Some Text }
}
%%%
-- Aaron Hill
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rom master or some other staging branch. I have
no qualms of running "bleeding-edge" bits. That said, it is always more
convenient to be able to work from pre-built binaries, although those
understandably take time to create and publish.
So, I apologize if I have ruffled any feat
.
Is there a better resource for staying up-to-date on the project?
-- Aaron Hill
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for some work on other projects,
and I will report back my results.
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herefore
would not be standing alone within the expression.
But this all reinforces the crux of the confusion: that #{ #} sometimes
evaluates to music and sometimes does not. While this behavior can be
helpful, surely it must be the entire reason why the original poster's
function does not work
'". It appears that
a simple pitch by itself is not enough to qualify as music.
If you change the function to "#{ { $p } #}", it compiles.
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On 2018-05-11 08:46, David Kastrup wrote:
Aaron Hill <lilyp...@hillvisions.com> writes:
On 2018-05-11 06:53, Gianmaria Lari wrote:
Sorry to bother with a simple question. Why this does not work?
\version "2.19.81"
pit = #(define-music-function
(p) (ly:pitch
On 2018-05-10 03:43, Aaron Hill wrote:
On 2018-05-10 01:04, Phil Holmes wrote:
Did you consider my suggestion of using a Linux virtual machine?
If you are running 64-bit Windows 10, remember that the Windows
Subsystem for Linux exists:
https://en.wikipedia.org/wiki
essage is misleading or there is a underlying bug
that needs to be addressed.
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On 2018-05-11 14:17, David Kastrup wrote:
Aaron Hill <lilyp...@hillvisions.com> writes:
The error message reads pretty clearly, though. The result of a music
function cannot be a single NOTENAME_PITCH.
The result of a music function cannot be a pitch, period. It has to be
a music expr
'2 d' \condBreak e1 }
\score { << \someMusic >> }
%%%
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the brass typically get their reference pitch?
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example I posted seems visually balanced to my eye.
What specific alignment are you desiring for these fingering marks?
-- Aaron Hill
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. That might be a serious
crime, as some folks consider bagpipe music akin to assault. (Not me,
by the by. I have a soft spot for a little raucous bleating.)
-- Aaron Hill
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of
the quarter rest. It does put a little more ink on the page, but the
resulting alignment could make the timing clearer.
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p \timesig { 5 4 } g' a' b' c'' }
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uld
actually be "D8"?
-- Aaron Hill
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s
in the font. In the example above, I just borrowed two of the
accidentals and mapped them to the two-thirds up and three-fifths down
pitches. But ultimately that is where the binding between pitch and
glyph happen.
-- Aaron Hill
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/20180516024136/http://lilypond.org/
I haven't seen any other announcements or status updates, so I take it
the server admin is not on this list.
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On 2018-05-23 19:06, Kieren MacMillan wrote:
. . . [sic] Ghandi had *many* rather shocking flaws . . .
Yes, due to an integer overflow bug, Gandhi's initially hard-coded
aggression value of 1 could end up being lowered such that it wrapped
around to 255. And then nukes.
-- Aaron Hill
g/download/binaries.
Unfortunately, it seems linuxaudio.org is also returning 500 for its
downloads, otherwise the other option is to download 2.19.80 which is
the best version available on that mirror.
-- Aaron Hill
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lil
, the following LSR snippet
uses the TextSpanner to achieve this without needing to use \path or
\postscript:
http://lsr.di.unimi.it/LSR/Item?id=662
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neto 1 5) (closepath)) }
f'4_\markup {
\with-dimensions #'(0 . 0) #'(0 . 0)
\path #0.1 #'((moveto 0 0) (lineto 1 5) (closepath))
}
}
By forcing the bounds of the \path-created object to be "empty," it can
overlap the staff.
-- Aaron Hill
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On 2018-05-17 10:22, st...@linuxsuite.org wrote:
I posted a piece of simplified code to illustrate. This is what
the default does
isnt 'it??
https://ln.sync.com/dl/2d42a9350/ukfaa7s8-rpenm7ne-xqxv7mpk-x99vbzbw
[ . . . ]
the code below prints an extraneous bar in the
On 2018-05-18 16:03, Thomas Morley wrote:
2018-05-19 0:36 GMT+02:00 Aaron Hill <lilyp...@hillvisions.com>:
On 2018-05-18 14:24, Thomas Morley wrote:
#(define (proc bool x y)
(if bool x y))
Your `proc` function does not have this behavior, as the arguments
passed in
will be eva
r/share/lilypond/current/fonts/otf
Have you tried deleting LilyPond's font cache and letting it rebuild?
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of the barline.
\version "2.19.81"
{ \override Score.TimeSignature.Y-offset = #4 \time 3/4 c'4 d' e' }
Does this work for you?
-- Aaron Hill
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e for invoking the list shorthand already results in
`landscape` being a symbol. The extra quote would put another layer of
indirection, which `set-paper-size` does not expect.
Hope this helps,
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On 2018-06-10 03:01, David Kastrup wrote:
Aaron Hill writes:
On 2018-06-10 02:52, Aaron Hill wrote:
On 2018-06-10 02:45, David Kastrup wrote:
Andrew Bernard writes:
On 10 June 2018 at 05:12, Bernhard Kleine
wrote:
When I was young we sung a piece of Christian Morgensterns
Galgenlieder
On 2018-06-09 19:43, dfro wrote:
Dear code wizards,
I still have more to solve on this issue, if possible.
I think I have discovered why most of the shifting is happening: The
skyline rather than the baseline of the lyric line text is being
referenced by LilyPond when calculating vertical
fit at 1922:
http://imslp.org/wiki/Neue_Galgenlieder%2C_Op.43b_(Graener%2C_Paul)
The first part, Gespenst (Moderato), is the one Bernhard quoted. See:
http://www.mumag.de/gedichte/mor_c06.html
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. \< | s4 s4*2/3 \! \> s8*2/3 s2 | s2 s2 \! |}
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On 2018-06-10 02:52, Aaron Hill wrote:
On 2018-06-10 02:45, David Kastrup wrote:
Andrew Bernard writes:
On 10 June 2018 at 05:12, Bernhard Kleine
wrote:
When I was young we sung a piece of Christian Morgensterns
Galgenlieder
with the Youth choir of Gelsenkirchen: Es gibt ein Gespenst
be turning public now, and even then only in countries that follow
"life plus 50".
-- Aaron Hill
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already have a nasty headache at this point, I can only hope that we
switch the conversation to something more pleasant. :)
-- Aaron Hill
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every now and
then.
You did just fine. It is humorous (or humourous) depending on your
flavor (or flavour) of English. (The programmer in me often refers to
the American version as English-- or English "flat".)
-- Aaron Hill
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On 2018-06-10 09:39, Brian Barker wrote:
At 09:25 10/06/2018 -0700, Aaron Hill wrote:
On 2018-06-10 08:19, Malte Meyn wrote:
The poem is a humourous (is that how you spell it?) explanation for
losing them every now and then.
You did just fine. It is humorous (or humourous) depending on your
ll "1, 2, 3, etc."
g4 a g a |
c1 |
\changeVolta \markup \text \small "Last time"
b4 a g f |
\endVolta
e1 \bar "|." |
}
NOTE: I included \endVoltaStartRepeat and \endRepeat, but they w
\break
c'1 \break
c'1
}
This does not work ...
Try adding this to your \with block:
\override StaffSymbol.Y-extent = #'(-1 . 1)
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\override TextSpanner.bound-details.right.arrow =
#ly:text-interface::print
\override TextSpanner.bound-details.right.arrow = \markup\arrow
#"huron" ##f
#X #RIGHT #1 #0.15
Hi Nigel,
I think you want to override the `right.text` property to specify custom
markup.
--
, then, at the point of referencing the
variable, the parser is not able to form a symbol list in the same
manner.
-- Aaron Hill
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umentation/notation/writing-rests#full-measure-rests
for more details.
-- Aaron Hill
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out `\with` becoming `\where`? It reads just as
plainly, and would free up the term if we wanted to opt for `\with` and
`\without` as opposed to `\consists` and `\remove`.
-- Aaron Hill
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u can
explicitly specify a tonic:
\new RhythmicStaff \with { tonic = #(ly:make-pitch 0 0 0) }
{ \easyHeadsOn a4 b8 a }
-- Aaron Hill
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f colliding with other neighboring
markup.
-- Aaron Hill
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on this list have had to manually
give out the alternate download link when people ask about the missing
build.
Would it be possible to get the 2.19.81 build on linuxaudio.org? Or is
there something blocking doing that?
-- Aaron Hill
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pler words that are reasonably precise with virtually no
conflicting connotations.
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On 2018-06-14 12:04, Ben wrote:
On 6/14/2018 12:47 PM, Aaron Hill wrote:
On 2018-06-13 16:15, Torsten Hämmerle wrote:
There is only one complication I can think of: if there are several
markups/scripts, our "spacer" markup may push the other objects away
from
the stave, but then
g o))
(close-output-port o)
s))
$(pretty-print-to-string '(a b #(c d e) f . g))
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would be "create a new voice with an accidental
style of piano" versus "create a new voice where the accidental style is
piano". Both are equally very plain and direct. But I am willing to
concede there is a scenario in LilyPond where `\with` is definitely the
the chord.
With the default fonts, a value around #-0.4 appears to effectively
center the "Cm7" portion of a "Cm7/Eb" chord over the note.
-- Aaron Hill
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or
something?
I think the term is "anathema".
RMS issuing a "presidential bull" would be pretty funny.
-- Aaron Hill
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e the /usr/share/fonts/opentype directory
since it did not exist.
So, in the event that you want to stick with WSL, hopefully that helps.
-- Aaron Hill
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ween staff types
and clefs, providing you don't need the expressiveness of an actual
DrumStaff.
-- Aaron Hill
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horizontal and would extend for the duration
of the note, so it not attached to anything on the right end. It would
be similar to the *laissez vibrer*--a tie with no target.
-- Aaron Hill
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https
tively lightweight editor.
And while Visual Studio Code [2] is my editor of choice these days, I
still keep Notepad++ around as it is lightyears ahead of the ancient and
decrepit Notepad.
[1]: https://notepad-plus-plus.org/
[2]: https://code.visualstudio.com/
-- Aaro
w To
Design Programs" [2] along with Dr. Racket [3]. (Racket is the current
name and release of PLT Scheme.)
[1]: http://www.ccs.neu.edu/home/matthias/BTLS/
[2]: http://www.htdp.org/
[3]: http://download.racket-lang.org/
-- Aaron Hill
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e so the example is both
complete and minimal.
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per {} \score { g } } }
\var
And that compiles.
-- Aaron Hill
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lf-alignment-X #RIGHT
\mark \markup \small "RIGHT"
1
}
That is a whole lot easier than trying to remember whether 1 or -1 means
left or right.
-- Aaron Hill
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art
mus)
music))
\addTremolos 16 { b' r a' }
-- Aaron Hill
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.
-- Aaron Hill
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ironment if you make any changes.
Hopefully that all is enough to help you track down the issue.
-- Aaron Hill
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ng online, you can at the very
least widen your search by looking for similar issues with other
programs.
-- Aaron Hill
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king about `bending.ily` and this:
http://lilypondblog.org/2017/03/the-story-of-string-bending-in-lilypond/
And that article has a familiar author. ;)
-- Aaron Hill
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of these, replace `C:` with a different drive letter as
appropriate.
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On 2018-06-04 17:39, Aaron Hill wrote:
From a normal cmd.exe prompt, you can search for the executable with:
dir /r /s /b c:lilypond.exe
Sorry, just realized I had an `/r` on there that is not needed.
-- Aaron Hill
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for write, and if so
what error may have occurred.
[1]: https://docs.microsoft.com/en-us/sysinternals/downloads/procmon
-- Aaron Hill
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of normal ones, folks could easily
accommodate something like Hindemith.
-- Aaron Hill
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On 2018-06-27 08:14, Simon Albrecht wrote:
On 26.06.2018 03:02, Aaron Hill wrote:
Here is the reference on `let` for Guile:
https://www.gnu.org/software/guile/manual/html_node/Local-Bindings.html#Local-Bindings
I guess for the time being we should stick with the Guile 1.8 manual:
<ht
included and processed multiple times, potentially redefining a variable
multiple times. But it would need to be there when compiling the
individual piece on its own, otherwise the common variables do not
exist.
-- Aaron Hill
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e original value of `a` is effectively restored but then `c`
is no longer bound so you cannot refer to it.
Hope that helps,
-- Aaron Hill
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fadeIn c' "" 4 2. }
Forcing a dummy argument between the pitch and duration seems to allow
2.18.2 to parse this.
-- Aaron Hill
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At the end of the day, you could always take what you have (or an early
preview) and see if your instrumentalist likes it or not. Unless you
are preparing something for a wide and unknown audience, you probably
have more latitude than you realize.
-- Aaron Hill
_
?
-- Aaron Hill
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On 2018-06-26 16:02, Karlin High wrote:
On 6/26/2018 5:41 PM, Aaron Hill wrote:
So is the only option, then, to just dive into the code at this point?
Have you seen this post by Stéfano Troncaro?
<http://lists.gnu.org/archive/html/lilypond-user/2018-01/msg00603.html>
I had not,
practice, I
would first review any helper functions to see if they could be
generalized into a more widely applicable pattern, otherwise there is
little point of publishing them.
- - -
All in all, I thank you for providing so much great information, Urs.
Hopefully, I will be able to contri
documentation on tags which
includes examples:
http://lilypond.org/doc/v2.19/Documentation/notation/different-editions-from-one-source#using-tags
-- Aaron Hill
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systems, in the
absence of a standard, many applications (including the KDE
applications) use INI text files.
It should be noted that you should keep a backup of any settings files
you change in case you need to revert.
-- Aaron Hill
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Staff.tupletSpannerDuration = #(ly:make-moment 1/2)
\tuplet 3/2 {
c8 c c d d d e e e f f f |
}
\tuplet 3/2 {
c8 c c d d d e e e f f f |
}
}
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https
\layout {} \midi {} }
\score { \percentRepeat \layout {} }
\score { \unfoldRepeats \percentRepeat \midi {} }
\score { \hiddenNotesAndMakePercent \layout {} \midi {} }
%%%
These all produce the same MIDI output with different visual renderings.
Obviously, the use of \slurHalfSolid is optional, but I think it
19.81"
{
\set Score.repeatCommands = #'(start-repeat)
d'4 e' f' e'
\set Score.repeatCommands = #'(end-repeat (volta "2."))
f'4 a' g'2
\set Score.repeatCommands = #'((volta #f))
f'4 d' e'2
}
-- Aaron Hill
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identals.flat"
#}))
fes! }
Experiment with other translation values if you need different spacing.
For instance, -0.5 overlaps the right edge of the natural with the left
edge of the flat.
-- Aaron Hill
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On 2018-08-11 13:30, David F. wrote:
While we’re on the topic of bending slurs to our will, I’d like for
slurred, beamed eighth notes to have the slur printed below or inside
the beam. This works with a simple ^~ for ties. How might I
accomplish this?
The behavior I am after can also be
is played as six eighth notes,
following the specified tuplet timing. That is, think of `g2.:8` as `g8
8 8 8 8 8`.
-- Aaron Hill
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non-things (ideas).
-- Aaron Hill
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mutating. That is why, given the context of
this particular musical section, the quarter in its own column seems to
add more visual noise to my eye than it serves its supposed standard
purpose.
-- Aaron Hill
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dd to see the quarter note appearing between the
dotted half notes' heads and their dot. But I suppose that positioning
does make the quarter note stand out.
-- Aaron Hill
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the concatenation of all of the
text elements, meaning that your version of \fstretto would appear as "f
stretto" (with or without the space)?
-- Aaron Hill
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}
It's probably a little bit of a hack, but changing the
`outside-staff-priority` of stems and beams so that bar numbers have
priority allows the number to stick close to the staff. However, then
there is an overlap issue with the stem. Changing `self-alignment-X` to
be closer to centered se
icates you are seeing,
which is what I would expect to be the case.
-- Aaron Hill
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be prepared for a LOT of data. ;)
-- Aaron Hill
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08 and 12 installed.
-- Aaron Hill
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es having numerous aliases. The SC variant is only available as
Regular with numerous aliases.
Does this sound reasonable?
That would also make sense.
-- Aaron Hill
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n { "abc" "def" "ghi" }
lyrB = \markup \column { "jkl" "mno" "pqr" }
lyrAB = \markup \fill-line { \null \lyrA \lyrB \null }
\lyrAB \lyrAB
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sion. On reflection, I
was too terse in my email. But to be honest, I did not expect many
people would run with the idea. I figured I was probably the only
person using LilyPond via WSL and editing with VS Code.
-- Aaron Hill
___
lily
g e cis }
\tuplet 6/2 { ais8 \) ^\(
\acciaccatura \) } |
2. \fermata
}
\score { << \new Voice { \key c \minor \time 3/4 \flute } >> }
-- Aaron Hill
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-alignment-X = 2
c2. \sustainOn c4 \sustainOff
}
\score { << \new Staff \music >> }
-- Aaron Hill
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On 2018-09-09 4:46 pm, OTIS DOSS III wrote:
As my subject indicates, I want to display a rim shot, which is
typically indicated by a note with a diagonal slash:
I've searched the documentation, but I can't find out how to do this.
Can this been done? And how? Thanks times infinity in advance
ieve you might need to go down the
route of a custom engraver. If you search on this mailing list, there
has been prior discussion about supporting the Nashville numbering
system (which admittedly is much more than just interval-based naming).
But in that thread, there is a lot of potentially
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