e degree.)
Marilyn Brakhage
From: "Fred Camper" <f...@fredcamper.com>
To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>
Sent: Monday, April 16, 2018 9:10:14 AM
Subject: Re: [Frameworks] Forwarded from Massart Faculty
Marilyn,
I
lt;f...@fredcamper.com>
To: "Experimental Film Discussion List" <frameworks@jonasmekasfilms.com>
Sent: Saturday, April 14, 2018 1:43:51 PM
Subject: Re: [Frameworks] Forwarded from Massart Faculty
So it sounds like you are unquestionably accepting that Levine was fo
So it sounds like you are unquestionably accepting that Levine was
forced out due to the nature of his filmmaking?
Are the five signatories of that statement lying?
Of course it is true that it is in the nature of some kinds of art
making that the artist will believe that she or he has found
I suggest one course of action to avoid such problems- Total boycott of
academia. Find other sources of employment if possible. If academia is the
only alternative in terms of earning an income then withhold your true work
from the academic audience. Create safe, vanilla works for the
I’ve been observing this situation and reflecting on the need for competing
skills inside one person:
- adherence to personal vision in the studio
- the flexibility of ego to collaborate well with colleagues and students in
the educational environment.
I’ve seen behavior like this in art
Another turn of the screw:
https://www.artforum.com/news/massart-embroiled-in-controversy-over-resignation-of-filmmaker-saul-levine-74966
j
> On Apr 12, 2018, at 9:19 AM, Jon Behrens wrote:
>
> Thank you Ed
> For sharing this
>
> Sent from my iPhone
>
> On Apr 11, 2018, at
Thank you Ed
For sharing this
Sent from my iPhone
On Apr 11, 2018, at 8:22 PM, Deana LeBlanc
> wrote:
Emotion vs. reason? His live video got us PUMPED and struck a cord- we who were
watching were cheering, (crying a bit admittedly). Even
Emotion vs. reason? His live video got us PUMPED and struck a cord- we who
were watching were cheering, (crying a bit admittedly). Even had musicians
riding along to its It speaks to something bigger and is effectively
cathartic- the performance, the storytelling, while also being a testimony
of
mental Film Discussion List
<mailto:frameworks@jonasmekasfilms.com>
*Subject: *Re: [Frameworks] Forwarded from Massart Faculty
Yes. Wow is right. I was the first to express sympathy, and anger that a
film showing to a class could have been an issue. But perhaps that was a
false narr
of affairs?
Salah Hassanpour
From: Fred Camper
Sent: April 11, 2018 22:28
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Forwarded from Massart Faculty
Yes. Wow is right. I was the first to express sympathy, and anger that a
film showing to a class could have been an issue
Yes. Wow is right. I was the first to express sympathy, and anger that a
film showing to a class could have been an issue. But perhaps that was a
false narrative?
I do not need to take sides here, just note that there are often two
sides, and we should not have jumped to conclusions from one
wow
Sent from my iPhone
> On Apr 11, 2018, at 4:28 PM, Ed Halter wrote:
>
> Hey Frameworks
>
> Felt I should share this announcement that was forwarded to me from the
> Massart faculty.
>
>
>
>
> TO THE MASSART COMMUNITY:
>
> The faculty and staff of the
Hey Frameworks
Felt I should share this announcement that was forwarded to me from the
Massart faculty.
TO THE MASSART COMMUNITY:
The faculty and staff of the Film/Video department demand that Professor
Saul Levine stop his
lies about recent events at Mass Art and his
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