John Howell wrote:
At 7:02 AM -0800 11/15/08, Richard Yates wrote:
Yes, exponential.
http://www.math.ucdavis.edu/~kouba/Math21BThomasDIRECTORY/Exponential.pdf
Pipes arranged in a decreasing series of half tone steps do not
increase in
length by a constant amount (which would make the
On Nov 15, 2008, at 5:09 PM, David W. Fenton wrote:
Only outdoor pipe organs would be able to have more than about 4 or 5
logarithmic pipes, I think (unless you started with rilly, rilly tiny
mixture-type pipes), and wouldn't be terribly useful musically.
Pitch rises logarithmically
On 16 Nov 2008 at 17:27, Andrew Stiller wrote:
On Nov 15, 2008, at 5:09 PM, David W. Fenton wrote:
Only outdoor pipe organs would be able to have more than about 4 or 5
logarithmic pipes, I think (unless you started with rilly, rilly tiny
mixture-type pipes), and wouldn't be terribly
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of John Howell
Sent: Friday, November 14, 2008 6:09 PM
To: finale@shsu.edu
Subject: Re: [Finale] O.T. Iconography in Music History
At 2:03 PM -0500 11/14/08, Andrew Stiller wrote:
James McKinnon, who
At 7:02 AM -0800 11/15/08, Richard Yates wrote:
Yes, exponential.
http://www.math.ucdavis.edu/~kouba/Math21BThomasDIRECTORY/Exponential.pdf
Pipes arranged in a decreasing series of half tone steps do not increase in
length by a constant amount (which would make the profile of their ends a
Yes, exponential.
http://www.math.ucdavis.edu/~kouba/Math21BThomasDIRECTORY/Expo
nential.p
df
Pipes arranged in a decreasing series of half tone steps do not
increase in length by a constant amount (which would make the profile
of their ends a straight line.) The difference in their lengths
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line would have
at least one exponent. Like Y equals
On Nov 14, 2008, at 9:08 PM, John Howell wrote:
At 2:03 PM -0500 11/14/08, Andrew Stiller wrote:
James McKinnon, who taught a course on this at SUNY Buffalo back in
the '70s, made the important distinction of realistic, but not
real. A major example of this is a famous painting of St.
On 15 Nov 2008 at 11:26, Dick Hauser wrote:
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line
At 11:26 AM -0800 11/15/08, Dick Hauser wrote:
On Nov 15, 2008, at 9:47 AM, John Howell wrote:
I thought exponential dealt with powers of 10 or some such thing
It sounds to me like your remembering logarithm. In this context,
exponential just means that the formula describing the line
Kim,
You might want to take a look at the RIDIM (Répertoire International
d'Iconographie Musicale) homepage:
http://www.ridim-deutschland.de/
Also some of the volumes of the series Musikgeschichte in Bildern
(VEB Leipzig) are pretty good. I think Bowles has done one of the
volumes.
Eric
David W. Fenton wrote:
On 14 Nov 2008 at 8:28, dc wrote:
[quoting http://www.minkoff-editions.com/musique_musicologie/pages/i-
j.htm]
this collection assembles
in handy volumes, unencumbered by superfluous notes or de luxe
presentation,
I'm always suspicious of people who are suspicous of
On Nov 13, 2008, at 9:58 PM, David W. Fenton wrote:
Many people try to take the images literally, when they were never
created that way.
James McKinnon, who taught a course on this at SUNY Buffalo back in the
'70s, made the important distinction of realistic, but not real. A
major example
On 14 Nov 2008 at 9:04, dc wrote:
David W. Fenton écrit:
I'm always suspicious of people who are suspicous of notes. Notes
tell us things that we need to know and are usually not superfluous,
except to those who want to remain unencumbered by facts.
The English language is such that
On 14 Nov 2008 at 6:04, dhbailey wrote:
David W. Fenton wrote:
On 14 Nov 2008 at 8:28, dc wrote:
[quoting http://www.minkoff-editions.com/musique_musicologie/pages/i-
j.htm]
this collection assembles
in handy volumes, unencumbered by superfluous notes or de luxe
presentation,
On 14 Nov 2008 at 21:37, dc wrote:
David W. Fenton écrit:
Prove me wrong, Dennis -- show me that there are notes, and that this
is not an example of commercial promotion (i.e., advertising speak)
at the expense of academic rigor.
Well, I have Edmund Bowles' volume on the Middle Ages.
But
Hi there:
Well the book I have is full of notes with excerpts from diaries or court
accounts of the event shown in the illustrations. Christopher Hogwood wrote
some introductory notes for this vol, and I believe Philip Pickett uses the
chapter on triumphant processions as an source for his
On 14 Nov 2008 at 21:49, dc wrote:
dc écrit:
David W. Fenton écrit:
Prove me wrong, Dennis -- show me that there are notes, and that this
is not an example of commercial promotion (i.e., advertising speak)
at the expense of academic rigor.
Well, I have Edmund Bowles' volume on the Middle
On 14 Nov 2008 at 22:02, dc wrote:
David W. Fenton écrit:
Well, I have Edmund Bowles' volume on the Middle Ages.
But the Minkoff website comment is *not* about that volume, but about
a different one.
Yes it is. It was in the list I sent of the Minkoff series.
OK, I didn't understand
At 2:03 PM -0500 11/14/08, Andrew Stiller wrote:
James McKinnon, who taught a course on this at SUNY Buffalo back in
the '70s, made the important distinction of realistic, but not
real. A major example of this is a famous painting of St. Cecilia
at the organ, in which the lengths of the
Hi everyone:
A friend has let me borrow a book called Musical Ensembles in Festival
Books: 1500 - 1800. by Edmund A. Bowles. It must have hundreds of woodcuts
and drawings from original sources, that I've never seen before-- and I've
read a lot of music history books. It's really impressive. I
Very interesting! Does it happen to have any images of string quartets
in it?
Johannes
On 13.11.2008 Kim Patrick Clow wrote:
A friend has let me borrow a book called Musical Ensembles in Festival
Books: 1500 - 1800. by Edmund A. Bowles. It must have hundreds of woodcuts
and drawings from
I'll check, but this book seems to be centered around Festivals related to
coronations and other occassions for nobility and royality. If I find
anything I'll let you know. Oh I heard your Haydn Trios CD, very nice ;)
Thanks
Kim
On Thu, Nov 13, 2008 at 5:15 PM, Johannes Gebauer [EMAIL PROTECTED]
Kim Patrick Clow wrote:
Hi everyone:
A friend has let me borrow a book called Musical Ensembles in Festival
Books: 1500 - 1800. by Edmund A. Bowles.
The Utrecht University Library has this book: see
That's the book I have, I appreciate your finding that ;)
Are there other books in German that cover this same type of topic/material
with full color plates?
Thanks again!
Kim
On Thu, Nov 13, 2008 at 5:39 PM, Barbara Touburg [EMAIL PROTECTED]wrote:
Kim Patrick Clow wrote:
Hi everyone:
A
Kim Patrick Clow wrote:
That's the book I have, I appreciate your finding that ;)
Are there other books in German that cover this same type of topic/material
with full color plates?
Thanks again!
Kim
I suppose you'd better ask Johannes!
___
Finale
Kim Patrick Clow wrote:
Hi everyone:
A friend has let me borrow a book called Musical Ensembles in Festival
Books: 1500 - 1800. by Edmund A. Bowles. It must have hundreds of woodcuts
and drawings from original sources, that I've never seen before-- and I've
read a lot of music history books.
On 13 Nov 2008 at 17:02, Kim Patrick Clow wrote:
A friend has let me borrow a book called Musical Ensembles in Festival
Books: 1500 - 1800. by Edmund A. Bowles. It must have hundreds of woodcuts
and drawings from original sources, that I've never seen before-- and I've
read a lot of music
On 13.11.2008 Kim Patrick Clow wrote:
I'll check, but this book seems to be centered around Festivals related to
coronations and other occassions for nobility and royality. If I find
anything I'll let you know. Oh I heard your Haydn Trios CD, very nice ;)
Thanks, we are bringing out
On 14 Nov 2008 at 8:28, dc wrote:
[quoting http://www.minkoff-editions.com/musique_musicologie/pages/i-
j.htm]
this collection assembles
in handy volumes, unencumbered by superfluous notes or de luxe
presentation,
I'm always suspicious of people who are suspicous of notes. Notes
tell us
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