C below middle C is just c all by itself so the syntax should be
a, b, c= d e f g a b
(rising steadily up the bass clef :-)
I remember using this test recently, and it does work. The problem I had
(Han-Wen sent me a fix) was that I needed the facility to force an
octave change, but I didn't
things out, if you put everything in people can't see
the wood for the trees. What do you do?
Cheers,
Wol
-Original Message-
From: Graham Percival [mailto:[EMAIL PROTECTED]
Sent: 04 July 2006 16:37
To: Anthony Youngman
Cc: lilypond-user@gnu.org
Subject: Re: MultiMeasureRest - trying
I notice you're in the UK too ...
I don't know how it works, but a lot of the stuff I'm doing
may be licensable but not public domain. Especially stuff that's licenced with
the Performing Rights Society, we may be able to typeset it ourselves, then sell
(probably printed only :-( parts of
Read the documentation on rehearsal marks. One of the default styles is
to use the barnumber.
\set Score.markFormatter = #format-mark-barnumbers
Incidentally, this will also probably get round the problem of keeping
track - I guess the problem is the rehearsal mark counter isn't
automatically
That sort of works ... but if Ian wants what I want, then it's a lot
more work than just that ...
This would be a very good example for Fairchild's AllAbouts.
Certainly, until I clean it up, my version is a mess. I've got a
linebreak at the barline where my ossia starts ... with the result that
I've started writing something on noteheads. This seems to be where it
would fit in perfectly. (I probably ought to add stems and rests to it,
but that can wait :-)
I do feel something like this would be useful. As you say, we currently
have the User Manual (great for getting started) and the
investigation to follow - my current source attached ...
Cheers,
Wol
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: 08 June 2006 12:43
To: Anthony Youngman
Cc: lilypond-user@gnu.org
Subject: Re: Lyrics problem ...
I got the same programming error but still the output
repeated in several places, so I can just drop it
into the music where it's needed ...
Cheers,
Wol
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
.org] On Behalf Of Anthony Youngman
Sent: 12 June 2006 12:04
To: Mats Bengtsson
Cc: lilypond-devel@gnu.org; lilypond-user
...
Cheers,
Wol
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: 12 June 2006 13:25
To: Anthony Youngman
Cc: lilypond-user@gnu.org; lilypond-devel@gnu.org
Subject: Re: Lyrics problem ... Bug? Feature? ???
Anthony Youngman wrote:
I've changed my approach - I felt all along
Just tried swapping your version for mine. No improvement :-(
And I'm still getting programming error: moving backwards in time in
the logs ...
Cheers,
Wol
-Original Message-
From: Mats Bengtsson [mailto:[EMAIL PROTECTED]
Sent: 08 June 2006 11:34
To: Anthony Youngman
Cc: lilypond-user
I'm now trying to add some words to a phrase ...
pennsylvania = {
{ \override NoteHead #'style = #'cross
r2_\markup{ shout } f8. f16 f8. f16 f4 f f8. f16 r4 }
% \addlyrics { Penn syl van ia six five thous and }
}
voiceTromboneI = \relative c' {
r2
][9][12][15][16]
Calculating page breaks...
Layout output to `partTromboneI.ps'...
Converting to `partTromboneI.pdf'...
-Original Message-
From:
[EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]
.org] On Behalf Of Anthony Youngman
Sent: 07 June 2006 12:12
To: lilypond-user@gnu.org
Subject
?
If you're running it under Cygwin ...
'make' is part of the GNU development tools. I use it, but I'm currently
using the ?mingw version of lilypond and don't know how to get make to
work with that.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how
In message [EMAIL PROTECTED], Paul Scott
[EMAIL PROTECTED] writes
Anthony W. Youngman wrote:
In message [EMAIL PROTECTED], Paul Scott
[EMAIL PROTECTED] writes
4) not sure what it's called, but it looks like a right
parenthesis hanging from the note head, usually seen for trombones
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry Pratchett 1999
'
Or pretend it's treble clef and use \transpose c' bf (and knock two
flats off the key signature). That's what trombone players who only know
treble clef do when presented with a part in tenor.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should
will deal with that.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld
note with no keys pressed.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science
some
scans to be sure that we're talking about the same thing, though.
I could contribute a small amount (20 EUR) for these.
That leaves 45 EUR - £30. I think I can stump that up ...
I'll hunt up some examples, scan and post them.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon
with? (There are also times I want the parts
printed as a single system but thats working already, now using the same
data variables, I want to do a same-page part extract.)
If someone can just steer me in the right direction I'm sure I can figure it
out,
Thanks
--
Anthony W. Youngman - wol at thewolery dot
entered the music from a tenor clef trombone
part, then it is in concert pitch and all he need do is change the \clef
to bass from tenor.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good
FingerEvent'
must be of type `number'
and I happen to recognize that you have indeed found an old bug, namely
that you couldn't use #left as an argument value. However, you can use
#LEFT instead.
Thanks very much. Confirmation it's an (old) bug, plus a work-around :-)
Cheers
Wol
--
Anthony W
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--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too
the same
thing. I guess the scheme code is left over from versions of the docu
before bar-number rehearsal-marks were added.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them
ghostscript = 7.07-33 is needed by (installed)
ghostscript-gtk-7.07-33.i386
What exactly are these missing things, and where can I find them?
Best,
Anthony
__
Yahoo! Mail - PC Magazine Editors' Choice 2005
http://mail.yahoo.com
that they only occur at the end of a
hymn. As a result, the number of systems varies between five and six
systems
per page. I would like to always have six systems on each page, and
have the horizontal spacing change as necessary to achieve this.
Any way to do this?
--
Anthony W. Youngman
'2' over the first repeated bar, with \unfold it may need to
put '2' over the first bar.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex
In message [EMAIL PROTECTED], Jan Nieuwenhuizen
[EMAIL PROTECTED] writes
Anthony W. Youngman writes:
This is *linux*. rpm -U fails, rpm --install fails ... and why
should I expect it to make any difference?
TeX may have been updated, and there's a postinstall script.
Unfortunately, mktexlsr
In message [EMAIL PROTECTED], Jan Nieuwenhuizen
[EMAIL PROTECTED] writes
Anthony W. Youngman writes:
ec-fonts-mftraced is not installed - except rpm -U fails with
already installed.
Try to reinstall ec-fonts-mftraced or run mktexlsr by hand.
This is *linux*. rpm -U fails, rpm --install fails
In message [EMAIL PROTECTED], Jan Nieuwenhuizen
[EMAIL PROTECTED] writes
Anthony W. Youngman writes:
There is a problem with the ec-fonts-mftraced package, it is not
tetex-3.0 compatible. Bertalan made manual fixes for cygwin,
but there is no autodetection yet.
Any more news?
Yes, ec-fonts
, and seeing as ./configure fails
it won't go any further :-(
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies
In message [EMAIL PROTECTED], Graham Percival
[EMAIL PROTECTED] writes
On 9-Feb-05, at 4:09 PM, Anthony W. Youngman wrote:
And can I make a plea for documentation to be available in dead-tree
format... the manual is nice (I've got a printed copy) but so much
only appears to be available
to bother you with a thing like this.
greetings, Tapio
What OS are you using?
Dunno about any others, but if you're using SuSE linux, pin inimf and
pin inimfont should tell you what packages you need. That might (or
might not) work for other linux distros.
Cheers,
Wol
--
Anthony W. Youngman - wol
of
reading/working on my daily commute - when I have no computer access...
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
will be slightly off to the right instead.
If it's fixed in 2.5 but will not be backported, when can we expect 2.6?
I'm particularly interested because of stuff that's been added for me
:-)
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should
assume any music
fragment is in C unless I've forced it to something else for a specific
reason.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input
one of my bandmasters, but what I would love is either a
Sousa or Kenneth Alford March. Does anyone know where I can get an out
of copyright copy to work on?
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt
in Bb. Looking at the example for the horn certainly makes it
look like that is possible ...
I think that needs clarifying somewhat in the manual ...
Bummer! Another entry in my I wish lilypond had that list ... I'll
really have to get into programming in Scheme and C++ :-)
Cheers,
Wol
--
Anthony W
followed by three flats. How do I get
this behaviour?
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies
to lily, and have the resulting output in concert
pitch (or octaves thereof).
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought
both a
licence and a copyright applying to any single part of the work.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his
. The point is, you MUST have that number there. I think I had
used just r, assuming it mean r4. But because the last note of the
previous bit was, say e2, it assumed I meant r2. Oops.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he
second staff
defaults to a crotchet then BOOM - you assumed wrong and there's your
problem.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex
of Europeans (by a long way) speak a
variant of German as their native language.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his
(Scotland)
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his reports
as Lies-to-People.
The Science of Discworld : (c) Terry
and delays things for non-subscribers, but allowing
spam mucks things up for subscribers :-(
Just respond to a non-member post with an acknowledgement that says you
are not a list member - your post has been held for moderation and will
be posted shortly.
Cheers,
Wol
--
Anthony W. Youngman - wol
*A*T*E* hypertext documentation. That said, I've converted the pdf
to dead tree, and find that extremely useful ...
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them
, and reject means that the relay is
honour-bound to send a DSN back to the original sender.
The only practical difference is who sends the DSN. And as I said, in my
case (because download and drop is not a practical option) there is no
way I can suppress the sending of the DSN.
Cheers,
Wol
--
Anthony
come from the sender's ISP's relay servers, I bet
the effect is the same as what you call a bounce.
But - to put it simply - I *know* I'd doing what you call rejecting, I
send a 550, and it still gets me dropped from the list.
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co
files.
But that's why it's adding .txt - it's assuming you're editing a text
file, you haven't told it otherwise, so it helpfully adds the
correct extension :-(
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt
. And for my own instrument (the slide
trombone) the principle if not practice is the same :-)
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always
semitones above the fundamental, then the
fingering is y.
I don't know whether I'd be better off hard-coding the entire range of
notes - about three octaves or more - or specifying all the open notes
then specifying the fingering from the open note above.
Cheers,
Wol
--
Anthony W. Youngman - wol
- Begin Forwarded Message -
Envelope-to: [EMAIL PROTECTED]
Date: Tue, 27 Jul 2004 23:48:15 +0100
To: [EMAIL PROTECTED]
From: Anthony W. Youngman [EMAIL PROTECTED]
Subject: Band parts - a newbie's view
User-Agent: Turnpike/6.02-U (kadi9FnjOBL6XNAiRMnYuwUxdX)
Quick bio
and put it all in \TromboneBassC, or can I get it to do what
I want?
Cheers,
Wol
--
Anthony W. Youngman - wol at thewolery dot demon dot co dot uk
HEX wondered how much he should tell the Wizards. He felt it would not be a
good idea to burden them with too much input. Hex always thought of his
I have Lilypond 1.7.17 installed via fink running on mac osx. However I have
no type 1 fonts. How can I get them along with the with accompanying
lilypond.map file?
Anthony
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