ah! right
thanks Jan. see you at Paris in April?
Takin beer togheter
Mimmo
From: [1]jmpoirier2
Sent: Tuesday, January 10, 2017 9:31 AM
To: [2]Mimmo Peruffo ; [3]lute@cs.dartmouth.edu
Subject: RE : [LUTE] Re: Aquila Loaded Nylgut sustain
Dear Mimmo,
No problem at all
: Mimmo Peruffo <mperu...@aquilacorde.com>
Date : 09/01/2017 6:33 PM (GMT+01:00)
à : lute@cs.dartmouth.edu
Objet : [LUTE] Re: Aquila Loaded Nylgut sustain
maybe it is better to give you guys a few more informations:
yes, I am out of stock due to some problems: the fir
From: Matthew Daillie
Sent: Monday, January 09, 2017 10:52 AM
To: Mimmo Peruffo
Cc: Rob MacKillop ; Lute List
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
One thing nobody seems to have mentioned is the vast differences in
sustain
from one instrume
"...and my guess is that these strings may last forever.."
While no doubt true, and good thing as well, ALL unfingered lute bass
strings last virtually forever! My Baroque lute student has had the
original (and unspeakably vile) metal overspun strings on his otherwise
very fine 13
nthony Hind ; [4]Matthew Daillie ; [5]Mimmo Peruffo ;
[6]Rob
MacKillop ; [7]Lute List
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
and my guess is that these strings may last forever..
Bruno
2017-01-09 11:56 GMT-05:00 Dan Winheld <[8][2]dwinh..
; [6]Rob
MacKillop ; [7]Lute List
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
and my guess is that these strings may last forever..
Bruno
2017-01-09 11:56 GMT-05:00 Dan Winheld <[8]dwinh...@lmi.net>:
Fascinating thread! I am delighted that after over 40
Dear all,
We have some gauges still on stock, but they are running fast. You can
also find everything on our store with 20% discount, so it's really a
nice chance to try them.
This is the website: [1]www.cuerdaspulsadas.com
Mimmo is already part of the lute history, I dont have
David Morales' cuerdas Pulsadas in Spain, has them, David Morales who
is on this lute list should be able to help you out. Mimmo is out of
stock already.
Bruno
2017-01-09 12:02 GMT-05:00 Bruno Cognyl-Fournier
<[1]fournier...@gmail.com>:
and my guess is that these strings
and my guess is that these strings may last forever..
Bruno
2017-01-09 11:56 GMT-05:00 Dan Winheld <[1]dwinh...@lmi.net>:
Fascinating thread! I am delighted that after over 40 years in the
lute "business" (even mostly amateur) that good bass strings may be
emerging as an
Fascinating thread! I am delighted that after over 40 years in the lute
"business" (even mostly amateur) that good bass strings may be emerging
as an obtainable, affordable, predictable, and PRACTICAL reality. Mimmo
Peruffo is to be congratulated for all his work over all these years.
Now,
Jakob Lindberg's remarks about the wonderful sustain of his old
Rauwolf seems to confirm what you say (sustain, complexity and clarity,
together according to JL). Mersenne would certainly have heard
marvellous old Bologna lutes sought out by French luthenists, no doubt
exactly
: Rob MacKillop ; 'Lute List'
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
Not sure about that Mimmo... Mersenne is a scientist, therefore a precise
observer and his observations are worth considering seriously. When he
describes the duration of the sound of the bass stings of a lute, he
ibration, not the sound.
>Mimmo
>
>-Messaggio originale-
>From: Matthew Daillie
>Sent: Monday, January 09, 2017 10:52 AM
>To: Mimmo Peruffo
>Cc: Rob MacKillop ; Lute List
>Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
>
>One thing nobody seems to hav
: Monday, January 09, 2017 10:52 AM
To: Mimmo Peruffo
Cc: Rob MacKillop ; Lute List
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
One thing nobody seems to have mentioned is the vast differences in sustain
from one instrument to another. Maybe Mersenne's comments go to show just
how good some
Differences in string length can obviously also account for considerable
variations in sustain.
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
One thing nobody seems to have mentioned is the vast differences in sustain
from one instrument to another. Maybe Mersenne's comments go to show just how
good some lutes were at the time. If one was to rest a lute on the edge of a
wooden table as they were wont to do at the time, then maybe
Sorry to the list
it was a private message to Rop, I sent it also to the list for mistake
Mimmo
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
-Messaggio originale-
From: Rob MacKillop
Sent: Monday, January 09, 2017 8:49 AM
To: Mimmo Peruffo
Cc: Lute List
Subject: Re: [LUTE] Re: Aquila Loaded Nylgut sustain
Good comments, Mimmo. I must say I am impressed with the Loaded Nylgut
strings, and will definitely use them on from 6th
; behaviour.
> Mimmo
>
>
> -Messaggio originale- From: Jean-Marie Poirier
> Sent: Sunday, January 08, 2017 9:46 PM
> To: Christopher Wilke ; Rob MacKillop ; 'Lute List'
> Subject: [LUTE] Re: Aquila Loaded Nylgut sustain
>
> The exact quotation from Mersenne is
Poirier
Sent: Sunday, January 08, 2017 9:46 PM
To: Christopher Wilke ; Rob MacKillop ; 'Lute List'
Subject: [LUTE] Re: Aquila Loaded Nylgut sustain
The exact quotation from Mersenne is :
"...le son des grosses chordes de Luth est apperceu de l'oreille durant la
sixiesme partie, ou le tiers
> On Jan 8, 2017, at 2:36 PM, Rob MacKillop wrote:
>
> Good point, Howard. But still, twenty seconds is a long time. I am
> certainly only interested in the time before clashing with the next
> note or notes takes place, and that of course depends on the passage of
Good point, Howard. But still, twenty seconds is a long time. I am
certainly only interested in the time before clashing with the next
note or notes takes place, and that of course depends on the passage of
music. But generally speaking, even if we halve Mersenne's twenty
seconds,
> On Jan 8, 2017, at 12:55 PM, Rob MacKillop wrote:
>
> So what are we to make of this? The movement in the last decade has been to
> minimise the sustain as long as possible. I'm completely on board with this.
> But if we are to take Mersenne at face value, we have
On 08/01/2017 21:29, howard posner wrote:
On Jan 8, 2017, at 12:11 PM, Rob MacKillop [1] wrote:
Excellent. I'd appreciate a good translation of the French...
Google Translate renders "le son des grosses chordes de Luth est apperceu de Tor
eille durant la sixiesme
On 08/01/2017 21:46, Jean-Marie Poirier wrote:
The exact quotation from Mersenne is :
"...le son des grosses chordes de Luth est apperceu de l'oreille durant la sixiesme
partie, ou le tiers d'une minute, c'est à dire pendant que l'artère du poux d'un homme sain,
& sans emotion bat dix, ou
So what are we to make of this? The movement in the last decade has been to
minimise the sustain as long as possible. I'm completely on board with this.
But if we are to take Mersenne at face value, we have been moving in the wrong
direction - we should be at least doubling the sustain time.
On 08/01/2017 20:58, Christopher Wilke wrote:
Thanks!
[1]Sent from Yahoo Mail for iPhone
On Sunday, January 8, 2017, 2:33 PM, David Morales
[1] wrote:
Yes, we have some quotes and images on our blog related to that topic
in the interview
The exact quotation from Mersenne is :
"...le son des grosses chordes de Luth est apperceu de l'oreille durant la
sixiesme partie, ou le tiers d'une minute, c'est à dire pendant que l'artère du
poux d'un homme sain, & sans emotion bat dix, ou vingt fois..."
which can be roughly translated by :
Thanks!
[1]Sent from Yahoo Mail for iPhone
On Sunday, January 8, 2017, 2:33 PM, David Morales
wrote:
Yes, we have some quotes and images on our blog related to that topic
in the interview with M. Peruffo regarding these loaded strings.
> On Jan 8, 2017, at 12:11 PM, Rob MacKillop wrote:
>
> Excellent. I'd appreciate a good translation of the French...
Google Translate renders "le son des grosses chordes de Luth est apperceu de
Toreille durant la sixiesme partie, ou le tiers d'vne minutec'est à
Excellent. I'd appreciate a good translation of the French...
Rob
On 8 Jan 2017, at 19:33, David Morales
<[1]dmorale...@cuerdaspulsadas.com> wrote:
Yes, we have some quotes and images on our blog related to that topic
in the interview with M. Peruffo regarding these loaded
Yes, we have some quotes and images on our blog related to that topic
in the interview with M. Peruffo regarding these loaded strings.
Check it out here:
[1]http://cuerdaspulsadas.es/blog/new-loaded-synthetic-bass-strings-by-
aquila-corde/
Copied here:
--
Let's take a
I was being lazy. He doesn't mention seconds, rather heart beats, if I
remember correctly. Hopefully someone can supply the original.
Rob
On 8 Jan 2017, at 18:54, Christopher Wilke <[1]chriswi...@yahoo.com>
wrote:
Hi Rob,
What exactly is the quote in Mersenne about the 20
Hi Rob,
What exactly is the quote in Mersenne about the 20 second sustain?
Although my French is very poor, I've attempted to find it to no avail.
Chris
[1]Sent from Yahoo Mail for iPhone
On Sunday, January 8, 2017, 10:59 AM, Rob MacKillop
wrote:
Very relevant comparison Rob, and I also notice that on my 11C lute,
the sustain of the new Aquila basses is almost identical to that of my
Venice octaves (which presumably would not be the case with the
Savarez. I imagine they would drone on longer if not stopped); but
again if I
The complete opposite for me, John :-) At least we have a choice now. I
don't want to spend half my time stopping every bass note from ringing
on too long.
Rob
[1]www.robmackillop.net
On 8 Jan 2017, at 17:59, John Mardinly <[2]john.mardi...@asu.edu>
wrote:
No contest-I
No contest-I use and love the Savarez (on my 8-course) not just because
of the sustain, but they pick up the vibrations from the treble strings
and give an ethereal sound to the instrument. It's like having your own
cathedral at home without the expense.
A. John Mardinly, Ph.D.,
Thanks for sharing Rob, this is really helpful.
I have also uploaded a short video yesterday, trying out these new
synthetic loaded bass strings on a vihuela.
[1]https://youtu.be/g1g7sZiknws
By the way, let me share with you that these days we are offering a 20%
discount on all
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