ight 1x
(6) Partner allemande Left 1x
B1 ---
(6) Corner Do-si-do
(8) Corner swing (now new partner)
B2 ---
(16) Promenade with this new Partner
#4 -----
Went and Did
by Luke Donforth
Circle Mixer/Improper/Beginner
A1 ---
(8) Circle Left
(8) Circle Right
Hi Becky,
Thanks for weighing in! We're glad to have you on the list, and I
personally appreciate the cultural context you've provided.
While some callers may continue to use the term Dixie, I think it benefits
even them to have the insight into the phrases nuances.
I hope you find the
t;A New
> Combination" and "The Nice Combination".
>
> On Fri, Aug 2, 2019 at 2:28 PM Luke Donforth via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> Hello all,
>>
>> I was programming for tonight, and looked at Gene Hubert's classic "The
>
s original tonight in Belfast (and probably the
vast majority of the time, it's a great dance); but I thought an accessible
gents/larks chain would be nice.
I appreciate hearing your thoughts.
--
Luke Donforth
luke.donfo...@gmail.com
___
List Name
Hello all,
Just letting the community know that Ralph Sweet passed away last week:
https://memorials.leetestevens.com/ralph-sweet/3877859/index.php
I hope to keep dancing and calling for as long as he did. An inspiration.
--
Luke Donforth
luke.donfo...@gmail.com
from the NEDM books, written by Peter Amidon)
> > https://www.youtube.com/watch?v=FmiKhGl59xM
> ...
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>
--
Luke Donforth
luke.donfo...@gmail.com
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And the image didn't come through...
Sorry, it's online at
http://www.uvm.edu/~ldonfort/slalom.jpg
On Wed, May 15, 2019 at 1:26 PM Luke Donforth wrote:
> I got some off-list questions about Green Mountain Ski Wedding, and I
> figured I'd answer them for everyone, since the description
I got some off-list questions about Green Mountain Ski Wedding, and I
figured I'd answer them for everyone, since the description isn't
completely clear.
Someone asked about the DSD in A1, but not in B1. You could put a long
lines there. This dance doesn't really stay square to the music. So
ww.youtube.com/watch?v=FmiKhGl59xM
*Dances I've composed for this contingent: *
Charge and Drag
by Luke Donforth
Longways/Other/Beginner
A1 ---
(8) Long lines, forward and back
(8) Partner Do-si-do
A2 ---
(16) Partner balance and swing (or two hand turn), end facing up the
ance, I'd never have guessed where it would
take me. Here's to more fun memories and interesting experiences in this
community and others.
--
Luke Donforth
luke.donfo...@gmail.com
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ling list
> List Address: Callers@lists.sharedweight.net
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> ___
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> A
> Brooklyn
>
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>
--
Luke Donforth
luke.donfo...@gmail.com
_
)
> bal. R and L, slide R, ravens sliding extra to pass each other
> B2: P b
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Alan, I agree that dolphin poussette is an apt description for what's going
on; and concur that it probably wouldn't help all the dancers (and less so
in Contra than in English, I think).
The star bursts as envisioned below definitely have a dolphin hey poussette
feel, with the two couples
lease! Sans the folks moving through the center,
> unfortunately.
>
> Angela
>
>
> On Thu, Mar 7, 2019, 5:15 PM QuiAnn2 via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> If it isn’t already a defined move it should most definitely be called a
>> “s
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unlikely to call it a half-tag.
The triplet that inspired it will unfortunately probably not see much use.
I'll let folks know if I ever successfully (or unsuccessfully) run it.
I'll see if I can work a star burst into another choreography.
Star Burst Triplet
by: Luke Donforth
Proper triplet
le 1 to move to the
bottom.
I put together an animation of it:
https://scratch.mit.edu/projects/292197780/
Is that already a defined move? What would you call it? How would you teach
it?
Thanks for your thoughts!
--
Luke Donforth
luke.donfo...@gmail
I'll second Indigo Silk. Not familiar with the second one.
I wrote one a while ago that does use the ubiquitous 1/2 figure 8. But also
borrows from things like David Kaynor's Open Doors
Simply Left in Wisconsin
by Luke Donforth
Contra/Proper/Int
A1 ---
PROPER
(8) Circle Right 3/4
via Callers <
> callers@lists.sharedweight.net> wrote:
>
> Hi Luke,
>
> I think this is a great accessible dance. Flow is fine, and I actually
> feel that getting too much "rightward" muscle memory is not a good thing.
> Symmetry is better for our bodies in th
more used to dancing the traditional ladies roll wants to
talk about muscle memory and flow, I'd appreciate it. Would the sea saw and
left allemande just be too outside the realm of familiar to be fun?
Assuming this is a new composition that works, I'll call it Sinister Ravens.
Thanks for your
llers box listing.
>
> I've also added a few more snapshots of the paths and neighbors met.
>
> Luke Donforth wrote a very interesting grid contra which he called Pong.
> It has both progression and transgression which changes during the dance.
>
> The paths of couples are diagon
ow they go and what
you think.
Longways I've used a fair bit:
*Charge and Drag*
Luke Donforth
Type: Longways
Formation: Other
Level: Beginner
A1 ---
(8) Long lines, forward and back
(8) Partner Do-si-do
A2 ---
(16) Partner balance and swing (or two hand turn), end facing up the set
an
her of the previous versions on top of
it.
Anyway, if you have thoughts or experiences, I'd like to hear them.
Happy Dancing.
--
Luke Donforth
luke.donfo...@gmail.com
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Archi
e Left 3/4
(8) Partner Do-si-do
B2 ---
(16) Partner balance and swing
slide left to next
Frog Stars
by Luke Donforth
Contra/Becket-CW/Beginner-Easy
A1 ---
(8) Left hand Star
(8) Right hand Star
A2 ---
(8) Partner Do-si-do
(8) Partner swing
B1 ---
(8) Circle Left 3/4
@lists.sharedweight.net> wrote:
> I took Luke’s Double Contra and, since I often work with small groups,
> made it into a Four Couple Dance:
>
>
>
> Luke’s Tunnel (by John Sweeney/Luke Donforth)
>
> Four Couples; Longways; Becket
>
>
>
> Start in Side Line
and I
> started formally working on this back in April of 2015, but I started
> building my database back in November of 2010.
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>
>
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was this dance idea that fed what became another related dance on
>> my site, Wild Mouse: http://veino.com/blog/?p=1879 . Neither of these
>> have I dared to attempt to date.
>>
>> ___
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>> List Address: Callers@lists.sharedweight.net
>&
having their wedding party
in a barn should be framed as a rebound from a longer historic decline. But
if it's getting noticed and push-back from banquet hall trade groups, it
may be coming to a close.
--
Luke Donforth
luke.donfo...@gmail.com
___
List Name
Happy dancing,
>
>John
>
>
>
> John Sweeney, Dancer, England j...@modernjive.com 01233 625 362 & 07802
> 940 574
>
> http://www.modernjive.com for Modern Jive Events
> & DVDs
>
> http://www.contrafusion.co.uk for Dancing in Kent
out inside the tunnel?
Thanks for feedback.
--
Luke Donforth
luke.donfo...@gmail.com
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Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
> List Name: Callers mailing list
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> Archives: https://www.mail-archive.com/callers@lists.sharedweight.net/
>
>
--
Luke Donforth
luke.donfo...@gmail.com
___
Li
s
> http://www.contrafusion.co.uk for Dancing in Kent
>
>
>
> ___
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, 2018 at 10:53 AM, Michael Dyck via Callers <
callers@lists.sharedweight.net> wrote:
> On 2018-07-10 08:18 AM, Luke Donforth via Callers wrote:
>
>> Hello all,
>>
>> I've been thinking about half figure eights, and variations on them. Is
>> anyone familiar (in ECD,
by Luke Donforth
A1
Long lines forward and back
Ladies half figure eight, passing left shoulder in the middle to take
neighbor gents' place
Meanwhile, gents cast over left shoulder to take partner's place
A2
Neighbor Right Shoulder Gyre and Swing
B1
Circle Left 3/4
Partner Swing
B2
Promenade across set
arion's Delight by Carol Kopp
A turn for the better by Bill Pope
Friday Night Fever by Tony Parks
Rocket City Romp by Cis Hinkle
iFlirt by Luke Donforth
2nd Course by Luke Donforth
A Sure Thing by Chris Page (has Circle Right)
Treasure of the Sierra Madre by James Hutson (no N swing)
Amherst and
Gents face out, Ladies in
> B1 NEXT Ns Full Hey (Ladies pass LEFT in center)
> B2 Ladies Cross, Partner Swing
>
> Dan's original is "modified DI" starting with the hey and has a Circle
> Left in place of the Long Lines. Page 94 of Give and Take.
>
> -Don
>
&
to consider them
separate.
On Mon, Jun 25, 2018 at 4:31 PM, Michael Dyck via Callers <
callers@lists.sharedweight.net> wrote:
> On 2018-06-25 04:03 PM, Luke Donforth via Callers wrote:
>
>> Hi folks,
>>
>> I ran this at a monthly dance, and it was well recei
to start a hey by the
left shoulder in the middle with new neighbors. It flows well, but is
unexpected.
*Hubert Humphrey Deserves More Than Just a Song By Tom Lehrer*
by Luke Donforth
Improper, duple minor contra
A1
Ladies start full hey by the left
A2
Neighbor gyre and swing
B1
Circle Left 3/4
Callers mailing list
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>
>
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
___
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ighbor, right shoulder gyre and swing
A2
Circle Left 3/4
Partner Swing
B1
Ladies chain across to neighbor
Long Lines forward and back
B2
With #1 Neighbors, Left Hand star 1/2x
With #2 Neighbors, Right Hand star 1/2
With #3 Neighbor, left shoulder gyre 1x
come back to Neighbor #2,
escriptions of many of the older dances aren't
> available on-line.
> And I don't happen to have access to them.
>
> "Heritage Reel" by Tony Parkes is a permutation of your dance,
> but it starts off with Neighbor Balance and Swing,
> doesn't have a Left hand star or
Not having heard from anyone as already having it in their box, I'll add it
to my box as "Calliope's Promenade".
Hope it's useful for others out there as well.
Thanks all,
On Wed, Apr 18, 2018 at 7:35 AM, Luke Donforth <luke.do...@gmail.com> wrote:
> Hi folks,
>
> This
Left hand star 1x
Thanks
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
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e two couples move away from each other. Bringing that
close enough together so that the ladies can catch rights seems to me akin
to swinging in the middle of the set.
It's worth a house-party test; but I'd make sure to do it with at least 12
dancers to get a feel for spacing (which can be hard t
to a crowd you could through half a grand hey at anyway...
Thanks again for all the feedback and questions! :-)
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
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Last night I ran a version of Tamlin's Cross at the local monthly dance.
Many dancers found it challenging, but folks seemed to enjoy it.
The version I ran:
Tamlin's Cross (variation)
4x4
A1
(4) All 8 go into the middle
(4) Ladies roll partners away on the way out
(8) Corner Swing, square set
r innovations and I look forward to seeing more!
>
> Dugan Murphy
> Portland, Maine
> dugan at duganmurphy.com
> www.DuganMurphy.com
> www.PortlandIntownContraDance.com
>
>
>> Date: Wed, 4 Apr 2018 12:16:42 -0400
>> From: Luke Donforth <luke.do...@gmail.com>
>> S
would add to the dance here.
Thanks again for sharing your experience :-)
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
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people of the same role come into the middle, what
would normally be a left shoulder pass is (in my mind's eye) half of a left
hand star
I look forward to hearing your thoughts.
Thanks
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.
honor of all our friends and loved ones who have gone before us.
> It is moments like this that are so precious – and Linda was certainly one
> of them!
>
> In sorrow and gratitude for having the honor of knowing Linda,
>
> Chris Ricciotti
>
>
>
>
> _
sharedweight.net> wrote:
> "Entangled in Monte Carlo" by Luke Donforth
>
> http://www.madrobincallers.org/2014/11/12/contra-with-a-swing-dance-move/
>
> On February 7, 2018 at 8:58 AM Ron Blechner via Callers <
> callers@lists.sharedweight.net> wrote:
>
> Hey caller
ssion Kalia! It seems like one that could
have gone on the organizers shared-weight instead of callers; but this one
does seem to be most people's default.
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
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>
>
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
___
Oh! I hadn't seen that. That's neat. Thanks for sharing Michael.
And Mary, don't feel bad. Lots of folks have told me my dances are a pain
to find.
On Sun, Nov 5, 2017 at 9:14 AM, Michael Dyck via Callers <
callers@lists.sharedweight.net> wrote:
> On 2017-11-04 11:26 PM, Luke Don
I've obfuscated finding my
compositions, and I regret not making them more available.
Thoughts, opinions, experience, and advice appreciated.
Thanks!
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
___
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in the music. I
was trying to put a balance at the top of the B1 & B2, and ending with a
partner swing. Yes, the Beatles reference is deliberate.
The dance that I call Vallimont's Silver Hammer is
*Vallimont's Silver Hammer*
*by Luke Donforth*
Becket
A1
Circle Left
Neighbor Swing
A2
Promenade ac
trying to find things that make it feel like a dance for
her.
I'm sure I'll end up using this material in other situations (recently got
a call from a family center about a dance, etc).
Thanks again.
On Sun, Oct 29, 2017 at 12:53 AM, Luke Donforth <luke.do...@gmail.com>
wrote:
> Hi Folks,
I wrote out a glossary dance; not a first in the evening, but maybe second.
Anyone know of a prior version?
Spend Some Time Together
by Luke Donforth
Contra/Improper/Easy
A1 ---
(8) Long lines, forward and back
(8) Neighbor swing
A2 ---
(8) Men allemande Left 1-1/2
(8) Partner Do
orks.
On Tue, Sep 5, 2017 at 2:00 PM, Luke Donforth <luke.do...@gmail.com> wrote:
> Hello all,
>
> I had a three hour drive to a gig the other day, and ruminated (again) on
> grid contras. I think I've come up with a potentially dancable one. This is
> advanced-dance stuff,
.e. couples) feed into each other. But I don't know
that thinking of it that way would make sense to anyone besides a
physicist.
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
___
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tle,
and that these dances already exist under other names:
If you can walk, then you can dance
by Luke Donforth
Contra/Improper/Easy
A1 ---
(8) Neighbor Do-si-do
(8) Neighbor swing
A2 ---
(8) Promenade across the Set (with neighbor)
(8) Circle Right 3/4
B1 ---
(16) Partner balance and swing
, Apr 4, 2017 at 11:44 PM, Jack Mitchell <jmitchell...@gmail.com>
wrote:
> Indeed, the dance with the box the gnat in place of the mini-dip is
> written - Becky's Brouhaha by Rhiannon Giddens.
> On Mon, Apr 3, 2017 at 3:34 PM Luke Donforth via Callers <
> callers@lists.sh
he mini-dip provides, especially if the band matches
it well to a tune (as Chimney Swift did).
Enjoy if you're so inclined.
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
?
Possibly I'm projecting based on my own desire to build community through
dance, but a couple years ago I was knocking on doors trying to make these
happen, and now they're knocking on our door.
Hope you're all having a similar experience!
--
Luke Donforth
luke.donfo...@gmail.com <luke
I've already had two inquires, so I should specify, the $8000 was income
paid not counting airplane tickets. It didn't remove mileage reimbursement,
CDSS membership and insurance, etc.
Net comes to about $5000.
On Mon, Jan 16, 2017 at 11:25 PM, Luke Donforth <luke.do...@gmail.com>
impacts. I can break things
out in private conversations if anyone wants to get into the weeds. (I
admit, I like the occasional foray into data analysis).
Happy new year to you all! I hope you're calling as much as you want, and
that your taxes are easy!
--
Luke Donforth
luke.donfo...@gmail.com
--
(16) Partner balance and swing
On Sat, Jan 7, 2017 at 10:01 PM, Luke Donforth <luke.do...@gmail.com> wrote:
> Hello all.
>
> It's been a while since I've had enough folks at a house party to really
> walk through a 4x4 dance, so I'm sending this out for comment: I'm tr
wrong
> way (out) if they power turn (interpreted as a courtesy turn 1+1/4).
>
> -Don
>
> On Sat, Jan 7, 2017 at 10:01 PM, Luke Donforth via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> B1 ---
>> (8) Women's Chain up and down to pa
is in the "Midwestern Folklore" and "Will You Mary Me?" tradition
of being two nearly identical halves.
Plow and Cross Stitch
by Luke Donforth
Contra/Four Facing Four
A1 ---
(8) Lines of four, forward and back
(8) Women's Chain up & down to facing neighbor
A2 ---
(8)
some more digging, and found it.
Hope folks have fun with it.
On Thu, Dec 29, 2016 at 1:19 AM, Claire Takemori via Callers <
callers@lists.sharedweight.net> wrote:
> I have received this from 2 sources attributing it to Luke Donforth, but
> Luke emailed me saying that he didn’t
alling at NEFFA, which doesn't cover travel costs)
I'm happy to talk about it one-on-one if you have more specific questions.
I'm also happy to publicly endorse applying if you're interested.
And like Rob, I'll also admit to being biased.
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
at year's end when
things get hectic. But whatever you're celebrating this weekend and holiday
season, my thanks go to you.
Take care,
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
the go left/ go right
> motion in the dance.
> Meg
>
> On Mon, Nov 14, 2016 at 9:24 AM Luke Donforth via Callers <
> callers@lists.sharedweight.net> wrote:
>
>> There's a dance, I think by a choreographer in Chicago, called "Swing
>> States". I was in a hall w
callers-sharedweight.net
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>>
>
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>
>
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tting out, in considering a partner.
>
> In dance,
> Ron Blechner
>
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>
>
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luke.donfo...@gmail.com <luke.do...@gmail.com>
are welcome. Thanks for your interest and your
> feedback.
>
>
>
> Tony Parkes
>
> Billerica, Mass.
>
> www.hands4.com
>
>
>
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>
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Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
e all my previous data
> or will it recognize me and just take the new/changed stuff?
>
> Michael Barraclough
> www.michaelbarraclough.com
>
> --
>
> On Sat, 2016-10-22 at 20:01 -0400, Luke Donforth via Callers wrote:
>
> Thanks to everyone who's already signed up. Look
to that effect).
On Sat, Oct 22, 2016 at 4:07 PM, Luke Donforth <luke.do...@gmail.com> wrote:
> Hello all,
>
> When I get an inquiry about calling for a gig that I can't do, I often
> refer them to the same handful of local callers that I know. But it's not
> always the most usefu
is (and eventually test the front
end).
Thanks!
--
Luke Donforth
calling.l...@gmail.com
nce between those two is a significant
>> matter in the question of how folklore is created and who owns it.
>> Personally, I feel our cultural tendency to accord authorial rights has
>> misled us.
>>
>> So please...if you came up with a dance put your name on it
t; habits.
>
> Michael Barraclough
> www.michaelbarraclough.com
>
>
> --
>
> On Mon, 2016-10-17 at 22:45 -0400, Luke Donforth via Callers wrote:
>
> Hello all,
>
> I was thinking about what I do at the "welcome to our contra dance"
> introduction, and w
Hello all,
I was thinking about what I do at the "welcome to our contra dance"
introduction, and what dance would easily move in to that. Noodling around
with moves, I thought of a sequence with glossary moves, but I didn't have
it in my box. Anyone recognize it?
Improper
A1 ---
(8)
ed perpendicularly to it, which takes up less space up and down
> the hall. Not sure you could teach that. It requires precision.
>
> Rich
>
> On Sep 20, 2016 1:49 PM, "Luke Donforth via Callers" <
> callers@lists.sharedweight.net> wrote:
>
>> Hello all,
&g
Hello all,
I know the list has had big debates about shadow swings in the past. If you
don't like 'em, you can pitch this. This dance was written for someone who
wanted a shadow swing, and is something I might call at a shadow-themed
festival session. As shadow swings go, I like the idea of
j...@modernjive.com 01233 625 362 & 07802
> 940 574
> http://www.modernjive.com for Modern Jive Events & DVDs
> http://www.contrafusion.co.uk for Dancing in Kent
>
>
> ___
> Callers mailing list
> Callers@lists.sharedweight.net
o gent's chains; just start a new
thread ;-)
Take care,
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
ell via Callers <callers@lists.sharedweight.net>
> *Sent:* Sunday, August 21, 2016 10:27 PM
> *To:* Linda Leslie; Luke Donforth
> *Cc:* Callers@Lists.Sharedweight.net
> *Subject:* Re: [Callers] Surely this already exists?
>
> Though I know that there are lots of traditional dance
Excuse me, that B1 is Partner Swing, not Partner Neighbor.
(Thank you David Harding for catching my copy/paste error)
A1 ---
(8) Neighbor Do-si-do
(8) Neighbor swing, end facing down the hall
A2 ---
(8) Down the hall, four in line (turn as couples)
(8) Return and Bend the line
B1
Hello all,
I was trying to find an easy and accessible dance, a real glossary basic
contra.
I feel like this must already exist, but I'm not finding it in my notes.
Someone got a prior?
Type: Contra
Formation: Duple-Improper
A1 ---
(8) Neighbor Do-si-do
(8) Neighbor swing, end facing
lady), as a middle or inside or
> outside. I know when I'm a head or a side. I know where to find my corner
> wherever I am at the moment. But I don't recall dancing a four-facing-four
> where the right couples did something different from the left couples.
>
> My two cents in th
233 625 362
> http://www.contrafusion.co.uk for Dancing in Kent
>
>
>
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--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
y Birgit Rasmussen
>
>
> There's a grid square by Bob Isaacs called "Grand Square Grid".
>
> There's some contras that try and give the feel of Grand Square:
> Bases Loaded
> Fatal Attraction (Ravitz)
> Mini Grand Swing (Hemphill)
> Petite Square Contra (Tom Senior)
> Square Off Reel (Gaudreau)
> To Mette T (Rasumussen)
>
> -Chris Page
> San Diego
>
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
with a simple square to have a little more variety than just
grand square and two swings...
Thanks.
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
. This seems different, but set off my internal phishing sensors.
Thanks
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
yhawk Hornpipe that I called.
>
> Martha's dance (in which actually the 2s act as a unit in the hey for 3)
> is on her website:
> https://sites.google.com/site/marthawildscallsofthewild/
>
> Yoyo Zhou
>
>
--
Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
; would happen on a gent's chain)
> c. ??!?!?
>
> Cheers,
> Maia
>
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>
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Luke Donforth
luke.donfo...@gmail.com <luke.do...@gmail.com>
Looks like I'm late to the party. Glad to hear other folks are having fun
with it :-)
I didn't know it came via Scottish, but that makes sense. It's called
tandem or alternating tandem reels there?
It's not clear to me how it ended up being called a dolphin hey instead of
a falcon hey; but I'm
:
Which, given how much time I've spent navel gazing about the move, I admit
to thinking is hilarious.
My favorite
(so far) of the 5 I've written is below. I'm curious if anyone else has
already ported this move from ECD into contra.
Enjoy:
Kinematic Dolphin Vorticity
Luke Donforth
Type
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