colonisation is dirty, malevolent
and violent. And as Ana has indicated it is misogynist. It is misogynist
before it is misanthropic.
Best,
Simon
PS: On 26/11/14 20:02, Alan Sondheim wrote:
thank you for this - is are there any particular references? would be
useful - alan
Heisig, James W
this -
rehearsing - because I said we need to bring together in the group all
those things that makes us feel good - facing a singularity - that of
potential human extinction - with the particularities of our individual
powers - in performance.)
Best,
Simon
--empyre- soft-skinned space--
good wood oud.
thanks,
Simon
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with zombies, undead; our images of art can seem
so lifeless... and vampiric.
Best,
Simon
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/with/ a politics we would, if we gave
ourselves the choice, disavow?)
Best,
Simon
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the corner? - a
naive question, I know.
Thank you,
Simon
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frown,//
//The wrinkles of its mouth.//
//
//
//...
/Best,
Simon
/
//
//
/
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and
inconsequentiality around the world.
best,
Simon Taylor
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of expression, expressing an intention,
whether natural or anti-, it can acquire qualities of ritual or
convention, conferring status or recognition, communicating,
representing, and becoming performance or art.
Best,
Simon
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/60739363
http://vimeo.com/37774195
...
Simon
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is the impossible act of the subject, impossible to
perform. Is this why it is lacking?
best,
Simon
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of the explosion.
Simon
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our
bodies to be signs of their truth, in the properly religious ritual?
Best,
Simon
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--
dear all
it may well be that out time/images on virtual embodiment is up, thus I wish to
thank the moderators for inviting me to participate, and to all the others who
posted here, a thank you for a very inspiring month of conversations..
And Simon Taylor's last post may still hover.
Jacky
don't fear this beyond, it is the subject of our current
workshops. (The thinking being, beyond the sum of time-images we make
following our methodology, there is a ... something, maybe it's Goya,
maybe Bacon! ... Again, your input by other channels, gestures, would be
welcomed.)
Best,
Simon
are evident here in the
Adelaide Hills, with nesting birds, early flowerings and new lambs.
empyre will take a break during August and will return in September.
Sue and Simon
SUE HAWKSLEY
independent dance artist
s...@articulateanimal.org.uk
http://www.articulateanimal.org.uk
Simon Biggs
si
for a later empyre discussion?
best
Simon
On 29 Jul 2014, at 08:52, simon s...@clear.net.nz wrote:
--empyre- soft-skinned space--
I left out a word - extended:
...is there an ideology of extended or distributed mind, agency or
identity? that questions embodied
of a
crisis which is brought to us in art.
Best,
Simon Taylor
www.squarewhiteworld.com
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--empyre- soft-skinned space--
Virtual Embodiment
Welcome to the fourth and final week of the July 2014 discussion on –empyre–
soft-skinned space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes
--empyre- soft-skinned space--What's are 'things' when everything is affected by interaction with everything
else? Quantum Physics renders meaning, and things (and therefore relations),
fugitive.
best
Simon
On 21 Jul 2014, at 08:01, John Hopkins jhopk
--empyre- soft-skinned space--
Welcome to the third week of the July discussion on –empyre– soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes Birringer (UK), Samantha Gorman (USA
developed the Socio-Technical
Studies field tend not to indulge such dualism.
best
Simon
On 10 Jul 2014, at 01:10, John Hopkins jhopk...@neoscenes.net wrote:
--empyre- soft-skinned space--
A few morning musings -- before picking up a hammer.
Finally, last week
after the presence/present and virtual moments (and
Simon must then not understand your work at all, does he?)?
respectfully
Johannes Birringer
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi
to Alan ;)
best
Simon
On 6 Jul 2014, at 10:32, Alan Sondheim sondh...@panix.com wrote:
--empyre- soft-skinned space--
You might be interested in Merlin Donald who argues much the same thing; even
here, however, I'd ask where is the Borg? In ISIS/ISIL? In the US
--empyre- soft-skinned space--
Welcome to the second week of the July discussion on –empyre– soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes Birringer (UK), Samantha Gorman (USA
Hopkins. We hope they all remain engaged in the discussion as it
evolves throughout the month.
The announcement for next week will be issued shortly.
Simon Biggs
si...@littlepig.org.uk | @_simonbiggs_
http://www.littlepig.org.uk | http://amazon.com/author/simonbiggs
simon.bi...@unisa.edu.au
to consider as coherent - but
this is just an illusion cloaking our atomised (schizoid) condition that is
amplified as we evolve/extend ourselves.
2010, http://www.littlepig.org.uk/texts/BecomingBorg.pdf
2011, http://www.littlepig.org.uk/texts/TwitterChip.pdf
best
Simon
On 6 Jul 2014, at 00:18
, systems, technologies, other people, the
planet, etc. These are specific to the individual, and of course culturally
conditioned (culture is part of the dispositif), but many elements are shared.
If your system is a shambles then it's no surprise that everybody else's is too
:)
best
Simon
, often taboo, and that it is in this sense it offers another
less travelled route for engaging our technical systems. I guess I'm just
attracted to the less well-worn path and have a suspicion interesting insights
might thus be found.
So, I disagree with Gaver.
best
Simon
On 2 Jul 2014
--empyre- soft-skinned spaceempyre- soft-skinned space--
Welcome to the first week of the July discussion on –empyre- soft-skinned
space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan
--empyre- soft-skinned spaceempyre- soft-skinned space--
Welcome to the July discussion on –empyre- soft-skinned space:
Moderated by Sue Hawksley (UK/AUS) and Simon Biggs (AUS/UK) with invited
discussants Susan Kozel (SE), Johannes
- as that
theoretical cul-de-sac that ought at least be avoided - 'strategic
withdrawal' were better called 'statistical withdrawal' - a term less
pregnant with cognitive content.
Best,
Simon Taylor
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--empyre- soft-skinned space--Vacuum cleaners were also developed from military origins. However, blu-tack
wasn't. It was invented by a guy in Yorkshire.
best
Simon
On 6 May 2014, at 17:02, Richard Wright futurenatu...@blueyonder.co.uk wrote:
--empyre
for a little while - but it wasn't.
best
Simon
On 6 May 2014, at 05:45, Renate Ferro r...@cornell.edu wrote:
--empyre- soft-skinned space--
In flux: New Media and Mediation in 2014
Recently while surfing the net I ran across Geert Lovink’s intriguing
article
(with almost
no ethical oversight I might add) but it is not experimental game design.
Maybe we can also take on the art function question that Sebastian is
using as leverage for gamification but I'll save that for later
cheers,
Bart
--
=
Bart Simon
this?
cheers,
Bart
--
=
Bart Simon, Associate Professor of Sociology
Director, Technoculture, Art and Games (TAG)
Concordia University, Montreal
bart.simon [at] concordia.ca
http://www.tag.hexagram.ca
to explore this distinction.
That's enough to get started I hope. I am looking forward to the month
ahead and to pushing some new ideas back and forth. Thanks to Sandra
and to the empyre community for inviting me.
cheers,
Bart
--
=
Bart Simon
:
--empyre- soft-skinned space--
Week 1 (March 3-9): Bart Simon, mrghosty, Felan Parker.
I would like to introduce the first three guests of this discussion,
Bart Simon, mrghosty and Felan Parker.
Questions of the week: Experimental games - tensions
1
with whom will be like, he says, walking into the
bank with an uzi. And so on. And Pomo-organ and Dali-organ do not
connect except in the most rational sense of cause and effect.
Best,
Simon Taylor
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their fingers on
them. I suspect co-dependent art works for their systematising - and
deferring the totality - of my projection into or onto them: at best,
merely neurotic, but then paranoia... By all means burn my avatar on
empyre, collapse my reality, but don't ask my complicity.
best,
Simon
will return in
September with a new theme, shortly to be announced. As always, thanks to all
list members for your attention.
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University
(and determination) of
natural processes that gives us without too great a metaphorical leap
social and cultural, economic and technological ecologies (engaging a
thoroughgoing and thoroughly entangling ecological determinism).
Best,
Simon Taylor
www.squarewhiteworld.com
--empyre- soft-skinned space--I wonder what Gary Warner, one of our earlier guests this month, might have to
say about rewilding?
best
Simon
On 26 Jul 2013, at 22:48, simon s...@clear.net.nz wrote:
--empyre- soft-skinned space--
two
future ISEAs need to be more focused, addressing specific questions, if a sense
of urgency is to emerge from ISEA's activities. I suspect that even debating
what such a focus might be would generate significant heat.
best
Simon
On 25 Jul 2013, at 20:23, Sue Hawksley s...@articulateanimal.org.uk
--empyre- soft-skinned space--I only intended to state that interactivity was part of the mix, not the
complete paradigm.
I quite like the term inter-agency and Hayles's term technogenesis is workable.
best
Simon
On 26 Jul 2013, at 12:05, carol-ann braun carol
of agency?
- the challenges and opportunities associated with big data?
- urbanism, activism and the socially disruptive potential of technology?
Looking forward to another week's discussion...
moderator:
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com
of agency changed in mediated public and private spaces?
How have notions of embodiment changed, expanded or transformed, in mediated
public and private spaces?
I'd also like to ask, subsequently, what are the affects upon self and
collective in this context?
best
Simon
On 16 Jul 2013
? Is facebook itself a large scale virtual non-place?
That idea seems pregnant with redundancy and subsequent loss.
best
Simon
On 16 Jul 2013, at 13:09, Deborah Ely debo...@bundanon.com.au wrote:
Coming away from ISEA 2013 I’m left wondering about the term genius loci – a
concept we engage
is a delightful read - always so
much to think about...
johannes - thanks for throwing
simon - thanks for asking
gw
………..
gary warner
0416 221 505
soundcloud
flickr
vimeo
blurb books
cdp media
32/94 oxford st
darlinghurst
nsw 2010
australia
, Christine Spiesel
and Simon Taylor, responded energetically, with much of the focus being upon
how knowledge and cognition might variously be constituted. Thanks to everyone
for writing and reading.
Before introducing the second week's three discussants (Paul Sermon, Charlotte
Gould and Gary Warner
--empyre- soft-skinned space--
Michael Sacasas's - apologies - Borg Complex
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,
closing a circuit of personal fantasy and fictionalising the results -
rather, their lack - through reflexivity: that's my story. A fantasy of
traversal without encounter.
Is there a link between the Borg Complex, brilliantly exposed by Michael
Saracas (via Simon Biggs), and Big Data
--empyre- soft-skinned space--
so much of this seems bad abstraction, yet I'm drawn in by Johannes's
image to say, the stories we tell make up the body - but I don't like
stories so perhaps I should say, the plots we make thicken as the body -
since we don't yet
then I'd be
especially interested in your thoughts.
best
Simon
On 2 Jul 2013, at 08:36, Terry Flaxton terry.flax...@uwe.ac.uk wrote:
--empyre- soft-skinned space--
I'm not sure how the list works but I offer what follows as a provocation for
discussion:
I
to dismiss present concerns
“… the novel as we know it today is only a 200-year-old construct. And now
we’re getting new forms of entertainment, new forms of popular culture.”
best
Simon
On 3 Jul 2013, at 02:29, David Golumbia dgolum...@gmail.com wrote:
--empyre- soft-skinned space
and galleries around the world. His latest
research involves Higher Dynamic Range Capture and Display and he has just
finished the worlds first HDR, HFR moving image work.
Simon Biggs (GB/AU) is a media artist, writer and curator with interests in
digital poetics, affective, interactive
a solitary political recourse.
I am looking for support from the institution to do this work while
there is still an institution able.
a little more linked here: http://about.me/squarewhteworld
and about company here: https://gust.com/c/littleelephantltd
best,
Simon Taylor
--empyre- soft-skinned space--Hi all
Welcome to the June on -empyre-soft-skinned space: empyre moderators Renate
Ferro (US), Timothy Murray (US), Simon Biggs (UK), and Patrick Lichty (US)
According to my records (probably inaccurate) I subscribed to empyre
have gone at too great a length. Apologies.
Best,
Simon Taylor
www.squarewhiteworld.com
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.
Best,
Simon Taylor
www.squarewhiteworld.com
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as consequence that come to serve to mitigate,
tranq, anaesthetise and capture the wild, the impossible overreaching -
and its violence - I consider as essential to truly creative collaboration.
Best,
Simon Taylor
www.squarewhiteworld.com
On 26/05/13 04:39, Timothy Conway Murray wrote
.
Best,
Simon
www.squarewhiteworld.com
On 23/05/13 01:48, Ana Valdés wrote:
--empyre- soft-skinned space--
Hi -empyreans, I am a bit worried for the silence of our subscribers. Is the
wrong topic or the wrong time to have this conversation? Since it was my idea
to have
of the network as being in immanence and
theory as touching rather than showing or spectacularising.
Best,
Simon Taylor
www.squarewhiteworld.com
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this uncertainty, insufficiency and haphazardness are the
way certainty proceeds. So what enables you to travel to a new world is
an absolute minimum luggage limit from the old.
Best,
Simon Taylor
www.squarewhiteworld.com
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of participation.
best
Simon
Simon Biggs
si...@littlepig.org.uk
http://www.littlepig.org.uk @SimonBiggsUK http://amazon.com/author/simonbiggs
s.bi...@ed.ac.uk Edinburgh College of Art, University of Edinburgh
http://www.ed.ac.uk/schools-departments/edinburgh-college-art/school-of-art/staff/staff?person_id
of entry. The door the PhD
leads to is also closely guarded by guardians who seem rather nervous about
what might happen if they let these new arrivals in. Every group has its
gatekeepers (often self-appointed).
Don't we all love human behaviour?
best
Simon
On 28 Jan 2013, at 08:52, Phi Shu
Yes - but...
...whilst the origins of IAE might be in some of the pseudo-intellectual back
channels of second rate academia its sustenance is driven by commerce, in the
form of the art market. Not quite the same thing as Korsyn is identifying.
best
Simon
On 28 Jan 2013, at 11:05, Phi Shu
research and creative practice remains open, active and disputed. Given that as
artists and researchers we wouldn't want it any other way we can assume we
agree this is generally a good thing.
Many thanks to all for this month's enlightening and engaging discussion.
best
Simon
Simon Biggs
si
You're right of course. There's a task at hand...
best
Simon
On 25 Jan 2013, at 16:59, Phi Shu wrote:
I'd like to think there's an opportunity here...
That's up to the people who are positioned high enough up the academic ladder
to push for change, but will that really happen? It's
- but we did have some
unhappy lecturers for a while who avoided my students. The student passed with
distinction and is now a reasonably high profile Dutch video and performance
artist.
best
Simon
On 25 Jan 2013, at 16:30, Johannes Birringer wrote:
well my proposal is simple: what
to be. Good artists are very good at being their
harshest critics, able to cut out from their work elements for which they might
have strong feelings (through labour or personal preference) when they realise
they compromise the work. The same is true for good PhDs.
best
Simon
On 24 Jan 2013, at 01
http://www.littlepig.org.uk/texts/practiceresearch.pdf
On 24 Jan 2013, at 04:48, Mike Leggett wrote:
Kirk and Cecile both ask about sources for clarifying this area. Simon hasn't
mentioned I don't think the research he undertook a few years ago into the
topic. Simon is there anything
Good point Vicky. For those on the list who receive their posts in Digest form
it can be difficult to discern current posts from historical posts when
scrolling through a day's emails. Please do edit your replies to the list
before posting to ensure there's no long tail.
best
Simon
On 22
just see all these
question marks...
best
Simon
On 22 Jan 2013, at 02:00, Mike Leggett wrote:
Dear empyrecists - I too have been attempting to follow the discussion. (It
is not made easy when great screeds of previous posts are included for no
apparent reason - etiquette required please
submission. I am also aware of similar
forms of PhD in the area of creative writing.
best
Simon
On 20 Jan 2013, at 15:27, Cecile Chevalier wrote:
So now I feel even more confused, as no one has ever yet, here, mentioned an
artwork produced in the university and submitted for review (evaluation
’. The project's main objective was
to understand the value of artists employing noise (disturbances) in the
formulation of interfaces (i.e. films, videos, photographs, sculptures, etc.)
and its implications for the observer’s interpretation.
Simon Biggs
si...@littlepig.org.uk http
, astronomy, pure
maths, anthropology, philosophy or creative practice. Happily it is still
possible to spend tax payers money on useless inquiry.
best
Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 18 Jan 2013
.http://aslemeur.free.fr/index_eng.htm
Simon Biggs
si...@littlepig.org.ukmailto:si...@littlepig.org.uk
http://www.littlepig.org.uk/ @SimonBiggsUK skype: simonbiggsuk
s.bi...@ed.ac.ukmailto:s.bi...@ed.ac.uk Edinburgh College of Art, University
of Edinburgh
http://www.ed.ac.uk/schools-departments
- of a working democracy -
oscillation of ideology precedes the instauration of a sticky economic
immanence on whose planes roam fascist jellyfish - social and cultural
institutions - assimilating critique and losing none of their sting in
the wrestling.
Best,
Simon Taylor
www.squarewhiteworld.com
be a cut. That's when the pips will squeak and retrenchment
begins.
best
Simon
On 27 Nov 2012, at 02:46, Erin Obodiac wrote:
Dear Nicky Donald,
Thank you for your post. I had a postdoc at Leeds a couple of years back and
I caught a glimpse of what you're talking about. Thank you, Nicky
there. Why are we
surprised?
best
Simon
Sent from a mobile device, thus the brevity.
Simon Biggs
si...@littlepig.org.uk
s.bi...@ed.ac.uk
http://www.littlepig.org.uk
On 27 Nov 2012, at 16:45, Nicky Donald nicky.don...@gmail.com wrote:
Hi Simon
l agree the status and prospects
Sums it up, I think.
best
Simon
On 24 Nov 2012, at 18:30, Brian Holmes wrote:
On 11/23/2012 07:28 PM, Susan E Ryan wrote:
I have witnessed the
escalation of university administration, both in the number of
administrative positions and in the rather breathtaking salaries that I
have heard
A good number of our key people for the Remediating the Social event are caught
up in this storm. We also hope they are OK and can get on their flights to
Edinburgh asap.
best
Simon
On 30 Oct 2012, at 14:22, Renate Ferro wrote:
To all of the empyreans on the East Coast of the US please
or else it is itself the project and
end of that carefully controlled and monitored and emotionally
supportive environment.
Best,
Simon Taylor
www.squarewhiteworld.com
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of being equal to the wound which afflicts us? or in
other words, acting?)
Best,
Simon Taylor
www.squarewhiteworld.com
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- uncanny - at
the heart of the song. Humanity is nothing but habit and with no more
than a slight push it is gone.
Best,
Simon
www.squarewhiteworld.com
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by pain were concerned.
I'm too thin, as David Byrne sings.
I regret the interpretation of Celan that reads his poetry into its
aporias. With Anne Carson, I think of him as a lapidary writer, incising
at great effort words into warm stone.
Exhausted. She can't go on. She goes on...
Best,
Simon
No full frontal male nudity in the States? You poor things. You don't know what
you are missing! Here in the UK we wallow in Offili's elephant poo and dance
amongst diverse flying cocks - and that's just the politicians.
best
Simon
On 11 Oct 2012, at 20:51, Alan Sondheim wrote:
In our
but entraps us. NA is an extreme form
of the Californian ideology and, as such, repeats its errors. Somebody said NA
is anti-ideological but it is actually highly ideological, a form of positivist
idealism.
best
Simon
On 1 Oct 2012, at 17:58, pedro wrote:
hi simon,
very interesting, what do
aesthetics seems to me to be a grabfest at the process of the
new. Which it never quite gets.
Best,
Simon
David
On 13 Sep 2012, at 13:56, Lichty, Patrick plic...@colum.edu
mailto:plic...@colum.edu wrote:
Well, I actually see a lot of The New Aesthetic, as with much of what
Hi Mez
I wish to minimise my contribution to Bridle's tenure track metrics but wanted
to say that I do not think your cynicism is misplaced here.
best
Simon
On 12 Sep 2012, at 00:44, mez breeze wrote:
Nice timing, seeing Bridle has reactivated the New Aesthetic tumblr in the
last two
this month. For example: ...so perhaps screens are not
everywhere. There is hope. (Simon Biggs, 30/7/12)
For the first issue, that there is something wrong with western
traditions - which ones? - wanting to sustain the illusion rather than
pierce it or enjoy the complementary halves of a fore
Hi Simon
I was half-joking when I made my crack about screens (thankfully) not being
everywhere. It's just that I'm about to take a week's holiday and not have a
computer with me for the first time in years. The thought of this alone is
strangely liberating... I hadn't been thinking about
Talking about passing on - someone who understood the screen well has passed on
- Chris Marker.
best
Simon
On 30 Jul 2012, at 09:56, Sean Cubitt wrote:
(I know we are passing on the baton but . . . )
Patricia asked about:
a specific computational technology of abstraction that puts
like empyre. It's great to know we are part of a community of people who,
including all the members of the list, sustain their engagement in this way.
I know Renate has something to say so I'll keep this short and pass over to her.
Many thanks to everyone.
best
Simon
Simon Biggs
si
Archeology (with Jussi Parikka), University of California
Press.
Simon Biggs
si...@littlepig.org.ukmailto:si...@littlepig.org.uk
http://www.littlepig.org.uk/ @SimonBiggsUK skype: simonbiggsuk
s.bi...@ed.ac.ukmailto:s.bi...@ed.ac.uk Edinburgh College of Art, University
of Edinburgh
http://www.eca.ac.uk
a Warhol multiple - using
repetition to break our sense of contiguity and spatial relations. This is a
trick that was used by Paik to great effect in many of his classic and
influential works, particularly the larger video sculptures like Global Groove
and Electronic Superhighway.
best
Simon
chosen to step
back into the frame again, aping (home) cinema. Sad, really...
best
Simon
On 17 Jul 2012, at 19:35, Sean Cubitt wrote:
Ciao Salvatore, salut Karen, G'day Scott, hello
I just visited Sung Hwan Kim's installation in the new Tanks space at Tate
Modern, which attempts something
in the emerging field of urban communication
has pioneered new ways of understanding the social impact of large video
screens situated in public space. He teaches in the School of Culture and
Communication at the University of Melbourne.
Simon Biggs
si...@littlepig.org.uk http://www.littlepig.org.uk
But a key argument of the month's theme is that the screen is rarely just a
screen anymore - that is no longer a window but an interface. This is part of
what often makes the screen (inter)active. Interfaces are on topic, so don't
stop now...
best
Simon
On 12 Jul 2012, at 14:17, Laura Lotti
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