--empyre- soft-skinned space-- Patty—you inspire a presto search for that sonata
Writing about this grief and torment is far from easy - thank you for three
powerful movements and moments
A grateful reader,
C
On Wed, Apr 29, 2020 at 8:17 AM Patricia Zimmermann
--empyre- soft-skinned space-->
> dear Johannes and all,
>
> Thanks so much for your queries about my Shapeshifters drawings. I
> apologize, I've been away designing a book for days on end and nearly
> disappeared into the computer.
>
> The works Johannes is
--empyre- soft-skinned space--"Do we have a tale here? "
"My story has been told so many times."
"What is your story?"
"Ours, insofar as it is absent."
"I do not understand."
"Speaking tortures me."
"Where are you?"
"In what I say."
"What is your truth?"
"What lacerates
--empyre- soft-skinned space--Dear Audrey and Francisco of FRAUD-
How great to have the chance to bring this intervention on lichen, the
incalculable /-financialization abstractions, and forest culture into the
heart of London at Somerset House. Please could you
--empyre- soft-skinned space--Reading about Mai-ling’s architectural design work in the Liverpool
Biennial suddenly reminds me of some superb and whimsical mycelium
furniture by DEZEEN - by chance encountered at the London Design Week show
at Somerset House last
--empyre- soft-skinned space--Hi —
Marilouiae and Arthur were amazing out of the blue editors and publishers
of my artist writings on CTheory and in two subsequent edited books of new
media artists’ — theorists’ collected essays - I’m sure you all treasure
them too.
--empyre- soft-skinned space--Thanks, Renate, for the comments around the aesthetics of early days
-empyre- and the quote in which I compare -empyre- to an Ant Farm
inflatable!
When I started moderating in 2002, I sometimes posted as Christina McPhee
and sometimes
ing
>> them back into the environment as a final intervention. The simplified
>> prompt I gave to these 1st year art students prompted engaging discussions
>> about health and safety, politics, the environment, language, truth, and
>> more not to mention to
eo.com/41060029 “
http://lists.artdesign.unsw.edu.au/pipermail/empyre/2016-July/009209.html
----
Christina McPhee
naxsm...@mac.com
http://christinamcphee.net
___
empy
--empyre- soft-skinned space-- Johanna, Thank you for this provocative suggestion, so strong I just want to
highlight it for emphasis, as this is something we can do.
You write, "I would suggest that we explore our engagement with the camera
obscura as a way to
light work as a medium for ‘nomadic collective identities”—
in the context of the Camera Obscura…. or is it too soon to tell ?
my best
Christina
Christina McPhee
naxsm...@mac.com
http://christinamcphee.net
> On Jul 27, 2016, at 5:49 AM, Cortez, Beatriz <beatriz.cor...
that representationalism
supports--that a world can be known in some stable way.” — Drucker’s challenge
causes me to ask what element in this semiosis is ‘stable’. I think, perhaps
that she is onto something when she asks, in another post about enunciation and
voicing.
Christina
Ch
--empyre- soft-skinned space--Fiamma, thanks! In your work in Tijuana, you undertook to visualize some
structural power differentials -- right? -- in the aftermath of artist-cultural
interventions and programming by the project group InSite? In the mid-oughts ?
Did
--empyre- soft-skinned space--
Re: wanting to be thinking on these topologies, freedom *and* survival,
repression *and* production,
I did, again last summer, during the first wave of the Syrian refugees, and
came upon a figure like this:
“Asylum”
fronteriza para inmigrantes: http://ctheory.net/articles.aspx?id=744
> <http://ctheory.net/articles.aspx?id=744> ).
>
> Abrazos, Ricardo
>
> On 2/11/16 4:50 PM, Christina McPhee wrote:
>> --empyre- soft-skinned space--
>> Speaking of mov
--empyre- soft-skinned space--
Speaking of movement violence and femicide strongly brings to mind the artist
and writer Etel Adnan’s sublime novel (1973), “Sitt Marie Rose.” Set during the
Lebanese Civil War and based on a true story, Sitt Marie Rose follows the
--empyre- soft-skinned space-- The Cherokee people were forced to walk from their home in the southern
Appalachians to the plains of Oklahoma (pre-state “Indian Territory”) in the
1830s. Here is the question of language: what is it to speak of and to recover
language
--empyre- soft-skinned space--
Thank you, Renate. I think this is the first time I’ve ever been a ‘guest’
(after a lot of time as a moderator).
Maybe in the spirit of the ‘ignorant schoolmaster’ thought i am far from being
anyone’s teacher, I’d like to help us think
ion/>
Carbon Song Cycle, as a live performance work, with multichannel expanded video
by Christina McPhee and Pamela Z, premiered at Berkeley Art Museum / Pacific
Film Archive in California and Roulette in New York in
2013...http://www.christinamcphee.net/carbon-song-cycle-bampfa/
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