Re: LilyPond-Book on Windows
David Kastrup writes: So my first impulse would be to throw out the workaround for 2.4.2 that Let's do that. Jan -- Jan Nieuwenhuizen jann...@gnu.org | GNU LilyPond http://lilypond.org Freelance IT http://JoyofSource.com | Avatar® http://AvatarAcademy.nl ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: LilyPond-Book on Windows
Jan Nieuwenhuizen jann...@gnu.org writes: David Kastrup writes: So my first impulse would be to throw out the workaround for 2.4.2 that Let's do that. Well, issue 1933 URL:http://code.google.com/p/lilypond/issues/detail?id=1933 would suggest that this is a bad idea. Nothing substantially has changed since then. I'm currently trying to get the TEXINPUTS stuff integrated into the Mingw fix to arrive back at a working lilypond-book, but of course it is to be hoped that moving Python forward to 2.6 might make that problem go away. But it will take longer to figure that out. Our current 2.4.5 Python aborts with an error traceback even when doing exit(0) which is sort of ridiculous. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: the next step?
On Apr 4, 2014, at 10:33 PM, b...@wolfcomposer.com wrote: Dear All, A friend of mine asked a few questions about a pipe-organ piece i'd written that was performed recently. i ended up making two sheets of examples for him, one with a table of canons in two voices, the other in four. When i started making these, i thought of arranging them in two columns on a single page. To keep the numbers readable, i decided against this. However, i remain curious. Is it possible to divide a page into columns? i know that text can be arranged into columns, and the Internals mention a PaperColumn and its appropriate engravers and contexts. Having read the sections on page and score layout, i couldn't find anything that explicitly addressed this problem. i am working (still?!) in 2.14.2, so the next step just might be an update. If anybody wants to listen, i'd be honored. The organist is Amelia Javorina. i apologize for the audience noise, but it's the best that could be done given the circumstances. Thanks, All, and please take care. bill I recently typeset a piece like this - it required a lot of manual trickery, but it is doable if you use a top-level markup and the \fill-line command. A recent command was also added by David N. that helps with this (see https://code.google.com/p/lilypond/issues/detail?id=3860). It is not automated, so it is a pain, but it comes out looking very nice - you just have to manually do new markups for new pages. Cheers, MS___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: the next step?
On 04/05/2014 10:28 AM, Mike Solomon wrote: On Apr 4, 2014, at 10:33 PM, b...@wolfcomposer.com mailto:b...@wolfcomposer.com wrote: Dear All, A friend of mine asked a few questions about a pipe-organ piece i'd written that was performed recently. i ended up making two sheets of examples for him, one with a table of canons in two voices https://dl.dropboxusercontent.com/u/97727771/chaconne_a2-canon_analysis.pdf, the other in four https://dl.dropboxusercontent.com/u/97727771/chaconne_a4-canon_analysis.pdf. When i started making these, i thought of arranging them in two columns on a single page. To keep the numbers readable, i decided against this. However, i remain curious. Is it possible to divide a page into columns? i know that text can be arranged into columns, and the Internals mention a PaperColumn and its appropriate engravers and contexts. Having read the sections on page and score layout, i couldn't find anything that explicitly addressed this problem. i am working (still?!) in 2.14.2, so the next step just might be an update. If anybody wants to listen https://dl.dropboxusercontent.com/u/97727771/Chaccone%20Rondo.mp3, i'd be honored. The organist is Amelia Javorina. i apologize for the audience noise, but it's the best that could be done given the circumstances. Thanks, All, and please take care. bill I recently typeset a piece like this - it required a lot of manual trickery, but it is doable if you use a top-level markup and the \fill-line command. A recent command was also added by David N. that helps with this (see https://code.google.com/p/lilypond/issues/detail?id=3860). It is not automated, so it is a pain, but it comes out looking very nice - you just have to manually do new markups for new pages. Wouldn't it be easier to typeset it in the regular way but with page width set to the desired column width, and then use some PDF or Postscript manipulation tool to move each pair of pages into one? Rutger ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: the next step?
Should be easily doable in a two-column LaTeX document? Rutger Hofman rut...@cs.vu.nl schrieb am 05.04.2014: On 04/05/2014 10:28 AM, Mike Solomon wrote: On Apr 4, 2014, at 10:33 PM, b...@wolfcomposer.com mailto:b...@wolfcomposer.com wrote: Dear All, A friend of mine asked a few questions about a pipe-organ piece i'd written that was performed recently. i ended up making two sheets of examples for him, one with a table of canons in two voices https://dl.dropboxusercontent.com/u/97727771/chaconne_a2-canon_analysis.pdf, the other in four https://dl.dropboxusercontent.com/u/97727771/chaconne_a4-canon_analysis.pdf. When i started making these, i thought of arranging them in two columns on a single page. To keep the numbers readable, i decided against this. However, i remain curious. Is it possible to divide a page into columns? i know that text can be arranged into columns, and the Internals mention a PaperColumn and its appropriate engravers and contexts. Having read the sections on page and score layout, i couldn't find anything that explicitly addressed this problem. i am working (still?!) in 2.14.2, so the next step just might be an update. If anybody wants to listen https://dl.dropboxusercontent.com/u/97727771/Chaccone%20Rondo.mp3, i'd be honored. The organist is Amelia Javorina. i apologize for the audience noise, but it's the best that could be done given the circumstances. Thanks, All, and please take care. bill I recently typeset a piece like this - it required a lot of manual trickery, but it is doable if you use a top-level markup and the \fill-line command. A recent command was also added by David N. that helps with this (see https://code.google.com/p/lilypond/issues/detail?id=3860). It is not automated, so it is a pain, but it comes out looking very nice - you just have to manually do new markups for new pages. Wouldn't it be easier to typeset it in the regular way but with page width set to the desired column width, and then use some PDF or Postscript manipulation tool to move each pair of pages into one? Rutger lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- Diese Nachricht wurde mit a href=https://play.google.com/store/apps/details?id=com.onegravity.k10.pro2;bK-@ Mail/b/a gesendet.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: the next step?
Urs Liska u...@openlilylib.org writes: Should be easily doable in a two-column LaTeX document? I think there are a few scripts around using pdftex for arranging PDF files. But it is pretty much a shame that we a) have our page builder hardwired b) cannot nest page builders. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
q?
In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: q?
Peter Toye lilyp...@ptoye.com writes: In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? You could always look in the index. Except that it isn't in there. Bug squad? At any rate, it's in URL:http://lilypond.org/doc/v2.18/Documentation/notation/single-voice#chord-repetition. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: q?
2014-04-05 12:45 GMT+02:00 David Kastrup d...@gnu.org: Peter Toye lilyp...@ptoye.com writes: In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? You could always look in the index. Except that it isn't in there. Bug squad? At any rate, it's in URL: http://lilypond.org/doc/v2.18/Documentation/notation/single-voice#chord-repetition . https://code.google.com/p/lilypond/issues/detail?id=3896 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Problems with tremolo signs
I'm having problems with a tremolo sign (see snippet):
1) It's too short - surely there should be a minimum size for it and it should
be shunted to the next line?
2) It's in rather an odd place vertically: surely it should be either between
the notes if they're well-separated as here or below both of them?
3) In printed music, tremolo signs between notes (not when attached to stems)
are usually slanted, which stops them getting mixed up with the staff lines.
I agree that there are probably tweaks for these, but I'd hope that the
defaults wouldn't need tweaking.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
\version 2.18.0
\language english
left = \relative c' {
c1 c c c c c c c c c c c c
\repeat tremolo 16 { c 32 c,} |
}
\score {
\new PianoStaff
\new Staff { \clef bass \left }
}___
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Re: q?
2014-04-05 12:40 GMT+02:00 Peter Toye lilyp...@ptoye.com: In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? If you know already what it is, then search is very easy. Go in the index of the Notation Reference and search chord, repeats and you find this link: http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-fretted-strings#index-Chord_002c-repetition Usually the commands are listed also under \, but there's no \q in the doc. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with tremolo signs
Problems with tremolo signsWhole note tremolos are not pretty. See
http://code.google.com/p/lilypond/issues/detail?id=1444
--
Phil Holmes
- Original Message -
From: Peter Toye
To: lilypond-user@gnu.org
Sent: Saturday, April 05, 2014 11:55 AM
Subject: Problems with tremolo signs
I'm having problems with a tremolo sign (see snippet):
1) It's too short - surely there should be a minimum size for it and it
should be shunted to the next line?
2) It's in rather an odd place vertically: surely it should be either between
the notes if they're well-separated as here or below both of them?
3) In printed music, tremolo signs between notes (not when attached to stems)
are usually slanted, which stops them getting mixed up with the staff lines.
I agree that there are probably tweaks for these, but I'd hope that the
defaults wouldn't need tweaking.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
\version 2.18.0
\language english
left = \relative c' {
c1 c c c c c c c c c c c c
\repeat tremolo 16 { c 32 c,} |
}
\score {
\new PianoStaff
\new Staff { \clef bass \left }
}
--
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Re: q?
Federico, If I had known what it was, it would have been very easy! It's not just for fretted strings - I'm a pianist and repeated chords happen quite a lot, especially in orchestral reductions. It would have saved me a LOT of time recently. Also, shouldn't it be just q rather than \q? That's what I've seen and it works on my input. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 11:49:20 AM, you wrote: 2014-04-05 12:40 GMT+02:00 Peter Toye lilyp...@ptoye.com: In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? If you know already what it is, then search is very easy. Go in the index of the Notation Reference and search chord, repeats and you find this link: http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-fretted-strings#index-Chord_002c-repetition Usually the commands are listed also under \, but there's no \q in the doc.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: q?
Thanks David, I know it's not easy to write technical documentation and some things always slip through. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 11:45:44 AM, you wrote: Peter Toye lilyp...@ptoye.com writes: In some snippets I've seen a note q which appears to repeat the previous note or chord. But I can't see it anywhere in the documentation (and doing a search for q isn't likely to be much help!). Is it there, or should it be? You could always look in the index. Except that it isn't in there. Bug squad? At any rate, it's in URL:http://lilypond.org/doc/v2.18/Documentation/notation/single-voice#chord-repetition.___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: q?
2014-04-05 13:09 GMT+02:00 Peter Toye lilyp...@ptoye.com: Federico, If I had known what it was, it would have been very easy! It's not just for fretted strings - I'm a pianist and repeated chords happen quite a lot, especially in orchestral reductions. It would have saved me a LOT of time recently. Also, shouldn't it be just q rather than \q? That's what I've seen and it works on my input. Sure, you are right.. (damned multitasking...). For sure the index entries are not good, I'll update the issue with proper information. Thanks ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with tremolo signs
Thanks Phil,
I'd not realised it was already in the issue list.
As I'm only a casual user (a performer, not usually an arranger or composer)
I'm never sure whether to raise an issue or mention a problem on the mailing
list.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, April 5, 2014, 11:59:53 AM, you wrote:
Whole note tremolos are not pretty. See
http://code.google.com/p/lilypond/issues/detail?id=1444
--
Phil Holmes
- Original Message -
From: Peter Toye
To: lilypond-user@gnu.org
Sent: Saturday, April 05, 2014 11:55 AM
Subject: Problems with tremolo signs
I'm having problems with a tremolo sign (see snippet):
1) It's too short - surely there should be a minimum size for it and it should
be shunted to the next line?
2) It's in rather an odd place vertically: surely it should be either between
the notes if they're well-separated as here or below both of them?
3) In printed music, tremolo signs between notes (not when attached to stems)
are usually slanted, which stops them getting mixed up with the staff lines.
I agree that there are probably tweaks for these, but I'd hope that the
defaults wouldn't need tweaking.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
\version 2.18.0
\language english
left = \relative c' {
c1 c c c c c c c c c c c c
\repeat tremolo 16 { c 32 c,} |
}
\score {
\new PianoStaff
\new Staff { \clef bass \left }
}
___
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Re: Problems with tremolo signs
It wasn't but has been added today :-)
Peter Toye lilyp...@ptoye.com schrieb am 05.04.2014:
Thanks Phil,
I'd not realised it was already in the issue list.
As I'm only a casual user (a performer, not usually an arranger or
composer) I'm never sure whether to raise an issue or mention a problem
on the mailing list.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Saturday, April 5, 2014, 11:59:53 AM, you wrote:
Whole note tremolos are not pretty. See
http://code.google.com/p/lilypond/issues/detail?id=1444
--
Phil Holmes
- Original Message -
From: Peter Toye
To: lilypond-user@gnu.org
Sent: Saturday, April 05, 2014 11:55 AM
Subject: Problems with tremolo signs
I'm having problems with a tremolo sign (see snippet):
1) It's too short - surely there should be a minimum size for it and it
should be shunted to the next line?
2) It's in rather an odd place vertically: surely it should be either
between the notes if they're well-separated as here or below both of
them?
3) In printed music, tremolo signs between notes (not when attached to
stems) are usually slanted, which stops them getting mixed up with the
staff lines.
I agree that there are probably tweaks for these, but I'd hope that the
defaults wouldn't need tweaking.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
\version 2.18.0
\language english
left = \relative c' {
c1 c c c c c c c c c c c c
\repeat tremolo 16 { c 32 c,} |
}
\score {
\new PianoStaff
\new Staff { \clef bass \left }
}
___
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Re: Problems with tremolo signs
- Original Message - From: Urs Liska To: Peter Toye ; Phil Holmes Cc: lilypond-user@gnu.org Sent: Saturday, April 05, 2014 12:43 PM Subject: Re: Problems with tremolo signs It wasn't but has been added today :-) The tremolo problem has been in the list since 2010! -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problems with tremolo signs
Am 05.04.2014 13:43, schrieb Urs Liska:
It wasn't but has been added today :-)
Huh? Issue 1444 is dated Dec 10, 2010 ... or am I missing something?
Marc
Peter Toye lilyp...@ptoye.com schrieb am 05.04.2014:
Thanks Phil,
I'd not realised it was already in the issue list.
As I'm only a casual user (a performer, not usually an arranger or
composer) I'm never sure whether to raise an issue or mention a
problem on the mailing list.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com http://www.ptoye.com
-
Saturday, April 5, 2014, 11:59:53 AM, you wrote:
Whole note tremolos are not pretty. See
http://code.google.com/p/lilypond/issues/detail?id=1444
--
Phil Holmes
- Original Message -
*From: *Peter Toye mailto:lilyp...@ptoye.com
*To: *lilypond-user@gnu.org mailto:lilypond-user@gnu.org
*Sent:* Saturday, April 05, 2014 11:55 AM
*Subject:* Problems with tremolo signs
I'm having problems with a tremolo sign (see snippet):
1) It's too short - surely there should be a minimum size for it and
it should be shunted to the next line?
2) It's in rather an odd place vertically: surely it should be
either between the notes if they're well-separated as here or below
both of them?
3) In printed music, tremolo signs between notes (not when attached
to stems) are usually slanted, which stops them getting mixed up
with the staff lines.
I agree that there are probably tweaks for these, but I'd hope that
the defaults wouldn't need tweaking.
Regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com http://www.ptoye.com
\version 2.18.0
\language english
left = \relative c' {
c1 c c c c c c c c c c c c
\repeat tremolo 16 { c 32 c,} |
}
\score {
\new PianoStaff
\new Staff { \clef bass \left }
}
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MetronomeMark aligned to accidentals
Consider the following example:
\version 2.19.3
{
R1 |
\tempo Tempo
as' bes'
}
I would like the MetronomeMark to be aligned with the left edge of the leftmost
Accidental (almost with the BarLine, but not quite). I've been trying to
manipulate the Score.MetronomeMark.non-break-align-symbols property, but to no
avail (I'm not sure I quite understand how that property works; it's a little
unclear to me in the IR). Can anyone steer me in the right direction?
DR
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Re: command line option that prevents generation of midi?
2014-04-04 22:06 GMT+02:00 Paul Morris p...@paulwmorris.com: SoundsFromSound wrote I'm 99.999% sure that it's not possible to do what you're after, / unless / you comment out/delete the MIDI block. I think? Are you able to comment it out or does that interfere somehow? Yes, I can just comment it out, or delete the midi file afterwards, so it's no problem. I just thought there might be a command line option that would work instead. See the last comment here: http://lilypond.1069038.n5.nabble.com/Lilypond-compile-with-no-midi-output-td140395.html the following command _seems_ to work: lilypond -e (set! write-performances-midis (lambda (performances basename . rest) 0)) piece.ly even if I don't know what it's really doing: it just deletes the midi file? or it really avoids the creation of the midi file? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: MetronomeMark aligned to accidentals
2014-04-05 14:44 GMT+02:00 Daniel Rosen drose...@gmail.com:
Consider the following example:
\version 2.19.3
{
R1 |
\tempo Tempo
as' bes'
}
I would like the MetronomeMark to be aligned with the left edge of the
leftmost Accidental (almost with the BarLine, but not quite). I've been
trying to manipulate the Score.MetronomeMark.non-break-align-symbols
property, but to no avail (I'm not sure I quite understand how that
property works; it's a little unclear to me in the IR). Can anyone steer me
in the right direction?
DR
I'm not sure I can help in detail...
For one shot :
\version 2.19.3
{
R1 |
\tweak X-offset #-2.5 \tempo Tempo
as' bes'
}
% or
{
R1 |
\once\override Score.MetronomeMark.self-alignment-X = #-0.3
\tempo Tempo
as' bes'
}
HTH,
Pierre
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RE: MetronomeMark aligned to accidentals
Well, yes, that is one option, but it’s not one I love for two reasons: 1) it’s
kludgy, and 2) I think that maybe LilyPond should do what I’m describing by
default. The current default output looks very odd to me (although it could be
just me).
DR
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Saturday, April 05, 2014 9:53 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.org
Subject: Re: MetronomeMark aligned to accidentals
2014-04-05 14:44 GMT+02:00 Daniel Rosen
drose...@gmail.commailto:drose...@gmail.com:
Consider the following example:
\version 2.19.3
{
R1 |
\tempo Tempo
as' bes'
}
I would like the MetronomeMark to be aligned with the left edge of the leftmost
Accidental (almost with the BarLine, but not quite). I've been trying to
manipulate the Score.MetronomeMark.non-break-align-symbols property, but to no
avail (I'm not sure I quite understand how that property works; it's a little
unclear to me in the IR). Can anyone steer me in the right direction?
DR
I'm not sure I can help in detail...
For one shot :
\version 2.19.3
{
R1 |
\tweak X-offset #-2.5 \tempo Tempo
as' bes'
}
% or
{
R1 |
\once\override Score.MetronomeMark.self-alignment-X = #-0.3
\tempo Tempo
as' bes'
}
HTH,
Pierre
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Re: command line option that prevents generation of midi?
On Sat, 5 Apr 2014, Federico Bruni wrote: the following command _seems_ to work: lilypond -e (set! write-performances-midis (lambda (performances basename . rest) 0)) piece.ly even if I don't know what it's really doing: it just deletes the midi file? or it really avoids the creation of the midi file? Interesting. This is the kind of syntax I couldn't possibly remember and reproduce without searching the mailing list archives or manuals. I think I'l stick to my bash commandline and do lilypond piece.ly rm -f piece.midi Two commands, and still shorter. Maybe just a little bit slower. -- MT___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Hyphen in a lyrics word
Hi, I have to write this word in the lyrics “seen-a”. This is how it’s written as text. It should be sung on two notes (like seen -- a). But in case the notes are close, it should remain “seen-a” and not “seena”. Is this issue [2463][] (which is a different usecase but might be used for this, too) or am I missing something? This should be a common usecase for all words containing hyphens, shouldn’t it? I had expected “seen - a” to work, but then the “-” takes up an extra note. (And yes, “seen- a” is too ugly and not width-adapting.) Cheers, Joram [2463]: http://code.google.com/p/lilypond/issues/detail?id=2463 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Ties across voices
-Original Message-
From: Nick Payne [mailto:nick.pa...@internode.on.net]
Sent: Sunday, March 30, 2014 11:54 PM
To: lilypond-user@gnu.org
Subject: Re: Ties across voices
On 31/03/14 10:56, Daniel Rosen wrote:
Consider the example below:
\version 2.19.3
\new Staff
\new Voice \relative c'' { \voiceOne c4~ c d, c }
\new Voice \relative c' { \voiceTwo c d8 q
How can I tie the lower voice's c d to the upper voice's c d, c?
You could use a third hidden voice:
\version 2.19.3
transOn = {
\override NoteColumn.ignore-collision = ##t
\override NoteHead.no-ledgers = ##t
\hide NoteHead
\hide Stem
\hide Flag
\hide Beam
\hide Dots
\hide Accidental
\hide TupletBracket
\hide TupletNumber
}
transOff = {
\revert NoteColumn.ignore-collision
\revert NoteHead.no-ledgers
\revert NoteHead.transparent
\revert Stem.transparent
\revert Beam.transparent
\revert Flag.transparent
\revert Dots.transparent
\revert Accidental.transparent
\revert TupletBracket.transparent
\revert TupletNumber.transparent
}
\new Staff
\new Voice \relative c'' { \voiceOne c4~ c d, c }
\new Voice \relative c' { \voiceTwo c d8 q }
\new Voice \relative c' { \voiceThree \transOn s8 c_~ d^~ q }
Aha! I was doing something similar to this without adding a third voice; the
addition of \override NoteColumn.ignore-collision = ##t (I didn't even know
that property existed) makes it work now:
\version 2.19.3
\new Staff
\new Voice \relative c'' {
\voiceOne c4~ \oneVoice c d, c
}
\new Voice \relative c' {
\voiceTwo c d8 q~
\oneVoice \once \omit Stem \once \hideNotes
\once \override NoteColumn.ignore-collision = ##t
q4
}
Thanks!
DR
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Re: Hyphen in a lyrics word
- Original Message - From: Noeck noeck.marb...@gmx.de To: lilypond-user lilypond-user@gnu.org Sent: Saturday, April 05, 2014 3:36 PM Subject: Hyphen in a lyrics word Hi, I have to write this word in the lyrics “seen-a”. This is how it’s written as text. It should be sung on two notes (like seen -- a). But in case the notes are close, it should remain “seen-a” and not “seena”. Is this issue [2463][] (which is a different usecase but might be used for this, too) or am I missing something? This should be a common usecase for all words containing hyphens, shouldn’t it? I had expected “seen - a” to work, but then the “-” takes up an extra note. (And yes, “seen- a” is too ugly and not width-adapting.) Cheers, Joram [2463]: http://code.google.com/p/lilypond/issues/detail?id=2463 Does http://lsr.di.unimi.it/LSR/Item?id=680 provide you with what you want? -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Automatically realize figured bass
Hi everybody, a few weeks ago my father asked me whether there is a tool that automatically realizes figured bass (I think you say “realize” for the act of composing the right hand accompaniment, don’t you?). I didn’t know such a tool, so I wrote a simple one in Haskell but this wasn’t clever enough (worked only under certain preconditions, used backtracking instead of something faster, didn’t weight solutions by their “goodness”, etc.). But now I have several ideas how to improve such a tool (represent chords as vertices in a graph, edges are weighted (unison/octave parallels get a very high score etc.), then find the best solution using the Dijsktra or Bellman-Ford wayfinding algorithm, …). I don’t know whether such a tool could be implemented in LilyPond itself (as an engraver?) or it would be better to write a separate program (like lilypond-book/musicxml2ly/…). In the latter case, I think we would be relatively free in the choice of a programming language ;) The german LilyPond forum doesn’t seem to be very interested in such a project yet. But there are so many more LilyPonders “out there” ;) Would someone on this list be interested • to use such a tool if someone implemented it? • to implement such a tool? (knowledge of figured bass or a programming language would be good ;) • Or is there already such a tool for LilyPond that I don’t know? Cheers, Malte ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Hyphen in a lyrics word
Noeck noeck.marb...@gmx.de writes:
Hi,
I have to write this word in the lyrics “seen-a”. This is how it’s
written as text. It should be sung on two notes (like seen -- a). But in
case the notes are close, it should remain “seen-a” and not “seena”.
Is this issue [2463][] (which is a different usecase but might be used
for this, too) or am I missing something? This should be a common
usecase for all words containing hyphens, shouldn’t it?
I had expected “seen - a” to work, but then the “-” takes up an extra
note. (And yes, “seen- a” is too ugly and not width-adapting.)
Something like
\\- = \tweak minimum-distance #1 #(make-music 'HyphenEvent)
\new Lyrics \lyricmode { seen\-a }
perhaps?
--
David Kastrup
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Re: Hyphen in a lyrics word
Hi Phil, [2463]: http://code.google.com/p/lilypond/issues/detail?id=2463 Does http://lsr.di.unimi.it/LSR/Item?id=680 provide you with what you want? Yes. Thank you! (while it is still a bit sad, that this is not possible out of the box, I mean simpler.) Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Fermata colliding with Beam
\version 2.19.3
{ \stemUp a''8[ f']\fermata }
Is this a bug?
DR
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Re: Hyphen in a lyrics word
Something like
\\- = \tweak minimum-distance #1 #(make-music 'HyphenEvent)
\new Lyrics \lyricmode { seen\-a }
That’s already pretty cool! Thanks.
Joram
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Re: Automatically realize figured bass
Malte Meyn lilyp...@maltemeyn.de writes: Hi everybody, a few weeks ago my father asked me whether there is a tool that automatically realizes figured bass (I think you say “realize” for the act of composing the right hand accompaniment, don’t you?). I didn’t know such a tool, so I wrote a simple one in Haskell but this wasn’t clever enough (worked only under certain preconditions, used backtracking instead of something faster, didn’t weight solutions by their “goodness”, etc.). But now I have several ideas how to improve such a tool (represent chords as vertices in a graph, edges are weighted (unison/octave parallels get a very high score etc.), then find the best solution using the Dijsktra or Bellman-Ford wayfinding algorithm, …). I don’t know whether such a tool could be implemented in LilyPond itself (as an engraver?) or it would be better to write a separate program (like lilypond-book/musicxml2ly/…). In the latter case, I think we would be relatively free in the choice of a programming language ;) I think an approach in LilyPond/Scheme would be nice (take a look at GOOPS whether it could help with abstracting the stuff into classes). The main advantage is that you can let it do figured bass on-the-fly, and also work with \displayLilyMusic for getting back a pondable representation. Would someone on this list be interested • to use such a tool if someone implemented it? I don't think I usually have numbered bass material here. -- David Kastrup ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Issue with downloaded manuals
I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Issue with downloaded manuals
Issue with downloaded manualsHow did you download them? If you simply Save the html file, you'll be missing the style sheet and all the images. -- Phil Holmes - Original Message - From: Peter Toye To: lilypond-user@gnu.org Sent: Saturday, April 05, 2014 4:41 PM Subject: Issue with downloaded manuals I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com -- ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Hyphen in a lyrics word
- Original Message - From: Noeck noeck.marb...@gmx.de To: lilypond-user lilypond-user@gnu.org Sent: Saturday, April 05, 2014 4:01 PM Subject: Re: Hyphen in a lyrics word Hi Phil, [2463]: http://code.google.com/p/lilypond/issues/detail?id=2463 Does http://lsr.di.unimi.it/LSR/Item?id=680 provide you with what you want? Yes. Thank you! (while it is still a bit sad, that this is not possible out of the box, I mean simpler.) Cheers, Joram The problem is you can't please all the people all the time. Some want disappearing hyphens. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: MetronomeMark aligned to accidentals
I should also mention that aligning the MetronomeMark with the BarLine would be
fine as a workaround for now, but I can’t figure out how to do that either.
DR
From: Daniel Rosen
Sent: Saturday, April 05, 2014 10:25 AM
To: 'Pierre Perol-Schneider'
Cc: lilypond-user@gnu.org
Subject: RE: MetronomeMark aligned to accidentals
Well, yes, that is one option, but it’s not one I love for two reasons: 1) it’s
kludgy, and 2) I think that maybe LilyPond should do what I’m describing by
default. The current default output looks very odd to me (although it could be
just me).
DR
From: Pierre Perol-Schneider [mailto:pierre.schneider.pa...@gmail.com]
Sent: Saturday, April 05, 2014 9:53 AM
To: Daniel Rosen
Cc: lilypond-user@gnu.orgmailto:lilypond-user@gnu.org
Subject: Re: MetronomeMark aligned to accidentals
2014-04-05 14:44 GMT+02:00 Daniel Rosen
drose...@gmail.commailto:drose...@gmail.com:
Consider the following example:
\version 2.19.3
{
R1 |
\tempo Tempo
as' bes'
}
I would like the MetronomeMark to be aligned with the left edge of the leftmost
Accidental (almost with the BarLine, but not quite). I've been trying to
manipulate the Score.MetronomeMark.non-break-align-symbols property, but to no
avail (I'm not sure I quite understand how that property works; it's a little
unclear to me in the IR). Can anyone steer me in the right direction?
DR
I'm not sure I can help in detail...
For one shot :
\version 2.19.3
{
R1 |
\tweak X-offset #-2.5 \tempo Tempo
as' bes'
}
% or
{
R1 |
\once\override Score.MetronomeMark.self-alignment-X = #-0.3
\tempo Tempo
as' bes'
}
HTH,
Pierre
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RE: Issue with downloaded manuals
From: Peter Toye [mailto:lilyp...@ptoye.com] Sent: Saturday, April 05, 2014 11:42 AM To: lilypond-user@gnu.org Subject: Issue with downloaded manuals I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com Try downloading the doc tarball instead (stable: http://www.lilypond.org/download/binaries/documentation/lilypond-2.18.2-1.documentation.tar.bz2; unstable: http://www.lilypond.org/download/binaries/documentation/lilypond-2.19.3-1.documentation.tar.bz2). Extract, extract again, open ~/share/doc/lilypond/html/index.html and navigate just like you would on the website. It's a lot more data to download, and it'll take a few minutes to extract, but it's probably the simplest way to do what you're asking (I won't say it's the only way since I don't know that it is). ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Issue with downloaded manuals
Thanks Phil. I saved the page (in Firefox). This saves the page and the associated files. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 5:25:50 PM, you wrote: How did you download them? If you simply Save the html file, you'll be missing the style sheet and all the images. -- Phil Holmes - Original Message - From: Peter Toye To: lilypond-user@gnu.org Sent: Saturday, April 05, 2014 4:41 PM Subject: Issue with downloaded manuals I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Issue with downloaded manuals
Re: Issue with downloaded manualsSo it's Firefox that will be creating the non-relative links. In the original HTML files, the server is not a part of the links. -- Phil Holmes - Original Message - From: Peter Toye To: Phil Holmes Cc: lilypond-user@gnu.org Sent: Saturday, April 05, 2014 6:07 PM Subject: Re: Issue with downloaded manuals Thanks Phil. I saved the page (in Firefox). This saves the page and the associated files. Best regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com - Saturday, April 5, 2014, 5:25:50 PM, you wrote: How did you download them? If you simply Save the html file, you'll be missing the style sheet and all the images. -- Phil Holmes - Original Message - From: Peter Toye To: lilypond-user@gnu.org Sent: Saturday, April 05, 2014 4:41 PM Subject: Issue with downloaded manuals I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. Regards, Peter mailto:lilyp...@ptoye.com www.ptoye.com ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Automatically realize figured bass
Hi Malte, Almost all my music typesetting involves typesetting figured bass, and in addition I have created a way of realizing figured bass by playing on a MIDI keyboard (see the demo at https://vimeo.com/62426412 ). I have used this to create LilyPond engraved scores which a keyboard player found adequate for playing an accompaniment. One thing I think you would need is the ability to set the likely rate of chord change - figured bass is an ambiguous notation even when the figures are relatively complete (and they are rarely that) - but on the question of whether a note is to be treated as a passing note or a harmony note it is completely silent. I guess you could consider using Denemo as your representation of the data (bass notes with figures attached, and if you want to really push the boat out, all the other notes that are being sounded at the same time). It has a scheme interface which allows you to enquire about notes and their durations, iterate, etc and it does have a separate data type for the attached figures. (I noticed to my dismay that Finale when exporting figured bass in MusicXML just exports bits of text distributed in suggestive manner below the bass note, indistinguishable from any other text that might be there). I have quite a large collection (several hundred) of scores with figured bass in Denemo format (and hence available also in LilyPond format), if they would be of use to you. They include the entire set of Handels figured bass exercises, which covers quite a lot of figured bass notation (these are publicly available in the Denemo distribution itself). HTH Richard On Sat, 2014-04-05 at 16:50 +0200, Malte Meyn wrote: Hi everybody, a few weeks ago my father asked me whether there is a tool that automatically realizes figured bass (I think you say “realize” for the act of composing the right hand accompaniment, don’t you?). I didn’t know such a tool, so I wrote a simple one in Haskell but this wasn’t clever enough (worked only under certain preconditions, used backtracking instead of something faster, didn’t weight solutions by their “goodness”, etc.). But now I have several ideas how to improve such a tool (represent chords as vertices in a graph, edges are weighted (unison/octave parallels get a very high score etc.), then find the best solution using the Dijsktra or Bellman-Ford wayfinding algorithm, …). I don’t know whether such a tool could be implemented in LilyPond itself (as an engraver?) or it would be better to write a separate program (like lilypond-book/musicxml2ly/…). In the latter case, I think we would be relatively free in the choice of a programming language ;) The german LilyPond forum doesn’t seem to be very interested in such a project yet. But there are so many more LilyPonders “out there” ;) Would someone on this list be interested • to use such a tool if someone implemented it? • to implement such a tool? (knowledge of figured bass or a programming language would be good ;) • Or is there already such a tool for LilyPond that I don’t know? Cheers, Malte ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Automatically realize figured bass
On Sat, 2014-04-05 at 18:09 +0100, Richard Shann wrote: but on the question of whether a note is to be treated as a passing note or a harmony note it is completely silent. hmm, correction, late-period scores sometimes use the extender line to do that ... Richard ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: command line option that prevents generation of midi?
fedelogy wrote the following command _seems_ to work: lilypond -e (set! write-performances-midis (lambda (performances basename . rest) 0)) piece.ly even if I don't know what it's really doing: it just deletes the midi file? or it really avoids the creation of the midi file? That works for me here with 2.18, and it does seem to prevent the midi generation rather than just delete the file after the fact. Thanks to you both, these are good tricks to know! -Paul -- View this message in context: http://lilypond.1069038.n5.nabble.com/command-line-option-that-prevents-generation-of-midi-tp161205p161252.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
RE: MetronomeMark aligned to accidentals
At 12:44 05/04/2014 +, Daniel Rosen wrote: I would like the MetronomeMark to be aligned with the left edge of the leftmost Accidental (almost with the BarLine, but not quite). At 14:25 05/04/2014 +, Daniel Rosen wrote: ... I think that maybe LilyPond should do what I'm describing by default. The current default output looks very odd to me (although it could be just me). No, it's not just you. For what it's worth, here's Elaine Gould (at page 183): When a tempo marking coincides with a time signature indication, align the tempo with the left edge of the time signature. When there is no new time signature, align the tempo marking with the first element of the notation (e.g. a note or accidental) after the clef and key signature. Note that when the tempo change is at the start of the bar, the marking is not placed on the barline. Brian Barker ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Question about FretBoards context
Dear All,
I'd like to understand why FretBoards context does not apply here :
\version 2.18.2
\include predefined-guitar-fretboards.ly
\score {
\new FretBoards
\chordmode {
\override FretBoard.fret-diagram-details.finger-code = #'in-dot
d'2 g'
}
\layout { }
}
\score {
\new FretBoards
\chordmode { d'2 g' }
\layout {
\context {
\FretBoards
\override fret-diagram-details.finger-code = #'in-dot
}
}
}
Anyone ?
Cheers,
~Pierre
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temporary polyphonic passage in Staff + TabStaff
I'm typesetting a two voice piece which needs a temporary third voice in
one bar only.
The problem is that I'm using Staff + TabStaff, so the following minimal
example creates an extra staff. Comment the TabStaff block and the problem
doesn't exist.
\version 2.18.2
upper = \relative c' {
c1
c4 d
\new Voice { \voiceThree g, a }
}
lower = \relative c {
c1
a2 e
}
\score {
\new StaffGroup
\new Staff {
\clef treble_8
\voiceOne \upper \\ \voiceTwo \lower
}
%%{
\new TabStaff \with {
\clef moderntab
}
\new TabVoice { \voiceOne \upper }
\new TabVoice { \voiceTwo \lower }
%}
\layout { }
}
There's a smart way to work around this?
Or I'm forced to create a third variable full of space rests just to put
some notes of a single bar in the third voice?
I see that I tried to solve the same issue 4 years ago, but I think that
something has changed since then and I can't find a clear answer in that
thread:
http://lists.gnu.org/archive/html/lilypond-user/2010-01/msg00560.html
Thanks in advance
Federico
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Re: Question about FretBoards context
2014-04-05 21:51 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Dear All,
I'd like to understand why FretBoards context does not apply here :
\version 2.18.2
\include predefined-guitar-fretboards.ly
\score {
\new FretBoards
\chordmode {
\override FretBoard.fret-diagram-details.finger-code = #'in-dot
d'2 g'
}
\layout { }
}
\score {
\new FretBoards
\chordmode { d'2 g' }
\layout {
\context {
\FretBoards
\override fret-diagram-details.finger-code = #'in-dot
}
}
}
Just a guess:
In \layout you can omit the context (FretBoards), but you cannot omit
FretBoard, which is the grob you want to modify:
http://lilypond.org/doc/v2.18/Documentation/internals/fretboard
http://lilypond.org/doc/v2.18/Documentation/notation/changing-context-default-settings
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Re: temporary polyphonic passage in Staff + TabStaff
Hi Federico,
2014-04-05 21:56 GMT+02:00 Federico Bruni fedel...@gmail.com:
I'm typesetting a two voice piece which needs a temporary third voice in
one bar only.
The problem is that I'm using Staff + TabStaff, so the following minimal
example creates an extra staff. Comment the TabStaff block and the problem
doesn't exist.
Why not simplify your code :
upper = \relative c' {
c1
{ c4 d } \\ { g, a }
}
How's that ?
~Pierre
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Re: temporary polyphonic passage in Staff + TabStaff
2014-04-05 22:09 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
Hi Federico,
2014-04-05 21:56 GMT+02:00 Federico Bruni fedel...@gmail.com:
I'm typesetting a two voice piece which needs a temporary third voice in
one bar only.
The problem is that I'm using Staff + TabStaff, so the following minimal
example creates an extra staff. Comment the TabStaff block and the problem
doesn't exist.
Why not simplify your code :
upper = \relative c' {
c1
{ c4 d } \\ { g, a }
}
How's that ?
Hi Pierre
thank you, it's perfect.
It's what was written in the thread I linked to, but somehow I didn't get
it :(
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RE: MetronomeMark aligned to accidentals
-Original Message- From: Brian Barker [mailto:b.m.bar...@btinternet.com] Sent: Saturday, April 05, 2014 1:47 PM To: Daniel Rosen Subject: RE: MetronomeMark aligned to accidentals At 14:25 05/04/2014 +, you wrote: ... I think that maybe LilyPond should do what I'm describing by default. The current default output looks very odd to me (although it could be just me). No, its not just you; here's Elaine Gould at page 183: When a tempo marking coincides with a time signature indication, align the tempo with the left edge of the time signature. When there is no new time signature, align the tempo marking with the first element of the notation (e.g. a note or accidental) after the clef and key signature. Note that when the tempo change is at the start of the bar, the marking is not placed on the barline. Brian Barker - privately Thanks, Brian. Since you agreed with me (off-list) that this is useful information for the list to have, I'm forwarding it to them. DR ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: the next step?
On 05/04/14 19:56, David Kastrup wrote: Urs Liska u...@openlilylib.org writes: Should be easily doable in a two-column LaTeX document? I think there are a few scripts around using pdftex for arranging PDF files. But it is pretty much a shame that we a) have our page builder hardwired b) cannot nest page builders. I've set stuff in two columns using Scribus, which since v1.4 allows Lilypond code to be placed in render frames. Here's an example of some of the Guilini right-hand exercises set in two columns: https://www.dropbox.com/s/bt9jjy5im8cktok/Guilini_120_exercises.pdf ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Whiteout box function by Thomas Morley / need help
This is a function written by Thomas Morley. It allows to control width and
height of whiteout box. Now I want to modify this function to make it work like:
\dynamicTextWhiteout #'(1 . 2)
where:
- first number is LEFT X-extent
- second number is RIGHT X-extent
I don't need Y-extent at all.
Don't quite know how to do this. Any hints would be appreciated.
Thanks,
Karol
%%
\version 2.19.1
dynamicTextWhiteout =
#(define-music-function
(parser location adds)
(pair?)
(define
(flexible-stencil-whiteout add stencil)
(let*
((x-ext
(ly:stencil-extent stencil X))
(y-ext
(ly:stencil-extent stencil Y)))
(ly:stencil-add
(stencil-with-color
(ly:round-filled-box
(interval-widen x-ext
(car add))
(interval-widen y-ext
(cdr add)) 0) green) stencil)))
(define more-stencil-whiteout
(lambda
(grob)
(let*
((stil
(ly:text-interface::print grob))
(x-ext
(ly:stencil-extent stil X))
(y-ext
(ly:stencil-extent stil Y))
(whiteout-stil
(flexible-stencil-whiteout adds stil)))
(ly:make-stencil
(ly:stencil-expr whiteout-stil) x-ext y-ext
#{
\override DynamicText.vertical-skylines = #'()
\once \override DynamicText.stencil = #more-stencil-whiteout
#})
{
\dynamicTextWhiteout #'(1 . 0) c'4 \f
}
%
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Re: Issue with downloaded manuals
On 06/04/14 02:41, Peter Toye wrote: Issue with downloaded manuals I've downloaded the big file HTML version of some manuals, and the links in the table of contents frame to the left of the window refer to the LilyPond web site, rather than the local copy. The links in the main text refer to the local copy. This is a bit of a pain if the internet's being slow (or possibly it's the servers), as well as a bit confusing. Is this meant to happen? The manuals I've tried are the learning, motation and internals. If it's of any use to you, I've created fully indexed and searchable PDF portfolios of the complete documentation sets (Learning, Notation, Usage, Snippets, Web, Extending, and Internals). About 55Mb each: 2.18 docs: https://www.dropbox.com/s/6mrdnashy3zxgq2/lilydoc-2.18.0.pdf 2.19 docs: https://www.dropbox.com/s/7xlxd2qbrcyoj73/lilydoc-2.19.3.pdf You'll need Adobe Reader 9 or later in order to use them effectively - third party PDF readers can't cope with PDF portfolios. Nick ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: MetronomeMark aligned to accidentals
Daniel, you wrote Saturday, April 05, 2014 1:44 PM I would like the MetronomeMark to be aligned with the left edge of the leftmost Accidental (almost with the BarLine, but not quite). I've been trying to manipulate the Score.MetronomeMark.non-break-align-symbols property, but to no avail (I'm not sure I quite understand how that property works; it's a little unclear to me in the IR). Can anyone steer me in the right direction? I think you'll find all you need to know in the following section. You can't align to an accidental using this, but by using an offset from an alignment to the bar line anchor you may be able to achieve the positioning you want. http://www.lilypond.org/doc/v2.17/Documentation/notation/aligning-objects#using-the-break_002dalignable_002dinterface Trevor ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Whiteout box function by Thomas Morley / need help
2014-04-06 0:09 GMT+02:00 Karol Majewski karo...@wp.pl: This is a function written by Thomas Morley. It allows to control width and height of whiteout box. Now I want to modify this function to make it work like: \dynamicTextWhiteout #'(1 . 2) where: - first number is LEFT X-extent - second number is RIGHT X-extent I don't need Y-extent at all. Don't quite know how to do this. Any hints would be appreciated. Thanks, Karol Hi Karol, will have a look at it tomorrow, right now I'm overtired ... Cheers, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
python 2.6 in GUB Re: LilyPond-Book on Windows
On Sat, Apr 05, 2014 at 08:53:04AM +0200, David Kastrup wrote: Jan Nieuwenhuizen jann...@gnu.org writes: David Kastrup writes: So my first impulse would be to throw out the workaround for 2.4.2 that Let's do that. Well, issue 1933 URL:http://code.google.com/p/lilypond/issues/detail?id=1933 would suggest that this is a bad idea. Nothing substantially has changed since then. I'm currently trying to get the TEXINPUTS stuff integrated into the Mingw fix to arrive back at a working lilypond-book, but of course it is to be hoped that moving Python forward to 2.6 might make that problem go away. But it will take longer to figure that out. Doesn't Julien have GUB with python 2.6 ready for testing? I would move forward on that before diving into the dark waters of os.popen in python 2.4. I remember bug 1933; it was really annoying. Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
