Hi David,
> Turning the leaves of American hymnbooks, I can't see many
> where space is saved just by combining voices.
I don’t have time to do the same… but as I said, the spacing savings of
combined voices is quite easy to demonstrate:
SNIPPET BEGINS
\version "2.19.32"
\new ChoirStaff
On Fri 16 Sep 2016 at 15:52:06 (-0400), Kieren MacMillan wrote:
> Hi Karlin,
>
> > what exactly causes the attraction to combined voices and
> > the disaffection for separated voices? I'm not sure, but I'll try to answer.
>
> I think that answer is pretty good, and probably partly true. Related
On Fri 16 Sep 2016 at 19:16:16 (+), Karlin High wrote:
> PS - Another American tradition is shaped notes, as in the Lilypond
> \aikenHeads command. I think those want combining even more; the
> attached PNG has an example.
My own view here is that the 4th shaped note is a good example of
Am 19.09.2016 um 22:49 schrieb Urs Liska:
> Am 19.09.2016 um 20:50 schrieb David Kastrup:
>> Urs Liska writes:
>>
>> [...]
>>
>> You are working with slopes here. Don't. They don't support vertical
>> lines.
>>
> Yes, that's what I realized ...
>
>> Please take a look at
Am 19.09.2016 um 20:50 schrieb David Kastrup:
> Urs Liska writes:
>
> [...]
>
> You are working with slopes here. Don't. They don't support vertical
> lines.
>
Yes, that's what I realized ...
> Please take a look at the recently added functions
>
>ly:length
Urs Liska writes:
[...]
You are working with slopes here. Don't. They don't support vertical
lines.
Please take a look at the recently added functions
ly:length ly:angle ly:directed
They will usually make it easy to do the operations you want. In
particular
> On 19 Sep 2016, at 20:25, David Kastrup wrote:
>
> Hans Åberg writes:
>> Perhaps it looks better with the second derivatives lined up as well.
>
> That precludes a straight line (second derivative 0) running into a
> circle arc (second derivative 1/(2pi r)
Hans Åberg writes:
>> On 19 Sep 2016, at 10:41, David Kastrup wrote:
>
>> It would be my guess that the hands-on manipulative features of control
>> points have made cubic Beziers the go-to curve approximation and design
>> tool.
>
> Perhaps it looks better
> On 19 Sep 2016, at 10:41, David Kastrup wrote:
> It would be my guess that the hands-on manipulative features of control
> points have made cubic Beziers the go-to curve approximation and design
> tool.
Perhaps it looks better with the second derivatives lined up as well.
Am 19.09.2016 um 18:41 schrieb Urs Liska:
>
> Am 18.09.2016 um 22:16 schrieb Thomas Morley:
>> 2016-09-18 20:26 GMT+02:00 Urs Liska :
>>> Am 18.09.2016 um 18:28 schrieb Simon Albrecht:
May I incorporate that into the LSR version?
>>> I suggest not to do
Generally, songs with lyrics are set with a ChoirStaff rather than a
StaffGroup. These do not have barlines spanning the space between the staves,
and so the problem does not occur.
--
Phil Holmes
- Original Message -
From: kmg
To: lilypond-user@gnu.org
Sent: Monday,
Hans Åberg writes:
>> On 18 Sep 2016, at 14:41, Simon Albrecht wrote:
>>
>> On 18.09.2016 13:54, Andrew Bernard wrote:
>
>>> What is it exactly that you are expecting a quartic to give you?
>>
>> Oh, I think you’re quite overestimating the amount of
Am 18.09.2016 um 22:16 schrieb Thomas Morley:
> 2016-09-18 20:26 GMT+02:00 Urs Liska :
>> Am 18.09.2016 um 18:28 schrieb Simon Albrecht:
>>> May I incorporate that into the LSR version?
>>>
>>>
>> I suggest not to do anything right now. I assume that once I'll come up
>>
Hey guys, I recently discovered Lily and I like it a lot. For practice
purposes I decided to engrave some old psalm and lyrics look bad. From what
I read, hyphens are always centered between sylabes, so my question: is
there a way to avoid them getting into barlines, or align them in verses?
On 9/19/16 2:53 AM, "Chris Yate" wrote:
>Looking at the results, I suspect the positioning algorithm should try to
>place dots on the space-notes first, then work the line-notes around them.
>
>
>Additionally, chord-dots-limit might be used to limit how far away the
>dots
One further iteration. Please let me know what you think of the interface:
-\compoundSlur \with {
% offsets against the automatic control points
offsets =
#'((0 . -1.5) ; left starting point
(-2 . -1) ; second control point
(2 . -5); second-to-last control point
On 9/18/2016 3:34 AM, Pierre Perol-Schneider wrote:
> Cheers,
> Pierre
I'm cheering, all right! That worked beautifully, Pierre. All that
scheme code with coordinates... you must love this stuff.
--
Karlin High
Missouri, USA
___
lilypond-user mailing
Am 19.09.2016 um 00:32 schrieb David Kastrup:
> Urs Liska writes:
>
>> Am 18.09.2016 um 20:54 schrieb David Kastrup:
>>> Do you know how to split a bezier at a given ratio into equivalent
>>> beziers? It's a comparatively simple operation and I think it's already
>>>
On Mon, 19 Sep 2016 at 09:38 Chris Yate wrote:
> On 9/18/16 4:00 PM, "Carl Sorensen" wrote:
>>> >Chris,
>>> >
>>> >Here's a patch. But as Werner pointed out, it's not quite done yet. I
>>> >think I need to improve the badness scoring in order to get
> On 18 Sep 2016, at 14:41, Simon Albrecht wrote:
>
> On 18.09.2016 13:54, Andrew Bernard wrote:
>> What is it exactly that you are expecting a quartic to give you?
>
> Oh, I think you’re quite overestimating the amount of in-depth mathematical
> background I had – I
On Mon, 19 Sep 2016 at 02:31 Carl Sorensen wrote:
> On 9/18/16 4:00 PM, "Carl Sorensen" wrote:
> >Chris,
> >
> >Here's a patch. But as Werner pointed out, it's not quite done yet. I
> >think I need to improve the badness scoring in order to get better
>
Sorry, for some reply mails I (faulty) pressed the wrong send button and
sent it private. Here the last mail out of that sequence (of three) for
some correction.
Regards
Originalnachricht
Betreff: Re: Problem with partial measure at the beginning of the piece
Datum:
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