time ago, somebody posted a link to Mike Solomon's granini di luce
beccucciati da uccelli di silenzio as an example of contemporary notation. The
attached pic from it illustrates more-or-less what I'm after (though I wouldn't
need the slash).
Thanks!
James
--
James Harkins /// dewdrop world
under serious time pressure and if this is going to take, oh, more than
a couple of hours, it's more than I can afford right now. (I'm estimating 10-15
hours.)
I'd really appreciate it -- otherwise, I'll find another way to notate the idea.
James
--
James Harkins /// dewdrop world
jamshar
around it with some explanatory text. Maybe a
viable feature request?
Thanks,
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
already know how to make a zigzag using
a glissando following it.
http://lsr.dsi.unimi.it/LSR/Item?id=377
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
replaced my eyeballs back in their sockets, I can say -- thanks
for this! Your update of my example looks clean and conveys the intent.
Thank you
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has
. That slows me down. But I'm spending only a
tiny fraction of the time adjusting things that didn't render right: that's
- just a few things in Lilypond;
- a LOT in Finale;
- probably somewhat better in Sibelius but not as clean as Lilypond
out-of-the-box.
hjh
--
James Harkins /// dewdrop world
, but it helps if the layout clarifies this.)
I agree that the examples shown in the original report (especially the ones
that look like they come from Bach solo violin pieces) are much improved, but
this case would have to be a regression, I think.
James
--
James Harkins /// dewdrop world
jamshar
users -- what level of atomization seems to
work the best for variables? Can you estimate a rough guideline where breaking
the variables down further becomes more cumbersome than it's worth?
Thanks,
James
* http://en.wikipedia.org/wiki/Sheng_%28instrument%29
--
James Harkins /// dewdrop world
At Thu, 15 Mar 2012 21:57:35 +0100,
Janek Warchoł wrote:
On Thu, Mar 15, 2012 at 4:35 PM, James Harkins jamshar...@gmail.com wrote:
I'm getting a bit confused about the use of variables to reflect the
structure of the music, or the distribution of notes between different
voices etc
David's work.
So David -- I guess I owe you a beer or three, or something.
Thanks!
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
On Apr 7, 2012, at 4:18 PM, Stan Sanderson wrote:
I can confirm that LilyPond v. 2.15.36 on both x86 and PPC
platforms running OS X 10.5.8 correctly compiles previously coded
files.
Stan
LilyPond 2.15.36 ran and compiled with no problems that I could see
on Mac PPC OSX 10.4.11.
James
also tried #(ly:export (mmrest-of-length aVariableHoldingMyCadenza)) but I
get barcheck problems with this too.
Any hacks much appreciated. Thanks.
James
\version 2.14.2
\include english.ly
\score {
\new Staff \relative c' {
c2 r2
%% alternatives (all failed):
%% #1
At Sun, 8 Apr 2012 09:39:13 -0500,
David Nalesnik wrote:
Hi James,
Possibly the following thread will be useful to you:
http://www.mail-archive.com/lilypond-user@gnu.org/msg68492.html
Thanks, this is a lot closer. (By the way, it seems that mail-archive is on the
wrong side of the Great
At Mon, 9 Apr 2012 12:03:05 +0200,
Thomas Morley wrote:
Am 9. April 2012 04:26 schrieb James Harkins jamshar...@gmail.com:
It's closer -- I'm now getting bar check failures only at the ends of the
two cadenzas, where I think I was getting more of them before. But, it's
still failing
At Mon, 09 Apr 2012 21:31:08 +0800,
James Harkins wrote:
the cadenzaToMusic-function _replaces_ \cadenzaOn and \cadenzaOff.
If you delete these commands it works and there is no need for manual bars:
Ah, OK, I didn't get the replacing part. Thanks for clarifying.
I have a deadline
:)
FWIW, I'm throwing some quite complex multi-voice notation at Lilypond and most
of it is coming out beautifully, without manual intervention. So let me balance
the complaint with kudos for the excellent work of the developer team!
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop
datatype. Consult section 4.2.3, Types of properties
{with link} for details.]
~~~
I haven't had so much free time lately to do it in the SuperCollider
documentation, but I've added more than a few See references like this. I
think it helps.
James
--
James Harkins /// dewdrop world
jamshar
see a property to set this behavior.
I wanted to check LSR but it's inaccessible to me tonight from mainland China
(The connection has timed out... The server at lsr.dsi.unimi.it is taking too
long to respond).
Sorry if it's a basic question, and thanks in advance for the help.
James
--
James
At Fri, 13 Apr 2012 00:29:14 +0800,
James Harkins wrote:
I'm sure somebody has had to do this before: place dynamics under a staff so
that all the dynamics in one system are the same distance below the staff,
but that distance can be different from one system to the next.
At first, I
. This happens probably because of the accidentals on the new
line--if you take the \key out, removing the accidentals, the ties
stay close to the notes:
\version 2.15.36
\score {
\new Staff {
\relative a' {
\key des \major
a d f1~ \break
q1
}
}
}
James Worlton
On Fri, Apr 13, 2012 at 10:59 AM, James pkx1...@gmail.com wrote:
James
On 13 April 2012 16:30, James Worlton jworl...@gmail.com wrote:
I've found some odd tie behavior--not sure if it's known currently.
Sorry, currently I can't test whether it also happens in earlier
versions
At Fri, 13 Apr 2012 00:29:14 +0800,
James Harkins wrote:
I'm sure somebody has had to do this before: place dynamics under a staff
so that all the dynamics in one system are the same distance below the
staff, but that distance can be different from one system to the next
positioning is really massively improved in
2.15.36. In the newer version, it's doing it just the way I thought it should,
without any extra fussing.
Okay then! Stable version, bye-bye :)
Thanks for the tip.
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop
from
being able to attempt something like that on my own.
Thanks in advance --
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
At Fri, 20 Apr 2012 06:31:20 -0500,
David Nalesnik wrote:
Hi James,
On Fri, Apr 20, 2012 at 3:32 AM, James Harkins jamshar...@gmail.com wrote:
Maybe a simple question: Is there a way to flatten the curve of a tie
that is as easy as
overriding ratio for slurs?
You can override
At Sat, 21 Apr 2012 11:24:50 +0100,
James wrote:
If you can come up with a simple example, we (or you even) could add
it to the LilyPond snippet repository
Like this, perhaps? I can add it if this looks OK.
\version 2.15.36
\include english.ly
\relative c'' {
% normal tie
d4 ~
% Longer
Bug or feature?
\relative c' { e8.:32 e16 }
I'd expect the beam to be flat horizontal here. Instead, the tremolo pushes the
left endpoint upward.
2.15.36 here.
(I know I can tweak the beam, just think I shouldn't have to.)
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
the parameters that penalize this or that depends on a lot of
background information on the beaming algorithms... I guess.
Would appreciate some pointers to make sense of those properties -- thanks in
advance,
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http
At Thu, 03 May 2012 23:15:26 +0800,
James Harkins wrote:
I had a look at the internals reference, but couldn't make heads or tails of
it. Tweaking the parameters that penalize this or that depends on a lot of
background information on the beaming algorithms... I guess.
Would appreciate
with a script to do this:
git stash save
git pull --rebase
git stash pop
hjh
[1] https://github.com/jamshark70/hadron
[2] https://github.com/jamshark70/workshop2012
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet
Not sure if this was already discussed (I've been following the thread
somewhat loosely), but it seems to me that git makes it a whole lot
easier to handle a build token by virtue of the repositories being
decentralized.
I admit, I'm not an svn expert and it's quite likely there are some
svn
On Tue, May 29, 2012 at 2:46 AM, lilypond-user-requ...@gnu.org wrote:
James Harkins jamshar...@gmail.com writes:
I'm attaching a couple of samples of today's typesetting work. The
first is pretty well marked up. The second is mostly just the notes
for now (needs articulation, dynamics
).
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http
the messages from nabble, but that does not un-send the many
emails that were already sent.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http
If for No Reason Other Than
Building Character. I may yet do that for LP and/or Emacs, but it's
intimidating -- and if it's intimidating for me, I expect it's more so for
other LP users.
But yes, scheme has a lot going for it here.
James
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
-available-fonts x | cat
/home/dlm/Documents/ly/show-available-fonts.txt
Is there a reason why I can't use the usual UNIXy tricks to capture stdout here?
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has
On 6/20/12, Ramana Kumar ramana.ku...@gmail.com wrote:
probably lilypond isn't writing to stdout. maybe stderr?
OK, let me refine the question. If it isn't using stdout, is there a
good reason why is it using something else? Or is it just a bug?
hjh
--
James Harkins /// dewdrop world
jamshar
to send the list to stderr (and it might actually be
better that way), then the documentation should advise the unsuspecting user of
this. There is no mention of it here:
http://lilypond.org/doc/v2.14/Documentation/notation/fonts#single-entry-fonts
hjh
--
James Harkins /// dewdrop world
a beautiful woman. It could have been a beautiful sunset and why am I
even writing this?
Continuing to beat the dead horse: A handsome man would have made more of an
impact on me. :-p
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
file, and I also tried rendering the exact code from the
snippet (which includes an example). In both, the octaves were missing.
How should the code be updated for a newer lilypond?
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said
At Tue, 17 Jul 2012 22:30:35 +0200,
Thomas Morley wrote:
See,
http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00114.html
code by David Kastrup
(typo corrected)
Perfect, thanks. (I'm a bit googled out, after a less-than-smooth upgrade to
Ubuntu Precise...)
hjh
--
James Harkins
on an lp score in a place without internet
access.
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http
On Aug 12, 2012, at 6:58 PM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
I have a score with many repeated beamed quavers and semi-quavers on ledger
lines. The default layout is difficult to read as ledger lines and the staff
produce an almost hypnotic effect which confuses the
the lower beams
closer to the note heads?
Thanks in advance for any and all help,
Champion James
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Is there an issue logged for this?
\version 2.15.36
\relative c'' {
b8^Very loopy slur ( a ) r4 r2
\override Slur #'height-limit = #0.5
b8_Cleaner look ( a ) r4 r2
}
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
From: eluze
James Harkins-2 wrote
Is there an issue logged for this?
what's the issue?
The default slur extends too low.
if the notes are not that tight (e.g. using ragged-right = ##f in your
example) your cleaner look doesn't look so clean anymore (that's my
personal opinion)
My
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio: http
minutes to render, the annoyance factor would increase.
This doesn't change my opinion of Frescobaldi as an [expletive deleted]
brilliant editor! Seriously, a real joy to use.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
timestamp is a
few minutes earlier than the PDF.
I suppose I should just log this @ github, then.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog
-moment 1 16)
}
}
}
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net
As Phil pointed out already, inserting a \p or \mf or any other dynamic
sign
should do the trick:
c\mf c\ c c c\!
That takes care of the starting dynamic, but if we assume that a
decrescendo in MIDI should be a linear decrease in velocity values, it's
impossible to calculate without
the digest myself, I then get to scroll through pages content
that I had already scrolled through when I read the quoted digest the first
time.
Sure, occasionally everybody forgets (so do I) but there's no harm in a
reminder.
Thanks,
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop
\relative c'' { a2.^ok ( b4 c1 ) }
\new Staff \relative c'' { a2^ugly as sin ~ ( a4 ~ a16 b8. c1 ) }
\new Staff \relative c'' { \slurDown a2^better ~ ( a4 ~ a16 b8. c1 ) }
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me
}
}
}
\score {
\new Staff \relative c' {
\new Voice { \voiceOne b e f1 }
\new Voice {
\voiceTwo
\once \override NoteColumn #'force-hshift = #2
c16 c r c ~ c8 c16 c c c c r c c r c
}
}
}
hjh
--
James Harkins /// dewdrop world
jamshar
.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me the universal. -- Whitman
blog: http://www.dewdrop-world.net/words
audio clips: http://www.dewdrop-world.net/audio
more audio
, but no (visible) note in the first voice,
and the phrasing slur needs to end in the first voice. So I hid a note in voice
1 to start the phrasing slur. The 8.-16 rhythm follows immediately after and
looked rather strange with no beams :)
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop
an
hour, thanks to the \cadenzaToMusic function that someone (David?) gave me a
few months ago. So efficient... you folks are great, and the tool is too!
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has
On Oct 2, 2012 7:10 PM, m...@mikesolomon.org m...@mikesolomon.org wrote:
Hey James,
Have you put \newSpacingSection before the override?
I see -- I missed that in the Notation Reference. (Or, is it mentioned
there? I know I saw examples where the spacing was changed in the layout
block, as you
Actually not a complaint! But inspired by the thread on upgrading vs not
upgrading, where it was suggested that LP has become inherently more
complex and harder to use, even for simple typesetting.
As a counterexample: A few days ago, I needed to produce a quick page with
some text outlining
On Nov 16, 2012, at 6:10 PM, Mark Stephen Mrotek carsonm...@ca.rr.com wrote:
…
1. Which of these lines (discounting change of pitch and duration)
should be used?
2. Where in an already started Piano score should they be inserted?
Thank you for your kind attention.
Good day!
It used to not done, in order to emphasize each individual word. Now, it's more
whatever the composer wants. There are no more hard and fast rules.
On Nov 20, 2012, at 4:25 PM, Fr. Michael Gilmary, mma
frmichaelgilm...@maronitemonks.org wrote:
Hi everybody:
Here's a general question that's
james james.lilypond at googlemail.com writes:
On Dec 2, 2012, at 10:06 PM, Christopher Brooks wrote:
James, I have read the Learning Manual. It is not clear what can be placed
where. What I am trying to do is write:
1. A chord
Learning Manual 2.2.4
I had to chuckle reading
will see the flat
sign from the roman font in the PDF file.
This produces acceptable (to my eyes) results for the subtitle using 2.16.1:
subtitle = \markup { Part for E \concat { \translate #'(-0.3 . 0.6)
\abs-fontsize #8 \flat } saxophone }
James Worlton
On Mon, Dec 10, 2012 at 3:25 PM, James Worlton jworl...@gmail.com wrote:
On Mon, Dec 10, 2012 at 2:50 PM, Keith OHara k-ohara5...@oco.net wrote:
Xavier Noria fxn at hashref.com writes:
subtitle = \markup { Part for \concat{E\flat} saxaphone}
That would be a nice touch. The flat
and markups on the page. Start here and see if
you can get it to work out.
James Worlton
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On Dec 31, 2012, at 3:22 PM, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz = \markup { \italic smorz }
sotto = \markup { \italic { sotto voce } }
Ds = {
s1*10 | s1^\sotto | s4 s2.\f | s4
Antonio Gervasoni agervasoni at gmail.com writes:
There is one reason: software like Sibelius and Finale need even more tweaks
than Lilypond!
For a concrete example of this (never mind the vacation chatter):
http://www.dewdrop-world.net/words/blog5.php/2011/07/11/the-year-s-over-and-done
It had occurred to me in the past that lilypond user digests were maybe too
small, but I didn't mention it as it hasn't reached the point of becoming
an inconvenience. Now... overnight, I got 11 digests in a span of about 6
hours.
When I sign up for a list in digest mode, I expect 1-3 messages in
desktop. I was expecting the instal to register files ending in .ly with
Win2K. What other options do I have to test the install? Can I do it from
the command line in cygwin ?
Finally, are there any pre-requisites that I should check?
Thanks in advance,
James
PS I have not subscribed
, but
below it are the chords and words, not lining up as I
would like them to. 'test2.ly' is the closest I was
able to come, but it wouldn't let me put a hyphen
between 'le' and 'lu', nor a duration for the hyphen
after 'lu'. Any help on this would be appreciated!
James Classen
/share/guile/1.6/ice-9/boot-9.scmJames
-- J James Reynolds[EMAIL PROTECTED]
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I have an example in which the insertion of a crescendo in the music
causes the generated MIDI file to be bad. Removing the crescendo
fixes the problem. Is this a known problem? I'm using version 2.7.17
on Windows.
A second thing: \ and \f don't work the same way in jEdit as \p. It
looks
From: Mats Bengtsson [EMAIL PROTECTED]
Subject: Re: combining files
What didn't work?
First of all, you can skip the \book command, which is implicitly
added around any LilyPond input file if you don't write it yourself.
Also, within each \score{...}, the music should come before the
I'm reporting this here because I don't know where else to report it.
The jEdit plugin gives you an autocompletion list when you type a \.
Some things appear to be missing from the list of choices. I've not
made an exhaustive search, but came across the following: \ \f
\!. What happens
I will need to include some bassoon fingering charts in an upcoming
project. My bassoonist friend (who will also perform) scanned some pages
from a reference book that uses a fairly rectangular style (attached).
In Lilypond, I've gotten as far as printing out the list of keys and
understanding
On Feb 6, 2013 4:46 PM, Wim van Dommelen m...@wimvd.nl wrote:
Hi James,
Note that the Lilypond diagrams are different, not such squarisch, see
the notation reference manual for details.
The notation reference is the first place I went. Those details were
helpful to get me started, but didn't
On Wed, Feb 20, 2013 at 1:47 PM, James Harkins jamshar...@gmail.com wrote:
I just tried to download this:
http://download.linuxaudio.org/lilypond/binaries/linux-64/lilypond-2.16.2-1.linux-64.sh
But download.linuxaudio.org is almost totally unresponsive. After a
few minutes of watching
On Wed, Feb 20, 2013 at 2:52 PM, Helge Kruse helge.kr...@gmail.com wrote:
2013/2/20 James Harkins jamshar...@gmail.com:
I just tried to download this:
http://download.linuxaudio.org/lilypond/binaries/linux-64/lilypond-2.16.2-1.linux-64.sh
...
Where else can I get it?
What about http
David Kastrup dak at gnu.org writes:
First make, then make install.
Quite right -- make install did actually compile some of it, though, so I
thought it was OK. I'll remember that for next time.
make on its own did complete successfully, thanks.
6. ../configure
, 0, 67, 90 ]
[ 1, 768, noteOn, 0, 67, 90 ]-- this is the ~g8 -- it shouldn't be here
[ 1, 938, noteOn, 0, 71, 90 ]
[ 1, 960, noteOn, 0, 69, 90 ]
[ 1, 1152, noteOn, 0, 67, 90 ]
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse
c'' { \slurUp d4. \slashedGrace e16 ( d8 b4 d4 ) }
Hm, I wonder what that would do to a multi-voice example. Probably ugly.
hjh
--
James Harkins /// dewdrop world
jamshar...@dewdrop-world.net
http://www.dewdrop-world.net
Come said the Muse,
Sing me a song no poet has yet chanted,
Sing me
On Feb 20, 2013 10:57 PM, Jay Anderson horndud...@gmail.com wrote:
On Wed, Feb 20, 2013 at 7:28 AM, James Harkins jamshar...@gmail.com
wrote:
I'm unsure if this is a known issue, or a new one.
http://code.google.com/p/lilypond/issues/detail?id=3091
This probably won't be fixed in 2.16
Antonio Gervasoni agervasoni at gmail.com writes:
I've been using Lilypond for over a year and I've always noticed it requires
a lot of CPU resources to engrave a score. This is especially noticeable
when working on big orchestral scores. I use a Macbook Pro and one single
engraving of an
Han-Wen Nienhuys hanwenn at gmail.com writes:
Our mission has always been to provide excellent music notation in a
free software package to as many people as possible, including those
using windows and macs. We have no business doing ideological
advocacy, and frankly, the original message
Zenaan Harkness zen at freedbms.net writes:
David, thank you so, so much!
Oh, I thought enough bytes had been spilt on this subject already.
IMO, this entire discussion is the result of misreading François's comment.
It's working well for me in Windows somehow turned into advocacy, but... to
Staff.timeSignatureFraction = 4/4
\scaleDurations 3/2 {
c4 c c c
}
}
\score {
\new Staff \melody
\new Staff \upper
\new Staff \lower
}
James Worlton
On Wed, Mar 6, 2013 at 9:38 AM, Katie Ganem klga...@gmail.com wrote:
Hello,
I am trying to input
I don't really have a good idea how some kind of voting process would
look like where we get relevant feedback from a substantial number of
non-specialists.
FWIW, speaking as a Lilypond user with some programming experience (but who
is not a LP developer) -- I was skeptical of the change at
Hi,
I'm working on a piece now where most of it is modal, but one section will
be free-chromatic. I would like to use one of the more modern accidental
styles, but only in that section.
I read the section of the manual about automatic accidentals, and it
appears at first glance that the
Hi, I'm working on a trio. In one section, one instrument will play
metered music and the other two will have aleatoric notation, without
barlines.
LSR #344 [1] (Printing music with different time signatures) shows
how to suppress normal barlines in one or more parts. But, in this
case, the staff
I apologize for weighing in on the R shorthand thread by sending a new
message. I read the digest and normally reply to messages by gmane.
However, for some unknown reason, R shorthand seems to be missing
entirely from gmane. It exists in the archives on lists.gnu.org.
My opinion (as a
Dynamics { s1\p }
\new Staff { c'1 }
}
\score {
\new StaffGroup
\new Staff { c'1 }
\new Dynamics { s1\p }
\new Staff { c'1 }
}
James Worlton
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On Wed, Mar 20, 2013 at 11:17 PM, Werner LEMBERG w...@gnu.org wrote:
- Old: R2 == a full measure rest in 2/4 time
- New: R2 == *two* full measure rests in any time signature
Actually, I like this. This would also help in situations like
tacet al rehearsal number 54
On Wed, Mar 20, 2013 at 10:16 AM, Xavier Scheuer x.sche...@gmail.comwrote:
On 20 March 2013 16:04, James Worlton jworl...@gmail.com wrote:
Hello,
While the basic output of barlines in grouped staves has improved in
2.17.14, there is still a problem if there is a dynamics staff included
Earlier today, I said:
~~
The issue with vertical positioning of dynamics could improve with a
setting to constrain the distance between the highest and lowest
dynamics for a staff in a system. Do we have such a setting? If not,
I'm happy to start another thread for that.
~~
Attached is an image
I've run into this limitation a few times -- enough that it's now
worth asking about.
~~
notesA = \relative c'' { c d e f ~ }
notesB = \relative c'' { f e d c }
\new Staff { \notesA \notesB }
~~
This doesn't render the tie. I'm sure there's a good reason why the
tie can't carry over from one
So, today I adapted a scheme function for my own use (which I had
never done before), and it worked. Then I needed slashes for some
normal (non-grace) notes and found:
http://lists.gnu.org/archive/html/lilypond-user/2011-12/msg00579.html
Last week, I got a message inviting me to pay my Finale
David Kastrup dak at gnu.org writes:
James Harkins jamshark70 at gmail.com writes:
Last week, I got a message inviting me to pay my Finale tax. I was
very happy to delete it, but not before a good larf.
Well, I am somewhat unhappy with that focus on the pricing of Finale as
my own work
On Tue, Mar 26, 2013 at 2:13 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi James,
[snip]
Below, I've set 'outside-staff-priority to #f, meaning that the grob will
be treated as a within-staff object. You can then move it around with
'extra-offset. I used 'X-offset and 'Y-offset
On Tue, Mar 26, 2013 at 2:34 PM, David Nalesnik david.nales...@gmail.comwrote:
James,
On Tue, Mar 26, 2013 at 2:26 PM, James Worlton jworl...@gmail.com wrote:
Excellent, David. Thank you! Follow up question: Is there a way to set
the outside-staff-priority in the markup definition itself
What is the magical incantation to turn on proportional spacing in the
middle of a score, and then turn it off again?
The following is not successful in lp 2.16. Two measures are produced,
and they both use classical spacing. I would have expected the spacing
to be visibly different after setting
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