On 22.11.2005 Godofredo Romero wrote:
here is a suggestion - you can tell me I am crazy if you want -:
impute the three voices and tie the middle one then in layer two
impute only the middle voice and tie the notes, hide the stems in
layer two and select and drag the tie from one of the ends
Could you tell us how you achieved that?
Dennis Bathory-Kitsz wrote:
Here's an image of that broken slur (expression using slur + small
white rectangle)
http://maltedmedia.com/images/brokenslur1.gif
Dennis
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Finale mailing list
a) imput the three voices in layer one ( a-b-c)
b) with the tie tool make a tie of the notes that correspond to the "b"
voice
c) switch to layer two
--
d) in layer two repeat the imput of the notes that correspond to voice
"b"
e) make a tie of the notes ("b") that you just put
At 12:47 PM 11/22/05 +0100, Barbara Touburg wrote:
Could you tell us how you achieved that?
Keep in mnd that this is not a friendly solution if you have to do a lot of
them, because you'll need a new shape for every occasion. Here's how I do
it -- best to use page view with the spacing already
I am sure I have asked this in the past, but I can't remember whether I
succeeded and how:
Is there a way to white out parts of ties, while leaving the stems and
noteheads intact?
Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
At 12:44 PM 11/21/2005, Johannes Gebauer wrote:
Is there a way to white out parts of ties, while leaving the stems and
noteheads intact?
Sure -- use some white out!
No, seriously, I would try using some kind of expression with an
enclosure, set to opaque. This will white out whatever is
On 21.11.2005 Aaron Sherber wrote:
At 12:44 PM 11/21/2005, Johannes Gebauer wrote:
Is there a way to white out parts of ties, while leaving the stems
and
noteheads intact?
Sure -- use some white out!
No, seriously, I would try using some kind of expression with an
enclosure, set to opaque.
On 21 Nov 2005 at 20:57, Johannes Gebauer wrote:
On 21.11.2005 Aaron Sherber wrote:
At 12:44 PM 11/21/2005, Johannes Gebauer wrote:
Is there a way to white out parts of ties, while leaving the stems
and noteheads intact?
Sure -- use some white out!
No, seriously, I would try
At 02:57 PM 11/21/2005, Johannes Gebauer wrote:
Unfortunately this won't work, it will white out the stem, but not the
tie.
Sorry, you're right. It looks like it works until you get out of the
expression tool, and then the slur pops through. Same happens if you
position a white graphic over
please pardon my ignorance but when you, or anyone else speak of whiting
out parts of ties, what does that mean and in what instances is it used?..
thank you
Godofredo
Johannes Gebauer wrote:
I am sure I have asked this in the past, but I can't remember whether I
succeeded and how:
Is there
Godofredo Romero / 2005/11/21 / 04:58 PM wrote:
please pardon my ignorance but when you, or anyone else speak of whiting
out parts of ties, what does that mean and in what instances is it used?..
I'd think it would be shape of white box with no frame. I use it for
hiding time sig at the end of
At 5:58 PM -0400 11/21/05, Godofredo Romero wrote:
please pardon my ignorance but when you, or anyone else speak of whiting
out parts of ties, what does that mean and in what instances is it used?..
thank you
It means to erase, or make invisible. The term comes from a product called
White Out, a
Hiroaki Honshuku:
I use it for
hiding time sig at the end of a line when following Coda has different
tim sig (or is there any better way?).
Measure Attributes: Hide Cautionary Clefs, Keys, and Time Sigs.
I use this at ends of movements.
___
thank you but this doesn't answer my question , and I apologize for not
being more explicit - I know what whiting out is and where the term
derives from-
what I would like to know is a) in what instances of a music part or
score is it used b) what effect does it produced and c) which part of
Robert Patterson / 2005/11/21 / 05:28 PM wrote:
Measure Attributes: Hide Cautionary Clefs, Keys, and Time Sigs.
Oh boy. After 17 years with Finale, I still amaze myself how much I
don't know!
Sigh.
Thanks!
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
http://a-no-ne.com
A-NO-NE Music wrote:
Godofredo Romero / 2005/11/21 / 04:58 PM wrote:
please pardon my ignorance but when you, or anyone else speak of whiting
out parts of ties, what does that mean and in what instances is it used?..
I'd think it would be shape of white box with no frame. I use it for
On Nov 21, 2005, at 2:12 PM, A-NO-NE Music wrote:
Godofredo Romero / 2005/11/21 / 04:58 PM wrote:
please pardon my ignorance but when you, or anyone else speak of
whiting
out parts of ties, what does that mean and in what instances is it
used?..
I'd think it would be shape of white box
On 21.11.2005 Godofredo Romero wrote:
thank you but this doesn't answer my question , and I apologize for
not being more explicit - I know what whiting out is and where the
term derives from-
what I would like to know is a) in what instances of a music part or
score is it used b) what
Johannes,
Might it be possible to kludge this with slur shapes? If playback
were not an issue, that's the way I'd try it. There have been times
that a tie into a second ending did not work as it was supposed to,
and I had to use a slur backwards from a note with the slur ending in
the
At 01:14 AM 11/22/05 +0100, Johannes Gebauer wrote:
In my particular case I have three voices in one staff, and the middle
voice is tied over, while other voices have much shorter note values.
The tie collides with notes, and there is simply no way to avoid it. So
I would like to white out
here is a suggestion - you can tell me I am crazy if you want -: impute
the three voices and tie the middle one then in layer two impute only
the middle voice and tie the notes, hide the stems in layer two and
select and drag the tie from one of the ends to wherever you feel is ok
then go
Here's an image of that broken slur (expression using slur + small white
rectangle)
http://maltedmedia.com/images/brokenslur1.gif
Dennis
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