Looks like a projector scratch happening in gate area but it might be from too
much tension coming from looper. Does it feel like there is a lot of tension at
the point where film first enters projector?
Roger D. Wilson
Film Scientist
613 324 - 7404
www.rogerdwilson.ca
On Sun, Nov 1, 2015
I have this same model and bought the entire package camera, amplifier, power
supply, original mic and headphones for 400.00 here in Canada. It's works and I
have already shot soles tuff on it! I 2000 is absolutely ridiculous. My model
does have the 400' mag option as well. They are great to
The Windows Collective is proud to announce our most ambitious project to date,
a cross-Canada tour where we will present a series of engaging film
installations in seven cities across four provinces. The public will see and
interact with silent film loops projected on 16mm film, as well as the
Hey film folks living in Winnipeg I'm teaching the following experimental film
class at Winnipeg Film Group on Saturday September 12 and Sunday September 13.
Lots of fun 35mm, rayographs, hand processing, tinting and toning!
experience using Dektol rather than D-76? Am
about to jump in as soon as it gets dark here in Brooklyn tonight, and I bought
Dektol
all the best,
Mark Street
www.markstreetfilms.com
On Mon, Jul 27, 2015 at 6:14 PM, Roger D. Wilson
rogerdwil
Yeah this is an awesome class! Way to go folks!
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On Wed, Jul 29, 2015 at 9:29 AM -0700, Nicholas Kovats nkov...@gmail.com
wrote:
Allright, Jesse!
On Tue, Jul 28, 2015 at 9:21 PM, Jesse Andrewartha curiousol...@gmail.com
wrote:
Cineworks Annex is excited to announce a 16mm
This may help you out Mark, it's a post from my blog.
Hand Processing 16mm black and white filmMaterials for processing film as
negative:
Kodak D-76 Developer (powder)Kodak Rapid Fixer with Hardener (do not mix in
hardener if you plan to tint and tone film)2 - 4 litre photographic chemical
324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
career as an experimental film
Is this a Kodak cartridge? It's not unusual to have the odd cartridge wound to
tight on its core and the camera have problems running the film through at a
steady rate. They would start off ok but the longer the shot the camera would
start to struggle with advancing film. You use to be able to
Does anyone know if the phone number for ordering film from Kodak has changed?
Is it not 1 800 621 3456? Tried calling and keep getting out of service.
Thanks!
Roger
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Hi folks,
I have a friend who is moving to France to attend school and I want to hook her
up to some film organizations that offer resources like training and equipment.
Any recommendations is appreciated.
Roger
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FrameWorks mailing
Hi folks,
I'm wondering if anyone on this forum may have some recommendations for
residencies or funding opportunities for film artists wishing to write a book
on their artistic practice? I would like to put together a technical book
focusing on the experimental processes and techniques I use
Very cool Mariah!
That is defiantly an Eiki Slot load in this video.
Roger
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_
From: mariah garnett mariah.garn...@gmail.com
Sent: Tuesday, June 2, 2015 8:03 PM
Subject: Re: [Frameworks] AC lock projector
To: Experimental Film Discussion List
I'm very interested in this conversation! Scott how would you go about chaining
the inching knobs on the Eiki Slot Loads? Do you have to modify the projector
or do you take off the back cover?
Thanks!
Roger
Sent from Outlook
On Tue, Jun 2, 2015 at 5:21 AM -0700, Scott Dorsey klu...@panix.com
Hi,
Have you opened up the plate covering the take up reel belt? If the belt is
worn then it may cause the film to not have a much tension on it that it
should. I have this same model and had this same problem and it was fine after
replacing both belts on take up and feed. They are o-ring style
Floris I have a few spare parts so let me know if you end up needing a gear.
Take a picture and send it to me and I will check my bucket of parts.
Roger
Sent from Outlook
On Tue, May 19, 2015 at 2:45 PM -0700, Larry Urbanski
lar...@urbanskifilm.com wrote:
The G3 takes some time to get use and perfect but I've used both the G3 and the
Lomo and I actually prefer the G3 and have near perfect results every time with
both colour and bw film. I only process as a negative though so less time in
the tank. Don't give up on the G3!
Roger
Sent from
I could be wrong about this but for some reason I believe Lindsay McIntyre in
Edmonton has some expanded cinema work.
Lindsay am I correct in saying this?
Roger
Sent from Outlook
On Fri, Mar 20, 2015 at 11:35 AM -0700, Patrick Friel patrick.fr...@att.net
wrote:
Kristin Reeves
Hi Kelly,
I like to use glycerin with cotton q-tips and wipe it onto the areas where I
want the emulsion left untouched by the bleach. Do tests first to figure out
thickness. You can also use Vaseline but it's a little thicker and can be a
little harder to wash from the film afterwards. You can
Not sure where you are located but I think John Kneller in Toronto still does
blow ups but unfortunately I do not have his contact information anylonger but
you might be able to get it through LIFT in Toronto.
www.lift.ca
Sent from Outlook
On Sat, Mar 14, 2015 at 5:50 PM -0700, mrktosc
Does anyone know what film manufacturers use as their subbing layer on film
stock so that the emulsion adheres to the base?
Thanks
Roger
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FrameWorks@jonasmekasfilms.com
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From: Jean-Louis Seguin bolext...@gmail.com
Sent: Monday, March 9, 2015 1:28 PM
Subject: Re: [Frameworks] Subbing on film
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
On 2015-03-09, at 12:12 PM, Roger D
, 2015 at 10:12 AM, Roger D. Wilson rogerdwil...@sympatico.ca
wrote:
Does anyone know what film manufacturers use as their subbing layer on
film stock so that the emulsion adheres to the base?
Thanks
Roger
Sent from Outlook http://taps.io/outlookmobile
the process. The shots play
in order of our tests and you can see how our process continued to improve as
the week moved forward. Thanks to Nick Brandreth and Mark Osterman for this
great opportunity to learn this process at George Eastman House.
https://vimeo.com/121521459
Roger D. Wilson
Sent
Hello fellow Frameworkers,
I am very happy to announce that I will be screening a selection of my films
this coming Friday February 6 at Visual Studies Workshop in Rochester New York.
The screening starts at 7pm, if you are in the area please stop by I would love
the opportunity to meet some
I think the Arri 416 Super 16mm camera was introduced in the 2000's - 2005 or
2006.
From: beebe...@osu.edu
To: pamari...@yahoo.com; frameworks@jonasmekasfilms.com
Date: Sun, 18 Jan 2015 15:25:55 +
Subject: Re: [Frameworks] Film cameras latest models
When was the Aaton A-Minima
Try CFMDC in Toronto Canada.
Date: Mon, 5 Jan 2015 12:55:41 +0100
From: esperanzacolla...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] A Casing Shelved
Hi there and happy 2015!
Do you know where I could find this Michael Snow work ? Even though it's not
technically a
- 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist
Awesome! Thanks Jason! I'm looking forward to visiting Rochester even more now!
Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com
be interested in programming my films
while I'm in town?
Thanks folks!
Roger
Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome
Also check out Kelly Egan's work http://cfmdc.org/user/9890 I think she is on
frameworks as well.
Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https
You might be able to get some daylight spools from a lab Jon.
Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without
Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
career
D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca
http://www.rogerdwilson.ca
http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm
Without failure you can never achieve success. I have based my process and my
career as an experimental film artist on this statement; and I welcome it as it
pushes me forward as an artist to try something
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