Re: Splitting

[Steve Baskis]

Never mind, I guess you are if you’re saying you’re making a selection etc.

> On Jun 17, 2020, at 12:57, jimmie smith  wrote:
> 
> 
> 
> Slau, this is what I'm doing, and then you can tell me where I'm screwing up. 
> I'm in the edit window I have no selection point I select my track using 
> control P and control; the track is an acoustic sub. At Bar six I am pressing 
> control G. Voiceover says nothing. I tried selecting between bar six an bar 
> 10 then pressing command F, voiceover says nothing. I am still lost. Please 
> help? 
> From: ptaccess@googlegroups.com  on behalf of Slau 
> Halatyn 
> Sent: Tuesday, June 16, 2020 6:13:34 PM
> To: PTAccess List 
> Subject: Re: Splitting
>  
> OK, Jimmy, this is a potentially large subject area but I'll detail steps. 
> I'm not going to cover all of the pre-flight checks that you should have in 
> place because it's too lengthy. Based on what you've said already, here's 
> exactly what to do.
> Let's assume it's only for one track for now.
> Move your insertion cursor to the track on which you'd like to create the 
> fade.
> If your clip ends at bar 10, move your insertion to bar 6 and press Control+g 
> in the Edit window. That'll create a basic fade out.
> Alternatively, instead of pressing Control+g, you can press Shift+Tab to make 
> a selection from bar 6 to bar 10 and then press Command+f to bring up the 
> Fades dialog. The mp3 details everything from there.
> Let me know if you're still stuck.
> Slau
> 
> 
>>> On Jun 16, 2020, at 7:00 PM, jimmie smith  
>>> wrote:
>>> 
>>> 
>>> Thanks for your reply, but I guess I still need some help. When I press 
>>> command F, nothing happens. That's why I asked if there was something I was 
>>> missing. Any help would be appreciated. I did listen to the MP3. You 
>>> mentioned something about cutting something, and I'm not quite clear on 
>>> that.
>>>  
>>> From: ptaccess@googlegroups.com  on behalf of 
>>> Slau Halatyn 
>>> Sent: Tuesday, June 16, 2020 5:57:23 PM
>>> To: PTAccess List 
>>> Subject: Re: Splitting
>>>  
>>> Hi Jimmy,
>>> You don't have to split anything to create a fade. That mp3 I mentioned in 
>>> my previous message demonstrates it. Let me know if you need more info.
>>> Slau
>>> 
>>> 
>>> On Jun 16, 2020, at 1:29 PM, jimmie smith  
>>> wrote:
>>> 
>>> 
>>> If I'm understanding correctly, I must split a clip before it can be faded. 
>>> The problem is, I do not know how to do this. Can someone suggest some 
>>> reading so i  can learn how to split clips to fade?
>>> 
>>> -- 
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>> 
>> 
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Re: Splitting

[Steve Baskis]

Just a question, are you dropping an insertion point with the down arrow? And 
then executing the fade command.

> On Jun 17, 2020, at 12:57, jimmie smith  wrote:
> 
> 
> 
> Slau, this is what I'm doing, and then you can tell me where I'm screwing up. 
> I'm in the edit window I have no selection point I select my track using 
> control P and control; the track is an acoustic sub. At Bar six I am pressing 
> control G. Voiceover says nothing. I tried selecting between bar six an bar 
> 10 then pressing command F, voiceover says nothing. I am still lost. Please 
> help? 
> From: ptaccess@googlegroups.com  on behalf of Slau 
> Halatyn 
> Sent: Tuesday, June 16, 2020 6:13:34 PM
> To: PTAccess List 
> Subject: Re: Splitting
>  
> OK, Jimmy, this is a potentially large subject area but I'll detail steps. 
> I'm not going to cover all of the pre-flight checks that you should have in 
> place because it's too lengthy. Based on what you've said already, here's 
> exactly what to do.
> Let's assume it's only for one track for now.
> Move your insertion cursor to the track on which you'd like to create the 
> fade.
> If your clip ends at bar 10, move your insertion to bar 6 and press Control+g 
> in the Edit window. That'll create a basic fade out.
> Alternatively, instead of pressing Control+g, you can press Shift+Tab to make 
> a selection from bar 6 to bar 10 and then press Command+f to bring up the 
> Fades dialog. The mp3 details everything from there.
> Let me know if you're still stuck.
> Slau
> 
> 
>>> On Jun 16, 2020, at 7:00 PM, jimmie smith  
>>> wrote:
>>> 
>>> 
>>> Thanks for your reply, but I guess I still need some help. When I press 
>>> command F, nothing happens. That's why I asked if there was something I was 
>>> missing. Any help would be appreciated. I did listen to the MP3. You 
>>> mentioned something about cutting something, and I'm not quite clear on 
>>> that.
>>>  
>>> From: ptaccess@googlegroups.com  on behalf of 
>>> Slau Halatyn 
>>> Sent: Tuesday, June 16, 2020 5:57:23 PM
>>> To: PTAccess List 
>>> Subject: Re: Splitting
>>>  
>>> Hi Jimmy,
>>> You don't have to split anything to create a fade. That mp3 I mentioned in 
>>> my previous message demonstrates it. Let me know if you need more info.
>>> Slau
>>> 
>>> 
>>> On Jun 16, 2020, at 1:29 PM, jimmie smith  
>>> wrote:
>>> 
>>> 
>>> If I'm understanding correctly, I must split a clip before it can be faded. 
>>> The problem is, I do not know how to do this. Can someone suggest some 
>>> reading so i  can learn how to split clips to fade?
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> To view this discussion on the web visit 
>>> https://groups.google.com/d/msgid/ptaccess/BN7PR01MB37488DA8F1398EBF25A6AE87F69D0%40BN7PR01MB3748.prod.exchangelabs.com.
>> 
>> 
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> 
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Re: Splitting

[jimmie smith]

Slau, this is what I'm doing, and then you can tell me where I'm screwing up. 
I'm in the edit window I have no selection point I select my track using 
control P and control; the track is an acoustic sub. At Bar six I am pressing 
control G. Voiceover says nothing. I tried selecting between bar six an bar 10 
then pressing command F, voiceover says nothing. I am still lost. Please help?

From: ptaccess@googlegroups.com  on behalf of Slau 
Halatyn 
Sent: Tuesday, June 16, 2020 6:13:34 PM
To: PTAccess List 
Subject: Re: Splitting

OK, Jimmy, this is a potentially large subject area but I'll detail steps. I'm 
not going to cover all of the pre-flight checks that you should have in place 
because it's too lengthy. Based on what you've said already, here's exactly 
what to do.
Let's assume it's only for one track for now.
Move your insertion cursor to the track on which you'd like to create the fade.
If your clip ends at bar 10, move your insertion to bar 6 and press Control+g 
in the Edit window. That'll create a basic fade out.
Alternatively, instead of pressing Control+g, you can press Shift+Tab to make a 
selection from bar 6 to bar 10 and then press Command+f to bring up the Fades 
dialog. The mp3 details everything from there.
Let me know if you're still stuck.
Slau


On Jun 16, 2020, at 7:00 PM, jimmie smith 
mailto:jimmie.harold.sm...@gmail.com>> wrote:


Thanks for your reply, but I guess I still need some help. When I press command 
F, nothing happens. That's why I asked if there was something I was missing. 
Any help would be appreciated. I did listen to the MP3. You mentioned something 
about cutting something, and I'm not quite clear on that.

From: ptaccess@googlegroups.com<mailto:ptaccess@googlegroups.com> 
mailto:ptaccess@googlegroups.com>> on behalf of Slau 
Halatyn mailto:slauhala...@gmail.com>>
Sent: Tuesday, June 16, 2020 5:57:23 PM
To: PTAccess List mailto:ptaccess@googlegroups.com>>
Subject: Re: Splitting

Hi Jimmy,
You don't have to split anything to create a fade. That mp3 I mentioned in my 
previous message demonstrates it. Let me know if you need more info.
Slau


On Jun 16, 2020, at 1:29 PM, jimmie smith 
mailto:jimmie.harold.sm...@gmail.com>> wrote:


If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting

[Slau Halatyn]

OK, Jimmy, this is a potentially large subject area but I'll detail steps. I'm 
not going to cover all of the pre-flight checks that you should have in place 
because it's too lengthy. Based on what you've said already, here's exactly 
what to do.
Let's assume it's only for one track for now.
Move your insertion cursor to the track on which you'd like to create the fade.
If your clip ends at bar 10, move your insertion to bar 6 and press Control+g 
in the Edit window. That'll create a basic fade out.
Alternatively, instead of pressing Control+g, you can press Shift+Tab to make a 
selection from bar 6 to bar 10 and then press Command+f to bring up the Fades 
dialog. The mp3 details everything from there.
Let me know if you're still stuck.
Slau


> On Jun 16, 2020, at 7:00 PM, jimmie smith  
> wrote:
> 
> 
> Thanks for your reply, but I guess I still need some help. When I press 
> command F, nothing happens. That's why I asked if there was something I was 
> missing. Any help would be appreciated. I did listen to the MP3. You 
> mentioned something about cutting something, and I'm not quite clear on that.
> From: ptaccess@googlegroups.com  on behalf of Slau 
> Halatyn 
> Sent: Tuesday, June 16, 2020 5:57:23 PM
> To: PTAccess List 
> Subject: Re: Splitting
>  
> Hi Jimmy,
> You don't have to split anything to create a fade. That mp3 I mentioned in my 
> previous message demonstrates it. Let me know if you need more info.
> Slau
> 
> 
>> On Jun 16, 2020, at 1:29 PM, jimmie smith > <mailto:jimmie.harold.sm...@gmail.com>> wrote:
>> 
>> 
>> If I'm understanding correctly, I must split a clip before it can be faded. 
>> The problem is, I do not know how to do this. Can someone suggest some 
>> reading so i  can learn how to split clips to fade?
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
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>>  
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> 
> 
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Re: Splitting to fade

[Slau Halatyn]

Oh, and BTW, If you extend your insertion cursor through multiple tracks with 
Control+semicolon or Control+P, you can create a fade on all of the selected 
tracks with one keystroke, Control+g. If all of the clips end at the same time, 
the fade will be equal on all clips. If some of the clips are longer, the fades 
on those clips will be proportionately slower since they change over a longer 
period of time in the timeline.
HTH,
Slau


> On Jun 16, 2020, at 5:16 PM, jimmie smith  
> wrote:
> 
> 
> I must not be doing something right. Like I said before, I have 10 bars of 
> acoustic guitar. The bar starts at bar one, to bart10. I want to fade out 
> starting at bar six. I do not understand how to set this up to be done. If 
> there's some documentation, I'll be more than happy to read it. If not, can 
> someone please go through the process with me?  I have both guitar tracks in 
> a sub. Does that mean I would have to perform the fade on the sub mix?
> 
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>  
> .

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Re: Splitting

[jimmie smith]

Thanks for your reply, but I guess I still need some help. When I press command 
F, nothing happens. That's why I asked if there was something I was missing. 
Any help would be appreciated. I did listen to the MP3. You mentioned something 
about cutting something, and I'm not quite clear on that.

From: ptaccess@googlegroups.com  on behalf of Slau 
Halatyn 
Sent: Tuesday, June 16, 2020 5:57:23 PM
To: PTAccess List 
Subject: Re: Splitting

Hi Jimmy,
You don't have to split anything to create a fade. That mp3 I mentioned in my 
previous message demonstrates it. Let me know if you need more info.
Slau


On Jun 16, 2020, at 1:29 PM, jimmie smith 
mailto:jimmie.harold.sm...@gmail.com>> wrote:


If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting

[Slau Halatyn]

Hi Jimmy,
You don't have to split anything to create a fade. That mp3 I mentioned in my 
previous message demonstrates it. Let me know if you need more info.
Slau


> On Jun 16, 2020, at 1:29 PM, jimmie smith  
> wrote:
> 
> 
> If I'm understanding correctly, I must split a clip before it can be faded. 
> The problem is, I do not know how to do this. Can someone suggest some 
> reading so i  can learn how to split clips to fade?
> 
> -- 
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>  
> .

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Splitting to fade

[jimmie smith]

I must not be doing something right. Like I said before, I have 10 bars of 
acoustic guitar. The bar starts at bar one, to bart10. I want to fade out 
starting at bar six. I do not understand how to set this up to be done. If 
there's some documentation, I'll be more than happy to read it. If not, can 
someone please go through the process with me?  I have both guitar tracks in a 
sub. Does that mean I would have to perform the fade on the sub mix?

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Re: Splitting

[jimmie smith]

Thanks for this information. I will try it this afternoon.


From: ptaccess@googlegroups.com  on behalf of CHUCK 
REICHEL 
Sent: Tuesday, June 16, 2020 12:38:04 PM
To: ptaccess@googlegroups.com 
Subject: Re: Splitting

Hi jimmie,
Just find the location you want to split and hit "command e" VoiceOver will 
tell you it did it.
Also look under the edit menu and you'll find this same command listed.
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’



On Jun 16, 2020, at 1:29 PM, jimmie smith wrote:


If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting

[CHUCK REICHEL]

Hi jimmie,
Just find the location you want to split and hit "command e" VoiceOver will 
tell you it did it.
Also look under the edit menu and you'll find this same command listed.
HTH
Chuck
"God does not play dice with the universe"
"Albert Einstein’



On Jun 16, 2020, at 1:29 PM, jimmie smith wrote:

> 
> If I'm understanding correctly, I must split a clip before it can be faded. 
> The problem is, I do not know how to do this. Can someone suggest some 
> reading so i  can learn how to split clips to fade?
> 
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Splitting

[jimmie smith]

If I'm understanding correctly, I must split a clip before it can be faded. The 
problem is, I do not know how to do this. Can someone suggest some reading so i 
 can learn how to split clips to fade?

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Re: Splitting mp4 files

[TheOreoMonster]

I believe so. 


> On May 14, 2020, at 8:52 AM, Martin (Punky) Sopart  wrote:
> 
> Hello!
> 
> Is Quicktime accessible regarding setting splitt points?
> 
> Thanks and best! / Martin
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>> On Behalf Of TheOreoMonster
>> Sent: Thursday, May 14, 2020 2:29 PM
>> To: ptaccess@googlegroups.com
>> Subject: Re: Splitting mp4 files
>> 
>> Reaper is what I use for editing video, though QuickTime should be able to
>> split it into 3 different clips if that all you need.
>> 
>> 
>>> On May 14, 2020, at 8:04 AM, Martin (Punky) Sopart
>>  wrote:
>>> 
>>> Hello all!
>>> 
>>> Yesterday I got a mp4 file containing 3 songs.
>>> I have to splitt the file to get a mp4 file per song.
>>> 
>>> If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
>>> Could someone recommend some apps for that task?
>>> 
>>> Thanks in advance and best! / Martin
>>> 
>>> 
>>> --
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>> Groups "Pro Tools Accessibility" group.
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>> https://groups.google.com/d/msgid/ptaccess/00f701d629e7%24e380edb0%
>> 24aa82c910%24%40cakewalker.de.
>> 
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RE: Splitting mp4 files

[Martin (Punky) Sopart]

Hello!

Is Quicktime accessible regarding setting splitt points?

Thanks and best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of TheOreoMonster
> Sent: Thursday, May 14, 2020 2:29 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Splitting mp4 files
> 
> Reaper is what I use for editing video, though QuickTime should be able to
> split it into 3 different clips if that all you need.
> 
> 
> > On May 14, 2020, at 8:04 AM, Martin (Punky) Sopart
>  wrote:
> >
> > Hello all!
> >
> > Yesterday I got a mp4 file containing 3 songs.
> > I have to splitt the file to get a mp4 file per song.
> >
> > If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
> > Could someone recommend some apps for that task?
> >
> > Thanks in advance and best! / Martin
> >
> >
> > --
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> Groups "Pro Tools Accessibility" group.
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> https://groups.google.com/d/msgid/ptaccess/00f701d629e7%24e380edb0%
> 24aa82c910%24%40cakewalker.de.
> 
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Re: Splitting mp4 files

[TheOreoMonster]

Reaper is what I use for editing video, though QuickTime should be able to 
split it into 3 different clips if that all you need. 


> On May 14, 2020, at 8:04 AM, Martin (Punky) Sopart  wrote:
> 
> Hello all!
> 
> Yesterday I got a mp4 file containing 3 songs.
> I have to splitt the file to get a mp4 file per song.
> 
> If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
> Could someone recommend some apps for that task?
> 
> Thanks in advance and best! / Martin
> 
> 
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RE: Splitting mp4 files

[Martin (Punky) Sopart]

Hello Dammie!

Thanks for that but what happens to the video signal?

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of Dammie Onafeko
> Sent: Thursday, May 14, 2020 2:14 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Splitting mp4 files
> 
> Hi Martin: It's simple. Just convert the file in the Import window.
> Once you hit convert, the file format automatically changes to the
> format you set for the session when you created the session. Mp4 is
> not as good as WAV anyway, so why not convert it to a format of a high
> quality? That's my 2cents for you. Hope it's helpful. God bless!
> 
> Best,
> 
> Dammie
> 
> On 5/14/20, Martin (Punky) Sopart  wrote:
> > Hello all!
> >
> > Yesterday I got a mp4 file containing 3 songs.
> > I have to splitt the file to get a mp4 file per song.
> >
> > If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
> > Could someone recommend some apps for that task?
> >
> > Thanks in advance and best! / Martin
> >
> >
> > --
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> Groups
> > "Pro Tools Accessibility" group.
> > To unsubscribe from this group and stop receiving emails from it, send an
> > email to ptaccess+unsubscr...@googlegroups.com.
> > To view this discussion on the web visit
> >
> https://groups.google.com/d/msgid/ptaccess/00f701d629e7%24e380edb0%
> 24aa82c910%24%40cakewalker.de.
> >
> 
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> om.

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Re: Splitting mp4 files

[Dammie Onafeko]

Hi Martin: It's simple. Just convert the file in the Import window.
Once you hit convert, the file format automatically changes to the
format you set for the session when you created the session. Mp4 is
not as good as WAV anyway, so why not convert it to a format of a high
quality? That's my 2cents for you. Hope it's helpful. God bless!

Best,

Dammie

On 5/14/20, Martin (Punky) Sopart  wrote:
> Hello all!
>
> Yesterday I got a mp4 file containing 3 songs.
> I have to splitt the file to get a mp4 file per song.
>
> If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
> Could someone recommend some apps for that task?
>
> Thanks in advance and best! / Martin
>
>
> --
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Splitting mp4 files

[Martin (Punky) Sopart]

Hello all!

Yesterday I got a mp4 file containing 3 songs.
I have to splitt the file to get a mp4 file per song.

If I remember right, Pro Tools - at the moment - couldn't handle mp4 files?
Could someone recommend some apps for that task?

Thanks in advance and best! / Martin


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Re: Splitting an MP3

[Steve Martin]

I’d recommend fission for this on the Mac, since it does lossless editing. 


> On Oct 22, 2018, at 7:52 PM, Steve Sparrow  wrote:
> 
> Hey chris. do you have to do this in protools. It’s doable with markers. But 
> i’ve found it easier doing this with programs like Sound forge. mac or PC it 
> doesn’t really matter. I usually mark out what I want, open a new document 
> and paint the selection in to the document, then name the file what you want. 
> Then go back to the original file and do the same till you have all tracks as 
> separate files.seems like less mucking around for me.
> Just a thought.
> Steve
> 
> 
>> On 21 Oct 2018, at 10:45 am, Christopher Gilland  
>> wrote:
>> 
>> Guys,
>> 
>> 
>> I have an mp3 which I recorded with my digital voice recorder of a band 
>> playing. Yes, I did have permission to do so. I'm not that far gone. LOL!
>> 
>> 
>> The whole mp3 is about an hour long, and is all one file with multiple songs 
>> within it.
>> 
>> 
>> What I'd like to do is to use ProTools to manually mark the beginning of 
>> each song, then somehow bounce each region, or however I'd have to do it, 
>> out as a separate mp3.
>> 
>> 
>> This way, I could burn it on a CD, but have track marks separating each song 
>> on to its own track number on the disc as aposed to just one big long 
>> recording.
>> 
>> 
>> What's the best method to tackle this, along with the steps/keystrokes to 
>> make it happen? I'm very very good at selecting audio in PT, in general. 
>> I've not done much though with regions or the like though, so the more 
>> detail you can give me, the better. I think once I do it, it'll become very 
>> easy, as I do tend to learn pretty quickly.
>> 
>> 
>> Thanks.
>> 
>> 
>> Chris.
>> 
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Re: Splitting an MP3

[Steve Sparrow]

Hey chris. do you have to do this in protools. It’s doable with markers. But 
i’ve found it easier doing this with programs like Sound forge. mac or PC it 
doesn’t really matter. I usually mark out what I want, open a new document and 
paint the selection in to the document, then name the file what you want. Then 
go back to the original file and do the same till you have all tracks as 
separate files.seems like less mucking around for me.
Just a thought.
Steve


> On 21 Oct 2018, at 10:45 am, Christopher Gilland  
> wrote:
> 
> Guys,
> 
> 
> I have an mp3 which I recorded with my digital voice recorder of a band 
> playing. Yes, I did have permission to do so. I'm not that far gone. LOL!
> 
> 
> The whole mp3 is about an hour long, and is all one file with multiple songs 
> within it.
> 
> 
> What I'd like to do is to use ProTools to manually mark the beginning of each 
> song, then somehow bounce each region, or however I'd have to do it, out as a 
> separate mp3.
> 
> 
> This way, I could burn it on a CD, but have track marks separating each song 
> on to its own track number on the disc as aposed to just one big long 
> recording.
> 
> 
> What's the best method to tackle this, along with the steps/keystrokes to 
> make it happen? I'm very very good at selecting audio in PT, in general. I've 
> not done much though with regions or the like though, so the more detail you 
> can give me, the better. I think once I do it, it'll become very easy, as I 
> do tend to learn pretty quickly.
> 
> 
> Thanks.
> 
> 
> Chris.
> 
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Re: Splitting an MP3

[Niklas Karlsson]

Hi there,

Don’t know if this is the best way to do it, but I use markers (Memory 
locations) to mark the beginning of each song.
Then I select a song by making a selection between two markers and then I use 
”Bounce to disk” to export that specific selection to an WAB or MP3.

Don’t know if you have worked with memory locations before, but just tell me if 
you need help with keyboard shortcuts or something else.

All the best,
Kind regards,
Niklas
Skickat från min iPhone

> 21 okt. 2018 kl. 02:45 skrev Christopher Gilland :
> 
> Guys,
> 
> 
> I have an mp3 which I recorded with my digital voice recorder of a band 
> playing. Yes, I did have permission to do so. I'm not that far gone. LOL!
> 
> 
> The whole mp3 is about an hour long, and is all one file with multiple songs 
> within it.
> 
> 
> What I'd like to do is to use ProTools to manually mark the beginning of each 
> song, then somehow bounce each region, or however I'd have to do it, out as a 
> separate mp3.
> 
> 
> This way, I could burn it on a CD, but have track marks separating each song 
> on to its own track number on the disc as aposed to just one big long 
> recording.
> 
> 
> What's the best method to tackle this, along with the steps/keystrokes to 
> make it happen? I'm very very good at selecting audio in PT, in general. I've 
> not done much though with regions or the like though, so the more detail you 
> can give me, the better. I think once I do it, it'll become very easy, as I 
> do tend to learn pretty quickly.
> 
> 
> Thanks.
> 
> 
> Chris.
> 
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Splitting an MP3

[Christopher Gilland]

Guys,


I have an mp3 which I recorded with my digital voice recorder of a band 
playing. Yes, I did have permission to do so. I'm not that far gone. LOL!



The whole mp3 is about an hour long, and is all one file with multiple 
songs within it.



What I'd like to do is to use ProTools to manually mark the beginning of 
each song, then somehow bounce each region, or however I'd have to do 
it, out as a separate mp3.



This way, I could burn it on a CD, but have track marks separating each 
song on to its own track number on the disc as aposed to just one big 
long recording.



What's the best method to tackle this, along with the steps/keystrokes 
to make it happen? I'm very very good at selecting audio in PT, in 
general. I've not done much though with regions or the like though, so 
the more detail you can give me, the better. I think once I do it, it'll 
become very easy, as I do tend to learn pretty quickly.



Thanks.


Chris.

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Re: Splitting a midi track into more tracks, and setting fixed velosity

[Ramy Moustafa]

Thanks so much Slau, Will go to try it now
BTW, thanks so much for your midi editing podcast, it helped me so much


On 12/13/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
> Use the Split/Select Notes dialog to do the splitting. Before attempting to
> execute any splits, make sure you have two selections: 1. Select the track
> from which you'd like to split notes and 2. Select the range which would
> most likely be from the beginning of the session to the end. In the dialog,
> you can specify the note range and have the option to cut or copy, etc.
>
> For the velocity, use the Change velocity dialog. All of these are under the
> Events menu. If the options in these dialogs don't make sense, there's a
> whole section on MIDI and details on the various aspects of MIDI editing and
> processing in the Reference Guide but you should probably have no
> difficulties.
> Slau
>
>> On Dec 13, 2017, at 8:01 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hello all:
>>
>> When I was using Sonar, I can do midi split for the drum track etc.
>> I can take each nte let's say , the kick, snair etc each thing on
>> seprat track in order to mix them. what is the way in pro tools to do
>> this?
>>
>> my second question is that, I need after recording a midi track to set
>> 1 number for my velocity, let's say in the drum kick, I need to set
>> all kics that I recorded to 80 as there velocity. in sonar I was using
>> something called Run cal,
>> how can I achieve this in Pro tools?
>>
>> Thanks so much
>>
>>
>> --
>> Ramy MoustafaSaber
>> Music instructor @:
>> Faculty ofmusical education
>> Music arranger and Sound engineer @:
>> Harmony Recording Studio
>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>> email to ptaccess+unsubscr...@googlegroups.com.
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>
> --
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> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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>


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

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You received this message because you are subscribed to the Google Groups "Pro 
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Re: Splitting a midi track into more tracks, and setting fixed velosity

[Slau Halatyn]

Hi Ramy,
Use the Split/Select Notes dialog to do the splitting. Before attempting to 
execute any splits, make sure you have two selections: 1. Select the track from 
which you'd like to split notes and 2. Select the range which would most likely 
be from the beginning of the session to the end. In the dialog, you can specify 
the note range and have the option to cut or copy, etc.

For the velocity, use the Change velocity dialog. All of these are under the 
Events menu. If the options in these dialogs don't make sense, there's a whole 
section on MIDI and details on the various aspects of MIDI editing and 
processing in the Reference Guide but you should probably have no difficulties.
Slau

> On Dec 13, 2017, at 8:01 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello all:
> 
> When I was using Sonar, I can do midi split for the drum track etc.
> I can take each nte let's say , the kick, snair etc each thing on
> seprat track in order to mix them. what is the way in pro tools to do
> this?
> 
> my second question is that, I need after recording a midi track to set
> 1 number for my velocity, let's say in the drum kick, I need to set
> all kics that I recorded to 80 as there velocity. in sonar I was using
> something called Run cal,
> how can I achieve this in Pro tools?
> 
> Thanks so much
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
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to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Splitting a midi track into more tracks, and setting fixed velosity

[Ramy Moustafa]

Hello all:

When I was using Sonar, I can do midi split for the drum track etc.
I can take each nte let's say , the kick, snair etc each thing on
seprat track in order to mix them. what is the way in pro tools to do
this?

my second question is that, I need after recording a midi track to set
1 number for my velocity, let's say in the drum kick, I need to set
all kics that I recorded to 80 as there velocity. in sonar I was using
something called Run cal,
how can I achieve this in Pro tools?

Thanks so much


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Marten and Slau:

Thanks for this very clear steps.
But, the steps I described are too long, are there any easier methods
to achieve this?

also, I was using the Noise gate in soar to reduce the noise then try
to remove the remaining issues.
is this ok to do in pro tools, or I must do another steps?




On 9/20/17, Martin (Punky) Sopart <m...@cakewalker.de> wrote:
> Hi Ramy!
>
> Maybe add another step (3.5) after cleaning up the track using your arrow
> keys.
>
> select the whole track by pressing Enter and than Shift+Option+Enter.
> Press Command+F and the Fades Dialog for Batch Fades will pop up.
> Just try the factory settings first bei clicking the ok button.
> If you are not satisfied, undo the task and get into the same dialog again.
> Now - before clicking ok - interact with the different settings.
>
> Batch Fades will add fade-ins at the beginning of an audio clip, fade-outs
> at end and cross fades on overlapping audio clips.
> The settings inside the dialog take effect regarding fade shapes, fading
> times etc.
>
> Than continue with your step 4.
>
> Best! / Martin
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
>> On Behalf Of Slau Halatyn
>> Sent: Wednesday, September 20, 2017 3:24 PM
>> To: PTAccess List <ptaccess@googlegroups.com>
>> Subject: Re: Recording small narration, and splitting them into small
>> files after
>> editing.
>>
>> That's the basic idea, yes.
>> > On Sep 20, 2017, at 3:07 AM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com> wrote:
>> >
>> > Hello SAlau:
>> >
>> > Thanks so much, so the sequence to do this task is as follows:
>> >
>> > 1- Recording the Hole project on 1 track.
>> > 2- insert 2 or 3 tracks that has some extra reverb and delay according
>> > to my needs.
>> > 3- using my down and up errows firstly to remove unwanted coughs,
>> breathing etc.
>> > 4- copying each file from my original track to my other tracks that
>> > contain the reverb an ddelay.
>> > 5- bounce,
>> > is it ok, or do I need something else?
>> >
>> >
>> >
>> > On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> >> Hi Ramy,
>> >> In this case, there's no such thing as more or less professional.
>> >> Either
>> >> approach is viable. It all depends on what is needed in the end and
>> >> which
>> >> approach you feel more comfortable with.
>> >>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa
>> <ramy.moustaf...@gmail.com>
>> >>> wrote:
>> >>>
>> >>> Hi Slau:
>> >>>
>> >>> Thanks so  much for this, but what is more professional, to put the
>> >>> reverb and delay on the track itself, or to put each fx ina Bus and
>> >>> insert it on the track wanted?
>> >>>
>> >>>
>> >>>
>> >>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> >>>> OK, this is a perfect example of how your approach will vary based
>> upon
>> >>>> your
>> >>>> needs. You never mentioned that you'll be needing to export 100
>> >>>> files.
>> >>>> With
>> >>>> that in mind,it might be best to take the approach of keeping things
>> >>>> on
>> >>>> one
>> >>>> track and exporting as needed. Still, you can even accomplish this
>> >>>> with
>> >>>> multiple tracks as long as you have markers set to locations. In
>> >>>> other
>> >>>> words, you can offline bounce two tracks from marker 3 to marker 4
>> where
>> >>>> the
>> >>>> first part of the audio is dry and the second half includes reverb
>> >>>> or
>> >>>> delay.
>> >>>> If you set a range between markers 3 and 4 and bounce the track,
>> >>>> you'll
>> >>>> have
>> >>>> a single file with material from both tracks. Otherwise, as I
>> >>>> mentioned
>> >>>> earlier, you can do all of this on one track. Ultimately, the
>> >>>> process
>> >>>> will
>> >>>> essentially be the same, that is, selecting a range and bouncing.
>> >>>> HTH,
>> >>>> slau
>> >>>>
>> >>>>> On Sep 19, 2017, at 12:21 PM, Ramy M

RE: Recording small narration, and splitting them into small files after editing.

[Martin (Punky) Sopart]

Hi Ramy!

Maybe add another step (3.5) after cleaning up the track using your arrow keys.

select the whole track by pressing Enter and than Shift+Option+Enter.
Press Command+F and the Fades Dialog for Batch Fades will pop up.
Just try the factory settings first bei clicking the ok button.
If you are not satisfied, undo the task and get into the same dialog again.
Now - before clicking ok - interact with the different settings.

Batch Fades will add fade-ins at the beginning of an audio clip, fade-outs at 
end and cross fades on overlapping audio clips.
The settings inside the dialog take effect regarding fade shapes, fading times 
etc.

Than continue with your step 4.

Best! / Martin
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com]
> On Behalf Of Slau Halatyn
> Sent: Wednesday, September 20, 2017 3:24 PM
> To: PTAccess List <ptaccess@googlegroups.com>
> Subject: Re: Recording small narration, and splitting them into small files 
> after
> editing.
> 
> That's the basic idea, yes.
> > On Sep 20, 2017, at 3:07 AM, Ramy Moustafa
> <ramy.moustaf...@gmail.com> wrote:
> >
> > Hello SAlau:
> >
> > Thanks so much, so the sequence to do this task is as follows:
> >
> > 1- Recording the Hole project on 1 track.
> > 2- insert 2 or 3 tracks that has some extra reverb and delay according
> > to my needs.
> > 3- using my down and up errows firstly to remove unwanted coughs,
> breathing etc.
> > 4- copying each file from my original track to my other tracks that
> > contain the reverb an ddelay.
> > 5- bounce,
> > is it ok, or do I need something else?
> >
> >
> >
> > On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >> Hi Ramy,
> >> In this case, there's no such thing as more or less professional. Either
> >> approach is viable. It all depends on what is needed in the end and which
> >> approach you feel more comfortable with.
> >>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >>> wrote:
> >>>
> >>> Hi Slau:
> >>>
> >>> Thanks so  much for this, but what is more professional, to put the
> >>> reverb and delay on the track itself, or to put each fx ina Bus and
> >>> insert it on the track wanted?
> >>>
> >>>
> >>>
> >>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >>>> OK, this is a perfect example of how your approach will vary based
> upon
> >>>> your
> >>>> needs. You never mentioned that you'll be needing to export 100 files.
> >>>> With
> >>>> that in mind,it might be best to take the approach of keeping things on
> >>>> one
> >>>> track and exporting as needed. Still, you can even accomplish this with
> >>>> multiple tracks as long as you have markers set to locations. In other
> >>>> words, you can offline bounce two tracks from marker 3 to marker 4
> where
> >>>> the
> >>>> first part of the audio is dry and the second half includes reverb or
> >>>> delay.
> >>>> If you set a range between markers 3 and 4 and bounce the track, you'll
> >>>> have
> >>>> a single file with material from both tracks. Otherwise, as I mentioned
> >>>> earlier, you can do all of this on one track. Ultimately, the process
> >>>> will
> >>>> essentially be the same, that is, selecting a range and bouncing.
> >>>> HTH,
> >>>> slau
> >>>>
> >>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa
> <ramy.moustaf...@gmail.com>
> >>>>> wrote:
> >>>>>
> >>>>> Hi Slau:
> >>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
> >>>>> change the reverb or delay, how can I export all in seprat files? I
> >>>>> need to have like 100 file at the end, so, how will I export the 2
> >>>>> long waves into  small tracks?
> >>>>>
> >>>>>
> >>>>>
> >>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> >>>>>> Hi Ramy,
> >>>>>>
> >>>>>> You cannot split files while recording. You can punch in and out while
> >>>>>> the
> >>>>>> transport is engaged but that will be quite problematic. You can set
> >>>>>> markers
> &g

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

That's the basic idea, yes.
> On Sep 20, 2017, at 3:07 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hello SAlau:
> 
> Thanks so much, so the sequence to do this task is as follows:
> 
> 1- Recording the Hole project on 1 track.
> 2- insert 2 or 3 tracks that has some extra reverb and delay according
> to my needs.
> 3- using my down and up errows firstly to remove unwanted coughs, breathing 
> etc.
> 4- copying each file from my original track to my other tracks that
> contain the reverb an ddelay.
> 5- bounce,
> is it ok, or do I need something else?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> In this case, there's no such thing as more or less professional. Either
>> approach is viable. It all depends on what is needed in the end and which
>> approach you feel more comfortable with.
>>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi Slau:
>>> 
>>> Thanks so  much for this, but what is more professional, to put the
>>> reverb and delay on the track itself, or to put each fx ina Bus and
>>> insert it on the track wanted?
>>> 
>>> 
>>> 
>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> OK, this is a perfect example of how your approach will vary based upon
>>>> your
>>>> needs. You never mentioned that you'll be needing to export 100 files.
>>>> With
>>>> that in mind,it might be best to take the approach of keeping things on
>>>> one
>>>> track and exporting as needed. Still, you can even accomplish this with
>>>> multiple tracks as long as you have markers set to locations. In other
>>>> words, you can offline bounce two tracks from marker 3 to marker 4 where
>>>> the
>>>> first part of the audio is dry and the second half includes reverb or
>>>> delay.
>>>> If you set a range between markers 3 and 4 and bounce the track, you'll
>>>> have
>>>> a single file with material from both tracks. Otherwise, as I mentioned
>>>> earlier, you can do all of this on one track. Ultimately, the process
>>>> will
>>>> essentially be the same, that is, selecting a range and bouncing.
>>>> HTH,
>>>> slau
>>>> 
>>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>>> wrote:
>>>>> 
>>>>> Hi Slau:
>>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>>>> change the reverb or delay, how can I export all in seprat files? I
>>>>> need to have like 100 file at the end, so, how will I export the 2
>>>>> long waves into  small tracks?
>>>>> 
>>>>> 
>>>>> 
>>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>> Hi Ramy,
>>>>>> 
>>>>>> You cannot split files while recording. You can punch in and out while
>>>>>> the
>>>>>> transport is engaged but that will be quite problematic. You can set
>>>>>> markers
>>>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>>>> going
>>>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>>>> To add reverb or delay to certain parts of the recording on a single
>>>>>> track,
>>>>>> you can do this in several ways. Each way has its advantages and
>>>>>> disadvantages. You can send the track's output to a reverb track and a
>>>>>> delay
>>>>>> track and automate the send mutes. Given that you're still new to Pro
>>>>>> Tools,
>>>>>> I wouldn't recommend going the automation route yet. You can also use
>>>>>> Audio
>>>>>> suite to apply such effects to specific sections of the track. You'd
>>>>>> have
>>>>>> to
>>>>>> make the selection (including space at the end for a reverb or delay
>>>>>> tail,
>>>>>> set the plug-ins' wet/dry balance (which you can preview) and apply
>>>>>> the
>>>>>> effect. You can also create a second and third track and move the
>>>>>> desired
>>>>>> clips onto the other tracks and apply reverb to one and delay to t

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hello SAlau:

Thanks so much, so the sequence to do this task is as follows:

1- Recording the Hole project on 1 track.
2- insert 2 or 3 tracks that has some extra reverb and delay according
to my needs.
3- using my down and up errows firstly to remove unwanted coughs, breathing etc.
4- copying each file from my original track to my other tracks that
contain the reverb an ddelay.
5- bounce,
is it ok, or do I need something else?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
> In this case, there's no such thing as more or less professional. Either
> approach is viable. It all depends on what is needed in the end and which
> approach you feel more comfortable with.
>> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi Slau:
>>
>> Thanks so  much for this, but what is more professional, to put the
>> reverb and delay on the track itself, or to put each fx ina Bus and
>> insert it on the track wanted?
>>
>>
>>
>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> OK, this is a perfect example of how your approach will vary based upon
>>> your
>>> needs. You never mentioned that you'll be needing to export 100 files.
>>> With
>>> that in mind,it might be best to take the approach of keeping things on
>>> one
>>> track and exporting as needed. Still, you can even accomplish this with
>>> multiple tracks as long as you have markers set to locations. In other
>>> words, you can offline bounce two tracks from marker 3 to marker 4 where
>>> the
>>> first part of the audio is dry and the second half includes reverb or
>>> delay.
>>> If you set a range between markers 3 and 4 and bounce the track, you'll
>>> have
>>> a single file with material from both tracks. Otherwise, as I mentioned
>>> earlier, you can do all of this on one track. Ultimately, the process
>>> will
>>> essentially be the same, that is, selecting a range and bouncing.
>>> HTH,
>>> slau
>>>
>>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>> wrote:
>>>>
>>>> Hi Slau:
>>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>>> change the reverb or delay, how can I export all in seprat files? I
>>>> need to have like 100 file at the end, so, how will I export the 2
>>>> long waves into  small tracks?
>>>>
>>>>
>>>>
>>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>> Hi Ramy,
>>>>>
>>>>> You cannot split files while recording. You can punch in and out while
>>>>> the
>>>>> transport is engaged but that will be quite problematic. You can set
>>>>> markers
>>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>>> going
>>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>>> To add reverb or delay to certain parts of the recording on a single
>>>>> track,
>>>>> you can do this in several ways. Each way has its advantages and
>>>>> disadvantages. You can send the track's output to a reverb track and a
>>>>> delay
>>>>> track and automate the send mutes. Given that you're still new to Pro
>>>>> Tools,
>>>>> I wouldn't recommend going the automation route yet. You can also use
>>>>> Audio
>>>>> suite to apply such effects to specific sections of the track. You'd
>>>>> have
>>>>> to
>>>>> make the selection (including space at the end for a reverb or delay
>>>>> tail,
>>>>> set the plug-ins' wet/dry balance (which you can preview) and apply
>>>>> the
>>>>> effect. You can also create a second and third track and move the
>>>>> desired
>>>>> clips onto the other tracks and apply reverb to one and delay to the
>>>>> other.
>>>>> Any clips on those tracks will have their respective effects while the
>>>>> original track will remain unaffected. Again, one can do this in
>>>>> several
>>>>> ways and, depending on what is needed, one can take several
>>>>> approaches.
>>>>> For
>>>>> example, if there will be future editing within the timeline,
>>>>> splitting
>>>>> the
>>

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

Hi Ramy,
In this case, there's no such thing as more or less professional. Either 
approach is viable. It all depends on what is needed in the end and which 
approach you feel more comfortable with.
> On Sep 19, 2017, at 2:09 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi Slau:
> 
> Thanks so  much for this, but what is more professional, to put the
> reverb and delay on the track itself, or to put each fx ina Bus and
> insert it on the track wanted?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> OK, this is a perfect example of how your approach will vary based upon your
>> needs. You never mentioned that you'll be needing to export 100 files. With
>> that in mind,it might be best to take the approach of keeping things on one
>> track and exporting as needed. Still, you can even accomplish this with
>> multiple tracks as long as you have markers set to locations. In other
>> words, you can offline bounce two tracks from marker 3 to marker 4 where the
>> first part of the audio is dry and the second half includes reverb or delay.
>> If you set a range between markers 3 and 4 and bounce the track, you'll have
>> a single file with material from both tracks. Otherwise, as I mentioned
>> earlier, you can do all of this on one track. Ultimately, the process will
>> essentially be the same, that is, selecting a range and bouncing.
>> HTH,
>> slau
>> 
>>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi Slau:
>>> ok,  but, if I will put some waves on track 2, others on track 3, to
>>> change the reverb or delay, how can I export all in seprat files? I
>>> need to have like 100 file at the end, so, how will I export the 2
>>> long waves into  small tracks?
>>> 
>>> 
>>> 
>>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> Hi Ramy,
>>>> 
>>>> You cannot split files while recording. You can punch in and out while
>>>> the
>>>> transport is engaged but that will be quite problematic. You can set
>>>> markers
>>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>>> going
>>>> to do that, you'll want to set the preference for auto-naming markers.
>>>> To add reverb or delay to certain parts of the recording on a single
>>>> track,
>>>> you can do this in several ways. Each way has its advantages and
>>>> disadvantages. You can send the track's output to a reverb track and a
>>>> delay
>>>> track and automate the send mutes. Given that you're still new to Pro
>>>> Tools,
>>>> I wouldn't recommend going the automation route yet. You can also use
>>>> Audio
>>>> suite to apply such effects to specific sections of the track. You'd have
>>>> to
>>>> make the selection (including space at the end for a reverb or delay
>>>> tail,
>>>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>>>> effect. You can also create a second and third track and move the
>>>> desired
>>>> clips onto the other tracks and apply reverb to one and delay to the
>>>> other.
>>>> Any clips on those tracks will have their respective effects while the
>>>> original track will remain unaffected. Again, one can do this in several
>>>> ways and, depending on what is needed, one can take several approaches.
>>>> For
>>>> example, if there will be future editing within the timeline, splitting
>>>> the
>>>> tracks adds a complication that requires grouping of tracks in order to
>>>> keep
>>>> things relatively lined up during the editing process. One needs to
>>>> consider
>>>> this when making the decision on how to proceed. Keeping everything on
>>>> one
>>>> track has its advantages as well but might require additional editing of
>>>> voice overlapping reverb and delay tails. Before doing anything, do
>>>> yourself
>>>> a favor and duplicate the playlist on the track so that you don't lose
>>>> your
>>>> original clips.
>>>> Slau
>>>> 
>>>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>>> wrote:
>>>>> 
>>>>> Hi all:
>>>>> 
>>>>> as you asked me to do, I force myself to leave sonar, to use Pro 

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Slau:

Thanks so  much for this, but what is more professional, to put the
reverb and delay on the track itself, or to put each fx ina Bus and
insert it on the track wanted?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> OK, this is a perfect example of how your approach will vary based upon your
> needs. You never mentioned that you'll be needing to export 100 files. With
> that in mind,it might be best to take the approach of keeping things on one
> track and exporting as needed. Still, you can even accomplish this with
> multiple tracks as long as you have markers set to locations. In other
> words, you can offline bounce two tracks from marker 3 to marker 4 where the
> first part of the audio is dry and the second half includes reverb or delay.
> If you set a range between markers 3 and 4 and bounce the track, you'll have
> a single file with material from both tracks. Otherwise, as I mentioned
> earlier, you can do all of this on one track. Ultimately, the process will
> essentially be the same, that is, selecting a range and bouncing.
> HTH,
> slau
>
>> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi Slau:
>> ok,  but, if I will put some waves on track 2, others on track 3, to
>> change the reverb or delay, how can I export all in seprat files? I
>> need to have like 100 file at the end, so, how will I export the 2
>> long waves into  small tracks?
>>
>>
>>
>> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> Hi Ramy,
>>>
>>> You cannot split files while recording. You can punch in and out while
>>> the
>>> transport is engaged but that will be quite problematic. You can set
>>> markers
>>> on the fly by simply pressing the Enter key on the num pad. If you're
>>> going
>>> to do that, you'll want to set the preference for auto-naming markers.
>>> To add reverb or delay to certain parts of the recording on a single
>>> track,
>>> you can do this in several ways. Each way has its advantages and
>>> disadvantages. You can send the track's output to a reverb track and a
>>> delay
>>> track and automate the send mutes. Given that you're still new to Pro
>>> Tools,
>>> I wouldn't recommend going the automation route yet. You can also use
>>> Audio
>>> suite to apply such effects to specific sections of the track. You'd have
>>> to
>>> make the selection (including space at the end for a reverb or delay
>>> tail,
>>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>>> effect. You can also create a second and third track and move the
>>> desired
>>> clips onto the other tracks and apply reverb to one and delay to the
>>> other.
>>> Any clips on those tracks will have their respective effects while the
>>> original track will remain unaffected. Again, one can do this in several
>>> ways and, depending on what is needed, one can take several approaches.
>>> For
>>> example, if there will be future editing within the timeline, splitting
>>> the
>>> tracks adds a complication that requires grouping of tracks in order to
>>> keep
>>> things relatively lined up during the editing process. One needs to
>>> consider
>>> this when making the decision on how to proceed. Keeping everything on
>>> one
>>> track has its advantages as well but might require additional editing of
>>> voice overlapping reverb and delay tails. Before doing anything, do
>>> yourself
>>> a favor and duplicate the playlist on the track so that you don't lose
>>> your
>>> original clips.
>>> Slau
>>>
>>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>>> wrote:
>>>>
>>>> Hi all:
>>>>
>>>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>>>
>>>> and, I can now learn by experience. studying, reading manual, etc.
>>>>
>>>> but, in these days, am recording some small narration for very small
>>>> stories, the narrator was recording about 2 hours, after he recorded,
>>>> don't know what to do, I use this tecnic to split the lon gwave into
>>>> small files:
>>>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>>>> my only problem that I faced is that, the client needs some files to
>>>> be with reverb and others no, some with delay etc.
>

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

OK, this is a perfect example of how your approach will vary based upon your 
needs. You never mentioned that you'll be needing to export 100 files. With 
that in mind,it might be best to take the approach of keeping things on one 
track and exporting as needed. Still, you can even accomplish this with 
multiple tracks as long as you have markers set to locations. In other words, 
you can offline bounce two tracks from marker 3 to marker 4 where the first 
part of the audio is dry and the second half includes reverb or delay. If you 
set a range between markers 3 and 4 and bounce the track, you'll have a single 
file with material from both tracks. Otherwise, as I mentioned earlier, you can 
do all of this on one track. Ultimately, the process will essentially be the 
same, that is, selecting a range and bouncing.
HTH,
slau

> On Sep 19, 2017, at 12:21 PM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi Slau:
> ok,  but, if I will put some waves on track 2, others on track 3, to
> change the reverb or delay, how can I export all in seprat files? I
> need to have like 100 file at the end, so, how will I export the 2
> long waves into  small tracks?
> 
> 
> 
> On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
>> Hi Ramy,
>> 
>> You cannot split files while recording. You can punch in and out while the
>> transport is engaged but that will be quite problematic. You can set markers
>> on the fly by simply pressing the Enter key on the num pad. If you're going
>> to do that, you'll want to set the preference for auto-naming markers.
>> To add reverb or delay to certain parts of the recording on a single track,
>> you can do this in several ways. Each way has its advantages and
>> disadvantages. You can send the track's output to a reverb track and a delay
>> track and automate the send mutes. Given that you're still new to Pro Tools,
>> I wouldn't recommend going the automation route yet. You can also use Audio
>> suite to apply such effects to specific sections of the track. You'd have to
>> make the selection (including space at the end for a reverb or delay tail,
>> set the plug-ins' wet/dry balance (which you can preview) and apply the
>> effect. You can also create a second and third track and move the desired
>> clips onto the other tracks and apply reverb to one and delay to the other.
>> Any clips on those tracks will have their respective effects while the
>> original track will remain unaffected. Again, one can do this in several
>> ways and, depending on what is needed, one can take several approaches. For
>> example, if there will be future editing within the timeline, splitting the
>> tracks adds a complication that requires grouping of tracks in order to keep
>> things relatively lined up during the editing process. One needs to consider
>> this when making the decision on how to proceed. Keeping everything on one
>> track has its advantages as well but might require additional editing of
>> voice overlapping reverb and delay tails. Before doing anything, do yourself
>> a favor and duplicate the playlist on the track so that you don't lose your
>> original clips.
>> Slau
>> 
>>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>>> wrote:
>>> 
>>> Hi all:
>>> 
>>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>> 
>>> and, I can now learn by experience. studying, reading manual, etc.
>>> 
>>> but, in these days, am recording some small narration for very small
>>> stories, the narrator was recording about 2 hours, after he recorded,
>>> don't know what to do, I use this tecnic to split the lon gwave into
>>> small files:
>>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>>> my only problem that I faced is that, the client needs some files to
>>> be with reverb and others no, some with delay etc.
>>> so, what I did to finish my task, is that after editing, I took my
>>> long wave to sound forge, on windows, and I split the long file into
>>> small waves as requested.
>>> 
>>> so my questions are as follows:
>>> 1- is there a way to split the waves wile recording? I mean putting
>>> markers so,  when I finish I can split all waves between marks into
>>> seprat waves?
>>> 2- can I add  effects to some of these files, others not, before exporting
>>> them?
>>> 3- one of my friends  told me that I can use the num 3 on the Keypad
>>> to make pause  and continue recording, so, pro tools will add marks
>>> while recording, is it good tecni

Re: Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi Slau:
ok,  but, if I will put some waves on track 2, others on track 3, to
change the reverb or delay, how can I export all in seprat files? I
need to have like 100 file at the end, so, how will I export the 2
long waves into  small tracks?



On 9/19/17, Slau Halatyn <slauhala...@gmail.com> wrote:
> Hi Ramy,
>
> You cannot split files while recording. You can punch in and out while the
> transport is engaged but that will be quite problematic. You can set markers
> on the fly by simply pressing the Enter key on the num pad. If you're going
> to do that, you'll want to set the preference for auto-naming markers.
> To add reverb or delay to certain parts of the recording on a single track,
> you can do this in several ways. Each way has its advantages and
> disadvantages. You can send the track's output to a reverb track and a delay
> track and automate the send mutes. Given that you're still new to Pro Tools,
> I wouldn't recommend going the automation route yet. You can also use Audio
> suite to apply such effects to specific sections of the track. You'd have to
> make the selection (including space at the end for a reverb or delay tail,
> set the plug-ins' wet/dry balance (which you can preview) and apply the
> effect. You can also create a second and third track and move the desired
> clips onto the other tracks and apply reverb to one and delay to the other.
> Any clips on those tracks will have their respective effects while the
> original track will remain unaffected. Again, one can do this in several
> ways and, depending on what is needed, one can take several approaches. For
> example, if there will be future editing within the timeline, splitting the
> tracks adds a complication that requires grouping of tracks in order to keep
> things relatively lined up during the editing process. One needs to consider
> this when making the decision on how to proceed. Keeping everything on one
> track has its advantages as well but might require additional editing of
> voice overlapping reverb and delay tails. Before doing anything, do yourself
> a favor and duplicate the playlist on the track so that you don't lose your
> original clips.
> Slau
>
>> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com>
>> wrote:
>>
>> Hi all:
>>
>> as you asked me to do, I force myself to leave sonar, to use Pro tools
>>
>> and, I can now learn by experience. studying, reading manual, etc.
>>
>> but, in these days, am recording some small narration for very small
>> stories, the narrator was recording about 2 hours, after he recorded,
>> don't know what to do, I use this tecnic to split the lon gwave into
>> small files:
>> I use the down and up errows, to edit and remove unwanted gledshes etc.
>> my only problem that I faced is that, the client needs some files to
>> be with reverb and others no, some with delay etc.
>> so, what I did to finish my task, is that after editing, I took my
>> long wave to sound forge, on windows, and I split the long file into
>> small waves as requested.
>>
>> so my questions are as follows:
>> 1- is there a way to split the waves wile recording? I mean putting
>> markers so,  when I finish I can split all waves between marks into
>> seprat waves?
>> 2- can I add  effects to some of these files, others not, before exporting
>> them?
>> 3- one of my friends  told me that I can use the num 3 on the Keypad
>> to make pause  and continue recording, so, pro tools will add marks
>> while recording, is it good tecnic, is it professional?
>>
>> Thanks
>>
>>
>> --
>> Ramy MoustafaSaber
>> Music instructor @:
>> Faculty ofmusical education
>> Music arranger and Sound engineer @:
>> Harmony Recording Studio
>> https://www.facebook.com/HarmonyRecordingStudio.eg
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>
> --
> You received this message because you are subscribed to the Google Groups
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.
>


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: Recording small narration, and splitting them into small files after editing.

[Slau Halatyn]

Hi Ramy,

You cannot split files while recording. You can punch in and out while the 
transport is engaged but that will be quite problematic. You can set markers on 
the fly by simply pressing the Enter key on the num pad. If you're going to do 
that, you'll want to set the preference for auto-naming markers.
To add reverb or delay to certain parts of the recording on a single track, you 
can do this in several ways. Each way has its advantages and disadvantages. You 
can send the track's output to a reverb track and a delay track and automate 
the send mutes. Given that you're still new to Pro Tools, I wouldn't recommend 
going the automation route yet. You can also use Audio suite to apply such 
effects to specific sections of the track. You'd have to make the selection 
(including space at the end for a reverb or delay tail, set the plug-ins' 
wet/dry balance (which you can preview) and apply the effect. You can also 
create a second and third track and move the desired clips onto the other 
tracks and apply reverb to one and delay to the other. Any clips on those 
tracks will have their respective effects while the original track will remain 
unaffected. Again, one can do this in several ways and, depending on what is 
needed, one can take several approaches. For example, if there will be future 
editing within the timeline, splitting the tracks adds a complication that 
requires grouping of tracks in order to keep things relatively lined up during 
the editing process. One needs to consider this when making the decision on how 
to proceed. Keeping everything on one track has its advantages as well but 
might require additional editing of voice overlapping reverb and delay tails. 
Before doing anything, do yourself a favor and duplicate the playlist on the 
track so that you don't lose your original clips.
Slau

> On Sep 19, 2017, at 3:45 AM, Ramy Moustafa <ramy.moustaf...@gmail.com> wrote:
> 
> Hi all:
> 
> as you asked me to do, I force myself to leave sonar, to use Pro tools
> 
> and, I can now learn by experience. studying, reading manual, etc.
> 
> but, in these days, am recording some small narration for very small
> stories, the narrator was recording about 2 hours, after he recorded,
> don't know what to do, I use this tecnic to split the lon gwave into
> small files:
> I use the down and up errows, to edit and remove unwanted gledshes etc.
> my only problem that I faced is that, the client needs some files to
> be with reverb and others no, some with delay etc.
> so, what I did to finish my task, is that after editing, I took my
> long wave to sound forge, on windows, and I split the long file into
> small waves as requested.
> 
> so my questions are as follows:
> 1- is there a way to split the waves wile recording? I mean putting
> markers so,  when I finish I can split all waves between marks into
> seprat waves?
> 2- can I add  effects to some of these files, others not, before exporting 
> them?
> 3- one of my friends  told me that I can use the num 3 on the Keypad
> to make pause  and continue recording, so, pro tools will add marks
> while recording, is it good tecnic, is it professional?
> 
> Thanks
> 
> 
> -- 
> Ramy MoustafaSaber
> Music instructor @:
> Faculty ofmusical education
> Music arranger and Sound engineer @:
> Harmony Recording Studio
> https://www.facebook.com/HarmonyRecordingStudio.eg
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Recording small narration, and splitting them into small files after editing.

[Ramy Moustafa]

Hi all:

as you asked me to do, I force myself to leave sonar, to use Pro tools

and, I can now learn by experience. studying, reading manual, etc.

but, in these days, am recording some small narration for very small
stories, the narrator was recording about 2 hours, after he recorded,
don't know what to do, I use this tecnic to split the lon gwave into
small files:
I use the down and up errows, to edit and remove unwanted gledshes etc.
my only problem that I faced is that, the client needs some files to
be with reverb and others no, some with delay etc.
so, what I did to finish my task, is that after editing, I took my
long wave to sound forge, on windows, and I split the long file into
small waves as requested.

so my questions are as follows:
1- is there a way to split the waves wile recording? I mean putting
markers so,  when I finish I can split all waves between marks into
seprat waves?
2- can I add  effects to some of these files, others not, before exporting them?
3- one of my friends  told me that I can use the num 3 on the Keypad
to make pause  and continue recording, so, pro tools will add marks
while recording, is it good tecnic, is it professional?

Thanks


-- 
Ramy MoustafaSaber
Music instructor @:
Faculty ofmusical education
Music arranger and Sound engineer @:
Harmony Recording Studio
https://www.facebook.com/HarmonyRecordingStudio.eg

-- 
You received this message because you are subscribed to the Google Groups "Pro 
Tools Accessibility" group.
To unsubscribe from this group and stop receiving emails from it, send an email 
to ptaccess+unsubscr...@googlegroups.com.
For more options, visit https://groups.google.com/d/optout.

Re: splitting drum tracks

[John Gunn]

Slau,

All is working as expected.  I am so use to creating stereo tracks which I 
think was part of the issue.

After creating the original instrument in mono, making grabber tool selected, 
made sure selecter tool not selected, and making sure to check the box for 
continuous midi data checked all is grate.

When you mentioned about commit tracks, once I have all my tracks if I bounce 
them will all tracks I have selected have the track names as well?

Thanks for all your help.

John


> On Nov 27, 2015, at 9:22 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Well, as you say, it shouldn't matter but, who knows, maybe it does. I mean, 
> the track to which you're trying to paste is also a stereo track then? Same 
> plug-in? One other thing I'd just check is that you're using the Selector 
> Tool. Curious whether those make a difference.
> 
> Slau
> 
> On Nov 27, 2015, at 9:53 PM, John Gunn <g...@tznet.com> wrote:
> 
>> Slau,
>> 
>> The settings in Pro Tools are correct howevwer, still no go..
>> 
>> The only thing I can think of is the original instrument is stereo but that 
>> shouldn’t matter.
>> 
>> Other suggestions?
>> 
>> 
>>> On Nov 27, 2015, at 5:26 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> 
>>> Hi John,
>>> 
>>> I'm going to assume the following:
>>> You want to cut a single note from one track and paste that series of the 
>>> same note into another track and hear the same sound you heard that note 
>>> playing in the first track. In that case, aside from having another 
>>> instance of the plug-in on the second track, you'd also have to select the 
>>> same preset if you want the sound to match the original intent. When 
>>> getting ready to paste the notes, make sure you're in the Edit window and 
>>> make sure the second track and not the first is selected. If it's right 
>>> below the first track, you can simply press Control-semicolon to move the 
>>> insertion point to the track below the first track. Assuming you have Track 
>>> and Edit selections following each other under the Options menu, simply 
>>> clicking on the tracks in the Tracks List table will also yield the same 
>>> result. That should work. Let me know if you still have trouble.
>>> 
>>> Best,
>>> 
>>> Slau
>>> 
>>> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
>>> 
>>>> Slau,
>>>> 
>>>> I have tried the below steps and no results.
>>>> 
>>>> I have the original track created and when following the steps nothingh is 
>>>> pasted in to the second instrument track.
>>>> 
>>>> Using Expand2 on the second track do I need to choose the same instrument 
>>>> as I used in the originaL?
>>>> 
>>>> I am sure I am missing something and appreciate any suggestions.
>>>> 
>>>> John
>>>> 
>>>> 
>>>>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>> 
>>>>> Hi steve,
>>>>> 
>>>>> You can easily do this by splitting the notes within a track. record your 
>>>>> MIDI sequence the way you're used to doing it. When you're done, press 
>>>>> Option-y and set the parameters within the dialog to cut the note range 
>>>>> you want and you can paste into duplicate MIDI or instrument tracks.
>>>>> 
>>>>> A typical workflow might be:
>>>>> 1. Create an instrument track and record the entire sequence.
>>>>> 2. Determine how many individual tracks you might eventually want. Let's 
>>>>> say you wanted kick, snare, toms and cymbals.
>>>>> 3. Create 3 additional instrument tracks.
>>>>> 4. Select the first instrument track along with the range from the 
>>>>> session start to session end.
>>>>> 5. Bring up the Select/Split Notes dialog with Option-y.
>>>>> 6. Let's say you wanted to cut all of the snare hits and they happen to 
>>>>> be D1 on the keyboard.
>>>>> 7. Make sure the second radio button labelled, "Notes between" is 
>>>>> selected.
>>>>> 8. Click on the first note field and either type in the note name or hit 
>>>>> the note on your keyboard and then repeat the process for the second note 
>>>>> field. In this case, both notes should be the same since you're cutting a 
>>>>> range of ex

Re: splitting drum tracks

[Slau Halatyn]

Hi John,

Actually, I think I said make sure the Selector Tool is selected and not the 
grabber Tool but, clearly, that wasn't an issue here. It appears it was the 
stereo vs. mono track. When you commit instrument tracks, the name of the 
resulting audio track will surely follow the name of the virtual track and, if 
you have the checkbox checked to have the resulting track be placed after the 
committed track, I believe each resulting track will follow its respective 
instrument track. I haven't tried committing more than one track at a time so 
I'm not entirely sure about how the resulting tracks are inserted but maybe you 
can let us know.

Cheers,

Slau

On Nov 28, 2015, at 5:11 PM, John Gunn <g...@tznet.com> wrote:

> Slau,
> 
> All is working as expected.  I am so use to creating stereo tracks which I 
> think was part of the issue.
> 
> After creating the original instrument in mono, making grabber tool selected, 
> made sure selecter tool not selected, and making sure to check the box for 
> continuous midi data checked all is grate.
> 
> When you mentioned about commit tracks, once I have all my tracks if I bounce 
> them will all tracks I have selected have the track names as well?
> 
> Thanks for all your help.
> 
> John
> 
> 
>> On Nov 27, 2015, at 9:22 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>> 
>> Well, as you say, it shouldn't matter but, who knows, maybe it does. I mean, 
>> the track to which you're trying to paste is also a stereo track then? Same 
>> plug-in? One other thing I'd just check is that you're using the Selector 
>> Tool. Curious whether those make a difference.
>> 
>> Slau
>> 
>> On Nov 27, 2015, at 9:53 PM, John Gunn <g...@tznet.com> wrote:
>> 
>>> Slau,
>>> 
>>> The settings in Pro Tools are correct howevwer, still no go..
>>> 
>>> The only thing I can think of is the original instrument is stereo but that 
>>> shouldn’t matter.
>>> 
>>> Other suggestions?
>>> 
>>> 
>>>> On Nov 27, 2015, at 5:26 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> 
>>>> Hi John,
>>>> 
>>>> I'm going to assume the following:
>>>> You want to cut a single note from one track and paste that series of the 
>>>> same note into another track and hear the same sound you heard that note 
>>>> playing in the first track. In that case, aside from having another 
>>>> instance of the plug-in on the second track, you'd also have to select the 
>>>> same preset if you want the sound to match the original intent. When 
>>>> getting ready to paste the notes, make sure you're in the Edit window and 
>>>> make sure the second track and not the first is selected. If it's right 
>>>> below the first track, you can simply press Control-semicolon to move the 
>>>> insertion point to the track below the first track. Assuming you have 
>>>> Track and Edit selections following each other under the Options menu, 
>>>> simply clicking on the tracks in the Tracks List table will also yield the 
>>>> same result. That should work. Let me know if you still have trouble.
>>>> 
>>>> Best,
>>>> 
>>>> Slau
>>>> 
>>>> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
>>>> 
>>>>> Slau,
>>>>> 
>>>>> I have tried the below steps and no results.
>>>>> 
>>>>> I have the original track created and when following the steps nothingh 
>>>>> is pasted in to the second instrument track.
>>>>> 
>>>>> Using Expand2 on the second track do I need to choose the same instrument 
>>>>> as I used in the originaL?
>>>>> 
>>>>> I am sure I am missing something and appreciate any suggestions.
>>>>> 
>>>>> John
>>>>> 
>>>>> 
>>>>>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>>> 
>>>>>> Hi steve,
>>>>>> 
>>>>>> You can easily do this by splitting the notes within a track. record 
>>>>>> your MIDI sequence the way you're used to doing it. When you're done, 
>>>>>> press Option-y and set the parameters within the dialog to cut the note 
>>>>>> range you want and you can paste into duplicate MIDI or instrument 
>>>>>> tracks.
>>>>>> 
>>>>>> A typical workfl

Re: splitting drum tracks

[John Gunn]

Slau,

You are correct but a question what’s the differences between selecter tool and 
grabber tool?  Where would you use 1 or the other?

Also, how does one commit a track?

I must say 12.3.1 is much snappier.

John


> On Nov 28, 2015, at 4:37 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi John,
> 
> Actually, I think I said make sure the Selector Tool is selected and not the 
> grabber Tool but, clearly, that wasn't an issue here. It appears it was the 
> stereo vs. mono track. When you commit instrument tracks, the name of the 
> resulting audio track will surely follow the name of the virtual track and, 
> if you have the checkbox checked to have the resulting track be placed after 
> the committed track, I believe each resulting track will follow its 
> respective instrument track. I haven't tried committing more than one track 
> at a time so I'm not entirely sure about how the resulting tracks are 
> inserted but maybe you can let us know.
> 
> Cheers,
> 
> Slau
> 
> On Nov 28, 2015, at 5:11 PM, John Gunn <g...@tznet.com> wrote:
> 
>> Slau,
>> 
>> All is working as expected.  I am so use to creating stereo tracks which I 
>> think was part of the issue.
>> 
>> After creating the original instrument in mono, making grabber tool 
>> selected, made sure selecter tool not selected, and making sure to check the 
>> box for continuous midi data checked all is grate.
>> 
>> When you mentioned about commit tracks, once I have all my tracks if I 
>> bounce them will all tracks I have selected have the track names as well?
>> 
>> Thanks for all your help.
>> 
>> John
>> 
>> 
>>> On Nov 27, 2015, at 9:22 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> 
>>> Well, as you say, it shouldn't matter but, who knows, maybe it does. I 
>>> mean, the track to which you're trying to paste is also a stereo track 
>>> then? Same plug-in? One other thing I'd just check is that you're using the 
>>> Selector Tool. Curious whether those make a difference.
>>> 
>>> Slau
>>> 
>>> On Nov 27, 2015, at 9:53 PM, John Gunn <g...@tznet.com> wrote:
>>> 
>>>> Slau,
>>>> 
>>>> The settings in Pro Tools are correct howevwer, still no go..
>>>> 
>>>> The only thing I can think of is the original instrument is stereo but 
>>>> that shouldn’t matter.
>>>> 
>>>> Other suggestions?
>>>> 
>>>> 
>>>>> On Nov 27, 2015, at 5:26 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>>> 
>>>>> Hi John,
>>>>> 
>>>>> I'm going to assume the following:
>>>>> You want to cut a single note from one track and paste that series of the 
>>>>> same note into another track and hear the same sound you heard that note 
>>>>> playing in the first track. In that case, aside from having another 
>>>>> instance of the plug-in on the second track, you'd also have to select 
>>>>> the same preset if you want the sound to match the original intent. When 
>>>>> getting ready to paste the notes, make sure you're in the Edit window and 
>>>>> make sure the second track and not the first is selected. If it's right 
>>>>> below the first track, you can simply press Control-semicolon to move the 
>>>>> insertion point to the track below the first track. Assuming you have 
>>>>> Track and Edit selections following each other under the Options menu, 
>>>>> simply clicking on the tracks in the Tracks List table will also yield 
>>>>> the same result. That should work. Let me know if you still have trouble.
>>>>> 
>>>>> Best,
>>>>> 
>>>>> Slau
>>>>> 
>>>>> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
>>>>> 
>>>>>> Slau,
>>>>>> 
>>>>>> I have tried the below steps and no results.
>>>>>> 
>>>>>> I have the original track created and when following the steps nothingh 
>>>>>> is pasted in to the second instrument track.
>>>>>> 
>>>>>> Using Expand2 on the second track do I need to choose the same 
>>>>>> instrument as I used in the originaL?
>>>>>> 
>>>>>> I am sure I am missing something and appreciate any suggestions.
>>>>>> 
>>>>>> John
>>>>>

Re: splitting drum tracks

[Slau Halatyn]

; you have Track and Edit selections following each other under the 
>>>>>> Options menu, simply clicking on the tracks in the Tracks List table 
>>>>>> will also yield the same result. That should work. Let me know if you 
>>>>>> still have trouble.
>>>>>> 
>>>>>> Best,
>>>>>> 
>>>>>> Slau
>>>>>> 
>>>>>> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
>>>>>> 
>>>>>>> Slau,
>>>>>>> 
>>>>>>> I have tried the below steps and no results.
>>>>>>> 
>>>>>>> I have the original track created and when following the steps nothingh 
>>>>>>> is pasted in to the second instrument track.
>>>>>>> 
>>>>>>> Using Expand2 on the second track do I need to choose the same 
>>>>>>> instrument as I used in the originaL?
>>>>>>> 
>>>>>>> I am sure I am missing something and appreciate any suggestions.
>>>>>>> 
>>>>>>> John
>>>>>>> 
>>>>>>> 
>>>>>>>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> 
>>>>>>>> wrote:
>>>>>>>> 
>>>>>>>> Hi steve,
>>>>>>>> 
>>>>>>>> You can easily do this by splitting the notes within a track. record 
>>>>>>>> your MIDI sequence the way you're used to doing it. When you're done, 
>>>>>>>> press Option-y and set the parameters within the dialog to cut the 
>>>>>>>> note range you want and you can paste into duplicate MIDI or 
>>>>>>>> instrument tracks.
>>>>>>>> 
>>>>>>>> A typical workflow might be:
>>>>>>>> 1. Create an instrument track and record the entire sequence.
>>>>>>>> 2. Determine how many individual tracks you might eventually want. 
>>>>>>>> Let's say you wanted kick, snare, toms and cymbals.
>>>>>>>> 3. Create 3 additional instrument tracks.
>>>>>>>> 4. Select the first instrument track along with the range from the 
>>>>>>>> session start to session end.
>>>>>>>> 5. Bring up the Select/Split Notes dialog with Option-y.
>>>>>>>> 6. Let's say you wanted to cut all of the snare hits and they happen 
>>>>>>>> to be D1 on the keyboard.
>>>>>>>> 7. Make sure the second radio button labelled, "Notes between" is 
>>>>>>>> selected.
>>>>>>>> 8. Click on the first note field and either type in the note name or 
>>>>>>>> hit the note on your keyboard and then repeat the process for the 
>>>>>>>> second note field. In this case, both notes should be the same since 
>>>>>>>> you're cutting a range of exactly one note.
>>>>>>>> 9. Choose the "Split Notes" radio button toward the bottom of the 
>>>>>>>> dialog and press the "Apply" button.
>>>>>>>> 10. Close the dialog and select the second instrument track and paste 
>>>>>>>> the notes into the second track. Now you're snare hits are on the 
>>>>>>>> second instrument track.
>>>>>>>> 
>>>>>>>> You can repeat this process using ranges to cover multiple notes like 
>>>>>>>> notes above a certain value, etc. The dialog offers several choices. 
>>>>>>>> In the end, you'll have your notes split between several instrument 
>>>>>>>> tracks. From there, if you're on Pro Tools 12.3, you can commit the 
>>>>>>>> tracks to audio and process the resulting tracks with discrete plug-in 
>>>>>>>> chains or whatever you wish.
>>>>>>>> 
>>>>>>>> Hope that helps,
>>>>>>>> 
>>>>>>>> Slau
>>>>>>>> 
>>>>>>>> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> 
>>>>>>>> wrote:
>>>>>>>> 
>>>>>>>>> Hi. i am recording some drum tracks using my keyboard in x

Re: splitting drum tracks

[John Gunn]

Slau,

The settings in Pro Tools are correct howevwer, still no go..

The only thing I can think of is the original instrument is stereo but that 
shouldn’t matter.

Other suggestions?


> On Nov 27, 2015, at 5:26 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi John,
> 
> I'm going to assume the following:
> You want to cut a single note from one track and paste that series of the 
> same note into another track and hear the same sound you heard that note 
> playing in the first track. In that case, aside from having another instance 
> of the plug-in on the second track, you'd also have to select the same preset 
> if you want the sound to match the original intent. When getting ready to 
> paste the notes, make sure you're in the Edit window and make sure the second 
> track and not the first is selected. If it's right below the first track, you 
> can simply press Control-semicolon to move the insertion point to the track 
> below the first track. Assuming you have Track and Edit selections following 
> each other under the Options menu, simply clicking on the tracks in the 
> Tracks List table will also yield the same result. That should work. Let me 
> know if you still have trouble.
> 
> Best,
> 
> Slau
> 
> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
> 
>> Slau,
>> 
>> I have tried the below steps and no results.
>> 
>> I have the original track created and when following the steps nothingh is 
>> pasted in to the second instrument track.
>> 
>> Using Expand2 on the second track do I need to choose the same instrument as 
>> I used in the originaL?
>> 
>> I am sure I am missing something and appreciate any suggestions.
>> 
>> John
>> 
>> 
>>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>> 
>>> Hi steve,
>>> 
>>> You can easily do this by splitting the notes within a track. record your 
>>> MIDI sequence the way you're used to doing it. When you're done, press 
>>> Option-y and set the parameters within the dialog to cut the note range you 
>>> want and you can paste into duplicate MIDI or instrument tracks.
>>> 
>>> A typical workflow might be:
>>> 1. Create an instrument track and record the entire sequence.
>>> 2. Determine how many individual tracks you might eventually want. Let's 
>>> say you wanted kick, snare, toms and cymbals.
>>> 3. Create 3 additional instrument tracks.
>>> 4. Select the first instrument track along with the range from the session 
>>> start to session end.
>>> 5. Bring up the Select/Split Notes dialog with Option-y.
>>> 6. Let's say you wanted to cut all of the snare hits and they happen to be 
>>> D1 on the keyboard.
>>> 7. Make sure the second radio button labelled, "Notes between" is selected.
>>> 8. Click on the first note field and either type in the note name or hit 
>>> the note on your keyboard and then repeat the process for the second note 
>>> field. In this case, both notes should be the same since you're cutting a 
>>> range of exactly one note.
>>> 9. Choose the "Split Notes" radio button toward the bottom of the dialog 
>>> and press the "Apply" button.
>>> 10. Close the dialog and select the second instrument track and paste the 
>>> notes into the second track. Now you're snare hits are on the second 
>>> instrument track.
>>> 
>>> You can repeat this process using ranges to cover multiple notes like notes 
>>> above a certain value, etc. The dialog offers several choices. In the end, 
>>> you'll have your notes split between several instrument tracks. From there, 
>>> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
>>> the resulting tracks with discrete plug-in chains or whatever you wish.
>>> 
>>> Hope that helps,
>>> 
>>> Slau
>>> 
>>> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> 
>>> wrote:
>>> 
>>>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>>>> Everything is working fine. How ever i’m wondering how you guys go about 
>>>> this task. if I play a drum groove say kick snare and hats, is there a way 
>>>> to separate the drum sounds after playing. if not what is the best way of 
>>>> going about recording drums. If you want things on separate instrument 
>>>> tracks, do you have to play each drum individually I can do this but i 
>>>> 

Re: splitting drum tracks

[Slau Halatyn]

Well, as you say, it shouldn't matter but, who knows, maybe it does. I mean, 
the track to which you're trying to paste is also a stereo track then? Same 
plug-in? One other thing I'd just check is that you're using the Selector Tool. 
Curious whether those make a difference.

Slau

On Nov 27, 2015, at 9:53 PM, John Gunn <g...@tznet.com> wrote:

> Slau,
> 
> The settings in Pro Tools are correct howevwer, still no go..
> 
> The only thing I can think of is the original instrument is stereo but that 
> shouldn’t matter.
> 
> Other suggestions?
> 
> 
>> On Nov 27, 2015, at 5:26 PM, Slau Halatyn <slauhala...@gmail.com> wrote:
>> 
>> Hi John,
>> 
>> I'm going to assume the following:
>> You want to cut a single note from one track and paste that series of the 
>> same note into another track and hear the same sound you heard that note 
>> playing in the first track. In that case, aside from having another instance 
>> of the plug-in on the second track, you'd also have to select the same 
>> preset if you want the sound to match the original intent. When getting 
>> ready to paste the notes, make sure you're in the Edit window and make sure 
>> the second track and not the first is selected. If it's right below the 
>> first track, you can simply press Control-semicolon to move the insertion 
>> point to the track below the first track. Assuming you have Track and Edit 
>> selections following each other under the Options menu, simply clicking on 
>> the tracks in the Tracks List table will also yield the same result. That 
>> should work. Let me know if you still have trouble.
>> 
>> Best,
>> 
>> Slau
>> 
>> On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:
>> 
>>> Slau,
>>> 
>>> I have tried the below steps and no results.
>>> 
>>> I have the original track created and when following the steps nothingh is 
>>> pasted in to the second instrument track.
>>> 
>>> Using Expand2 on the second track do I need to choose the same instrument 
>>> as I used in the originaL?
>>> 
>>> I am sure I am missing something and appreciate any suggestions.
>>> 
>>> John
>>> 
>>> 
>>>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
>>>> 
>>>> Hi steve,
>>>> 
>>>> You can easily do this by splitting the notes within a track. record your 
>>>> MIDI sequence the way you're used to doing it. When you're done, press 
>>>> Option-y and set the parameters within the dialog to cut the note range 
>>>> you want and you can paste into duplicate MIDI or instrument tracks.
>>>> 
>>>> A typical workflow might be:
>>>> 1. Create an instrument track and record the entire sequence.
>>>> 2. Determine how many individual tracks you might eventually want. Let's 
>>>> say you wanted kick, snare, toms and cymbals.
>>>> 3. Create 3 additional instrument tracks.
>>>> 4. Select the first instrument track along with the range from the session 
>>>> start to session end.
>>>> 5. Bring up the Select/Split Notes dialog with Option-y.
>>>> 6. Let's say you wanted to cut all of the snare hits and they happen to be 
>>>> D1 on the keyboard.
>>>> 7. Make sure the second radio button labelled, "Notes between" is selected.
>>>> 8. Click on the first note field and either type in the note name or hit 
>>>> the note on your keyboard and then repeat the process for the second note 
>>>> field. In this case, both notes should be the same since you're cutting a 
>>>> range of exactly one note.
>>>> 9. Choose the "Split Notes" radio button toward the bottom of the dialog 
>>>> and press the "Apply" button.
>>>> 10. Close the dialog and select the second instrument track and paste the 
>>>> notes into the second track. Now you're snare hits are on the second 
>>>> instrument track.
>>>> 
>>>> You can repeat this process using ranges to cover multiple notes like 
>>>> notes above a certain value, etc. The dialog offers several choices. In 
>>>> the end, you'll have your notes split between several instrument tracks. 
>>>> From there, if you're on Pro Tools 12.3, you can commit the tracks to 
>>>> audio and process the resulting tracks with discrete plug-in chains or 
>>>> whatever you wish.
>>>> 
>>>> Hope that helps,
>>

Re: splitting drum tracks

[Slau Halatyn]

Hi John,

I'm going to assume the following:
You want to cut a single note from one track and paste that series of the same 
note into another track and hear the same sound you heard that note playing in 
the first track. In that case, aside from having another instance of the 
plug-in on the second track, you'd also have to select the same preset if you 
want the sound to match the original intent. When getting ready to paste the 
notes, make sure you're in the Edit window and make sure the second track and 
not the first is selected. If it's right below the first track, you can simply 
press Control-semicolon to move the insertion point to the track below the 
first track. Assuming you have Track and Edit selections following each other 
under the Options menu, simply clicking on the tracks in the Tracks List table 
will also yield the same result. That should work. Let me know if you still 
have trouble.

Best,

Slau

On Nov 27, 2015, at 5:53 PM, John Gunn <g...@tznet.com> wrote:

> Slau,
> 
> I have tried the below steps and no results.
> 
> I have the original track created and when following the steps nothingh is 
> pasted in to the second instrument track.
> 
> Using Expand2 on the second track do I need to choose the same instrument as 
> I used in the originaL?
> 
> I am sure I am missing something and appreciate any suggestions.
> 
> John
> 
> 
>> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
>> 
>> Hi steve,
>> 
>> You can easily do this by splitting the notes within a track. record your 
>> MIDI sequence the way you're used to doing it. When you're done, press 
>> Option-y and set the parameters within the dialog to cut the note range you 
>> want and you can paste into duplicate MIDI or instrument tracks.
>> 
>> A typical workflow might be:
>> 1. Create an instrument track and record the entire sequence.
>> 2. Determine how many individual tracks you might eventually want. Let's say 
>> you wanted kick, snare, toms and cymbals.
>> 3. Create 3 additional instrument tracks.
>> 4. Select the first instrument track along with the range from the session 
>> start to session end.
>> 5. Bring up the Select/Split Notes dialog with Option-y.
>> 6. Let's say you wanted to cut all of the snare hits and they happen to be 
>> D1 on the keyboard.
>> 7. Make sure the second radio button labelled, "Notes between" is selected.
>> 8. Click on the first note field and either type in the note name or hit the 
>> note on your keyboard and then repeat the process for the second note field. 
>> In this case, both notes should be the same since you're cutting a range of 
>> exactly one note.
>> 9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
>> press the "Apply" button.
>> 10. Close the dialog and select the second instrument track and paste the 
>> notes into the second track. Now you're snare hits are on the second 
>> instrument track.
>> 
>> You can repeat this process using ranges to cover multiple notes like notes 
>> above a certain value, etc. The dialog offers several choices. In the end, 
>> you'll have your notes split between several instrument tracks. From there, 
>> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
>> the resulting tracks with discrete plug-in chains or whatever you wish.
>> 
>> Hope that helps,
>> 
>> Slau
>> 
>> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
>> 
>>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>>> Everything is working fine. How ever i’m wondering how you guys go about 
>>> this task. if I play a drum groove say kick snare and hats, is there a way 
>>> to separate the drum sounds after playing. if not what is the best way of 
>>> going about recording drums. If you want things on separate instrument 
>>> tracks, do you have to play each drum individually I can do this but i 
>>> don’t get the same feel. 
>>> I used to record drums in sonar, and i’d often play in the kick and snare, 
>>> and then there was an option to split notes to tracks, wich gave me the 
>>> drums on individual tracks. I am very happy to work in a different way, but 
>>> i’d like to know what options are available or just how you guys would go 
>>> about this.
>>> Thanks
>>> Steve
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group

Re: splitting drum tracks

[John Gunn]

Slau,

I have tried the below steps and no results.

I have the original track created and when following the steps nothingh is 
pasted in to the second instrument track.

Using Expand2 on the second track do I need to choose the same instrument as I 
used in the originaL?

I am sure I am missing something and appreciate any suggestions.

John


> On Nov 26, 2015, at 11:56 AM, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi steve,
> 
> You can easily do this by splitting the notes within a track. record your 
> MIDI sequence the way you're used to doing it. When you're done, press 
> Option-y and set the parameters within the dialog to cut the note range you 
> want and you can paste into duplicate MIDI or instrument tracks.
> 
> A typical workflow might be:
> 1. Create an instrument track and record the entire sequence.
> 2. Determine how many individual tracks you might eventually want. Let's say 
> you wanted kick, snare, toms and cymbals.
> 3. Create 3 additional instrument tracks.
> 4. Select the first instrument track along with the range from the session 
> start to session end.
> 5. Bring up the Select/Split Notes dialog with Option-y.
> 6. Let's say you wanted to cut all of the snare hits and they happen to be D1 
> on the keyboard.
> 7. Make sure the second radio button labelled, "Notes between" is selected.
> 8. Click on the first note field and either type in the note name or hit the 
> note on your keyboard and then repeat the process for the second note field. 
> In this case, both notes should be the same since you're cutting a range of 
> exactly one note.
> 9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
> press the "Apply" button.
> 10. Close the dialog and select the second instrument track and paste the 
> notes into the second track. Now you're snare hits are on the second 
> instrument track.
> 
> You can repeat this process using ranges to cover multiple notes like notes 
> above a certain value, etc. The dialog offers several choices. In the end, 
> you'll have your notes split between several instrument tracks. From there, 
> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
> the resulting tracks with discrete plug-in chains or whatever you wish.
> 
> Hope that helps,
> 
> Slau
> 
> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
> 
>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>> Everything is working fine. How ever i’m wondering how you guys go about 
>> this task. if I play a drum groove say kick snare and hats, is there a way 
>> to separate the drum sounds after playing. if not what is the best way of 
>> going about recording drums. If you want things on separate instrument 
>> tracks, do you have to play each drum individually I can do this but i don’t 
>> get the same feel. 
>> I used to record drums in sonar, and i’d often play in the kick and snare, 
>> and then there was an option to split notes to tracks, wich gave me the 
>> drums on individual tracks. I am very happy to work in a different way, but 
>> i’d like to know what options are available or just how you guys would go 
>> about this.
>> Thanks
>> Steve
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.
> 

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Re: splitting drum tracks

[Slau Halatyn]

Hi steve,

You can easily do this by splitting the notes within a track. record your MIDI 
sequence the way you're used to doing it. When you're done, press Option-y and 
set the parameters within the dialog to cut the note range you want and you can 
paste into duplicate MIDI or instrument tracks.

A typical workflow might be:
1. Create an instrument track and record the entire sequence.
2. Determine how many individual tracks you might eventually want. Let's say 
you wanted kick, snare, toms and cymbals.
3. Create 3 additional instrument tracks.
4. Select the first instrument track along with the range from the session 
start to session end.
5. Bring up the Select/Split Notes dialog with Option-y.
6. Let's say you wanted to cut all of the snare hits and they happen to be D1 
on the keyboard.
7. Make sure the second radio button labelled, "Notes between" is selected.
8. Click on the first note field and either type in the note name or hit the 
note on your keyboard and then repeat the process for the second note field. In 
this case, both notes should be the same since you're cutting a range of 
exactly one note.
9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
press the "Apply" button.
10. Close the dialog and select the second instrument track and paste the notes 
into the second track. Now you're snare hits are on the second instrument track.

You can repeat this process using ranges to cover multiple notes like notes 
above a certain value, etc. The dialog offers several choices. In the end, 
you'll have your notes split between several instrument tracks. From there, if 
you're on Pro Tools 12.3, you can commit the tracks to audio and process the 
resulting tracks with discrete plug-in chains or whatever you wish.

Hope that helps,

Slau

On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:

> Hi. i am recording some drum tracks using my keyboard in x band 2. Everything 
> is working fine. How ever i’m wondering how you guys go about this task. if I 
> play a drum groove say kick snare and hats, is there a way to separate the 
> drum sounds after playing. if not what is the best way of going about 
> recording drums. If you want things on separate instrument tracks, do you 
> have to play each drum individually I can do this but i don’t get the same 
> feel. 
> I used to record drums in sonar, and i’d often play in the kick and snare, 
> and then there was an option to split notes to tracks, wich gave me the drums 
> on individual tracks. I am very happy to work in a different way, but i’d 
> like to know what options are available or just how you guys would go about 
> this.
> Thanks
> Steve
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.

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Re: splitting drum tracks

[Steve Sparrow]

Hey Slau  thanks for this. i’ll go through this, and i’m sure this will be 
fine. 
Steve

> On 27 Nov 2015, at 3:56 am, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi steve,
> 
> You can easily do this by splitting the notes within a track. record your 
> MIDI sequence the way you're used to doing it. When you're done, press 
> Option-y and set the parameters within the dialog to cut the note range you 
> want and you can paste into duplicate MIDI or instrument tracks.
> 
> A typical workflow might be:
> 1. Create an instrument track and record the entire sequence.
> 2. Determine how many individual tracks you might eventually want. Let's say 
> you wanted kick, snare, toms and cymbals.
> 3. Create 3 additional instrument tracks.
> 4. Select the first instrument track along with the range from the session 
> start to session end.
> 5. Bring up the Select/Split Notes dialog with Option-y.
> 6. Let's say you wanted to cut all of the snare hits and they happen to be D1 
> on the keyboard.
> 7. Make sure the second radio button labelled, "Notes between" is selected.
> 8. Click on the first note field and either type in the note name or hit the 
> note on your keyboard and then repeat the process for the second note field. 
> In this case, both notes should be the same since you're cutting a range of 
> exactly one note.
> 9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
> press the "Apply" button.
> 10. Close the dialog and select the second instrument track and paste the 
> notes into the second track. Now you're snare hits are on the second 
> instrument track.
> 
> You can repeat this process using ranges to cover multiple notes like notes 
> above a certain value, etc. The dialog offers several choices. In the end, 
> you'll have your notes split between several instrument tracks. From there, 
> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
> the resulting tracks with discrete plug-in chains or whatever you wish.
> 
> Hope that helps,
> 
> Slau
> 
> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
> 
>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>> Everything is working fine. How ever i’m wondering how you guys go about 
>> this task. if I play a drum groove say kick snare and hats, is there a way 
>> to separate the drum sounds after playing. if not what is the best way of 
>> going about recording drums. If you want things on separate instrument 
>> tracks, do you have to play each drum individually I can do this but i don’t 
>> get the same feel. 
>> I used to record drums in sonar, and i’d often play in the kick and snare, 
>> and then there was an option to split notes to tracks, wich gave me the 
>> drums on individual tracks. I am very happy to work in a different way, but 
>> i’d like to know what options are available or just how you guys would go 
>> about this.
>> Thanks
>> Steve
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
> -- 
> You received this message because you are subscribed to the Google Groups 
> "Pro Tools Accessibility" group.
> To unsubscribe from this group and stop receiving emails from it, send an 
> email to ptaccess+unsubscr...@googlegroups.com.
> For more options, visit https://groups.google.com/d/optout.

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Re: splitting drum tracks

[Steve Sparrow]

Hey Slau. just sussed this out. It work’s brilliantly man. 
Nice and smooth. Thank you.

By the way, what do you use for recording drums from a midi keyboard. X band is 
ok, but i’d like some other choices that are accessible  with voice over. I 
believe addictive drums was accessible once, If so is it still available. If 
not, can you give me some idea of what our options are. 
Cheers mate.
Steve

> On 27 Nov 2015, at 3:56 am, Slau Halatyn <slauhala...@gmail.com> wrote:
> 
> Hi steve,
> 
> You can easily do this by splitting the notes within a track. record your 
> MIDI sequence the way you're used to doing it. When you're done, press 
> Option-y and set the parameters within the dialog to cut the note range you 
> want and you can paste into duplicate MIDI or instrument tracks.
> 
> A typical workflow might be:
> 1. Create an instrument track and record the entire sequence.
> 2. Determine how many individual tracks you might eventually want. Let's say 
> you wanted kick, snare, toms and cymbals.
> 3. Create 3 additional instrument tracks.
> 4. Select the first instrument track along with the range from the session 
> start to session end.
> 5. Bring up the Select/Split Notes dialog with Option-y.
> 6. Let's say you wanted to cut all of the snare hits and they happen to be D1 
> on the keyboard.
> 7. Make sure the second radio button labelled, "Notes between" is selected.
> 8. Click on the first note field and either type in the note name or hit the 
> note on your keyboard and then repeat the process for the second note field. 
> In this case, both notes should be the same since you're cutting a range of 
> exactly one note.
> 9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
> press the "Apply" button.
> 10. Close the dialog and select the second instrument track and paste the 
> notes into the second track. Now you're snare hits are on the second 
> instrument track.
> 
> You can repeat this process using ranges to cover multiple notes like notes 
> above a certain value, etc. The dialog offers several choices. In the end, 
> you'll have your notes split between several instrument tracks. From there, 
> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
> the resulting tracks with discrete plug-in chains or whatever you wish.
> 
> Hope that helps,
> 
> Slau
> 
> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
> 
>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>> Everything is working fine. How ever i’m wondering how you guys go about 
>> this task. if I play a drum groove say kick snare and hats, is there a way 
>> to separate the drum sounds after playing. if not what is the best way of 
>> going about recording drums. If you want things on separate instrument 
>> tracks, do you have to play each drum individually I can do this but i don’t 
>> get the same feel. 
>> I used to record drums in sonar, and i’d often play in the kick and snare, 
>> and then there was an option to split notes to tracks, wich gave me the 
>> drums on individual tracks. I am very happy to work in a different way, but 
>> i’d like to know what options are available or just how you guys would go 
>> about this.
>> Thanks
>> Steve
>> 
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Re: splitting drum tracks

[Slau Halatyn]

Hi steve,

Glad it worked out.

I don't do much drum sequencing as I mostly record drummers playing their kits. 
That said, I've been using Strike on occasion as a placeholder. If you want 
some better sounds, the Slate drums are nice but you'll absolutely need a 
control surface to access parameters.

Best,

Slau

On Nov 26, 2015, at 11:15 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:

> Hey Slau. just sussed this out. It work’s brilliantly man. 
> Nice and smooth. Thank you.
> 
> By the way, what do you use for recording drums from a midi keyboard. X band 
> is ok, but i’d like some other choices that are accessible  with voice over. 
> I believe addictive drums was accessible once, If so is it still available. 
> If not, can you give me some idea of what our options are. 
> Cheers mate.
> Steve
> 
>> On 27 Nov 2015, at 3:56 am, Slau Halatyn <slauhala...@gmail.com> wrote:
>> 
>> Hi steve,
>> 
>> You can easily do this by splitting the notes within a track. record your 
>> MIDI sequence the way you're used to doing it. When you're done, press 
>> Option-y and set the parameters within the dialog to cut the note range you 
>> want and you can paste into duplicate MIDI or instrument tracks.
>> 
>> A typical workflow might be:
>> 1. Create an instrument track and record the entire sequence.
>> 2. Determine how many individual tracks you might eventually want. Let's say 
>> you wanted kick, snare, toms and cymbals.
>> 3. Create 3 additional instrument tracks.
>> 4. Select the first instrument track along with the range from the session 
>> start to session end.
>> 5. Bring up the Select/Split Notes dialog with Option-y.
>> 6. Let's say you wanted to cut all of the snare hits and they happen to be 
>> D1 on the keyboard.
>> 7. Make sure the second radio button labelled, "Notes between" is selected.
>> 8. Click on the first note field and either type in the note name or hit the 
>> note on your keyboard and then repeat the process for the second note field. 
>> In this case, both notes should be the same since you're cutting a range of 
>> exactly one note.
>> 9. Choose the "Split Notes" radio button toward the bottom of the dialog and 
>> press the "Apply" button.
>> 10. Close the dialog and select the second instrument track and paste the 
>> notes into the second track. Now you're snare hits are on the second 
>> instrument track.
>> 
>> You can repeat this process using ranges to cover multiple notes like notes 
>> above a certain value, etc. The dialog offers several choices. In the end, 
>> you'll have your notes split between several instrument tracks. From there, 
>> if you're on Pro Tools 12.3, you can commit the tracks to audio and process 
>> the resulting tracks with discrete plug-in chains or whatever you wish.
>> 
>> Hope that helps,
>> 
>> Slau
>> 
>> On Nov 25, 2015, at 11:23 PM, Steve Sparrow <i...@sparrowsound.com.au> wrote:
>> 
>>> Hi. i am recording some drum tracks using my keyboard in x band 2. 
>>> Everything is working fine. How ever i’m wondering how you guys go about 
>>> this task. if I play a drum groove say kick snare and hats, is there a way 
>>> to separate the drum sounds after playing. if not what is the best way of 
>>> going about recording drums. If you want things on separate instrument 
>>> tracks, do you have to play each drum individually I can do this but i 
>>> don’t get the same feel. 
>>> I used to record drums in sonar, and i’d often play in the kick and snare, 
>>> and then there was an option to split notes to tracks, wich gave me the 
>>> drums on individual tracks. I am very happy to work in a different way, but 
>>> i’d like to know what options are available or just how you guys would go 
>>> about this.
>>> Thanks
>>> Steve
>>> 
>>> -- 
>>> You received this message because you are subscribed to the Google Groups 
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send an 
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>> 
>> -- 
>> You received this message because you are subscribed to the Google Groups 
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an 
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
> 
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splitting drum tracks

[Steve Sparrow]

Hi. i am recording some drum tracks using my keyboard in x band 2. Everything 
is working fine. How ever i’m wondering how you guys go about this task. if I 
play a drum groove say kick snare and hats, is there a way to separate the drum 
sounds after playing. if not what is the best way of going about recording 
drums. If you want things on separate instrument tracks, do you have to play 
each drum individually I can do this but i don’t get the same feel. 
I used to record drums in sonar, and i’d often play in the kick and snare, and 
then there was an option to split notes to tracks, wich gave me the drums on 
individual tracks. I am very happy to work in a different way, but i’d like to 
know what options are available or just how you guys would go about this.
Thanks
Steve

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