Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-17 Thread Fred Camper
Dear Robert, Thanks for your reply. But when you write On 5/16/2016 12:43 PM, robert harris wrote: As to anonymity, community and the internet, I prefer my community to involve warm bodies sharing tangible space. I hope all noticed at least one group of warm bodies near you who got in touch

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-17 Thread Pip Chodorov
Mike Snow's "Rameau's Nephew by Diderot (Thanx to Dennis Young) by Wilma Schoen" is perhaps the most comprehensive study of the relationship between image and recorded sound. It runs 4-1/4 hours and took three years to make. We published a large book about the film based on interviews witih

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-17 Thread Jorge Lorenzo Flores Garza
My Name is Oona by Gunvor Nelson From: peter.mu...@uwa.edu.au To: frameworks@jonasmekasfilms.com Date: Tue, 17 May 2016 12:58:02 +0800 Subject: Re: [Frameworks] Exemplary Sound Design in AG Film Mike Leggett’s VISTASOUND (1981) – superb.Peter(Perth) From: FrameWorks <frameworks-b

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Peter Mudie
tal Film Discussion List <frameworks@jonasmekasfilms.com<mailto:frameworks@jonasmekasfilms.com>> Date: Tuesday, 17 May 2016 12:35 pm To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com<mailto:frameworks@jonasmekasfilms.com>> Subject: Re: [Frameworks] Exempl

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread lindsay mcintyre
How about Very Nice, Very Nice (1961) by Arthur Lipsett? Lindsay McIntyre On Mon, May 16, 2016 at 10:02 PM, Ruth Hayes wrote: > Real West by Kevin T. Allen. He uses contact mics, among other strategies. > He has an excerpt on vimeo: https://vimeo.com/130916538 > >

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Ruth Hayes
Real West by Kevin T. Allen. He uses contact mics, among other strategies. He has an excerpt on vimeo: https://vimeo.com/130916538 Ruth Hayes http://www.randommotion.com blogs.evergreen.edu/hayesr On May 15, 2016, at 12:36 PM, lagonaboba wrote: > For a class I’m preparing, I’m interested in

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Morgan Hoyle-Combs
Robert, you teach at Fitchberg state? Have you heard of AgX? Were a new film collaborative situated in Waltham. All of us compose work on 8, 16 and 35mm. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread robert harris
Albert, Thanks for all the references. I’ll definitely look for Melissa Ragona’s book. I saw the Sharits film many many times, and would always have delirious acoustic hallucinations 2/3 of the way through. Probably why I kept going back, no? On May 16, 2016, at 4:10 PM, Albert Alcoz

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread robert harris
Yes! The Accursed Mazurka. Thanks! On May 16, 2016, at 4:24 PM, peter snowdon wrote: > What I know of Nina Fonoroff's work has always struck me as a kind of model > for a complexity in the sound track in which formal experimentation and > meaningful polyphonies of language

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread robert harris
:43 PM > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Exemplary Sound Design in AG Film > > > > Thanks for the response Fred. Somewhere in in the recesses of my mind I > thought of you when posting the question, a.

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Francisco Torres
.) > > https://sel.fas.harvard.edu/index.html > > > > Carl > > > > > > > > *From:* robert harris [mailto:lagonab...@gmail.com] > *Sent:* Monday, May 16, 2016 1:43 PM > *To:* Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > *Subjec

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Warren Cockerham
ailto:lagonab...@gmail.com] > *Sent:* Monday, May 16, 2016 1:43 PM > *To:* Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > *Subject:* Re: [Frameworks] Exemplary Sound Design in AG Film > > > > Thanks for the response Fred. Somewhere in in the recesses of

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread carl
To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> Subject: Re: [Frameworks] Exemplary Sound Design in AG Film Thanks for the response Fred. Somewhere in in the recesses of my mind I thought of you when posting the question, a. because for decades I've respected your insights,

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread robert harris
Thanks for the response Fred. Somewhere in in the recesses of my mind I thought of you when posting the question, a. because for decades I’ve respected your insights, and b., because one of your most memorable posts contained your statement (at least this is how I remember it…) that Beethoven’s

[Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread Robert Withers
> Subject: [Frameworks] Exemplary Sound Design in AG Film > Date: May 15, 2016 3:36:20 PM EDT > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > > > For a class I’m preparing, I’m interested in suggestions as to Experimental > Films with exemplary, exce

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-16 Thread o...@thenowcorporation.com
Here are some I've screened in the past and they have been very well received. Ed Emshwiller's thanatopsis is a perfect film for this class, thrilling. I would add Scott Bartlett's films. He used sound in very powerful ways in all his work. moon1969 and Offon and Serpent and Metanomen. Also,

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-15 Thread Fred Camper
Why not tell us your name, location, and the name of the school? FraneWorks doesn't feel like much of a community anymore. Or maybe I'll just never get used to Internet anonymity, fine on some sex advice board but to me not right for a place like this. To be contrary, I'd suggest Christopher

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-15 Thread Albert Alcoz
*Angular Momentum* by Bill Brand https://vimeo.com/72722809 On Sun, May 15, 2016 at 11:45 PM, John Muse wrote: > I love the sound of Dresden Dynamo by Lis Rhodes. And Violin Power by > Steina Vasulka. > > On May 15, 2016, at 5:32 PM, alena williams

Re: [Frameworks] Exemplary Sound Design in AG Film

2016-05-15 Thread John Muse
I love the sound of Dresden Dynamo by Lis Rhodes. And Violin Power by Steina Vasulka. On May 15, 2016, at 5:32 PM, alena williams wrote: > anger's invocation of my demon brother > > On 15.05.2016, at 12:36, lagonaboba wrote: > >> For a class I’m

[Frameworks] Exemplary Sound Design in AG Film

2016-05-15 Thread lagonaboba
For a class I’m preparing, I’m interested in suggestions as to Experimental Films with exemplary, excellent sound design and sound editing. By excellent I mean, complex, layered, inventive, of rich and nuanced timbre….excellent for it’s sonic qualities (as opposed to strictly intellectual