> The problem over here, in Italy, is that (since Napoleons domination on
> Italy) actually, the sol-fa names are used to determine the absolute
> pitches and, actually (since Napoleon), there's no use of letter names
> for pitches and there's no application of relative or movable do system
> in
In my previous posting I quoted part of a message sining the authors name
erroneously as Johan Howell instead of John Howell.
Please accept my excuses.
Giovanni Andreani
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>At 5:27 PM +0200 7/26/04, Giovanni Andreani wrote:
>>you all probably already know that
>>Italian musicians don't use alphabetical names for absolute pitches; we
>>once did, up on a time, but alphabetical names unfortunately got
>>substituted by the sol-fa nomenclature, which was a marvellous sys
Brad
Thanks - but I think you misunderstood my statement (sorry about that - it
was poorly worded). When I said Mass edit changes both, I meant the size of
the notes and lyrics, not the size of notes in two different layers. The
solution I was looking for was to fix the text to a locked size. Th
At 1:25 PM -0400 7/26/04, Raymond Horton wrote:
Normally, no key should be listed on a tuba part.
Agreed, but the players know! I happen to play a 3-valve Eb tuba in
our community band, because that's the instrument I was able to
borrow. Lowest legitimate note is an AA natural. You can tell
i
At 5:27 PM +0200 7/26/04, Giovanni Andreani wrote:
you all probably already know that
Italian musicians don't use alphabetical names for absolute pitches; we
once did, up on a time, but alphabetical names unfortunately got
substituted by the sol-fa nomenclature, which was a marvellous system (as
f
It was clearer in the 18th century, when parts were not transposed
but written in one of the appropriate 9 movable clefs. It's the
19th century publishers who confused things by transposing the parts.
John
Not true. First of all, trumpet and horn parts were transposed even
in the seventeenth c
Darcy James Argue wrote:
Hello,
I don't generally care about playback but a student of mine does, and
I'm having trouble figuring out how to do what he wants.
He has a D.S. al Coda where the jump to the Coda happens *after* a first
ending - second ending repeat. Everything is working fine excep
Darcy James Argue wrote:
Hello,
I don't generally care about playback but a student of mine does, and
I'm having trouble figuring out how to do what he wants.
He has a D.S. al Coda where the jump to the Coda happens *after* a
first ending - second ending repeat. Everything is working fine
exce
Hello,
I don't generally care about playback but a student of mine does, and
I'm having trouble figuring out how to do what he wants.
He has a D.S. al Coda where the jump to the Coda happens *after* a
first ending - second ending repeat. Everything is working fine except
that, on the D.S. pass
On 26.07.2004 19:44 Uhr, shirling & neueweise wrote
>
> johannes:
>> What kind of Mac have you got? Does it have room for an extra HD? They are
>> cheap these days.
>
> you mean to get one hard wired? i have a G4/400MHz/10G.
Well, I am pretty sure you can put another disk inside the G4 box eas
Jef,
Fercrissakes, dump the Zip drive and get an external FW hard drive for
backups. I just got a *160 GB* FW drive (far more room than I know
what to do with -- yet) for $150. Backing up to Zip disk in this day
and age is almost as bad -- and as unreliable -- as backing up to
floppies.
- Da
johannes:
What kind of Mac have you got? Does it have room for an extra HD? They are
cheap these days.
you mean to get one hard wired? i have a G4/400MHz/10G.
jef
--
shirling & neueweise \/ new music notation specialists
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
__
From: Javier Ruiz <[EMAIL PROTECTED]>
If I were you I¥d try to sell the ZIP and the disks before they
start to die (and they will).
yeah, i usually take the zips elsewhere and burn them. although i
have one zip that goes back to 1996 that has never failed (!), i do
only use them for temp stor
At 1:34 PM -0700 7/24/04, Michele Sharik wrote:
John Howell wrote:
(And of course current practice is to omit the key of the
instrument anyway, at least in the band world: We know that Alto
Sax is in Eb, Trumpet is in Bb, and Tuba is in Bb, so the pitch is
not needed to identify them.)
Question
From: Lon Price <[EMAIL PROTECTED]>
If you're new music notation specialists, why are you trying to use
antiquated computer hardware and an antiquated operating system to
do your work?
check out the following and tell me if you think an "antiquated
computer hardware and an antiquated operating s
The pitch of some tubas is Bb (BBb). Some are C (CC), Eb, F, etc. But all
are written in concert pitch, (except in the British Brass Band tradition,
which writes for BBb and Eb in transposing treble clef.)
The pitch of the instrument may not matter much to the composer/arranger,
but it is vital
One exception that euphoniumists run into are the Strauss "Tenor Tuba" parts
in _Don Quixote_ and _Eine Heldenleben_, which are in Bb Bass Clef. This
might be explained by the fact that Strauss wrote these originally for
Wagner tuba, but later (in his additions to the Berlioz _Treatise on
Instrum
On Mon, 26 Jul 2004 12:43:42 -0400, Darcy James Argue <[EMAIL PROTECTED]> wrote:
> What matters is that the higher brass instruments
> (trumpet, horn, fluegelhorn, etc.) tend to read from transposed parts,
> while the lower brass instruments (trombone, euphonium, tuba, etc.)
> tend to read from con
On 26 Jul 2004, at 07:32 AM, Christopher Smith wrote:
We DON'T say the tuba in IN Bb, we only say it's a Bb tuba (I know,
sounds like a word game!)
But those terms are used interchangeably. "Trumpet in Bb" and "Bb
Trumpet" refer to the same instrument; same with "Clarinet in Bb" and
"Bb Clarine
>We DON'T say the tuba in IN Bb, we only say it's a Bb tuba (I know,
>sounds like a word game!) It means that the fundamental (open) note is
>a Bb. There are C tubas, F tubas, and Eb tubas as well (at least!),
>none of which read transposed parts; they all read in C bass clef
>(except for Briti
Jim wrote:
> The notes and text are in layer two - Mass edit still changes both
You can go to View > Show Active Layer only, and then Mass Edit
changes will only affect the currently selected layer.
--
Brad Beyenhof
[EMAIL PROTECTED]
http://augmentedfourth.blogspot.com
___
View-->Hide Guides
If you want to not snap to them anymore, Edit-->Snap To Guides.
On 7/26/04 6:41 AM, "Martin Banner" <[EMAIL PROTECTED]> wrote:
> How do I turn off guides?
>
>
>
>
> Martin Banner
> [EMAIL PROTECTED]
>
> ___
> Finale mailing lis
OK...I am still using OS 9.2 on my PowerComputing PowerCenter Pro 180. I
bumped the computer up to a G3 and it works just fine for the kind of work
I do. (Quintet, mostly)
I installed OSX on my wife's iMac so that I could get a chance to see it
in action. For me, OSX is too un-Mac like to be wor
How do I turn off guides?
Martin Banner
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On Jul 24, 2004, at 4:34 PM, Michele Sharik wrote:
Question: why do we say that the Tuba is in Bb, when it's actually in
C. I mean, I know that the fundamental of the tuba's tube is Bb, but
it's a C instrument, just like bassoon or cello, isn't it? (and
unlike the other instruments you mentio
On Jul 25, 2004, at 5:56 PM, Giz Bowe wrote:
I can't get Finale to accept my offsets for coda or dal segno signs
(sorry for the redundancy!). Using the Repeat tool, I click on a
measure, select the sign or instruction, set the horizontal & vertical
offsets, then click Select, only to find that F
On Jul 25, 2004, at 3:26 PM, Burt Fenner wrote:
In Lyrics > Edit Text > Text > Font, check Fixed Size under Effects.
BF
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]On Behalf Of Jim and Pat Sodke
Sent: Sunday, July 25, 2004 1:07 PM
To: [EMAIL PROTECTED]
Subject: [
Michele Sharik wrote:
John Howell wrote:
(And of course current practice is to omit the key of the instrument
anyway, at least in the band world: We know that Alto Sax is in Eb,
Trumpet is in Bb, and Tuba is in Bb, so the pitch is not needed to
identify them.)
Question: why do we say that the
If I were you I´d try to sell the ZIP and the disks before they start to die
(and they will).
A CD burner is less than 40 euros/bucks these days...
But if you like to live dangerously...
Javier
>
>> From: Johannes Gebauer <[EMAIL PROTECTED]>
>> Just out of interest: What is keeping you in OS9?
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