Erogengy by James Broughton
Other Reckless Things by Janis Crystal Lipzin and Ellen Zweig
kanopy.com/video/films-janis-crystal-lipzin-1983-2001
On Jan 25, 2020, at 4:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
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A4 –Malcolm Le Grice Excerpt From Interview 4:30
A5 –William Scaff Black Mamba 3:00
A6 –Ellen Zweig, Janis Crystal Lipzin OtherReckless Things5:10
A7 –Paul E. GarstkiDungeons & Basements1:45
A8 –Stuart Sherman Four Sound Pieces 7
The sound track to my film, Other Reckless Things, composed and performed by
Ellen Zweig, was published on cassette tape as part of an issue of Terry
Cannon's journal of avant-garde film, "Spiral."
Janis Crystal Lipzin
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FrameWorks ma
, and photographs giving the viewer
the alternate options of reading, viewing and listening.
Janis Crystal Lipzin
www.jclvision.com
On Oct 20, 2019, at 5:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
> Re: suggestions on travelogue and/or road films bywomen
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Francisco and LUX in London and is
streaming here:
https://www.kanopy.com/product/films-janis-crystal-lipzin-2003-2014
Janis Crystal Lipzin
jlip...@aol.com
On Aug 28, 2018, at 2:41 PM, frameworks-requ...@jonasmekasfilms.com wrote:
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I recommend Joyce Wieland's film Solidarity the subject of which is the Dare
Cookie Factory strike in Canada.
On Apr 8, 2018, at 4:08 PM, frameworks-requ...@jonasmekasfilms.com wrote:
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I would recommend Joel Singer's film about poet/filmmaker James Broughton,
Together.
On Mar 28, 2018, at 9:01 AM, frameworks-requ...@jonasmekasfilms.com wrote:
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I suggest these experimental films featuring the body/artist anatomies:
Erogeny by James Broughton
my film Other Reckless Things in collaboration with Ellen Zweig
Erogeny was James' response to Maas' Geography of the Body.
Other Reckless Things is a frank look at childbirth and a response to a
Re: vegetable films:
Asparagus by Suzan Pitt
my films: De Luce 1: Vegetare and Seasonal Forces
On Sep 15, 2017, at 5:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
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Ben,
Here are some additional exhibitions that you should consider for your list:
(most if not all have catalogs)
Big as Life: An American History of 8mm Films, MoMA, 2000
The Cool World: Film & Video in America 1950-2000, Whitney Museum of American
Art, 2000
The Color of Ritual, the Color of
You might be interested in my film, Cracks Between the Stones, which asks
viewers to reconsider and question expert speculation about past history as the
architectural remains of earlier cultures are interpreted. The sound was
constructed from various sources including a conversation with
hello frameworkers,
My " Threnody" (2003 11 minutes) examines the residue and physical artifacts
of death as I memorialize the loss of friends including Hollis Frampton, a
pygmy goat, and victims of 9/11.
available from Canyon Cinema and streaming on fandor.com.
On Mar 20, 2017, at 8:44 AM,
My 2 films De Luce 1: Vegetare and De Luce 2: Architectura include an excerpt
from Robert Grosseteste's text De Luce (On Light) as does Hollis Frampton's
Zorn's Lemma.
My films are available streaming on fandor.com and from Canyon Cinema and
FilmMakers Coop.
On Jan 27, 2017, at 4:00 AM,
de abuse in the form of a film/video sculpture.
I'll be happy to provide more information if you are interested.
good luck with your project,
Janis Crystal Lipzin
On Nov 18, 2016, at 4:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:
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Regarding reflective projection surfaces for gallery installations, I like to
use Scotchlite which is available in rolls from sign companies and probably
elsewhere. It's the material used for making reflective highway signs so it's
reflectance rate is very high.
Janis Crystal Lipzin
I read with interest the request for films about farming/agriculture, so I
thought I'd share the fact that much of my work has been inspired by my move
to rural, agricultural Sonoma County California including
"Seasonal Forces Parts 1 & 2" (1995), super-8mm , color sound, 22 min + 24
min.
Crystal Lipzin
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James Broughton's work was banned in St. Louis in the
80s. He was set to have a show at the St. Louis Art Museum and when the
director of the
museum discovered that James' films had been selected by the curator he
yanked the whole show! I remember a quote or something very like
art is one thing
La Coquille et le Clergyman (The Seashell and the Clergyman) by Germaine Dulac
was banned in England in 1929. The film was declared apparently meaningless,
but if it has any meaning it is doubtless objectionable. I programmed it with
others in the Oppositional and Stigmatized series of
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