A typically foolish Kodak move -- licensing patents that might be significant
(in terms of digital projection) to a small company without deep pockets. A
larger company who manufactures digital projectors might have turned this into
something significant for Kodak in terms of royalties --
Wouldn't it be easier to modify the device that requires double-perf film --
assume it is an optical printer or projector -- to accept single perf film?
Far less traumatic to the film.?
It would be difficult to design a reperforator because film shrinks at
different rates, as does the size of
The Cinelarger and Duplikin are total pieces of junk. Don't waste your time.
On Jan 3, 2012, at 12:07 PM, Myron Ort z...@sonic.net wrote:
http://www.ebay.com/sch/?
_nkw=cinelargerclk_rvr_id=304125622581mfe=search
On Jan 3, 2012, at 10:02 AM, mariah garnett wrote:
Hey guys
does
(some have been known to push
everything 1.5 stops for convenience) and then see what you have. If there was
really no light at all you may not have anything useful on the film. If you are
lucky, there might be an image that can be recovered to some degree.
But sadly, it ain't magic!
Jeff Kreines
While I have always felt you should cut your own negative, since you are on the
east coast, Noelle Penraat is very good. She still does projects, but now works
at home since there is a lot less negative cutting being done. She's in NYC,
probably in the phone book.
On Feb 6, 2012, at 3:43
encoder to slave them to your transfer device
if you are going to a video format (vs. files from a scanner). Otherwise you
will have sync drift.
Best,
Jeff Kreines
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converted to 23.976 or 25 or 29.97
fps. Film chains are typically a video camera and projector wedded in an
unholy alliance.
OK, the old note, with links to frames at various resolutions, follows.
Jeff Kreines
Kinetta
jeff@kinetta
Disclaimer: I designed and build Kinetta scanners
George Fardy at The Design Shop in Newton Mass is very good.
On Apr 7, 2012, at 10:20 AM, Jay Hudson jkh30...@gmail.com wrote:
Hello:
The Millennium film Workshop has an Oxberry Animation stand that
needs repair. Would anyone know of people familiar with this?
Preferable someone in
Tom Palazzolo's films are hilarious -- my favorites being early ones like
America's in Real Trouble, The Bride Stripped Bare, Your Astronauts, etc.
Framerworkers!
I'd love to pick your brains. I'm interested to watch more ( learn more
about) experimental films that are humorous. Either
, and
35mm.
Disclosure: they have a shiny new Kinetta Archival Scanner, which I make.
Jeff Kreines
Kinetta
On Jun 23, 2012, at 8:18 AM, David Tetzlaff djte...@gmail.com wrote:
They're called telecine projectors. There were some made as 5 blade versions
originally, others converted after the fact
On Jul 3, 2012, at 12:03 AM, David Tetzlaff wrote:
With that equipment list, the premise just doesn't work very well. The heyday
of value for 16mm post stuff probably starts to poop out circa 1975, so it
wasn't that expensive by 1980, and some of it is still used by people who
deal with
Buck and Jennifer do excellent work, and now have a shiny new Kinetta Archival
Scanner.
They are moving (a few blocks away) and changing their name soon:
http://movettesf.com/
Highly recommended.
Jeff Kreines
*disclaimer -- I make Kinetta scanners
On Jul 9, 2012, at 2:28 PM, charles chadwick
On Sep 28, 2012, at 2:13 PM, Chuck Kleinhans chuck...@northwestern.edu wrote:
So, given that he's several years into a PhD program, I'm sure he has a high
tolerance for pendants like me.
He's wearing one now.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
any analog decks, according to tests by Wilson Chao, who
had to do this for some broadcast stuff a while back.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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.
Brian and Penny will be showing excerpts from their film, as well as raw camera
rolls, at the Museum of Modern Art in NYC on October 28th.
It's a good chance to see this unseen footage, and to see 3.3K scans of Super-8
(made with a Kinetta Archival Scanner) on the big screen.
Jeff Kreines
...@kinetta.com.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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If you are shooting color film, note that monitors are usually balanced at
about 6500 degrees kelvin, which is essentially daylight -- so use a
daylight-balanced film.
Also I would use a shutter speed of 1/30th in case there are any field-issues
depending on the video source (interlaced or
when you crop the image back to its normal size. Kinetta
scans at 3296 x 2472, so there's plenty of latitude for reframing.
You might want to download this for more information:
http://db.tt/5SlAVkbT
I am offering scans at a discount to Frameworks folks this month.
Best,
Jeff Kreines
Kinetta
Nicholas:
The resolution and bit depth of your files are a bit low, IMHO. The higher
resolution the scan, the better the output, whatever res it is.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Dec 2, 2012, at 7:15 PM, Nicholas Kovats nkov...@gmail.com wrote:
Hi Scott,
Thank you
Obvious, but two films made right before their directors ruined Hollywood
filmmaking:
Sugarland Express
American Graffiti
Of course Kustom Kar Kommandos, too.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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On Jan 27, 2013, at 2:42 PM, Joel Wanek wrote:
Chuck, Helen Levitt's still camera was nothing specially design to
trick people. She used an eyepiece that is not unlike many of the
optical viewfinders that folks attach to DSLRs today. But, it did allow
her to point her body in a different
Joel:
These finders are different from the later right angle finders -- they usually
were designed for Leica rangefinder cameras and were fixed in orientation, so
you looked into the side of the camera. They didn't use the camera's finder.
There was also a waist level finder called the
Bruce Conner's Report
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Feb 23, 2013, at 9:43 PM, Shelly Silver silver...@earthlink.net wrote:
small lies, Big Truth
(the starr report)
On Feb 23, 2013, at 12:19 PM, matt's frameworks address wrote:
Hello Frameworkers,
After
). Kinetta's
Hypergamma technology makes it possible to scan the most contrasty prints or
reversal original without sacrificing highlights or shadow detail.
Special rates for Frameworks subscribers. Email me offlist at j...@kinetta.com
if you have any questions.
Best,
Jeff
Jeff Kreines
I should mention I am still in Boston doing some scans, and could do others
early next week if anyone is interested.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Feb 27, 2013, at 9:37 PM, Jeff Kreines jeffkrei...@mindspring.com wrote:
I will be in NYC next week (and possibly beyond
/New Directors
festival at the end of March.
Thank you Owen for your kind offer of a place to scan.
So of you have film of any format and want the highest quality digital files,
email me at j...@kinetta.com.
And if you are in Paris or San Francisco, there are Kinettas there, too.
Jeff Kreines
The Kinetta in SF is at Movette Film Transfer (formerly VTC) run by Buck Bito
and Jennifer Miko. They recently moved to a new location in the Mission.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
On Mar 2, 2013, at 5:57 PM, eric stewart e.l.j.stew...@gmail.com wrote:
Where
or positive or print, damaged or shrunken, no
problem.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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film!
Hurry, it's the last few days. Email me at j...@kinetta.com.
Info and sample images at kinetta.com. Any format from 8mm to 35mm.
Jeff Kreines
Kinetta
kinetta.com
j...@kinetta.com
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tracks -- very well. Plus, no added wow-and-flutter
from analog reproduction. Kudos to the father of AEo-Sound, Greg Wilsbacher at
the University of South Carolina, who scans a lot of 35mm newsreel negative
with AEO-Light negative VD tracks on his Kinetta.
Jeff Kreines
Kinetta
j...@kinetta.com
and prevented colds if you
hand-processed, or so I was told.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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an encoder input.
Jeff Kreines
Kinetta
j...@kinetta.com
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the mistakes, why not fix the mistakes
rather than make it all look like mush?
Of course if you want it all to look mushy, why work in HD in the first place?
A generation of VHS will do many things, some of which you may like and others
you may not. Choice of format is important.
Jeff Kreines
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Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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).
Jeff Kreines
Kinetta
j...@kinetta.com
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,
but realize that it appears as an artifact to someone unfamiliar with that
strange window.
So chicken-wire window, not a scanning artifact. Not sure that would be
apparent in a lower-res scan.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Sep 1, 2013, at 1:25 PM, Jeff Kreines j...@kinetta.com wrote:
The Kinetta in Paris is getting the new perf sensor upgrade later this month.
They have the first of the current version of Kinetta.
The Kinetta uses optical perf sensing, and if the splice isn't punched out
perfectly
On Sep 14, 2013, at 3:11 PM, Scott Dorsey klu...@panix.com wrote:
I'd talk to Frank Wylie at the Library of Congress, who is probably the
best guy I know for dealing with nitrate stocks in general.
Agreed. Nice guy, too.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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kinettaarchival.com
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On Sep 16, 2013, at 6:40 PM, Ryder White ryder.wh...@gmail.com wrote:
Wow, way to make me look like a buffoon, A/C. And to think I just recommended
you…
Not sure this is all about you, Mr. White…. there are greater things at stake
than you appearing to be a buffoon, I think.
On Sep 16, 2013, at 7:06 PM, Ryder White ryder.wh...@gmail.com wrote:
It's a joke, Mr. Kreines.
Tone, tone, tone. (And I don't mean the 80's band, or was it 90's?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
running it).
Jeff Kreines
Kinetta
On Oct 7, 2013, at 10:59 AM, ev petrol epetr...@yahoo.com wrote:
metropolis send their stuff out to technicolour though, don't they?
moiratierney.net
vimeo.com/moiratierney
From: Pip Chodorov framewo...@re-voir.com
To: Experimental Film Discussion
On Oct 9, 2013, at 5:22 PM, Kelly Sears kelly.se...@gmail.com wrote:
Charles and Ray Eames
Ray is a woman -- she and Charles were married.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
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are, and how large the image will
be projected.
Sent from my iPhone
On 01/11/2013, at 3:08 PM, Jeff Kreines j...@kinetta.com wrote:
Thanks for the kind words, Robert.
Kinetta Archival in NYC (7 West 22nd Street, 6th floor) does 3.3K Kinetta
scans from any format film (which is about 5 times
enough for S8, as odd as
that seems, and HD certainly isn’t enough (for the original scan resolution).
See this for some examples: http://db.tt/5SlAVkbT
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
On Dec 7, 2013, at 8:35 AM, Jon Behrens bolex...@msn.com wrote:
Hello
/moiratierney
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Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
. I've built a few 35mm 4K recorders like this,
though with different motors, and a Mitchell camera and 4K LCD monitor, and
special software to make the system self-calibrating.
Good luck!
Jeff Kreines
Kinetta
On Dec 24, 2013, at 10:19 PM, edwin . kotakhi...@gmail.com wrote:
Hi Roger,
We
a 1/4’-20 thread to a
3/8-16 thread. Here’s an (overpriced) example of what you need. They used to
cost $1 or less. But I am old!
http://www.bhphotovideo.com/c/product/101501-REG/Arca_Swiss_809011_Adapter_Screw_3_8_16.html
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
AM, Steven ste...@gladstonefilms.com wrote:
There certainly are cheaper ones.
http://www.bhphotovideo.com/c/search?sts=maN=0Ntt=3%2F8%22-16+to+1%2F4%22-20mnp=.01mxp=13.95
On 1/28/14 12:58 AM, Jeff Kreines wrote:
Marco:
Yes, eBay is a good place to get them cheaply. Search:
http
, forgetting the camera was
tied to his battery belt. The camera smashed on the floor, and the grip broke
off. Penny shot Hendrix using the short stub of a handgrip that remained. My
first Auricon with CP motor had a version cast from that grip out of aluminum.
But as usual I digress.
Jeff Kreines
it was a good choice.
He was right. For Mark it was the ideal camera. For others wanting a 100-ft
load camera for non-sync shooting, there are better choices — Bolex, Arri 16s,
Filmo. But for Mark the Scoopic 16MS was perfect.
Jeff Kreines
On Feb 21, 2014, at 9:02 AM, adeena@unil.ch wrote
Here are several that will probably meet your requirements:
http://www.projectorcentral.com/projectors.cfm?g=1hide=0st=1mfg=p=700-1000w=r=13br=ll=ltg=t=db=dt=c=ar=dvi=wr=pjl=pjw=pjh=td=i=dis=sort=pop
On Feb 28, 2014, at 7:41 PM, Jeff Kreines j...@kinetta.com wrote:
Sadly, Google sent you
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Kinetta
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Google “eyemo nikon mount” — lots of stuff shows up.
On Mar 8, 2014, at 4:46 PM, Jeff Kreines j...@kinetta.com wrote:
There are people who have made a replacement front plate for the Eyemo with a
Nikon mount on it. Not that difficult for a good machinist. You could also
start out
Mitchell for me a while back. He’s
pretty reasonable.
On Mar 8, 2014, at 5:09 PM, Jeff Kreines j...@kinetta.com wrote:
Google “eyemo nikon mount” — lots of stuff shows up.
On Mar 8, 2014, at 4:46 PM, Jeff Kreines j...@kinetta.com wrote:
There are people who have made a replacement front
for next to nothing and I would
recommend just buying a set from them.
--scott
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Kinetta
j...@kinetta.com
kinetta.com
://mailman-mail5.webfaction.com/listinfo/frameworks
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Kinetta
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On Mar 8, 2014, at 10:39 PM, Peter Mudie peter.mu...@uwa.edu.au wrote:
or a South Australian winery.
Near Adelaide?
Jeff Kreines
Kinetta
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Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
of
these camcorders (with higher model numbers) can play Hi-8 (and, I think 8mm
tapes) tapes and output them via Firewire. But the lower-end ones will not do
this.
Jeff Kreines
Kinetta
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don’t want
us to do grading (color correction). You can download the latest version here:
https://www.dropbox.com/s/u8g4h4wf21srus2/Kinetta Archival price list March
2014 Rev F.pdf
Forgive the blatant self-promotion.
Jeff Kreines
Kinetta Archival
On Mar 15, 2014, at 3:45 PM, ryder.wh
Sorry, i meant thanks, Ryder!
On Mar 15, 2014, at 5:02 PM, Jeff Kreines j...@kinetta.com wrote:
Thanks, Dan:
Kinetta Archival in NYC scans all formats at a resolution of 3296 x 2472 x 12
bits — which for 4:3 aspect ratio film is about 5x the resolution of
pillar-boxed HD. Makes a big
).
Best,
Jeff Kreines
Kinetta
On Mar 16, 2014, at 3:58 AM, nicky.hamlyn nicky.ham...@talktalk.net wrote:
How do you then import and export those files via FCP? I've only worked in
low res formats –up to Pro Res HQ- nothing bigger than that,
Thanks,
Nicky.
From: Jeff Kreines j
On Mar 22, 2014, at 2:42 PM, Ethan Berry ethan.be...@montserrat.edu wrote:
I am brokering the sale of a Moviola 6 plate flatbed editing table. Model
M84 in working condition. Currently in storage north of Boston, photo's
available. Asking price is $2,200.
The M84 is a 4-plate, the M86
that can do the first, including Cinelab. The second
one is hard to do well.
--scott
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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much,
Steve Cossman
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better than any print could, because we have frame-by-frame control of gamma if
needed.) We can make 2K or 4K DCPs if you need them.
Don’t mean to turn this into an ad, but as a lover of BW reversal I worked
very hard on getting this right.
Best,
Jeff
Jeff Kreines
Kinetta
j...@kinetta.com
to
shoot when you’d be better off not shooting.
Jeff Kreines
Kinetta
On Apr 24, 2014, at 8:01 PM, Nate Cummings ncummingslamb...@gmail.com wrote:
Hi Frameworkers,
I am doing some preliminary research for a film I'm shooting later in the
year. I am looking for somewhere in Western North
On May 28, 2014, at 1:26 PM, Buck Bito - Movette b...@movettefilm.com wrote:
It is also what happens when you edit with presstapes…
But there are ways to deal with that when scanning… ;-)
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com
?
Jeff Kreines
Kinetta
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://www.facebook.com/oddballfilm
http://twitter.com/Oddballfilms
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kinetta.com
to clean up their space. We use 4 PTR rollers on our
scanner, which help capture most surface dust from the film (as long as the
rollers are kept clean).
Jeff Kreines
Kinetta
On Jun 26, 2014, at 8:04 AM, Roger Wilson rogerdwil...@sympatico.ca wrote:
Hi folks,
A few weeks back there was some
On Jun 26, 2014, at 12:20 PM, Scott Dorsey klu...@panix.com wrote:
What I want to know is what lab processed this film and how can I avoid them?
Some people like chemical stains, and dirt and dust, Scott! Don’t be so
judgmental!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
On Jun 26, 2014, at 2:00 PM, Scott Dorsey klu...@panix.com wrote:
Then they can add them in post!
Ugh! Heresy!
Jeff Kreines
Kinetta
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used to teach classes at Millennium, but that's all I've got. Does
anyone know if he's still around?
Best,
JB Mabe
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to do this, just shoot each frame over a light
box, and then digitally align them. Results will be sharper, but registration
will still be so-so.
Jeff Kreines
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of weeks.
And I’d better get back to work finishing them!
Jeff Kreines
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experience with European companies that transfer 16mm
film to SD/HD? Any information appreciated!
Ingo
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j
http://rochester.twcnews.com/content/news/773736/kodak-layoffs--some-70-rochester-area-jobs-will-be-cut/
Not good news.
Jeff Kreines
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through a cine camera and not
get kickback from shiny pressure plates without it?
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skeptical that Ferrania or others will come up with a color reversal
stock as beautiful as 7250 or 7242.
Jeff Kreines
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Rule/Boston Camera.
On Oct 17, 2014, at 5:05 PM, Adam R. Levine ada...@gmail.com wrote:
Jeff Kreines
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On Nov 11, 2014, at 6:34 PM, George, Sherman sgeo...@ucsd.edu wrote:
Analog has other meanings unrelated to a signal.
Which are analogous to what, Sherman?
;-)
Jeff Kreines
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of worms.
Jeff Kreines
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On Nov 11, 2014, at 7:13 PM, Matt Whitman i...@mawhitman.com wrote:
Provided that all of the artists showing work and participating in the
discussion consent, an audio recording of this will likely be posted online.
Will let you know.
An analog recording, on real tape, I hope...
Jeff
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Jeff Kreines
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with a DCP file
flagged as 16 or 18 or 20 fps.
It also brings back the Phi Phenomenon — flicker is our friend!
Jeff Kreines
Kinetta
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From the Cinematography Mailing List — CML
Begin forwarded message:
From: Eric Kurland 3...@workprint.com
/frameworks
Jeff Kreines
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to move pins in one direction, the front to move in the
other. Same on each side.
The pins may be stuck try some acetone in the holes around the pins to
dissolve old film cement. Work the buttons back and forth.
Good luck!
Jeff Kreines
On Feb 8, 2015, at 2:33 PM, Scott Stark sst...@hi
/frameworks
Jeff Kreines
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don’t think it was ever blown
up to 35mm. Ask Fred.
BW reversal saves a geeration, going to an interneg and then a print. Of
course these days one would scan it and do a film out to a neg — saves a
generation if you are shooting negative.
Best,
Jeff Kreines
Kinetta
On Jan 14, 2015, at 4:08 PM
for less than what a tricked-out Bolex used to cost.
Jeff Kreines
On Jan 18, 2015, at 4:23 PM, Beebe, Roger W. beebe...@osu.edu wrote:
For an additional 2 cents, I got this email off list from Travis Wilkerson:
I think the Ikonskop A-Cam was the last film camera newly introduced since
basis.
Yes, I love film opticals, but they are quickly disappearing. Cineric in NYC
is stopping doing them soon.
Jeff Kreines
Kinetta
On Mar 15, 2015, at 10:44 AM, mrktosc mrkt...@gmail.com wrote:
Bill didn't, to my knowledge, do 35mm. And unfortunately he's actually no
longer doing
The A-minima is a quiet camera with a reflex finder and 200 foot mags. The
Ikonoscop takes 100 foot loads and is non reflex and not that quiet. As far as
I know all A-Minimas were PL mount not Nikon.
Jeff Kreines
Kinetta
j...@kinetta.com
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On Apr 30, 2015, at 2:58 AM, Johannes
--
www.marybillyou.com http://www.marybillyou.com/
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