Mimmo sent me an interesting idea. He agreed that I could forward it to you
guys. I think Martyn holds a similar position?
Rob
Silk bass strings like the 19th c guitars Rob. My point of wiwe of course
This is why I think that the Gallicone was so suitable on bass line and
powerful. My idea
,. and he
can say whatever he likes on it, but Martyn hasn't got a website so used
this list to respond to - which might annoy some, but Barber did refer to
conversations which took place here.
You reap what you sow...Let's drop it now before it blows out of proportion.
Rob
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To get on or off
There's a thought. I'll write to you privately, Martyn.
Rob
On 21/02/2008, Martyn Hodgson [EMAIL PROTECTED] wrote:
Rob,
I'd be happy to lend you my large single strung gallichon in A for a few
months if you could pick it up and arrange insurance etc.
regards,
Martyn
--
To get
withdrawn
and will be published by another publisher both in French and a seperate
English language volume. Anthony should be able to update us on that. It is
346 pages long and includes good biographies of the main and lesser-known
composers.
Rob
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to be the only instrument of the lute family which could play them.
Rob
On 21/02/2008, Dale Young [EMAIL PROTECTED] wrote:
Martyn,
I want one! Who built yours? Dale
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Well done Stephen. I think the performance is better than the last
recording, although that wasn't bad at all. Another nice piece and a nice
performance. What more could anyone ask for?
Keep up the good work. I'm off to listen to it again...
Rob
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On 17/02/2008, Martin Shepherd [EMAIL PROTECTED] wrote:
The second lute (in a') is my no.3, made in 1983 (it didn't take a year
to make, by the way, just nine days).
Nine days?!
Rob
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, and ultimtely you will have to
make your own choice. I've made mine.
Rob
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, sometimes
forgetting to upload the Fronimo file.
Rob
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I'm listening to the Lawes suite for two lutes from your website - VERY
nice! I love those pieces but have never played them.
I must get hold of the Gallot ms...
Rob
On 13/02/2008, Jean-Marie Poirier [EMAIL PROTECTED] wrote:
Thank you very much, Rob, for the kind words. Yes, that manuscript
in them. This one is very moving, and I hope
you enjoy listening to it. I consider it a 'work in progress' recording. You
can find it just above the photo of me holding the lute near the bottom of
this page: http://www.rmguitar.info/Maler.htm
Cheers,
Rob
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To get on or off this list see list
out. Each
instrument works differently, so you have to find the sweet spot with each
one. I find the different string materials work differently, but eventually
the instrument yeilds its secrets no matter gut or nylon.
Well, that's the way I see it. YMMV.
Rob
--
To get on or off this list see
. 165D + 82
10. 10. 185D + 91
11. 11. 210D + 100D
Tensions for Nylgut
1 41
2 34.5
3 30
4 28
5 28.5
6 30 + 28.5
7 30 + 28.5
8 29.5 + 28.5
9 28 + 24 (midway between E and Eb)
10 29 + 28.5
11 30 + 27.5
Glad you like the sound!
Rob
On 12/02/2008, Jaros³aw Lipski [EMAIL
interpreting this 'macro sighing concept' (!) on a micro level - the shorter
trills repeat the painful dissonance/consonance aspect - but I'm beginning
to talk a load of crap, so I'll stop. :-) It comes out the way it comes out
because that's the way it comes out. There you go!
Rob
On 12/02/2008
in them. This one is very moving, and I hope
you enjoy listening to it. I consider it a 'work in progress' recording. You
can find it just above the photo of me holding the lute near the bottom of
this page: http://www.rmguitar.info/Maler.htm
Cheers,
Rob
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To get on or off this list see list
Jean-Marie,
That is VERY beautiful. I must get hold of this interesting manuscript. And
your playing is first-class. I loved it!
Rob
On 12/02/2008, Jean-Marie Poirier [EMAIL PROTECTED] wrote:
There is a beautiful one too, for Charles de Gallot (1669) in the de
Gallot guitar manuscript from
Yeah, I'm a sucker for drones. Thanks for that, Arto. Very enjoyable.
Rob
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You've passed all the tests, Stewart! Well done ;-)
Rob
On 12/02/2008, Stewart McCoy [EMAIL PROTECTED] wrote:
Test 1 Baroque Lute List
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--
was going carzy being out of tune on gut. Playing in tune was more
important to me than playing with gut. I've made my choice for the moment,
but will no doubt return to gut again in the future.
Rob
On 12/02/2008, Lute [EMAIL PROTECTED] wrote:
Dear Rob,
Thanks fort the Mp3, enjoyed listening
David van Edwards wrote a short guide to taking care of your lute -
published by The Lute Society.
Rob MacKillop
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. Your website is waking up!
Just my tuppenceworth.
Rob MacKillop
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Don't believe everything you read on the lute net.
Now you tell me!
Rob
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...
Although these are keyboard topics, I'm sure they will be of interest to
some here.
Rob MacKillop
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Diego, did you read the essay?
Rob
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Yes, Diego, what is the introduction by Castaldi left out of the Minkoff
print?
Rob
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can play THAT well?!
Rob
www.rmguitar.info
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I've created a different email account with google. Please let me know if
this gets sent your spam folder, or otherwise.
Sorry about all this, but I'm not the only one having problems with this
list.
Rob MacKillop
--
To get on or off this list see list information at
http
Great. No-one else need respond.
Rob
On 01/02/2008, Manolo Laguillo [EMAIL PROTECTED] wrote:
Rob,
this one went through, no problem!
Manolo
Rob Lute wrote:
I've created a different email account with google. Please let me know if
this gets sent your spam folder, or otherwise.
Sorry
Dowland himself...Karamazov
has a different audience, and he does a remarkable job at bringing new blood
into the modern lute world. Whether we need that, of course, is another
matter.
Rob
www.rmguitar.info
-Original Message-
From: Stewart McCoy [mailto:[EMAIL PROTECTED]
Sent: 30 January
properly. We might need to consider alternatives...
Thoughts?
Rob
www.rmguitar.info
-Original Message-
From: Jerzy Zak [mailto:[EMAIL PROTECTED]
Sent: 31 January 2008 22:03
To: lute-cs.dartmouth.edu Net
Subject: [LUTE] a liste-machine
Strange,
I'm not receiving messages I am sending
Won't be able to play in a month?! Good luck, Ed! Take care.
Rob
www.rmguitar.info
-Original Message-
From: Ed Durbrow [mailto:[EMAIL PROTECTED]
Sent: 27 January 2008 15:52
To: LuteNet list; Rob MacKillop
Subject: [LUTE] Re: arm pain
Any experience of this?
Yes. I feel your pain
called
'post-beginners'.
Rob
www.rmguitar.info
-Original Message-
From: G. Crona [mailto:[EMAIL PROTECTED]
Sent: 26 January 2008 12:06
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: contributions to this list
Rob wrote:
I for one enjoy contributions from beginners and amateurs
suitable. How
about a bass lute, eight or ten courses? See
http://www.vanedwards.co.uk/index.htm#bass - c.70 to 75 cms.
Cheers,
Rob
www.rmguitar.info
-Original Message-
From: Grant Green [mailto:[EMAIL PROTECTED]
Sent: 26 January 2008 19:05
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re
Complete Dresden for free here:
http://luthlibrairie.free.fr/?Baroque:Allemande
..I say 'for free', but you might consider making a donation.
Rob
www.rmguitar.info
-Original Message-
From: Duncan Midwinter [mailto:[EMAIL PROTECTED]
Sent: 25 January 2008 09:36
To: [EMAIL PROTECTED
. The
percentages might be different, however!
I enjoyed that.
Rob
www.rmguitar.info
-Original Message-
From: Stephen Arndt [mailto:[EMAIL PROTECTED]
Sent: 25 January 2008 23:00
To: [EMAIL PROTECTED]
Subject: [BAROQUE-LUTE] Rank Amateur Recording # 2
Hello, all!
Fridays are my
http://luthlibrairie.free.fr/?Baroque:Allemande
Rob
www.rmguitar.info
-Original Message-
From: Luciano [mailto:[EMAIL PROTECTED]
Sent: 23 January 2008 12:56
To: [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] bach on baroque lute
Hi all,
I'm an italian lutenist
Oops, sorry to Pietro and David - I hope you are not offended by my comment.
It did bring a broad smile to my face, though, which is not such a bad thing
these days.
Rob
PS Some people have written to me saying the link doesn't work. It does if
you copy and paste it into Internet Explorer
more!
Rob
To get on or off this list see list information at
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Curse? Ten curses, no less. Good luck!
Rob
www.rmguitar.info
-Original Message-
From: Omer katzir [mailto:[EMAIL PROTECTED]
Sent: 19 January 2008 14:51
To: lute@cs.dartmouth.edu Net
Subject: [LUTE] Ok guys...need your help...
so it's going to be a renaissance 10 curse lute
I felt that was too fast, so...
http://www.rmguitar.info/temp.htm
Rob
www.rmguitar.info
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: 17 January 2008 11:56
To: [EMAIL PROTECTED]
Subject: [BAROQUE-LUTE] Robert de Visee mp3
A temporary upload: http://www.rmguitar.info
standards would add files, even complete beginners. We
are too used to hearing 'perfect' and heavily edited performances on CDs -
nothing 'authentic' about that. We should create an environment where we
encourage each other at all levels.
Rob
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http
a large
10c bass lute in G with just the first course down an octave?
I'm wondering how many of the early publications for a 'theorbo' (various
spellings) or chitarrone were actually for large 10c bass lutes with
re-entrant tunings?
Rob
www.rmguitar.info
-Original Message-
From: [EMAIL
You may recall my acquisition of a new 11c lute and experiments in pitch
with all-gut strings. I really like the sound, for the most part, but the
basses were impossible to tune or keep in tune, and first strings were an
expense. Anyway, still experimenting, I thought I would try Nylgut - here
are
Dear Roland,
Are you saying that Reusner's arrangements are just accompaniments? That the
melody is not there? I like these pieces but don't know anything about them
Please excuse my ignorance, but what does 'geistliche' mean in English?
Cheers,
Rob
www.rmguitar.info
-Original Message
Nice piece, sensitively played, and a clear recording. Well done.
Rob
www.rmguitar.info
-Original Message-
From: wolfgang wiehe [mailto:[EMAIL PROTECTED]
Sent: 12 January 2008 20:15
To: [EMAIL PROTECTED] Dartmouth. Edu
Subject: [LUTE] recording with ZOOM H2
hi all,
if someone
on the bridge [baroque Method]
Thanks Rob, we can imagine what you would have been able to do with
the Buchenberg tuned up.
How does it feel from the point of view of weight? Is it very much
lighter or heavier than your Maler, or almost the same?
Does it seem well balanced?
How was it strung
And here is an mp3 of the 'Buchenberg':
www.rmguitar.info/temp.htm
I wasn't allowed to tune it up to pitch, and the strings were more or less
lying on the frets. Almost every note buzzed. Please believe me! I don't
normally play with this tone.
:-)
Rob
-Original Message-
From
Many thanks, Martyn. Nothing there to convince me either that it was
commonplace for French theorbo music or for de Visee.
Cheers,
Rob
www.rmguitar.info
-Original Message-
From: Martyn Hodgson [mailto:[EMAIL PROTECTED]
Sent: 08 January 2008 08:09
To: [EMAIL PROTECTED]; 'Lute Net
a cm or two
towards the rose, but not as close as the position on said photograph. I
should also add that I have never played thumb-in, as I find it impossible.
Rob
www.rmguitar.info
-Original Message-
From: Martyn Hodgson [mailto:[EMAIL PROTECTED]
Sent: 07 January 2008 13:52
that this lute was
a new one, completely strung in gut - all this might sound different in a
year or so.
Rob
www.rmguitar.info
-Original Message-
From: Bruno Correia [mailto:[EMAIL PROTECTED]
Sent: 07 January 2008 19:29
To: Lute Net
Subject: [LUTE] Re: RH on the bridge
Rob,
Good job
Thanks Arto. I've put a link from my page to yours.
Apparently the entire suite by Pezold was published in a modern edition.
Trying to track it down. He clearly had an ear for a good tune. My daughter
is learning these pieces on piano at the moment.
Rob
www.rmguitar.info
-Original
the page turns to make the works easier to
perform.
Happy Christmas.
Rob MacKillop
www.rmguitar.info
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: 24 December 2007 13:08
To: 'baroque Lutelist'
Subject: [BAROQUE-LUTE] Lauffensteiner pdfs online
Eight solo suites
Thanks to David for his comments and to Davide for his offer of help, but I
now have a collaborator who had actually already made a start on these
songs, plus we have also been in correspondence already about other things.
I'll let you know when it is available.
Rob
www.rmguitar.info
Same address as these guys:
http://www.recordermail.co.uk/
Rob
www.rmguitar.info
-Original Message-
From: Edward Martin [mailto:[EMAIL PROTECTED]
Thank you for your email. These works have been transferred to Ruxbury
Publications, of Scout Bottom Farm, Mytholmroyd, HX7 5JS,
2817
fluid
and allied to the subtle dynamic and tonal nuances of the music. When that
photo was taken I had only seen the lute for a few minutes and hadn't really
played anything. I was grinning because Martin had just accepted a dud
cheque, the value of which he will discover tomorrow!
Rob
-Original
'How do you turn it on?
Stroke it gently...
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their computer
speakers, and it might be hard to discern much difference between the two
files. Good quality headphones make a huge difference.
Rob
www.rmguitar.info
-Original Message-
From: Martin Shepherd [mailto:[EMAIL PROTECTED]
Sent: 15 December 2007 09:45
To: Lute Net
Subject: [LUTE] RH
Three cheers! Thanks Denys.
Rob
www.rmguitar.info
-Original Message-
From: Denys Stephens [mailto:[EMAIL PROTECTED]
Sent: 15 December 2007 18:01
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: RH on the bridge?
Dear All,
A word of advice from one of the 'old ones:'
'Neither would
to see what
differences there are.
Rob
www.rmguitar.info
-Original Message-
From: T. Diehl-Peshkur [mailto:[EMAIL PROTECTED]
Sent: 14 December 2007 10:41
To: [EMAIL PROTECTED]; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: new sound file for 11c
Hi Rob,
Thanks
don't really know what lutes sounded like in the 16th/17th
centuries...maybe our modern lutes are subtly different?
One great advantage of CF instruments is that they are not affected by
humidity and temperature change. I'm sure many a touring lute player would
be pleased about that.
Rob
Fascinating. Not all the images appeared on the last page...check your
files. But what did appear was very interesting.
Rob
www.rmguitar.info
-Original Message-
From: Roman Turovsky [mailto:[EMAIL PROTECTED]
Sent: 14 December 2007 19:15
To: Lutelist
Subject: [LUTE] ruthenian lute
. But the Fronimo files are there for anyone else who
wants to do this...
Rob
www.rmguitar.info
-Original Message-
From: Mathias Rösel [mailto:[EMAIL PROTECTED]
Sent: 13 December 2007 16:57
To: [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED]; 'Taco Walstra'; baroque-lute@cs.dartmouth.edu
Subject: Re: [BAROQUE
Jurek,
You should ask Lynda Sayce: www.theorbo.com
Rob
www.rmguitar.info
-Original Message-
From: Jerzy Zak [mailto:[EMAIL PROTECTED]
Sent: 12 December 2007 19:28
To: Barocklautenliste Lutelist'
Subject: [BAROQUE-LUTE] theorbo music sources
Dear List,
I know, the Christian
Thanks Joseph. Much appreciated.
Rob
www.rmguitar.info
-Original Message-
From: Joseph Mayes [mailto:[EMAIL PROTECTED]
Sent: 12 December 2007 19:57
To: [EMAIL PROTECTED]; 'Anthony Hind'; lute@cs.dartmouth.edu
Subject: [LUTE] Re: new 11c!
Rob
What a great instrument!! I have
must pluck very lightly...
Rob
www.rmguitar.info
-Original Message-
From: gary digman [mailto:[EMAIL PROTECTED]
Sent: 11 December 2007 10:09
To: lutelist
Subject: [LUTE] Re: Swanneck + loaded strings
Every classical guitarist I know carries a small swatch of sandpaper in his
of her
Not quite answering your question...but, I used La Bella gut 19th-C guitar
strings, the lightly varnished ones, and I thought they were very good
quality.
Rob
www.rmguitar.info
-Original Message-
From: Steve Bryson [mailto:[EMAIL PROTECTED]
Sent: 11 December 2007 19:35
To: Nigel
about raising the first course to just below breaking
point actually come from France at this period?
Rob
www.rmguitar.info
-Original Message-
From: Martin Shepherd [mailto:[EMAIL PROTECTED]
Sent: 10 December 2007 08:57
To: Lute Net
Subject: [LUTE] Re: baroque lute pitch
Dear All,
I
Calluses? Sandpaper? Mimic nails? Is that a common experience? I must say,
Gary, that I've been playing without nails for almost 20 years, and my
finger tips are very soft and smooth. Sandpaper?! Must be my blue blood -
never done a day's work in my life.
HRH Rob
www.rmguitar.info
I think there are more theorbo players on the main lute list, Theo, so you
might get more feedback there. Everyone is different, of course, and what
works for me might not work for you. I found the larger one easier in every
respect - musically and physically.
Rob
www.rmguitar.info
theorbe de pieces.
Rob
www.rmguitar.info
-Original Message-
From: T. Diehl-Peshkur [mailto:[EMAIL PROTECTED]
Sent: 08 December 2007 15:24
To: [EMAIL PROTECTED]
Subject: [BAROQUE-LUTE] Theorbo
I had a request to all the performers/teachers among you here. Any
help would be appreciated.
I
www.rmguitar.info
-Original Message-
From: Rob [mailto:[EMAIL PROTECTED]
Sent: 08 December 2007 17:13
To: 'T. Diehl-Peshkur'
Subject: RE: [BAROQUE-LUTE] Re: Theorbo
Everything is difficult. Getting out of bed is very difficult. Is a large
theorbo more difficult than a small one
not so much the amount of equipment you can gather that makes the lute.
It's having the fire in your belly to do it and the guts to get about it.
Best,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Saturday, December 08, 2007 1
difficult. Final shaping and trimming, cutting of the facets
etc. is done on the front of the rose having first stabilized the wood with
a very thin, blond shellac wash.
Different strokes,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent
) can be made
if you're feeling particularly industrious.
Best,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: Jon Murphy [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 04, 2007 2:08 AM
To: lute-builder
Subject: [LUTE-BUILDER] Re: Lute - Baroque Guitar
All,
I think Rob has
extensions of the
body facets. It is things like this which keep me carving solid moulds.
Hope this helps,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: Din Ghani [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 04, 2007 11:26 AM
To: 'Rob Dorsey'; 'Jon Murphy'; 'lute-builder'
Subject
Jon,
To answer your question. He probably could, but he wouldn't.
Best,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: Jon Murphy [mailto:[EMAIL PROTECTED]
Sent: Tuesday, December 04, 2007 10:39 PM
To: [EMAIL PROTECTED]; 'Rob Dorsey'; 'lute-builder'
Subject: Re: [LUTE
, removing the block screws allow you to pop the
completed bowl off of the form easily, more or less.
There are many ways to skin a cat and they're all valid so long as you wind
up with a skinned cat.
Best,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: Din Ghani [mailto:[EMAIL
in the
interest of neatness. It's not neat when a seam opens after a few years so I
make certain that my joints are fully saturated with glue. You can always
wipe it off. The final outcome is just as tidy.
Start cutting wood and you will learn.
Rob Dorsey
http://RobDorsey.com
-Original Message
cutting some wood.
Rob Dorsey, Luthier
http://RobDorsey.com
-Original Message-
From: Troy Wheeler [mailto:[EMAIL PROTECTED]
Sent: Friday, November 30, 2007 11:23 AM
To: [EMAIL PROTECTED]
Subject: [LUTE-BUILDER] Lute - Baroque Guitar
Hello,
I am new to the list.
Can anyone recommend any
on your copy of the Schelle? It seems a reasonable supposition to me,
considering that in Dm tuning, there is no point in lowering a string by an
octave (as with the Italian model) because that pitch is already an open
string.
And do you use single or double strings?
Rob
www.rmguitar.info
, and kudos to you for delving into this whole area. It looks like
my forthcoming 86cms theorbo will be the perfect length for trying both
tunings. I'll try to work out exactly how many strings I could re-use in
both tunings.
Rob
www.rmguitar.info
_
From: Martyn Hodgson [mailto
?
Rob
www.rmguitar.info
-Original Message-
From: Jerzy Zak [mailto:[EMAIL PROTECTED]
Sent: 25 November 2007 00:58
To: baroque Lutelist
Subject: [BAROQUE-LUTE] Re: Dm continuo - Narvey article online
Thanks to Benjamin for such an interesting article. Hopefully it will
stimulate
of tuning, Martin. I never thought of
that.
Rob
www.rmguitar.info
_
From: Martyn Hodgson [mailto:[EMAIL PROTECTED]
Sent: 25 November 2007 16:49
To: [EMAIL PROTECTED]; 'baroque Lutelist'
Subject: Re: [BAROQUE-LUTE] Re: Dm continuo - Narvey article online
Note that the top
Great to see it has stimulated discussion! :-)
Rob
www.rmguitar.info
-Original Message-
From: Are Vidar Boye Hansen [mailto:[EMAIL PROTECTED]
Sent: 24 November 2007 16:36
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Dm continuo - Narvey article online
Thanks
is of
less interest to me than resonance. As ever, one can only wait and see what
the result will be. Very much looking forward to it.
Rob
www.rmguitar.info
-Original Message-
From: Edward Martin [mailto:[EMAIL PROTECTED]
Sent: 21 November 2007 14:02
To: [EMAIL PROTECTED]; 'BAROQUE-LUTE
mercantile and will jump through their transverse colon for a sale.
Good Luck,
Rob Dorsey
http://RobDorsey.com
-Original Message-
From: Solaris Solarium [mailto:[EMAIL PROTECTED]
Sent: Thursday, November 15, 2007 11:21 PM
To: [EMAIL PROTECTED]
Subject: [LUTE-BUILDER] Re: toirtoiseshell
bass notes and a few
tenths here and there. Soon it will all begin to fall into place.
Well, that's the way I've always done it. Works, more or less, for me.
Rob
www.rmguitar.info
-Original Message-
From: Jim Abraham [mailto:[EMAIL PROTECTED]
Sent: 06 November 2007 19:42
To: baroque
Someone should tell Hoppy - there is a photo in one of his French 11c
recordings, if I remember correctly, which has him surrounded by instruments
on a wall, presumably his own.
Rob
www.rmguitar.info
-Original Message-
From: Mathias Rösel [mailto:[EMAIL PROTECTED]
Sent: 10 September
Hi David,
Some really nice pieces in the Panmure mss: numbers 4, 5 and 8. Wayne Cripps
published some pieces from Pan 5.
Rob MacKillop
www.rmguitar.info
-Original Message-
From: David Rastall [mailto:[EMAIL PROTECTED]
Sent: 26 August 2007 14:47
To: lutelist Net
Subject: [LUTE
Dai Miller?
Rob
www.rmguitar.info
-Original Message-
From: Daniel Shoskes [mailto:[EMAIL PROTECTED]
Sent: 24 August 2007 03:10
To: lute@cs.dartmouth.edu
Subject: [LUTE] Kirkby on the youtubes
http://www.youtube.com/watch?v=iTV6F3lTU7o
I think it's Linda Sayce on turbo lute during
I agree with David - Stefan's book is very good. I assume, Thomas, that you
mean 11c. If you have a 13c, try Satoh's tutor (Tree Editions).
Rob MacKillop
www.rmguitar.info
-Original Message-
From: David Van Edwards [mailto:[EMAIL PROTECTED]
Sent: 12 August 2007 23:39
To: Thomas
Try this. Any bigger and it would be too pixilated.
http://www.rmguitar.info/images/French/HenrietteFanClose.jpg
Rob
www.rmguitar.info
-Original Message-
From: David Van Edwards [mailto:[EMAIL PROTECTED]
Sent: 12 August 2007 21:29
To: [EMAIL PROTECTED]
Cc: baroque-lute
out immediately. The
consequence is that we sound early compared to everyone else. I'm not sure
if this is what you are referring to, David, when you talk about lute
players being the last to the bar - or are you saying we are still trying to
figure out the figures? That happens too ;-)
Rob
I must get that recording. Sounds like the best Weiss and Bach I've heard in
many a year. What do we know about her?
Rob
www.rmguitar.info
-Original Message-
From: Edward Martin [mailto:[EMAIL PROTECTED]
Sent: 12 August 2007 20:17
To: ariel; lute@cs.dartmouth.edu
Subject: [LUTE] Re
, or
Frenchman living in Germany, or both? Lots of questions! Has anyone compiled
a timeline of manuscripts/publications?
Rob MacKillop
www.rmguitar.info
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Can anyone give me info on Philipp Franz Lesage de Richee, and also who
composed what in his collection, `The Cabinet der Lauten'? Much appreciated.
Cheers,
Rob MacKillop
www.rmguitar.info
--
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http://www.cs.dartmouth.edu
help?
Rob MacKillop
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
How about 'Tickle Me Naked Wontonly'...?
Rob
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
is a law truly contrary to every natural law of
singing [solo song^].
Parallel octaves and fifths in 'NEARLY EVERY ONE'!
Also note references to chords lacking any kind of third - just roots and
fifths, in other words 'power chords' - much decried by the two Davids on
this list.
Rob MacKillop
to universally. Let's
diversify!
Rob
www.rmguitar.info
-Original Message-
From: Howard Posner [mailto:[EMAIL PROTECTED]
Sent: 29 July 2007 22:02
To: lutelist Net
Subject: [LUTE] Re: Early Baroque basso continuo rules
Alfonso, you seem to have jumped the fence and joined the Rob McKillop
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