I am making a score that has one system with many staffs, each of which is a
different published version of one particular piece of music. The point is
to compare notational styles and transcription decisions among the versions.
One of these
uses the C with a slash 'cut time' and another uses 2/2
This is easiest if in document options you have abbreviate cut time
checked, unless I misunderstood what you're after..
select the time sig tool and double-click in the measure in which you want
to have 2/2 used.
Click on options, check use a different time signature for display, and
uncheck
Richard Yates écrit:
I am making a score that has one system with many staffs, each of which is
a
different published version of one particular piece of music. The point is
to compare notational styles and transcription decisions among the
versions.
One of these
uses the C with a slash 'cut time'
That changes the display of all staffs. I need some with abbreviated cut
time and some with 2/2. RY
This is easiest if in document options you have abbreviate cut time
checked, unless I misunderstood what you're after..
Cecil Rigby
I am making a score that has one system with many
Richard,
Under Staff Attributes check Independent Elements Time Signatures,
then use Cecil's suggestion to change the appearance of one of the
staves.
Much easier than inserting expressions and the like, which are a
mighty pain.
Christopher
On Aug 18, 2006, at 8:03 AM, Richard Yates
FWIW (not much most likely), I installed Finale 2007 and gave it a go today.
It's interesting going from 2005 to 2007 on the Mac. Some things are
much slower (scrolling up the list of custom smart shapes - g), but
other things (e.g. selection tool) seem more responsive, thank goodness.
Matthew Hindson Fastmail acct wrote:
* There is no keyboard shortcut for Edit Score?
There's a view score/part toggle in the Parts Menu that has a shortcut.
Also, cycling thru Next or Previous Part includes the score view in
the lineup.
* Is it possible to have a staff style display in
Applying a staff style to a score copies it to the part (it's unlinked).
Applying a staff style to a part does not apply it to the score.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Robert Patterson
Sent: Friday, August 18, 2006 8:57 AM
To:
Just to allay any fears, our installer does NOT phone home for anything.
The StartHere.exe process is our meta-installer, which calls all the
other installers in succession from the disk. It might take it a minute
to read the disk. I didn't run into this problem when developing the
installers, so
What about the problems with custom installation, as reported by me and
another user?
From: [EMAIL PROTECTED] on behalf of Fisher, Allen
Sent: Fri 18-Aug-06 10:23
To: finale@shsu.edu
Subject: RE: [Finale] Installing WinFin2007
Just to allay any fears, our
Don't you gentleman think that clefs should absolutely not be linked as a
rule, preferably intelligently linked or linked until changed in part. So
many times I've used different clef in the score for many reasons, and changed
them in part. Main reason I have put in case submission to Coda is
You can override the clef changes in cues with a transposition staff
style. It won't actually transpose, but it will use Set to Clef. Other
clef issues can probably be resolved this way, but perhaps not all of them.
Dejan Badnjar wrote:
Don't you gentleman think that clefs should absolutely
The only problem I have that is that I don't want to start the clef change
before the barline, it should be just before the beat of the cue entrance.
(eg. 3/4 time 1/4 rest 1/4 rest clef 1/8 rest 1/8 note) I don't want to
apply stuff styles on the music that does not require it. You can not apply
Tyler Turner wrote:
Use a staff
style to set the staff in the score to use a chromatic
transposition, set to clef.
This works in many cases, but there is one where it is dicey, and that's
a partial-meas cue where the clef changes in the score. Consider a
cello part in bass clef where the
Hello Group,
I just entered the chord symbols for a long piece and then realized that
I'd forgotten to enter the key signature. Of course when I did, the
chord symbols changed to reflect the new key.
I'm afraid the answer is that I'll have to re-enter the chord symbols,
but I wanted to ask here
Robert, you're absolutely right. I am officially giving up on linked parts
until next time. Separate files are safest for now.
Dejan Badnjar
Musette Desktop Music Publishing
1 Eastview Cres.
Orangeville, Ontario
L9W 4X3
CANADA
Tel.: (519) 942-0407
Fax: (519) 942-4417
[EMAIL PROTECTED]
Forgot to say FinMac2007!
On Fri, Aug 18, 2006, Leigh Daniels [EMAIL PROTECTED] wrote:
Hello Group,
I just entered the chord symbols for a long piece and then realized that
I'd forgotten to enter the key signature. Of course when I did, the
chord symbols changed to reflect the new key.
I'm
Good news!
Mass EditChange...Chord assignmentsTranspose
will do what you need. Select the area first, obviously.
BTW, anyone using Chromatic Transposition (no key sig on transposed
parts) with chord symbols will have to manually transpose the chords
on the transposed staves using this
I'm starting to engrave a piece that uses no key
signatures. I've consulted the Finale manual and it seems as though the
only solution is to enter a transposing part in concert pitch and then transpose
via Mass Mover. I can't believe this is the best way. Does anyone
know of a workaround
Yay! Thanks, Christopher! I love this list!
**Leigh
On Fri, Aug 18, 2006, Christopher Smith [EMAIL PROTECTED]
wrote:
Good news!
Mass EditChange...Chord assignmentsTranspose
will do what you need. Select the area first, obviously.
BTW, anyone using Chromatic Transposition (no key sig on
In Staff Attributes, specify the instrument transpositions for each
staff, then select Display At Concert Pitch to see all staves
transposed to concert. To print a score showing the transpositions,
uncheck Display At Concert Pitch and Bob's your uncle!
**Leigh
On Fri, Aug 18, 2006, Bruce E.
Bruce E. Clausen wrote:
I'm starting to engrave a piece that uses no key signatures. I've
consulted the Finale manual and it seems as though the only solution is
to enter a transposing part in concert pitch and then transpose via Mass
Mover. I can't believe this is the best way. Does anyone
Thanks, Leigh!
- Original Message -
From: Leigh Daniels [EMAIL PROTECTED]
To: Finale List finale@shsu.edu
Sent: Friday, August 18, 2006 1:04 PM
Subject: Re: [Finale] No Key Signature
In Staff Attributes, specify the instrument transpositions for each
staff, then select Display At
Of course, doing this individually for every single staff in an
orchestra score is an incredible pain in the tuchus, but since Setup
Wizard won't let you choose chromatic transposition instead of key
signature transposition before you create the score, there's no way
around it without
Count me in! How do I let MM know? (and thanks)
- Original Message -
From: Darcy James Argue [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Friday, August 18, 2006 1:18 PM
Subject: Re: [Finale] No Key Signature
Of course, doing this individually for every single staff in an
orchestra
--- Robert Patterson [EMAIL PROTECTED]
wrote:
Tyler Turner wrote:
Use a staff
style to set the staff in the score to use a
chromatic
transposition, set to clef.
This works in many cases, but there is one where it
is dicey, and that's
a partial-meas cue where the clef
Dejan Badnjar wrote:
Robert, you're absolutely right. I am officially giving up on linked parts
until next time. Separate files are safest for now.
It's your work, of course. I've managed to work around the issues so
far, so please don't think I am following your lead, at least in all cases.
--- Dejan Badnjar [EMAIL PROTECTED] wrote:
Robert, you're absolutely right. I am officially
giving up on linked parts
until next time. Separate files are safest for now.
If by separate parts you mean 2 files, a score file
and then a copy of the score file that is used for all
of the parts,
Hi Bruce,
Go here:
http://support.makemusic.com/
And submit a feature request to make creating (or switching to) an
Open Key/Atonal score a one-click operation. I think it might help
if you point out that Sibelius already does what you want in a single
step.
Cheers,
- Darcy
-
You never know, they might take the bull by the horns and sort out the
whole 'nonstandard key signature' embarassment...
(Hands up who's seen me on this topic before ;) )
Owain
PS Am I right in thinking Sibelius 4 has a fully-functional
implementation of quarter-tones? I.e. one that people can
At 11:40 PM 8/18/06 +0100, you wrote:
You never know, they might take the bull by the horns and sort out the
whole 'nonstandard key signature' embarassment...
(Hands up who's seen me on this topic before ;) )
O. O. O!
Dennis
(contributing nothing)
Thanks, all.
RY
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