Hello,
I believe that this comp came out in 1996 on Sony/React. I do not know
for sure if it is in print or not, but I would bet that it isn't. I have
not heard this comp in years, but I remember it as being a
disappointment. Anybody care to comment?
Also, did anyone catch Rob Hood or Pacou
Actually, putting it between two sheets of glass (with the top one weighted
down) and then leaving it in direct sunlight for several hours does the job
quite nicely. Of course, you DO need it to be kind of sunny...
Uuuhhh, I'd be pretty careful with that statement. Depending on where you
are,
Hey Mike,
Well.. I can certainly see people viewing it as a disappointment, but when
I bought this comp back in late 96, it became my first who's-who
names-to-faces piece of detroit techno. Sentimental value... it's got the
stars on it for sure.
At the time, the two(three) biggest detroit
-Original Message-
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
To: R Vincent [EMAIL PROTECTED]
Cc: 313@hyperreal.org 313@hyperreal.org
Date: Sunday, December 10, 2000 11:13 PM
Subject: Re: [313] True People: Detroit Techno Comp
Hello,
I believe that this comp came out in 1996 on
Blake Baxter's where's the love rocks hard with extremely tactful 303
usage.
What exactly is tactful 303 usage. Enlighten me.
(Not to sound curt, but, I'm not looking for a defination of what a tb-303
is, or acid house, or trance anthems either.)
It's the sound of an overused instrument being used in a really great
sounding way.
On Mon, 11 Dec 2000, Hugh G. Blaze wrote:
Blake Baxter's where's the love rocks hard with extremely tactful 303
usage.
What exactly is tactful 303 usage. Enlighten me.
(Not to sound curt, but, I'm
Definition of what is NOT tactful 303 usage:
'Higher State of Consciousness'
Any questions??
:) :)
phred
I have seen the way that, techno, has been absorbed by Europe and sent
back to the U.S., foolin people over here into thinkin that some crafty
Euro-DJ's and producers were the one's who Invented it. I have always
known where techno came from, though.
Fair comment, except as long as you
i woudn't categorize fowlkes' work as acid houseand would suggest you
find anything from PHUTUREon the trax label. old school chicago
stuffgood luck.
Back in the day when this one came out, the UK magazine Muzik came up
with an article called the Detroit Debate which featured lots of
people on the tracklist of the compilation.
The good thing about it was, that it provided some background on the
tracks these artitsts did. For example: the
I don't think traditional African musical concepts on rhythm was as big of an
influence on early house and techno as you may think.
The rhythm arrangements had more to do with 16 step drum machine sequencer of
the Roland XOX boxes.
I remember talking to Adonis on the phone in the mid 90's when he
Could be the new Photek album, Solaris. He has Owens singing on two of
his tracks. I am told that these will soon be released seperately...
As for the Mr c. feat Robert Owens this thing called love: not my cup
of tea, IMHO the worst Owens record yet. And Cari Lekebusch doing
remixes? Come on!
What about DJ Funk?
W
FC3 Richards [EMAIL PROTECTED] 10-12-2000 4:19:19
coincidentally it is probably also by Paul Johnson
Jeff
-Original Message-
From: Phonopsia [SMTP:[EMAIL PROTECTED]
Sent: Friday, December 08, 2000 11:51 PM
To: scott mcgill; 313@hyperreal.org; DJ DMT
Found it quite recently hee in france, quite cheap too...
Really great comp, tons of good stuff even though some tihngs are really
disppaointing - and yes, 8th Wonder alone makes it worth it ;-)
Gwendal
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday,
Really great stuff, personnally I find it quite close to X102... got it when
it came out, had the chance to listen to it in various settings since then,
very complex stuff, extremely rich and dense... Keeping of the Kept remains
the highlight for me
Gwendal
-Original Message-
From:
For their tenth birthday, Warp released three double-CD compilations, the
first of which, Influences gets together some of the tracks that most
influenced the label... and this includes a nice number of acid house
classics ; you're right about AGCG, he began as part of 808 State, and they
were
actually, its a delsin towelwearin my eevolute socks as well but alas...they
cut of the rest of the pic. tnk god 4 that.
154
I actually do have an Eevolute Umbrella (no joke). This almost beats +8 on
the original merchandise factor.
actually, its a delsin towelwearin my eevolute socks as
well but alas...they
cut of the rest of the pic. tnk god 4 that.
154
sorry, not sure if this got through first time, v late i know
-Original Message-
From: Williams, Howard
Sent: 06 December 2000 14:00
To: 'darw_n'; 313@hyperreal.org
Subject: RE: [313] err...
the 'point' is that mahler expresses himself one way, hawtin (for example)
another. the
Oh, and can we stop the race in techno debate PLEASE! It's all been
discussed here five thousand times, and it's such an
emotionally charged
topic that nothing gets resolved well through email. Or take
it offline.
Most of the people involved on this racial techno subject haven't been on
My eevo-brella died just a few weeks ago...I burried it huming about evil
russians, stop the violence, stop america.
154
On Mon, 11 Dec 2000, Jongsma, K.J. wrote:
'what is underground'.
something that is below the surface of the earth. :)
now, topics will come back as there will be new people joining to the
list and they might be interested in who is drexciya. so those interested
in that will probably ask
-you should really be careful about what you just carelessly spread
-around about someone. regardless of whether it is true or not,this -is
-not appropriate for open discussion amongst people who don't even know him.
-d
- I couldn't agree more, send your gossip to the national enquirer.
Anyone
was anyone in LA to see twerk with chaki? a review? i heard his set was
innovative and ground braking.
.ir.
it's dj hell
regards
paul, innercity
www.innercity.co.uk
- Original Message -
From: The [Quad] [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Monday, December 11, 2000 1:17 AM
Subject: [313] kindly quell these voices inside my head
Who's responsible for this Sex Pistols
Also try to find (ie on Napster) Rammstein's interpretation of 'The Model'.
Fun!
R.
At 12:00 12/11/2000 +, paul wrote:
it's dj hell
regards
paul, innercity
www.innercity.co.uk
- Original Message -
From: The [Quad] [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Monday,
Does anyone know if this lady has an album out? If I search for her name
on Napster I come up with almost a dozen tracks, but I can't find a full
length on her.
Any info is appreciated
TIA
W
info can be found at www.soundmangle.com for that event
At 06:24 AM 12/11/00 -0500, you wrote:
was anyone in LA to see twerk with chaki? a review? i heard his set was
innovative and ground braking.
.ir.
-
To unsubscribe,
For their tenth birthday, Warp released three double-CD
compilations, the
first of which, Influences gets together some of the tracks
that most
influenced the label... and this includes a nice number of acid house
classics ; you're right about AGCG, he began as part of 808
State, and
Try to get your hands on the 'Classic Acid Volume 1' compilation CD.
It was released in 1996 on the Mastercuts label and contains tracks from
Phuture (Acid Tracks) and Laurent X's Machines.
And as far as i know there is only one volume made of Classic Acid.
R.
At 13:22 12/11/2000 +0100,
H'ummm I saw a flyer...saying that he is at The Rex club in Paris, the same
day
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Jeff Mills on NYE
Date: Sun, 10 Dec 2000 23:09:53 EST
I heard Jeff was playing in Toronto on NYE...can anyone confirm if this is
true or false??
There you go, shows what I know. And here I was accusing the little
silver box of helping Josh Wink abuse braincells worldwide.
(I say this with some affection for Josh as someone who *does* appreciate
Detroit techno; Higher State was just an indication that he knows
exactly how to get the
For f**ks sake Why do we have to go over the same
sh*t again and again week after f**king week I
thought we had come to some sort of conclusion but I
realise that non of these discussions ever reach a
conclusion and ppl continue dissing and flamming about
the same old b*ll*cks...
Who
Hello friends, I need id's for these songs.
The first has a chick saying, The dominatrix sleeps
tonight and it has a catchy little electro sound.
I'm guessing it's 89' or 90'?
Next is an 80's dance sounding number. I believe it's
a remix type thing. The song sounds kind of
here here
--- Nick Walsh [EMAIL PROTECTED] wrote:
For f**ks sake Why do we have to go over the
same
sh*t again and again week after f**king week I
thought we had come to some sort of conclusion but I
realise that non of these discussions ever reach a
conclusion and ppl continue
One reason behind this, is that 90% of Americans
think that techno or electronic music in general is
a European thing.
There's a lot of truth to that though. Many of the
early technoists borrowed(or stole) heavilly from the
german or european sound. No denying that.
The mainstream music
Goa is related to heavy metal music and gets it's
sound from that... It doesn't have much to do with
previous forms of electronic music (ie detroit
influenced) at all...
Nick (Dj Pacific:)
--- mee-thod [EMAIL PROTECTED] wrote:
Hey, what's wrong with bringing a little
trippiness into the
Another one... no love... that sounds like PWIE,
or some grungy-indie band like that.
hmm, i'm not sure about that one but it sounds more
like the guy from the love and rockets? i dunno. Maybe
that would make more sense since they mention love in
the song, that it would be a remix of them?
DJ
Dominatrix - Dominatrix Sleeps Tonight - 1984 Streetwise Records
Sorry I don't know the rest..
- Original Message -
From: 101 101 [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, December 11, 2000 7:43 AM
Subject: [313] Very old 80's id's
: Hello friends, I need id's
-Original Message-
From: Nick Walsh [EMAIL PROTECTED]
To: christos [EMAIL PROTECTED]
Cc: 313@hyperreal.org 313@hyperreal.org
Date: Monday, December 11, 2000 8:40 AM
Subject: Re: [313] not black enough...
snip
You like what you like regardless of
it's origins unless you're a nazi or
Hmm I wonder if anyone knows?
damn if anyone can pin this last one then i'll give a
free tape to all who helped. If they're interested
that is.
thanks
If it's not Love and Rockets but you think it sounds
like them singing, it could be Tones on Tail. That's
what Bauhaus became for a couple of
So, I have a suggestion.
Let's stop talking about other people's personal lives, let's stop talking
about the motivations for talking about other people's personal lives,
and let's remember some wise advice a friend of mine gave me:
Believe half of what you see and none of what you hear.
phred
Hmm I wonder if anyone knows?
damn if anyone can pin this last one then i'll give a
free tape to all who helped. If they're interested
that is.
thanks
Just to pin it down for the list (already gave 101 an email) - this is a
PWEI track, off of Box Frenzy, their second album. I'll dig out the
I'm really into Danille Dixon Dance Dance [DJ Pierre mix]
and Phuture Rise From Your Grave [Wild Pitch mix]
can someone advise me about deep DJ Pierre/Wild Pitch material that is
post-Phuture but still vintage?
Deeper the better
martin
thanks a lot for the help you guys kick.
just thought i'd throw this out there as well,
some other songs that are also on this tape, yello-i
love you(great track about a car) blancmange-feel me
now, cabaret voltaire-i want you, lnr, flying tigers,
etc.
thanks
--- 101 101 [EMAIL PROTECTED]
The last one has a guy in a raspy kind of voice
saying,
well their is no love between us, anyyymoore And it
has a dark little synth after he says that. There's
also samples of some lady saying, he loves me, he
loves me not And there's a madonna sample saying,
Yeahhah A little guitar sample
complete junk is what anyone is on who would post garbage like
this.
Who would have access to anothers life to comment such as this ?
Did someone actually see this happen??I seriously doubt it..
There have been rumors floating round for awhile 'bout
Juan and whats up with him..i.e.
chk old roy davis stuff on power music or la williams for a bit darker approach
to the wildpitch concept. also sum of the older felix stallings material has
that wildpitch-frenzy. another label u might want to give a listen is kumba. not
all of em r good but the ones that r really R!
Apparently people are saying it's no love between us
or some other track off the pwei-box frenzy record.
Some guy pretty much swore by it so i'm prob going to
take his word for it since he said he'd play it for me
today. But hey, you never know because this could be a
friggin remix and not the
chk old roy davis stuff on power music or la williams for a bit darker
approach
to the wildpitch concept.
If that's the sound your looking for, than maybe check out all the albums
distributed by Power Sex Mania, up until maybe 96, also, some of DJ Dukes
stuff on Power Mania, such as 12 min
And of course DJ Pierre's Photon Inc. on Strictly Rhythm, essential stuff
[EMAIL PROTECTED]
-Oorspronkelijk bericht-
Van: darw_n [mailto:[EMAIL PROTECTED]
Verzonden: maandag 11 december 2000 19:31
Aan: [EMAIL PROTECTED]; 313@hyperreal.org
Onderwerp: Re: [313] DJ Pierre/Wild Pitch
hi all
sorry if this has already been discussed, but how was Pacou (friday) and Rob
Hood (saturday) at Motor?
i'm very sad i missed these but it was out of my control.
i'm especially interested in Robs live pa.
were these broadcast on groovetech or archived anywhere?
thanks
kao jyan
There's a DJ Pierre Wild Pitch remix of Accident in Paradise by
Sven Vath that's about 5-6 years old. THe only mix of that track I
can stand.
kent williams -- [EMAIL PROTECTED]
http://jump.to/cornwarning -- Iowa's First Techno Record Label
http://www.mp3.com/chaircrusher -- tunes
On Mon, 11
In my opinion the mix of 8th Wonder that is on Astralwerks' Beyond The Third
Wave compilation well exceeds the mix on the True People compilation. And
the compilation is worth the price for the Alan Oldham artwork alone...
pw
In a message dated 12/11/00 1:31:37 AM, [EMAIL PROTECTED] writes:
on 12/11/2000 8:43 AM, 101 101 at [EMAIL PROTECTED] wrote:
Next is an 80's dance sounding number. I believe it's
a remix type thing. The song sounds kind of
depechemodeish/camoflauge style. He sings, Why would
you crucify me. Only it's like, Whhyyy would
youuu... Crucfyyy m. then it
There's also a wild pitch remix of the Pet Shop Boys.
One of their songs with a really long title (not that
that narrows the search much).
Tristan
--- Kent williams [EMAIL PROTECTED] wrote:
There's a DJ Pierre Wild Pitch remix of Accident in
Paradise by
Sven Vath that's about 5-6 years old.
hi all
sorry if this has already been discussed, but how was Pacou (friday) and Rob
Hood (saturday) at Motor?
thanks
kao jyan
robert rocked the house on saturday nite. his dj'ing was flawless - and
for the most part he was banging it out, detroit style. unfortunately i'm
not too
the nazis have been mentioned. this thread is now officially dead ;)
h
ps i think that some of this is kind of interesting, in fairness.
pps new Surgeon - Midnight Club Tracks, excellent.
Date: Mon, 11 Dec 2000 05:40:26 -0800 (PST)
To: christos [EMAIL PROTECTED]
From:
101 101 wrote:
Next is an 80's dance sounding number. I believe it's
a remix type thing. The song sounds kind of
depechemodeish/camoflauge style. He sings, Why would
you crucify me. Only it's like, Whhyyy would
youuu... Crucfyyy m. then it goes into a
little depeche style synth.
was anyone in LA to see twerk with chaki? a review? i heard his set was
innovative and ground braking.
..ir.
twerk's set was indeed innovative and ground breaking - more importantly it
was GROOVIN
*everyone* was gettin down
more LIVE electronic dance music in the LA area coming up soon
I saw it on Saturday. Vinyl is no longer needed. The DJ played, nobody
who watched or listened noticed anything new, all 1000+ people had a
great time.
Stunning.
I had many drinks to reconcile myself with this new reality.
Tosh
On Mon, Dec 11, 2000 at 01:22:01PM +0100, Jongsma, K.J. wrote:
Speedy J's 'three-o-three', Edge of Motion's 'setup 707'
Word to these records, by the way.
Oddly enough, I got to see Setup 707 dropped twice this weekend and it
even got the rewind the second time. :P
--
:: atomly ::
[EMAIL
Sounds interesting, but it may need some explanation ?
Gwendal
-Original Message-
From: Tosh Cooey [mailto:[EMAIL PROTECTED]
Sent: Monday, December 11, 2000 6:03 PM
To: 313@hyperreal.org
Subject: [313] I saw the future...
I saw it on Saturday. Vinyl is no longer needed. The DJ
jeff mills metropolis is good to put on and just
listen to all the way through. i think it is vaguely
similar to X-103 Atlantis, because of the alternating
tone of the tracks: hard tracks / atmospheric tracks.
the tracks really do seem to be inspired by some 1926
silent movie. i know a devout
i just picked up a bunch of wax over the past week. here's some of what i
like:
i was pleasantly surprised to find richie's 'sheet one' and 'musik' at
record time. i also picked up the (first?) plus 8 classics, with
'substance abuse' and 'technarchy,' plus speedy j's 'evolution' and fuse
vs
I caught his set in San Francisco over the weekend
and it was excellent. I'm sad I never got to check
out his previous sets to compare, but what I saw on
friday had me focused and moving at the same time
throughout
has anyone bought the other Derrick May mixes of Jaguar?
Or noticed that in the new 'Chaser Carl Craig seems to have done his own
mix?
Anyone heard it?
When will the mixes end?
martin
_
Get more from the Web.
I'm wondering if the Carl Craig mix is what he played
in Leeds. It had no kick. Is this another of the
remixes, or could it be C2?
Tristan
--- martin clark [EMAIL PROTECTED] wrote:
has anyone bought the other Derrick May mixes of
Jaguar?
Or noticed that in the new 'Chaser Carl Craig seems
The first one is Dominatrix Sleeps Tonight by Dominatrix
My info says it's from 1984 and label as Dense Media Domain.
hope this helps...
Sam Valenti IV
creative director
Ghostly International, LLC.
...734.623.0077...
www.ghostlyinternational.com
woahhh. i heard he was playing in NYC. i thought this was confirmed,
but now i dunno. i know he started his residency here in NYC.
Mike d.
Explaination is that very few if anyone cares about the music
it's purely background to the whole social aspect
I.e. .. Vinyl isn't needed anymore... if no one gives attention set up a juke
box on stage , so those who seem to make requests can pop a dollar in and
hear their fav's
Gwendal
Fahd,
I don't mean to be the anti pedant, here, but the use of invented that
people intend when they say DJ Pierre invented acid is fairly
uncontroversial. Similarly, techno came from Detroit. Compare techno came
from Belgium or Eddie Richards invented Acid House with the above. I
think there is
Explaination is that very few if anyone cares about the music
it's purely background to the whole social aspect
well, i was kinda interested in hearing the WHERE AND WHAT of the whole
thing.
But isn't music background to the social aspect in a social setting
ANYWHERE?
I.e. .. Vinyl
Oh dear... more ramblings... I have work to do... I
can't deal with 300 emails a day... I'm only a student
for christ's sake...
No disrespect to any one person in particular but I'm
deleting one message every minute at this rate... What
makes it worse is that they're not relevant to anyone
or
I'm interested in finding out what methods people out there use to record mixes
on a PC. Is going straight out of the mixer to the hard drive an option? Any
software or hardware recommendations would be appreciated. Since this is more
of a technical question and maybe not applicable as a
She had huge...tracts of land...
Mike
wasting bandwidth and loving it
From: Nick Walsh [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Ramblings...
Date: Mon, 11 Dec 2000 10:20:05 -0800 (PST)
Oh dear... more ramblings... I have work to do... I
can't deal with 300 emails a
For me the first real Acid Track was Sleezy-D - 'I've Lost Control' on Trax
records (1986)...
The B-Line is pure acid, the only reason that this track is not recognised
as the first acid record is because the 303 is not 'tweaked' during the
track...
This isn't a knock at Phuture, it's just my
I personally would love to see something like
goa-style trippiness and experimentation explored in
Detroit techno. I've heard hints of it in a few
things and its been quite fun.
this sounds interesting.. can you give some examples?
On Mon, 11 Dec 2000, David Anthony Parsons wrote:
For me the first real Acid Track was Sleezy-D - 'I've Lost Control' on Trax
records (1986)...
The B-Line is pure acid, the only reason that this track is not recognised
as the first acid record is because the 303 is not 'tweaked' during the
I've always found old school dub music to be the most psychedellic of all
music; they way King Tubby and the other great ones used flanger, delay, and
reverb was incredible...and in my opinion, impossible to recreate with
digital effects (as has been made painfully apparentl with most modern dub).
Hello,
Who are Maus and Stolle? I am familiar with everything else mentioned,
but I have never heard of these guys, what have they done that is worth
checking out?
take care,
Mike
NP evax : glacier : putting the morr back in morrissey comp
not 313, but still pretty darn good.
Todd Gys
To tell you the truth
1. I don't know much about their bio at all
2. Anything you find by them is spectacular!
They are very dubby and deep sounding...along the lines of Maurizio. But,
they use really really sweet moving melodies that are just so chill they
make your spine tingle. Think
- - The F L A T P L A S T I C mixshow - - jack in...
http://www.flatplastic.com
... for the week of 12.10.00 is now online
and available for your listening pleasure...
... [ OV ]
This week is a mix of dub, ambient and IDM
gradually breaking into a full house workout.
This is the sound of F L
Maus und Stolle = Bernd Maus Thilo Stolle.
They have produced under this moniker solely for Klang
(AFAIK and I have been keeping real close track).
Maus has done much more working on with others like
Corrado Izzo (owner of i220), for the Gadgets label.
He also did the Innervision Mix of Pile's
i do the same thing - run my mixer into my pc soundcard into soundforge then
burn the cd using cd architect (with track markings). the only problem i
find is that i get a recording that sounds a bit flat. that's probably the
result of my cheap soundblaster 64 soundcard. i've recently been
Thanx for comin down Dale, was cool to see ya. Now i feel bad
I didn't come to see you play on Thursday night but I had alot
of preparing to do for my own show.
Twerk
At 12:21 PM 12/11/00 -0500, you wrote:
I caught his set in San Francisco over the weekend
Is anyone else getting a ing headache from this not black enough
thread? Cmon people, evolve. Evolve. Get the out of the murky waters of
the evolutionary turmoil that is the programming of attachment to the
various things that make you different. How deep, soulful, or spiritual you
are
In a message dated 12/11/00 7:40:50 AM, [EMAIL PROTECTED] writes:
Who gives a f**k about the colour of the music? I
don't... I don't exclusively listen to detroit techno
either because I'm not biased and neither are most
ordinary people.
It is not about the colour of music but more like the
I knew I read about it somewhere but couldn't
remember what and where...
Kwik 'net search came up with this
http://www.bbc.co.uk/radio1/urban/documentary_slam.shtml
Interesting to say the least - chekkitout!
Ursula Rucker's debut (!) album is allegedly
to be released next year - supa sista.
Anya
yeah yeah, but racism/stereotyping still exists my friend and since we are a
new and smarter
generation, we shouldn't so easily sweep it to the side like other
generations did.
We can only evolve when we admit to the world's imperfections and reflect on
it
amongst ourselves even if there's
This is too funny to be true!!!
Is it for real? Where can I get this stuff? I WANT!
From: Jongsma, K.J. [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED],
313@hyperreal.org
Subject: RE: [313] Re: [[313] 313 hoodies]
Date: Mon, 11 Dec 2000 11:35:39 +0100
I actually do have an
This is an easy one and I would be appalled if no one got it - must be one
of the most sampled records ever!
THE DOMINATRIX - THE DOMINATRIX SLEEPS TONIGHT (UK WEA/US STREETWISE 12 -
there is also a UK 7 with an incredible scratch mix by DJ Red Alert)
The first has a chick saying, The dominatrix
Yeah Record Time in Roseville has some stuff. Was listening to We Are the
Phuture today.
Five
when I say rhythm I 'm talking about rhythm as a focal point versus melody.
That is an African musical concept. And if it's Latino influenced that's
still African.
Where do you think they get their stuff from???
Rhythim is Rhythim,
Five
the only problem i
find is that i get a recording that sounds a bit flat. that's probably
the
result of my cheap soundblaster 64 soundcard.
Soundblaster is OK but anyways, you can repair these flaws with the
appropriate pluginz. For instance, you can use the Waves Ultramaximizer on
a
NEVER.
I'd be interested to buy one of these
Five
hmm..i beg to differ. The reason i asked if its still in print is because
there are some excellent tracks on it produced by juan atkins, shake,kenny
larkin, claude young,eddie fowlkes and little joe...
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better
hmm..i beg to differ. The reason i asked if its still in print is because
there are some excellent tracks on it produced by juan atkins, shake,kenny
larkin, claude young,eddie fowlkes and little joe...
also, i saw pacou, who was surprisngly very dissapointing. He is definitely
a much better
I'd consider selling my copy, if anyone has any offers. or, if there's
anyone from Detroit, I'd do a trade for some SID tracks that are pretty
tougth to get over in the UK.
Stewart
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Monday, December
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