information anyone can give me.
Best regards,
Stephen Arndt
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James,
You can find it here:
[1]http://www.musico.it/lute_software/bsfc/index.html
Stephen
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References
1. http://www.musico.it/lute_software/bsfc/index.html
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resource.
Thank you for your kindness and generosity in taking the time to make a
start on this initiative.
A not-so-sly lurker,
Stephen Arndt
- Original Message -
From: Rob MacKillop luteplay...@googlemail.com
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Tuesday, May 19, 2009 2:40
I did not find Mertel at Minkoff. Can you tell me where it is, please?
- Original Message -
From: jean-michel Catherinot jeanmichel.catheri...@yahoo.com
To: Daniel F Heiman heiman.dan...@juno.com; Stephen Arndt
stephenar...@earthlink.net
Cc: lute@cs.dartmouth.edu
Sent: Monday, April
anyone know of another edition (German tablature would be fine,
since I wont be playing from it but only adding an 8 to Goerans
transcription to indicate the lower basses)?
I would appreciate any information anyone could give me.
Many thanks,
Stephen Arndt
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To get
Yes, I'm sorry. I did try i...@musiqueancienne.com twice, and it bounced
back both times.
- Original Message -
From: Bernd Haegemann b...@symbol4.de
To: lute@cs.dartmouth.edu; Stephen Arndt stephenar...@earthlink.net
Sent: Saturday, April 25, 2009 12:25 PM
Subject: [LUTE] Re: Elias
Thank you, Roman. I'll give that a try on Monday.
- Original Message -
From: Roman Turovsky r.turov...@verizon.net
To: lute@cs.dartmouth.edu; Bernd Haegemann b...@symbol4.de; Stephen
Arndt stephenar...@earthlink.net
Sent: Saturday, April 25, 2009 12:42 PM
Subject: [LUTE] Re: Elias
, 25 Apr 2009 11:21:18 -0500 Stephen Arndt
stephenar...@earthlink.net writes:
Dear All,
Goeran Crona has gifted us with a wonderful transcription of
Elias
Mertels preludes and phantasies from the Hortus musicalis novus.
Since
he produced his work to make this music accessible
Yes, a good read indeed, though I was surprised by this:
Paul O'Dette is an American born in Pittsburgh in 1054. (page 6)
Wasn't that the year of the Great Schism?
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: Greet Schamp [EMAIL PROTECTED]; lute@cs.dartmouth.edu
I am very embarrassed to learn that I just wrote to Arto in what should have
been a reply to Taco. I guess the senile amnesia is progressing more rapidly
than I thought.
Stephen Arndt
- Original Message -
From: Taco Walstra [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED
).
Stephen Arndt
I said that we didn't have plans for Thanksgiving, but that I might have to
work. As it turns out, I don't. So we could bring Mom over on Thanksgiving.
- Original Message -
From: Daniel Winheld [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, November 17, 2008 6:17 PM
Many thanks, Arthur. I love Irish music and enjoy playing it on the
recorder. This is quite a bonanza.
Stephen Arndt
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, November 11, 2008 10:02 AM
Subject: [LUTE] Re: UR Research
Igor wrote:
Valery,an average amateur ,should keep his Bach for himself i think.
If Valery is an average amateur, then I shall spend the rest of my amateur life
striving to attain averageness. I am still far from it, but his videos inspire
me to keep working.
Thank you, Valery.
Stephen Arndt
Donatella wrote:
'rudo' is the right word for the person, but it doesn't exist in Italian,
it's 'gran maleducato.'
True, rudo doesn't exist in Italian, but rude does (describing one
characterized by rudezza) and means rozzo, grossolano, detto di persona,
according to Il Nuovo Zingarelli.
So does Dante. See Inferno, XXV:2.
- Original Message -
From: howard posner [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, November 03, 2008 5:23 PM
Subject: [LUTE] Re: origin of the word figueta
On Nov 3, 2008, at 5:11 PM, Roman Turovsky wrote:
And in Russian
Oops. I meant that Dante uses the expression, too, not that Dante comes up a
few times in Shakespeare.
- Original Message -
From: Stephen Arndt [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Monday, November 03, 2008 7:57 PM
Subject: [LUTE] Re: origin of the word figueta
Does the length of an ornamented note make a difference? I have noticed on
recordings that eighth notes and quarter notes tend to have an appogiatura,
whereas dotted quarter notes tend to have a trill.
-Original Message-
From: Markus Lutz [EMAIL PROTECTED]
Sent: Aug 20, 2008 8:49 AM
To:
to working with him again in the not
too distant future.
Best regards,
Stephen Arndt
--
References
1. http://lutegroup.ning.com/profile/StephenArndt
2. https://www.yousendit.com/download/Q01IaUNPd0FRWUkwTVE9PQ
3. http://www.flickr.com/photos/[EMAIL PROTECTED]/%20).%20I
Dear Martin,
Once again, a very beautiful piece and exquisitely played. Tell me, how did
you finger the chord on the third beat of measure thirty-eight? Did you hold
down the notes on the second and third strings with the second finger amd
use the third finger on the fifth string (which I
to have this instrument redone. I don't know, however, whether it is even
feasible and, if so, whether the results are likely to be worth the trouble.
Any advice would be very welcome.
Thank you and best regards to all,
Stephen Arndt
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http
Studio Projects B-1 microphones, and Samplitude 9.1.1 for editing
purposes. I think you will find the sound quality much improved over the
earlier attempts I have posted on this list.
As always, critical comments are welcome.
Best wishes to all,
Stephen Arndt
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Yes, that is correct.
Stephen Arndt
- Original Message -
From: Greg Silverman [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Sunday, May 04, 2008 7:44 PM
Subject: [LUTE] OT: I say, Dutch anyone?
Dear all,
My wife has a recital coming up early next month. For one
case b and the v sound by one that looks like an upper case b (more or
less). Perhaps Roman knows whether Cyrill himself used those.
Stephen
- Original Message -
From: Bernd Haegemann [EMAIL PROTECTED]
To: LUTELIST lute@cs.dartmouth.edu; Stephen Arndt
[EMAIL PROTECTED]
Sent: Sunday
For nur in diesem Fall nothwendig zu verstehen I would suggest and is to
be understood as necessary only in the case of (tying the frets etc.).
My two cents.
Stephen Arndt
- Original Message -
From: Markus Lutz [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Saturday
than I do.
- Original Message -
From: Markus Lutz [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]
Cc: Lutelist lute@cs.dartmouth.edu
Sent: Saturday, April 26, 2008 10:01 AM
Subject: Re: [LUTE] Re: Kirnberger on lutes and temperament
Stephen Arndt schrieb:
For nur in diesem Fall
Gernot,
Did you mistype something? I never saw a Greek word beginning with mp.
Stephen
- Original Message -
From: Gernot Hilger [EMAIL PROTECTED]
To: Roman Turovsky [EMAIL PROTECTED]
Cc: LUTELIST lute@cs.dartmouth.edu
Sent: Saturday, April 26, 2008 1:10 PM
Subject: [LUTE] Re:
Rob,
Very nice playing as always. I found the Kapsberger piece especially soothing.
Tell us, what recording program are you using on your laptop? And how do you
avoid picking up fan noise?
Stephen
-Original Message-
From: Rob MacKillop [EMAIL PROTECTED]
Sent: Apr 6, 2008 2:23 PM
To:
Nice!
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: BAROQUE-LUTE baroque-lute@cs.dartmouth.edu
Sent: Sunday, March 30, 2008 5:54 AM
Subject: [BAROQUE-LUTE] The Sautschecks' Tabulatures/L'intavolature dei
Sautscheck
For those who may be inclined toward such
I have all the Ricercars and Fantasias in French tab using Fronimo.
Unfortunately, each one is a separate Fronimo file. I would certainly be
willing to make it available if I can find a technical way of doing so. (I
don't have a web site.)
Stephen Arndt
- Original Message -
From
to ask Arthur's
permission, so I shall e-mail him privately.
Stephen Arndt
- Original Message -
From: Edward Martin [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]; David Tayler
[EMAIL PROTECTED]; lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Wednesday, March 26, 2008 4:52 PM
welcome any and all comments, especially pointers for
improving my playing or recording.
Best wishes,
Stephen Arndt
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Stück, das ich spielen möchte, machen würdest!) Ich
entschuldige mich aber, wenn ich der Liste einen falschen Eindruck gegeben
habe.
Stephen
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]
Cc: baroque-lute@cs.dartmouth.edu
Sent
for explaining about the rhythm of 1/8 note
pairs in French baroque music. I am ever so gradually learning. Be patient.
You should receive a separate notification, but the link is also here:
http://download.yousendit.com/B357CB203631D6A7
Best wishes,
Stephen Arndt
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To get on or off
,
Stephen Arndt
- Original Message -
From: Mathias Rösel [EMAIL PROTECTED]
To: baroque Lutelist baroque-lute@cs.dartmouth.edu
Sent: Sunday, March 02, 2008 9:06 AM
Subject: [BAROQUE-LUTE] Re: Amateur recordings
After a short discussion with Stephen Arndt and with his consent, here's
,
Stephen Arndt
- Original Message -
From: Valéry Sauvage [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, February 29, 2008 12:26 AM
Subject: [LUTE] Amateur recordings
Hello,
Back on this list...
I'd like to present some recordings I made with my brand new zoom h2...
(nice
Beautiful! Lute and harp are a wonderful combination. I listened to some of
your other files, too, and think that you have a very full, warm tone.
Please tell us about your instrument, strings, and recording techniques.
Stephen Arndt
- Original Message -
From: Luciano [EMAIL
To those who kindly took the time to listen to and comment on my recording:
Rob, thank you for your continuous encouragement. It really means a lot coming
from someone with your level of expertise.
Stuart, to be honest I don't believe I'm at the point yet where I can worry too
much about
of drumming than I have at the baroque lute in a year.
It is really frustrating.
Best wishes,
Stephen Arndt
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me as beautiful, and I greatly appreciate it. I hope that other
members of the list give you the recognition and encouragement you deserve.
Again, I apologize for doing so on such infrequent occasions.
Stephen Arndt
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED
Rob wrote:
Thanks for the kind comments, Stephen. I thought you were being sarcastic
at first!
Not at all. I meant what I said quite sincerely. Having had similar problems
myself, I have often wondered whether I shall someday be forced to stop
playing lute. If I do have to stop, it is a loss
the
Nero Wave Editor all by itself?
Thanks,
Stephen Arndt
- Original Message -
From: Rob MacKillop [EMAIL PROTECTED]
To: Jaroslaw Lipski [EMAIL PROTECTED]
Cc: baroque lute mailing list [EMAIL PROTECTED]
Sent: Tuesday, February 12, 2008 6:23 AM
Subject: [BAROQUE-LUTE] Re: Tombeau de
on it.
- Original Message -
From: Roman Turovsky [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Tuesday, February 12, 2008 6:59 AM
Subject: [LUTE] Re: Tombeau de du But
Noisy computer fan perhaps?
RT
- Original Message -
From: Stephen Arndt [EMAIL PROTECTED]
To: Jaroslaw Lipski [EMAIL
Martin,
Beautiful tone, and very nicely played. Please give us some technical
details about your recording equipment. I dream of owning one of your lutes
someday.
Stephen Arndt
- Original Message -
From: Martin Shepherd [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent
Stuart,
Thanks for your response.
I used to have a Baroque lute, but this period, apart from a very few pieces,
was beyond me.
I find the baroque lute a real handful, too. For some reason that I really
don't understand, 11-course French baroque pieces are much more difficult
for me than
Hello, all!
Fridays are my day off, so I thought I would try to record again, this time a
Courante by Gaultier (mais elle ne court pas tr=E8s vite!). I tried to lighten
up on the downbeats, as Rob suggested, but I don't know whether it's any better.
I realize that I never answered
the next string lasts just as long. I forgot to mention that the
string was a 42.
Stephen
- Original Message -
From: Anthony Hind [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Wednesday, December 26, 2007 1:15 AM
Subject: Re: [LUTE] Re: Breaking point
- Original Message -
From: Arthur Ness [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]; Anthony Hind
[EMAIL PROTECTED]; lute@cs.dartmouth.edu
Sent: Wednesday, December 26, 2007 7:47 AM
Subject: Re: [LUTE] Re: Breaking point of gut
Dentists have a special kind of dental floss with various
a quarter of an inch wide, and I think it helps
there too, reducing the brightness and the sustain.
Good luck with your new lute. I hope it is everything you wish for.
Stephen
- Original Message -
From: Anthony Hind [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]; lute@cs.dartmouth.edu
: Anthony Hind
[EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED];
lute@cs.dartmouth.edu
Sent: Wednesday, December 26, 2007 10:05 AM
Subject: [LUTE] Re: Breaking point of gut
Stephen
That is remarkable with a 70 cm string length and at 415Hz. I
thought it would need to be at 392Hz, and then only
get
some.
Stephen Arndt
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Version: 7.5.516 / Virus Database: 269.17.9/1197 - Release Date:
12/25/2007 8:04 PM
David,
Thank you for this wonderful Christmas gift! I love how you play with such a
light and seemingly effortless touch.
Stephen Arndt
- Original Message -
From: David Tayler [EMAIL PROTECTED]
To: lute-cs.dartmouth.edu lute@cs.dartmouth.edu
Sent: Tuesday, December 25, 2007 1:03 AM
the
groove in the nut, gut strings lasted anywhere from a few seconds to a few
days on the that course.
Stephen Arndt
- Original Message -
From: Richard Corran [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, December 09, 2007 3:33 PM
Subject: [LUTE] Breaking point
I also tried it but found that it had trouble putting the notes in the most
playable positions. Fronimo and Django work much better.
Stephen Arndt
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: LuteNet list lute@cs.dartmouth.edu
Sent: Saturday, November 17, 2007 4:09 AM
Dear Mathias,
Do you think that to ergon is really the best translation for reality?
Is Wirklichkeit used in German to translate it? In my mind, to ergon
(das Werk) is a human artifact and therefore a product of art (he techne)
and thus not a term for reality as a whole. My first inclination
, and eternal gloria is quite powerful. I am thankful that my
hurry to get to work this morning prevented me from posting my
spur-of-the-moment translation. Now that I have read Mathias', I realize
that I would only have embarrassed myself.
Stephen Arndt
- Original Message -
From
Daniel,
Look at it this way: I didn't hear the lutenist make a single mistake.
Stephen
- Original Message -
From: Daniel Shoskes [EMAIL PROTECTED]
To: gary digman [EMAIL PROTECTED]
Cc: lutelist lute@cs.dartmouth.edu
Sent: Tuesday, September 25, 2007 10:25 AM
Subject: [LUTE] Re: Lute
no idea what is in the dust (somehow I doubt it is pure
carbon), so maybe do it outside.
dt
David wrote:
Carbon can be treated in various ways to sound less bell-like.
I, and perhaps others, would be very interested to know how. Could you
please tell us?
Thanks!
Stephen Arndt
To get
Here's another one:
http://jp.youtube.com/watch?v=GFqTd-CEjHMmode=relatedsearch=
- Original Message -
From: Ed Durbrow [EMAIL PROTECTED]
To: LGS-Europe [EMAIL PROTECTED]; LuteNet list
lute@cs.dartmouth.edu
Sent: Tuesday, August 07, 2007 3:37 PM
Subject: [LUTE] Re: OT: what you can play
Chris Wilke wrote:
Don't get me wrong: I'm putting down violinists, or saying that they have
an easy task!
A Freudian slip?
To get on or off this list see list information at
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ones and
wear one on my little finger. It prevents the soundboard from discoloring.
Stephen Arndt
- Original Message -
From: John Scott [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Sunday, May 13, 2007 6:53 AM
Subject: [LUTE] Novice question - cleaning a soundboard.
Hi
Manolo,
I can't get it either.
Stephen
- Original Message -
From: Manolo Laguillo [EMAIL PROTECTED]
To: LUTELIST lute@cs.dartmouth.edu
Sent: Saturday, March 31, 2007 4:37 PM
Subject: [LUTE] django unavailable
Dear friends,
I'm trying to load the Django page (electric lute
?id=5type=slweisslang=eng, though the
Moscow Manuscripts seem to work from both. Any ideas anyone?
Thanks,
Stephen Arndt
- Original Message -
From: Markus Lutz [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, March 26, 2007 9:26 PM
Subject: [LUTE] Re: Weiss?
Hi Stephen
, especially on a lute list.
Stephen Arndt
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Mathias,
I confess that I read Stewart's original message very quickly and without my
glasses. Thus, I misread resonantior as resonatur, in which case forma
. . . apta would make sense as an ablative absolute, and focused primarily
on the omission of utravis in his translation. Now that I am
window.
Good luck!
Stephen Arndt
- Original Message -
From: Daniel Shoskes [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Monday, November 27, 2006 10:34 AM
Subject: [LUTE] Great tablature site offline
Last few days can no longer access:
http://perso.wanadoo.fr/jdf.luth
Francesco or anyone else tell me what the
problem is and how to fix it?
Many thanks in advance!
Stephen Arndt
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Therapy Workbook has made a huge difference in my condition in
just a matter of days. I am very much encouraged.
Best wishes to all,
Stephen Arndt
- Original Message -
From: guy_and_liz Smith
To: lute@cs.dartmouth.edu ; Stephen Arndt
Sent: Monday, May 08, 2006 9:27 PM
Subject: Re
, I would love to hear
your MP3 files. Please send me one, and many thanks in advance.
Best regards to all,
Stephen Arndt
- Original Message -
From: Eric Liefeld [EMAIL PROTECTED]
To: Stephen Arndt [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, May 03, 2006 9:16 PM
Subject
in advance,
Stephen Arndt
- Original Message -
From: Katherine Davies [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, May 02, 2006 10:08 AM
Subject: [LUTE] Re: lute straps
There are lots of renaissance pictures of people
playing lutes while standing up without any sign
Rob McKillop wrote:
I wonder if they would take my vihuela mp3 files...
They would be fools not to.
Stephen Arndt
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certainly buy a
copy!) And you seem eminently qualified to write it.
Thank you again and best regards,
Stephen Arndt
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Cc: Stephen Arndt [EMAIL PROTECTED]; Mathias Roesel
[EMAIL PROTECTED
, as your most recent one did, by far the most helpful, and I
sincerely thank you for taking the time to share your reflections on your
morning's practice.
Sincerely,
Stephen Arndt
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Friday
/
http://www.artlevine.com/
Best wishes,
Stephen Arndt
- Original Message -
From: Arto Wikla [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Tuesday, August 23, 2005 7:18 AM
Subject: [LUTE] Werner Icking Music Archive
Dear lutenists and such,
just by accident I happened to find
English composers for the lute.
Thank you again for taking the time to write.
Stephen Arndt
- Original Message -
From: Stewart McCoy [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Saturday, August 13, 2005 7:38 AM
Subject: [LUTE] Belated Thanks
Dear Stephen
.
Stephen Arndt
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to the Playing
upon a Ground. If anyone can recommend others to me, whether in English or
not, I would be very appreciative.
Thanks in advance to anyone who can help.
Stephen Arndt
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, Stewart, you strike me as
certainly one of the most knowledgeable, and I would greatly appreciate any
specific guidance you could offer in helping one decide wihch chords to roll
which not. I always benefit from reading your comments.
Thank you,
Stephen Arndt
- Original Message -
From: Stewart
to kill me--but it probably won't). Also, I am translating the plural
amores with the singular love, but, depending on context, the plural
could also mean words of love or love affairs.
Hope this helps,
Stephen Arndt
- Original Message -
From: Herbert Ward [EMAIL PROTECTED]
To: [EMAIL
=
(apart from the most obvious Internet sites).
Thanks!
Stephen Arndt=20
--
appreciate any help anyone could give me.
Thank you.
Stephen Arndt
--
a little on a =
rolled chord, giving an accent of length rather than of volume. That =
comment gives me some specific guidance on when to employ this =
technique.
My thanks to all who responded to my inquiry.
Best regards,
Stephen Arndt
--
(as there is in guitar =
notation) that a particular chord is to be played as an arpeggio?
I would appreciate any input anyone could give me on this issue.
Thanks!
Best regards,
Stephen Arndt
--
Thank you, Stewart!
I apologize. When I said arpeggiate, I meant roll. I appreciate your =
distinction as well as your comments.
Thanks!
Stephen
--
. It seems to me that you make a fairly liberal use of =
rolled chords on this CD, and I would be very interested in any comments =
you might have about your use of them.
Best regards to all,
Stephen Arndt
P. S. an Thomas: Ich m=F6chte diese Gelegenheit nehmen, Ihnen zu sagen, =
wie viel Ihre
=
of masking tape about 1/16 of an inch wide around it, and it has worked =
amazingly well.
Once again, thanks to all who responded. I very much appreciate the =
helpful information.
Best regards,
Stephen Arndt
--
=
Renaissance lutenists on our list have used nylgut and, if so, what =
their experience with it has been.
Best regards,
Stephen Arndt
--
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