Your Scribd page has amazing treasures, Ernst!
Rob MacKillop
On Sun, 3 May 2020 at 10:19, <[1]fischer...@aon.at> wrote:
Dear lute friends,
As you most probably know, the "Burwell Lute Tutor" is a
manuscript
tutor for the baroque lute. The ma
That's an incredible contribution you've made, Bernhard! And free too. I urge
people to listen to them. This is a great use of the Internet.
Rob
www.robmackillop.net
> On 14 Jan 2018, at 16:59, Fischer BE (Aon) wrote:
>
> Dear lute friends,
>
>
> Happy New Year to
All you need is a pair of double-vision glasses...
Rob
> On 18 Oct 2017, at 19:27, howard posner <howardpos...@ca.rr.com> wrote:
>
>
>> On Oct 18, 2017, at 10:56 AM, Rob MacKillop <robmackil...@gmail.com> wrote:
>>
>> I don't think you ever will rec
I don't think you ever will recover, Howard. Send me your shrink bills.
I know what to do with them.
Rob
On 18 Oct 2017 18:51, "howard posner" <[1]howardpos...@ca.rr.com>
wrote:
> On Oct 18, 2017, at 1:15 AM, Rob MacKillop
<[2]robmack
opher Wittgenstein
> wrote (Umberto Eco ironically puts it in the mouth of Guglielmo da
> Baskerville in his "The name of the rose"): "[you] must, so to speak,
> throw away the ladder after [you have] climbed up it."
>
> Therefore, I really like your video :-)
>
nough to just listen to the beautiful music.
And for what it's worth, I think the lute sounds beautiful too :-)
Rob MacKillop
On 18 October 2017 at 09:01, Luca Manassero <[1]l...@manassero.net>
wrote:
I'm a bit wondering about the single strung lute, but the music is
rea
Might be of interest to some here:
[1]https://youtu.be/zvD4lwPoAks
Rob MacKillop
--
References
1. https://youtu.be/zvD4lwPoAks
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.
I'm a bit puzzled as to why the Coste version of Sor studies is there,
for, as far as I recall, they are in standard guitar tuning.
Rob MacKillop
On 8 October 2017 at 19:18, Andreas Schlegel
<[1]lute.cor...@sunrise.ch> wrote:
Dear lutefriends,
I saw in Anthony
Well spotted, Markus! Very interesting. And thanks for sharing.
Rob
> On 6 May 2017, at 00:00, Markus Lutz wrote:
>
> Hello,
> in the new Lauteninfo of the Deutsche Lautengesellschaft, that is about to be
> sent to the members, I publish about some things I found in the
Not the best audio, but they do seem more gut-like to me.
Rob
On 7 February 2017 at 20:28, Mimmo Peruffo
<[1]mperu...@aquilacorde.com> wrote:
Here is:
the not red bass string that is the 11 course is those made with
more stiffer elastomer. the turns on the peg where
That sounds encouraging!
Rob
On 7 Feb 2017 14:27, "Mimmo Peruffo" <[1]mperu...@aquilacorde.com>
wrote:
well guys, I think to have good news.
I am doing, right now, the first few strings using a stiffer
elasthomer and the same quantity of copper powder. I must admit
Second option for me.
Rob MacKillop
> On 3 Feb 2017, at 07:29, Mimmo Peruffo <mperu...@aquilacorde.com> wrote:
>
> Thank you for the suggestion Arto.
> Unfortunately i cannot do it
> I already image how confuse the thing will be with the customers.
> This m
Hi David,
I'm hugely impressed with the new Aquila Loaded Nylgut - see their website for
details. After three days they settled quickly into tuning, and I rarely have
to tweak them. Good sound too.
Rob MacKillop
> On 1 Feb 2017, at 21:25, David Rastall <d_lu...@comcast.net&
Wonderful stuff, Bernhard. His is a new name to me, and I like what I hear. The
whole Accords Nouveaux is an interesting area, with some good, and some not so
good pieces. I think Lawrence wrote some fine music, so thank you for bringing
it to our attention. And well played too!
Rob
> On 5
this positioning. What kind of strings did you use?
Rob MacKillop
On 17 March 2015 at 00:47, Christopher Wilke
[1]chriswi...@cs.dartmouth.edu wrote:
Hello all,
A A I've posted a video of my performance of Adam Falckenhagen's
variations on the chorale tune, Wer nur den lieben
So awful. Heartfelt commiserations.A
Rob MacKillop
On 21 October 2014 14:29, BENJAMIN NARVEY [1]luthi...@gmail.com
wrote:
A A Dear All,
A A I forward the following message from our friend Grant
Tomlinson:
A A Dear Benjamin,
A A Just a quick note.AA I
Any background info regarding the piece on page 145 of the Saizenay manuscript,
entitled L'enciclopedie Allemande de Du But? I'm wondering which encyclopedia
might be being referred to.
My basic search with Google failed to bring up a French encyclopedia before
D'Alembert. The closest I can
Haegemann b...@symbol4.de wrote:
It could perhaps refer to this book:
http://de.wikipedia.org/wiki/Le_grand_dictionaire_historique
Or may be the piece itself was estimated as highly learned?
B
On 21.05.2014 19:45, Rob MacKillop wrote:
Any background info regarding the piece on page 145
I can highly recommend Stephen's translation of the Divine Comedy, as I've
enjoyed a private copy for a number of years. I'm really pleased to see it
available as an eBook, and will get a copy of that for my iPad.
Stephen, it is great to listen to your performances with pure gut strings. Can
a month and use the
New Nylgut strings for that. I can't imagine what a tuning nightmare playing
on gut would be. That's about all I can say on that topic. Thanks for
listening.
-Original Message- From: Rob MacKillop
Sent: Monday, May 05, 2014 11:21 AM
To: stephen arndt
Cc: baroque
.
Rob, do you know which manuscripts Tree edition did? I do not
recognize them
on the tree editions site.
Regards
David
-Original Message-
From: [2]lute-...@cs.dartmouth.edu
[mailto:[3]lute-...@cs.dartmouth.edu] On Behalf
Of Rob MacKillop
Sent
I think Tree Editions has published them all...
Rob
On 7 May 2012 20:13, [1]theoj89...@aol.com wrote:
The Lobkowicz estate owns several
baroque lutes and several baroque lute manuscripts or books that are
on display
at the Lobkowicz Palace in Prague, Czech Republic.
no control over it, and didn't even know I was
there until someone asked for a free score of pieces he was listening
to me play on Spotify...and got annoyed at me when I said no.
Rob MacKillop
On 16 March 2012 11:31, William Samson [1]willsam...@yahoo.co.uk
wrote:
Hi Martyn,
Go
Didn't Bubut play with Yogi?
Good typo, Ed!
Rob
www.robmackillop.net
On 5 Dec 2011, at 19:35, Edward Martin e...@gamutstrings.com wrote:
Does anyone have any biographical data on the 2 French baroque lute
composers Bubut and Mercure? Please note that there were 2 Mersures
- one was
Check out 'From the fair lavinian shore' from Balcarres - attributed
elsewhere to John Wilson.
Number 51:
http://scottishlute.com/balcarres/
Rob
On 1 December 2011 10:55, R. Mattes r...@mh-freiburg.de wrote:
On Wed, 30 Nov 2011 18:26:57 -0800, Nancy Carlin wrote
One of the things that is
Thanks to the resourceful David Smith, all the mp3 files now carry the
metadata required by iTunes and other players. Should make filing,
playlists, etc easier.
Many thanks to David.
Site link: [1]http://scottishlute.com/balcarres/
Rob MacKillop
--
References
1. http
wanted, a sound archive for both research and
entertainment.
I'm impressed with the variety within these first twenty pieces. Check
out the 'Celia' 'suite'. I can't make much of the last one, number 20.
Sounds like a musical 'cut and paste' experiment.
Rob MacKillop
--
References
�ngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag von Andreas Schlegel
Gesendet: Montag, 24. Oktober 2011 16:13
An: ar...@student.matnat.uio.no
Cc: Rob MacKillop; baroque lute list
Betreff: [BAROQUE-LUTE] Re: Adew Dundee - Scottish Lute Video
with
the lighting for the 2nd and 3rd piece! Not intentional.
[3]http://lutegroup.ning.com/video/scottish-lute-music-from-the-wemyss-
ms (Ning)
or
[4]http://www.youtube.com/watch?v=ldnMANjks_M (YT)
Rob MacKillop, taking a trip down memory lane...
--
References
1. http
Wash your mouth out, Dale!
Have a listen to a banjo played with gut strings:
[1]http://www.youtube.com/watch?v=8w2yPvmmpzU
Rob
On 21 October 2011 20:40, Dale Young [2]dyoung5...@wowway.com wrote:
and we do have those moveable frettes to assist in mediating the
most
Another beautiful Allemande by Robert de Visee. Did he ever write a bad
piece? I don't think so.
[1]http://www.youtube.com/watch?v=cI1hJ_tPQAw
or on the ning site:
[2]http://lutegroup.ning.com/video/la-conversation-by-robert-de-visee?x
g_source=activity
Rob MacKillop
- it is easy to hold, and the lute is
surprisingly light.
You need to talk to a luthier...
Cheers,
Rob MacKillop
www.robmackillop.net
On 20 Oct 2011, at 21:14, Andreas Schroth andreasschr...@gmx.net wrote:
Thank You! It sounds as in my imagination a lute should sound, dark like from
a time far away
Here is the first video I've made with my new Malcolm Prior 13c
[1]http://lutegroup.ning.com/video/tombeau-de-dubut-by-robert-de-visee
Not strictly 13c repertoire, but close enough. And not a faultless
performance, but I think you get the jist of it.
Pinkie on bridge watchers -
You will find it here:
[1]http://jdf.luth.pagesperso-orange.fr/index.htm
Rob
--
References
1. http://jdf.luth.pagesperso-orange.fr/index.htm
To get on or off this list see list information at
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Bill,
The Weiss tablatures indicate the thumb as high as the third course...
Rob
On 7 October 2011 14:31, William Samson [1]willsam...@yahoo.co.uk
wrote:
Having come from renaissance lute with all its thumb/forefinger
action
on the treble strings, I'm finding
...@yahoo.co.uk
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu; Rob MacKillop
robmackil...@gmail.com
Sent: Tuesday, 4 October 2011, 10:25
Subject: [BAROQUE-LUTE] Re: L'Infidele
Dear Rob,
It is a stretch but I do think the low A (ie 13th) is meant: the BL
MS
is very clear
small hands, and she always played with
her little finger on the bridge.
Bill
From: Rob MacKillop robmackil...@gmail.com
To: William Samson willsam...@yahoo.co.uk
Cc: Martyn Hodgson hodgsonmar...@yahoo.co.uk; BAROQUE-LUTE
baroque-lute@cs.dartmouth.edu
Sent: Tuesday, 4 October
, sterling price spiffys84...@yahoo.com wrote:
The bridge spacing I use is 157mm and is based on a large Edlinger.
Whenever I play a lute with a spacing much smaller than this, I find it
very difficult to play.
--Sterling
From: Rob MacKillop robmackil...@gmail.com
To: BAROQUE-LUTE
I love D Major tuning. There is a big section in the Balcarres ms which uses
it, and I think it is the most successful part.
Rob
www.robmackillop.net
On 22 Aug 2011, at 08:17, William Samson willsam...@yahoo.co.uk wrote:
There are pieces by Bouvier in the Panmure 4 (En-9451) MS in D
suggest the
performer is playing a gallichon (large continuo
type)..
Martyn
--- On Mon, 11/7/11, Rob MacKillop [2]robmackil...@gmail.com wrote:
From: Rob MacKillop [3]robmackil...@gmail.com
Subject: [BAROQUE-LUTE] Re: Odp: Re: another portrait of S.L. Weiss
Wasn't that amazing? Made my day. Congratulations to Lucas and the gang. Does
anyone know if other movements were recorded, or if, indeed, there are other
movements?
Rob
www.robmackillop.net
On 2 Jul 2011, at 02:55, Ed Durbrow edurb...@sea.plala.or.jp wrote:
There are some performers in
Very nice playing, Mathias.
Rob
--
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and display.
Agreed! Let's hear it more often.
Rob MacKillop
--
References
1. mailto:dyoung5...@wowway.com
To get on or off this list see list information at
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Hi Chris,
I used to play with a harp player, Bill Taylor, who worked for
[1]www.ardivalharps.com who supplied strings for period and modern
small harps. They just ordered theirs from Aquila...
Rob MacKillop
2008/12/21 [2]chriswi...@yahoo.com
Hello Fonts of Wisdom
So there is no confusion over which note is the 'melody' note and which
is the ornament?
Rob
2008/8/20 Ed Durbrow [EMAIL PROTECTED]
So many players interpret the comma ornament as an appogiatura in a
measured way. If this is correct, why didn't the composer just write
Six short videos of pieces from Wemyss, Straloch and Panmure manuscripts:
http://www.vimeo.com/robmackillop/videos
Cheers,
Rob
--
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I agree, it is a beautiful piece. My wife's favourite.
Rob
2008/5/27 Roman Turovsky [EMAIL PROTECTED]:
The Courante is just lovely.
RT
- Original Message - From: Rob MacKillop
[EMAIL PROTECTED]
To: Baroque-Lute baroque-lute@cs.dartmouth.edu
Sent: Tuesday, May 27, 2008 1:45 PM
to
follow in due course.
Cheers,
Rob MacKillop
--
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Very beautiful.
Rob
On 20/04/2008, Roman Turovsky [EMAIL PROTECTED] wrote:
I decided (against my better judgement) to run the recorder during the
rehearsal on Friday, and this is what came of that:
http://torban.org/audio/bida1.mp3
RT
To get on or off this list see list information at
Luthier Malcolm Prior has updated his website:
http://www.malcolmprior.co.uk/index.htm - he took some time out when his
wife started having children. He is now fully back into lute making and has
a fairly short waiting time, as well as non-commissioned instruments coming
up for sale. Highly
I've been reminded that some of you on this Baroque Lute list are not on the
Lute list, so here is a cross posting (sorry if you have received it twice).
I have a wonderful new theorbo. Sound file and pics:
http://www.rmguitar.info/theorbo.htm
Rob
PS I suppose a theorbo is a baroque lute of
I liked both interpretations. Let's hear more.
Rob
--
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The ones that got away are always better! (Not the most
grammatically-correct sentence I've ever written!).
You seemed to relax into it more before the end. It didn't sound like you
were on rhythmic autopilot, which it often does when one is experimenting
with inegales. Keep up the good work.
Here is Lynda Sayce's essay on the subject of flying with a theorbo:
http://www.theorbo.com/Writings/Flying.htm
Rob
On 06/03/2008, Thomas Tallant [EMAIL PROTECTED] wrote:
Does anyone have any good advice for how to bring a large lute from Europe
to the United States? In this case the
Very nice, Stephen. Working your way to a complete recording of the Barbe?
Why not? Seriously, that is a beautiful piece. Your playing gets better with
each recording. You seem to be relaxing more with each piece, getting used
to the microphone, listening to the music more. Keep up the good work.
Thanks Theo. I already have it, and agree with everything you said. Great
flute playing! Nice to hear ensemble versions of these works. Here it is: *
http://tinyurl.com/22dcmk*
**
Rob
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Strange booklet notes:
''...like everyone else, I use strings which do not sound as they should.
They produce a sound that is admittedly compelling and powerful, but to my
ears too flashy, indeed vulgar, and which hinders the transmission of the
discourse.''
So why do it? - might seem like the
I can certainly sympathise with him. The booklet note ends with him inviting
us to his house in the Philippines...if we are passing.
Rob
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On 28/02/2008, T. Diehl-Peshkur [EMAIL PROTECTED] wrote:
I calculate that for a theorbo, you would be paying out more than $ 1,200
USD just for strings
Wow! I could keep a horse for a year...
Rob
--
To get on or off this list see list information at
In my experience, students tend to use ten times the amount of pressure and
energy than required, so when I see talk of finger strengtheners I get
worried. The great classical guitarist, David Russell, taught me an
invaluable lesson in this regard. Put your left hand index finger on any
note, say
Excellent advice, David. Paul Galbraith told me to feel different surfaces
gently with my fingertips - clothes, tables, guitar (lute) case - before
plucking the string. It awakens the fingers to the subtleties of touch.
Left and right hand shape the tone together
100 per cent right on.
Rob
Mimmo sent me an interesting idea. He agreed that I could forward it to you
guys. I think Martyn holds a similar position?
Rob
Silk bass strings like the 19th c guitars Rob. My point of wiwe of course
This is why I think that the Gallicone was so suitable on bass line and
powerful. My idea is
There's a thought. I'll write to you privately, Martyn.
Rob
On 21/02/2008, Martyn Hodgson [EMAIL PROTECTED] wrote:
Rob,
I'd be happy to lend you my large single strung gallichon in A for a few
months if you could pick it up and arrange insurance etc.
regards,
Martyn
--
To get on or
Stephen,
You mentioned books - do you have the baroque lute tutor by Satoh and the
one by Miguel Serdoura, 'Collection Le Secret Des Muses'? The latter has
lots of exercises and easy pieces. I have the French version which was
published by the French Lute Society, but I believe it has been
Despite what the Barbarous Barber might say, Martyn is a very talented man -
he made his own gallichon, and is also a leading scholar in the world of the
gallichon, and although I've never heard him play, I'm told he is a fine
performer too. Maybe he would make you one, Dale? If not, I'm sure most
Well done Stephen. I think the performance is better than the last
recording, although that wasn't bad at all. Another nice piece and a nice
performance. What more could anyone ask for?
Keep up the good work. I'm off to listen to it again...
Rob
--
To get on or off this list see list
I play at 392 with a string length of 69. My baroque guitar is also at 392
for de Visee. This is a home recording of my 11c:
http://www.rmguitar.info/mp3s/11c/TombeauDeDuBut.mp3
Some like that low pitch, others don't. You will read conflicting reports
about pitch during this period in France,
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring about my arm. I'm happy to report that it feels
100 per cent fine. However, I'm not rushing back into playing for as many
hours as I can cram into the day, and restricting myself to half an hour in
Thanks for the kind comments, Stephen. I thought you were being sarcastic at
first!
I guess I'm just lucky in getting a recording set up which works for me. It
worked on my old Dell PC and on my Sony Vaio. Sorry it doesn't work for
everyone.
I couldn't buy the Nero wave Editor independent of the
wishes
Jaroslaw
-Original Message-
From: Rob MacKillop [mailto:[EMAIL PROTECTED]
Sent: Tuesday, February 12, 2008 11:54 AM
To: Baroque-Lute
Subject: [BAROQUE-LUTE] Tombeau de du But
I'd like to thank all those people who have written to me over the last
couple of weeks enquiring
Good question, Mathias. I don't have a worked-out answer. As I said, I
consider it a 'work in progress' recording. A lot of French baroque lute
music seems to me to be less about a long arching melody than a sequence of
sighing moments set up over an almost formulaic chord sequence. I guess I'm
said,
incredible technique.
Gary Digman
- Original Message -
From: Rob MacKillop
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Goldberg
Date: Fri, 9 Sep 2005 15:46:22 +0100
For those of you who think Bach doesn't work on a lute, maybe this
will be
your thing
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