from:"Jean\-Philippe Rykiel"

Re: an alternative to x-form

2023-03-12 Thread Jean-philippe Rykiel

Well, if you are moving to logic Pro, I would advise you to export your
ProTools project and imported to Logic pro.

But I'm surprised that ProTools doesn't provide pitch/time stretch tools
like all other daws.

Cheers,

JPR

http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 12/03/2023 à 17:18, Ramy Moustafa Saber a écrit :

Hi Jean:
I know that Logic will do the trick, but now am still in pro tools to finish
some unfinished projects, so, are there alternatives that i can use to finish
my last project?

Warm Regards,
Dr/ Ramy Moustafa Saber
Music Producer and Sound Engineer
Music Instructor at: Faculty of Musical Education
Helwan University

On 12 Mar 2023, at 6:08 PM, Jean-philippe Rykiel wrote:

Hi Ramy.

I don't know what will be your next DAW, but both logic Pro and Reaper have
very efficient tools for changing audio pitch and length.

As this is a ProTools list, contact me off list if you want more information.

Cheers,

JPR

http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 12/03/2023 à 12:17, Ramy Moustafa Saber a écrit :

Hello all:
My avid complete plugin bunndle has expired, and frankly i will not renew it
because i’ll have to leave pro tools, so, am asking if i can find an
alternative to x-form for changing any pitch for an audio track? also for
changing the audio length?
Thanks in advance

Warm Regards,
Dr/ Ramy Moustafa Saber
Music Producer and Sound Engineer
Music Instructor at: Faculty of Musical Education
Helwan University

--
You received this message because you are subscribed to the Google Groups "Pro Tools
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit
https://groups.google.com/d/msgid/ptaccess/7e614820-1010-606d-bb09-2beb423806ce%40gmail.com.

Re: an alternative to x-form

2023-03-12 Thread Jean-philippe Rykiel


Hi Ramy.

I don't know what will be your next DAW, but both logic Pro and Reaper 
have very efficient tools for changing audio pitch and length.


As this is a ProTools list, contact me off list if you want more 
information.


Cheers,

JPR

 .


http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 12/03/2023 à 12:17, Ramy Moustafa Saber a écrit :

Hello all:
My avid complete plugin bunndle has expired, and frankly i will not renew it 
because i’ll have to leave pro tools, so, am asking if i can find an 
alternative to x-form for changing any pitch for an audio track? also for 
changing the audio length?
Thanks in advance

Warm Regards,
Dr/ Ramy Moustafa Saber
Music Producer and Sound Engineer
Music Instructor at: Faculty of Musical Education
Helwan University



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/7e614820-1010-606d-bb09-2beb423806ce%40gmail.com.

Re: Another test from mac please reply

2022-08-08 Thread Jean-philippe Rykiel


Yes, we are getting you.

Cheers,

JP



http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 08/08/2022 à 09:08, Ramy Moustafa Saber a écrit :

Thanks in advance for your reply

Warm Regards,
Dr/ Ramy Moustafa Saber
Music Producer and Sound Engineer
Music Instructor at: Faculty of Musical Education
Helwan University



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/700907c3-e8af-f4bc-99bc-f94c370fde43%40gmail.com.

Re: Does anyone know if this is accessible, even if it means getting NKS presets? Fwd:  The King of Harmonizers: H3000 Factory

2022-07-14 Thread Jean-philippe Rykiel

Well, nothing will sound as good as recording your own harmonies one by 
one, and maybe retuning them a little bit if you need to. All these 
plug-ins sounds awfully robotic in my opinion, and this is due to a lack 
of randomness I guess. Remember that all they do is change the pitch of 
already existing material, so the smallest inflections or vibratos will 
be mimicked on each Harmony,thus all lines will be exact parallels, 
which is never the case in real life.


If you really want to use them, You may be able to humanise the result 
by adding a small delay on each voice, but not the same length for each 
of course.


But I tell you, try singing Each line and maybe give them a little pitch 
correction if you need and you will be much much happier.


Cheers,

JPR



http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 14/07/2022 à 01:23, Steve Martin a écrit :
If you want authentic sounding harmonies, Harmony engine is still my 
favorite. Izotope’s Nectar gives good results but I haven’t tried 
nectar 3 yet for accessibility. Other notable mentions are Izotope’s 
Vocal synth and QuadraVox or Octo Vox from Eventide, however those 
aren’t as realistic sounding.


Load harmony engine as a stereo instance on a track and use the Volume 
and pan controls for each voice for best results.



On Jul 13, 2022, at 2:32 PM, Christopher Gilland 
 wrote:


Aa, ok, so it's not for vocal harmoney. Yeah, that's definitely what 
I wanted, as I cannot figure out Antares Harmoney EVO to save my 
life! I've tried and tried and tried and tried, and no matter what 
settings I pick, it sounds absolutely terrible! It isn't me not 
knowing how the plugin works, as I do. And I know how to set the 
intervals etc, but even doing that, it doesn't work at all as expected.



I know it can be done, as I've heard others use it successfully, but 
how they're doing it is way beyond me.



I thought TC Helicon made a plugin based on one of their harmoney 
pedals, but I've yet been able to find it, and even if I did, I'm 
told that it isn't very accessible, not even with VOCR.



Chris.

On 7/13/2022 4:56 PM, Jean-philippe Rykiel wrote:


Hi Christopher, it may be accessible, but it may not be what you're 
looking for. It is an emulation of an old machine with all its 
vintage artefacts, and certainly not a device to create something 
that sounds like natural vocal harmonies.


I don't use ProTools, but Eventide products are usually accessible 
via the automation view in the other DAWs I use.


Cheers,

JPR



http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel
Le 13/07/2022 à 21:44, Christopher Gilland a écrit :





 Forwarded Message 
Subject: The King of Harmonizers: H3000 Factory
Date:   Wed, 13 Jul 2022 17:54:48 +
From:   Eventide Audio
Reply-To:   us8-5792deaa82-1eb7801...@inbound.mailchimpapp.net
To: clgillan...@gmail.com



<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=a92fc6c6d8=6620fe7820> 





<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=287c6edaab=6620fe7820>


Grab the H3000 Factory Plug-in for only $79!

The H3000 Factory plug-in offers authentic recreations of several 
key algorithms from the legendary H3000 Ultra-Harmonizer®. It 
features the iconic Pitch Shift, Delay, and Modulation that made 
the original a studio legend. The plug-in also provides a 
convenient modular interface to combine up to 18 effects blocks 
together in a practically limitless number of configurations. Get a 
free30-day demo 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=1fe8f1d19e=6620fe7820>today.



SHOP NOW 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=7239ebfd4e=6620fe7820> 




"The King of Harmonizers"

<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=7b55c495e3=6620fe7820>
From acoustic guitars to vocals, see how Production Expert uses the 
H3000 Factory plug-in to create those "trademark Eventide sounds 
that are hard to find elsewhere." For a deeper dive into the 
history of the unit, be sure to check out their full article here 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=c4f621489a=6620fe7820>.



SHOP PLUGINPALOOZA SALE 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=3792516292=6620fe7820> 




*Follow us on social @eventideaudio*

Facebook 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c59db=f49c3744a5=6620fe7820> 



Instagram 
<https://eventideaudio.us8.list-manage.com/track/click?u=ece0ccedb5bd50f1d504c5

Re: Does anyone know if this is accessible, even if it means getting NKS presets? Fwd:  The King of Harmonizers: H3000 Factory

2022-07-13 Thread Jean-philippe Rykiel

Hi Christopher, it may be accessible, but it may not be what you're 
looking for. It is an emulation of an old machine with all its vintage 
artefacts, and certainly not a device to create something that sounds 
like natural vocal harmonies.


I don't use ProTools, but Eventide products are usually accessible via 
the automation view in the other DAWs I use.


Cheers,

JPR



http://www.jprykiel.com
https://www.youtube.com/c/jprykiel
http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykielhttp://facebook.com/jeanphilipperykiel

Le 13/07/2022 à 21:44, Christopher Gilland a écrit :





 Forwarded Message 
Subject: The King of Harmonizers: H3000 Factory
Date:   Wed, 13 Jul 2022 17:54:48 +
From:   Eventide Audio 
Reply-To:   us8-5792deaa82-1eb7801...@inbound.mailchimpapp.net
To: clgillan...@gmail.com



 The King of Harmonizers: H3000 Factory Now just $79 for a limited 
time.
 








Grab the H3000 Factory Plug-in for only $79!

The H3000 Factory plug-in offers authentic recreations of several key 
algorithms from the legendary H3000 Ultra-Harmonizer®. It features the 
iconic Pitch Shift, Delay, and Modulation that made the original a 
studio legend. The plug-in also provides a convenient modular 
interface to combine up to 18 effects blocks together in a practically 
limitless number of configurations. Get a free 30-day demo 
 
today.



SHOP NOW 
 




"The King of Harmonizers"


From acoustic guitars to vocals, see how Production Expert uses the 
H3000 Factory plug-in to create those "trademark Eventide sounds that 
are hard to find elsewhere." For a deeper dive into the history of the 
unit, be sure to check out their full article here 
. 




SHOP PLUGINPALOOZA SALE 
 




*Follow us on social @eventideaudio*

Facebook 
 



Instagram 
 



YouTube 
 



Twitter 
 



Website 
 



/Eventide and Harmonizer are registered trademarks of Eventide Inc./
/Copyright © 2022 Eventide Inc., All rights reserved./

You are receiving this email because you opted in at our website, 
purchased an Eventide product or entered a contest or promotion.


*Our mailing address is:*
Eventide Inc.
1 Alsan Way
Little Ferry, NJ 07643

Add us to your address book 




Want to change how you receive these emails?
You can update your preferences 
 
or unsubscribe from this list 
.


--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send 
an email to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/12baaf99-459d-a5b5-11a3-26c5f75dc8c3%40gmail.com 
.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/330ca696-721f-5c50-dcc2-2b10ca825b9f%40gmail.com.

o.t, This sounds like an interesting concept

2022-01-19 Thread Jean-Philippe Rykiel

Hi friends,
I just fell on this company I never heard of, but they have something going on 
witch I thing could be a small revolution in the way one uses sound libraries 
if only it was accessible. I will get in contact with them and see what they 
say. 
  https://youtu.be/IfWo8NmLCfI
Happy whatching, JPR

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/6713FAA2-EBC1-4B23-8473-68D7F12627AF%40gmail.com.

Re: OT, an incredible stem extraction software

2022-01-13 Thread Jean-Philippe Rykiel

Hi Ronald,
Good to know. On PC, I guess hotspot clicker or auto hotkey key could make it 
just as accessible as on the Mac with  VOCR. I’ll give it a try.
Cheers,
JPR


http://www.jprykiel.com

http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykiel
Http://www.facebook.com/jprykiel

> Le 13 janv. 2022 à 16:02, Ronald van Rhijn  a écrit :
> 
> Hi JP,
> 
> Thanks for the tip, great program. I managed to split all sounds on Mac OS 
> using Voice Over and VOCR. On Windows I couldn’t.
> Splitting sounds is all I need for now., so I will definately consider 
> purchasing it.
> 
> thanks again.
> 
> Ronald
>  
> 
>>> Op 10 jan. 2022, om 10:11 heeft Jean-Philippe Rykiel  
>>> het volgende geschreven:
>>> 
>>> Hi friends.
>>> I still didn’t take the plunge to ProTools, but here is a software  I
>>>  Just experimented  with a sighted person, it’s the most amazing thing I’ve 
>>> heard in terms of stem extraction from a simple stereo WAV file.
>>> it does even more than RX Music rebalance module. it’s really amazing. As 
>>> it’s a small company, I wonder if they would be sensitive to an 
>>> accessibility request. But just for fun,  listen to the demos 
>>> 
>>> https://hitnmix.com/
>>> Enjoy,
>>> JPR
>>> 
>>> 
>>> 
>>> 
>>> http://www.jprykiel.com
>>> 
>>> http://soundcloud.com/ryksounet
>>> https://www.youtube.com/c/jprykiel
>>> Http://www.facebook.com/jprykiel
>> 
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> To view this discussion on the web visit 
>> https://groups.google.com/d/msgid/ptaccess/B5E4DCD5-4375-4483-BD06-04E83CF3B123%40gmail.com.
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> To view this discussion on the web visit 
> https://groups.google.com/d/msgid/ptaccess/7F808452-9E0F-4CE6-ABD3-1124E8B7DC71%40xs4all.nl.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/156B8664-1A9E-46C4-90C5-0C12451217A1%40gmail.com.

Re: OT, an incredible stem extraction software

2022-01-11 Thread Jean-Philippe Rykiel

Maybe. But Demucs uses command lines. I’m not familiar at all with the way this 
works. Could someone explain?
Also, I haven’t heard convincing audio demos of Demucs.


http://www.jprykiel.com

http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykiel
Http://www.facebook.com/jprykiel

> Le 11 janv. 2022 à 11:13, Ignasi Cambra  a écrit :
> 
> Isn't this software similar to Demucs? I don't know if you've heard Demucs, 
> but I doubt it's better than that. I wouldn't be surprised if it were even 
> based on it.
> 
> Sent from my iPhone
> 
>>> On 11 Jan 2022, at 10:18, Jean-Philippe Rykiel  wrote:
>>> 
>> 
>> It’s limitation is it duration, only five days.
>> Jp
>> 
>> 
>> http://www.jprykiel.com
>> 
>> http://soundcloud.com/ryksounet
>> https://www.youtube.com/c/jprykiel
>> Http://www.facebook.com/jprykiel
>> 
>>>> Le 10 janv. 2022 à 22:27, Gordon Kent  a écrit :
>>>> 
>>> 
>>> Well, if it gets you the individual parts separated, you can always do the 
>>> processing in reaper itself. I kind of had the feeling that this whole 
>>> concept is similar to Miller Diane, perhaps Miller Diane on steroids. It 
>>> certainly would be worth a look. I wonder what the limitations of the demo 
>>> or.
>>> Cordf 
>>> 
>>>> On Mon, Jan 10, 2022 at 4:48 PM Jean-Philippe Rykiel  
>>>> wrote:
>>>> Hi Gordon,
>>>> I wouldn’t say so. For example Izotop RX is partly accessible, even though 
>>>> you cannot draw things, you still can do a lot with its modules and their 
>>>> parameters. Same with mellodyne, that is partly accessible on PC, even 
>>>> though the user interface changes so much with every new version, but it’s 
>>>> really hard for the Scriptures to follow…
>>>> As far as  Rip X is concerned, what I understood is that once you import a 
>>>> file into it, it divides it into things that look a lot like tracks. And 
>>>> they are called Drums, Bass, Vocal, and Guitar and so on. What could be 
>>>> less accessible is the processing,  tuning , of ime, of time shifting and 
>>>> so on areas of this plug-in. But I’m pretty sure the basics could be 
>>>> accessible and we could easily mute or set each of these tracks levels…
>>>> Hope someone will try that.
>>>> Cheers,
>>>> JPR
>>>> 
>>>> 
>>>> http://www.jprykiel.com
>>>> 
>>>> http://soundcloud.com/ryksounet
>>>> https://www.youtube.com/c/jprykiel
>>>> Http://www.facebook.com/jprykiel
>>>> 
>>>>>> Le 10 janv. 2022 à 20:34, Gordon Kent  a écrit :
>>>>>> 
>>>>> 
>>>> 
>>>>> Unfortunately, I would imagine that making this software accessible would 
>>>>> be next to impossible. I am sure that it relies heavily on isolating 
>>>>> specific components in the wave forms of the audio. Being able to 
>>>>> identify these components would be very difficult. It is an amazing 
>>>>> concept though. We certainly are in very exciting times now as far as 
>>>>> audio production is concerned. I work with someone who does enjoy playing 
>>>>> around with stuff. I’ll see if he can be interested in checking out the 
>>>>> demo.
>>>>> Gourd 
>>>>> 
>>>>>> On Mon, Jan 10, 2022 at 3:26 PM Jean-Philippe Rykiel 
>>>>>>  wrote:
>>>>>> Hi Chuck. 
>>>>>> Unfortunately no, I wish I had. 
>>>>>> Cheers, 
>>>>>> JPR 
>>>>>> 
>>>>>> http://www.jprykiel.com
>>>>>> 
>>>>>> http://soundcloud.com/ryksounet
>>>>>> https://www.youtube.com/c/jprykiel
>>>>>> Http://www.facebook.com/jprykiel
>>>>>> 
>>>>>>>> Le 10 janv. 2022 à 17:24, Chuck Reichel 
>>>>>>>>  a écrit :
>>>>>>>> 
>>>>>>> Hi Jean-Philippe,
>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> Where you able to use VoiceOver while testing it?
>>>>>>> Thanks
>>>>>>> Chuck
>>>>>>> 
>>>>>>> 
>>>>>>>>> On Jan 10, 2022, at 4:11 AM, Jean-Philippe Rykiel 
>>>>>>>>>  wrote:
>>>>>>>>>

Re: OT, an incredible stem extraction software

2022-01-11 Thread Jean-Philippe Rykiel

It’s limitation is it duration, only five days.
Jp


http://www.jprykiel.com

http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykiel
Http://www.facebook.com/jprykiel

> Le 10 janv. 2022 à 22:27, Gordon Kent  a écrit :
> 
> 
> Well, if it gets you the individual parts separated, you can always do the 
> processing in reaper itself. I kind of had the feeling that this whole 
> concept is similar to Miller Diane, perhaps Miller Diane on steroids. It 
> certainly would be worth a look. I wonder what the limitations of the demo or.
> Cordf 
> 
>> On Mon, Jan 10, 2022 at 4:48 PM Jean-Philippe Rykiel  
>> wrote:
>> Hi Gordon,
>> I wouldn’t say so. For example Izotop RX is partly accessible, even though 
>> you cannot draw things, you still can do a lot with its modules and their 
>> parameters. Same with mellodyne, that is partly accessible on PC, even 
>> though the user interface changes so much with every new version, but it’s 
>> really hard for the Scriptures to follow…
>> As far as  Rip X is concerned, what I understood is that once you import a 
>> file into it, it divides it into things that look a lot like tracks. And 
>> they are called Drums, Bass, Vocal, and Guitar and so on. What could be less 
>> accessible is the processing,  tuning , of ime, of time shifting and so on 
>> areas of this plug-in. But I’m pretty sure the basics could be accessible 
>> and we could easily mute or set each of these tracks levels…
>> Hope someone will try that.
>> Cheers,
>> JPR
>> 
>> 
>> http://www.jprykiel.com
>> 
>> http://soundcloud.com/ryksounet
>> https://www.youtube.com/c/jprykiel
>> Http://www.facebook.com/jprykiel
>> 
>>>> Le 10 janv. 2022 à 20:34, Gordon Kent  a écrit :
>>>> 
>>> 
>> 
>>> Unfortunately, I would imagine that making this software accessible would 
>>> be next to impossible. I am sure that it relies heavily on isolating 
>>> specific components in the wave forms of the audio. Being able to identify 
>>> these components would be very difficult. It is an amazing concept though. 
>>> We certainly are in very exciting times now as far as audio production is 
>>> concerned. I work with someone who does enjoy playing around with stuff. 
>>> I’ll see if he can be interested in checking out the demo.
>>> Gourd 
>>> 
>>>> On Mon, Jan 10, 2022 at 3:26 PM Jean-Philippe Rykiel  
>>>> wrote:
>>>> Hi Chuck. 
>>>> Unfortunately no, I wish I had. 
>>>> Cheers, 
>>>> JPR 
>>>> 
>>>> http://www.jprykiel.com
>>>> 
>>>> http://soundcloud.com/ryksounet
>>>> https://www.youtube.com/c/jprykiel
>>>> Http://www.facebook.com/jprykiel
>>>> 
>>>>>> Le 10 janv. 2022 à 17:24, Chuck Reichel 
>>>>>>  a écrit :
>>>>>> 
>>>>> Hi Jean-Philippe,
>>>> 
>>>>> 
>>>>> 
>>>>> Where you able to use VoiceOver while testing it?
>>>>> Thanks
>>>>> Chuck
>>>>> 
>>>>> 
>>>>>>> On Jan 10, 2022, at 4:11 AM, Jean-Philippe Rykiel  
>>>>>>> wrote:
>>>>>>> 
>>>>>>> Hi friends.
>>>>>>> I still didn’t take the plunge to ProTools, but here is a software  I
>>>>>>> Just experimented  with a sighted person, it’s the most amazing thing 
>>>>>>> I’ve heard in terms of stem extraction from a simple stereo WAV file.
>>>>>>> it does even more than RX Music rebalance module. it’s really amazing. 
>>>>>>> As it’s a small company, I wonder if they would be sensitive to an 
>>>>>>> accessibility request. But just for fun,  listen to the demos 
>>>>>>> 
>>>>>>> https://hitnmix.com/
>>>>>>> Enjoy,
>>>>>>> JPR
>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> http://www.jprykiel.com
>>>>>>> 
>>>>>>> http://soundcloud.com/ryksounet
>>>>>>> https://www.youtube.com/c/jprykiel
>>>>>>> Http://www.facebook.com/jprykiel
>>>>>> 
>>>>>> -- 
>>>>>> You received this message because you are subscribed to the Google 
>>>>>> Groups "Pro Tools Accessibility" group.
>>>>&

Re: OT, an incredible stem extraction software

2022-01-10 Thread Jean-Philippe Rykiel

Hi Gordon,
I wouldn’t say so. For example Izotop RX is partly accessible, even though you 
cannot draw things, you still can do a lot with its modules and their 
parameters. Same with mellodyne, that is partly accessible on PC, even though 
the user interface changes so much with every new version, but it’s really hard 
for the Scriptures to follow…
As far as  Rip X is concerned, what I understood is that once you import a file 
into it, it divides it into things that look a lot like tracks. And they are 
called Drums, Bass, Vocal, and Guitar and so on. What could be less accessible 
is the processing,  tuning , of ime, of time shifting and so on areas of this 
plug-in. But I’m pretty sure the basics could be accessible and we could easily 
mute or set each of these tracks levels…
Hope someone will try that.
Cheers,
JPR


http://www.jprykiel.com

http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykiel
Http://www.facebook.com/jprykiel

> Le 10 janv. 2022 à 20:34, Gordon Kent  a écrit :
> 
> 
> Unfortunately, I would imagine that making this software accessible would be 
> next to impossible. I am sure that it relies heavily on isolating specific 
> components in the wave forms of the audio. Being able to identify these 
> components would be very difficult. It is an amazing concept though. We 
> certainly are in very exciting times now as far as audio production is 
> concerned. I work with someone who does enjoy playing around with stuff. I’ll 
> see if he can be interested in checking out the demo.
> Gourd 
> 
>> On Mon, Jan 10, 2022 at 3:26 PM Jean-Philippe Rykiel  
>> wrote:
>> Hi Chuck. 
>> Unfortunately no, I wish I had. 
>> Cheers, 
>> JPR 
>> 
>> http://www.jprykiel.com
>> 
>> http://soundcloud.com/ryksounet
>> https://www.youtube.com/c/jprykiel
>> Http://www.facebook.com/jprykiel
>> 
>>>> Le 10 janv. 2022 à 17:24, Chuck Reichel  
>>>> a écrit :
>>>> 
>>> Hi Jean-Philippe,
>> 
>>> 
>>> 
>>> Where you able to use VoiceOver while testing it?
>>> Thanks
>>> Chuck
>>> 
>>> 
>>>>> On Jan 10, 2022, at 4:11 AM, Jean-Philippe Rykiel  
>>>>> wrote:
>>>>> 
>>>>> Hi friends.
>>>>> I still didn’t take the plunge to ProTools, but here is a software  I
>>>>> Just experimented  with a sighted person, it’s the most amazing thing 
>>>>> I’ve heard in terms of stem extraction from a simple stereo WAV file.
>>>>> it does even more than RX Music rebalance module. it’s really amazing. As 
>>>>> it’s a small company, I wonder if they would be sensitive to an 
>>>>> accessibility request. But just for fun,  listen to the demos 
>>>>> 
>>>>> https://hitnmix.com/
>>>>> Enjoy,
>>>>> JPR
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> http://www.jprykiel.com
>>>>> 
>>>>> http://soundcloud.com/ryksounet
>>>>> https://www.youtube.com/c/jprykiel
>>>>> Http://www.facebook.com/jprykiel
>>>> 
>>>> -- 
>>>> You received this message because you are subscribed to the Google Groups 
>>>> "Pro Tools Accessibility" group.
>>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> To view this discussion on the web visit 
>>>> https://groups.google.com/d/msgid/ptaccess/B5E4DCD5-4375-4483-BD06-04E83CF3B123%40gmail.com.
>>> 
>>> Chuck Reichel
>>> soundpicturerecord...@gmail.com
>>> 
>>> 
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> To view this discussion on the web visit 
>>> https://groups.google.com/d/msgid/ptaccess/3B599FBC-E6B0-4A81-B036-DAE7DCEC9AAC%40gmail.com.
>> 
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> To view this discussion on the web visit 
>> https://groups.google.com/d/msgid/ptaccess/0D83242A-2698-416F-9DBD-A042644EA4C9%40gmail.com.
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> To view this discussion on the web visit 
> https://groups.google.com/d/msgid/ptaccess/CAP%2BpVKKaVoqO5ch2EDp4NGNNuY%2BK3wmo9w5HZ-f%2Bv%2B%2BSbz4S%2BQ%40mail.gmail.com.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/273C79D4-EBEF-42D8-9826-EE50D3FD0DDE%40gmail.com.

Re: OT, an incredible stem extraction software

2022-01-10 Thread Jean-Philippe Rykiel

Hi Chuck. 
Unfortunately no, I wish I had. 
Cheers, 
JPR 

http://www.jprykiel.com

http://soundcloud.com/ryksounet
https://www.youtube.com/c/jprykiel
Http://www.facebook.com/jprykiel

> Le 10 janv. 2022 à 17:24, Chuck Reichel  a 
> écrit :
> 
> Hi Jean-Philippe,
> 
> Where you able to use VoiceOver while testing it?
> Thanks
> Chuck
> 
> 
>>> On Jan 10, 2022, at 4:11 AM, Jean-Philippe Rykiel  
>>> wrote:
>>> 
>>> Hi friends.
>>> I still didn’t take the plunge to ProTools, but here is a software  I
>>> Just experimented  with a sighted person, it’s the most amazing thing I’ve 
>>> heard in terms of stem extraction from a simple stereo WAV file.
>>> it does even more than RX Music rebalance module. it’s really amazing. As 
>>> it’s a small company, I wonder if they would be sensitive to an 
>>> accessibility request. But just for fun,  listen to the demos 
>>> 
>>> https://hitnmix.com/
>>> Enjoy,
>>> JPR
>>> 
>>> 
>>> 
>>> 
>>> http://www.jprykiel.com
>>> 
>>> http://soundcloud.com/ryksounet
>>> https://www.youtube.com/c/jprykiel
>>> Http://www.facebook.com/jprykiel
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> To view this discussion on the web visit 
>> https://groups.google.com/d/msgid/ptaccess/B5E4DCD5-4375-4483-BD06-04E83CF3B123%40gmail.com.
> 
> Chuck Reichel
> soundpicturerecord...@gmail.com
> 
> 
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> To view this discussion on the web visit 
> https://groups.google.com/d/msgid/ptaccess/3B599FBC-E6B0-4A81-B036-DAE7DCEC9AAC%40gmail.com.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/0D83242A-2698-416F-9DBD-A042644EA4C9%40gmail.com.

OT, an incredible stem extraction software

2022-01-10 Thread Jean-Philippe Rykiel

> Hi friends.
> I still didn’t take the plunge to ProTools, but here is a software  I
>  Just experimented  with a sighted person, it’s the most amazing thing I’ve 
> heard in terms of stem extraction from a simple stereo WAV file.
> it does even more than RX Music rebalance module. it’s really amazing. As 
> it’s a small company, I wonder if they would be sensitive to an accessibility 
> request. But just for fun,  listen to the demos 
> 
> https://hitnmix.com/
> Enjoy,
> JPR
> 
> 
> 
> 
> http://www.jprykiel.com
> 
> http://soundcloud.com/ryksounet
> https://www.youtube.com/c/jprykiel
> Http://www.facebook.com/jprykiel

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/B5E4DCD5-4375-4483-BD06-04E83CF3B123%40gmail.com.

Fwd: [rwp] Accessibility support in juce framework is real - link to working beta for developers

2021-03-24 Thread Jean-philippe Rykiel


Hi there,

This is something we've all been waiting for. It's not quite ready yet, 
but things are moving in the right direction.


Cheers,

JPR

 Message transféré 
Sujet : 	[rwp] Accessibility support in juce framework is real - link to 
working beta for developers

Date :  Tue, 23 Mar 2021 23:23:58 -0400
De :Rich Caloggero 
Répondre à :r...@groups.io
Pour :  r...@groups.io



Juce is a UI framework upon which many audio plugins are based. It makes 
very nice GUIs, but until now has had absolutely *no* accessibility 
support; it just makes nice pictures that can only be used via mouse.


Here is a beta release which apparently has accessibility support. If 
anyone here knows any plugin devs who use juce in their product, perhaps 
they could test this release and allow some real users to beta test for 
accessibility.


This could be a huge win for us I think.

JUCE Accessibility Preview Branch - News and Announcements - JUCE

https://forum.juce.com/t/juce-accessibility-preview-branch/45142

-- Rich




-=-=-=-=-=-=-=-=-=-=-=-
Groups.io Links: You receive all messages sent to this group.
View/Reply Online (#59325): https://groups.io/g/rwp/message/59325
Mute This Topic: https://groups.io/mt/81568977/1172390
Group Owner: rwp+ow...@groups.io
Unsubscribe: 
https://groups.io/g/rwp/leave/3239386/1172390/1908642444/xyzzy 
[jpryk...@gmail.com]

-=-=-=-=-=-=-=-=-=-=-=-


.

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/6b2dda47-b74a-d323-4fee-3fc3e4ccbed7%40gmail.com.

Re: an audio comparison of 4 DAWs from an accessibility perspective

2020-10-23 Thread Jean-philippe Rykiel

Try this link

https://www.dropbox.com/s/oo5phk6n4bcwkn0/DAW%20comparison%20presentation.zip?dl=1

Cheers,

http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://twitter.com/ryksounet

Le 23/10/2020 à 13:47, 'Edgar Cabachuela' via Pro Tools Accessibility a
écrit :

Can you email the files on mp3? I couldn’t open them on the drop box app.

Sent from my iPhone

On Oct 22, 2020, at 10:44 AM, Slau Halatyn wrote:

For a couple of months, a few of us have been working on a project
involving a comparison of several digital audio workstations from an
accessibility perspective. I initially had the idea to compare Pro
Tools, Logic and Reaper on the Mac. Eventually, this led to the
inclusion of Samplitude on Windows. Taking it a step further still,
the idea was floated to have a live panel discussion on the results
of the comparisons.

So, as a first step, I'm sharing a series of files featuring each of
the DAWs in action. There are 12 mp3s that divide various tasks among
the workstations. Each task is performed in each DAW and the listener
gets an idea of the UI layout, feedback, etc. In total, there's over
4 hours of material. The live panel discussion will take place next
week and you'll hear more about that when I See Music posts a link.
For now, feel free to share the link and teaser below:

--
You received this message because you are subscribed to the Google
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it,
send an email to ptaccess+unsubscr...@googlegroups.com
.
To view this discussion on the web visit
https://groups.google.com/d/msgid/ptaccess/AA9AA444-4FCB-40A1-88A3-9674E6111B3E%40gmail.com
.

<01 DAW Accessibility Comparison (Introduction).mp3>

Here's the full list of files:
https://www.dropbox.com/s/oo5phk6n4bcwkn0/DAW%20comparison%20presentation.zip?dl=0

Cheers,
Slau

--
You received this message because you are subscribed to the Google
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it,
send an email to ptaccess+unsubscr...@googlegroups.com
.
To view this discussion on the web visit
https://groups.google.com/d/msgid/ptaccess/AA9AA444-4FCB-40A1-88A3-9674E6111B3E%40gmail.com
.

--
You received this message because you are subscribed to the Google
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send
an email to ptaccess+unsubscr...@googlegroups.com
.
To view this discussion on the web visit
https://groups.google.com/d/msgid/ptaccess/9896C4A0-B8CB-4DD5-ABE5-CD95A114D5C7%40yahoo.com
.

Fwd: [vipaudioaccess] DAW Comparison, Reaper, Samplitude, Logic and ProTools.

2020-10-23 Thread Jean-philippe Rykiel

Hi folks.

Next Friday October 30^th , there is a webinar hosted by iSeeMusic on
the topic of DAW’s and how specific tasks are achieved in each of them

This is to answer any questions arising from those who are interested in
the different workflows each DAW offers. I was asked to represent
Samplitude, so the 4 dAW’s are Reaper, Samplitude, Logic and ProTools.

Prior to this webinar, there are a bunch of audio files that have been
recorded by each representative demonstrating around 10 specific tasks.
Each task is demonstrated in each DAW before moving on to the next task.
They are not tutorials, just demonstrations.

If you want to attend this webinar, or simply want to listen to the
demonstrations, you can register and download the files below:

https://www.dropbox.com/s/4kng2ljl8y8z4cw/DAW%20comparison%20presentation.zip?dl=0

Hi there,

You are invited to a Zoom webinar.

When: Oct 30, 2020 11:00 AM Central Time (US and Canada)

Topic: DAW Comparison

https://iseemusic.zoom.us/webinar/register/WN_vrJdZbJTSD2kaPEtsdapEA

After registering, you will receive a confirmation email containing
information about joining the webinar.

Best steve.

Samplitude Access-The Gateway To Pro Recording With Samplitude For the
Visually Impaired: www.samplitudeaccess.org.uk

Follow me on Twitter:
stevesax123
Contact me:
Mobile:
+44 (0)7733373714
E-Mail:
stevespame...@gmail.com

Fwd: A Special Message from Eventide Artist Dweezil Zappa

2020-09-29 Thread Jean-philippe Rykiel


Hi friends,

I rarely post to multiple lists at a time, but I think this message 
could be important, and that We could benefit this new platform, 
assuming it is accessible of course.


Please

 read on,

Cheers,

JPR




 Message transféré 
Sujet : A Special Message from Eventide Artist Dweezil Zappa
Date :  Mon, 28 Sep 2020 20:39:03 +
De :Eventide Audio 
Répondre à :us8-5792deaa82-1eb7801...@inbound.mailchimpapp.net
Pour :  jp.ryk...@orange.fr



A Hi friends,
I rarely post to several lists at a time, but I think this message is 
important, and this new platform might be of interest to all of us, 
hoping it is accessible enough.

Please read on.
Best,
JPR
Message from Eventide Artist Dweezil Zappa In his time away from 
touring, Dweezil Zappa has been working hard to address the difficulties 
musicians have faced both before and during Covid-19.
View this email in your browser 



 




 *Reward Music - Helping Artists Survive*


In his time away from touring, Eventide Artist Dweezil Zappa 
 
has been working hard to address the difficulties musicians have faced 
both before and during Covid-19.



 “The global pandemic has turned the touring industry upside down
 and crippled musicians abilities to plan their lives and earn a
 living in a predictable way.”
 /-Dweezil Zappa/


When we spoke with him recently, Dweezil said, “I’ve spent the past 14 
years playing 80 - 100 shows a year. The global pandemic has turned the 
touring industry upside down...” Touring musicians were barely getting 
by before the shut down and, now,  the crisis is shining a bright light 
on a system that is broken. A system that is fundamentally unfair. 
Dweezil said it best, “Music has become monetized as a service industry 
and artists are paying the price.”


Mindful that necessity is the mother of invention, Dweezil became 
involved with the development of a Humane Technology platform to invent 
a way for artists to connect to their fans directly. This cuts out the 
“middleman”, and allows artists to receive fair value for their work.


Reward Music 
 
is a platform that puts the artist in control by providing a single, 
easy-to-use, integrated channel for artists to display their merchandise 
and broadcast their complete catalog of audio and video content to their 
fans.


*Dweezil is excited to share Reward Music directly with the Eventide 
community. All Eventide users will have the chance to dive into the 
platform with two months of free service beginning on September 28th. To 
redeem, just enter code "EVENTIDE1" at checkout.


* 



Learn More 
 



*Follow Us on Social!*

Facebook 
 



Twitter 
 



Link 
 



YouTube 
 




You are receiving this email because you opted in at our website, 
purchased an Eventide product or entered a contest or promotion.


*Our mailing address is:*
Eventide Inc.
1 Alsan Way
Little Ferry, NJ 07643

Add us to your address book 




/Eventide is a registered trademark of Eventide Inc. /
/Copyright © 2020 Eventide Inc., All rights reserved./

Want to change how you receive these emails?
You can update your preferences 
 
or unsubscribe from this list 
.
Email Marketing Powered by Mailchimp 
 



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to

Any French ProTools user Out there ?

2020-08-26 Thread Jean-philippe Rykiel


Hi friends,

if any, please contact me off list, I would like to know about the way 
ProTools Behaves in the French environment, French OS X and keyboard 
layout (AZERTY).


I also have questions about the MIDI  side ofProTools and its current 
accessibility.


Well for this one, you can all reply.

Best,

JPR

--
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://twitter.com/ryksounet

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/9053963e-5197-bc9a-637a-392b6e562ca4%40gmail.com.

Fwd: UA to Observe "Blackout Tuesday"

2020-06-02 Thread Jean-philippe Rykiel





 Message transféré 
Sujet : UA to Observe "Blackout Tuesday"
Date :  Tue, 02 Jun 2020 01:46:19 + (UTC)
De :Bill Putnam 
Pour :  jp.ryk...@orange.fr



Universal Audio
 



Dear UA Friends and Family,

These are challenging times, and they are becoming more so every day. In 
light of recent events, Universal Audio will close normal operations 
June 2 in observance of "Blackout Tuesday. 
"


We do this in solidarity with our peers in the music industry in 
recognition of those hurting within the Black community. Put simply, 
this is no time for business as usual.


As founder of Universal Audio, I recognize that I have not suffered the 
abuse, intolerance, and racism that so many others have experienced for 
their entire lives. So what can I do personally? What should Universal 
Audio as a company do?


Observing Blackout Tuesday is our first step. This is a day to allow UA 
employees to reflect on the racism and injustice affecting our Black 
brothers and sisters worldwide. To this end, we will be sharing 
articles, hosting internal discussions, and addressing how we can do our 
part to promote justice and equality in our communities.


We struggled with whether or not to shut down our online store 
, 
but decided that a better path would be to donate 100% of Tuesday's 
online store proceeds to worthy organizations including 
Equal Justice Initiative 
 
and the NAACP Legal Defense and Educational Fund 
.


While UA is not an inherently "political" company, I believe we all have 
a responsibility to confront racism head-on, working in big and small 
ways to further equality and justice. We simply cannot return to the 
status quo, when the status quo is so clearly broken.


I invite all who are able to take some time tomorrow to think, reflect, 
and plan for a more free and fair world. This can be a significant 
opportunity for change, if we all do our part.


In the words of the late Robert Hunter, “Ain’t no time to hate.”

Peace and Sincerely,

Bill Putnam Jr.
Universal Audio

Merci de vous être inscrit à la liste d'envoi des offres promotionnelles 
par email ! Cliquez sur ce lien pour vous désabonner 
. 
Ne répondez pas à cet email ; Les emails envoyés à cette adresse ne 
seront pas lus. Utilisez notre page de contact. 
Service 
clientèle et Assistance technique: +33 97 0738450 • Universal

a new virtual pipe organ

2019-11-29 Thread Jean-Philippe Rykiel


Hi friends.

Modartt, the French company that released the first physically modelled 
piano by the name of Pianoteq, now releases Organteq, based on the same 
physical modelling technology, no samples.


I haven't tried it yet,  but I imagine they use Juce as their GUI 
platform, so I really can't tell how accessible it will be .

Nevertheless, it sounds amazing.
https://www.modartt.com/organteq
Happy listening,
best,
JPR

--
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/5689bf53-b4ef-761a-c997-b8b76f729081%40gmail.com.

Re: Which Waves plugin is accessible for this task?

2019-05-07 Thread Jean-Philippe Rykiel

Waves have a few of them, not bad. I know nothing about third-party
plug-ins accessibility in ProTools, but

You might also check

https://valhalladsp.com/
They make wonderful reverbs, 50 bucks each, I hope they are ProTools compatible.
Best,
JPR

http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 07/05/2019 à 20:13, Christopher Gilland a écrit :
You do get reverb, yes, but I'm looking for something a little
different. I like having variety, and frankly, the quality of the
things I've heard from various different waves plugs is absolutely
steller!

Chris.

On 05/07/2019 01:59 PM, Jean-Philippe Rykiel wrote:

Hi Chris,

Pro tools comes with fancy reverbs doesn't it? Or is there a problem
with their accessibility?

Best,

JPR

Le 07/05/2019 à 19:49, Christopher Gilland a écrit :

Guys,

I want to look at getting a wave plugin that would be a reverb. Not
delay, but actual reverb.

Is there anything which would be usable from Waves I could use with
Voiceover that either has custom presets, or that the plugin,
generally speaking, is accessible?

Chris.

Re: Which Waves plugin is accessible for this task?

2019-05-07 Thread Jean-Philippe Rykiel


Hi Chris,

Pro tools comes with fancy reverbs doesn't it? Or is there a problem 
with their accessibility?


Best,

JPR


http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel



Le 07/05/2019 à 19:49, Christopher Gilland a écrit :

Guys,


I want to look at getting a wave plugin that would be a reverb. Not 
delay, but actual reverb.



Is there anything which would be usable from Waves I could use with 
Voiceover that either has custom presets, or that the plugin, 
generally speaking, is accessible?



Chris.



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
To view this discussion on the web visit 
https://groups.google.com/d/msgid/ptaccess/47c52144-766e-f3a9-3870-b7d39acf289e%40gmail.com.
For more options, visit https://groups.google.com/d/optout.

Juce accessibility, things are moving

2019-05-02 Thread Jean-Philippe Rykiel


Dear friends,

this one could change our musical lives For good, so I hope you don't 
mind me posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music applications. 
It is already being used by about 500 companies, among which Pianoteq, 
UVI, Korg,

Max, SampleModeling...
Juce Provides tools for developers that allows them to build 
applications that are compatible with every operating system, Windows, 
OS X, Linux, without

having to recode For each System.
This also means these Developers depend on Juce for things like their  
graphic interface.



there has been an ongoing discussion about Juce accessibility which is 
nul for the moment, if you are interested, the link is


https://forum.juce.com/t/juce-accessibility/15968/50


The good news is that a man known as reFX took part in the discussion, 
and has the solution for us. He needs testers of course, and he has set 
up a Google group For this purpose.


I don't have much technical details except that his solution would work 
on Mac and PC, so I think it's worth Joining his group and contributing 
to his prodject development.


You can subscribe at

refx-access+subscr...@googlegroups.com

Best,

JPR



--
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: On The Sad State of Macintosh Hardware

2018-06-16 Thread Jean-Philippe Rykiel


I'm sharing this.

Frightening it is.

JP


http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel



Le 15/06/2018 à 22:20, Chris Smart a écrit :

Blog post at:
https://weblog.rogueamoeba.com/2018/06/14/on-the-sad-state-of-macintosh-hardware/ 






"There are two means of refuge from the miseries of life: music and 
cats." - Albert Schweitzer


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Introducing: Blockchain ⛓The world's first decentralized sound fx library

2018-04-04 Thread Jean-Philippe Rykiel


Love the reviews!

Have fun reading them if you haven't already.

JP



http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel
http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel



Le 04/04/2018 à 16:52, Slau Halatyn a écrit :

Ramy,
Look at the date of the original message and think about what 
generally happens around the world on April First.
On Apr 4, 2018, at 10:44 AM, Ramy Moustafa > wrote:


Hello

Can not get the library for free;
Is it expired?

Ramy moustafa saber
licturer at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone

On Apr 1, 2018, at 7:39 PM, Andre Jarreau 
> wrote:



Hi All,
Thought some on the list might benefit by this free offer.
Andre
*From:*Pro Sound Effects [mailto:i...@prosoundeffects.com]
*Sent:*Sunday, April 01, 2018 9:18 AM
*To:*andre.jarr...@earthlink.net 
*Subject:*Introducing: Blockchain ⛓The world's first decentralized 
sound fx library
 



HOME 
BLOG 
ABOUT 



 



*Free Library: *Revolutionize the way you transact with sound.
What if we told you that there was an open, secure sound effects 
library that doubles as a digital ledger - changing the way you 
transacted with any DAW on the planet?


IntroducingBlockchain 
- 
the world's first decentralized sound effects library.


Companies have seen their stock values skyrocket simply by adding 
"Blockchain” to their name. Add these Blockchain sound effects to 
your audio projects, and you can expect to see the very same 
financial success.


Regularly valued at 100 Bitcoin, this groundbreaking library is 
available*FREE*for one week starting today.


GET FREE LIBRARY 





 




 




 




 



prosoundeffects.com 
 • 
+1 (646) 706-7728
This email was sent toandre.jarr...@earthlink.net 
• Unsubscribe 


Copyright © 2018 Pro Sound Effects. All rights reserved.



--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, 
send an email toptaccess+unsubscr...@googlegroups.com 
.

For more options, visithttps://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, 
send an email toptaccess+unsubscr...@googlegroups.com 
.

For more options, visithttps://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send 
an email to ptaccess+unsubscr...@googlegroups.com 
.

For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Protools vs Logic Pro, accessibility and productivity

2018-02-06 Thread Jean-Philippe Rykiel


Hi Vic,

Interesting. I'd like to get the opinion from folks who are using audio 
and MIDI together.


Best,

JPR


http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 06/02/2018 à 07:25, Victor Tsaran a écrit :

Hello all!
Please please no flame wars!
I would really like to hear from expert users who used both Logic and 
Protools with VoiceOver on Mac OS. To be more precise, I mean the 
Flotools/Protools combination vs Flogic/Logic one.
After reading various release notes on Flotools.org, I came to 
conclusion that protools combined with Flotools offers an unparalleled 
productivity and efficiency with VoiceOver compared to that of Logic. 
Of course, you can deal with the quirks of the latter, but judging 
from the feature set of Flotools, querying, editing and manipulating 
the audio content in Protools is much faster than in Logic Pro.


Yes, I understand the difference between two DAWs. The purpose of this 
message is to affirm my conclusions, especially from users who are 
experts in using both.


Would you agree with my observations above? Are there any remaining 
weak points in Protools as far as accessibility is concerned?

Thanks for any pointers, tutorials, podcasts, etc.
Vic

--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send 
an email to ptaccess+unsubscr...@googlegroups.com 
.

For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Juce accessibility, How to get the money?

2017-07-02 Thread Jean-Philippe Rykiel


Slau.

Yeah, I just saw it today. I just forwarded your mail to my contact at 
Juce, who incidentally is French. But I guess he'll be able to reply to 
you or put you in contact with the right person.

Best regards,
JPRhttp://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 01/07/2017 à 20:36, Slau Halatyn a écrit :

JPR, sent you a message off list, FYI.

On Jun 17, 2017, at 2:44 AM, Jean-Philippe Rykiel <jpryk...@gmail.com> wrote:

Hi all.

So, what I would like you to do now, is right a little testimonial to Juce. 
send it here, by replying to this mail.

All I need is a quick bio, and a description of your frustration regarding 
accessibility.

As Cameron said, some folks From music software companies arn't even Aware that 
blind musicians use DAWS. So anything that sounds obvious to you might not be 
to them.

Thanks for making things move.

best,

JPR



http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 21:33, Andre Woods a écrit :

Hello,
I appreciate your advocacy for us. Would native instruments happen 
to be one of the 500  company's?

Sent from my iPhone


On Jun 16, 2017, at 11:23 AM, Jean-Philippe Rykiel <jpryk...@gmail.com> wrote:

Dear friends,

this one could change our musical lives For good, so I hope you don't mind me 
posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music applications. It is 
already being used by about 500 companies, among which Pianoteq, UVI, Korg, 
Max, SampleModeling...
for those with a better skill Than mine in computer science, here is their 
website.
 http://juce.com

Juce Provides tools for developers that allows them to build applications that 
are compatible with every operating system, Windows, OS X, Linux, without
having to recode For each System.
This also means these Developers depend on Juce for things like their  graphic 
interface.
I just spoke to someone from the Juce support team about our accessibility 
issues.
Useless to say that, if Juce  could give its clients an accessibility module, 
that would be the end of our problems, And all Plug-ins developed withJuce  
could instantly become
accessible at once. But Such a tool would take about six months and 
Approximately $111000 To develop. Who has this money?
Of course, Juce  is not Apple, not eaven Avid, and they cannot afford to pay 
for this development by themselves, especially since, after these six initial
months, comes an unpredictable time of maintenance, as things never work as 
expected…
So, two things could be done. One would be crowdfunding. but how many Blind 
musicians would be ready to pay, and how much, ?
Another solution would be to make companies that use Juce  for their plug-ins 
concerned With accessibility. If each company Invested a small amount of
money, something like 5000 each, if they feel accessibility would Also improve 
their image and reputation, Then the goal would be reached.
For this to work, they need testimonials from As many blind musician as 
Possible, who dream to use such plug-ins but can't.
I would be happy to be your Intermediate, and transmit all these testimonials 
to the Juce team, who will Transmit these to their 500 partners on our behalf.

So, what do you say?
Best regards,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Fwd: [JUCE] [General JUCE discussion] Juce Accessibility

2017-06-20 Thread Jean-Philippe Rykiel


Guys, I think we Have their attention. Let's not lose it.

JP




 Message transféré 
Sujet : [JUCE] [General JUCE discussion] Juce Accessibility
Date :  Tue, 20 Jun 2017 10:03:41 +
De :Jb 
Répondre à : 	JUCE 


Pour :  jp.ryk...@orange.fr



[jb1]   jb1 
June 20

Thank you Jean-Philippe for voicing the needs of the community of blind 
musicians. We are listening and have looked into the complexity of 
supporting accessibility. This is not a trivial task, and we would 
welcome support from the community to help make it happen faster.


If developers who are listening here have implemented screen readers on 
top of JUCE and are willing to share their work with the community, 
please get in touch!


Best,
JB



Visit Topic  or 
reply to this email to respond.





   In Reply To

[jprykiel]  jprykiel 
June 20

Hello Jonathan. Well, you might be surprised. Some of us like the PC 
better. The reason may be that we have been used to it for a long time, 
but the fact is, with a paid screenreader like Jaws, , a DAW like Magix 
Samplitude is almost 100% accessible. ProTools and Logic on Mac has not 
reached this le…



Visit Topic  or 
reply to this email to respond.


To unsubscribe from these emails, click here 
.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Juce accessibility, How to get the money?

2017-06-18 Thread Jean-Philippe Rykiel

Oh. Here is a link to another Juce accessibility topic on their forum. 
Wouldn't hurt to post their either, I just did.


https://forum.juce.com/t/juce-accessibility/15968/8

Best,

JPR



http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 18/06/2017 à 01:41, Chris Smart a écrit :
I find companies respond very quickly to tweets. Perhaps contact them 
on Twitter and move it to DM, and ask for a contact person to email 
directly?




Sent from Chris's iPhone.


On Jun 17, 2017, at 02:53, Phil Muir <i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:



Maybe we should start talking to them on Twitter.  Worth a try.



*From:*ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>] 
*On Behalf Of *Jean-Philippe Rykiel

*Sent:* 17 June 2017 10:50
*To:* ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
*Subject:* Re: Juce accessibility, How to get the money?

Phil, I'd like to get involved as well. I've sent them quite a number 
of males regarding RX five and six. Is there anything more I can do?


Best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/06/2017 à 11:47, Phil Muir a écrit :

In the case of iZotope I got together with Chris Smart and wrote 
them a letter explaining why they may wish to make products 
accessible.  They were very open to the idea and we managed to get a 
number of visually impaired testers on to the beta program. 
 Unfortunately they have had some internal restructuring done and 
the person who would have been able to restart the beta doesn’t have 
the power to do that.  I am still in talks with iZotope about 
resurrecting this beta program because I think it’s needed both on 
Windows and Mac and a number of you have been in touch with me 
expressing an interest in getting involved.




*From:*ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com 
<mailto:ptaccess@googlegroups.com>] *On Behalf Of *Jean-Philippe Rykiel

*Sent:* 17 June 2017 00:02
*To:* ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
*Subject:* Re: Juce accessibility, How to get the money?

Slau. that sounds very discouraging doesn't it?

Let me ask you, What motivated Avid to work on ProTools 
accessibility? I suppose they started by Giving you all this market 
share blah blah, but then, what made them change their minds?


Even smaller companies like Izotope made some of their products 
accessible like Rx, even though Rx accessibility is declining with 
newer versions, but it seems they were Concerned with accessibility, 
at least temporarily. I wonder why. Did the boss Have a blind friend 
or family member? It would be interesting to know what motivates 
people to do unprofitable things.


Best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 19:53, Slau Halatyn a écrit :

The subject of accessibility as it relates to the JUCE platform has 
been discussed on the JUCE forum. One of the guys from Sound Radix 
posted earlier this year on a few key points:


https://forum.juce.com/t/accessibility-for-blind-people-using-voiceover/21040

As far as Avid is concerned, there is no financial consideration, 
per se, but there most certainly was a point when I had suggested 
crowd funding. There's no question that, in the long run, having 
the company make it part of their standard workflow is the way to 
go. Of course, you can't compare Avid to an open-source company so 
it's quite different. Further, most developers are one-man 
operations and will definitely shy away from that kind of financial 
hit. In my opinion, it simply won't happen. If JUCE developers 
follow the practices set forth by Sound Radix, we're in good shape 
across dAW platforms. The remaining issue would be the presets 
problem and that is currently being looked at by several companies 
including Avid. The idea would be to create an industry-standard 
format that could be read by any dAW on any platform. It was raised 
earlier this year by a developer and, coincidentally, by one of the 
biggest software developers in the industry and Avid, along with 
others, has signed on to try and make it happen.


BTW, the whole iLok thing had nothing to do with JUCE but QT. 
Regardless, the best solutions will have to address all platforms.


Slau

On Jun 16, 2017, at 12:52 PM, Phil Muir 
<i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:


JPR.  Juce can already be made to be somewhat accessible.  You

Re: Juce accessibility, How to get the money?

2017-06-18 Thread Jean-Philippe Rykiel

Alright guys. Back to Juce now please. Sorry as I initiated the drift, 
but remember, I'm still waiting for your testimonials.


This concerns the UVI player, Pianoteq, Samplemodeling, Korg, and about 
500 others we are not aware of.


Best,

JPR


http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 18/06/2017 à 01:41, Chris Smart a écrit :
I find companies respond very quickly to tweets. Perhaps contact them 
on Twitter and move it to DM, and ask for a contact person to email 
directly?




Sent from Chris's iPhone.


On Jun 17, 2017, at 02:53, Phil Muir <i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:



Maybe we should start talking to them on Twitter.  Worth a try.



*From:*ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>] 
*On Behalf Of *Jean-Philippe Rykiel

*Sent:* 17 June 2017 10:50
*To:* ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
*Subject:* Re: Juce accessibility, How to get the money?

Phil, I'd like to get involved as well. I've sent them quite a number 
of males regarding RX five and six. Is there anything more I can do?


Best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/06/2017 à 11:47, Phil Muir a écrit :

In the case of iZotope I got together with Chris Smart and wrote 
them a letter explaining why they may wish to make products 
accessible.  They were very open to the idea and we managed to get a 
number of visually impaired testers on to the beta program. 
 Unfortunately they have had some internal restructuring done and 
the person who would have been able to restart the beta doesn’t have 
the power to do that.  I am still in talks with iZotope about 
resurrecting this beta program because I think it’s needed both on 
Windows and Mac and a number of you have been in touch with me 
expressing an interest in getting involved.




*From:*ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com 
<mailto:ptaccess@googlegroups.com>] *On Behalf Of *Jean-Philippe Rykiel

*Sent:* 17 June 2017 00:02
*To:* ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com>
*Subject:* Re: Juce accessibility, How to get the money?

Slau. that sounds very discouraging doesn't it?

Let me ask you, What motivated Avid to work on ProTools 
accessibility? I suppose they started by Giving you all this market 
share blah blah, but then, what made them change their minds?


Even smaller companies like Izotope made some of their products 
accessible like Rx, even though Rx accessibility is declining with 
newer versions, but it seems they were Concerned with accessibility, 
at least temporarily. I wonder why. Did the boss Have a blind friend 
or family member? It would be interesting to know what motivates 
people to do unprofitable things.


Best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 19:53, Slau Halatyn a écrit :

The subject of accessibility as it relates to the JUCE platform has 
been discussed on the JUCE forum. One of the guys from Sound Radix 
posted earlier this year on a few key points:


https://forum.juce.com/t/accessibility-for-blind-people-using-voiceover/21040

As far as Avid is concerned, there is no financial consideration, 
per se, but there most certainly was a point when I had suggested 
crowd funding. There's no question that, in the long run, having 
the company make it part of their standard workflow is the way to 
go. Of course, you can't compare Avid to an open-source company so 
it's quite different. Further, most developers are one-man 
operations and will definitely shy away from that kind of financial 
hit. In my opinion, it simply won't happen. If JUCE developers 
follow the practices set forth by Sound Radix, we're in good shape 
across dAW platforms. The remaining issue would be the presets 
problem and that is currently being looked at by several companies 
including Avid. The idea would be to create an industry-standard 
format that could be read by any dAW on any platform. It was raised 
earlier this year by a developer and, coincidentally, by one of the 
biggest software developers in the industry and Avid, along with 
others, has signed on to try and make it happen.


BTW, the whole iLok thing had nothing to do with JUCE but QT. 
Regardless, the best solutions will have to address all platforms.


Slau

On Jun 16, 2017, at 12:52 PM, Phil Muir 
<i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:


JP

Re: Juce accessibility, How to get the money?

2017-06-17 Thread Jean-Philippe Rykiel

Phil, I'd like to get involved as well. I've sent them quite a number of 
males regarding RX five and six. Is there anything more I can do?


Best,

JPR


http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/06/2017 à 11:47, Phil Muir a écrit :


In the case of iZotope I got together with Chris Smart and wrote them 
a letter explaining why they may wish to make products accessible. 
 They were very open to the idea and we managed to get a number of 
visually impaired testers on to the beta program.  Unfortunately they 
have had some internal restructuring done and the person who would 
have been able to restart the beta doesn’t have the power to do that. 
 I am still in talks with iZotope about resurrecting this beta program 
because I think it’s needed both on Windows and Mac and a number of 
you have been in touch with me expressing an interest in getting involved.




*From:*ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] 
*On Behalf Of *Jean-Philippe Rykiel

*Sent:* 17 June 2017 00:02
*To:* ptaccess@googlegroups.com
*Subject:* Re: Juce accessibility, How to get the money?

Slau. that sounds very discouraging doesn't it?

Let me ask you, What motivated Avid to work on ProTools accessibility? 
I suppose they started by Giving you all this market share blah blah, 
but then, what made them change their minds?


Even smaller companies like Izotope made some of their products 
accessible like Rx, even though Rx accessibility is declining with 
newer versions, but it seems they were Concerned with accessibility, 
at least temporarily. I wonder why. Did the boss Have a blind friend 
or family member? It would be interesting to know what motivates 
people to do unprofitable things.


Best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 19:53, Slau Halatyn a écrit :

The subject of accessibility as it relates to the JUCE platform has 
been discussed on the JUCE forum. One of the guys from Sound Radix 
posted earlier this year on a few key points:


https://forum.juce.com/t/accessibility-for-blind-people-using-voiceover/21040

As far as Avid is concerned, there is no financial consideration, per 
se, but there most certainly was a point when I had suggested crowd 
funding. There's no question that, in the long run, having the 
company make it part of their standard workflow is the way to go. Of 
course, you can't compare Avid to an open-source company so it's 
quite different. Further, most developers are one-man operations and 
will definitely shy away from that kind of financial hit. In my 
opinion, it simply won't happen. If JUCE developers follow the 
practices set forth by Sound Radix, we're in good shape across dAW 
platforms. The remaining issue would be the presets problem and that 
is currently being looked at by several companies including Avid. The 
idea would be to create an industry-standard format that could be 
read by any dAW on any platform. It was raised earlier this year by a 
developer and, coincidentally, by one of the biggest software 
developers in the industry and Avid, along with others, has signed on 
to try and make it happen.


BTW, the whole iLok thing had nothing to do with JUCE but QT. 
Regardless, the best solutions will have to address all platforms.


Slau

On Jun 16, 2017, at 12:52 PM, Phil Muir 
<i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:


JPR.  Juce can already be made to be somewhat accessible.  You just 
need to
know how to do that.  For instance.  The Ilok Licence manager on 
Windows and

Mac is somewhat accessible on both platforms.  I think Slau may have had
discussions with Pace on the Ilok application.  No reason why that same
accessibility couldn't be ported to other apps.

-Original Message-
From: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com] On Behalf

Of Jean-Philippe Rykiel
Sent: 16 June 2017 16:23
To: viplist; ptaccess@googlegroups.com 
<mailto:ptaccess@googlegroups.com>; 
logic-accessibil...@googlegroups.com 
<mailto:logic-accessibil...@googlegroups.com>

Subject: Juce accessibility, How to get the money?

Dear friends,

this one could change our musical lives For good, so I hope you 
don't mind

me posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music 
applications. It

is already being used by about 500 companies, among which Pianoteq, UVI,
Korg, Max, SampleModeling...
for those with a better skill Than mine in computer science, here is 
their

website.

http://juce.com

Juce Provides tools for developers that allows them to build 
applications

that are compatible with every operating system, Windows, OS X, Linux,
without
ha

Re: Juce accessibility, How to get the money?

2017-06-17 Thread Jean-Philippe Rykiel

Hi all.

So, what I would like you to do now, is right a little testimonial to
Juce. send it here, by replying to this mail.

All I need is a quick bio, and a description of your frustration
regarding accessibility.

As Cameron said, some folks From music software companies arn't even
Aware that blind musicians use DAWS. So anything that sounds obvious to
you might not be to them.

Thanks for making things move.

best,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 21:33, Andre Woods a écrit :

Hello,

I appreciate your advocacy for us. Would native instruments happen to be one of the 500 company's?

Sent from my iPhone

On Jun 16, 2017, at 11:23 AM, Jean-Philippe Rykiel <jpryk...@gmail.com> wrote:

Dear friends,

this one could change our musical lives For good, so I hope you don't mind me
posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music applications. It is
already being used by about 500 companies, among which Pianoteq, UVI, Korg,
Max, SampleModeling...
for those with a better skill Than mine in computer science, here is their
website.
http://juce.com

Juce Provides tools for developers that allows them to build applications that
are compatible with every operating system, Windows, OS X, Linux, without
having to recode For each System.
This also means these Developers depend on Juce for things like their graphic
interface.
I just spoke to someone from the Juce support team about our accessibility
issues.
Useless to say that, if Juce could give its clients an accessibility module,
that would be the end of our problems, And all Plug-ins developed withJuce
could instantly become
accessible at once. But Such a tool would take about six months and
Approximately $111000 To develop. Who has this money?
Of course, Juce is not Apple, not eaven Avid, and they cannot afford to pay
for this development by themselves, especially since, after these six initial
months, comes an unpredictable time of maintenance, as things never work as
expected…
So, two things could be done. One would be crowdfunding. but how many Blind
musicians would be ready to pay, and how much, ?
Another solution would be to make companies that use Juce for their plug-ins
concerned With accessibility. If each company Invested a small amount of
money, something like 5000 each, if they feel accessibility would Also improve
their image and reputation, Then the goal would be reached.
For this to work, they need testimonials from As many blind musician as
Possible, who dream to use such plug-ins but can't.
I would be happy to be your Intermediate, and transmit all these testimonials
to the Juce team, who will Transmit these to their 500 partners on our behalf.

So, what do you say?
Best regards,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Re: Juce accessibility, How to get the money?

2017-06-16 Thread Jean-Philippe Rykiel


Slau. that sounds very discouraging doesn't it?

Let me ask you, What motivated Avid to work on ProTools accessibility? I 
suppose they started by Giving you all this market share blah blah, but 
then, what made them change their minds?


Even smaller companies like Izotope made some of their products 
accessible like Rx, even though Rx accessibility is declining with newer 
versions, but it seems they were Concerned with accessibility, at least 
temporarily. I wonder why. Did the boss Have a blind friend or family 
member? It would be interesting to know what motivates people to do 
unprofitable things.


Best,

JPR


http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 19:53, Slau Halatyn a écrit :
The subject of accessibility as it relates to the JUCE platform has 
been discussed on the JUCE forum. One of the guys from Sound Radix 
posted earlier this year on a few key points:

https://forum.juce.com/t/accessibility-for-blind-people-using-voiceover/21040

As far as Avid is concerned, there is no financial consideration, per 
se, but there most certainly was a point when I had suggested crowd 
funding. There's no question that, in the long run, having the company 
make it part of their standard workflow is the way to go. Of course, 
you can't compare Avid to an open-source company so it's quite 
different. Further, most developers are one-man operations and will 
definitely shy away from that kind of financial hit. In my opinion, it 
simply won't happen. If JUCE developers follow the practices set forth 
by Sound Radix, we're in good shape across dAW platforms. The 
remaining issue would be the presets problem and that is currently 
being looked at by several companies including Avid. The idea would be 
to create an industry-standard format that could be read by any dAW on 
any platform. It was raised earlier this year by a developer and, 
coincidentally, by one of the biggest software developers in the 
industry and Avid, along with others, has signed on to try and make it 
happen.


BTW, the whole iLok thing had nothing to do with JUCE but QT. 
Regardless, the best solutions will have to address all platforms.


Slau

On Jun 16, 2017, at 12:52 PM, Phil Muir 
<i...@accessibilitytraining.co.uk 
<mailto:i...@accessibilitytraining.co.uk>> wrote:


JPR.  Juce can already be made to be somewhat accessible.  You just 
need to
know how to do that.  For instance.  The Ilok Licence manager on 
Windows and

Mac is somewhat accessible on both platforms.  I think Slau may have had
discussions with Pace on the Ilok application.  No reason why that same
accessibility couldn't be ported to other apps.

-Original Message-
From: ptaccess@googlegroups.com <mailto:ptaccess@googlegroups.com> 
[mailto:ptaccess@googlegroups.com] On Behalf

Of Jean-Philippe Rykiel
Sent: 16 June 2017 16:23
To: viplist; ptaccess@googlegroups.com 
<mailto:ptaccess@googlegroups.com>; 
logic-accessibil...@googlegroups.com 
<mailto:logic-accessibil...@googlegroups.com>

Subject: Juce accessibility, How to get the money?

Dear friends,

this one could change our musical lives For good, so I hope you don't 
mind

me posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music 
applications. It

is already being used by about 500 companies, among which Pianoteq, UVI,
Korg, Max, SampleModeling...
for those with a better skill Than mine in computer science, here is 
their

website.

http://juce.com

Juce Provides tools for developers that allows them to build applications
that are compatible with every operating system, Windows, OS X, Linux,
without
having to recode For each System.
This also means these Developers depend on Juce for things like their
graphic interface.
I just spoke to someone from the Juce support team about our 
accessibility

issues.
Useless to say that, if Juce  could give its clients an accessibility
module, that would be the end of our problems, And all Plug-ins developed
withJuce  could instantly become
accessible at once. But Such a tool would take about six months and
Approximately $111000 To develop. Who has this money?
Of course, Juce  is not Apple, not eaven Avid, and they cannot afford 
to pay

for this development by themselves, especially since, after these six
initial
months, comes an unpredictable time of maintenance, as things never 
work as

expected.
So, two things could be done. One would be crowdfunding. but how many 
Blind

musicians would be ready to pay, and how much, ?
Another solution would be to make companies that use Juce  for their
plug-ins concerned With accessibility. If each company Invested a small
amount of
money, something like 5000 each, if they feel accessibility would Also
improve their image and reputation, Then the goal would be reached.
For this to work, they need testimonials from As many blind musician as
Possible, who dream to

Re: Juce accessibility, How to get the money?

2017-06-16 Thread Jean-Philippe Rykiel

Hi Andre.

unfortunately no. Native instruments does not use Juce.

best regards,

JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2017 à 21:33, Andre Woods a écrit :

Hello,

I appreciate your advocacy for us. Would native instruments happen to be one of the 500 company's?

Sent from my iPhone

On Jun 16, 2017, at 11:23 AM, Jean-Philippe Rykiel <jpryk...@gmail.com> wrote:

Dear friends,

So, what do you say?
Best regards,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Juce accessibility, How to get the money?

2017-06-16 Thread Jean-Philippe Rykiel


Dear friends,

this one could change our musical lives For good, so I hope you don't mind me 
posting it to several lists at a time.
Juce Is A set of libraries that are used to develop music applications. It is 
already being used by about 500 companies, among which Pianoteq, UVI, Korg, 
Max, SampleModeling...
for those with a better skill Than mine in computer science, here is their 
website.
 
http://juce.com


Juce Provides tools for developers that allows them to build applications that 
are compatible with every operating system, Windows, OS X, Linux, without
having to recode For each System.
This also means these Developers depend on Juce for things like their  graphic 
interface.
I just spoke to someone from the Juce support team about our accessibility 
issues.
Useless to say that, if Juce  could give its clients an accessibility module, 
that would be the end of our problems, And all Plug-ins developed withJuce  
could instantly become
accessible at once. But Such a tool would take about six months and 
Approximately $111000 To develop. Who has this money?
Of course, Juce  is not Apple, not eaven Avid, and they cannot afford to pay 
for this development by themselves, especially since, after these six initial
months, comes an unpredictable time of maintenance, as things never work as 
expected…
So, two things could be done. One would be crowdfunding. but how many Blind 
musicians would be ready to pay, and how much, ?
Another solution would be to make companies that use Juce  for their plug-ins 
concerned With accessibility. If each company Invested a small amount of
money, something like 5000 each, if they feel accessibility would Also improve 
their image and reputation, Then the goal would be reached.
For this to work, they need testimonials from As many blind musician as 
Possible, who dream to use such plug-ins but can't.
I would be happy to be your Intermediate, and transmit all these testimonials 
to the Juce team, who will Transmit these to their 500 partners on our behalf.

So, what do you say?
Best regards,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: RX6 installer

2017-05-30 Thread Jean-Philippe Rykiel


hi all.
I don't know about Mac OS, but  under Windows 7, I find RX 6 to be  more 
accessible than five, but less than 4, especially regarding the 
equaliser, unless it had been updated, I Tried the demo a month ago.


Best,

JPR


http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 30/05/2017 à 12:43, Phil Muir a écrit :

All of the latest iZotope installers on Mac and Windows are totally
inaccessible.  I have told iZotoep about this but heard nothing back thus
far.

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
Of Niklas Karlsson
Sent: 30 May 2017 11:17
To: 'ptaccess@googlegroups.com'
Subject: RX6 installer

Hi all,

I downloaded a demo of Izotope:s RX6 the other day, but when I tried to
install it I wasn't able to navigate through the setup window with VO.
I just wonder if someone else on here has experienced the same issue with
RX6, or if there's just something I'm doing wrong? ??

All the best,
Niklas



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Tab to Transient?

2017-04-28 Thread Jean-Philippe Rykiel


Chris,

thanks for doing this, but remember that in the case of Samplitude, 
thetab key is already used To move through track parametres. So it 
has to be something else, At least for jaws scripts users.


ProTools users, sorry for being off topic.

Best,

JPR



http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 28/04/2017 à 20:36, Chris Smart a écrit :

Please ignore. A google search gave me my answer, of course. LOL

It looks like Cubase and Ableton include this as well.

At 02:32 PM 4/28/2017, you wrote:

Hi folks.
Does ProTools contain a keystroke to simply move to the next 
transient on a track or tracks? Sonar and Reaper both do this with 
the tab key.


I'm writing an email to Magix, makers of the Samplitude DAW, to ask 
that they add this functionality, and I want to mention as many other 
DAW's that include this feature as I can.



Chris



"There are two means of refuge from the miseries of life: music and 
cats." - Albert Schweitzer

--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, 
send an email to ptaccess+unsubscr...@googlegroups.com.

For more options, visit https://groups.google.com/d/optout.





"There are two means of refuge from the miseries of life: music and 
cats." - Albert Schweitzer


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: I need a little reverb: how can I do this?

2016-05-02 Thread Jean-Philippe Rykiel


hi Chris.
In a DAW, effects never get recorded whatsoever. that is because they 
don't get inserted between your microphone and the track, but on the 
track itself. So you can change your effect settings, remove it, or do 
anything you want after the recording is done.

Try it for yourself before you get your vocalist to sing.
Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 02/05/2016 21:50, Christopher-Mark Gilland a écrit :

Guys,
I have a situation that I'm a little unsure how to deal with.  I have 
an Alesis Multi-Mix 4 USB audio interface.  This thing's pretty much 
bare bone as basic as they come.  There is absolutely no effects on 
this thing at all.  Absolutely none.  They do make a model that has 
effects onboard, but mine is the step model below that.
So, I have a vocalist who is going to be recording later this week in 
my studio.  They are a very good singer for the most part, but the 
issue is, they get a little nurvous hearing themselves naturally 
singing through a microphone.  Therefore, it's always been their thing 
to doctor their voice up by splashing auto-tune all over themselves, 
which of corse sounds God aweful in the long run. What we would like 
to do is, though I have direct monitorring on my interface, which yes, 
I can turn on or off, I don't have a way of sending reverb through the 
direct monitor output, which I really wouldn't ideally wanna do anyway.
I know in ProTools how to instantiate a reverb plugin on one of the 
inserts.  I also know how to route an audio track through a send and 
then send the signal to an auxiliary track, but the thing is, short of 
bumping the wet mix of that reverb way up, then just bringing it back 
down in the long run, is there a way I can somehow have an effect like 
reverb, or compression, or whatever plug I choose to only go through 
the monitorring of ProTools?  In other words, I want to hit shift R on 
the track to arm it, but I want seperet settings for what they hear 
through their headphones than what gets actually recorded into PT.  
Say I wanted them to hear themselves with lots of wet reverb, but I 
only wanted the actual recording on the track to have just a real real 
real slight shimmer of reverb which hardly is even audible.  Can I 
somehow separate what they hear from what goes through the actual DAW 
itself?  I just figure that if I can allow them not only to hear their 
voice back as they're singing, but if I can give them a little reverb, 
so they don't sound so dry, it may encourage them to relax a bit.

Chris.
--
You received this message because you are subscribed to the Google 
Groups "Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send 
an email to ptaccess+unsubscr...@googlegroups.com 
.

For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: new song from me

2016-03-06 Thread Jean-Philippe Rykiel


love the guitar arrangement. I even had a hard time counting them.
even thought I heard a mandolin at some point.
Nice lyrics to.

Great job Steve.
Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 05/03/2016 23:22, Steve Sparrow a écrit :

Hi guys. thought i’d share this one with you. This is a track called Paint your 
cactus green. This song was inspired by my son craig.

https://dl.dropboxusercontent.com/u/10442917/03%20Paint%20Your%20Cactus%20Green.mp3?dl=1

Steve



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Making Kontakt somewhat usable in Pro Tools.

2016-01-17 Thread Jean-Philippe Rykiel


dear Kevin.
The delete instrument function would be very important as well. Each 
time you load a new instrument, it will load in a subsequent channel, 
and not araise the current channel. So if you want to try different 
sounds on Channel one, you need to delete what ever is loaded in there 
first.

Hope keyboard Maestro will work, I'm concerned as well smile.
Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/01/2016 16:26, Kevin Reeves a écrit :

Hey folks.

I'm a huge fan of Kontakt libraries, as they offer the greatest 
realism in sampled and modeled instruments.
However, the Kontakt player is incredibly inaccessible. I've wondered 
if there was a way to use Keyboard Maestro to click coordinates on the 
screen, much like Hotspot Clicker or Auto Hotkey on windows.


The topic of using Kontakt came up on the logic list. I responded with 
some ideas, which I'm posting below, as I feel it is absolutely 
relevant to the Pro Tools platform as well.


Begin Post.

I think that Kontakt could potentially be made somewhat usable in both 
logic and Pro Tools using Keyboard Maestro.
We need to do some experiments to see what variables prevent the mouse 
from clicking the correct coordinates.

The 4 main buttons that need to be mapped to key presses are as follows.

1. Load
2. Add to library
3. reset multi
4. close browse window, (for samples missing dialog.)
There are other important buttons in the window, but these are the 4 
most important.



There are some variables that would prevent proper coordinate clicking 
for the above mentioned buttons.
This would include window size and position, the presence of floating 
windows, screen resolution, and other things that I haven't yet 
considered.
Also, it would be interesting to see if there are challenges which are 
program dependent between logic and Pro Tools.


I just downloaded a keyboard maestro demo, and need to figure out how 
to bind a key command to a coordinate click.

Once I do that, I will get someone to assist me in starting this process.

If anyone has any other insights into this, I'm all ears. I'd love to 
get Kontakt working on the mac platform for us.


Kevin



--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Making Kontakt somewhat usable in Pro Tools.

2016-01-17 Thread Jean-Philippe Rykiel


dear Kevin,
just for curiosity sake, if someone clicks on the load button for you, 
do you find yourself in the finder ? This is what happens on a PC with 
hotspot clicker.

Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://jeanphilipperykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/01/2016 17:05, Kevin Reeves a écrit :
Nothing works with speech. You can't even load a sound into the plugin 
currently.


This is why I want to get Keyboard Maestro working.

Kevin

On 1/17/2016 10:57 AM, 'Gary Readfern-Gray' via Pro Tools 
Accessibility wrote:

Kevin, does the browser speak? I bought an orchestra which uses
contact 5 but the browser containing the various articulations doesn't
speak. Is there any other way of knowing what instruments you're
loading?

On 1/17/16, Jean-Philippe Rykiel <jpryk...@gmail.com> wrote:

dear Kevin.
The delete instrument function would be very important as well. Each
time you load a new instrument, it will load in a subsequent channel,
and not araise the current channel. So if you want to try different
sounds on Channel one, you need to delete what ever is loaded in there
first.
Hope keyboard Maestro will work, I'm concerned as well smile.
Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 17/01/2016 16:26, Kevin Reeves a écrit :

Hey folks.

I'm a huge fan of Kontakt libraries, as they offer the greatest
realism in sampled and modeled instruments.
However, the Kontakt player is incredibly inaccessible. I've wondered
if there was a way to use Keyboard Maestro to click coordinates on the
screen, much like Hotspot Clicker or Auto Hotkey on windows.

The topic of using Kontakt came up on the logic list. I responded with
some ideas, which I'm posting below, as I feel it is absolutely
relevant to the Pro Tools platform as well.

Begin Post.

I think that Kontakt could potentially be made somewhat usable in both
logic and Pro Tools using Keyboard Maestro.
We need to do some experiments to see what variables prevent the mouse
from clicking the correct coordinates.
The 4 main buttons that need to be mapped to key presses are as 
follows.


1. Load
2. Add to library
3. reset multi
4. close browse window, (for samples missing dialog.)
There are other important buttons in the window, but these are the 4
most important.


There are some variables that would prevent proper coordinate clicking
for the above mentioned buttons.
This would include window size and position, the presence of floating
windows, screen resolution, and other things that I haven't yet
considered.
Also, it would be interesting to see if there are challenges which are
program dependent between logic and Pro Tools.

I just downloaded a keyboard maestro demo, and need to figure out how
to bind a key command to a coordinate click.
Once I do that, I will get someone to assist me in starting this 
process.


If anyone has any other insights into this, I'm all ears. I'd love to
get Kontakt working on the mac platform for us.

Kevin


--
You received this message because you are subscribed to the Google 
Groups

"Pro Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, 
send an

email to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.





--
You received this message because you are subscribed to the Google Groups "Pro Tools 
Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Melodyne

2015-06-16 Thread Jean-Philippe Rykiel


Hi all.
It's in situations like these that I wish there was an equivalent of 
hotspot clicker for VoiceOver.
Melodyne Assistant is accessible with JAWS, with a very reasonably 
priced hotset developed by a hotspot clicker maestro, here if you're 
interested.

http://vipaudioaccess.com/category/melodyne-assistant-hsc/
I know it won't help anyMac user, but it means that accessibility on the 
Mac side still has to improve quite a bit.

Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 16/06/2015 01:13, Jack Ronnayut a écrit :

I do so.
Waiting for the answer.


-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Ramy Moustafa
Sent: Tuesday, June 16, 2015 2:35 AM
To: protools mailing list
Subject: Melodyne

hello all my
from long time ago i didn't right here,. Hope everyone is ok.
my question is about melodyne, does any one is using Melodyne on mac?
what about

plise i need your experience.
thanks.


Ramy moustafa saber
Musicc instructor at:
faculty of musical education
music arranger and sound engineer
Sent from my iPhone



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: accessibility comparison chart

2015-05-30 Thread Jean-Philippe Rykiel


Yep, blame it on my French English.
JP

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 30/05/2015 11:19, Christopher-Mark Gilland a écrit :
First off, I think this would honestly render much better as a table 
than it would as a chart.


Chris.

- Original Message - From: Jean-Philippe Rykiel 
jpryk...@gmail.com

To: logic-accessibil...@googlegroups.com; ptaccess@googlegroups.com
Sent: Saturday, May 30, 2015 5:13 AM
Subject: accessibility comparison chart



Hi all.
excuse me for posting to both lists, It is something I never do, but 
you will obviously understand why.
I wonder, For users who have a hard time choosing between ProTools 
and logic, if It would be possible to set up an accessibility 
comparison chart between both Daws, including categories like MIDI, 
editing, effects, synths and so on.
Of course, the hard part is that it would have to be updated as 
Applications evolve.
Of course 2, everyone knows that they are not real competitors as 
ProTools became a Must have for compatibility with pro studios, and 
Logic didn't, but this might not be a choice criteria for all, and so 
I think this comparison remains valuable.
It is something I would have gladly done, but I'm using neither of 
them for the moment, happy with sonar, but knowing I will have to 
change some day.

What do you say?
Best,
JPR

--

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google 
Groups Pro Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, 
send an email to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout. 




--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Stereo Wideners

2015-04-12 Thread Jean-Philippe Rykiel


Dear Slau.
there are all like this, because most of the parameters concern Melda's 
very versatile modulation matrix. They  have all kinds of internalLFOs, 
envelope followers, step sequencers and so on. Of course, you don't have 
to use these. But the problem is these parameters layout. The developer 
explained me that he could not change it  anymore for backward 
compatibility reasons,so the parameters come in an order I can only 
describe as a good idea at a time.

Nevertheless, they are  great and cheap.
Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 12/04/2015 18:34, Slau Halatyn a écrit :

Melda is certainly one of the most prolific plug-in developers but, I have to 
say, it's overwhelming how many parameters they manage to pack into a plug-in. 
I think their basic flanger has something like 90 parameters and one of their 
synths has something like 400 parameters. I'm sure it's great stuff but it's 
really quite cluttered. That said, I've only taken a look at about 3 of their 
playg-ins. Maybe the rest aren't quite as jammed.

Slau

On Apr 12, 2015, at 11:58 AM, Chris Smart csma...@cogeco.ca wrote:


thanks
At 11:43 AM 4/12/2015, you wrote:

dear Chris,
Melda productions has amazing and very affordable stuff, some parts of their 
plug-ins are not accessible but many parameters can be used via your DAW's 
automation.
http://www.meldaproduction.com/download.php
have a look. Among these are stereo enhancers, equalisers, vocoders, and 
weirder things.
Enjoy,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 12/04/2015 17:31, Chris Smart a Ã©crit :

Can anyone recommend a stereo widener that doesn't cause lots of phasing 
problems or ruin things when the mix is collapsed to mono?

I have Waves S1 here and an older version of iZotope Ozone but am looking for 
other suggestions to try.

thanks
Chris

--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Stereo Wideners

2015-04-12 Thread Jean-Philippe Rykiel


dear Chris,
Melda productions has amazing and very affordable stuff, some parts of 
their plug-ins are not accessible but many parameters can be used via 
your DAW's automation.

http://www.meldaproduction.com/download.php
have a look. Among these are stereo enhancers, equalisers, vocoders, and 
weirder things.

Enjoy,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 12/04/2015 17:31, Chris Smart a écrit :
Can anyone recommend a stereo widener that doesn't cause lots of 
phasing problems or ruin things when the mix is collapsed to mono?


I have Waves S1 here and an older version of iZotope Ozone but am 
looking for other suggestions to try.


thanks
Chris



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: a plug-in story with a happy ending

2015-03-14 Thread Jean-Philippe Rykiel


Dear Slau,
Thanks for Sharing this.
I googled For surfer EQ, and found the concept very interesting. Have 
you tried it yet? My question is, how does it work with polyphonic 
material if it does.

Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 14/03/2015 16:05, Slau Halatyn a écrit :

A few years ago, I heard of a plug-in that was said to be great for 
automatically phase aligning two sources. I forgot the name of the company but 
I wasn't using the latest version of Pro Tools full time at the studio so I 
forgot about it. A year later, Frank Filipetti told me about a plug-in he 
couldn't live without called Surfer EQ. I looked into it and it was made by the 
same company, Sound Radix. When I finally heard about yet another plug-in from 
sound Radix that everybody was raving about (called Drum Leveler), I decided to 
try Drum Leveler. This was last year. and I was finally using Pro Tools 11 on a 
regular basis. I was particularly interested in Drum Leveler because, like 
Sound Radix's other plug-ins, it was revolutionary in its design and 
functionality.

I downloaded the demo and found that, while I could choose presets from the Pro 
Tools preset pop-up menu, I couldn't change any parameters. I contacted the 
developer and explained the situation and asked if they could look into it. 
well, the folks at Sound Radix couldn't have been nicer and were very 
interested in solving the issue. They asked me to make screen-capture QuickTime 
movie of how I interacted with the plug-in and how I worked with VoiceOver in 
general. They told me they thought they knew what the problem might be and that 
they'd work on it at some point. Again, this was late last year.

Two days ago I received a link to a beta of the next Drum Leveler with some new 
features and the problem was solved and I could control all parameters with 
VoiceOver. Further, and more importantly, Sound radix had added some 
functionality and support for VoiceOver directly into the JUCE platform for 
software development. JUCE is a platform that is used by many audio plug-in 
developers who create cross-platform plug-ins. Once officially incorporated 
into JUCE (which will happen any day), any developer compiling plug-ins of any 
format for any DAW will automatically accommodate VoiceOver for interacting 
with the AAX version of the plug-in. I have no idea if this affects other DAWs 
and platforms but I would imagine, since it is cross-platform, that it would. 
At any rate, this was an unexpected fringe benefit of the developers at Sound 
Radix to contribute to the JUCE project.

Further, Sound Radix will be updating the rest of their plug-ins which will fix 
VoiceOver control within those plug-ins. Currently, they have four plug-ins:
Auto Align, which aligns phase relationships between two sources, π, which auto 
aligns multiple sources, Surfer eQ, which is too crazy to try to explain and 
Drum Leveler, which is a transient designer capable of independently 
controlling separate transients.

There is a bundle of all four plug-ins for $599. Each plug-in is also sold 
separately. For anybody who owns individual plug-ins, they do have periodic 
sales and introductory offers from time to time. For example,  when Drum 
Leveler came out, it was 99 dollars and now it's 149 dollars and, in honor of π 
day (3 14 15), their π plug-in, normally 249 dollars, is only 99 dollars. 
Again, mind you, the current downloadable versions of the software don't work 
well with VoiceOver but do work with control surfaces. As soon as I hear about 
the updates, I'll let the list know. The point is that this developer has 
really been very supportive and has potentially helped a number of other 
plug-in developers by contributing modules to the JUCE project for software 
development.

SoundRadix.com
Keep them on your radar.

Slau



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Listen to a song made from data lost during MP3 conversion

2015-02-23 Thread Jean-Philippe Rykiel

How did he do that?
I suppose by putting the uncompressed and compressed file out of phase
with each other? Hmmm, I think I'll try.

Sounds fun !
A new form of subtractive synthesis?
JP

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 23/02/2015 20:02, Scott Chesworth a écrit :

This is pretty neat. Neat as in a neat way to illustrate why the
format sucks, not neat as in I enjoyed it.

On 2/23/15, Chad Morrison chadmorrisonmob...@gmail.com wrote:

creepy.
On Feb 23, 2015, at 11:14 AM, Chris Smart csma...@cogeco.ca wrote:

We've heard for almost 20 years about how conversion to lossy audio
formats removes data we're not supposed to miss. But what does that
removed data sound like on its own?
http://www.factmag.com/2015/02/19/listen-song-made-entirely-data-lost-compressing-suzanne-vegas-toms-diner-mp3/

Chris

--
You received this message because you are subscribed to the Google Groups
Pro Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an
email to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

--
You received this message because you are subscribed to the Google Groups Pro Tools
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Fwd: Announcing the Gobbler 2.0 free open beta

2014-10-10 Thread Jean-Philippe Rykiel


hi all.
Version 1 was accessible at least for sending files. I started testing 
version 2 but I can't login using voice-over for now. Their support team 
is very friendly and I encourage you to contact them at 
supp...@supportgobbler.freshdesk.com

.
there is also a direct chat available on their website.

 they're willing to do their best but they don't know much about 
voice-over.

Best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 09/10/2014 22:23, Chris Smart a écrit :

I don't know if this is accessible, but it sounds neat!


Date: Thu, 09 Oct 2014 19:50:56 +
From: Bob Gobbler b...@gobbler.com
Subject: Announcing the Gobbler 2.0 free open beta
To: Chris csma...@cogeco.ca

http://gobbler.us1.list-manage.com/track/click?u=8d39153ede7f55eb8296dc3ceid=2ffd539bade=37c4896932 


Gobbler

Gobbler 2.0 Beta is Here!
(Spoiler alert: It's FREE)

Dear beloved Gobbler users,


Four years ago, I started Gobbler with the mission of simplifying the 
creative process.




I know that being creative requires an enormous amount of focus and 
attention, and frankly, searching for files, losing work, waiting for 
transfers and backups, and other similar minutia, robs you of your 
creative potential.



That's why over the past few months, I've quietly been working to 
create an amazing new product, based on everything I've learned from 
the first version of Gobbler.



Today, the team and I are excited to announce that our brand-new 
product, Gobbler 2.0, is ready for Open Beta!



So what does it do? How is it different? Here are a few of the 
highlights:


   * With Gobbler 2.0, we created a new paradigm called workspaces 
with all the storage you need to house projects and all the goodness 
to make collaboration magical.

   *
   * Each workspace allows you to communicate with any number of 
collaborators in real-time, just like you're working together in the 
same studio.

   *
   * As always, Gobbler also allows you to work off any number of 
external or internal drives. You don't have to move your data to a 
central folder on your desktop to use Gobbler (one of our investors 
is a hard drive company... of course we'll make externals work!).  Oh 
and you'll like this, you can now work with absolutely any file type, 
audio or otherwise.


   * Hate managing data? Ya it sucks! We'll take care that for you. 
Now you can open projects with a single click in a central 
interface... all at lightning-fast speeds. You won't have time to 
even blink. And, of course, everything you do is fully secured using 
military-grade encryption.

   *
   * Though we now support all file types, we've stayed true to our 
audio industry roots by building even deeper compatibility with 
leading audio software providers. We call this Gobbler Collect... So  
when you upload an Ableton, Logic, GarageBand or Pro Tools file, 
Gobbler will automatically find, reference, and upload all associated 
assets and files for that project, even if they're located across 
different folders and drives.



Excited? We are too! To get access to the new Gobbler, just go to 
http://gobbler.us1.list-manage1.com/track/click?u=8d39153ede7f55eb8296dc3ceid=4b59f625cae=37c4896932www.gobbler.com 
and follow the signs!



You can log-in with your existing credentials to use the new 2.0 site 
(don't worry, you can switch back to the old 1.0 site too!).  New 2.0 
accounts will start fresh, and during the beta period will be 
completely free and you'll have all the space that you need.



We've put together a couple of blog posts to help you navigate all 
the changes and to understand how they affect your existing 1.0 account:


   * Free users, 
http://gobbler.us1.list-manage1.com/track/click?u=8d39153ede7f55eb8296dc3ceid=360193b481e=37c4896932click 
here to learn more about the 1.0 to 2.0 migration plan
   * Paid users, 
http://gobbler.us1.list-manage.com/track/click?u=8d39153ede7f55eb8296dc3ceid=d7d3f2e7ede=37c4896932click 
here 
http://gobbler.us1.list-manage1.com/track/click?u=8d39153ede7f55eb8296dc3ceid=368f5572ace=37c4896932to 
learn more about the 1.0 to 2.0 migration plan



If you have any questions about the new product, our Knowledge Base 
should be able to answer most of them: 
http://gobbler.us1.list-manage1.com/track/click?u=8d39153ede7f55eb8296dc3ceid=7da3df3269e=37c4896932http://gobblerhelp.zendesk.com. 
If you still have questions, we are kicking it online in live chat 
rooms. Just log into your 2.0 account.



Once you've had a chance to use 2.0, we'd love your feedback our 
product will get waay better with your input. Log in to the 2.0 
site and click the Feedback button.



We really appreciate you and your mind.


Oh, and one more thingwhile we're in our open beta, Gobbler is 
100% FREE.



- Bob Gobbler

[]
width=207

http://gobbler.us1.list-manage1.com/track/click?u=8d39153ede7f55eb8296dc3ceid=9a58572ceee=37c4896932Terms 
of Use

Re: A question about Midi merging.

2014-09-11 Thread Jean-Philippe Rykiel


Dear Krister,
if your cymbal track is already recorded, and you want to record the 
rest, I would advise you to do it on a different track assigned to the 
same MIDI port and channel. It would make no difference except that you 
would be able to manage both tracks separately.
If you have already recorded the whole thing and you want to delete 
something, cymbals for example, the best thing to do is edit out the 
notes you want to get rid of. I don't know if ProTools has a way to 
delete a given note throughout a song.

Hope this helps,
the best,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 11/09/2014 17:35, Krister Ekstrom a écrit :

Hi there.
I’m right now trying to make a drum track and i’ve decided to make it in 2 
parts, I’ve done the symbals part and now i want to midi merge the drums part. 
Now i wonder one thing, can i undo/delete a part of a track that is midi merged 
or do i have to close the session and start from scratch? I’ve tried to read up 
on it in the reference manual but as good as it is, i can’t find a streight 
answer to this, maybe it’s because there are none i don’t know. Any answers are 
greatly appreciated.
/Krister



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

For a non-English user

2014-08-14 Thread Jean-Philippe Rykiel

Hi there.
I asked these questions 2 years ago but it may have changed with PT11 and 
Mavericks.
1, Is it mandatory to run the English version of PT on a non-English system, if 
you want to benefit from its accessibility features.
2, Do you need a QWERTY keyboard, I mean a physical one, I know that keyboards, 
ether laptop or external, are configurable, but I heard that QWERTY external 
keyboards had hardware differences as well.
Thanks for your help,
Cheers,
JP

 http://facebook.com/jeanphilipperykiel
 http://twitter.com/ryksounet

-- 
You received this message because you are subscribed to the Google Groups Pro 
Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: For a non-English user

2014-08-14 Thread Jean-Philippe Rykiel

Dear Stefan,
You wrote :
 1. It is possible to run Pro Tools on a non english system, without 
 restrictions in accessibility.
Sure, but Protools itself is localized in several languages. My question was 
more about if you needed to use American English Protools, even under a non- 
English system.
Thanks for you help.
Best,
JP


Le 14 août 2014 à 19:13, Stefan Albertshauser stefan.albertshau...@arcor.de a 
écrit :

 Hi,
 
 1. It is possible to run Pro Tools on a non english system, without 
 restrictions in accessibility.
 2. The best results, I think, can be achieved with an Apple keyboard. For Pro 
 Tools, it is recommended to configure the keyboard layout to english, because 
 you then can have access to all keyboard shortcuts without any complicated 
 and sticky keyboard commands.
 
 Hope, this helps.
 
 Best Stefan
 Am 14.08.2014 um 10:11 schrieb Jean-Philippe Rykiel jpryk...@gmail.com:
 
 Hi there.
 I asked these questions 2 years ago but it may have changed with PT11 and 
 Mavericks.
 1, Is it mandatory to run the English version of PT on a non-English system, 
 if you want to benefit from its accessibility features.
 2, Do you need a QWERTY keyboard, I mean a physical one, I know that 
 keyboards, ether laptop or external, are configurable, but I heard that 
 QWERTY external keyboards had hardware differences as well.
 Thanks for your help,
 Cheers,
 JP
 
 http://facebook.com/jeanphilipperykiel
 http://twitter.com/ryksounet
 
 
 -- 
 You received this message because you are subscribed to the Google Groups 
 Pro Tools Accessibility group.
 To unsubscribe from this group and stop receiving emails from it, send an 
 email to ptaccess+unsubscr...@googlegroups.com.
 For more options, visit https://groups.google.com/d/optout.
 
 
 -- 
 You received this message because you are subscribed to the Google Groups 
 Pro Tools Accessibility group.
 To unsubscribe from this group and stop receiving emails from it, send an 
 email to ptaccess+unsubscr...@googlegroups.com.
 For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups Pro 
Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

ProTools and the notion of time

2014-06-19 Thread Jean-Philippe Rykiel


Hi all,
A friend told me that ProTools had a very interesting way of dealing 
with time. Let's say for example that you want to restructure a song.
You want to get rid of a verse that's 16 bars long, but the singer 
starts singing 1 8th note before the beginning of the first bar of each 
verse.
So, if you deleted the whole verse, you would also delete the first word 
or syllable of the next one.
Well, my friend told me that you can actually delete a hole verse, but 
then retrieve the missing Part of the voice track. same thing applies to 
a track where you punched a little too early.
It sounds like magic to me, and if you understood my strange 
explanation, could you tell me how that is called in ProTools language 
and if This function is accessible?

Best regards,
JPR

--

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

ProTools accessible on PC, true or false?

2014-05-18 Thread Jean-Philippe Rykiel


Hi all,
on a French list, someone claims to use ProTools on his PC. I don't 
believe him, but I thought I would ask anyway.

Is this guy a joker?
Best,
JPR

--

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: ProTools accessible on PC, true or false?

2014-05-18 Thread Jean-Philippe Rykiel

Hi,n
Nick, 
The list he wrote on is dedicated to Blind musicians, so I suppose he is.
Christopher, thanks for your suggestion.
Regards,
JP

http://www.jprykiel.com

http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
Http://www.facebook.com/jprykiel

 Le 18 mai 2014 à 12:16, Nick D Daniels nick@ntlbusiness.com a écrit :
 
 Well if he is fully sighted it is possible. As we all know, ProTools on the
 pc is not accessable to the blind as yet. Do we know if this guy is visually
 impaired? I don't remember reading in that e-mail saying that he is blind.
 
 -Original Message-
 From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
 Of Jean-Philippe Rykiel
 Sent: 18 May 2014 11:01
 To: ptaccess@googlegroups.com
 Subject: ProTools accessible on PC, true or false?
 
 Hi all,
 on a French list, someone claims to use ProTools on his PC. I don't believe
 him, but I thought I would ask anyway.
 Is this guy a joker?
 Best,
 JPR
 
 -- 
 
 http://www.jprykiel.com
 http://soundcloud.com/ryksounet
 http://twitter.com/ryksounet
 http://facebook.com/jeanphilipperykiel
 
 --
 You received this message because you are subscribed to the Google Groups
 Pro Tools Accessibility group.
 To unsubscribe from this group and stop receiving emails from it, send an
 email to ptaccess+unsubscr...@googlegroups.com.
 For more options, visit https://groups.google.com/d/optout.
 
 -- 
 You received this message because you are subscribed to the Google Groups 
 Pro Tools Accessibility group.
 To unsubscribe from this group and stop receiving emails from it, send an 
 email to ptaccess+unsubscr...@googlegroups.com.
 For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups Pro 
Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Spectrasonics Omnisphere,Trilian en Stylus instrument plugins

2014-05-14 Thread Jean-Philippe Rykiel


Hi Christopher.
It is on PC, with JAWS and a program called hotspot clicker. I don't 
know if it means it can be on Mac to and if it requires additional 
programming.

Regards,
JPR

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 15/05/2014 00:08, Christopher-Mark Gilland a écrit :

Hi,
Is this an accessible plugin suite?  Am asking for a friend.
best regards,
Chris.
--
You received this message because you are subscribed to the Google 
Groups Pro Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send 
an email to ptaccess+unsubscr...@googlegroups.com 
mailto:ptaccess+unsubscr...@googlegroups.com.

For more options, visit https://groups.google.com/d/optout.


--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: my post on the Avid blog

2014-05-13 Thread Jean-Philippe Rykiel

Dear Slau,
Like everyone else here, I would like to congratulate you for this
concise and detailed summary.
For the moment, I have sold my ProTools license, I realised I was
feeling comfortable with sonar and also that, being an intensive midi
user, I needed a Daw that gave me full access to midi editing. I'm sorry
if I ask questions that have been asked over and over on this list, but
how did Midi editing's accessibility evolve with pro tools 11?
I know that ProTools VS sonar is one of the recurring subjects on this
list, and I was wondering if one could compile and post a little summary
of what has been said about this so far .

Thanks for Your continuing efforts, and not giving up.
best regards,
jpr

http://www.jprykiel.com
http://soundcloud.com/ryksounet
http://twitter.com/ryksounet
http://facebook.com/jeanphilipperykiel

Le 11/05/2014 05:48, Gordon Kent a écrit :

Hey Slau:
that's a great summary of how things have evolved with PT. Frankly,
the only reason I need to stick with Sonar and windows is that I have
such a huge library of sampled instruments that I have done that use
the SFZ format. At present, there is no aax SFZ player available for
the Mac. When we wer using RTAS the garritan engine which does
support SFZ worked with Pro Tools, but nobody could tell me how to
refer to the Mac folder structure in an SFZ definition file. I tried
putting the definitions and their associated .wav files in all kinds
of folders but never got them to work, and now Garritan has pretty
emphatically stated on their site that they have no plans to convert
to the AAX format, which is rediculous since so many others have. If
we could get access to structure, the SFZ files could be converted to
sound fonts and loaded into structure. At this point, as far as
instruments that are bundled with Pro tools are concerned, Structure
is the real drawback for us. A good usable sampler is a very
important part of the production environment, especially for those of
us who want to mix and match drum kits, custom sample instruments to
our taste, and process vocals through synth modulators etc. I hope
they haven't forgotten about this, as I said, it's really one of the
only reasons I haven't totally switched over to Pro Tools for the kind
of stuff I do. But know that I sincerely apreciate what you've done,
I've gone through the same thing with my many years of association
with cakewalk, which has put a lot of blind folks to independent work.

Gord
On May 9, 2014, at 11:59 PM, Slau Halatyn slauhala...@gmail.com
mailto:slauhala...@gmail.com wrote:

As some of you may already know, I was asked to write something for
the Avid blog regarding Pro Tools accessibility. The article was
published this afternoon at:

http://www.avidblogs.com/music-daw-software-for-blind-and-visually-impaired-audio-professionals/
Because of the way the story is laid out, it appears not to read
entirely chronologically. So, I've pasted the contents of that post
below. There were several photos in the post which are not included
below.

I was introduced to Pro Tools while enrolled in the audio program at
Five Towns College in Dix Hills, New York, during the mid '90s. Most
of my early training in college was on large format consoles and
multitrack tape machines, which were de rigueur in the studios of the
day. Computers had certainly found their way into the recording
environment nearly a decade earlier, but more so in the role of MIDI
sequencers.
During the years I was in school, however, the digital audio
workstation (DAW) had gotten its foot in the door of the control room
and the DAW that led the way was Pro Tools, which I began to work
with in my senior year. I sat there in front of the monitor, staring
at a graphic representation of a waveform, wondering whether the
hours I spent learning how to splice quarter-inch tape with razors
had been wasted...
I had the advantage of taking a one-on-one advanced digital audio
class with my professor as a result of my need to use adaptive
software known as inLARGE, a screen magnifying program for the
Macintosh. Several years earlier, I had been diagnosed with a retinal
condition that impaired my vision. When I entered college, most of
the gear I used was highly tactile: mixing consoles, outboard
processors, tape machine remotes, etc. By the time I was preparing
for graduation, things had already begun to change. Evidence of this
glowed from a VGA before me---everything, all under one roof, one
box. Little did I know that this was the paradigm of the future, and
little did I know that 20 years later, I'd be so closely involved
with Pro Tools and its accessibility for blind audio engineers and
musicians.
After graduation I started a recording studio of my own, BeSharp, in
New York City and for a number of years I kept one foot firmly
planted in the analog multitrack world while occasionally using a
computer for virtual tracks slaved to tape.

Re: petition for Logic accessibility

2013-07-28 Thread Jean-Philippe Rykiel


Done.
Best regards,
JPR

For those not yet on the Logic list and who didn't see this, here's a 
petition to Apple regarding Logic accessibility: 
http://www.change.org/petitions/apple-inc-make-logic-pro-music-software-accessible-for-blind-users 



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/groups/opt_out.

Uninstalling protools

2013-07-08 Thread Jean-Philippe Rykiel

Hi guys, does removing protools from a Mac require anything else than dragging 
the app to the trash? 
Thanks, 
JPR 

Typed with Fleksy
reply://jpryk...@gmail.com




http://www.facebook.com/jeanphilipperykiel
http://twitter.com/ryksounet

-- 
You received this message because you are subscribed to the Google Groups Pro 
Tools Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/groups/opt_out.

Re: one more try

2013-03-21 Thread Jean-Philippe Rykiel


Dear Slau,
 just to reply so you don't feel too lonely.
I'd love to help you but I only have ProTools 10, not the latest version 
though.

 Hope you find someone.
Best,
JPR

http://facebook.com/jeanphilipperykiel
http://twitter.com/ryksounet

Le 21/03/2013 16:05, Slau Halatyn a écrit :

Folks,

I'd appreciate some help in verifying something. I'm trying to avoid having to 
install an older version of Pro Tools just to answer this simple question which 
I'm sure someone will find the time to do:

In any version of PT from 8.0.4 through all versions of 9, can you read 
anything in the System Usage and/or Disk Space windows? I posted a message 
yesterday and got no response.

Slau



--
You received this message because you are subscribed to the Google Groups Pro Tools 
Accessibility group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/groups/opt_out.

Re: Using a computer onstage,. Take 2

2012-11-26 Thread Jean-Philippe Rykiel

Hi Niktarios,
That sounds exciting.
Can you use MainStage with third party plug-ins? Do you need to buy Logic as 
well?
Thanks,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Nektarios Mallas 
  To: ptaccess@googlegroups.com 
  Sent: Sunday, November 25, 2012 3:45 PM
  Subject: Re: Using a computer onstage,. Take 2


  Hi Kevin, don't get your hopes up just yet. smile 
  At this point, I am able to change patches and sets of sounds using keyboard 
shortcuts, I can access various menus and dialog boxes, but I am using sighted 
assistance in studio to actualy get things as I want them to be when I go live 
with it. 
  That doesn't necessarily mean that is totally inaccessible, it is just that I 
don't have time right now to do all those things by myself. 
  The main reason that I persist trying to use it, is that it has great, and I 
mean, great sounds that you can use live and with extremely low latency. 
  Oh the other thing is, I can map various actions to my midi controler and 
although voice over doesn't say much, I can move things arround as I am 
playing. 
  I also use it in combination with GarageBand, to record and loop things in 
real time and then play on top. 
  I wish it were less complicated than that and voice over would identify more 
things on the screen but that's what it is right now. 


  Later.
  Nektarios.


  On Nov 24, 2012, at 6:53 PM, Kevin Reeves reeves...@gmail.com wrote:


Could you give us a list of some of the things you are able to accomplish 
in mainstage? I'm really curious to know what you've been able to do with it.

Sent from my iPhone

On Nov 24, 2012, at 8:14 AM, Nektarios Mallas nmal...@gmail.com wrote:


  Hi there.
  I use my macbook pro on stage almost all the time with success. 
  I use GarageBand and main stage. There are also situations that I am just 
using vlc media player to play backing tracks that I have prepared in studio 
ahead of time. 
  Although main stage is not entirely accessible, there are many things you 
can do with it using voice over. 
  In fact, I am having lots of fun with it so far. 


  Regards.
  Nektarios.


  On Nov 21, 2012, at 5:16 PM, Jean-Philippe Rykiel jpryk...@gmail.com 
wrote:


Thanks for that Brian.
I have harassed Ableton as much as I could to make Live accessible, but 
they don't seam to care about us.
But do you recon that Sonar would easier than PT on stage ?
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message -
  From: Brian Casey
  To: ptaccess@googlegroups.com
  Sent: Wednesday, November 21, 2012 4:02 PM
  Subject: Re: Using a computer onstage,. Take 2


  I've used virtual instruments live with sonar but daws are not suited 
to live looping based performance in my opinion. Dedicated hardware like guitar 
pedals or korgs kaoss pad are the best option for that. 


  Just last year I did a series of live electronic performances 
improvising with a kaoss pad with sends in and out of sonar. This stuff 
requires stable low latency gear and lots of rehearsing with solid back up 
planning. Not for the faint of heart but it is very fun and interesting. 


  I don't know off hand of a plug that handles live looping reliably 
the way the relatively cheap hardware does but something like izotope stutter 
edit could be good to bass a performance style around. I don't know about voice 
over but there are jaws scripts on the way for stutter edit, either way it is 
midi controlable so with help you could set up templates even if voice over 
doesn't play nice!


  As always with electronic music it depends on the style you choose 
and how you want to communicate the skill in the performance to an audince. 


  Hth
  Brian

  On 21/11/2012, at 2:43 PM, Jean-Philippe Rykiel 
jpryk...@gmail.com wrote:


Hi guys, 
Thank you for your replies. 
My goal is to use virtual synths and a few loops I could hopefully 
build in real time. 
I have a feeling pro tools is not designed for that,but I might be 
wrong. 
Best, 
JPR 






http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 21 nov. 2012 à 14:15, Brian Casey brian_w_ca...@hotmail.com a 
écrit :


  Hi,


  What do you want to do with the computer, what software gear etc 
have you available? 


  Brian

  On 21/11/2012, at 12:59 PM, Jean-Philippe Rykiel 
jpryk...@gmail.com wrote:


Hi all, 
I'm asking this question for the second time here and I 
apologize for this, but it is becoming an urgent need. 
Even if it's off topic here, could someone tell me where to get

Re: Using a computer onstage,. Take 2

2012-11-22 Thread Jean-Philippe Rykiel

Hi monster,
thanks for mentioning mainstage. Is it the same mainstage as in logic? I 
already have plug-ins I would like to use, such as Pianoteq or Kontakt, which 
are not very blind user friendly, but on which I can still ask for help to 
design my own sounds.
For the moment, I go on stage with my old Emus and Ensonic, but  they are 
getting tired of moving, and it's a lot of weight to, so I'm hoping to find 
something lighter that can combine all this.
Thanks for sharing ideas,
best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: TheOreoMonster 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, November 22, 2012 4:06 AM
  Subject: Re: Using a computer onstage,. Take 2


  In place of laptop  if you are planing venues where you will always have a 
power source, a mac mini may be a better option. Also Don't forget garage band 
is quite  usable and there is the add on of the main stage instrument pack.  A 
Mac Mini with GB would be a great start for playing synth live as you can save 
different template tracks and load them  quickly.  Samples i am not sure about 
though as i haven't done a lot in that area yet.

  On Nov 21, 2012, at 1:09 PM, Chi Kim chigook...@hotmail.com wrote:


Check out matrix view on Sonar. It's not exactly Live, but it's closest 
thing that's accessible.
You can set up each sample to be latch, one shot, or synchronized with 
beat, and so on.
Then you can just set up with something like launchpad.

Chi

On 11/21/2012 10:54 AM, Brian Casey wrote:

  That really depends on which your more comfortable with which runs more 
stable for you etc. I find sonar quicker to navigate generally so that's why I 
go with it. I always create my own sfz instruments for triggaring samples in 
very specific ways etc.


  I think you just need to figure exactly what sounds you want and figure 
how realistic that is to achieve with the gear you have by experimenting and 
testing. More and more I find dedicated hardware more reliable and more 
inspiring despite all the amazing stuff I have on my computer. I would think 
that protools and sonar should perform equally well ijln terms of playing and 
manipulating soft synths from a controler on stage but there will be 
differences in workflow changing patches tracks etc.  looping is another matter 
entirely then, layering sounds on the fly for performance is not a strong point 
of either pt or sonar. 


  Our options are limited as always but even for sighted musicians live 
audio looping is often let to dedicated hardware even today. 


  Brian

  On 21/11/2012, at 3:16 PM, Jean-Philippe Rykiel jpryk...@gmail.com 
wrote:


Thanks for that Brian.
I have harassed Ableton as much as I could to make Live accessible, but 
they don't seam to care about us.
But do you recon that Sonar would easier than PT on stage ?
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Brian Casey 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, November 21, 2012 4:02 PM
  Subject: Re: Using a computer onstage,. Take 2


  I've used virtual instruments live with sonar but daws are not suited 
to live looping based performance in my opinion. Dedicated hardware like guitar 
pedals or korgs kaoss pad are the best option for that. 


  Just last year I did a series of live electronic performances 
improvising with a kaoss pad with sends in and out of sonar. This stuff 
requires stable low latency gear and lots of rehearsing with solid back up 
planning. Not for the faint of heart but it is very fun and interesting. 


  I don't know off hand of a plug that handles live looping reliably 
the way the relatively cheap hardware does but something like izotope stutter 
edit could be good to bass a performance style around. I don't know about voice 
over but there are jaws scripts on the way for stutter edit, either way it is 
midi controlable so with help you could set up templates even if voice over 
doesn't play nice!


  As always with electronic music it depends on the style you choose 
and how you want to communicate the skill in the performance to an audince. 


  Hth
  Brian

  On 21/11/2012, at 2:43 PM, Jean-Philippe Rykiel 
jpryk...@gmail.com wrote:


Hi guys, 
Thank you for your replies. 
My goal is to use virtual synths and a few loops I could hopefully 
build in real time. 
I have a feeling pro tools is not designed for that,but I might be 
wrong. 
Best, 
JPR 






http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 21 nov. 2012 à 14:15, Brian Casey brian_w_ca...@hotmail.com a 
écrit :


  Hi,


  What do

Using a computer onstage,. Take 2

2012-11-21 Thread Jean-Philippe Rykiel

Hi all, 
I'm asking this question for the second time here and I apologize for this, but 
it is becoming an urgent need. 
Even if it's off topic here, could someone tell me where to get information on 
how a blind musician can use a computer in live situations? 
Thanks a lot. 
Best, 
JPR 

Typed with Fleksy
reply://jpryk...@gmail.com





http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: Using a computer onstage,. Take 2

2012-11-21 Thread Jean-Philippe Rykiel

Hi guys, 
Thank you for your replies. 
My goal is to use virtual synths and a few loops I could hopefully build in 
real time. 
I have a feeling pro tools is not designed for that,but I might be wrong. 
Best, 
JPR 



http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 21 nov. 2012 à 14:15, Brian Casey brian_w_ca...@hotmail.com a écrit :

 Hi,
 
 What do you want to do with the computer, what software gear etc have you 
 available? 
 
 Brian
 
 On 21/11/2012, at 12:59 PM, Jean-Philippe Rykiel jpryk...@gmail.com wrote:
 
 Hi all, 
 I'm asking this question for the second time here and I apologize for this, 
 but it is becoming an urgent need. 
 Even if it's off topic here, could someone tell me where to get information 
 on how a blind musician can use a computer in live situations? 
 Thanks a lot. 
 Best, 
 JPR 
 
 Typed with Fleksy
 reply://jpryk...@gmail.com
 
 
 
 
 
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

Re: Using a computer onstage,. Take 2

2012-11-21 Thread Jean-Philippe Rykiel

Hi Ricky,
Are you using ProTools for that matter?
JPR



http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 21 nov. 2012 à 15:28, Ricky Prevatte rickypreva...@gmail.com a écrit :

 I have done that just  likeSlau  suggested.  I used in ear for around 12 
 years.  So get you a  UsB keyboard some kind of head set.  Go to work keeping 
 your laptop in a safe place.  I can read words edit set lists and track s if 
 need bee right on stage.   
  
 From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf 
 Of Slau Halatyn
 Sent: Wednesday, November 21, 2012 8:13 AM
 To: ptaccess@googlegroups.com
 Subject: Re: Using a computer onstage,. Take 2
  
 Hi J P,
  
 What, exactly, is the issue? Is it the ability to access the computer with 
 extraneous noise on stage? Well, the best solution is to use a braille 
 display. Otherwise, in-ear monitoring with a feed from the screen reader will 
 also work. Further, I keep the laptop in a safe place and use an external USB 
 keyboard.
  
 HTH,
  
 Slau
  
 On Nov 21, 2012, at 7:59 AM, Jean-Philippe Rykiel wrote:
 
 
 Hi all, 
 I'm asking this question for the second time here and I apologize for this, 
 but it is becoming an urgent need. 
 Even if it's off topic here, could someone tell me where to get information 
 on how a blind musician can use a computer in live situations? 
 Thanks a lot. 
 Best, 
 JPR 
 
 Typed with Fleksy
 reply://jpryk...@gmail.com
 
  
 
  
  
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

Re: Using a computer onstage,. Take 2

2012-11-21 Thread Jean-Philippe Rykiel

Thanks for that Brian.
I have harassed Ableton as much as I could to make Live accessible, but they 
don't seam to care about us.
But do you recon that Sonar would easier than PT on stage ?
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Brian Casey 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, November 21, 2012 4:02 PM
  Subject: Re: Using a computer onstage,. Take 2


  I've used virtual instruments live with sonar but daws are not suited to live 
looping based performance in my opinion. Dedicated hardware like guitar pedals 
or korgs kaoss pad are the best option for that. 


  Just last year I did a series of live electronic performances improvising 
with a kaoss pad with sends in and out of sonar. This stuff requires stable low 
latency gear and lots of rehearsing with solid back up planning. Not for the 
faint of heart but it is very fun and interesting. 


  I don't know off hand of a plug that handles live looping reliably the way 
the relatively cheap hardware does but something like izotope stutter edit 
could be good to bass a performance style around. I don't know about voice over 
but there are jaws scripts on the way for stutter edit, either way it is midi 
controlable so with help you could set up templates even if voice over doesn't 
play nice!


  As always with electronic music it depends on the style you choose and how 
you want to communicate the skill in the performance to an audince. 


  Hth
  Brian

  On 21/11/2012, at 2:43 PM, Jean-Philippe Rykiel jpryk...@gmail.com wrote:


Hi guys, 
Thank you for your replies. 
My goal is to use virtual synths and a few loops I could hopefully build in 
real time. 
I have a feeling pro tools is not designed for that,but I might be wrong. 
Best, 
JPR 






http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 21 nov. 2012 à 14:15, Brian Casey brian_w_ca...@hotmail.com a écrit :


  Hi,


  What do you want to do with the computer, what software gear etc have you 
available? 


  Brian

  On 21/11/2012, at 12:59 PM, Jean-Philippe Rykiel jpryk...@gmail.com 
wrote:


Hi all, 
I'm asking this question for the second time here and I apologize for 
this, but it is becoming an urgent need. 
Even if it's off topic here, could someone tell me where to get 
information on how a blind musician can use a computer in live situations? 
Thanks a lot. 
Best, 
JPR 

Typed with Fleksy
reply://jpryk...@gmail.com









http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: response from Gary greenfield

2012-11-16 Thread Jean-Philippe Rykiel

Slau,
I just came back to France from a long African tour. I just looked through your 
series of emails about your meetings with Apple and Avid. 
All I want to do for now is  congratulate you. Your a  hero!
Kind regards,
JPR



http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 17 nov. 2012 à 00:47, Slau Halatyn slauhala...@gmail.com a écrit :

 Well, folks, I'm happy to inform you that it appears we're looking at Plan A. 
 I just got a reply from Gary Greenfield. It's short and sweet and I take that 
 to be a good thing for now. Here's his message:
 
 Slau,
  
 Thank you for the note. I did hear about the meeting and you are talking 
 to the right people. I  know Rich is personally committed to making some 
 real progress here so that you and others can take advantage of Pro Tools.   
 I am sure he will keep you updated.
  
 Enjoy the holiday.
  
 Gary
 
 I'll continue to interface with Rich after the holidays to see what needs to 
 be done. Just wanted to share the news.
 
 Cheers,
 
 Slau

Re: OT- accessible metronome for IOS

2012-11-15 Thread Jean-Philippe Rykiel

Hi Ryan,
I'm curious to know what is this metronome app anyway.
Thanks,
J PR



http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 16 nov. 2012 à 04:59, Brian Howerton bshowert...@gmail.com a écrit :

 Hello folks,
 I know this is off-topic, but I was wondering if anyone knew of an accessible 
 metronome I can use with my iPhone or iPad to be able to run click track at 
 church?  Our worship leader did it tonight with an app and I downloaded that 
 app and it is almost completely accessible accept for the tap tempo feature 
 and the one I have to program the metronome on the fly would take way to long 
 in between songs.  Thanks,
 Brian

Re: meeting scheduled with Avid

2012-08-27 Thread Jean-Philippe Rykiel

Good Luck Slau. Thanks for everything.
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Brian Casey 
  To: ptaccess@googlegroups.com 
  Sent: Tuesday, August 28, 2012 12:45 AM
  Subject: Re: meeting scheduled with Avid


  Audio engineering society, 

  On 27/08/2012, at 11:36 PM, Christopher-Mark Gilland 
clgillan...@gmail.com wrote:

   What does A E S stand for, anyway?
   
   Chris.
   
   - Original Message - From: Slau Halatyn slauhala...@gmail.com
   To: ptaccess@googlegroups.com
   Sent: Monday, August 27, 2012 5:44 PM
   Subject: Re: meeting scheduled with Avid
   
   
   AES is in San Francisco this time around.

Re: Question about Pianoteq

2012-08-22 Thread Jean-Philippe Rykiel

I have never been really happy with Pianoteq  until Pianoteq  4. If you haven't 
listened to version 4, please do and I think you'll be surprised.
They have made tremendous improvements in the sound specially in the attack 
Bart which was really the week spot as far as I'm concerned.
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jim Noseworthy 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, August 22, 2012 2:30 PM
  Subject: RE: Question about Pianoteq


  Scott:

  I have Pianoteq as well as other pianos such as Ivory, True Pianos, and
  those that shipp with Apple's MainStage.  In my opinion, if you are looking
  for a piano sound, Pianoteq would not be the way to go.  If, however, you
  are looking for a highly configurable instrument, Pianoteq might be a good
  choice.

  If you are wanting to purchase Pianoteq, I can probably give you a good deal
  since I never use the piano.

  Cheers.



  -Original Message-
  From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
  Of Kevin Reeves
  Sent: Wednesday, August 22, 2012 9:23 AM
  To: ptaccess@googlegroups.com
  Subject: Re: Question about Pianoteq

  I preferred to use the pianos in logic.
  On Aug 22, 2012, at 5:44 AM, Scott Chesworth wrote:

   Hey Kevin,
   
   Did you not dig it enough to purchase after the demo, or do you 
   already have a plugin you prefer? Just curiosity really.
   
   Cheers
   Scott
   
   On 8/22/12, Kevin Reeves reeves...@gmail.com wrote:
   Piano tech worked fine for me on Pro TOols. I could see all of the 
   parameters no problem. Not sure about any key strokes, as I didn't 
   use the stand alone version. I just tried the 3 day demo.
   
   Kevin

Re: Ivory

2012-08-15 Thread Jean-Philippe Rykiel

hi Eric,
I suggest you try Pianoteq4. 
It's really amazing. It uses no samples at all, therefore takes a very small 
disk space, and there's a demo version available here
http://www.pianoteq.com/
I'm using it on a PC, so I cannot tell you about its accessibility on Mac. But 
in its standalone version, it has keyboard shortcuts for changing banks and 
presets.
Editing parameters is another story and I'm afraid you will need help for that, 
but I find the presets very usable.

Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Eric Lambier 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, August 15, 2012 7:43 PM
  Subject: Ivory


  Hey All!

  Has anyone used Ivory? Is it voice over friendly?

  Cheers

  Eric

have you guys all seen and signed this petition?

2012-08-06 Thread Jean-Philippe Rykiel

Hi,
I'm sending this message to you because I have been a Sibelius user for a while.
I hope not to offend anyone, but this is not totally off topic anyway because 
it concerns avid technology.
 Thanks for signing my petition, Avid Technology: Sell Sibelius!.
http://www.sibeliususers.org/petition/petition.html 
  Winning this campaign is now in your hands. 
 We need to reach out to as many friends as we 
 can to grow this campaign and win.
 
  Thanks for your support,
 
  Derek
 
  Take the next step: Ask your friends to sign
  SHARE THIS PETITION
  Don't just be a signer - be a campaigner. 
 Turn your signature into hundreds more by 
 asking your friends to sign. Then they'll ask 
 their friends. That's how we win.
 


If you wish to unsubscribe, send a blank message
with the single word, unsubscribe - in the Subject line to:
sib-access-requ...@freelists.org

--
CTS MASTERING, affordable and professional mixing 
and mastering: http://www.ctsmastering.com
Twitter: https://twitter.com/#!/CTSMASTERING
BLOG: www.ctsmastering.com/blog
Linked In: http://ca.linkedin.com/pub/chris-smart/46/824/536

If you wish to unsubscribe, send a blank message
with the single word, unsubscribe - in the Subject line to:
sib-access-requ...@freelists.org

Re: have you guys all seen and signed this petition?

2012-08-06 Thread Jean-Philippe Rykiel

Hi Chuck,
it still is for now. hurry!


JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: CHUCK REICHEL 
  To: ptaccess@googlegroups.com 
  Sent: Monday, August 06, 2012 9:04 PM
  Subject: Re: have you guys all seen and signed this petition?


  Hi Philippe,
  How long will the petition be open?
  Good to see someone taking action! :)

  Talk soon


  CHUCK REICHEL
  soundpicturerecord...@gmail.com
  www.SoundPictureRecording.com
  954-742-0019
  Isaiah 26 : 3
   Thou wilt keep him in perfect peace, whose mind is stayed on thee: because 
he trusteth in thee.


  In GOD I Trust


  On Aug 6, 2012, at 2:55 PM, Jean-Philippe Rykiel wrote:


Hi,
I'm sending this message to you because I have been a Sibelius user for a 
while.
I hope not to offend anyone, but this is not totally off topic anyway 
because it concerns avid technology.
 Thanks for signing my petition, Avid Technology: Sell Sibelius!.
http://www.sibeliususers.org/petition/petition.html 
  Winning this campaign is now in your hands. 
 We need to reach out to as many friends as we 
 can to grow this campaign and win.
 
  Thanks for your support,
 
  Derek
 
  Take the next step: Ask your friends to sign
  SHARE THIS PETITION
  Don't just be a signer - be a campaigner. 
 Turn your signature into hundreds more by 
 asking your friends to sign. Then they'll ask 
 their friends. That's how we win.
 


If you wish to unsubscribe, send a blank message
with the single word, unsubscribe - in the Subject line to:
sib-access-requ...@freelists.org

--
CTS MASTERING, affordable and professional mixing 
and mastering: http://www.ctsmastering.com
Twitter: https://twitter.com/#!/CTSMASTERING
BLOG: www.ctsmastering.com/blog
Linked In: http://ca.linkedin.com/pub/chris-smart/46/824/536

If you wish to unsubscribe, send a blank message
with the single word, unsubscribe - in the Subject line to:
sib-access-requ...@freelists.org

Re: dialog finally restarted with Avid

2012-06-13 Thread Jean-Philippe Rykiel

Hey Slau.
Great en encouraging news.
Thanks for giving us hope.
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Scott Chesworth 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, June 13, 2012 6:17 PM
  Subject: Re: dialog finally restarted with Avid


  Thanks for the update man. Fingers, toes and eyes crossed here in earnest.

  On 6/13/12, Slau Halatyn slauhala...@gmail.com wrote:
   As you guys know, there's been a long radio silence with Avid. As I've
   mentioned in the past, the product strategist who was handed the
   accessibility baton from david Gibbons has been inaccessible, for lack of a
   better term. After repeated emails and phone calls, I finally heard back
   from him. No surprise, he's on the road, as he usually is. The good thing is
   that he's finally responding. I'm just waiting to hear back on when we will
   have a chance to speak a bit. It will probably be either today, tomorrow or
   Friday.
  
   Ultimately, I'm hoping that he will delegate someone else with a little more
   time and lower-level responsibilities to interface with me regarding further
   progress. As soon as I have something further to share, I'll post as soon as
   possible.
  
   Slau

hooking my soundcard to ProTools

2012-03-30 Thread Jean-Philippe Rykiel

Hi all,
I feel terribly stupid as this question has never been asked on this list, but 
how do I select my inputs and outputs in ProTools?
Is my hardware audio device recognised automatically?
I can't see anything about this on the manual except that it says that I should 
look in my audio devices manual.
It's an RME, asio compatible, its driver is installed, and  it is already 
recognised by my Mac, but I have several inputs and outputs to choose from, 
plus I thought maybe I could use my Mac's internal soundcard for audio feedback 
in some situations.
I bought ProTools as a download so I don't have a demo session to start 
fiddling, but what am I missing here?
Thanks for your help,
Cheers,
JPR


http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: last week's conference call

2012-03-29 Thread Jean-Philippe Rykiel

Me to, please.
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: David Philip Martin Babula Hole 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 29, 2012 1:09 PM
  Subject: Re: last week's conference call

  Hi. Could I also get access to it?

  Sendt fra min iPhone

  Den 29. mars 2012 kl. 12:21 skrev Scott Chesworth scottcheswo...@gmail.com:

  Hey Brian,

  Mike set up a Dropbox folder for the conference calls. I've jsut added
  you to the list of members, so you should be getting an email from
  Dropbox any second now.

  Hth
  Scott

  On 3/29/12, Brian Howerton bshowert...@gmail.com wrote:
   Hello folks,
   I tried replying to a message earlier regarding this, but wasn't sure if it
   went through.  If anyone has the mp3 of the conference call from last wee,
   would someone mind please emailing it to me?  Thank you!
   Brian

Re: To Scott Chessworth

2012-03-29 Thread Jean-Philippe Rykiel

Scott,
do you allow me to put the file into my own dropbox public folder and send the 
public link to the list?
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Scott Chesworth 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 29, 2012 4:11 PM
  Subject: Re: To Scott Chessworth


  Hey Brian,

  I'm on the road at the moment, but will get the file over to you
  tomorrow if nobody else can hook you up in the meantime.

  Scott

  On 29 Mar 2012, at 13:46, Brian Howerton bshowert...@gmail.com wrote:

   Hello,
   This message is for Scott Chessworth.  I saw that you had sent me a
   dropbox invitation to join the conference call folder you created, but
   for some reason, my dropbox is being weird.  Would you mind
   send-spacing me the file of the conference call off-list?  Thanks,
   Brian

Re: conference call dropboxfolder

2012-03-29 Thread Jean-Philippe Rykiel

Hi Brian,
I'm waiting for Scots permission to send a public link to the list which would 
be much easier for everyone, as  no one would have to be invited to anything. I 
hope Scott will  reply as soon as possible so I can do it.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Brian Howerton 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 29, 2012 5:13 PM
  Subject: conference call dropboxfolder


  Hello Jean,
  I saw that you had access to the conference call dropbox folder.  Would you 
mind sending me an invite to the folder?  Thanks,
  Brian=

Re: conference call dropboxfolder

2012-03-29 Thread Jean-Philippe Rykiel

Okay folks,
Here is the link everyone can download from.
http://dl.dropbox.com/u/6881092/Conference%20call.mp3
The file is 58 minutes long.
Happy listening.
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Scott Chesworth 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 29, 2012 6:26 PM
  Subject: Re: conference call dropboxfolder


  Hi Jean,


  The folder and recording were actually created by Mike, this isn't really my 
gig at all, I just happened to be in my email earlier when the requests came in.


  Mike's a busy boy, so if you have the time and space foe a public link then 
go for it. Can't imagine Mike would have any issue with you making the content 
easier to get ahold of.


  Cheers
  Scott

  On 29 Mar 2012, at 16:18, Jean-Philippe Rykiel jpryk...@gmail.com wrote:


Hi Brian,
I'm waiting for Scots permission to send a public link to the list which 
would be much easier for everyone, as  no one would have to be invited to 
anything. I hope Scott will  reply as soon as possible so I can do it.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Brian Howerton 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 29, 2012 5:13 PM
  Subject: conference call dropboxfolder


  Hello Jean,
  I saw that you had access to the conference call dropbox folder.  Would 
you mind sending me an invite to the folder?  Thanks,
  Brian=

Re: reading PT's documentation

2012-03-28 Thread Jean-Philippe Rykiel

Hi Steve,
Here is what Slau said to me a while ago, it was at Snow Leopard time, but I 
guess it still works for Lion doesn't it?


Open the file in Preview. Make sure the view is continuous and single page.
Select the text Tool with Command-2.
Select all with Command-a and Copy all with Command-c.
Open Text Edit and paste. You'll be able to read through this text document 
easily.


HTH,

Tell us if it works.
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Steve Martin 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, March 28, 2012 1:57 PM
  Subject: Re: reading PT's documentation


  I have the PT 10 manual converted to RTF if anyone wants it drop me an email 
off list requesting it as its too large of an attachment to send to the list. I 
 should be able to convert the PT 9 manual as well if there is enough demand. 
That being said I used Kurzweil to do the conversion of the manual since i have 
it installed on my work laptop. Does anyone know of a utility for doing the 
same on the mac, that is free or inexpensive, and accessible? Yeah i am aware 
there is DocuScanPlus and i do plan on picking it up at some point, but there 
is gotta be away to get that functionality without spending $300 upfront.


  On Mar 27, 2012, at 8:56 AM, Slau Halatyn slauhala...@gmail.com wrote:


Hey JP,


The quirky thing about Preview is that, if you switch applications and come 
back to it, you'll be thrown back up to the top of the page. For this reason, 
perhaps it's better to export a text file and read in that manner. That said, 
I've always been a proponent of reading through the manual at least twice: once 
from beginning to end without stopping and the second time with Pro Tools in 
front of you while stopping to try some of the things that are being described.


HTH,


Slau


On Mar 25, 2012, at 12:02 PM, Jean-Philippe Rykiel wrote:


  Hi friends,
  I have to confess, I haven't done so much with pro tools since I got it. 
The reason is too much work with sonar and not enough time for experimenting.
  I'm going to start an intensive reading of ProTools manual now. That's 
why I need advice from you. What do you think is the most comfortable way of 
reading it? Is it best to convert PDF to RTF And use text edit? Or is preview 
blind user friendly enough?
  What are the best settings in preview then?
  Thanks for your help,
  Cheers,
  JPR

  http://www.facebook.com/jprykiel
  http://myspace.com/jeanphilipperykiel

- Original Message -
From: Slau Halatyn
To: ptaccess@googlegroups.com
Sent: Thursday, August 04, 2011 10:32 PM
Subject: Re: reading PT's documentation


Hey JP,



Open the file in Preview. Make sure the view is continuous and single 
page.
Select the text Tool with Command-2.
Select all with Command-a and Copy all with Command-c.
Open Text Edit and paste. You'll be able to read through this text 
document easily.


HTH,


Slau


On Aug 4, 2011, at 4:01 PM, Jean-Philippe Rykiel wrote:


  Hi friends,
  Before starting to use PT, and  being already familiar with Sonar, I 
figured that the first thing  I should read to get me running is the PT 
shortcut's doc. But I'd like some advice about this.
  But most of all, I'm having a hard time with PDF documents 
understanding their structure and actually reading them efficiently.
  Is there maybe a software to convert PDF file into simple  text?
  thanks for your help.
  JPR

http://www.facebook.com/jprykiel

http://myspace.com/jeanphilipperykiel

Re: looking for a French-speaking ProTools user

2012-03-08 Thread Jean-Philippe Rykiel

Dear Slau,
Thanks a lot. In fact I know Anne, as she started a French blind Mac users list 
a few years ago. Unfortunately she does not use ProTools and I don't know if 
she could help me very much.
Do you have an idea on how voice-over behaves through systems and application 
languages? In fact, this doesn't concern French users only, but any non-English 
users in general.
Thanks for your help,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Slau Halatyn 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 08, 2012 1:48 PM
  Subject: Re: looking for a French-speaking ProTools user


  Hi Jean,


  You might want to contact Anne Robertson. I think the current email is
  anne at anarchie dot org dot uk
  Give it a try. If the address isn't current, let me know and I can get you in 
touch.


  HTH,


  Slau


  On Mar 8, 2012, at 5:53 AM, Jean-Philippe Rykiel wrote:


Hi there,
 in fact, I'm more looking for someone who uses the French Mac operating 
system With ProTools. My English is good enough to understand the manual, but 
I'm still  worried about differences between system languages or ProTools 
languages that could affect voice-over's behaviour, especially regarding 
hotkeys.
If someone can help, please contact me privately as this could disturb the 
list.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: looking for a French-speaking ProTools user

2012-03-08 Thread Jean-Philippe Rykiel

Yeah! that's the point. So, any ideas?
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Slau Halatyn 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, March 08, 2012 9:48 PM
  Subject: Re: looking for a French-speaking ProTools user

  Ah, I overlooked the detail about specifically using PT with other operating 
systems. I thought it was more a general thing. OK,

  Slau

  On Mar 8, 2012, at 8:05 AM, Jean-Philippe Rykiel wrote:

Dear Slau,
Thanks a lot. In fact I know Anne, as she started a French blind Mac users 
list a few years ago. Unfortunately she does not use ProTools and I don't know 
if she could help me very much.
Do you have an idea on how voice-over behaves through systems and 
application languages? In fact, this doesn't concern French users only, but any 
non-English users in general.
Thanks for your help,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message -
  From: Slau Halatyn
  To: ptaccess@googlegroups.com
  Sent: Thursday, March 08, 2012 1:48 PM
  Subject: Re: looking for a French-speaking ProTools user

  Hi Jean,

  You might want to contact Anne Robertson. I think the current email is
  anne at anarchie dot org dot uk
  Give it a try. If the address isn't current, let me know and I can get 
you in touch.

  HTH,

  Slau

  On Mar 8, 2012, at 5:53 AM, Jean-Philippe Rykiel wrote:

Hi there,
 in fact, I'm more looking for someone who uses the French Mac 
operating system With ProTools. My English is good enough to understand the 
manual, but I'm still  worried about differences between system languages or 
ProTools languages that could affect voice-over's behaviour, especially 
regarding hotkeys.
If someone can help, please contact me privately as this could disturb 
the list.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

ProTools language

2011-12-17 Thread Jean-Philippe Rykiel

Hi all,
just got myPT10 license. At installation, I was unable to choose the language 
so it was installed in French. Does anyone know if the program's language 
matters to voice-over or not?
Thanks for your help,
best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: Getting started with Pro Tools, the lazy way

2011-09-07 Thread Jean-Philippe Rykiel

Hi Chris,
I don't know if this is exactly what you are looking for, but our friend 
Kevin's podcasts are a pretty good start.
Here
http://www.kevinreeves.net, 
Happy listening,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Chris Norman 
  To: Pro Tools Accessibility 
  Sent: Wednesday, September 07, 2011 9:27 AM
  Subject: Getting started with Pro Tools, the lazy way


  Hiya all,
  I have a friend running PT, and he says there is a quick start guide,
  that one of you lovely folks made, showing Pro Tools with VO. Let me
  just say, that I do plan to read the manual, but I have a friend
  tomorrow, and we want to give recording a go, so I just need to learn
  enough to get recording, and so far, I'm being thick, and not getting
  anywhere fast, and Google is refusing to produce the link to this
  guide.

  Anyone know where I can find it?

  Cheers, and hope you are all well.

Re: off topic, Ableton Live

2011-08-19 Thread Jean-Philippe Rykiel

Hi Peter ,
Yes, except I am the performer as well. 
I'll have a look at your link. 
Thanks. 
Jean-Philippe
 
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Le 19 août 2011 à 06:40, k.zee...@home.nl a écrit :

 
 Hello Jean,
 so you are looking for something that allows you to do instant programming 
 but you depend on the inventiveness of the musician who is performing.
 It must be possible
 last may a dutch composer made a concert for recorder (i mean flute) and 
 laptop
 I don't know if you read the newsletters of www.samedaymusic.com
 maybe there's something in it for you.
 Greerts,
 Peter.
 - Original Message - From: Jean-Philippe Rykiel jpryk...@gmail.com
 To: ptaccess@googlegroups.com
 Sent: Friday, August 19, 2011 12:42 AM
 Subject: Re: off topic, Ableton Live
 
 
 Hi Peter,
 That's what I'm doing for the moment. I use an Akai MPC3000 synced with an 
 Electrics Repeter. It works but it's not as versatile as Live, and how I'd 
 like to have all this inside a laptop! Not you?
 JPR
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel
 
 
 
 Le 18 août 2011 à 23:13, k.zee...@home.nl a écrit :
 
 
 Hallo all,
 that was my opinion too.
 There are enough devices which can do the job.
 Greets
 Peter.
 ps i heard a perfect example lasst friday when Steven reichs electric 
 counterpoint was performed live at the royal albert hall.
 - Original Message - From: Brian Casey brian_w_ca...@hotmail.com
 To: ptaccess@googlegroups.com
 Sent: Thursday, August 18, 2011 6:57 PM
 Subject: Re: off topic, Ableton Live
 
 
 Sounds like you need a couple of kaoss pads! But seriously, maybe hardware 
 of some sort might be a better route?
 
 Brian.
 --
 From: Jean-Philippe Rykiel jpryk...@gmail.com
 Sent: Thursday, August 18, 2011 5:51 PM
 To: ptaccess@googlegroups.com
 Subject: Re: off topic, Ableton Live
 
 Hey Herman and all,
 Sonar's  matrix view is cool, but from what I watched en youtube, you 
 can't record into it. You have to use already recorded material that the 
 matrix view lets you combine the way you want, but it's no good for 
 improvisation.
 What I am really looking for is  something like Ableton with accessibility 
 if it exists. I don't believe Protools can do  that, but I thought someone 
 on the list  may have had  similar. needs and found some peace of software 
 to fulfill   them
 Cheers,
 
 JPR
 
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel
 
 
 
 Le 17 août 2011 à 14:32, HF a écrit :
 
 Sonar's Matrix view does pretty much all that ableton does. Plus a few 
 things that Ableton doesn't do which I can't remember at the moment. You 
 would have to spend a lot of time in setting it up, but you would have to 
 do that in Ableton as well.
 
 HF
 
 On 8/17/2011 8:23 AM, Jean-Philippe Rykiel wrote:
 Hi friends,
 I'm looking for a tool to do loop based music in a Live improvisation
 situation, with the ability to record, add, delete, edit audio and midi
 loops and tracks within loops on the fly.
 Of course, Ableton would be the ideal tool for this, but I don't it has
 ever been made accessible.
 I'd like to know if someone knows a way to achieve this for the blind,
 with or without voiceover
 Cheers,
 JPR.
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

Re: off topic, Ableton Live

2011-08-18 Thread Jean-Philippe Rykiel

Hey Herman and all,
Sonar's  matrix view is cool, but from what I watched en youtube, you can't 
record into it. You have to use already recorded material that the matrix view 
lets you combine the way you want, but it's no good for improvisation.
What I am really looking for is  something like Ableton with accessibility if 
it exists. I don't believe Protools can do  that, but I thought someone on the 
list  may have had  similar. needs and found some peace of software to fulfill  
 them
Cheers,

JPR
 
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel



Le 17 août 2011 à 14:32, HF a écrit :

 Sonar's Matrix view does pretty much all that ableton does. Plus a few things 
 that Ableton doesn't do which I can't remember at the moment. You would have 
 to spend a lot of time in setting it up, but you would have to do that in 
 Ableton as well.
 
 HF
 
 On 8/17/2011 8:23 AM, Jean-Philippe Rykiel wrote:
 Hi friends,
 I'm looking for a tool to do loop based music in a Live improvisation
 situation, with the ability to record, add, delete, edit audio and midi
 loops and tracks within loops on the fly.
 Of course, Ableton would be the ideal tool for this, but I don't it has
 ever been made accessible.
 I'd like to know if someone knows a way to achieve this for the blind,
 with or without voiceover
 Cheers,
 JPR.
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

Re: off topic, Ableton Live

2011-08-18 Thread Jean-Philippe Rykiel

Hi Peter,
That's what I'm doing for the moment. I use an Akai MPC3000 synced with an 
Electrics Repeter. It works but it's not as versatile as Live, and how I'd like 
to have all this inside a laptop! Not you?
JPR
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel



Le 18 août 2011 à 23:13, k.zee...@home.nl a écrit :

 
 Hallo all,
 that was my opinion too.
 There are enough devices which can do the job.
 Greets
 Peter.
 ps i heard a perfect example lasst friday when Steven reichs electric 
 counterpoint was performed live at the royal albert hall.
 - Original Message - From: Brian Casey brian_w_ca...@hotmail.com
 To: ptaccess@googlegroups.com
 Sent: Thursday, August 18, 2011 6:57 PM
 Subject: Re: off topic, Ableton Live
 
 
 Sounds like you need a couple of kaoss pads! But seriously, maybe hardware 
 of some sort might be a better route?
 
 Brian.
 --
 From: Jean-Philippe Rykiel jpryk...@gmail.com
 Sent: Thursday, August 18, 2011 5:51 PM
 To: ptaccess@googlegroups.com
 Subject: Re: off topic, Ableton Live
 
 Hey Herman and all,
 Sonar's  matrix view is cool, but from what I watched en youtube, you can't 
 record into it. You have to use already recorded material that the matrix 
 view lets you combine the way you want, but it's no good for improvisation.
 What I am really looking for is  something like Ableton with accessibility 
 if it exists. I don't believe Protools can do  that, but I thought someone 
 on the list  may have had  similar. needs and found some peace of software 
 to fulfill   them
 Cheers,
 
 JPR
 
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel
 
 
 
 Le 17 août 2011 à 14:32, HF a écrit :
 
 Sonar's Matrix view does pretty much all that ableton does. Plus a few 
 things that Ableton doesn't do which I can't remember at the moment. You 
 would have to spend a lot of time in setting it up, but you would have to 
 do that in Ableton as well.
 
 HF
 
 On 8/17/2011 8:23 AM, Jean-Philippe Rykiel wrote:
 Hi friends,
 I'm looking for a tool to do loop based music in a Live improvisation
 situation, with the ability to record, add, delete, edit audio and midi
 loops and tracks within loops on the fly.
 Of course, Ableton would be the ideal tool for this, but I don't it has
 ever been made accessible.
 I'd like to know if someone knows a way to achieve this for the blind,
 with or without voiceover
 Cheers,
 JPR.
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

off topic, Ableton Live

2011-08-17 Thread Jean-Philippe Rykiel

Hi friends,
I'm looking for a tool to do loop based music in a Live improvisation 
situation, with the ability to record, add, delete, edit  audio and midi loops 
and tracks within loops on the fly.
Of course, Ableton would be the ideal tool for this, but I don't it has ever 
been made accessible.
I'd like to know if someone knows a way to achieve this for the blind,  with or 
without voiceover
Cheers,
JPR.
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

what was this warning message at pro tools installation?

2011-08-05 Thread Jean-Philippe Rykiel

Hi all,
I remember a warning about a mac shortcut that should be deactivated in order 
for a given pro tools shortcut to work as expected.
But where can I find this message   back? Was it important?
Best,
JPR
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

reading PT's documentation

2011-08-04 Thread Jean-Philippe Rykiel

Hi friends,
Before starting to use PT, and  being already familiar with Sonar, I figured 
that the first thing  I should read to get me running is the PT shortcut's doc. 
But I'd like some advice about this.
But most of all, I'm having a hard time with PDF documents understanding their 
structure and actually reading them efficiently.
Is there maybe a software to convert PDF file into simple  text?
thanks for your help.
JPR
 
 http://www.facebook.com/jprykiel
 http://myspace.com/jeanphilipperykiel

Re: pt update 9.03

2011-07-25 Thread Jean-Philippe Rykiel

Here is what the support guy said.
Hello Jean 

Although not officially qualified, the only issue we are currently aware of 
with 10.6.8 is when using an HD|Native card. 

but please ensure you re-iterate the fact that 10.6.8 is not officially 
qualified with Pro Tools at this time/ 
We cannot help (or be held responsible) with any issues that may arise from 
unning Pro Tools on 10.6.8 (at this time) 

Regards, 

Avid Audio Technical Support  
 
 
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Frank Carmickle 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, July 21, 2011 3:24 PM
  Subject: Re: pt update 9.03


  Hello J P


  9.0.3 does not fix the problems with 10.6.8.  It looks like some people are 
having success running 10.6.8 with pro tools.  The hd core card drivers seem to 
be the real trouble spot.  That said I don't recommend moving to 10.6.8 until 
it's all sorted out.  Let's hope Avid certify it soon cause there are some 
secure fixes in 10.6.8 and I'm getting tired of saying no to software updater.  
I'll go turn it off now before it bugs me again.


  Take care
  --FC

  On Jul 21, 2011, at 8:40 AM, Jean-Philippe Rykiel wrote:


Hi ProTools experts,
after my first ProTools launch, I was warned that a new update was 
available. I installed it to but I don't know where to look for release notes. 
Does anyone know if it solve the osx 10 point six point eight issue?
Thanks for your help,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

pt update 9.03

2011-07-21 Thread Jean-Philippe Rykiel

Hi ProTools experts,
after my first ProTools launch, I was warned that a new update was available. I 
installed it to but I don't know where to look for release notes. Does anyone 
know if it solve the osx 10 point six point eight issue?
Thanks for your help,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

what about lion?

2011-07-20 Thread Jean-Philippe Rykiel

hey! Watch out! It's coming! raoh!
It brings significant improvements on voice-over, but does anyone know if 
ProTools nine will be compatible with it? Should I upgrade or wait?
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: what about lion?

2011-07-20 Thread Jean-Philippe Rykiel

What? I just bought my PT a week ago and of course, I have the latestOSX on my 
Mac. Does it mean it's not even worth installing for the moment?
JP

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Slau Halatyn 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, July 20, 2011 4:29 PM
  Subject: Re: what about lion?

  Pro Tools isn't even compatible with Snow Leopard 10.6.8 so don't even think 
of going to Lion with Pro Tools because it doesn't work. Avid keeps people up 
to date on Pro tools compatibility on their web site.

  Best,

  Slau

  On Jul 20, 2011, at 9:14 AM, Jean-Philippe Rykiel wrote:

hey! Watch out! It's coming! raoh!
It brings significant improvements on voice-over, but does anyone know if 
ProTools nine will be compatible with it? Should I upgrade or wait?
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

authorising ProTools

2011-07-20 Thread Jean-Philippe Rykiel

Hi all,
I thought authorising ProTools was straightforward. My iloc key is in my USB 
port, and I click the authorise button but nothing happens. Do you need cited 
assistance? 
Thanks for your help,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: what about lion?

2011-07-20 Thread Jean-Philippe Rykiel

Lion is a nickname for the new Mac operating system.
Don't upgrade now, or you won't be able to use ProTools anymore, at least for 
the moment.
Cheers,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, July 20, 2011 8:53 PM
  Subject: Re: what about lion?


  I am confused can I ask what exactly we are talking about?

  Jake
- Original Message - 
From: Jean-Philippe Rykiel 
To: ptaccess@googlegroups.com 
Sent: Wednesday, July 20, 2011 6:14 AM
Subject: what about lion?


hey! Watch out! It's coming! raoh!
It brings significant improvements on voice-over, but does anyone know if 
ProTools nine will be compatible with it? Should I upgrade or wait?
Best,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: authorising ProTools

2011-07-20 Thread Jean-Philippe Rykiel

Oh, thanks.
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jason 
  To: Pro Tools Accessibility 
  Sent: Wednesday, July 20, 2011 10:32 PM
  Subject: Re: authorising ProTools

  Just so that you know, because I was hung up a little on this
  myselfthe window that first comes up when you first open Pro Tools
  that has an Authorize button is not for Pro Tools.  I think Pro
  Tools comes with some extra plug-ins that are temporary teasers that
  they want you to buy and this window refers to those plugins.  On my
  machine, I cancelled out of this and was asked if I wanted to move
  these plugins into the Not Used folder and then taken into Pro
  Tools.  Once I moved those into Not Used I never was again prompted
  to Authorize.  This window was very ambiguous.  Also, I had a problem
  with clicking on the authorize buttonthe regular VOI space does
  not seem to work.  You probably need to route your mouse to the VO
  cursor and then click (this would be CONTROL + OPTION + COMMAND + F5
  to route the mouse to the VO cursor and shift + control + option +
  space to click).  Hope this helps.

  Slau Halatyn wrote:
   There are instructions on a card which tell you to go to Avid's 
registration site and enter the authorization code which is printed on the 
card. You'll have to get someone to read that code. Once you enter it on the 
web site, an iLok license will be deposited into your iLok account (which you 
also need to have set up before you register Pro Tools). Finally, you'll have 
to transfer the license to your iLok key. Then you'll be able to use Pro Tools.

   HTH,

   Slau

   On Jul 20, 2011, at 2:49 PM, Jean-Philippe Rykiel wrote:

Hi all,
I thought authorising ProTools was straightforward. My iloc key is in my 
USB port, and I click the authorise button but nothing happens. Do you need 
cited assistance?
Thanks for your help,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: Subcribe

2011-07-06 Thread Jean-Philippe Rykiel

Dear mike,
apparently you already subscribed.

, we got your subscribe as a message, so you are already a member of the list.
Congratulations.
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Mike Huckabay 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, July 06, 2011 4:16 PM
  Subject: Subcribe

any non-English user on the list?

2011-07-02 Thread Jean-Philippe Rykiel

Hi all,
I would like to know if ProTools can be installed in my native language or if 
it really has to be installed in English for voice-over compatibility.
Merci beaucoup.
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Melodyne

2011-06-26 Thread Jean-Philippe Rykiel

Hi all,
I wonder why no one has replied specifically about Melodyne. It would be 
interesting to know if it's accessible because it's really fantastic.
I don't have a ProTools yet so I can't test it but I seem to remember there is 
a demo version available on their website.

More generally speaking, can someone tell me what is the way to approach a 
plug-in developer about accessibility? Is it very hard to do? I know that 
Izotope has made most of their plug-ins accessible, at least on PC with their 
VST version. I don't know what motivated them but they did it.
Could be that someone in the company has a blind friend or family member, I 
don't really know but it doesn't seem such a hard job.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

Re: a new round of questions

2011-06-24 Thread Jean-Philippe Rykiel

Dear Jake,
I remember someone asking about Melodyne ae awhile ago on this list. Melodyne 
is undoubtably the best tuning device I've ever heard, but I don't know about 
its accessibility. On the other hand, sonar'sV vocal is not bad and almost 
entirely accessible.
Maybe you could have BootCamp on your Mac and use Windows, jaws, and sonar's V 
Vocal if nothing is available on ProTools, but that would require learning how 
to use all this as well. I hope that ProTools experts will come up  with 
another solution.
Best,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Friday, June 24, 2011 6:42 PM
  Subject: Re: a new round of questions


  Dear JP, I agree with you hole heartedly. Illegal downloading is a large 
problem in the US as well, and has undoubtedly hurt the music industry. This 
does not change the realities of our situation. As I see it speaking in general 
terms. We have 2 choices we can either resign our selves to working with what 
ever comes across our table witch means having to polish terds and find the 
occasional gold nugget, if you will pardon the metaphor. Or we can become so 
good and so well known for our craft and turning out a good product that we can 
demand a higher price and thus gather a more exclusive client list, and only 
work with those who are worth that kind of money and time. I am just starting 
out learning and know I at least in the beginning will not be worth that level 
of exclusivity. So my question is how do we deal with the day to day non-golden 
nuggets and still make them as shiny as possible. The specific question is 
tuning and does the screen reader help with the visual representation or do we 
have to develop a masters ear if not a masters client list.
  thanks
  Jake

  PS Thank you list for indulging my rants.
- Original Message - 
From: Jean-Philippe Rykiel 
To: ptaccess@googlegroups.com 
Sent: Wednesday, June 22, 2011 1:32 AM
Subject: Re: a new round of questions


Dear Jake,
I know exactly what you're saying, but I also think it is one of the 
reasons why the music industry is dying. The pearl necklace you're talking 
about is just plastic now, I'm in France, and we also have a big problem about 
kids downloading music illegally. It's bad, but maybe these kids, down inside, 
feel that what the industry is trying to sell them as music is not worth any 
more.
My musical background goes from Mozart to Thelenious Monk, Miles Davis, the 
Beatles, Frank Zappa, and also African music I'm very fond of, and they want to 
sell me lady gaga?
Okay, I'm getting really off topic now and I hope you'll excuse me for this.
Cheers,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, June 22, 2011 9:04 AM
  Subject: Re: a new round of questions


  I completely agree but it is a fact of life if we want to make a living 
all of our clients are not going to be legend status good or even particularly 
professional, and we are going to have to polish terds from time to time and 
just hope it doesn't become our bred and butter. I have sat in on 4 or 5 
sessions now and it strikes me that a large part of the time in studio working 
on an album is turning a string of terds in to a pearl necklace. So how do we 
as blind engineers compensate for the unprofessional sound of the majority of 
our clients?

  thanks much
  Jake
- Original Message - 
From: Jean-Philippe Rykiel 
To: ptaccess@googlegroups.com 
Sent: Thursday, June 16, 2011 12:35 AM
Subject: Re: a new round of questions


Dear Jake and all,
it has nothing to do with you and it's probably off topic, but it just 
striked me when I read your message, why a hell don't people learn how to sing? 
Did the Beach boys need that?
Cheers,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, June 16, 2011 8:29 AM
  Subject: a new round of questions


  I just sat in on my first recording session today, it was informative 
and thought provoking. The engineer was using Logic rather then PT but I assume 
the principles are the same. One question I have is regarding tuning. They laid 
down some vocal tracks and were tuning them to harmonize with each other. As I 
understand it they were using a visual representation of the 3 vocal tracks 
(Low and High backing tracks and a lead vocal track.) The pitch of the 3 tracks 
were displayed as a graf or some thing and they were able to clean up the 
sharps and flats and in one case even drop the pitch a few notes

Re: a new round of questions

2011-06-22 Thread Jean-Philippe Rykiel

Dear Jake,
I know exactly what you're saying, but I also think it is one of the reasons 
why the music industry is dying. The pearl necklace you're talking about is 
just plastic now, I'm in France, and we also have a big problem about kids 
downloading music illegally. It's bad, but maybe these kids, down inside, feel 
that what the industry is trying to sell them as music is not worth any more.
My musical background goes from Mozart to Thelenious Monk, Miles Davis, the 
Beatles, Frank Zappa, and also African music I'm very fond of, and they want to 
sell me lady gaga?
Okay, I'm getting really off topic now and I hope you'll excuse me for this.
Cheers,
JPR
http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Wednesday, June 22, 2011 9:04 AM
  Subject: Re: a new round of questions


  I completely agree but it is a fact of life if we want to make a living all 
of our clients are not going to be legend status good or even particularly 
professional, and we are going to have to polish terds from time to time and 
just hope it doesn't become our bred and butter. I have sat in on 4 or 5 
sessions now and it strikes me that a large part of the time in studio working 
on an album is turning a string of terds in to a pearl necklace. So how do we 
as blind engineers compensate for the unprofessional sound of the majority of 
our clients?

  thanks much
  Jake
- Original Message - 
From: Jean-Philippe Rykiel 
To: ptaccess@googlegroups.com 
Sent: Thursday, June 16, 2011 12:35 AM
Subject: Re: a new round of questions


Dear Jake and all,
it has nothing to do with you and it's probably off topic, but it just 
striked me when I read your message, why a hell don't people learn how to sing? 
Did the Beach boys need that?
Cheers,
JPR

http://www.facebook.com/jprykiel
http://myspace.com/jeanphilipperykiel

  - Original Message - 
  From: Jake 
  To: ptaccess@googlegroups.com 
  Sent: Thursday, June 16, 2011 8:29 AM
  Subject: a new round of questions


  I just sat in on my first recording session today, it was informative and 
thought provoking. The engineer was using Logic rather then PT but I assume the 
principles are the same. One question I have is regarding tuning. They laid 
down some vocal tracks and were tuning them to harmonize with each other. As I 
understand it they were using a visual representation of the 3 vocal tracks 
(Low and High backing tracks and a lead vocal track.) The pitch of the 3 tracks 
were displayed as a graf or some thing and they were able to clean up the 
sharps and flats and in one case even drop the pitch a few notes to be more in 
continuity with the other 2 tracks. They could see it as I have said mapped 
out, is VO able to interpret the visual representation or do we just have to 
have an ear for it.

  thanks much
  Jake

1 2 >

1 - 100 of 106 matches

Mail list logo