Boris

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Why Pentax?

2010-01-15 Thread Igor Roshchin

In view of various comments from people about K-7 and K-x, I've been
thinking, - why am I shooting with Pentax?
This is a summary of my thoughts - I'd like to hear what others think
about this.

In the past few weeks I realized that compared to other brand DSLR's
Pentax DSLRs (even the flagman K-7) has serious problems.
In crude terms:
1. The AF sucks.
2. The low-light performance sucks.

3. The P-TTL performance is inconsistent (I don't know how
I-TTL/E-TTL etc. are in that regard - any comments?)

So, I was re-thinking my use of Pentax.
I started with ZX-5n back in 1997. The reason I chose it over Nikon
was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
ZX-5n had incredible ergonomics, especially after coming from an
all-manual SLR (Kiev-19) where I could set everything blind-folded;
ZX-5n had all-analog knobs and buttons.
Despite lack of continuous AF that is found in Nikon models,
I enjoyed my ZX-5n greatly. 

When the time came to buy a DSLR, I thought if I should switch to 
a Nikon, but decided to get *ist DS. And I've been rather happy with it
for over 4.5 years by now.
Yes, the low-light performance has been bothering me a lot, and 
while until recently I didn't suffer much from the shortcomings of the 
AF, - I just learned to work around it.

In the last 2-3 years, I started taking photos at dance events,
and that's where quick and accurate AF matters, and low light
performance and an accurate flash are important.
So, why am I still using Pentax, and buying new bodies and lenses?

While thinking about it, I recalled a very old joke about two worms.
A son and his father are seating in a pile of bull sh.. manure, and
talking:
-- Daddy, is it nice to live in that grove across the field?
-- Yes, son.
-- Daddy, is there plenty of food over there?
-- Yes, son.
-- Then why, daddy, we live in this pile of bull sh..?
-- Because that's our Motherland.
...


I still like Pentax. 
I don't like at all the consumer line of Canons (Rebels etc.).
I seem to like mid-line of Nikon's circa 2005-2008 but have almost 
no idea about their more recent (and higher) models.
I've been looking at Panasonics that are highly regarded by some
PDMLers, but I am not sure if they have that good AF and low-light
performance.

As for Pentax, I am currently evaluating if I should exchange the K-7
for a K-x for a better low-light performance.

I just got a K-x that I will try in action during the weekend.
My first impression of a K-x is that functionality- and layout-wise,
it is very reminiscent of the DS. But I was rather disappointed by the 
lack of the small top status display.
I don't mind the versitality of the AA's (I use them for the flash
anyway).
K-x is lighter, but compared to K-7 the feel a bit plasticy; 
more so than that for DS.
I like that the choice of the AF mode, ISO and exponometry mode
in the K-7 is done by physical switches, not via the menu.


I would be glad to hear what others have to say about these thoughts.

Igor

PS. The obvious short response BS is not accepted. ;-)


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Re: Why Pentax?

2010-01-15 Thread William Robb


- Original Message - 
From: Igor Roshchin

Subject: Why Pentax?






I would be glad to hear what others have to say about these thoughts.



I like Pentax glass and I have a lot of it.
This is a very strong incentive to stay with the brand and bleat at them 
until they come up with the perfect camera.


William Robb


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Re: Why Pentax?

2010-01-15 Thread Tom C
I'm with them for basically 5 reasons:

1. My first SLR was a $50 MX.  And I continued to buy glass, to where
when I went to an AF SLR, it made economic sense to go with Pentax
instead of a Nikon 8008s.
2. My style/subject doesn't usually require high AF performance, high
frame rate, or stellar high ISO performance, so the benefit of
switching is less for me than it may be for others.
3. It still is a sizeable piece of change to go with a new body and lens lineup.
4. I'm lazy.
5. William Robb

I'm not happy that Pentax is where they're at, at the moment.  It's
better than several years ago.  Despite the above I could change
systems at some point.

Tom

On Fri, Jan 15, 2010 at 10:39 AM, William Robb war...@gmail.com wrote:

 - Original Message - From: Igor Roshchin
 Subject: Why Pentax?





 I would be glad to hear what others have to say about these thoughts.


 I like Pentax glass and I have a lot of it.
 This is a very strong incentive to stay with the brand and bleat at them
 until they come up with the perfect camera.

 William Robb


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RE: Why Pentax?

2010-01-15 Thread Bob W
 
  I would be glad to hear what others have to say about these 
 thoughts.
 
 
 I like Pentax glass and I have a lot of it.
 This is a very strong incentive to stay with the brand and 
 bleat at them 
 until they come up with the perfect camera.
 

Won't be long now.

Bob


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Re: Why Pentax?

2010-01-15 Thread AlunFoto
2010/1/15 Igor Roshchin s...@komkon.org:
 PS. The obvious short response BS is not accepted. ;-)

If I thought changing brands would make me a better photographer, I'd do it.

If changing brands would promote you the same way, why hesitate?

Jostein
Who thinks all your crude premises BS. Sorry about that.

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Re: Why Pentax?

2010-01-15 Thread William Robb


- Original Message - 
From: Tom C

Subject: Re: Why Pentax?



I'm with them for basically 5 reasons:

1. My first SLR was a $50 MX.  And I continued to buy glass, to where
when I went to an AF SLR, it made economic sense to go with Pentax
instead of a Nikon 8008s.
2. My style/subject doesn't usually require high AF performance, high
frame rate, or stellar high ISO performance, so the benefit of
switching is less for me than it may be for others.
3. It still is a sizeable piece of change to go with a new body and lens 
lineup.

4. I'm lazy.
5. William Robb

I'm not happy that Pentax is where they're at, at the moment.  It's
better than several years ago.  Despite the above I could change
systems at some point.



We'd still be best friends if you switched to Nikon.
I expect we'd still be friends if you switched to Canon.
Friends don't let friends buy Sony.

William Robb 



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Re: Why Pentax?

2010-01-15 Thread David J Brooks
On Fri, Jan 15, 2010 at 12:36 PM, Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.

 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)
Snipped the rest:

I TTL works very well, for me any way, and agree on the P TTL, my
results are all over the place.
So i some times ask my self why i still have Pentax.

-Like Bill, i like the glass.
-I have more Pentax glass than Nikon, but have faster Nikon zooms.
-Less colour fiddles with the Pentax as opposed to my newer Nikon's.
About equal with my older Nikon's.
-Had Pentax since 1971, so maybe some brand loyalty here.
- Heather Locklear.

Dave



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Re: Why Pentax?

2010-01-15 Thread Tom C
:-) The Sony gear just doesn't interest me that much, I guess largely
because if I were change systems it would not be to go to the 3rd
player, it would be to #1 or #2, both of which have a better lens
selection.

On Fri, Jan 15, 2010 at 11:45 AM, William Robb war...@gmail.com wrote:

 - Original Message - From: Tom C
 Subject: Re: Why Pentax?


 I'm with them for basically 5 reasons:

 1. My first SLR was a $50 MX.  And I continued to buy glass, to where
 when I went to an AF SLR, it made economic sense to go with Pentax
 instead of a Nikon 8008s.
 2. My style/subject doesn't usually require high AF performance, high
 frame rate, or stellar high ISO performance, so the benefit of
 switching is less for me than it may be for others.
 3. It still is a sizeable piece of change to go with a new body and lens
 lineup.
 4. I'm lazy.
 5. William Robb

 I'm not happy that Pentax is where they're at, at the moment.  It's
 better than several years ago.  Despite the above I could change
 systems at some point.


 We'd still be best friends if you switched to Nikon.
 I expect we'd still be friends if you switched to Canon.
 Friends don't let friends buy Sony.

 William Robb

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Re: Why Pentax?

2010-01-15 Thread William Robb
Pentax: 
It's excellent pilow stuffing.

My dog won't let me near it so I can't use it, much less change systems.

http://users.accesscomm.ca/wrobb/pictures/newer_still/1719.html


William Robb


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Re: Why Pentax?

2010-01-15 Thread John Sessoms
My first SLR was an old Praktika I bought back in 1967 or so. It lasted 
a while but eventually needed work on the shutter, probably around 1970 
or so.


The only repair shop in the area I could find for Praktika was some 
guy working out of his house. He sold the house and moved away without 
bothering to let me know to come pick up my camera.


I did without a SLR, relying on point 'n shoot 110 cameras  various 
Polaroid 600 instant cameras until around 1980 - 1983 I think, when I 
bought a Pentax A3000 from the PX at Ft. Bragg. I kept that one for 
maybe a year, then traded it in on a used K1000 SE (brown  silver).


I kept the K1000 as my backup when I bought a used Super Program.

For some reason I had the K1000 out, and the Super Program packed in my 
ruck sack when the ruck sack bounced out of the back of a deuce and a 
half on a convoy, and was run over by the next truck in line. The Army 
replaced the damaged uniforms  ruck sack.


I bought a new Super Program from the PX at Ft. Hood. That second Super 
Program is packed away now with the batteries removed.


Eventually, around 1990 or so, I bought a used LX which, along with the 
K1000, did for me until early 2003 when I finally broke down and bought 
a used PZ-1P  Tokina ATX Pro 287 from KEH and entered the auto-focus era.


After mobilization, I bought a *ist-D on Feb 21, 2004 and departed for 
Iraq on Feb 27, 2004. The PZ-1P never came out of my B-bag while I was 
deployed.


Bought my K10D in early 2007 ... IF I remember correctly.

Over the years, I've acquired some decent glass for Pentax, my current 
workhorse being that Tokina ATX Pro 287.


So the short answer is ...

1. Pentax was the brand the PX carried back in the 1980s.
2. To change brands now I'd have to replace a lot of good glass.

I might yet do that if I *HAVE* to ... I'm hoping not to have to.


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Re: Why Pentax?

2010-01-15 Thread Mark Roberts
Tom C wrote:

I'm with them for basically 5 reasons:

1. My first SLR was a $50 MX.  And I continued to buy glass, to where
when I went to an AF SLR, it made economic sense to go with Pentax
instead of a Nikon 8008s.
2. My style/subject doesn't usually require high AF performance, high
frame rate, or stellar high ISO performance, so the benefit of
switching is less for me than it may be for others.
3. It still is a sizeable piece of change to go with a new body and lens 
lineup.
4. I'm lazy.
5. William Robb

That's great! My list is so close to this one that it isn't worth the
effort to change the details.

I'll replace the 5th item with the entire PDML, though.
(Not that there's anything wrong with Bill Robb. Much.)

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Re: Why Pentax?

2010-01-15 Thread Larry Colen


On Jan 15, 2010, at 9:36 AM, Igor Roshchin wrote:



In view of various comments from people about K-7 and K-x, I've been
thinking, - why am I shooting with Pentax?
This is a summary of my thoughts - I'd like to hear what others think
about this.



There is no perfect camera.  There may be a camera that is best for a  
particular job.  For almost everyone on this list, Pentax gear has a  
tremendous economic advantage, we don't need to spend any more money  
to photograph with it.


In general, there are things that Pentax does very well, generally in  
the performance for the price, or performance for the size category.   
The 4/3 systems may have size beat, a Leica M9 almost certainly wins  
in the performance for the size category, but not in the price  
category. I would love to have a K7, or possibly even a k-x for my  
DA40 as my fannypack camera.  Even so, my K100 and DA40 is an awesome  
combination of size and performance.


While I'm not in any sort of financial situation to do anything about  
it, I have come to reject the notion of only shooting with one brand  
of camera.  There are many tasks that any camera can do a competent  
job of.  However, there are some tasks that require a certain lens/ 
body combination to get the best results from.  I expect that the  
people doing super-long telephoto work get a lot more performance for  
their dollar with APS-C.  The crop factor works in their favor to get  
more reach from the lens. Also, at the long end, the lenses cost as  
much or more than the good bodies.


On the other hand, I'd like a full frame for fast and wide shooting.  
Particular indoor available light, or night photography. A D700 with a  
35/1.4, or a sigma 30/1.4 or Sigma 20/1.8 would be faster and wider  
than almost anything else.  One advantage Pentax has, especially in  
the low and mid range, is image stabilization of fast glass.  As far  
as I know, neither Canon nor Nikon have anything image stabilized  
faster than f/2.8.   I don't know whether I'd be better at ISO 12,800  
at f/2.8 with Canikon than 3200 at f/1.4 with Pentax.  It probably  
depends on whether I was in a place where I could use a monopod.


Most of us already have a setup that is the best for certain  
conditions. If there is something we need to do, there may be another  
brand that does a better job for what it would cost to do it with  
Pentax, or is possible to do with Pentax. Part of the reason that I  
bought Pentax, two years ago, was that I was willing to look at other  
brands, despite having some Nikon glass.


There are things that I like, or dislike about all brands:

Pentax:
Like:
price and size for performance.  In body shake reduction. The level of  
performance I can afford. And, I must really emphasize the user level  
support network. It's very much like marque clubs that I've been in  
with underdog motorcycles and cars:  Airhead BMWs, Miatas and any  
British sportscar.  (interesting that back in the late 60's all of  
these were close to the top of the game)


Dislike:
The AF540
focusing
metering
availability of lenses etc.

Nikon:

Like:
High end high ISO
High end compatibility with older glass
Metering
flash

Dislike:
Buy-in cost for the performance I want
The aperture ring works backwards (not an issue on DSLR but that's why  
I ended up using my SRT101 rather than my FE2)

The lens mount turns backwards
The poor backwards compatibility of the low end bodies.
I've heard that the good glass is very expensive, especially for full  
frame,

   though the old 35mm glass could make up for this.

Canon:

Like:
availability of lenses etc.
A lot of stuff out there to borrow
Some of their glass is supposed to be very good for the price
Adapters for other brands of lenses from short register distance

Dislike:
I've never used a Canon that I like the feel of. A pro photographer,  
Nikon owning, friend said that he was very impressed with their 7D  
though, that it was actually usable.



Sony:
Like:
Best price for full frame

Dislike:
Incompatibilities
General asshattedness of Sony

Olympus:
Like:
Size of bodies

Dislike
Size of sensors


--
Larry Colen l...@red4est.com sent from i4est





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Re: Why Pentax?

2010-01-15 Thread wendy beard
The K7 looks nice :-)

If I want decent low-light focusing, good continuous autofocus and
accurate metering I have my Canons

Wendy

On Fri, Jan 15, 2010 at 12:36 PM, Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.

 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)

 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
 ZX-5n had incredible ergonomics, especially after coming from an
 all-manual SLR (Kiev-19) where I could set everything blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon models,
 I enjoyed my ZX-5n greatly.

 When the time came to buy a DSLR, I thought if I should switch to
 a Nikon, but decided to get *ist DS. And I've been rather happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot, and
 while until recently I didn't suffer much from the shortcomings of the
 AF, - I just learned to work around it.

 In the last 2-3 years, I started taking photos at dance events,
 and that's where quick and accurate AF matters, and low light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and lenses?

 While thinking about it, I recalled a very old joke about two worms.
 A son and his father are seating in a pile of bull sh.. manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...


 I still like Pentax.
 I don't like at all the consumer line of Canons (Rebels etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have almost
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by some
 PDMLers, but I am not sure if they have that good AF and low-light
 performance.

 As for Pentax, I am currently evaluating if I should exchange the K-7
 for a K-x for a better low-light performance.

 I just got a K-x that I will try in action during the weekend.
 My first impression of a K-x is that functionality- and layout-wise,
 it is very reminiscent of the DS. But I was rather disappointed by the
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit plasticy;
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry mode
 in the K-7 is done by physical switches, not via the menu.


 I would be glad to hear what others have to say about these thoughts.

 Igor

 PS. The obvious short response BS is not accepted. ;-)


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Re: Why Pentax?

2010-01-15 Thread Bran Everseeking
On Fri, 15 Jan 2010 12:36:17 -0500 (EST)
Igor Roshchin s...@komkon.org wrote:

 I would be glad to hear what others have to say about these thoughts.

I still have my SP500

with pentax I can still use the lenses from that era

Diane Arbus taught a workshop to raise the $1000 she needed to buy a
pentax

When i can buy a new camera it may well be nikon for the full frame low
light abilities.

but I am content with my K10D for now and I can borrow my son's K20D
because he has not sprung for any lenses of his own yet but did get an
M42 PK adaptor for himself.

-- 
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essential to your own... Jealousy is a disease, love is a healthy
condition.- Robert Heinlein

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Re: Why Pentax?

2010-01-15 Thread Igor Roshchin


HAR!

That's called brand loyalty. :-)

Igor


 Pentax:
 It's excellent pilow stuffing.

MARK!

Fri Jan 15 12:53:51 CST 2010
William Robb wrote:

 Pentax: 
 It's excellent pilow stuffing.
 My dog won't let me near it so I can't use it, much less change systems.
 
 http://users.accesscomm.ca/wrobb/pictures/newer_still/1719.html
 
 
 William Robb
 



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Re: Why Pentax?

2010-01-15 Thread Rob Studdert
On 16/01/2010, wendy beard pointyp...@gmail.com wrote:
 The K7 looks nice :-)

 If I want decent low-light focusing, good continuous autofocus and
 accurate metering I have my Canons

Best of both worlds ;-)

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: Why Pentax?

2010-01-15 Thread P. J. Alling


(Not that there's anything wrong with Bill Robb. Much.)

I'd MARK! that but it might be too much of an inside joke...


On 1/15/2010 3:06 PM, Mark Roberts wrote:

Tom C wrote:

   

I'm with them for basically 5 reasons:

1. My first SLR was a $50 MX.  And I continued to buy glass, to where
when I went to an AF SLR, it made economic sense to go with Pentax
instead of a Nikon 8008s.
2. My style/subject doesn't usually require high AF performance, high
frame rate, or stellar high ISO performance, so the benefit of
switching is less for me than it may be for others.
3. It still is a sizeable piece of change to go with a new body and lens lineup.
4. I'm lazy.
5. William Robb
 

That's great! My list is so close to this one that it isn't worth the
effort to change the details.

I'll replace the 5th item with the entire PDML, though.
(Not that there's anything wrong with Bill Robb. Much.)
   




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Re: Why Pentax?

2010-01-15 Thread frank theriault
On Fri, Jan 15, 2010 at 12:36 PM, Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.

snip

 PS. The obvious short response BS is not accepted. ;-)


Why stick with Pentax?

Well, my needs are simple.  I don't need lots of features.  I want a
camera that works, that I can rely on.

Let's face it, for my DSLR needs, every major manufacturer makes
something that I could likely use to take the same photos that I do
now.  I've heard that some of the budget offerings from Canikon feel
flimsy and cheap - now I've not actually used any of them so I'm not
saying that from personal experience.  However I'm happy with what I
have and don't feel the need to upgrade or change brands.

I can't see that I ever will.

cheers,
frank

-- 
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Re: Why Pentax?

2010-01-15 Thread Rick Womer
At the beginning, it was price/performance.

In 1984 we had a baby, and our Mamiya-Sekor SLR died in a fall.  I went 
shopping, and quickly narrowed the choices to the Nikon N2000 and Pentax Super 
Program.  The latter was =much= better put together, and I bought it.

Then I got another one.  And some lenses.  Then a PZ-1... and a PZ-1p... and 
more lenses... and an istD... and more lenses... and a K10D... and still 
another lens or two.

I really like the way my Pentax cameras handle.  I like the lenses.  In the 
K10D, I love the shake reduction.  Better low-light performance would be nice, 
but I can wait.  It is =certainly= not worth the bother of selling off my 
current system and buying another.

Photographically, my limits are wetware, not firmware or hardware.  So, I have 
no reason at all to switch systems.

Rick
http://photo.net/photos/RickW


--- On Fri, 1/15/10, Igor Roshchin s...@komkon.org wrote:

 From: Igor Roshchin s...@komkon.org
 Subject: Why Pentax?
 To: PDML@pdml.net
 Date: Friday, January 15, 2010, 12:36 PM
 
 In view of various comments from people about K-7 and K-x,
 I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what
 others think
 about this.
 
 In the past few weeks I realized that compared to other
 brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious
 problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.
 
 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)
 
 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it
 over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't
 afford N90.
 ZX-5n had incredible ergonomics, especially after coming
 from an
 all-manual SLR (Kiev-19) where I could set everything
 blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon
 models,
 I enjoyed my ZX-5n greatly. 
 
 When the time came to buy a DSLR, I thought if I should
 switch to 
 a Nikon, but decided to get *ist DS. And I've been rather
 happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot,
 and 
 while until recently I didn't suffer much from the
 shortcomings of the 
 AF, - I just learned to work around it.
 
 In the last 2-3 years, I started taking photos at dance
 events,
 and that's where quick and accurate AF matters, and low
 light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and
 lenses?
 
 While thinking about it, I recalled a very old joke about
 two worms.
 A son and his father are seating in a pile of bull sh..
 manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the
 field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...
 
 
 I still like Pentax. 
 I don't like at all the consumer line of Canons (Rebels
 etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have
 almost 
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by
 some
 PDMLers, but I am not sure if they have that good AF and
 low-light
 performance.
 
 As for Pentax, I am currently evaluating if I should
 exchange the K-7
 for a K-x for a better low-light performance.
 
 I just got a K-x that I will try in action during the
 weekend.
 My first impression of a K-x is that functionality- and
 layout-wise,
 it is very reminiscent of the DS. But I was rather
 disappointed by the 
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for
 the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit
 plasticy; 
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry
 mode
 in the K-7 is done by physical switches, not via the menu.
 
 
 I would be glad to hear what others have to say about these
 thoughts.
 
 Igor
 
 PS. The obvious short response BS is not accepted. ;-)
 
 
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 directly above and follow the directions.
 


  


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Re: Why Pentax?

2010-01-15 Thread Brendan MacRae
I wouldn't say the AF sucks. Maybe when compared to much more expensive Nikons, 
but as it is I think sucks is too strong. Sure, it needs improvement but then 
so do the resolution and iso range.

I use Pentax because:

1. I like the glass
2. Brand loyalty (always used Pentax)
3. Price is right
4. I haven't had a camera fail and cost me money (either during a paid gig or 
for repairs)

That's more than enough for me.

-Brendan 



- Original Message 
 From: Igor Roshchin s...@komkon.org
 To: PDML@pdml.net
 Sent: Fri, January 15, 2010 9:36:17 AM
 Subject: Why Pentax?
 
 
 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?
 This is a summary of my thoughts - I'd like to hear what others think
 about this.
 
 In the past few weeks I realized that compared to other brand DSLR's
 Pentax DSLRs (even the flagman K-7) has serious problems.
 In crude terms:
 1. The AF sucks.
 2. The low-light performance sucks.
 
 3. The P-TTL performance is inconsistent (I don't know how
 I-TTL/E-TTL etc. are in that regard - any comments?)
 
 So, I was re-thinking my use of Pentax.
 I started with ZX-5n back in 1997. The reason I chose it over Nikon
 was that I didn't like ergonomics of N70/F70, and couldn't afford N90.
 ZX-5n had incredible ergonomics, especially after coming from an
 all-manual SLR (Kiev-19) where I could set everything blind-folded;
 ZX-5n had all-analog knobs and buttons.
 Despite lack of continuous AF that is found in Nikon models,
 I enjoyed my ZX-5n greatly. 
 
 When the time came to buy a DSLR, I thought if I should switch to 
 a Nikon, but decided to get *ist DS. And I've been rather happy with it
 for over 4.5 years by now.
 Yes, the low-light performance has been bothering me a lot, and 
 while until recently I didn't suffer much from the shortcomings of the 
 AF, - I just learned to work around it.
 
 In the last 2-3 years, I started taking photos at dance events,
 and that's where quick and accurate AF matters, and low light
 performance and an accurate flash are important.
 So, why am I still using Pentax, and buying new bodies and lenses?
 
 While thinking about it, I recalled a very old joke about two worms.
 A son and his father are seating in a pile of bull sh.. manure, and
 talking:
 -- Daddy, is it nice to live in that grove across the field?
 -- Yes, son.
 -- Daddy, is there plenty of food over there?
 -- Yes, son.
 -- Then why, daddy, we live in this pile of bull sh..?
 -- Because that's our Motherland.
 ...
 
 
 I still like Pentax. 
 I don't like at all the consumer line of Canons (Rebels etc.).
 I seem to like mid-line of Nikon's circa 2005-2008 but have almost 
 no idea about their more recent (and higher) models.
 I've been looking at Panasonics that are highly regarded by some
 PDMLers, but I am not sure if they have that good AF and low-light
 performance.
 
 As for Pentax, I am currently evaluating if I should exchange the K-7
 for a K-x for a better low-light performance.
 
 I just got a K-x that I will try in action during the weekend.
 My first impression of a K-x is that functionality- and layout-wise,
 it is very reminiscent of the DS. But I was rather disappointed by the 
 lack of the small top status display.
 I don't mind the versitality of the AA's (I use them for the flash
 anyway).
 K-x is lighter, but compared to K-7 the feel a bit plasticy; 
 more so than that for DS.
 I like that the choice of the AF mode, ISO and exponometry mode
 in the K-7 is done by physical switches, not via the menu.
 
 
 I would be glad to hear what others have to say about these thoughts.
 
 Igor
 
 PS. The obvious short response BS is not accepted. ;-)
 
 
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Re: Why Pentax?

2010-01-15 Thread paul stenquist

In 1973 the guy who drove the race car I wrenched asked me if I wanted to buy a 
screw mount Mamiya 1000 DTl  and two lenses.: a Mamiya 55/1.8  and a Vivitar 
200/3.5. I was just getting into magazine journalism, so I bought them. A year 
or two  later I added a Vivitar 20mm/3.5 and a Mamiya 135/2.8. I used them for 
quite a few years, eventually replacing the Mamiya body with a Fuji and a used 
Pentax H3v. Made plenty of money with those cameras.  In later years I cut way 
back on the journalism and the cameras sat for a while. But I was a screw mount 
fan, so some years later I bought a couple of Spotmatic Fs and a bunch of 
Pentax screw mount lenses. I even bought a Spotmatic Motor Drive. Then I 
thought I really ought to have an LX, then an MX, and of course more lenses. 
Got back into journalism and added still more lenses and bodies. Then came 
digital, so naturally I went with a camera that would mount all my K lenses. 
I'm on my fifth Pentax digital now. Love the K7. Low light is good enough for 
me. Wouldn't mind better autofocus, but I can make this setup work. I'd switch 
if I was shooting football or working a heavy photo-J beat, but for what I'm 
doing, Pentax is just fine. Still have a lot of my screw mount equipment. The 
Vivitar 200/3.5, which has some duct tape holding the manual/auto switch in 
place and plenty of cleaning scratches on the front element, has a place of 
honor in my displace case.
Paul



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Re: Why Pentax?

2010-01-15 Thread Tom C
Cool story Paul.

On Fri, Jan 15, 2010 at 6:34 PM, paul stenquist pnstenqu...@comcast.net wrote:

 In 1973 the guy who drove the race car I wrenched asked me if I wanted to buy 
 a screw mount Mamiya 1000 DTl  and two lenses.: a Mamiya 55/1.8  and a 
 Vivitar 200/3.5. I was just getting into magazine journalism, so I bought 
 them. A year or two  later I added a Vivitar 20mm/3.5 and a Mamiya 135/2.8. I 
 used them for quite a few years, eventually replacing the Mamiya body with a 
 Fuji and a used Pentax H3v. Made plenty of money with those cameras.  In 
 later years I cut way back on the journalism and the cameras sat for a while. 
 But I was a screw mount fan, so some years later I bought a couple of 
 Spotmatic Fs and a bunch of Pentax screw mount lenses. I even bought a 
 Spotmatic Motor Drive. Then I thought I really ought to have an LX, then an 
 MX, and of course more lenses. Got back into journalism and added still more 
 lenses and bodies. Then came digital, so naturally I went with a camera that 
 would mount all my K lenses. I'm on my fifth Pentax digital now. Love the K7. 
 Low light is good enough for me. Wouldn't mind better autofocus, but I can 
 make this setup work. I'd switch if I was shooting football or working a 
 heavy photo-J beat, but for what I'm doing, Pentax is just fine. Still have a 
 lot of my screw mount equipment. The Vivitar 200/3.5, which has some duct 
 tape holding the manual/auto switch in place and plenty of cleaning scratches 
 on the front element, has a place of honor in my displace case.
 Paul



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Re: Why Pentax?

2010-01-15 Thread Tom C
LOL.

On Fri, Jan 15, 2010 at 3:35 PM, P. J. Alling
webstertwenty...@gmail.com wrote:

 (Not that there's anything wrong with Bill Robb. Much.)

 I'd MARK! that but it might be too much of an inside joke...


 On 1/15/2010 3:06 PM, Mark Roberts wrote:

 Tom C wrote:



 I'm with them for basically 5 reasons:

 1. My first SLR was a $50 MX.  And I continued to buy glass, to where
 when I went to an AF SLR, it made economic sense to go with Pentax
 instead of a Nikon 8008s.
 2. My style/subject doesn't usually require high AF performance, high
 frame rate, or stellar high ISO performance, so the benefit of
 switching is less for me than it may be for others.
 3. It still is a sizeable piece of change to go with a new body and lens
 lineup.
 4. I'm lazy.
 5. William Robb


 That's great! My list is so close to this one that it isn't worth the
 effort to change the details.

 I'll replace the 5th item with the entire PDML, though.
 (Not that there's anything wrong with Bill Robb. Much.)




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Re: Why Pentax?

2010-01-15 Thread Subash
On Fri, 15 Jan 2010 12:36:17 -0500 (EST)
Igor Roshchin s...@komkon.org wrote:

 In view of various comments from people about K-7 and K-x, I've been
 thinking, - why am I shooting with Pentax?

 I would be glad to hear what others have to say about these thoughts.

when i had made the decision to buy a dslr in 2006, it was a fairly big
monetary investment at that time. so did a lot of reading (?) before
making a decision and what convinced me to go for the *ist DS was
pentax's backwards compatibility with old manual lenses (which were
available in reasonable numbers; pentax was a fairly popular brand
during the film days here). with a little nudge from cotty too.. :) of
course it is a different matter that i went on to buy FA and DA lenses
new later on...

in fact, i got myself a k50/1.2 (which i still have) and an m28/2.8
months before i got myself the *ist DS. and a query about whether the
k50/1.2 was worth buying at about US$100 then was what brought me to
the PDML, circa september 2006 :)

regards, subash

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Re: Why Pentax?

2010-01-15 Thread Tim Bray
Well, I got a Pentax film SLR hand-me-down from Dad, and then I
married a woman who ahd one.  So it's all their fault.  That was then.
 Now it's *your* fault for being so interesting and friendly.  -T

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Re: Why Pentax?

2010-01-15 Thread Subash
On Sat, 16 Jan 2010 09:23:27 +0530
Subash pdml.l...@gmail.com wrote:

 in fact, i got myself a k50/1.2 (which i still have) and an m28/2.8
 months before i got myself the *ist DS. and a query about whether the
 k50/1.2 was worth buying at about US$100 then was what brought me to
 the PDML, circa september 2006 :)

what i actually wanted to add there was that i found pentax and PDML
almost simultaneously. fwiw, the PDML has been a major part of my
'pentax experience' :)

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Re: Why Pentax?

2010-01-15 Thread Sandy Harris
Decades back, I bought an ME, mainly for travel, because the brand had
a solid reputation and it was one of the smallest  lightest cameras
on the market. The main competitor I considered was an Olympus OM,
which offered similar advantages. My main lens was an 85/1.8 which
partly compensated for the unskilled amateur's tendency to not get
close enough.

I was quite happy with both camera and lens, though I did occasionally
wish for the extra control an MX would have given. However, I stopped
travelling so didn't use it much. Then it was stolen and I didn't
replace it.

Now I'm travelling again, want a good camera again. Again, somewhat to
my surprise, I find Pentax and Olympus the most attractive. In-body IS
seems to me obviously the Right Thing.
Pentax has the advantages of better compatibility with older lenses
and those tiny Limited ones (especially the 70/2.4!) look utterly
great if you want lightweight kit.

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Re: Why Pentax?

2010-01-15 Thread Doug Franklin

Because I'm too damned stupid to know when to say when.

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Re: Why Pentax?

2010-01-15 Thread John Francis

1972.  Spotmatic II.  50mm/f1.4.  Need I say more?
First job out of college - first paycheck - first Pentax.

Of course the Spotmatic F came out almost as soon as I bought
that camera, so I was already wondering about enablement.
Then the K mount came along, and I wondered about that too.

Eventually I succumbed, and in 1976 I bought myself an MX.
Still got it, although I haven't used it for around 5 years.


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Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread J. C. O'Connell
Nobody came up with the answer to my quiz why
the Pentax Takumar Screw mount lenses were/are all
so good?

Answer : They were 200% optical bench tested
before being sold in USA. Thats right, 200%.

Every single final assembled Takumar Lens
was optically bench tested at the Asahi
factory in Japan before being imported into
the USA by Honeywell. THEN, once Honeywell
got them, Every single lens was optically bench tested AGAIN
by Honeywell before being put for sale in
USA. This is why ( along with the superb build
quality ) there is such consistant high optical quality for these
lenses as the dogs were all rejected in the process.

I doubt that many lenses today are subjected to
such high quality control. I am sure expensive
ones still are, but not the entire lens series.
It would be way too costly in today's market I would
especially when the build quality of many lenses
( especially budget models ) would create more rejects.

This brings up another thought, wouldnt it have been
cool to work in that test dept and have a company
discount to purchase the lenses? I mean, if a given
lens had to meet say, 75 lp/mm to pass test, and they
typically ran say, 80 to 85 lp/mm, what would be cool
would be to sit aside and buy the occasional 90 to 95 lp/mm
lens that might have squeaked thru once in a while. 
Employees get to buy the gems so to speak! I wonder if this actually
occured, or maybe Pentax or Honeywell permitted it? That
would interesting to find out.

jco







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RE: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread John Mullan
I worked for Honeywell when they were the importer for both Pentax and 
Rollei.  While I worked in a totally different part of the company I did 
enjoy the employee pricing.

jm


From: J. C. O'Connell [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: Why Pentax Takumar Screw lenses were/are all so good?
Date: Tue, 13 Feb 2007 13:04:42 -0500

Nobody came up with the answer to my quiz why
the Pentax Takumar Screw mount lenses were/are all
so good?

Answer : They were 200% optical bench tested
before being sold in USA. Thats right, 200%.

Every single final assembled Takumar Lens
was optically bench tested at the Asahi
factory in Japan before being imported into
the USA by Honeywell. THEN, once Honeywell
got them, Every single lens was optically bench tested AGAIN
by Honeywell before being put for sale in
USA. This is why ( along with the superb build
quality ) there is such consistant high optical quality for these
lenses as the dogs were all rejected in the process.

I doubt that many lenses today are subjected to
such high quality control. I am sure expensive
ones still are, but not the entire lens series.
It would be way too costly in today's market I would
especially when the build quality of many lenses
( especially budget models ) would create more rejects.

This brings up another thought, wouldnt it have been
cool to work in that test dept and have a company
discount to purchase the lenses? I mean, if a given
lens had to meet say, 75 lp/mm to pass test, and they
typically ran say, 80 to 85 lp/mm, what would be cool
would be to sit aside and buy the occasional 90 to 95 lp/mm
lens that might have squeaked thru once in a while.
Employees get to buy the gems so to speak! I wonder if this actually
occured, or maybe Pentax or Honeywell permitted it? That
would interesting to find out.

jco







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Re: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread mike wilson
J. C. O'Connell wrote:

 Nobody came up with the answer to my quiz why
 the Pentax Takumar Screw mount lenses were/are all
 so good?
 
 Answer : They were 200% optical bench tested
 before being sold in USA. Thats right, 200%.
 
 Every single final assembled Takumar Lens
 was optically bench tested at the Asahi
 factory in Japan before being imported into
 the USA by Honeywell. THEN, once Honeywell
 got them, Every single lens was optically bench tested AGAIN
 by Honeywell before being put for sale in
 USA. This is why ( along with the superb build
 quality ) there is such consistant high optical quality for these
 lenses as the dogs were all rejected in the process.

How did the 20mm(?) (alleged) Bow-wow get through that?

 
 I doubt that many lenses today are subjected to
 such high quality control. I am sure expensive
 ones still are, but not the entire lens series.
 It would be way too costly in today's market I would
 especially when the build quality of many lenses
 ( especially budget models ) would create more rejects.
 
 This brings up another thought, wouldnt it have been
 cool to work in that test dept and have a company
 discount to purchase the lenses? I mean, if a given
 lens had to meet say, 75 lp/mm to pass test, and they
 typically ran say, 80 to 85 lp/mm, what would be cool
 would be to sit aside and buy the occasional 90 to 95 lp/mm
 lens that might have squeaked thru once in a while. 
 Employees get to buy the gems so to speak! I wonder if this actually
 occured, or maybe Pentax or Honeywell permitted it? That
 would interesting to find out.
 
 jco
 
 
 
 
 
 
 


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Re: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread Digital Image Studio
On 14/02/07, mike wilson [EMAIL PROTECTED] wrote:

 How did the 20mm(?) (alleged) Bow-wow get through that?

Most 20mm lenses were pretty ordinary at that stage in lens
development so I guess they made spec ;-)

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Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
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Pentax user since 1986, PDMLer since 1998

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Re: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread mike wilson
Digital Image Studio wrote:

 On 14/02/07, mike wilson [EMAIL PROTECTED] wrote:
 
 
How did the 20mm(?) (alleged) Bow-wow get through that?
 
 
 Most 20mm lenses were pretty ordinary at that stage in lens
 development so I guess they made spec ;-)
 

Precisely.

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Re: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread P. J. Alling
They tested lenses against their design specifications.  Not the designs 
themselves...

mike wilson wrote:
 J. C. O'Connell wrote:

   
 Nobody came up with the answer to my quiz why
 the Pentax Takumar Screw mount lenses were/are all
 so good?

 Answer : They were 200% optical bench tested
 before being sold in USA. Thats right, 200%.

 Every single final assembled Takumar Lens
 was optically bench tested at the Asahi
 factory in Japan before being imported into
 the USA by Honeywell. THEN, once Honeywell
 got them, Every single lens was optically bench tested AGAIN
 by Honeywell before being put for sale in
 USA. This is why ( along with the superb build
 quality ) there is such consistant high optical quality for these
 lenses as the dogs were all rejected in the process.
 

 How did the 20mm(?) (alleged) Bow-wow get through that?

   
 I doubt that many lenses today are subjected to
 such high quality control. I am sure expensive
 ones still are, but not the entire lens series.
 It would be way too costly in today's market I would
 especially when the build quality of many lenses
 ( especially budget models ) would create more rejects.

 This brings up another thought, wouldnt it have been
 cool to work in that test dept and have a company
 discount to purchase the lenses? I mean, if a given
 lens had to meet say, 75 lp/mm to pass test, and they
 typically ran say, 80 to 85 lp/mm, what would be cool
 would be to sit aside and buy the occasional 90 to 95 lp/mm
 lens that might have squeaked thru once in a while. 
 Employees get to buy the gems so to speak! I wonder if this actually
 occured, or maybe Pentax or Honeywell permitted it? That
 would interesting to find out.

 jco







 


   


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RE: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread J. C. O'Connell
At least all the bow wows were the same bow wows. :)
I am sure every lens had different design
and test specifications. The problem
with the bow wow 20mm was mostly geometry which
is by optical design, not assembly tolerances.
I bet they most likely were only doing resolution tests, not geometry
tests anyway. Dont forget either that when the 20mm super
tak was introduced, it was the widest rectilinear
lens they had ever made and they probably thought
it was acceptable for the extreme focal length
it offered...Not to me it isnt, but at least thats
the only bow wow they really ever made in M42 super/
smc takumar series. Even their early zooms
were better than that.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
mike wilson
Sent: Tuesday, February 13, 2007 5:03 PM
To: Pentax-Discuss Mail List
Subject: Re: Why Pentax Takumar Screw lenses were/are all so good?


J. C. O'Connell wrote:

 Nobody came up with the answer to my quiz why
 the Pentax Takumar Screw mount lenses were/are all
 so good?
 
 Answer : They were 200% optical bench tested
 before being sold in USA. Thats right, 200%.
 
 Every single final assembled Takumar Lens
 was optically bench tested at the Asahi
 factory in Japan before being imported into
 the USA by Honeywell. THEN, once Honeywell
 got them, Every single lens was optically bench tested AGAIN by 
 Honeywell before being put for sale in USA. This is why ( along with 
 the superb build quality ) there is such consistant high optical 
 quality for these lenses as the dogs were all rejected in the process.

How did the 20mm(?) (alleged) Bow-wow get through that?

 
 I doubt that many lenses today are subjected to
 such high quality control. I am sure expensive
 ones still are, but not the entire lens series.
 It would be way too costly in today's market I would especially when 
 the build quality of many lenses ( especially budget models ) would 
 create more rejects.
 
 This brings up another thought, wouldnt it have been
 cool to work in that test dept and have a company
 discount to purchase the lenses? I mean, if a given
 lens had to meet say, 75 lp/mm to pass test, and they typically ran 
 say, 80 to 85 lp/mm, what would be cool would be to sit aside and buy 
 the occasional 90 to 95 lp/mm lens that might have squeaked thru once 
 in a while. Employees get to buy the gems so to speak! I wonder if 
 this actually occured, or maybe Pentax or Honeywell permitted it? That
 would interesting to find out.
 
 jco
 
 
 
 
 
 
 


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RE: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread J. C. O'Connell
yes, but so were zoom lenses when pentax introduced
their first zooms but Pentax first zooms are excellent
and dont bark. I still say they screwed up on that first 20mm.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
mike wilson
Sent: Tuesday, February 13, 2007 5:22 PM
To: Pentax-Discuss Mail List
Subject: Re: Why Pentax Takumar Screw lenses were/are all so good?


Digital Image Studio wrote:

 On 14/02/07, mike wilson [EMAIL PROTECTED] wrote:
 
 
How did the 20mm(?) (alleged) Bow-wow get through that?
 
 
 Most 20mm lenses were pretty ordinary at that stage in lens 
 development so I guess they made spec ;-)
 

Precisely.

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Re: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread John Celio
Hey JCO, if you love Taks so much, would you be at all interested in buying 
the ones I listed for sale last weekend?  The fish-eye, at least, appears to 
be pretty rare.

John

--
http://www.neovenator.com
http://www.cafepress.com/neovenatorphoto

- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Tuesday, February 13, 2007 10:04 AM
Subject: Why Pentax Takumar Screw lenses were/are all so good?


 Nobody came up with the answer to my quiz why
 the Pentax Takumar Screw mount lenses were/are all
 so good?

 Answer : They were 200% optical bench tested
 before being sold in USA. Thats right, 200%.

 Every single final assembled Takumar Lens
 was optically bench tested at the Asahi
 factory in Japan before being imported into
 the USA by Honeywell. THEN, once Honeywell
 got them, Every single lens was optically bench tested AGAIN
 by Honeywell before being put for sale in
 USA. This is why ( along with the superb build
 quality ) there is such consistant high optical quality for these
 lenses as the dogs were all rejected in the process.

 I doubt that many lenses today are subjected to
 such high quality control. I am sure expensive
 ones still are, but not the entire lens series.
 It would be way too costly in today's market I would
 especially when the build quality of many lenses
 ( especially budget models ) would create more rejects.

 This brings up another thought, wouldnt it have been
 cool to work in that test dept and have a company
 discount to purchase the lenses? I mean, if a given
 lens had to meet say, 75 lp/mm to pass test, and they
 typically ran say, 80 to 85 lp/mm, what would be cool
 would be to sit aside and buy the occasional 90 to 95 lp/mm
 lens that might have squeaked thru once in a while.
 Employees get to buy the gems so to speak! I wonder if this actually
 occured, or maybe Pentax or Honeywell permitted it? That
 would interesting to find out.

 jco







 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 



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RE: Why Pentax Takumar Screw lenses were/are all so good?

2007-02-13 Thread J. C. O'Connell
hey, 

guess you missed my earilier posts stating
I already have an entire set of the
super multi coated takumars. I think I finished
collecting those about 5 years ago. Thanks
for the heads-up though. 

jco


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Wednesday, February 14, 2007 12:38 AM
To: Pentax-Discuss Mail List
Subject: Re: Why Pentax Takumar Screw lenses were/are all so good?


Hey JCO, if you love Taks so much, would you be at all interested in
buying 
the ones I listed for sale last weekend?  The fish-eye, at least,
appears to 
be pretty rare.

John

--
http://www.neovenator.com http://www.cafepress.com/neovenatorphoto

- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Tuesday, February 13, 2007 10:04 AM
Subject: Why Pentax Takumar Screw lenses were/are all so good?


 Nobody came up with the answer to my quiz why
 the Pentax Takumar Screw mount lenses were/are all
 so good?

 Answer : They were 200% optical bench tested
 before being sold in USA. Thats right, 200%.

 Every single final assembled Takumar Lens
 was optically bench tested at the Asahi
 factory in Japan before being imported into
 the USA by Honeywell. THEN, once Honeywell
 got them, Every single lens was optically bench tested AGAIN by 
 Honeywell before being put for sale in USA. This is why ( along with 
 the superb build quality ) there is such consistant high optical 
 quality for these lenses as the dogs were all rejected in the process.

 I doubt that many lenses today are subjected to
 such high quality control. I am sure expensive
 ones still are, but not the entire lens series.
 It would be way too costly in today's market I would especially when 
 the build quality of many lenses ( especially budget models ) would 
 create more rejects.

 This brings up another thought, wouldnt it have been
 cool to work in that test dept and have a company
 discount to purchase the lenses? I mean, if a given
 lens had to meet say, 75 lp/mm to pass test, and they typically ran 
 say, 80 to 85 lp/mm, what would be cool would be to sit aside and buy 
 the occasional 90 to 95 lp/mm lens that might have squeaked thru once 
 in a while. Employees get to buy the gems so to speak! I wonder if 
 this actually occured, or maybe Pentax or Honeywell permitted it? That
 would interesting to find out.

 jco







 --
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 



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Re: Why Pentax Cannot Supply Lenses

2004-05-26 Thread Nick Clark
Perhaps Pentax are changing their assembly line to make all lenses more suitable for 
digital - extra multicoating on the rear element to reduce reflections for example? 

Nick





Why Pentax Cannot Supply Lenses

2004-05-25 Thread jtainter
I heard through the grapevine that the lens assembler in Vietnam has been ill.

Joe




Re: Why Pentax Cannot Supply Lenses

2004-05-25 Thread Timothy Sherburne

Yikes! Joe, are you pulling the collective leg, or are you serious? I'd be
amazed that the lens assembly would bottleneck at one person, but I have
heard more outrageous tales. It's obviously not a very robust manufacturing
approach.

t 

On 5/25/04 14:08, jtainter wrote:

 I heard through the grapevine that the lens assembler in Vietnam has been ill.
 
 Joe
 
 
 
 



Re: Why Pentax Cannot Supply Lenses

2004-05-25 Thread Alan Chan
You know what? They took our advice and tightened the QC. And now none of 
their lenses was able to leave the factory.  :-)

Regards,
Alan Chan
http://www.pbase.com/wlachan
Yikes! Joe, are you pulling the collective leg, or are you serious? I'd be
amazed that the lens assembly would bottleneck at one person, but I have
heard more outrageous tales. It's obviously not a very robust manufacturing
approach.
_
Add photos to your e-mail with MSN Premium. Get 2 months FREE*  
http://join.msn.com/?pgmarket=en-capage=byoa/premxAPID=1994DI=1034SU=http://hotmail.com/encaHL=Market_MSNIS_Taglines



Re: Why Pentax Cannot Supply Lenses

2004-05-25 Thread Joseph Tainter
Yikes! Joe, are you pulling the collective leg, or are you serious?
Of course I'm pulling the collective leg. OTOH, it is the best 
speculation I can come up with to explain why this company, which is 
known for its lenses, cannot manage to ship any (while simultaneously 
offering rebates on same).

I don't know whether Pentax now does all lens assembly at the plant in 
Vietnam. It does appear, though, that they are in a manufacturing 
transition, which has involved not only relocation to a new country but 
cutbacks in capacity.

Joe


AF extensions tubes - was Why Pentax *ist (35mm) isn't good?

2003-06-20 Thread Paul Ewins
Why would they correct the aperture value for the extension? This is
just the same as having your lens at minimum focusing distance, surely
the meter just reads that as less light coming through?

Paul Ewins
Melbourne, Australia

-Original Message-
From: Alin Flaider [mailto:[EMAIL PROTECTED] 
   Do the Kenko AF tubes correct the transmitted aperture value with
   the extension tube's factor? - otherwise it messes with
   multisegment metering and it's pretty much useless.
 

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Re: Why Pentax *ist (35mm) isn't good?

2003-06-19 Thread Heiko Hamann
Hi Jose,

on 19 Jun 03 you wrote in pentax.list:

I'm new in the forum, and it seems that the new Pentax *ist (35mm) is not a
favourite among forum members.
Can anybody explain me in a few words why?

In addition to Len's and Grawolf's replies: The *ist has mount, that  
doesn't support older SMC/SMC-M lenses (non-A-lenses). There are many  
useres who don't like this idea (some of them have a notable number of  
those lenses and they are disappointed that the *istD won't support them  
in a sensible way). But if I remember correctly then you are using only  
A-lenses. So this issue won't be a problem for you.

In other words, may I buy that camera, or the Nikon 75 or even the
veteran Canon EOS 300 are better choices?

I would prefer the *ist. The F75's viewfinder is terrible and I don't  
like Canon's user interface. I have tried the *ist on the Cebit this  
year and I was impressed by the fast AF, the good viewfinder and the  
ergonomic user interface. It has the most sophisticated AF system of  
all.

There is one thing all these entry-level camera's have in common: they  
look and feel quite cheap because of their silver plastics finishing.  
Not comparable to a solid Super A...;-)

Cheers, Heiko



Re: Why Pentax *ist (35mm) isn't good?

2003-06-19 Thread Alexandru-Cristian Sarbu
How about the auto extension tubes? The non-auto ones will work, of course -
but auto ext. tubes behaves like KM lenses, afaik.
If they won't work, I guess it's time for a new - A, maybe even FA -
version.

Alex



Re: Why Pentax *ist (35mm) isn't good?

2003-06-19 Thread Camdir
Alex.

The Kenko tubes have the AF 'screwdriver' connection. Plus all the electrical 
connections.

And they are available in PAF.

Kind regards

Peter



Re: Why Pentax *ist (35mm) isn't good?

2003-06-19 Thread Alexandru-Cristian Sarbu
Yes, of course - I was talking about the Pentax tubes, as I really think
they should be compatible with *ist, at least with *istD. I guess Pentax
should upgrade them (at least as A variants), because some people will want
to use them with *ist cameras; and I'm more than reasonable asking that
(instead of full-mount compatibility). Btw: I have the Pentax auto ext tubes
set; paid 39$ sh.

Btw: I saw the *ist in a store (in Romania, I mean); I looked at it only a
few minutes. It's so small... I think, smaller than MZ-60. It's also very
light, and I didn't liked the wheel and the on/of/DOF switch. The lens mount
is metal, but the base plate seems to be polycarbonate. The body is...
well... cheap, you can scratch it easily - even the MZ-6 is much better.
However, the viewfinder seems to be nicer than MZ-6's one, with a larger
eyepiece (I think).

- Original Message - 
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, June 19, 2003 3:04 PM
Subject: Re: Why Pentax *ist (35mm) isn't good?


 Alex.

 The Kenko tubes have the AF 'screwdriver' connection. Plus all the
electrical
 connections.

 And they are available in PAF.

 Kind regards

 Peter





Re[2]: Why Pentax *ist (35mm) isn't good?

2003-06-19 Thread Alin Flaider

   Do the Kenko AF tubes correct the transmitted aperture value with
   the extension tube's factor? - otherwise it messes with
   multisegment metering and it's pretty much useless.

   Anyway, for this very reason, the A variety of tubes doesn't make
   any sense and we probably won't see it from Pentax. Instead, they'll
   come up directly with the FAJ tubes, that is if Pentax ever sees in
   its FAJ customers a potential market for specialty tools as macro
   tubes.
   
   Servus,   Alin

Peter wrote:

Cac The Kenko tubes have the AF 'screwdriver' connection. Plus all the electrical
Cac connections.
Cac And they are available in PAF.



Why Pentax *ist (35mm) isnt good?

2003-06-18 Thread Jose Luis Gonzalez Martin
Im new in the forum, and it seems that the new Pentax *ist (35mm) is not a
favourite among forum members.
Can anybody explain me in a few words why? In other words, may I buy that
camera, or the Nikon 75 or even the veteran Canon EOS 300 are better
choices? I never had a AF camera (I own a Pentax P30t) so tell me your
opinions about the best choice among the three mentioned bodies.

Thanks



RE: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread Len Paris
Part of the reason is because there are only a few people here that
actually have one, so most people here have no real first-hand knowledge
of it.  Most of the opinions here are based on reading what other people
say about it and then carrying that lack of knowledge to extremes.  I
recommend finding a camera store that will allow you to test it
yourself.  Bring a roll of film with you, load it up, and then put the
camera through some tough tests to see how it performs.

Len
---

 -Original Message-
 From: Jose Luis Gonzalez Martin [mailto:[EMAIL PROTECTED] 
 Sent: Wednesday, June 18, 2003 6:12 PM
 To: [EMAIL PROTECTED]
 Subject: Why Pentax *ist (35mm) isn´t good?
 
 
 I´m new in the forum, and it seems that the new Pentax *ist 
 (35mm) is not a favourite among forum members. Can anybody 
 explain me in a few words why? In other words, may I buy that 
 camera, or the Nikon 75 or even the veteran Canon EOS 300 are 
 better choices? I never had a AF camera (I own a Pentax P30t) 
 so tell me your opinions about the best choice among the 
 three mentioned bodies.
 
 Thanks
 



Re: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread Alan Chan
I´m new in the forum, and it seems that the new Pentax *ist (35mm) is not a
favourite among forum members.
Can anybody explain me in a few words why? In other words, may I buy that
camera, or the Nikon 75 or even the veteran Canon EOS 300 are better
choices? I never had a AF camera (I own a Pentax P30t) so tell me your
opinions about the best choice among the three mentioned bodies.
I don't think the *ist is a bad camera at all, just that most members here 
don't like the crippled mount which was designed to dump the K/M lenses. But 
then again, this should not bother any new comers because they are going to 
buy AF lenses anyway.

regards,
Alan Chan
_
The new MSN 8: advanced junk mail protection and 2 months FREE*  
http://join.msn.com/?page=features/junkmail



Re: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread Caveman
Insufficient. According to Master Rubenstein, you have to check it for 
at least 6 months.

cheers,
caveman.
Len Paris wrote:
Part of the reason is because there are only a few people here that
actually have one, so most people here have no real first-hand knowledge
of it.  Most of the opinions here are based on reading what other people
say about it and then carrying that lack of knowledge to extremes.  I
recommend finding a camera store that will allow you to test it
yourself.  Bring a roll of film with you, load it up, and then put the
camera through some tough tests to see how it performs.



Re: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread Bill Owens
What?  Shoot some film?  That's heresy on this list!

Bill

- Original Message - 
From: Len Paris [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, June 18, 2003 7:30 PM
Subject: RE: Why Pentax *ist (35mm) isn´t good?


 Part of the reason is because there are only a few people here that
 actually have one, so most people here have no real first-hand knowledge
 of it.  Most of the opinions here are based on reading what other people
 say about it and then carrying that lack of knowledge to extremes.  I
 recommend finding a camera store that will allow you to test it
 yourself.  Bring a roll of film with you, load it up, and then put the
 camera through some tough tests to see how it performs.

 Len
 ---

  -Original Message-
  From: Jose Luis Gonzalez Martin [mailto:[EMAIL PROTECTED]
  Sent: Wednesday, June 18, 2003 6:12 PM
  To: [EMAIL PROTECTED]
  Subject: Why Pentax *ist (35mm) isn´t good?
 
 
  I´m new in the forum, and it seems that the new Pentax *ist
  (35mm) is not a favourite among forum members. Can anybody
  explain me in a few words why? In other words, may I buy that
  camera, or the Nikon 75 or even the veteran Canon EOS 300 are
  better choices? I never had a AF camera (I own a Pentax P30t)
  so tell me your opinions about the best choice among the
  three mentioned bodies.
 
  Thanks
 






Re: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread Bob Rapp
How dare you suggest some of us shoot film with cameras. We haven't got time
as spend all are free time arguing about features, lack of features,
construction, advertising or what we would like to compare in the future.

Now, back to the spec sheets and catalogues

Bob Rapp

- Original Message -
From: Bill Owens [EMAIL PROTECTED]



What?  Shoot some film?  That's heresy on this list!

Bill





Re: Why Pentax *ist isn't good?

2003-06-18 Thread Rfsindg
[EMAIL PROTECTED] writes:
  I´m new in the forum, and it seems that the new Pentax *ist (35mm) is not a
  favourite among forum members.

This is a list of whiners!  They want everything, but bought Pentax because 
it was cheap, an economical choice with good value.  Pentax has been slow to 
introduce a digital camera that will allow the mounting of all the old 35mm 
lenses that are owned by folks in this forum.  Now that Pentax is close to 
releasing a beginner's version of such a digital camera, these same folks are whining 
because some of their 30 year old equipment will not be compatible.  

So be it, I say!  I've got some great lenses and some old cameras that 
produce wonderful images on film.  This stuff can't be replaced at today's 
manufacturing costs and quality levels.  I'm gonna keep using it and being happy!

Regards,  Bob S.



Re: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread T Rittenhouse
Before I look at the other replies, I want to respond to this.

1. on this list are some very, very experienced photographers who would look
down their nose at any entry level camera.
2. the rumor is that the more advanced *ist Digital is going to have the
same interface which dismays those who have been waiting years for Pentax to
bring out an advanced digital slr.
3. there is a certain element of the if it ain't perfect it is junk
attitude here.
4. no one here has any real experience with the camera because it is so new,
so you are dealing with speculations from folks who have been disappointed
before. Try back in 3 months and there will be a lot of real information on
the camera here.
5. we hate the name.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto


- Original Message -
From: Jose Luis Gonzalez Martin [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, June 18, 2003 7:11 PM
Subject: Why Pentax *ist (35mm) isn´t good?


 I´m new in the forum, and it seems that the new Pentax *ist (35mm) is not
a
 favourite among forum members.
 Can anybody explain me in a few words why? In other words, may I buy that
 camera, or the Nikon 75 or even the veteran Canon EOS 300 are better
 choices? I never had a AF camera (I own a Pentax P30t) so tell me your
 opinions about the best choice among the three mentioned bodies.

 Thanks





RE: Why Pentax *ist (35mm) isn´t good?

2003-06-18 Thread jerome

Jose, to a very large extent, I agree with Len's response. While you are 
correct that the *ist (35mm) is not a favourite among forum members, I'd 
venture to say that the reason is that most of those voicing negative opinions 
on the camera would not buy it anyway unless it was on sale on eBay for 20% of 
the initial retail price. So few people here actually spend money on new Pentax 
equipment, that it's almost absurd to call this a list of Pentax supporters.

So, while your assessment of the opinions may be accurate, as Len suggested, 
you have to also consider the people who tend to chime in. In addition, as Len 
alluded to, only about THREE active people (at most?) on this list have ever 
even used an *ist, and few (if any) have used it extensively enough to have a 
sound opinion on it already (in terms of usability, ergonomics, etc). Por eso, 
much of what you've heard has been bickering for the sake of bandwidth 
consumption.

But with that said, one legitimate complaint that PDMLers have voiced (about 14 
million times) is the concern of 100% compatibility between the new camera and 
any older lenses that they may own. Since you own a P30, then I suspect that 
this may be an issue for you also; but of course that depends specifically on 
what lenses you plan to use with the new camera. If they are Auto focus lenses 
(likely, since it's an AF camera you want to buy), then this will not be an 
issue with you. 

In my opinion, the *ist offers a lot for the price, and is a Fantastic purchase 
if it suits your personal needs. From a specifications standpoint, it's hard 
for me to see why this camera wouldn't be an absolute winner (if Pentax 
marketed it correctly).

Lastly, I again have appeal to Len's response when he wrote:

 I recommend finding a camera store that will allow you to test 
 it yourself.  

That is possibly the best advice you will hear from this entire thread. If you 
can, find someplace with a good reputation and a decent return policy (make 
sure it is in writing and the terms are clear). Play with the camera for a week 
(or however long), and by then you will know if it's for you, not to mention if 
there are compatibility issues with the lenses you intend to use. If it works 
for you, great. If not, then perhaps come back and ask the list for other 
suggestions. 

Of course, you could likely find it cheaper on the internet than at your local 
store... but consider the mark-up in cost the price you pay for being able to 
try before you buy. As they say in those Visa commercials, Priceless.

_
Jerome D. Coombs-Reyes, PhD Candidate
ISyE, Georgia Institute of Technology
http://exposedfilm.net



Re: Why Pentax *ist (35mm) isnXt good?

2003-06-18 Thread jerome
Quoting Bob Rapp [EMAIL PROTECTED]:

 How dare you suggest some of us shoot film with cameras.

Imagine that! I say we boot Bill (or WHOEVER suggested it!) from the list... 
that no good film burner! How dare they. 

If I used any of my film, then what would I keep in the fridge?... 








RE: Why Pentax?

2003-03-24 Thread Butch Black
Paul wrote:
Excellent post, Mark. I enjoyed it thoroughly. But one of your
statements is an absolute falsehood. You wrote:



 I take a lot of photos.  Most of them suck.  Some are OK and once or twice
 a year I take one that seems to be good.

I agree with Paul. I think your post explains why you often times come up
with these breathtaking photos. You are always looking to improve both your
work and your knowledge of photography.

Your F-5 story reminds me of a boss I had at Ritz camera. He had the F-5 and
the expensive lenses. By his own admission he knew little if anything of the
mechanics of photography, and his work showed it, but he bought the f-5 for
the superior metering.

Your post has one other positive effect. I think I'm going to start using my
handheld meter more often.

BUTCH

Each man had only one genuine vocation - to find the way to himself.

Hermann Hess (Damien)




Re: WHY PENTAX (35mm)? WAS: Re: Pentax -- Canon

2003-03-23 Thread Greene
 I'll go digital when a small format (APS/35mm) sized
sensor can produce a 16 x 20 wall sized portrait like
my Pentax WR-90 and PZ1-p can (and do).br Otherwise,
small format digital imaging is a toy, like APS was,
not the tool so many claim it is... unless of course
you sell cars or real estate or insurace and other or
owna digital for plebian pursuits and find that prints
made on under $500 inkjets are Acceptable.br

=

 Ed

  I get it done with YAHOO! DSL!



Re: WHY PENTAX? WAS: Re: Pentax -- Canon

2003-03-23 Thread Artur Ledóchowski
- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
Subject: Re: WHY PENTAX? WAS: Re: Pentax -- Canon


These days I carry an ambient
 light meter with me at all times.  That's not because Pentax can't meter
 accurately. That's because no reflective light meter will be as accurate
as
 an ambient light meter.

Absolutely! This is what I'm going to do in the nearest future - get an
incident light meter, exactly due to the reason you've stated. Actually I
must say, that I tend to use matrix metering less and less. I prefer to use
spot metering+ML button (with my Z-1p) and I'm perfectly happy when using
the SuperA with its c/w metering. But the incident light meter allows me to
maintain total control over exposure and its readings are incomparably more
accurate...
Regards
Artur



SV: WHY PENTAX? WAS: Re: Pentax -- Canon

2003-03-23 Thread Jens Bladt
Right Arthur.
Offcource if you sue a tele lens, the caera meter will often do a better
job.
I once saw a broadcast about a project, where street children were
photographing with a
K1000 and an incident light meter. The shots were brilliant. Since then I
usen my Lunasix a lot.
Regards
Jens
-Oprindelig meddelelse-
Fra: Artur Ledóchowski [mailto:[EMAIL PROTECTED]
Sendt: 23. marts 2003 10:03
Til: [EMAIL PROTECTED]
Emne: Re: WHY PENTAX? WAS: Re: Pentax -- Canon


- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
Subject: Re: WHY PENTAX? WAS: Re: Pentax -- Canon


These days I carry an ambient
 light meter with me at all times.  That's not because Pentax can't meter
 accurately. That's because no reflective light meter will be as accurate
as
 an ambient light meter.

Absolutely! This is what I'm going to do in the nearest future - get an
incident light meter, exactly due to the reason you've stated. Actually I
must say, that I tend to use matrix metering less and less. I prefer to use
spot metering+ML button (with my Z-1p) and I'm perfectly happy when using
the SuperA with its c/w metering. But the incident light meter allows me to
maintain total control over exposure and its readings are incomparably more
accurate...
Regards
Artur



Re: WHY PENTAX? WAS: Re: Pentax -- Canon

2003-03-23 Thread Mark Cassino
Yes - when you watch the camera meter move the setting all over the place, 
and then realize that you are just looking at different things in the same 
light, it becomes apparent that evaluative metering systems really can't do 
it.  Aside from an incident meter (I should of used the correct term) just 
carrying a gray card and metering off it does fine.

That's not to say that I don't use evaluative metering - one of the things 
I really like about the Mz-S is that with a quick flick of a switch you can 
see the exposures as set by evaluative, spot, and center weighted metering, 
and you can better understand what's going on.  While one metering system 
may be more accurate in some circumstances than another, the degree of 
difference is pretty negligible.  The whole idea of marketing is to

What really impressed me was when I learned about the zone system in a 
class last year - not only in terms of determining exposure, but also in 
terms of integrating over or under development of the film into the 
exposure system.  The fullness and accuracy of the system was a real eye 
opener - so far beyond something that one could expect a camera and a 
computer chip to do.

- MCC

At 10:03 AM 3/23/2003 +0100, you wrote:
- Original Message -
From: Mark Cassino [EMAIL PROTECTED]
Subject: Re: WHY PENTAX? WAS: Re: Pentax -- Canon
These days I carry an ambient
 light meter with me at all times.  That's not because Pentax can't meter
 accurately. That's because no reflective light meter will be as accurate
as
 an ambient light meter.
Absolutely! This is what I'm going to do in the nearest future - get an
incident light meter, exactly due to the reason you've stated. Actually I
must say, that I tend to use matrix metering less and less. I prefer to use
spot metering+ML button (with my Z-1p) and I'm perfectly happy when using
the SuperA with its c/w metering. But the incident light meter allows me to
maintain total control over exposure and its readings are incomparably more
accurate...
Regards
Artur
- - - - - - - - - -
Mark Cassino
Kalamazoo, MI
[EMAIL PROTECTED]
- - - - - - - - - -
Photos:
http://www.markcassino.com
- - - - - - - - - - 




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