Ah yes, I'd forgotten that. It's done in the Lilypond documentation either
by setting paper as part of the lilypond call, or explicitly in the example.
e.g:
@lilypond[verbatim,quote,ragged-right]
...
\paper {
paper-width = 100\mm
paper-height = 100\mm
tagline = ##f
}
}
@end
Hilary Snaden h...@newearth.demon.co.uk writes:
Is there a straightforward way of making tempo markings repeat over
selected staffs? I'm thinking in particular of SATB + keyboard, where
it can be useful to have tempo changes marked over each of the choir
staves and the upper keyboard staff.
Is there a straightforward way of making tempo markings repeat over
selected staffs? I'm thinking in particular of SATB + keyboard, where it
can be useful to have tempo changes marked over each of the choir staves
and the upper keyboard staff.
___
On Aug 4, 2013 5:30 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Me too. As a singer it looks exactly what I would expect. That's the
way all vocal music is laid out - with syllables left-aligned on tied
and slurred notes, wherever they appear.
How is it done in jazz lead sheets?
My
- Original Message -
From: James Harkins jamshar...@gmail.com
To: Trevor Daniels t.dani...@treda.co.uk
Cc: lily-users lilypond-user@gnu.org
Sent: Monday, August 05, 2013 3:38 PM
Subject: Re: Maybe bug? Lyrics on a tied note at end of system
On Aug 4, 2013 5:30 PM, Trevor Daniels
On Mon, Aug 5, 2013 at 10:38 AM, James Harkins jamshar...@gmail.com wrote:
On Aug 4, 2013 5:30 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
maybe it's as Phil stated in his answer: singers expect the lyric text
to start with the note and do not follow other/foreign aesthetic styles
Hi:
I am having some problems with repeat volta. I give below the pdf and .ly
version of the code. The bar line ins the 3rd system is not at the and of
the line. If the repeat starts at the beginning of a bar ( now the repeat
start with r4; I remove that and replace the bf2. before it and the bf2.
This is covered very clearly in the Notation Reference:
When alternate endings are added to a repeat that begins with an incomplete
measure, it becomes necessary to set the Timing.measureLength context property
manually, in the following specific places:
Please familiarise yourself with that
On Aug 5, 2013 11:07 AM, Carl Peterson carlopeter...@gmail.com wrote:
Seeing a column of flush-left syllables in the middle of a line of lyrics
when there are 3-5 verses just looks *bad*, even if it is technically
correct.
:-D
Anyway, I'll take the vocalists' word for it. I still believe any
Sebastian:
Some modifications must be made when the repeated section starts with an
incomplete measure. This is covered in the manual at
http://www.lilypond.org/doc/v2.16/Documentation/notation/long-repeats.
Specifically the Timing.measureLength has to be reset in both of the
alternatives. I
Thank you very much. Your suggestgions work. I looked at the documentation,
but I seemed to have missed that. Unless I
have not upgraded my documentation.
Sebastian Canagaratna
On Mon, Aug 5, 2013 at 12:46 PM, Mark Stephen Mrotek
carsonm...@ca.rr.comwrote:
Sebastian:
** **
Some
It seems to me that when scores are set with lots of white space, the
rules are followed meticulously (and that this is why computer-generated
scores began by being set much too loosely on the page - it's easier to
follow spacing rules when you have lots of room to do so). As scores are
set
On Aug 5, 2013 1:39 PM, David Rogers davidandrewrog...@gmail.com wrote:
Isolated, your example looks perfect to me. I think what's making it
look ugly to you is probably that it makes the spacing suddenly wider in
an otherwise fairly-tight score.
Sure, that sounds right. I don't think I will
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I have found some images of Henle's Moonlight Sonata.
Old edition: http://www.ackermanmusic.co.uk/img/P/412339_1.jpg
And the new one (from 2013):
http://www.di-arezzo.com/multimedia/images/henle/part/hn1062.jpg
Same
James Harkins jamshar...@gmail.com writes:
On Aug 5, 2013 2:59 PM, James Harkins jamshar...@gmail.com wrote:
I appreciate the thought, but I'm not quite interested in that
particular flavor of Kool-aid. I'll go with my eye on this. I don't
like how it looks, and I get something that is easier
David Kastrup d...@gnu.org writes:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I have found some images of Henle's Moonlight Sonata.
Old edition: http://www.ackermanmusic.co.uk/img/P/412339_1.jpg
And the new one (from 2013):
Am 05.08.2013 21:27, schrieb David Kastrup:
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hello all,
I have found some images of Henle's Moonlight Sonata.
Old edition: http://www.ackermanmusic.co.uk/img/P/412339_1.jpg
And the new one (from 2013):
On Mon, Aug 5, 2013 at 5:10 PM, David Rogers davidandrewrog...@gmail.comwrote:
James Harkins jamshar...@gmail.com writes:
On Aug 5, 2013 2:59 PM, James Harkins jamshar...@gmail.com wrote:
I appreciate the thought, but I'm not quite interested in that
particular flavor of Kool-aid. I'll go
On 04/08/2013 13:41, Phil Holmes wrote:
- Original Message - From: Robert Honore
robert.hon...@gmail.com
OK - this is what I get part way through my lilypond verbose output:
Initializing FontConfig...
Adding font directory: C:/Program Files
Am 04.08.2013 18:50, schrieb David Kastrup:
Urs Liska u...@openlilylib.org writes:
Hi David,
thank you for the organisation.
I could and should have written earlier, but unfortunately I can't
attend this meeting.
I really would love joining the discussions, and above all have the
opportunity
On 04/08/2013 15:28, and...@andis59.se wrote:
Initializing FontConfig...
Adding font directory:
C:/Program Files/LilyPond/usr/share/lilypond/current/fonts/otf
Building font database...^C
Maybe a stupid question but...
Has the directory above been created?
One of the problems with Vista is
On 04/08/2013 17:22, Trevor Daniels wrote:
and...@andis59.se wrote Sunday, August 04, 2013 8:28 PM
One of the problems with Vista is the UAC and you need to have
sufficient rights to write and create files and directories under
\Program Files.
Have you tried to run Lilypond as Administrator?
Hi Urs (et al.),
I'm probably biased but I find the appearance of the 'old' score infinitely
superior.
Immediately, one notices [in the newer version] what a poor choice it is to
have the triplet number (over the middle of the triplet) above, as it is easily
confused with the fingering
Am 06.08.2013 01:26, schrieb Kieren MacMillan:
Hi Urs (et al.),
I'm probably biased but I find the appearance of the 'old' score infinitely
superior.
Immediately, one notices [in the newer version] what a poor choice it is to
have the triplet number (over the middle of the triplet) above,
Carl Peterson carlopeter...@gmail.com writes:
I'm curious...did you happen to notice any examples where the engraver
chose to split the measure that might be indicative of an approach? If
I were to have done something like this for a hymnal/songbook, I would
have split the measure and would
On Mon, Aug 5, 2013 at 8:55 PM, David Rogers davidandrewrog...@gmail.comwrote:
Carl Peterson carlopeter...@gmail.com writes:
I'm curious...did you happen to notice any examples where the engraver
chose to split the measure that might be indicative of an approach? If
I were to have done
Hi.
I'm trying to write a conditional version of the \transpose
function, that would work something like this:
input = {
c c
\conditionalTransposition c c' { c c }
}
\input
= { c c c c }
\processConditionalTransposition \input
= { c c c' c' }
And I've hit another
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
Hi Urs (et al.),
I'm probably biased but I find the appearance of the 'old' score
infinitely superior.
Immediately, one notices [in the newer version] what a poor choice it
is to have the triplet number (over the middle of the triplet)
Mark Polesky markpole...@yahoo.com writes:
I'm trying to write a conditional version of the \transpose
function, that would work something like this:
input = {
c c
\conditionalTransposition c c' { c c }
}
\input
= { c c c c }
\processConditionalTransposition \input
= { c c c'
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